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#its taking a existing concept and going 'ok what would i do with this same concept'
payaso-gomi · 1 month
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Oh yeah I'm doinng a little Danny Phantom rewrite for fun! I love the show, I just wanna see how I'd go about something because I dunno Ghost Boy story sounds fun
You can read my character ramblings under the cut 💖💖
Danny's been a bit hard, I just don't know what to do with him. He did go through quite a rewrite in my head too, I like him in the show and all I just think he's different to how I would have approached him. Teenage boy dies and comes back Different is such a interesting concept and I wanted to try that out. I'd definitely make the trans thing much more of a Thing, make it a Straight Up thing. I think his story would be mostly about finding out who he is, qhich is lowkey what the show's about. More religious imagery and talking though, lmao. He might get renamed altogether, he looks like a Quinn to me idk
Tucker's been the hardest to do something I have fun with because I never really connected with his character in the show. I see this Tucker as a bit of a obssessor, an otaku if you will. He's a shut in, really really good at video games (rythm and RPGs particularly), he listens to a lot of very different electronic music (buddy's not ready for puggnb, he'd love that stuff). If he's interested in something he'll learn everything about it and buy way too much merch (or make it if he has to, Sam planted a DIY worm in him). He has a lot of fictional crushes, most of the anime girls (and a few boys but he's still deeply in the closet here). His main fixation is technology, particularly computer parts and all the stuff involved with that. When he was little he was known for breaking calculators or whatever gadgets and devices he could because he liked to see how they were made. he later learned to disassemble them without breaking them lmao)
Sam's been the easiest, I understand her character the most tbh. I know a couple of people who are very invested in political and social movements and tbh making her a little too focused on that stuff is interesting (and. Potentially funny). Maybe she takes things too seriously, and ends ip getting herself in trouble. Would focus a lot on her relationship with her family (her mom, specifically). She's super super diy, most of her clothes are thrifted. she has the money for new stuff but refuses (or can't for the most part. She does spend her money on music and has a very impressive CD catalog. She would dilute her style a lot more around her family because as much as she's a punk queen, she doesn't want to hear her family's comments on her clothing and her messy makeup. Sticks and stones and all that but it does hurt to hear someone you're close to negatively comment on something you care about
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rassicas · 6 months
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If a future Splatoon game absolutely HAD to add another playable species (even though it's really not all that necessary) which would you like to see most?
a new species would have to be... -capable of naturally producing ink. weve seen some other species capable of producing "ink" (salmonids, i dont think its literally squid ink but its functionally the same. big man can, but its his toxins and implied to be a special ability for his family and not something rays can normally do. idk what the deal is with master mega and the eels) -have thin skin that lets them shapeshift between 2 forms. we see salmonids and big man dive in ink, and sheldon can hide in his shell but this inky transformation is exclusive to inklings and octolings so far, as they have evolved to be ink based, and have thin skin that allows for this transformation. the evolutionary trade off to this is that they can't go in water because of this thin skin. this is why shapeshifting salmonlings literally cannot exist btw -capable of respawning. splatoon team has been consistent about this being something ONLY the ink-based inklings and octolings can do. when big man and the smallfry "die" they do not explode nor do we see a ghost (in contrast, frye and shiver do die and respawn) . it seems that being truly ink based is what allows for respawning.
-would have to have the same abilities as octolings and inklings, and basically be a reskin of them for the sake of gear. in-universe other species CAN play turf war or ranked, but considering respawning is something limited to inkfish, other species cannot inkily transform, and are fine with water, i'm sure theres some modifications to the rules. like this is fine in-universe, but to splatoon as a game? this sounds like a nightmare. especially if this new species has different abilities than the inklings and octolings? if species choice is no longer fun and cosmetic, but something to consider for meta, thats horrible! btw they wouldnt even put the suckers on the topside of the tentacles for the octolings in swim form despite it being like that in concept art, and it being inconsistent with the humanoid forms. also the tentacle lengths are inconsistent with the enemy octolings. im convinced they made these choices so the swim form wouldnt stand out too strongly against the inklings. so in what universe would we get something like. a playable fishling. lol taking established lore into account as well as gameplay, cuttlefish, another ink-producing cephalopod, are quite literally the only new species id be ok with. keyword "ok with" i dont want a new playable, i just want more customization options for the guys we have
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batw1nggg · 11 months
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hi. im here to kamukoma ramble. ok so i reeaaly hate how all kamumeshi Fan Content (which is basically all kamukoma content) waters down izuru to being the dominant one and servant to being his cute little dog like i feel like its so much more complex then that.
izuru was created to be subservient, to be smart enough to see through manipulation tactics and yet not care enough about himself to do anything to stop them, always doing something to serve someone else’s interests - and even when he does do one thing in his own interest (the killing game), it was largely because of his obsession with junko, so we see her still pulling the strings on him from beyond the grave (emphasized by his convo with her in his udg cameo). he doesn’t have power and he’s been designed not to want it. he’s been robbed of his humanity over and over again and been taught to accept it. he even explicitly states all of this in talent dev plan with taka
komaeda, on the other hand, is always framed with such heavy control over the narrative - he heavily influences dr2’s ending and takes that same puppeteering role in udg too. although he has that inferiority complex, he still holds so much power over everyone else, manipulating them like chess pieces. he is just as dangerous as izuru is, considering he has not only the intelligence but the motivation to act out like this, something izuru lacks.
and so this creates a really cool complexity where servant believes he’s meant to be subservient to izuru but this may not be wholly reflected in the way he acts, and izuru most definitely does not care for/about controlling servant. and, if izuru does take a domineering role, it’s because that’s what servant wants (especially after junko’s death, when he has no one left to place himself beneath), and so izuru’s still letting himself go with whoever the people surrounding him want him to be. he’s not with servant for the power trip, that goes completely against everything he’s ever been - because, in reality, IZURU is the one who exists to serve. to serve his creators, and then junko afterwards, even after her death. his purpose has always been assigned to him, not created by him.
both characters are fucked up and morally grey. both characters are the man, both characters are the god.
this is what i wish people would focus more on when writing their general character development and the development of their relationship. because they barely get any screen time you get lots of creative freedom and you can take this concept in either a “they are going to heal and get better together” route or a “they are doomed to always hurt each other in their codependency” route or some weird thing in between; again, personal preference, and if you want to keep izuru and hajime separate postgame this opens a whole new plethora of dynamics and development to write about after komaeda becomes himself again. the flexibility of their dynamic is whats so intriguing to me - kamukoma is a very complex and fluid idea that i wish more people would mess around with like this join me and we can play with them like putty
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oneatlatime · 8 months
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The Guru
Happy 2024 everyone and welcome to the first time I managed to type 2024 without first typing 2023! Oh and also a write up of The Guru. That too.
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Me too Iroh. Me too.
So Zuko is riding high on that post-crisis 'time to get my life together' buzz that, similar to 3 am life plans, should absolutely not be listened to. Wonder how long before he crashes and burns? There's literally 2 episodes left, so I'm guessing one and a half?
Poor Sokka. My boy's got anxiety.
I don't know if it's a monk thing, an airbender thing, an Avatar thing, or an Aang thing, but I envy his complete lack of nerves.
How is Appa ok with them splitting up for a week after JUST getting them back?
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I paused in a funny place. Have bonk-eyed Appa.
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I love them comparing heights. What do you want to bet that that guy on the right was one of the youngest allowed to go fight, and Sokka made a big deal about how they're almost the same age and surely that means he can go too, right?
A lot of these Southern Water Tribe people have dreads or braids. That's neat.
Bato's arm is still messed up. That's some good continuity.
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I've found the source of Katara's cheek bones. I guess Sokka takes after his mum.
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Ok I know this is a really emotional moment (and it is! Sokka's spent two seasons earning this!) but my brain fixated on the furs and briefly thought they were sky bison pelts.
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"It's been a difficult week for me." This guy thinks the Kyoshi Warriors are there to provide him therapy. Someone please just crown the bear instead.
He just gave away literally every relevant plot point AND outlined how to make sure all these plot points don't succeed. Crown. The. Bear.
Maybe if these generals spent less time playing with their giant model Earth Kingdom and more time general-ing, the war wouldn't suck so much?
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Pretty.
I LOVE LOVE LOVE the designs, the colour palette, the music, the sound design of this air temple. I love everything about it. If I had the chance to live anywhere in the Avatar universe, it would be here. Even in its ruined state it's such a refreshing contrast to the claustrophobia of Ba Sing Se. I can feel the freshness of the breeze through the screen.
"A spiritual brother of your people" an adult perspective on a near extinct culture! What a resource!
"and a personal friend of Monk Gyatso" an old as balls perspective. He's got to be at least 130.
Anthropology cul de sac time: this guy is so valuable as a resource on the Air Nomads. There's probably parts of Air Nomad culture that Aang can't ever accurately talk about, because he was a kid when he left, and there was almost certainly stuff that the adults kept to themselves, or only shared with the older Air Nomads. This Guru doesn't seem to be an Air Nomad himself, but there's a good chance that there is knowledge that he has, that Aang doesn't. Aang should be nerding out more about this. I'll do the nerding out for him.
Aang just breezes right by that Gyatso name drop like it's nothing. Huh.
Oh hey Toph. I'd forgotten she was in a box. Tweedle dum and Tweedle dumber really are quite the pair. What's their plan for keeping her fed and watered? Actually, these guys apparently don't know that maps exist, so it's probably never occurred to them that humans need sustenance. They'll rock up to the Bei Fong estate with corpse Toph and wonder why they aren't getting the reward money.
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Mai gets called out in-universe for shopping at Hot Topic.
Ty Lee's buttering up of Azula is getting less and less subtle as the season progresses. It's a testament to Azula's lack of awareness that she's hasn't noticed that, and that Ty Lee can get away with it.
Azula's right that it's an extraordinary opportunity. The King gave them quite literally every piece of info required to overthrow his kingdom in a 25 second conversation. I can't blame her for taking advantage of such an easy win.
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That's a very effective unimpressed face. And a very impressive beard.
It's funny to see a spiritual concept from the real world pop up in a show that includes things like bending and giant fish possession. The mention of Chakras kind of sticks out. They couldn't invent a Avatar universe version?
"Once you begin this process, you cannot stop until all seven are open." Well that doesn't feel like foreshadowing at all.
This episode should be called "Aang's self-care Journey." It's about time the kid had a me day that wasn't avoidance-based.
Fear: Losing Katara - makes sense. Losing control of his powers via fish possession - makes sense. The Fire Lord - makes sense. But the Blue Spirit? He helped. Doesn't make sense.
