#its so fascinating to see how the culture has changed

[raven-at-the-writing-desk]

food likes and dislikes + why

Consider this part of the Twisted Wonderland food lore series, I guess? Part 1 and part 2 focus on compiling food culture and related world lore; I will keep adding to them as new information is released. This part expands on the reasons for why each character likes and dislikes the food that they do. Please note: THIS DOES NOT COVER ALL CHARACTERS, only the characters we have official profiles for! The staff do not have least favorite foods listed + other characters like Neige and Che'nya lack profiles, so they are not addressed here.

Additionally, the reasoning behind some likes/dislikes are speculation or implied rather than outright stated as canon. I will indicate when these instances crop up.

Riddle

Favorite: strawberry tarts

Riddle has been fascinated with strawberry tarts since he was a child, as he would see them in the window of the local cake shop. He lovingly describes the bright-red fruit on them as "[shining] at [him] like forbidden jewels", as his mother would liken the sugar content in sweets and pastries to poison.

He tastes his first strawberry tart after meeting Trey and Che'nya. Trey is the one who offers him a slice from his family's bakery. Riddle is entranced by its look and taste. "A bright-red strawberry tart on a white plate. To me, it shined more brightly than any gem could. That first bite was so sweet. It tasted like nothing I'd ever eaten before. With each bite, I became more entranced..."

SPECULATION: The implication, as I read it, is that strawberry tarts fulfill a desire he has long since had but has seldom acknowledged. They are also tied to the positive experience of the intimacy and the first friends Riddle ever made, as well as a symbol of his own agency.

He seems to regularly offer and eat cakes and other sweets at unbirthday parties, as they are a must-have at these events. Other foods he intakes typically adhere to the rules of the Queen of Hearts, even if he has different preferences (such as preferring honey to sugar cubes for his tea, and preferring milk tea over lemon tea).

Riddle thinks that food must be nutritious. He calculates what he eats and ensures that he makes up for any deficits at the NRC cafeteria's buffet.

SPECULATION: His idea that food must be nutritious may come from seeing food as fuel for the brain. It's something he may have picked up from his mother, who is seen giving him food that will (according to her) help his developing cognitive functions.

Least Favorite: junk food

SPECULATION: While we aren't given an explicit reason for Riddle's stance on junk food, it's implied that his mother ingrained in him a sense of which foods and amounts are "right" and 'wrong" to have. He likely still takes her teachings to heart.

Riddle tried fast food for the first time at age 17 and declared that he doesn’t like it and won’t have it again. This supports the idea that he has avoided this kind of food for a long time—again, something instilled in him by his mother.

He tends to get the daily special at the NRC cafeteria not because he likes them but because it’s easier him to calorie count that way.

Trey

Favorite: candied violets

Trey started eating candied violets before he started elementary school. He was so impressed by the concept of edible flowers that he went around trying to eat flowers and weeds he found in the wild.

Trey states that he loves how the flower's aroma overtakes his senses and makes him feel as though he's lying in a bed of violets. He cites this as being the "real appeal" to him.

Trey also says that he gets bad cravings for candied violets and would even snack on his parents' stash (which they prepared for their bakery's cakes). This however did not stop Trey, so it led to his parents setting aside some candied violets specifically for him. In fact, they still send care packages to NRC which contain candied violets. Trey snacks on them on study breaks.

He suggests using candied violets as a sugar substitute. It changes the color of the milk, and he finds that interesting.

Trey also enjoys the NRC cafeteria’s hamburger steaks. He says they’re so good he could eat them every day. He also eats many sweets made with pie dough.

Trey thinks it is important to have foods that require chewing. This is because chewing is important to maintain the health of one's jaw and teeth.

Least Favorite: mustard

Che’nya and Trey played Russian Roulette with six cream puffs. Five had regular cream filling and one had mustard.

Trey had bad luck and ended up biting into the one cream puff with mustard inside. There was no water to wash down the flavor, and Che’nya was of no help because he was laughing too hard at his friend’s demise. Trey reports that he “seriously almost cried”. It is this bad experience that bred his dislike of mustard.