Guilt: Running away - makes sense, although I thought he'd worked through that with Katara in the storm. Nuking that idiot General's base - makes sense, but boy did he quite literally ask for it.
This guru is saying some wonderfully accurate, and realistic, things. I love that he's not taking the Katara route of denying anything is wrong. He's going for the acknowledge, then heal route. And yes, it's unfair of me to compare the emotional maturity of Katara to a century+ old spiritual expert.
I'm going to ruin the immersion here and point out that Sokka's dad's voice actor voiced a bunch of characters in season 1. He's doing an excellent job, but couldn't they get a unique voice for a character that's so important (albeit offscreen) to Sokka?
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That's an incredibly roundabout way of avoiding pointing out that the Southern Water Tribe are active participants in a bloody war. Sure, we can show multiple characters with visible scarring from horrific burns, but heaven forbid we imply that the Southern Water Tribe sinks ships. The parameters for what is and isn't appropriate on this show sometimes make no sense.
"Aren't you listening? I said the rest of you men get ready for battle." He hasn't seen his boy in two years, but fifteen minutes in his company and he knows exactly what needs to be said and how. That's some top tier parenting. Dad of the year. Dad of the century. Only decent Dad in this show that isn't technically an uncle.
"Follow your passion Zuko, and life will reward you." Great advice for your eight year old audience. Also a great way to end up unemployed.
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Positive Sokka creeped me out a few episodes ago. Now positive Zuko is freaking me out too.
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Pretty.
Back to Chakras! Shame: Burning Katara - makes sense. But that's it? To have the inner peace of mind of a twelve year old who's somehow only ever done one thing that he's ashamed of.
Is there anyone in the earth kingdom who isn't stupid? Once again wondering at the network's standards. Visible burn injuries are fine, but Mai can't say 'Shut up." It's got to be Shush up. Although I do seem to recall of brief time in the early 2000s when Shut Up was treated as a curse on par with Shit or Fuck. Maybe that was just at my school.
Chakras again! Even for a show that often has an A, B, and C plot, this narrative is ping ponging around a bit much.
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Grief: nothing major, just a whole nation. Makes a horrific amount of sense. but I don't buy that he can get over grieving the whole world as he knew it by thinking about his crush. That's way too high a pedestal for Katara to be placed on.
Lies: Not accepting he's the Avatar. Interesting that not accepting that he's the Avatar and not accepting that he's a firebender are two different problems.
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I see you reusing the opening credits footage. Your blue filters can't fool me.
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PRETTY
Illusion: So we're relearning what we learned in The Swamp. Aang's probably the person currently alive least likely to believe in the rigid separation of the nations anyway. This doesn't feel like an illusion he's subject to?
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The way this episode dances between its narrative threads is so great. It's all woven in so beautifully. And this makes perfect sense! Toph's spent her life secretly doing things excellently that everyone says are completely beyond her capabilities. Life has taught her that the statement "you are not able to" doesn't apply. Of course immutable laws of bending physics are treated with the same respect as an adult telling the champion of the Earth Rumble that she's can't earthbend beyond breathing exercises. If you told her that humans can't fly, she'd figure out how within the week.
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Plot collision incoming.
Interesting that Katara initially recognises Zuko by his voice rather than his scar.
I'm pretty sure that Zuko and Iroh don't know about the whole brainwashing thing, but wouldn't it be hilarious if Zuko introduced himself to Katara as Joo Dee, and his uncle Joo Dee, welcome to the Jasmine Dragon, can I take your order? That would throw Katara into one hell of a moral quandary.
Katara being framed as the solution for Chakra number four comes back to bite Aang, as she's the problem in Chakra number seven. I knew that pedestal was too high.
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I've changed my mind. This episode should actually be called "Half a dozen reasons why everyone should just learn to keep their goddamn mouths shut already."
So is anyone going to let Zuko and Iroh know that they're now in immediate danger and need to leave, like, yesterday?
I think the Guru is going for the whole 'if you love them, let them go, and they'll come back to you' thing. Don't cling, in other words. But for the sake of the plot he's suddenly lost his ability to explain Chakras in a way that makes them seem like the logical thing to do. The only clunky bit of this episode so far.
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May I introduce you to our Lord and Saviour Toph?
"I am the greatest earthbender in the world." Yes. Yep. Yeah. That's now a quantifiable fact, and it's correct. Look on ye mighty and despair. She's even got Bumi beat.
Earth Tongue Running is a bit wonky looking but it covers a crazy amount of distance.
What's the range on Toph's earth sense? Can she sense what direction Ba Sing Se is?
I hope those two idiots' horse bird is ok.
"You don't know how much this means to me dad." He does. Very much so.
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Every word out of this guy's mouth is precision engineered to make Sokka feel like a million bucks and I for one think it's about time someone built him up. Also, seeing this makes me realise how few good parents there are in this show. It's a trope of kids' adventure shows that the parents fundamentally can't be there, but I also think it's a commentary on yet another thing that this war has messed up.
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Hey look! Being a man is knowing where you're needed the most, and right now that's in Ba Sing Se, protecting your sister! I love narratives that tie their themes up with a pretty bow on top.
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This is Azula laying a trap, right? Which means that Katara squealed to someone about the exact location of Iroh and Zuko's tea shop. Don't like the implications of that.
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Photos taken seconds before disaster.
Final Thoughts
This episode was a lot! I mean that in a good way! But I felt a bit like the Maxell Blown Away Guy, the way I kept getting assaulted by yet another plot thread. Don't get me wrong, this isn't a criticism. I think the switching between plot threads and the amount of info in this episode worked 99% of the time. But I'm kind of in awe at the balancing act the writers pulled off and I'm sort of sitting here blinking a bit trying to fit all this stuff in my head. I'm probably going to forget half the stuff I wanted to talk about in this write up, so here goes nothing.
Given the Azula reveal in at the end of last episode, I thought that this would be the episode where the shit hits the fan. I was wrong. I'm glad I was wrong. An episode of set up is required and is nice breathing room, even an episode as busy as this. And I got to leave Ba Sing Se! But this does mean that next episode is going to be calamity after calamity.
Aang and his Chakras: I'm fascinated by this guru. I hope he comes back. That brings the total number of people who were alive before the war started up to three: Aang, Bumi, Guru Patik.
I'm impressed that the run through of the Chakras rarely felt like an info dump. The onion and banana juice thing didn't work for me, but I'm sure it worked for people in the target age bracket. Kids love burp jokes.
So many shows sprinkle in tragic backstories for flavour and then never have them influence the character in the present. It was a nice contrast to see a show take a whole episode to tell Aang "yeah all that sucked. It's ok to feel down about it. Here's how you move forward."
Sokka and his dad: Love it. Love it so much. I love seeing Sokka built up, and he definitely deserves it, but I wonder if this is the reward for a character arc well done, or the set up for a character arc that's about to start? Is his dad's praise his prize for crossing the finish line, or is it so he's built up with farther to fall?
I loved seeing more of the Southern Water Tribe. I loved the fashion. There's a lot of variety in accessories and variations on a few basic elements like those knee guard things. I loved their hairstyles. I loved how cozy and communal that command tent felt. I loved their ships. I wonder how often these guys work out, that they can make loading ramps that are presumably deployed and stashed out of the way frequently, out of whole logs rather than planks. I have a bone to pick with the child-friendly sea mine. But it provides a good set up for a dad joke, so I'll let it slide.
Zuko and Iroh: Of course the one time Zuko is allowed to be in a good place, it's so that he and Iroh both have farther to fall when the inevitable happens. Poor guy just can't catch a break. I'd be mad at Azula for the party crashing that I'm assuming she'll do next episode, but it's been established that Zuko has all nice things taken away from him as soon as he gets them, and I can't blame Azula for being a tool of the universe.
Azula & Long Feng: Azula's acting in Long Feng's prison cell was miles ahead of what Long Feng was doing in front of the Earth King, so I'm wondering if Long Feng has bitten off more than he can chew. Also: conspiring with the enemy to bring down your own city just so you can reinstall yourself as the power behind the throne that will presumably cease to exist as soon as the Fire Nation takes control? That is both treasonous beyond description and an incredible case of shooting yourself in the foot. What's Long Feng's plan here?
Toph and the Dunderheads: it says something about the consistency of Toph's characterisation from her introduction onwards that she breaks the universe this episode and my reaction was "that's neat." It's obviously a huge moment, but of course Toph can do that. Toph can do anything. More importantly, Toph knows that Toph can do anything, so Toph routinely does do anything, especially things she shouldn't be able to do. If you had asked me a few episodes back which character would be most likely to fundamentally redefine bending, I would have said Toph, since she's already fundamentally redefined bending with her earth sense sonar vision.
Also Toph just breaks stuff. Things that come into contact with her cease to function as intended and instead function as Toph requires. Look at the two idiots: both successful business owners, one also a successful hoodwinker of the richest family around. But they come into contact with Toph and their brains take an extended vacation.
Katara & the Generals: this plot was more like an extension of Azula's plot than its own standalone thing. You can't blame her for spilling the news about Zuko and Iroh to someone she honestly thought was Suki. Not much else to say about it, although it's cute that she asks for a table for two at the tea shop. Momo gets a chair!
I like that there's a theme this episode of things going wrong despite the best intentions. No one's acting maliciously here apart from the Antagonists. The Earth King is having an honest chat with people he thought were friends. Sokka vouched for people he honestly thought were the Kyoshi Warriors. Katara shares information about a presumed threat with people she honestly thought were her allies. You can quibble with the wisdom of some of these decisions, but there were all done with good intentions. The best laid plans of mice and men oft go awry and all that. It brings to mind that Star Trek quote about how you can do everything right and still lose. And this set up is going to hit harder when whatever goes wrong next episode happens. And something will go wrong. A few months ago I figured that the Season 2 finale would be a triumph, but all signs are pointing towards a tragedy instead.
This episode was visually stunning, the soundtrack in the Air Temple sections especially was very evocative, and I applaud the minds that could juggle that many plot threads at once without dropping any. This one is definitely going on my rewatch list.
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jmdbjk · 1 year
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3D
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I had to let some time pass before I wrote this. The discourse is heated and polarized.
You say: "ABG ... Asian Baby Girl, doesn't mean the same as it used to" ... it might not for you but it is rooted in misogyny and racism. Does that mean the n-word doesn't mean what it used to? Or the word bitch, cunt or whore? It's ok to use those words too when rapping about women? What about fag or fairy? Ok? No. Not okay.
You do you, Boo, but:
"The ongoing oppression of women is enshrined in religious, legal, political, educational, and employment systems and structures. An equivalent level of systemic and structural oppression has not been experienced by the current generation of white men in America. "
You can read the article this excerpt is from here.
My first impression upon listening/watching the first time: I did not like it because of fugly white boy, Jack Harlow. I've never liked him, I've never liked his lyrics or his vibe. He is the type of overdone, asshole misogynistic male bullshit rap that had become unavoidable for a while.
I don't have ANY problem with JK singing about sex, having sex, shooting his jizz to the sky or any of that. BRING. THAT. ON. I don't care if the song is about phone sex or masturbating on camera or whatever.
What I do have a problem with is a white guy saying one girl (the black girl) is boring but two girls (add the white girl) is cool. I have a problem with the concept of having women lined up ready to fuck as some sort of thing to laud. And they are all dressed alike, so that means he doesn't care about them, they're all the same. Just another pussy to fuck. Diversity, yay. Not.
I will listen to the alternate version of the song but I will never listen to or stream the version with the rap.
I love Jungkook. I love that he's exploring his sound. He is creating music that speaks to him RIGHT NOW in his career. Do I like that he's put this song out? No. But that's my own personal opinion.
I can't speak for Jungkook, a 26 year old Korean man. He has his own systemic and structural oppressions to deal with.
I am not going to second guess him. He will see the feedback and take it into consideration, I don't have to guess on that, I know he will. They all see what goes on.
I wanted to give JK the benefit of the doubt with Seven. I don't have a problem with Seven the song, but its the hype surrounding it that is perpetuated by the fandom that he is being pushed in the western market. This song proves it.
All that being said, BTS and each individual member all exist within an industry that is heavily influenced by the western market.
As such, every song each member releases will add to the colors that the team will be able to use when they come back together as a group. No one will be surprised if BTS utilizes a hardcore western rapper in the future now. It is just one more color in the mix.
But as my friend says: "Shoot for another Coldplay....They don't need to be lifting people up. They need to find peers. Which is why I would support a Lady Gaga collab with Tae. Which is why Hobi asked for J Cole. That's a peer, man. I can handle Pharrell with them.
The benchmark for peers, to me, is another artist who has nothing to gain from collab'ing with them. An artist who holds their own, on their own, and collabs to let each participant have fun, shine, and grow a bit. Not some newbie who needs the boost. The only exception to that would be if they worked with one of their juniors at Hybe."
And now I move on from this.
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tachiguin · 5 months
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If you were Kafka, what would you change in BSD
Sorry, this question has been sitting in my inbox for a very long time. I think it’s kinda hard for me to answer this question, because to a certain degree I’m tempted to say “I wouldn’t change anything at all”. Like, for all that I criticize media like Bungou Stray Dogs for various things, I also think that the media we consume shouldn’t be required to be so perfect that there’s nothing to criticize. If anything, criticism is a major part of what drives discussion in fandoms. Moreover, as much as I may feel “Kafka Asagiri shouldn’t have done X”, I’m not really inclined to want to change X about the series? Maybe it’s just because I approach it from the mindset of a reader, not an author, but I think that its OK for me to disapprove of certain aspects of a series, and still not want anything to change about it. Like, if I was given full control to change anything I wanted, it probably wouldn’t be the same Bungou Stray Dogs at all, starting with Mushitarou’s awful hairstyle, BTW. Honestly I might just kill the guy off if it was up to me, I don’t really like looking at his face……. but I digress!
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Having said that, I still do think certain aspects of the series could be changed to better appeal to myself. But again, I don’t want anyone to think that my opinion is more “correct” than what Kafka Asagiri himself decided for the series. This is literally just my personal thoughts on the matter, just like how if it was up to me Oguri Mushitarou and his slimy hair would not exist in Bungou Stray Dogs, even though, objectively, he’s fine and well written and nothing really needs to change about him, except I really want him to sue his plastic surgeon, and his hairdresser, like hello? Way to make a guy look unrecognizable, I guess.
Sorry, I’ll stop trashing on poor Mushitarou. I’m serious though.
The two major changes I’d make are the role of female characters in the series, and also the way that the concepts of self-sacrifice and “honorable suicide” are presented. I think these aspects are the biggest gripes I have with the story, but I also think that, especially in regards to the latter, the series wouldn’t necessarily be the same, or even “better”, if it was changed.
I’ve never really made a post going in depth about how I feel in regards to BSD’s female cast, but I’ve mentioned before that I think the fandom really underrates most, if not all, women in Bungou Stray Dogs. But in retrospect, I can’t really blame it all on the fandom’s general misogyny; the way that Asagiri portrays women in his story doesn’t really do anything to discourage the lack of appreciation for his female cast. The thing is that she’s almost always the side chick. She’s an accessory to hang off of his arm. She’s motivated solely by him, whether that be his goals, or just because she—and it’s never really explained why—is deeply and hopelessly in love with him. Who is this “she”? Who am I talking about, in particular? Literally every female character, barring maybe Yosano, might fit the descriptions I gave above. That’s how bad Kafka Asagiri is at giving his female characters agency.
It’s okay to have a character with a plotline that’s intertwined with another character. It’s okay to have a character that’s motivated by external forces. It’s okay to have a supporting character who doesn’t really do much except move the plot forward. It’s starts to become annoying when all of these characters are women, while their male counterparts get the better end of the deal.
Sometimes I hear people say that Kafka Asagiri is good at writing women, and I think, in response, that shounen anime has truly brought our standards down, six feet under the dirt where every interesting female character to exist in animanga is buried. Yes… Asagiri doesn’t shy away from writing female characters who can fight, and even, gasp! Fight well, but this is literally the bare minimum, especially for a magical setting that takes place in the modern age. Asagiri can create female characters with interesting traits and a lot of potential, then subsequently assign all of her traits to serve a male character’s narrative, while actively sabotaging any potential she had by utilizing her as a plot device.
And maybe I would be less annoyed if it went both ways. Kyouka has saved Atsushi quite a handful of times, why doesn’t he worship the ground she walks on and dedicate his entire life to helping her fulfill her goals? Actually, on this topic, the reason why is because Kyouka doesn’t have any substantial goals outside of being Atsushi’s sidekick for life. Now, I absolutely adore Kyouka and Atsushi’s relationship, found family is still my favorite troupe ever, but it’s noticeable that while Atsushi’s search for self-esteem and a so-called “reason to live” is the literal narrative core of the series, Kyouka, who had found herself struggling with a similar internal conflict, is by comparison, almost never explored further. When was the last time the story checked back up on Lucy, and how she’s feeling? Yeah, she’s in a better place now, but isn’t she still haunted by her years at the orphanage, under the Guild’s thumb, being treated like a pawn on the chessboard, just as so many male characters have been shown to feel in wake of their own traumatic experiences? Doesn’t she struggle to find a new purpose in life, now that she’s no longer stuck doing someone else’s bidding just to survive?
We only ever see a brief glimpse into the thoughts and feelings of BSD’s female cast, before the door slams shut, and they’re relegated to some background role where it doesn’t really matter how she feels, she just wants to help the guy who saved her life, that’s all we really need to know before we can start advancing the plot again. Well, I want to know more. 
It would also be great to have more female characters who are motivated by something other than her desire to help or hurt another—oftentimes male—character. How come he’s allowed to delusionally seek world domination, and she isn’t? How come he’s allowed to desperately want to save everyone in spite of a cruel reality, and she isn’t? How come he’s allowed to be motivated almost solely by his selfish need for the validation of another, and she isn’t?
Which brings me to another avenue to consider: characters like Akutagawa and Rampo are shown to be fanatically devoted to another character, to the point that Dazai or Fukuzawa could say “Jump,” and they’d be in the air even before asking “How high?”. But here’s the thing: Akutagawa’s devotion is entirely self-centric, and it’s examined as such. He doesn’t selflessly want to help Dazai, no questions asked, he craves the peace of mind that Dazai’s affirmation would bring about, and consequently does anything he can to gain that validation. Not only that, but it’s portrayed as unhealthy and a problem when Akutagawa blindly does whatever Dazai asks of him, but somehow, this doesn’t apply to Louisa and Fitzgerald, Teruko and Fukuchi? Hmmmmmm!
Simply put, there’s a double standard here, and I’d like it to change, because BSD really does have a female cast with a lot of potential, if only Asagiri cared to utilize it.
***
In regards to Thing I'd Want To Change #2, I remember tag-dumping about this awhile back, but it somewhat bothers me that in order to pass the Detective Agency’s entrance exam, Atsushi and Kyouka were required to put their lives on the line to save another (even though, in Atsushi’s case, it was all staged). This might not have been a problem for me if the Detective Agency weren’t the good guys in this—or even if it was emphasized in some other manner that it’s OK to save yourself first, like c’mon, that’s just common sense, they teach you such in elementary school during a fire drill. But unfortunately, not only was Kyouka’s feelings on the matter never expanded on, Atsushi continues to believe that he needs to save people to deserve to live.
However, I do think that there’s still room for development here. Bungou Stray Dogs is not a completed work, so who’s to say that Atsushi won’t have a different outlook on life by the final chapter? Moreover, I think that in the situation where Atsushi first reached this conclusion (on the subway with Yosano and Kaji), Atsushi was probably in a worse mindset prior. For him, he felt that he wanted to live, but that he didn’t deserve to, so therefore, in order to justify his own existence, he grasped a “reason to live”, a motivation to not simply give up and perish right then and there, alongside a train full of innocent people. It was a very “in the moment” kind of thing, that would serve as a foundation for later developments. Again, I think it’s fine that this is his way of thinking now, but someone genuinely needs to tell this boy that it’s not a matter of “reasons” or whether he deserves to or not, living is just something we do without really thinking about it, so its okay if that he lives in that kind of unapologetic manner.
Still, the Detective Agency’s exam is kind of harsh, yet I don’t think it’s necessarily something I would do away with completely, as much as I would reframe it to better fit the message I would want to send. The thing is that working at a superpowered organization that regularly gets into scuffles with the local mafia is in no way safe, and your life insurance probably won’t cover it when you get magically killed and dumped in the river. So it is understandable if a minimum requirement for becoming a member is that you’re okay with getting caught in life or death situations on a semi-frequent basis. It may also be a desired trait that you’d be willing to rescue civilian lives at little benefit to yourself, though not necessarily always in the context of self-sacrifice. Sure, it’s a crazy way of interviewing for these attributes, but it’s not like people don’t lie on their resume, and also, the Detective Agency was established early on to be full of crazy people. You must be this bugfuck insane to join, if you fail the vibe check you die, sorry!