Cater

Favorite: spicy ramen

Cater says that a "capsaicin kick" from spicy food "lights a fire under [him] when [he's] feeling out of it" or feeling down in the dumps.

Additionally, ramen pics are "GREAT for [social media] engagement". He usually places a lot of importance on a dish's appearance when judging it.

SPECULATION: Our body interprets spiciness not as a flavor, but as a pain reaction. Knowing that Cater is secretly very gloomy and sad, he may eat spicy food as a way to just “feel something”.

Least Favorite: anything sweet

When Cater was 10 years old, his mother and two older sisters were into making sweets. Back then, Cater was actually excited for extra desserts. However, they continued to make more sweets every single day. It got to a point where Cater started to have a hard time eating them.

According to Cater, his sisters in particular made things worse. They would pile more sweets onto his plate and tell him there's plenty more where that came from. If Cater said he didn't want any, his sisters would give him puppy dog eyes and he would relent. This would ruin Cater's taste for anything even remotely sweet.

He loves visiting cafes, but the most photogenic items tend to be desserts. Cater has the dilemma where he will order something cute but then can't eat it because of his aversion to sweetness. (The problem is solved if he invites someone to come with to be his human garbage disposal.)

Trey is, so far, the only person who has been able to immediately sus out that Cater doesn't like sweets. Cater usually has to dance around this fact about himself and find roundabout ways to avoid eating sweets (such as suggesting to Trey that he show us UM to the first years so Cater can avoid tasting a sweet chestnut tart).

Ace

Favorite: cherry pie

Ace says cherries are his favorite fruit. There is no further explanation given for why cherry pies in particular are his favorite.

He prefers fresh fruit in his pies as opposed to the “canned stuff”. Ace finds the flavor to be a lot more robust in the former. He also likes his cherries "nice and tart".

SPECULATION: The meta reason for Ace's favorite food may be because the Drink Me potion from Alice in Wonderland is said to taste like "cherry tart, custard, pineapple, roast turkey, toffee, and hot buttered toast". The "tart" was probably changed to "pie" to help differentiate Ace's favorite food from Riddle's favorite food (which also involves a red fruit in a crust).

Least Favorite: raw oysters

When he was a kid, Ace read a book that involved oysters. He can't stand raw oysters because they remind him of that story.

SPECULATION: This is likely a reference to the story of "The Walrus and the Carpenter", which involves a walrus tricking and eating sentient baby oysters in Disney's Alice in Wonderland. It probably traumatized kid!Ace xnsbdkwbiwcnks

Deuce

Favorite: anything with eggs

Deuce comes from a single parent household, so their budget is usually tight. Eggs, being a cheap staple food, was something his mom often prepared for him. They are also simple and versatile enough for even his mom and himself to learn how to cook a variety of ways.

Deuce remarks that he likes his omelets "extra fluffy". It's how he always orders it at the NRC cafeteria.

Least Favorite: pepper (ie the more bitter green ones; JP)/bell peppers (ie red/yellow ones EN)

No matter how small they're chopped, Deuce has never been able to eat (bell) peppers. He says the flavor and the smell are too overpowering for him.

SPECULATION: Pepper is a commonly disliked food among young children in Japan. It’s similar to how broccoli is disliked by children in the west. The implication may be that Deuce is still immature like a little kid that hates peppers.

Leona

Favorite: meat

The only reason Leona provides is pretty vague; he says he needs the protein so he can perform to the best of his abilities in magical shift/spelldrive.

Least Favorite: vegetables

He claims that if a carnivore is eating greens, then it's sick. Therefore, there is "no reason" for him to eat any. He's perfectly healthy!

SPECULATION: Given that Leona also refers to others as "herbivore" in a derogatory sense, it's possible that he views those who eat plants as weaker than him. He, with the DNA of a carnivore, is technically "above" them in the food chain and doesn't deign to "lower" himself to their status by eating vegetables. This implies that a lot of his tastes essentially boil down to "I'm a lion, lions don't eat vegetables (heavy sarcasm)."