In all seriousness, I think the concept of living, and in particular, having a reason to live, are a major part of Bungou Stray Dog’s themes, and changing it to suit my own opinions better would probably drastically uproot whatever message Asagiri wanted to send, whatever feelings and opinions of his own that he injected into the characters of Atsushi, Dazai, Kyouka, and the like. Even if I myself do not fully agree with the narrative, I still think its okay to have media that tells a different feeling, shares a different experience, and presents a different opinion.
Anyway, this got really long, sorry I was too lazy to include many embedded pictures to break up the text walls. If you read this far to the end then I appreciate and love you dearly, hopefully I made some degree of sense and didn’t just sound like I was rambling out of my ass.
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beatcroc · 1 year
Text
excessively long and complex read on pillar john, and the larger john collective
there are a lot of things in pizza tower that, to one extent or another, Are John. some, like the pillar johns, have known and stated canon; but there's a myriad of other things, from mini-johns to the tower itself, that could also be argued as Being John. this post aims to reconcile all of those things as different facets of the whole being that is "John".
now right out of the gate i want to be real. i want to level with you for where im coming from with all this. i do think john is akin to some kind of god. i don't mean this in a super literal sense, but this dude is absolutely [conditionally] immortal to me. he's been around for a very very very long time, and will likely continue to exist almost indefinitely. barring specific circumstances.
i don't have an exact image for the first type of john, so i'm using this scrapped type of block from betas bc it illustrates the concept well enough
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this is what i'll henceforth be referring to as "john tower"
this is john in his purest essence; the tower itself, and/or a power or a presence or just a vibe contained in and by the tower's walls and bricks. john tower is 'where' it could be said john's true consciousness and memories lie, but by itself it isn't really "alive" and doesn't have a will its own.
i'm not taking the brick itself Too seriously/literally since it's from beta, but i think it works for the general idea of "John is, and is within, the tower at its most fundamental level; and left to its own the tower will just sorta start making John-type things." Such as the following:
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this one i will be calling "real john" this john is the physical, living manifestation of john tower, and what i would properly consider to be "John, Brother Of Gerome". he's a sapient guy with a personality and will and all the stuff that usually comes with being alive. this john is probably the most important type, and under normal circumstances there's only ever one of them at once.
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these are just "dead johns". yknow because of the.
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yeah. past incarnations of real john that died or got killed, or perhaps just wore out after awhile. real john dying isn't a particularly huge issue because, again, the tower just sorta Makes these things. and boy have there been a lot. they never seem to look quite the same between bodies, but they're all the same john with the same memories nonetheless, and so long as the tower stands, there will be more johns.
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these are the pillar johns. this is known. these, as far as i know, are canonically clones of a cursed state of real john, and are mentally all the same guy by way of a hivemind. no speculation to be done here!
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this "original john" is also stated canon the current real john, under a curse from pizzahead. physically the same being as real john, so the tower isn't just going to make a new one because this one's not technically Dead. i like to think john is closer to just being another brick of the tower like this, in something of a suspended state between being john tower and real john. still alive and sapient like real john, but much more connected to and in tune with the general sense of Energies of john tower. Has direct control over bits of it, which is primarily expressed as:
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mini-johns! as real john is to john tower, so mini-johns are to pillar johns. there is no way to make this less confusing. mini-johns are essentially just random ass bricks and blocks of the tower that pillar john went 'ok little fucker you're gonna be alive now'. they're not part of either the pillar john hivemind OR the john tower collective and operate on their own agenda, which is i suppose is why they attack you, despite john generally seeming to be on your side about what you're doing to the tower. the little guys are a little more removed from their host, and aren't too thrilled about you tearing everything down. or maybe john is just pissed about getting killed over and over since there's no doubt that shit hurted. the john ghost certainly doesn't seem too happy about it either but honestly he's allowed to be a little vengeful in my book.
an aside note but there's also definitely some weird connection between them and [pillar] John Being Dead since they only ever appear during escape, except for in the graveyard-themed level [scrapyard] where everything is already dead... though interestingly not the JOHN graveyard level [john gutter] until pizza time? whatever. i don't have much of a sensible framing for this aside from it just being a general thematic thing and the mini-john section is too long already so i am moving on.
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this john i frankly have no fucking clue about and am generally leaning more toward the idea that it's maybe not a literal thing that exists. more just a visual representation of one thing or another?
since it dies when you kill the final/original pillar john my initial read on it was that it's just sorta like an alternate view of original john so you could get a good look at the whole thing not restricted to the space in the 2d plane the player is on, but, crucially, it is missing real/original john's hat, which feels like too central a detail to leave out.
my alternate read on it is that it's a representation of the... overall state of the tower. emotionally, or perhaps structurally, which really might mean thing when you are talking about an arcane structure that is an undetermined amount of alive. either way, it's clear john, the tower, its energies, anything relating to such have been under duress and steadily, irreversibly decaying for....however long it's been since pizzahead took over. bit of a dour note to end on i suppose but that's just the way the tower crumbles man.
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you may ask me what all this means for gerome. and i would answer, hell if i know?!? they're said to be brothers and clearly the same Kind of guy, but they don't seem to be cut from the same cloth, as it were. gerome doesn't seem to have Powers:tm: like john does, or pizzahead certainly would have been using him for shit as well, and there's also not a million versions of him lying around to land him in that weird pseudo-immortal space like john.
my best guess is he's something more intrinsically connected to the treasures, and something of a life support system or failsafe for the tower. i'm not sure how to Coherently articulate my thoughts here, but it's something like...little guy fundamental to but also entirely separate from the tower, made to help with its general upkeep [janitor stuff] and also to protect itself in dire straits [treasures]. not in any way attached to the john collective so that if something goes wrong there, at least gerome's small part of the tower's vibe remains untarnished. something about shaping and fragmenting the tower's energies into and across each of the levels by routing and/or stabilizing it through cloned johns; by proxy still this taps in to the gerome part of the tower's energies which manifests as its own separate door/room within that space that can't be altered by any other force re: the background in the treasure rooms always just being normal purple tower brick. treasures being condensed physical standalone bits of the tower's energy, enough of whatever's been channeled into that area to keep john going when given back to him should something disconnect/destroy the energies of the rest of that area. something like that.
honestly, i still have a bit of a hangup in saying gerome is of the same tower origin as john simply because he's not same shade of purple as all the other john tower stuff, but that's really kind of nitpicking at that point, so. hwatever.
ANYWAY all that said and done the most important thing you should take away from this post is that at one point gerome might have had a brother that looked like this
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ganymedesclock · 2 years
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You think it's OK for heroes to do emotional labor for the villains. You're trash
Ooh, an angry anon! Been a while!
There's a couple of interesting angles to take here. I think what I want to start with is the terms you are using are all vague to the point of futility.
What makes a hero? What makes a villain? And what do we consider emotional labor, vs. 'common human decency'? These are all subjects we have pretty big opinions on, but the subjectivity of them cannot be ignored. As opposed to, say, a narrative antagonist, calling a character "a villain" almost always comes with the decisive punch of believing this guy is bad, unpleasant, dislikeable. The insinuation they are undeserving.
To which I will shamelessly say, yes. If you are, incidentally a person in a story or like a person in a story where you have an extremely large ability to affect others' lives, you have a moral obligation to extend that benevolence to people who are objectively bad.
Here's the thing that gets to me about "is it a hero's JOB to save the villain". If you look at the average fictional action hero, they have a remarkably high interest of being the incarnate god princess of space, or the strongest man alive on the planet, or similar concepts. We often are led to feel this is fair, because we like this person. Rapport is built by the narrative so that we feel like this is something they deserve, a heroic becoming.
But the truth is not every human being on the planet is going to be the Hero. At which point we kind of have to inevitably discuss, would we want the Hero to be kind to us? Would we want him to take our life and its qualities, everything that led us to that point, into account? Would we want to survive, if we met the hero at such a point when we had chosen to or felt driven to do something terrible?
And this is where the other conceit comes in. "A villain" is worse than meaningless as a blanket categorization. In some stories, the villain is a fat man who spits when he talks because the writer hates those traits, and the hero attacks him because it is ostensibly cathartic.
In some stories, the villain is openly and explicitly a disabled victim but now their behavior is scary so we just don't want to deal with them anymore.
In some stories the villain is an empowered individual operating in bad faith.
To say Hojo from Final Fantasy 7 is exactly the same type of person as Ganondorf from Legend of Zelda is to ignore that complexities exist in both of those people and the response to them should be centered before all else on reducing harm.
Focusing on wanting to punch Hojo because he's ugly and makes us feel unsafe and you don't like that and you want to feel safe is useless. Of course he makes you feel unsafe. He specializes in making you feel unsafe. Are you going to attack every wide-mouthed, glasses-wearing, slightly greasy man on the assumption they're all Hojos? No. That's pointless. Those collection of traits are morally neutral and meaningless. The problems Hojo has is that he's an entrenched and empowered misogynist and sadist who lives in a system that overlooks all of his behavior. That's what to target there.
Ganondorf is a political insurgent, racial minority, and thief of a divine power. You cannot steal a divine power in real life, so we are thus dependent on the narrative to explain this allegorical crime to us. (It is not, say, like Hojo medically abusing animals, which even if he is doing so to fantastical ends- creating supernatural monsters- is an ordinary crime we understand in reality)
And you kind of can't separate that the Legend of Zelda is fundamentally telling you a story about how a brown man from the desert is an unworthy evil successor trying to take the special promised something out of a land that is prosperous and wonderful when his own land we are told is savage and inhospitable. You cannot separate this from the idea that a pastoral green field is seen as the ultimate place of a gods' favor, from the idea that these fair-skinned blonde and blue-eyed people are seen as gods' favorite people, that Ganondorf with his dark skin, golden eyes and red hair is an intruder born under the "wrong" god explicitly for the purposes of always tormenting those fair blonde people.
You cannot separate this from the idea we are told Ganondorf is less human, was less human all along or that his unwillingness to give up on wanting something that isn't his turns him into a monster. That his humanity is forfeit. And it is okay to kill things that aren't human.
These are ideas we have to pick apart, because the reality is, there is no reliable force in this world that is going to give us a crown and mark us as the protagonist. There is no force that will hold our hands the way that a parent holds a baby learning to walk, and guide us to make good decisions.
Being good is work. Being good is continuous effort. Being good requires thinking about it really hard.
Being good also requires rigorous effort to understand other people, especially other people you don't immediately like or get along with, especially other people who are behaving badly.
What you might call "emotional labor"!
Hojo is someone I would never like or want to be around. I don't personally enjoy him. To me, while Sephiroth is a fantastical and tragic antagonist, one I can like and find sympathetic, Hojo is uncomfortably real. We know Hojos in real life. We see them on the news. They're politicians. Some of them have better hair.
The threat posed by Hojo is a threat posed by entrenchment of power. It is a threat posed by someone who means badly, and has found a way to escape the social pressure that would normally keep such behavior in check- the "dude, we don't do that here," the frustrated look, the making sure the date he just drugged has a cab out of the bar and he's not going to bring another date around here any time soon.
The only meaningful way to respond to Hojo is to examine by what systems we can hold powerful malicious people accountable and in what ways we can take power away from them. "you simply kill them with your fantasy powers and don't think about it" does not count. Hojo does not actually even mind becoming a boss fight. He's thrilled. He already has a backup plan. And this leaves us unprepared for reality when you cannot just fantasy boss fight a creep at a bar. You have to understand the vectors of harm.
This conceit is, in fact, one of the major narrative thrusts of the original story I am writing, Chiaroscuro. Very simply and without spoilers, the primary central antagonist is a Fallen Hero. He is a hero, narratively and spiritually.
He is a person who has begun to do horrible things, because out of exhaustion, out of misery, and out of trauma, he can no longer examine systems of harm or understand what makes particular things bad. So he desperately jerks away from, or attacks, things that scare him or set off his trauma. And the only way he has come to learn how to respond to these things is with fantastical violence, which he is extremely good at.
This results in him fatally assaulting a fifteen year old who does not mean him badly at all.
This is the end of the road. Once your horizons collapse only to a binary state of heroes and villains where the villains' job is to go away completely forever, you have become someone whose only response to conflict is to completely remove or eliminate anyone who challenges your worldview.
So yeah.
I sure hope you are 'doing emotional labor for villains', especially if you have enough power, importance, central significance that you are 'a hero'.
Otherwise you can't really reliably know why anything bad is bad.
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ghost-of-a-system · 7 months
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Asking about fronting / awareness / existing in Innerworld, how you percieve that, how others might if they see this, idk. (not dx, questioning at "ok there is apparently *something* idk how to comprehend it, so my perception / understanding / the concepts i'm fitting these experiences into might be wrong. but it is not nothing. and dissociation and trauma is medically dx sooo." but like i don't want to fakeclaim.) I see systems / alters talking about being in the headspace, living there, interacting, like they have their own consciousness, going to sleep there or doing activities. And I'm like - how - howwwww how are you that real and separate and alive For me it is more like there's the front room with a big control / signal board and whoever is at these controls is the current I. there's like that omniscient consciousness that is just linked to that front room. and i (?) sometimes see pictures of it or of other Alters, i hear their voices, sometimes we can interact. but conscious I = whoever is at the controls more or less. there'll be intrusions and fragments from elsewhere / others that i might be able to identify as "probably from xy" but not a real other I that exists and is able to think and have its own consciousness??? I think? So how do you do that shift from a collective consciousness to being separate? and like being real and thoughts and feelings and actions *existing* when they arent perceived through that front? Is this even how systems work / would I be a system if it's like that? is this collective PoV just actually all 1 personality that is changing wildly and only the intrusions are a different thing from that? is it all just me and I need to get my shit together and stop imagining stuff? i'm so confused by all this (reminder i'm as far as "there is something complex dissociative going on i guess??" - and that after said brain threatened revolution and unaliving us if we didn't stop denying their existence which uh pretty hard to argue with) honestly i'm amazed i can even type this without getting a strike i think this is the first time i've ever used we this much in a public space and was even thinking about signing off - midi / keeper / plus whoever the mini was in the middle there. also a bunch of others maybe somewhere around too, basically almost everyone who was distinct enough to get a name i guess somehow. but mainly those. ...a bit of time has passed and uh wtf howww what did you do brain?! and i feel obligated to add that this is all just in my head and i might as well have imagined / been crazy like I don't wanna appropriate anything ...more time has passed and I added this & cut out like 4000 words of further rambling: Idk I really hope this makes sense, if not please ask and I'll try to explain further! Also hope this was okay to ask, I really was trying to be respectful and stuff, you don't have to answer!
I feel that what you are describing could very well be perceived as a system one. Of course, the disclaimer... we are no professionals. But, if I am understanding this properly, we relate to feeling as though we are one consciousness, almost... cycling through different identities rather than (metaphorically) individual consciousnesses taking turns with control. At the end of the day, we are all one brain, I suppose! If you are a system, the most I could chalk this up to is simply being a matter of how your individual system functions. It isn't always the same down to the little details as someone else's, and it is all about what your brain needs.
We cannot answer on behalf of systems with complex headspaces, or inner-worlds, in which their alters can manifest and experience fleshed-out lives. We have no inner-world, and have never been able to experience this (Despite attempts). But, I do not believe that the presence of this is required for alters to be considered "more separate", or distinct. We have fairly distinct alters despite having no inner-world, no fronting room, and nothing of the sort. What makes us so distinct is who we are when we are here. But that is just our experience.
We are no inner-world professionals; we hardly understand the ability to visualize in itself! Having aphantasia, and all. It may be better to ask a system who is more experienced with these things. But I will try. You mention wondering how to shift this one consciousness into being more separated, and I'm afraid I do not know if this is possible or something that someone can achieve. Perhaps we are uninformed, in which case I do hope that someone corrects us. I do recall reading about how inner-worlds can be constructed and expanded, if that was something you feel you are interested in, or something you feel could help. After all, inner worlds are visualization tools to help with communication, at the basics. I believe that this is generally achieved through therapy, though I'm sure it isn't required. You can probably try to look more into that online and see if anything helps.
This is the most I feel comfortable suggesting. I do not want to speak too much for something we do not experience.
Feel free to reach out if we misunderstood or should expand upon anything.
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valyrra · 4 months
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Ok. I have the need to explain myself due to the recent ask because I like to over-analyze and kinda am just an otherthinker.
TW: rape/suicide/hate/trauma/mental disorders/vent/selfharm/LONG post
TLDR: Morally bad things in fiction should and always will be existing. And you shouldn't tell people to kill themselves - you never know what consequences will be. If you think taking one's REAL life is good who's the villain then? ;)
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Why I think fictional(!) rape is better (as a concept) than sending someone words like "you should kill yourself" in REAL life.
To anon: You don't actually can change my mind about this one. I think I've already gotten messages like this and still to anon - godbless you or whatever you believe in. I hope you won't ever be experiencing any of the trauma or just bad things in general. have a good day, sweetheart.
I didn't get to what character you referred to but I'm gonna take my guesses: Micah Bell, Thragg or Homelander perhaps? (with Micah I don't actually think it was stated in-game that he raped someone? if I'm wrong you are free to send me sources, but I think he just said that he threatened girls from the gang with a gun into fucking them but they still didn't/he let them go?)
Rape is bad :) That's it. There's no in-between. Killing is bad. There a lot of things that are bad and morally wrong. What's IMO justifying these things in fiction:
It's fiction. It isn't real
If it's written well - it can be a great story-moving point.
If you are closing your eyes to these problems you are delusional? This is a MORALLY WRONG concept - you SHOULD think about this. You SHOULD think it's morally wrong. Villains should get you icks. They give me icks. Most do.
Not writing morally wrong doings of a villain is your opinion. But idk who can you write that way.
I'm gonna talk about the Invincible comic book for a bit. Here's Thragg. Here's Anissa. I'm sorry but do you often see female r*pists in fiction? I don't think so. Does it make you hate her? Yes. Does it makes you think bad about female r*pists? Yes. Is this problem in society is talked about less in general? Yes. Is this raising the opinions? Yes. Is it going to make ME hate the character from the writing point of view? No. You do you. I like Anissa as a character, not based on her doings, but based on her writing. Same goes to A LOT of characters I like.
LOL remembered this vid about fictional violence:
youtube
Opinion about writing/Micah Bell:
I love him honestly. The first time I played the game I didn't put much thought into his character, but second playthrough is what made me appreciate the whole storytelling of the game from the writing position. Micah is an exceptionally amazing antagonist from his Man VS God conflict to the Fathers and Sons narrative that haunts him until his death.
People who write "WELL I THINK MICAH SHOULDNT HAVE EXISTED" I am afraid, didn't get his character. What the fuck did you expect? A wild west story without good written villains? Flowers? Happy endings? Dude, please drop your rose-colored spectacles. You got the amazing storytelling, great DEEP characters and yet you are complaining. You know probably you should hate Micah. Your choice. Probably I'm digging too deep, but I have analyzed this character too much to hate him now.
He's traumatized from childhood and isn't sympathetic to anyone, even himself. Dude's too deep in shit and I feel pity for him. I wouldn't be able to fix him, no one would. And I feel sympathy for most people in this position.
I love Micah Bell's philosophy in life. It's very much twisted but there are a lot of things that my overthinking mind is channeling fucking strength from.
"Listen. What will be - will be. Ain't nothing a feller can do about it. Ain't no one changing nothing. I've got all kinds of crazy in me - ain't nothing I can do about it. Ain't my fault - ain't no one's fault. Just live your goddamn life and when its time - go out shooting!"
Dude isn't making himself a victim. I love that. He gets that the world isn't a happy place, yet he's not going down without a fight :) Very good anti-suicide quote in my opinion ngl.
Man I don't even write bad things here I think...? I mean like about Micah for sure. Yeah, I ship him with my RDR OC just because like... I like his writing, I support women's wrongs IN FICTION. In my own story that won't ever elaborate on Lyra will get even pregnant from him because I think I'd like a certainly strong female character that fucks with a bad bad guy out of spite/he didn't rape her and she like kills and shoots and stabs people while being a woman and pregnant in that historic moment because that for sure would be fun. (plus I want also to integrate another OC Eva in the story which will kinda struggle to live a morally right life despite her both parents are crazy)
You aren't bad for liking bad characters:
Mental health // Here goes the thing that contradicts my own opinion internally // my psyche:
I'm pretty open about my mental health. I'm open about a very stigmatized disorders like for example BPD. There's this thing I never got properly diagnosed with and its OCD. Kinda a self-diagnosed thing is like I "get stuck" on some intrusive things. And this shit is what I struggle with daily. Usually yeah, they are violent but only towards myself (sometimes not violent at all). I have cut myself because I liked Bi-Han (Sub-Zero). You don't know how much time I spent hating myself for getting fixated on morally bad characters. I NEVER blame or shame or would threaten or bully a person for liking a bad character, I do this to myself only. Maybe it's more of a sexual thing? You know how my sweet mutual (@ l3vi4than)'s banner says: "My taste in men is a form of selfharm". With some characters - it's pretty much the case. Like with Thragg mostly I think or whatever idk. Homelander or Adam Smasher. Man, I am a certified monster fucker from like 13 years old when my brain went like: "Hello, Alex Mercer is sexy af with and without his armor ability".