Ruggie

Favorite: donuts

Ruggie's family struggled to put food on the table, so they couldn't afford birthday cakes. Instead, Granny Bucchi would make simple donuts for him. He loves the warm and fluffy insides and crispy outsides.

Once Ruggie started earning income through various part-time jobs, they could afford ingredients to make fancier donuts with different toppings such as chocolate dip and almonds. Even though Ruggie can now afford to get himself a birthday cake, he still craves his grandma's homemade donuts.

Least Favorite: anything rotten

When Ruggie was younger, he got a nasty stomachache from eating old bone-in steak. He learned from that experience that if food rots, it's ruined and he can't shouldn't eat it for his health and safety.

He will basically eat anything as long as it isn't rotten though. This includes bones, as hyenas have strong jaws and are able to munch on them.

Jack

Favorite: pear compote

The pear is Jack's preferred fruit. He specifically likes compote because it is sweet. Jack says that a good compote will help melt exhaustion and restore lost carbohydrates after a workout.

Least Favorite: green onions

While Jack does not comment on green onions in particular, it is implied that he does not care for them because they are smelly. He comments that the cafeteria's soup has too many onions in it and that it messes with his sense of smell. Being a wolf beastman, his senses are heightened, so he is sensitive to smells.

Azul

Favorite: fried chicken (EN)/kaarage (JP)

No special reason is given in-game. Azul enjoys fried chicken but does not allow himself to eat it often as he is aware of how unhealthy it is.

He has tried many recipe substitutions to make his favorite food healthier for his consumption, but the flavor and texture always fall short of the real thing. Some methods he has already tried include using cooking methods other than deep-frying and using soy beans instead of meat.

SPECULATION: It can be inferred that fried chicken is a favorite of Azul's since childhood, and something that his mother served him in high amounts during celebrations. This may be led to his overweightness as a child, something which he holds a lot of lingering insecurities about.

Least Favorite: healthy foods (EN)/nutritionally balanced meals (JP)

Azul recalls a period of his life when he would eat mostly health food since it is an easy way to count calories. After a while, he began to dislike health food for this very reason.

Jade

Favorite: octopus carpaccio

No special reason is given in-game.

SPECULATION: The meta reason for this being Jade's favorite food is likely because moray eels (which the twins are) eat octopus. Carpaccio is a dish that is served raw, just like how real moral eats consume octopus.

Jade also enjoys tea; he brews his own blends using plants he collects while on hikes. He tends to do with same with mushrooms.

Least Favorite: conger eel

Jade says that he dislikes conger (saltwater) eels because "the texture simply does not live up to [his] tastes".

Floyd

Favorite: takoyaki

Floyd likes to put unusual stuff inside takoyaki instead of the typical octopus filling. It keeps him from getting bored. Fillings he has tried before include cheese, shrimp, sausage, oysters, tomato, broccoli, strawberries, whipped cream, chocolate, anchovies, potato salad, and konjac.

He gets a real kick out of seeing who can make the worst tasting takoyaki. No matter how bad the odd fillings taste, Floyd eats every last one. He doesn't want to get told off by Azul for wasting food.

He has plenty of practice flipping takoyaki in the pan, so it isn't difficult for him.

Floyd likes candies, though his tastes change depending on the day. He enjoys peppermint candies, a week ago, it was melon soda-flavored gummies. Yesterday, it was almond biscotti. He says he tends to go for textures over flavors, but unusual candy flavors are cool too.

Floyd says he likes "stuff you can only eat on land."

Least Favorite: shiitake mushrooms

Jade puts shiitake mushrooms in "pretty much anything". Because of this, just seeing a shiitake mushroom pisses Floyd off.

Kalim

Favorite: coconut juice

There is no clear in-game reason provided. However, Kalim likes coconut juice to the point where it's not unusual for him to order 100 coconuts from a fruit vendor in Silk City.

SPECULATION: Aside from being a refreshing beverage, coconut juice has historically been used to reverse the effects of poisons and drug overdoses in both India and Africa. We know that Kalim has had multiple attempts on his life, including intentional poisoning of his food, so this may be why Kalim has acquired a taste for coconut juice.

Least Favorite: curry

Kalim's dislike of curry originates from an incident in which Jamil, his dedicated food tester, fell into a two week-long coma after tasting poisoned curry intended for Kalim. He has not been able to stomach curry since.

Jamil

Favorite: curry

Despite going through a traumatic experience with curry, it remains Jamil's favorite food. It hasn't really deterred him.

He usually cooks his own food rather than eating in the cafeteria. It’s just easier for him since he is already typically cooking food for Kalim anyway.

SPECULATION: Jamil expresses interest in sampling curries from all over Twisted Wonderland, as it is different in every country. Therefore, curry may be a dish that Jamil sees as "international" and sates his yet-to-be-achieved desire of being free to travel and see the world.

He doesn't care how food looks (except when people criticize how plain and brown his own cooking is); he states that what is most important is flavor.

Least Favorite: dates

Jamil used to love eating dates as a child. One day, the dates he had bought from a fruit stall had a bug on them. He freaked out and set off a spell, setting the fruit stall on fire. Jamil has not been able to eat dates since finding that bug on them.

Vil

Favorite: homemade smoothies

Vil likes the customizability of homemade smoothies, especially seeing as he is a model and actor who has to watch his figure. Green smoothies are particularly appealing since they can be chock-full of nutritious fruits and vegetables. It's also easy to alter the flavor to your liking.

Least Favorite: mayonnaise

Vil used to have mayonnaise on his salad when he was younger. This was done almost on a daily basis. He got three pimples from this diet, which were painful and not photogenic for a child star. Vil eventually learned that mayonnaise "doesn't agree with [his] skin". Now he usually takes his salads with salt, olive oil, or vinegar.

He doesn't mind the flavor or the texture of mayonnaise. If he is given mayo in a meal, he won't let it go to waste. He just does not enjoy eating it because of the pimple trauma.

Rook

Favorite: liver pâté

Rook describes it as "a delicacy" that is "both rustic AND refined at the same time". He says he was first captivated by its smooth and creamy texture that melts on your tongue. Rook attributes the appeal of the dish as being dependent on its freshness, so he enjoys it only on rare occasions.

Least Favorite: garlic

He calls his dislike of garlic a "professional aversion". Garlic is smelly and tends to linger after consumption, so Rook worries that the aroma will alert others (whether wild animals or other people) to his presence. He wants to be able to blend in with his surroundings!

Epel

Favorite: yakiniku (JP)/grilled meats (EN), macarons

Epel loves grilled meats because he has fond memories of it from Harveston. His family and neighbors would arrange gatherings where they take big hunks of meat and grill them on a charcoal fire. He admits that it's not fancy, but it makes for a "mighty fine meal". Epel also loves the fresh veggies that you eat with the meat; they have a natural sweetness to them. The veggies can be eaten straight off the grill without sauce and still be perfectly tasty.

Epel says he likes macarons "more" than even grilled meats, but this information is pretty dubious since we learn in his Ceremonial Robes vignettes that Vil seems to have instructed him to make this claim. It's sliiightly confusing because Azul seems to believe Epel does like macarons and questions if his sources were wrong when Epel looks surprised that he knows that (which seems to contradict the idea that Vil told him to lie about his tastes).

When asked why he likes macarons, Epel responds with, "They're... cute. And sweet! And they come in lots of different flavors. They're not very filling, but still." He makes a similar comment about macarons not being very filling in Glorious Masquerade.

Least Favorite: nashi pear (JP)/apple pear (EN)

Epel says that while the flavor of nashi pears is not bad, he dislikes them because "they're jist pretendin' ta look like apples"! Indeed, if you google "nashi pear", you'll see that they visually resemble apples.

In Port Fest, he and Jack get into an argument over what would be a better topping: apples or pears?

Idia

Favorite: sweets (ie candies; JP)/snacks (EN)

Idia says that he likes snack foods and candies because they're easy to eat while gaming. He particularly likes brightly colored candies like gummy worms.