Unfortunately - my brain is very bad and makes me thing I'm the worst human on Earth. But still kinda there are worse kinks than this? I think I've read somewhere that like a very big percentage of women like CNC even if they are feminists / against rape and etc. Well I'm not sure where I was going with that but like even having a kink doesn't make you a bad person? Who tf am I harming except for my own mind?
A lot of reassurance from my mutuals in tumblr helped honestly. I am grateful for people reassuring me that like all human beings I am still deserving of love even if I FIXATE ON certain characters.
fyi:
Research has shown approximately 70 percent of people with borderline personality disorder will attempt suicide at least once in their lifetimes. About 10 percent complete the act. This suicide rate is higher than any other psychiatric disorder and the general population. You never know what people are going through. Don't push people. Suicide isn't a joke. Right now I'm in a right place of mind where I can even write long posts like these but things change quickly. Yesterday while playing DBD I encountered a very cute and friendly Wraith player who is suicidal. In gaming it's kinda cool to be immoral like wishing people to kill themselves especially in session games like idk Dota2,CS,LoL,Valorant,Overwatch etc (these are the games I've played which were kinda toxic). And I was a toxic gamer myself when I was younger. Wrote nasty things, but kinda grew up and realised that this shit is harmful af.
Sorry for this long post just kinda had to get some things out of my mind.
Have a good day and don't be like anon. Feel free if you want to contradict any shit I wrote I'm open for opinions.
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lucabyte · 2 months
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HOWDY! *slams pile of papers on the desk* i have Inquiries. OKAY SO-
1.) i know the bridge between infurno and purrgatorio is Ali realizing they cant leave, so like, whats pawradisio???
2.) wtf happens ta Ali durin the 'age ???' section of their design timeline. what type cult stuff do they get involved w and how. its haunting me i needa know
3.) whats with the 3 year memory erasing thing in that one ali purrgatorio relationship chart. Really funny chart ive shared it w a few friends but also im staring intently at it like Huh What O_O
4.) what is mymk's final form? is it gonna be written, a comic, etc?
5.) got any music you associate w any mymk characters/ali? besides like, in canon reasons like Chrome more like any songs/artists/lyrics that remind u of anya em :0??
anyway yeah huge fan! also hope ur vacation's fun!
Hehe hi :)
1. We shall get there when we get there <3 my lips are sealed. Though I will say, there are further books by Dante one can animal-pun the titles of... Though they aren't part of the divine comedy..... (Alludes vaguely to plans that will inevitably take me years)
2. Okay so spoilers for Creature Feature, Ali's home setting (and @samhainian's thing) (because this is all a bit of an open secret) but Ali is, as I've alluded to previously, an Antagonist.
Creature Feature is a real world adjacent setting, set in our modern day, only with all manner of monsters and cryptids living secretly alongside humans. Ali lives in Wraithbrook, a hidden town populated primarily by monsters (albeit, most everyone still upholds a disguise, just in case). Being a (very) small town with an effectively captive population.... The post-high-school ennui tends to set in bad for people. Hope you enjoy the family businesses, kids.
So... This leaves the listless vulnerable. And boy is Ali a bit malleable. A trusted figure in their life takes advantage of this, part of an accellerationist group looking to break these confines, having singled them out as candidate for their most recent attempt to mold a magic user into a weapon to shatter the veil. And, well, if you've got a self-hating isolated guy who is predisposed to a bit of Catholicism already... Why not utilise the concept of the antichrist? They will be bringing a world together, in a way... And when you've been around as long as some immortal librarians have, doing a little bit of time dilation in the later stages of indoctrination isn't thaaaaat hard... Sooooo....
(But don't worry. They get better. Eventually. At least they look it. Everything is A-OK!!!)
(as for if purrgatorio is canon to this timeline....? Yes! But in a fucked up way! Can't make it too easy for the little guy....)
3. Okay so I was coy literally a sentence ago but yeah purrgatorio is set dead on like.. at the exact same time MYMK proper *should* start. Thus, it cannot exist at the same time as the main story... Ali's narrative powers keep them from being subsumed by the universe and just becoming a funny animal themselves.
But should a time come where Ali is *gone*, and the world is similar enough to the moments before they arrived? Well, the narrative can just pretend the time hasn't passed! Just, don't think too hard about your count of how many Halloweens and Christmasses you've had doesn't really line up....
(A normal person would simply name Purrgatorio noncanon, but hey, if Ali's whole thing is that they manipulate reality like a Narrative... Well. May as well use it! So once canon is over for both parties, things can start creeping back in. It's needlessly overcomplicated but I'm having fun)
4. Written with illustrations! An Online picture book, I suppose. I was initially damning myself to a comic, but after playing in the space with Purrgatorio, I realised I prefer prose. I'll probably write the thing in whole and then release it bit by bit as I work on the illustrations? I have a working outline as of right now and it's not a super long story lol. But its likely going to come after some practice with smaller projects like my reworking of Hazeclan and maybe Damonquest (name pending) (the latter featuring a cut main character of mymk lol)
So! ETA: a while. But we stay silly
5. OKAY.... so I can't link character playlists sadly since they don't exist (..... Yet.) and I'll stick primarily to our at present Purrgatorio cast.
I am like. Famously bad with identifying songs (<- usb stick full of songs on shuffle in the car as a kid) but I have been trying to put thought into this recently (my gold standard for this being my friend @teddymedley who's so good with character songs I did ask him for some vibe checks for this even)
So these are messy and some are like, inherited from earlier drafts of the characters so can be a bit off but I'll give a handful and their reasonings. (No links or embeds though I'm on mobile and Tumblr might eat my visibility if I do. I'll reply with some though)
[Ali Alighieri]
1. "Here comes the flood" by the Divine Comedy (self explanatory really, that animatic will exist someday I promise. This is THE big one to me, but @samhainian may have a different top spot opinion lol) Bonus: it has a demo version that also fucks supremely
2. "All the angels (demo)" by MCR. (Ali is not the MCR sibling, they're the P!ATD sibling. But I don't listen to panic lol)
3. "If you could save yourself you'd save us all" by Ween (peak "sorry what was that line just there?" song)
4. "In the meantime" by Spacehog (I like Spacehog. Everyone gets a spacehog song yaaay)
5. "Here comes the sun" cover by Ghost (not their style of music at ALL and you KNOW they're contrarian about the Beatles, but grim irony is such a vibe here)
[Chromium Mono]
1. "Manicure" by Lady Gaga (this is such a flippant "because I said so" choice lol)
2. "Let it grow" by Renaissance (this is such a nice cheesy song. I like to think of this as speaking to the actual nice loving guy chrome can be when he's not being a prickly bitch)
3. Kissing Ancaps by Patricia Taxxon (... GOD this song is way too cool or smart for chrome lol. It's a chrometab song to me because of the big words and cynicism. It's too modern and online for them but I'm attached to it... Also it contains a sample from let it grow)
4. "Run away with me" by Carly Rae Jepsen (more vibes based! Love some ms jepsen. But at least has a coherent theme wrt to eloping lol)
Bonus: oh god I really have to finish the voiceclaim video I was making. Premiere kept melting on me but I should probably let the world know chrome sounds like Donald Glover huh. The marshall lee to live action Simba pipeline.....
Bonus 2: @teddymedley suggested "Ratchet" by Bloc Party, with the phrasing "subject matter younger chrome sound older chrome" which I like!
[Tabitha Boss]
1. "Cable Rat King" by Gem Milsom (this one genuinely feels like a solid choice to me. It's polite and tentative and about depressive spirals, and is from the same album as the Number One Main Labyrinthine song, Pipes. That animatic will exist someday too I promise)
2. "This too shall pass" by OK GO (Preferably the brass band version. I think Tabitha would adore their videos, he'd be delighted by the moving parts and generally light tone. Also, Labyrinthine has a different "this too shall pass", being by Danny Schmidt)
3. "When will you die?" By TMBG (goofy song. But you get it.)
4. "Zeroes" by Spacehog (Spacehog again 👍)
Bonus: Jimmy buffet discography. He is living on island time baby
Bonus 2: @teddymedley assigned "Happy Hour" by Eels and I think the strange upbeat lethargic energy fits
[Lavender Wafeu]
Lavender is really funny because I honest to god don't think she listens to much music. This means I barely associate music with her apparently.
However @teddymedley did suggest "Black Rainbows" from Hawaii: Part 2, and I think that's better than any of my previous notes. Those previous notes being entirely the words "Little shop of horrors". She, Knives and Mafioso do also share an association with "Panda Hero" by Hachi but that's more visual to me?
I have however begun associating some Zelda OST tracks with her though... Hmmm....!
[Markus Felidae]
This poor bastard has shed and gained characterisation recently enough to have shook the MCR out of their system.... I don't have all that much for them.
Now. Hm. I think I'd have to go with some very on the nose musical tracks? My mind immediately goes to the opening track to Disney's Notre Dame, and maybe like, Mungojerrie and Rumpleteazer from Cats? These are such dreadful picks lol. Sorry buddy, characterisation overhaul syndrome. They probably also would listen to P!ATD same as Ali though so do with that what you will.
Bonus: in Markus' earliest iteration over 10 years ago..hrm. long story short, 121 guns is so fucking unfitting but it's lodged there forever lol
[Lupus Felidae]
Lupus is associated in my head with the kind of dub anime opening best codified by 4kids era Pokémon. Like the ideal song here is that one from Yugioh. "No matter what"? That kind of cheese and boyish power of friendship. "OK!!" From the JP endings of anipoke goes here too it's cute to me.
"I can go the distance" from Disney's Hercules is also up there for the same vibes. She's just silly and having fun!
Bonus: "Don't let's start" by TMBG is a Miao song to me, but in relation to her family. So it's also Lupus and Markus' by association.
[Ess Somil]
The idea of an ess playlist is hysterical to me. I feel like it's a Mother 3 battle theme in that man's head all the time. What's your time signature boy.
Anyway, "Numbers" by Neil Cicierega. Since it is overwhelming enough of a soundscape. Or just "Doctor Worm" by TMBG. For that they live in the soil.
.... And that's probably enough!!! This ask is very long now! Sorry it took a while to answer lmaooo. I've been very busy but it's been nice to chip away at during my downtime! Thank you so much for the questions :)
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pomelowed · 3 months
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Just went down a rabbit hole yippee!!