He also says that he loves DIY candy kits, where you can make your own cute little sweet treats using water and powder packets. "It turns snack time into a game! It's easy to get totally absorbed, too." Idia likes the idea of being able to change the color and shape of the snacks himself. He insists (unprompted) that these DIY candy kits are NOT just for kids.

Idia mainly eats junk food in general, as well as "efficient" foods like jellies, powders you dissolve in water, commercial snacks, and instant noodles. This causes his peers to worry about his health.

SPECULATION: This is just a funny thought I had while reading Idia's dialogue, but I wonder if he would also pull out the L (Death Note) style explanation of "I'm a genius, so I use a lot of brain power! So the logic follows that I should eat a lot of carbohydrates/sugar to refuel."

Least Favorite: raw fish

Idia dislikes raw fish because "it stinks, it's lukewarm, it's all slimy and clingy and sticky..."

Another large part of why Idia dislikes dish is because "real" food like that requires proper tableware to eat. He thinks this just adds "pointless busywork" to meals (and has a similar attitude when it comes to cooking). "Who cares how you get nutrients, as long as you get them? Just eat an energy bar with vitamins and minerals! Bam, EZ."

Idia has also indicated that he is averse to rich foods (juicy meat, thick sauce, large portion sizes) like hamburger steaks, saying that thinking about it gives him indigestion.

Ortho

Favorite: nothing

Least Favorite: nothing

Ortho does not require nutrients to live, being that he is a technomantic humanoid. He is, however, capable of taking pictures of food and analyzing ingredient makeup.

Idia has made an Oral-Energy-Intake Gear, which allows Ortho to eat food like everyone else. It's not clear what happens to the food Ortho eats though.

Malleus

Favorite: ice-cream

Malleus likes frozen desserts! When he breathes fire, the inside of his mouth gets very hot. Eating something cold like ice-cream helps to cool the temperature of his mouth--and this temperature contrast helps to enhance the flavor of the ice-cream.

Malleus shares an instance when he had frozen a castle and some servants in a tantrum; Lilia was able to salvage the situation by using his magearm and flavored syrups to make shaved ice, which he shared with everyone. He then used this opportunity to teach Malleus to use his powers wisely. This isn’t ice-cream, but it’s still another positive memory Malleus has related to cold desserts.

He likes to try different varieties of frozen treats and compare their flavors and appearances. Malleus doesn't seem to understand all the different nuances though. For example, he has a popsicle stick that declared that he had won something, but didn't know he was supposed to claim a prize. He does, however, understand that it is highly valuable and has it stored somewhere. He plans on bringing it home to Briar Valley when he graduated.

Least Favorite: whole/full-sized cakes

He doesn't have anything against sweets, but rather directs his ire at excess. Malleus never has people to share cakes with, so he ends up trying to eat the whole thing by himself on special occasions. He never finishes them in a single sitting and says they give him heartburn.

Malleus says he may see whole cakes in a better light once he has company to split them with.

Lilia

Favorite: tomato juice

There's not a lot in the way of the tomato juice lore. The best we've got is Lilia remarking that he has recently been into drinking and comparing different tomato juices. He claims the tastes and textures can be very different.

Lilia is also fond of berry juice, which he says is a specialty of Briar Valley. He encourages the guests at his farewell party to indulge in it.

SPECULATION: Some fans headcanon that Lilia likes drinking tomato juice because it resembles blood, and Lilia behaves in very bat-like ways. This could be the specialized traits of his species of fae.

My personal speculation is maybe the reasoning is similar to what is typically given for Jamil's love of curry; Lilia is someone who is worldly and well-traveled, so maybe he just likes tasting the local produce in an easy-to-go-down way.

Least Favorite: marshmallows

Lilia does not like the taste. Additionally, he thinks it's boring that, despite how bulky they are, they disappear as soon as you put them into your mouth. He feels like he's eating air!

Silver

Favorite: mushroom risotto

Silver says that risotto was the first dish he ever cooked himself. He likes the simplicity of it.