I follow this blog called @/my-kawaii--world because I like the aesthetics and this post came across my feed: https://www.tumblr.com/my-kawaii--world/753409702367477760/hey-this-site-seems-sketchy-af-as-a-lot-of-the?source=share
Those stuffed animals were so cute that I immediately went to the store to order one! But before I did I, like I usually do when finding new online stores, looked around to see what else they sell. I like doing this just to see if the items are really mismatched or if the other listings seem to be lower quality than what I'm trying to order. Well, the store, called Lavender Creations, seemed to offer a lot of items I saw on places like Alibaba or Temu. In fact, the mushroom purse they sell is one my sister bought off of Aliexpress. No worries though, artists oftentimes get their creations ripped off by dropshippers and their ilk so wasn't a death knell but definitely was a red flag. This led me to check it on scamadvisor and whoo boy.
It scored 36/100. The site has existed for years and it has a SSL but I wasn't worried about the site being a scam that'll steal my credit card info, I was just trying to figure out if it was a dropshipper and welp. One of the negative reviews stated that the supposed flash sale was in fact a daily sale (and I can confirm since me writing this post took long enough that the sale that was supposed to end at midnight is still ongoing despite the fact it's currently 1 AM). That was a dead ringer that this site most definitely wasn't the original creator or at least someone reliable. So, google lens it was for a reverse image search aaaaand
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yeah ok unsurprising. Will say, none of these listings have the black & white one I was going to buy and that the dandelionevine was the only other one to sell the white version but also it's selling them for $60 which is way more than lavender constellation that sells them for $44 or $30 with the "sale". Also, amazon link is dead unfortunately because it supposedly was being sold for $25, the cheapest yet.
Now, if this was simply just a case of dropshipping then I would've left it at my reblog I made warning others about it BUT there's that first listing, Plush This?? They're the reason I'm making this post.
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As far as I can tell they're the original creators! Awesome, great I can purchase him from here even if it isn't the b&w version I wanted, let me just read the full listing to see the specifics,,,,,, wtf
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WHAT??? WHAT DO YOU MEAN IT WAS DESIGNED BY AI????? THIS IS A CAN OF WORMS I DIDNT PLAN TO ENCOUNTER????? Apparently, that's their whole thing: let AI design a plush and then recreate it which is honestly a really cool concept if AI wasn't known for literally stealing others' work (I'm ignoring the fact it would also mean it takes designers' jobs, which is also a shame).
If the AI was ethically trained then I suppose it counts as an original work? It's a bit of a grey area since no one actually owns the likeness of a cat (not yet at least) and plenty of artists create their own works by referencing others. So, who's to say an AI doing the same thing is unethical? I mean, there's a real human effort being put into realizing an imaginary item because this doesn't seem to be the usual AI scam of rendering an image and pretending it's genuine to generate purchases. But that ignores the fact there are limitations to artists on what they can produce (copyright laws exist and fair use clauses do too). So AI shouldn't be exempt from giving its fair dues to the people it should be "inspired" by and it should also be punished if it steals like a human does. Plus, the current state of AI is a lot more like replication than anything near inspiration so really that question cannot be applied in the current generation of AI.
There's one giant elephant in the room I haven't addressed yet: who is to say that the cat plush isn't based on some niche Etsy creator who had their creation ripped off by the AI model? Idk how it was taught so idk if the images were ethically sourced and thus if my money is going into a design that hasn't been stolen in some way. I'm sure they gave the AI a bunch of reference images of a Devon Rex from different angles and told it to make it a stuffed animal. But was the AI fed ethically sourced references of what is a plush? Or was it given Etsy and told to go ham in copying everything??
And, if the AI model WAS trained with stolen images, how awful really is the dropshipping aside from the ungodly prices?? I mean, my usual issues with dropshipping are: they try to sell junk for obscene prices, original works are reproduced without permission, & the profits of the original creator are stolen. But which of those issues are applicable in this scenario? The original work is seemingly high quality as implied with the reviews I see on Lavender Constellations & Plush This, so not all listings are churning out low quality crap, meaning the first issue is resolved. I mean, if people are receiving quality items that they feel is worth the price then there isn't any issue in that department. But those last two issues I have are the kicker, who is the original creator in this scenario?? Is it Plush This or is it the amalgamation of artists that go uncredited?? If the former then, yeah, these sites should not be selling their work. Yet, the latter seems much more in line with what I know about how AI is trained: unabashedly scanning and copying others' works without consent or compensation. Thus, I don't really feel too badly about it being resold on so many stores. It's already stolen work so they're all thieves to me.
Man, idk. It's unfortunate AI isn't simply a tool and the current state of things have festered and spread thanks to the lack of regulations. I imagine the AI models we have today that are made of stolen artworks will just be the concrete foundation and people wont see reparations for their work. Kinda one of those "them's the breaks (brakes?) kid" where laws will come into place that'll prevent AI from stealing others works. The question is will the people it already stole from be repaid? Or will they just have to live with the fact that the AI modules that are common use have stolen their work and wont stop continuing to profit off of that theft into the foreseeable future?
All of this is to say I'm not even sure if Plush This is the real creator!! I know I said I was almost certain they were but that's really only because the whole marketing scheme of their site is that the plushes they create are based off AI generated images and that kind of statement is too specific to only use as a selling point.... right?? Well let me start with this:
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So, yes, according to Leila Wang, creator of PlushThis (why no spaces?), everything is AI to physical. Grand. Don't get me wrong, that's a real skill thats being just wasted imo, but back on track. Here's the website for you to check it out yourself: https://plushthis.com/ also they use MidJourney according to this article from last year: https://www.24-7pressrelease.com/press-release/503245/introducing-plushthis-worlds-first-ai-generated-plushies-brand-revolutionizing-stuffed-animal-design
Scamadvisor gives it a 90/100 but only gives one review as an example when most of the listings have reviews, which is odd. This part is literally just me putting on a tinfoil hat so take the bit with a grain of salt, but I think they're having their AI write their reviews. They're all very,,, bland? I don't know if anyone has played that website game called "Human or Not" but the reviews are giving AI. As an example, here's the listing for a dragon plush they have:
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and then here's a comment under it
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It's a strange mix up to have when it's very clearly white. Worth noting they also sell a green dragon plush.
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Also, the rest of the comments tend to usually have a comment on how soft they are? And if not that then how high quality the fabric is. And they all have the same grammar with what I think the nail in the coffin being the fact not a single review has missed adding at least a period to the end of the last sentence. Yes, that level of proper grammar isn't uncommon,,,, but for every single review??? Yeah, I'm not buying it. All this added to the fact Scamadvisor only pulled one positive comment out this sea leads me to believe these aren't real reviews and are just HTML code or whatever tf.
Ok, whatever, site is faking reviews with AI and staged photos. Big whoop, just don't buy from them,,,, WELL this is all going back to how I'm not sure PlushThis is the real creator of that cat plush. Tbh what I think is happening is a mix of dropshipping and "orginal" plushes. Why?
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This lil blurb states every first image listed is an AI generated image.
Let's look at this guy: https://plushthis.com/products/cute-rabbit-stuffed-animal?_pos=72&_sid=8df0505e5&_ss=r
There's only two images given and when I look him up in reverse image search:
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Look at all those. PlushThis doesn't come up despite this image supposedly being AI.
This guy? https://plushthis.com/products/pink-black-racoon-stuffed-animal-toy?_pos=1&_sid=ffe901991&_ss=r
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Yeah, only PlushThis matches.
So, what does this mean? I think it means that the cat more than likely IS a dropshipped item THAT THEY DIDNT CREATE??? Which is crazy because the blurb attached to it is one of the few times they mention in a listing that the stuffed animal started as an AI image. In fact, that blurb is what caused me to spiral down into this!! IT ALSO THROWS OUT MY PREVIOUS STATEMENTS ABOUT THE ETHICS OF ALL OF THIS!!! This isn't my only receipt as the cat that started this all is listed here: https://www.dscopilot.ai/products/1005006873166491
It states that the supplier is the whitebeard' store on aliexpress. Now, this could always be a ripoff of PlushThis' original creation but I doubt they're the original creators at this point. Since every creation's first image is AI, that either means they didn't share the AI image, their whole gimmick, or it wasn't designed by AI and thus couldn't provide a generated image. So, the next course of action was seeing if Taihua Toys Hong Kong Co, PlushThis' parent company, is related to any of the sellers on other sites and that's too tall of an order for me. That's a way bigger deep dive than I'm capable of in this moment, but if I ever do try and see if I can confirm my suspicions, I will reply to this. Hopefully soon since a lot of the sites listed when I reverse image searched the cat no longer have it for sale. Is it possibly a parent company trying to clean up the internet and make it less obvious the item is actually cheaply mass produced?? Who knows, not me.
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twistedtavern · 7 months
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Okay, I'll bite. What are those new aus?
HOO BOY
gremlin paws being rubbed together. Ok so I have two in which I am back on my bullshit (same base concept as a twst au I had) and a few others where I actually have something different. Here they are now:
Hastur!Maruki au: you will be seeing a lot of Maruki. Favoritism. But I made him a shiny pretty boy who's WAY more eldritch and HE SINGS NOW AND ITS SCARY ACTUALLY
Mario au: Crossover! This one is explicitly an x reader and it has a whole story cobbled together from random mario games I thought would be fun. There is still old man favoritism and Zenkichi is so very tired
Distortion au: Gods of Control Phantom Thieves go BRR!! Turns out the metaverse just latches onto people, huh. Just an excuse to make human Yaldabaoth and hasemaru being swag
Generation au: I take the adults and make them teenagers on a funky little adventure! I do actually like taking the pre-existing characters and shoving them back into the mold of the real ones to see what sticks and what changes. Like girl I'm serious Makoto is DEAD
Back on my bullshit aus -
Self aware au (P5 edition): YES. IT'S BACK. I DON'T THINK IT'S AS EXCRUCIATINGLY LONG BUT THAT DOESN'T STOP ME FROM MAKING IT JUST AS CONVOLUTED. Actually there are a LOT of differences between the P5 and TWST aus, but if I look for any similarities that I didn't even INTEND it will go on for fucking ever. Please. For gods sake. Don't ask me for a plot recap. Please do actually
Reverse au: EVIL PHANTOM THIEVES!! They have killed like 40 people over the course of the story and probably more because of mental shutdowns. I also CANT FUCKING DECIDE HOW MARUKI AND AKECHI SHOULD BE IN THIS DAMN AU GOD HELP ME THE DARKNESS KEEPS DRAGGING ME IN
If any of these interest you, please send some asks! I take requests for all of these!