SPECULATION: Silver may have a preference for mushroom risotto because it includes an ingredient that is easily foraged in the forest (well, granted you can tell which are edible). Recall that he spent most of his days there and had to take care of himself for unspecified stretches of time when Lilia was off on his travels. Simplicity and ease of access was a big deciding factor in what Silver prepared for himself.

Least Favorite: Lilia’s cooking

… Does this even NEED an explanation? We all know how bad Lilia’s cooking is, and poor Silver somehow grew up on it 😭

What is sort of sweet is that Silver tries to convince himself to get over the poor quality of Lilia’s food by saying that what matters the most is sharing that time with loved ones.

Sebek

Favorite: salmon carpaccio

Sebek has a memory of going fishing at the lake by his grandfather's house with his older brother and sister. His siblings helped Sebek pull a large salmon out and then prepared carpaccio from it to serve for dinner. He loved seeing how delighted his parents and grandpa were to see it at the table. His grandpa even smiled, an occurrence which Sebek notes is rare. Now when he has salmon carpaccio, it reminds him of home.

Sebek says he could have salmon carpaccio for three meals a day and still never get tired of it. Keep in mind that Sebek also has a large appetite (claiming that eating three helpings for one meal is eating light), so that's a LOT of salmon carpaccio.

He denounces the cafeteria bread, deeming it not filling enough. He does the same of nuts and berries, although he admits they are nutrient dense. Sebek would prefer to have meat.

Least Favorite: black coffee

He cannot so much as tolerate a mouthful of "that muck" because of its bitterness. Indeed, we see how poorly he takes down black coffee when he mixes his order and Malleus's up in Glorious Masquerade.

Sebek is resentful that Silver can drink many cups of black coffee (to keep awake) and that his fellow knight shares a freshly brewed pot with their liege. "IT REALLY GRINDS. MY GEARS."

People have advised Sebek to sweeten his coffee with cream or sugar. He adamantly refuses to do this, since he believes that's something only children would do. "It's mortifying!" Furthermore, Sebek hates the thought of being the "odd one out" taking his coffee differently. "I refuse to let Silver outshine me in a matter so trivial!"

Sebek has been working tirelessly to train himself to tolerate coffee, since he wants to be able to share the same experience with Malleus. Now he is able to take one splash of coffee in his milk.

It should also be noted that Sebek used to dislike vegetables that were very bitter, so it seems that he has an aversion to bitterness in general. He has conquered bitter vegetables and is smug about surpassing that challenge.

He is able to stomach food that tastes bad if he is told it is good for him/training. For example, Lilia has suggested eating red meat, fermented beans, and yogurt as a workout meal, which Sebek happily consumes.

SPECULATION: ... This gives the vibes of a child who is still immature so they hate taking down bitter things. I guess it suits Sebek's "I wanna grow up fast!" behavior.

Grim

Favorite: canned tuna

... Look at him. Is he not peak cat? 🤡

SPECULATION: I'd imagine that Grim developed a taste for canned tuna in part because that's most of what he eats on Ramshackle's measly budget. They likely cannot afford fresh fish or other extravagant meals.

Least Favorite: nothing

LISTEN. Grim literally eats ROCKS. Plus, he literally snatches others' food and is eager to try foods and started his own club that revolves around food!! I don't think there's anything he won't consider shoving into his mouth.

Crowley

Favorite: wild game

Crowley describes himself as an avid connoisseur of meat and will eat any meat: beef, pork, chicken, and wild game (also called gibier). He encourages the other staff members to sample new meats when they can.

He claims to "prefer treats with subtler flavors rather than overpowering ones."

Crowley also appears to like mangos. He was excited to try the mango juice of the southern country that he vacationed to in book 4. Crowley also brought back mango souvenirs for the staff, including a sweet and sour mango tea for Trein. He reminisces about the sweet mangos he enjoyed and the sunny beach he was on back then. Crowley likes black tea as well!

SPECULATION: Crowley probably likes wild game because he is twisted from a crow or a raven of some kind. Those birds are known to scavenge the meat of various dead animals (carrion).