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Good Omens S2 Ending Theories: an analysis.
ok so in the aftermath of good omens s2 lots of theories have risen about Aziraphales choices and his out of character behaivour.
i will be discussing my takes on the following theories:
The Coffee theory + book of life theory
The Lie theory
Religious Trauma theory
The Last Resort theory (my own theory)
(Please feel free to make any corrections if i get any information wrong)
Starting with the coffee theory:
(i may be wrong here, this is what i have heard, i am still currently reading "the magic trick you didn't see" essay) the coffee theory :
This theory basically goes off the idea that The Metatron has laced the coffee with some sort of poison or miracle so that Aziraphale would be compliment with him and go back to heaven. there's another theory that sort of ties in with this, in that, The Metatron is meddling with the book of life.
what we know:
Poison affects celestial beings very differently than it does to humans (as seen in the flashback where Crowley chuggs a bottle of Laudanum, a very strong painkiller, which can be toxic if taken in large amounts. Usually, for humans, an overdose on Laudanum would result in a coma or loss of consciousness whereas, Crowley got high as a kite, shrunk, grew and went a little off his rocker.
The Coffe had Almond syrup
almonds symbolise Holiness and Purity
whether this a metaphor or The Metatron being evil, we cant know
he was extremely forceful in trying to get Azi to drink the coffee, as seen in the quote "are you going to drink it?"
his voice was welcoming yet there was a slight undertone of malice
when he orders the Coffee he asks for a dash of Almond Syrup, which is like very small amount but when he hands it to Aziraphale he says it has a "hefty jigger" of almond syrup, which is drastically larger than a "dash"
"do people ever ask for death" what kind of a questions is that? its so suspicous
we all know how good Neil is at adding the little details, so why else would he include the whole coffee scene and concept?
My thoughts: i think the coffe theory could be a plausible explanation of the last events of ep6. Azira's behaviour was erratic and out of character. we ALL knew something was up when he said "Nothing lasts forever". this bitch has been wearing the same outfit for 100 years.
he also intially said he doesnt want to go back to hevean, but as he drunk more coffee he became more compliment with the idea of him leading the angels.
theres also something so deeply unsettling about the elevator scene. he's smiling, almost manically. Azira was NEVER power hungry, so him taking the job as supreme archangel, without another thought, doesn't make much sense.
i will probably add more to this but that's it for now.
The Lie theory:
the lie theory states that The Metatron never said that Crowley could become and angel again, and that Aziraphale made this up so that he would feel less guilty about leaving Crowley behind, because he knew that Crowley would never, under any circumstance, come back to hevean.
frankly, this theory makes no sense. if this was the case, Metatron's whole chunk of dialogue after Crowley leaves would be unnecessary and unjustified.
he says "how did he take it?" as if asking if Crowley was coming back
"he always did want to go his own way" implying that the offer of coming back to hevean did exist and that he just declined
"always asking damn fool questions too" talking about Crowley's fall from hevean
i, personally dont think the lie theory is a justifiable explanation for the s2 ending.
The Religous Trauma theory:
probably one of the most justifable theories, the religious trauma theory is that Aziraphale has been so brainwashed by thousands of years worth of manipulation from heaven, that he just cant see how toxic they are. he desperately wants to believe they can do good, and that he can lead the good. he wants to "fix" the system, when in reality, the system is working exactly how it was built and should be demolished, not fixed, because there's nothing to fix.
this makes a lot of sense, although it still doesn't explain the emphasis put on the coffee.
so
i present:
The Last Resort theory.
a theory of my own creation, the last resort theory is a sort of combination of the Coffee Theory and the Religious Trauma Theory. (Similar theories probably already exist but here's mine)
The Metatron knew that Azira would never leave Crowley, but he did know that Aziraphale would take the chance to "fix" heaven. he knew that manipulation alone wouldn't be enough, he's smart, and so had to add that extra cherry on top, a "class A, surreptitious half a miracle". in the last resort theory, Metatron has laced the coffee in some way to tip Aziraphale over the edge, because he knew that the offer of bringing him and Crowley back heaven would be almost enough to destroy humanity once and for all. The Metatron spiked the coffee as a last resort to tempt Aziraphale back upstairs and destroy the earth. he knows that if Azira stays with Crowley they will find a way to stop the second coming, which he cannot have happening, he needs for them to be separated for this to work. its obvious he hates Crowley, he gives him dirty looks and insults him after the confession, by bringing up one of the most painful experiences of his past, the fall. so he separates them, and that leaves us at our end.
Aziraphale smiling insanely in the elevator
and Crowley crying silently and internally in his Bentley.
what are everyone else theories?
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cloudcryptid · 4 months
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HI HELLOso this is a very out of the blue question but if u feel ok sharing how did u go about making ur whf ocs into their own original universe?? a close pal of mine and i have been into whf for years and we still love it but want to separate the ocs we made for it into our own universe w some of the same general themes, so i guess what im asking is, do u have any advice from ur own experience of doing that? u dont have to answer this if u dont want to btw no pressure :3
so i've been thinking on how to answer this one, since i struggle to put concepts into understandable words and honestly i would consider asking @theshiaxartist about it as well as he's the one i did this with, he's usually better at explaining things in my opinion, plus multiple perspectives always helps :>
but also i didn't really?
so me n shiax looked at our ocs and the relations we'd built between them and decided we didn't want to change that, so we just kinda, transplanted it over
are we using whf itself? no, but we are using a lot of the concepts that play major parts in it: -completely isolated island -major mood changing and manipulating drugs -it was supposed to be a better place and ended in dystopia and destruction -etc etc
we took this concept and moved it over to a technically premade world (in actuality it was just bits n pieces of worlds that we'd both made but no longer has use for and so just slapped them all together, we're still constantly adding and developing to it, friend's connected universes are real)
i suppose why it seems like they're no longer fan ocs now is that we're not currently in that portion of the timeline, we've moved on
for us, the events of the isle (our stand in for whf) happened, it is a very important part of the oc's backstory and character development, without it they'd be completely different people but canonly, where we are in the timeline of things is roughly 2-5 years after they escaped and the isle essentially had a nuclear meltdown
we made them our own sorta, think kinda like how aus take the base content and shift it slightly to the left (yes they can shift further out but for the sake of things here, just a little for now)
its a simple and easy option and i think people are a little afraid of ideas being too similar but being heavily inspired is better than being stuck
worlds are large and ocs are fictional have fun
i suppose for tips tho:
-figure out what really makes the ocs, well them, what major events and relations are required for them to stay as they are, keep those or find something similar enough to get the right outcome
-building a whole new world for them can be fun, but it can also get you stuck up in minute details or floundering to have everything explained, it's ok for characters to exist in a void until you can fill it with something (you should also ask shiax about this, his world building is always really fun and he's great for like, looking at how things actually work together, ie. if there's 2 moons, how does that impact things)
-frankly, don't be scared to just rehaul as well, some ideas simply won't work in certain contexts and you'll have to figure something else out
-you are free to play around, nothing is set in stone, make as many different possible worlds and lands and settings until you find the one that sticks people get stuck on making it right the first time and this applies to oc creation too
i know this doesn't really like, set you in a definite direction, but creation is fickle and whimsical like that
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1tsjusty0u · 6 months
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another! ok one. do any of the champions have scars. two. link scars.
honestly i think all of them should have scars
ok mipha!!! one is on her arm from lightscale trident ceremony practice: a rock scraped her as she was coming down. i also want to think she got shocked by shock arrows before, however those Are fatal to zora so either she’d have to have a natural shock resistance or her mom was able to help her (fairy i think). i also think itd be neat for her to have top surgery scars however i dont think shes actually had top surgery before </3 . another is from sparring and its on her hand! and some from lizalfos and one from octorocks. other than that she doesnt really get scarred, maybe little ones from rock scrapes sometimes but scales kind of cover them. OH also guardian burn
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revali!!! similar deal to mipha except its more recent- training his gale and ending up scraping the rocks lining the flight range. luckily they arent to bad but yeah. i think itd be neat if he had chronic pain in his arms but rhats not really a scar. i think he has slight scrapes from a bomb arrow he used that was a bit too close and maybe one from trying to fish and bonking a rock. otherwise he tries Very Hard not to scar himself (wings, also no dont ask me the logistics on his flying with burn scars. with chronic pain he just takes it until he gets aid either with things like compression gloves (rito style of which i need to consider) or pain medicine and such. i need to see what kind of aids exist for this). i would say he got burns from dinraal however i dont actually know how hard its be to get a horn without burning. also i dont want to have to deal w actually no he Did get burned by dinraal it doesnt have to be on his wings
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daruk!!! on one hand i like to believe he has So Many Scars just because he lives in death mountain and also. rock guy. bounce. but the problem is i dont know what stories would be tied to them besides the champion trials. and also his rocks on his backside would take most of it/be chipped so. hm. well burn scars firstly; gorons can handle the head but i dont think they can withstand true lava. so when he stood on it it burned his feet a bit. igneo talus burns, self explanatory. maybe talus scrapes in general, i heard in a fic the concept of talus seasons for death mountain and while i dont know if its real i think its cool. maybe some scrapes from rock roast but otherwise yeah. tough cookie
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URBOSA!!! same for daruk mostly as in i think she definitely has some but what stories they tell i have no clue. however i do have more ideas than daruk generally: one is from the yiga, likely due to thunder helm shenanigans. she’s pretty well protected with armour however they probably nipped a vulnerable spot that was in the . slashing zone for lack of a better word, and another time they mightve tried to go for her neck. another from a molduking, tossed and got scraped by the sand. shock lizalfoes also got her once, though less of a shock arrow but a shock weapon/horn. other than that? she’s doing pretty good!! as unless you get hurt pretty badly most things dont scar, or fade easily at least.
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zelda!! i think she’d only really have a few pre cal, mainly one from punching a rock instead of the goddess statue, and two from yiga/monsters. and also shekiah tech actually, those lasers in shrines are actually called beamos which is so incredibly cool so i think she got a scar from one of those, and one from testing an ancient weapon. but otherwise post that its Guardian Burns and Malice. a guardian shot in her elbow is completely numb, but everything else Is Not!
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alright so. link does have scars. bbut uhm. yeah no im not dancing around this: tw for self harm you can skip this section, it has a graph like the champions jsyk
so yeah! self harm; theyre mainly on his upper arms (luckily not on his wrists) and . yeah. theyre almost mistaken for yiga scars sometimes because he has scars from them, but nobody really. sees them because he actively wears longer sleeved stuff. anyways other scars are from a lynel slashing him, and a talus breaking his arm; its not a visible scar but yeagh. post calamity he’d get more self harm scars and more monster scars but thats about it. also same deal with mipha for top scars; i Love the hc so much but i dont think links ever gotten surgery for it he does other things like a sarashi as a binder (its not very safe dont do this in like. modern times)
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