Least Favorite: unknown

While we don’t have a confirmation for what Crowley’s least favorite food is, he doesn’t seem to like spicy foods—or, at least, he does not tolerate spice well. He complains about the tomato stew at the cafeteria causing him to sweat and cry at the same time. Crowley is also hesitant to sample Scarabian cuisine since he has heard that their food is liberally spiced.

Crewel

Favorite: raisin butter

Crewel says that raisin butter pairs well with adult beverages. He finds the aftertaste of raisin butter excellent and enjoys its appearance too--its spotted look reminds him of dalmatians.

SPECULATION: It’s notable that raisins, which are in Crewel’s favorite food, are deadly to dogs. This is ironic, because we know that Crewel is an avid lover of canines—but the character he is twisted from, Cruella de Vil, loathes dogs and is rumored to skin them for fur coats.

Crewel indicates that he enjoys tea; he brews his own blends and frequents a specialty coffee stall in the Foothill Town for its tea. He has known the owner since he was a student and pals around with him.

He also says he likes meat pies, but tries to keep portion control in mind.

Least Favorite: unknown

Sam

Favorite: chicken gumbo

SPECULATION: As far as I'm aware (and believe me, I looked everywhere I could), there's no given in-game explanation for why this is Sam's favorite. The best I've got is that chicken gumbo is a regional dish from New Orleans, the region from which The Princess and the Frog is inspired by.

Least Favorite: unknown

Trein

Favorite: vichyssoise

Trein finds the texture of the vichyssoise served by the NRC cafeteria smooth and pleasant. The students don't have the same appreciation for it; Trein says that he is the only one that ever orders the dish.

SPECULATION: Like Sam, Trein is not provided with a clear reason why he favors vichyssoise. But!! If we think about the composition of the dish, it's made with very cheap and accessible ingredients--even a peasant could afford them. Vichyssoise, then, could be representative of the story of Cinderella, where a kind-hearted girl's beauty was able to shine even when she was covered in cinders. The beauty of even simple vegetables is able to shine in vichyssoise!

He tries to go for foods and portions that won't weigh his stomach down.

Least Favorite: unknown

Vargas

Favorite: raw eggs

Vargas reports eating large amounts of raw eggs (roughly 60 for a single meal). He was told by the cafeteria ghosts that it would be troublesome if he ate so many of their eggs every time he dines there, so he has since started to bring his own eggs.

Sam tries to avoid stocking perishables, but the one exception is eggs. That's because Vargas always buys his entire stock.

SPECULATION: A meta reason for why Vargas eats an absurd amount of raw eggs is that this is a clear reference to Gaston from Beauty and the Beast. In his villain song, Gaston says he eats 5 dozen eggs, which is exactly 60--the same amount that Vargas eats. He needs a lot of protein to maintain his muscles!

Least Favorite: unknown

Rollo

Favorite: grapes

Rollo eats the same lunch 365 days a year, and prefers to take it in an area away from others. (Presumably, he does the same with his other meals.) This lunch consists of 2 croissants, a cup of café au lait (coffee with milk), and exactly 16 grapes.

He says that, with a strict routine like this, he can forgo unnecessary desires. Rollo finds it refreshing and recommends that others try it. The exception seems to be special occasions; he says he has an extra croissant on those days.

SPECULATION: No canon reason is given for why Rollo loves grapes (many fans actually thought croissants were his favorite before his SSR came out). What I believe is that Rollo likes grapes because they're easy to count and limit one's consumption of (because of how small they are). It fits perfectly into his stringent life.

Least Favorite: savarin

SPECULATION: Again, no canon reason is given. If I had to speculate based on what I know of him and how he takes his meals, then... I'd wager he doesn't like savarin because of how overly indulgent it is. It's a ring-shaped cake soaked in flavored syrup and then topped with cream and various fruits. For someone who regularly has bread and one type of fruit (grapes) for his meals, savarin is basically a sin.

Fellow

Favorite: apples

SPECULATION: This may be a reference to his character inspiration, Honest John. In the scene where he meets Pinocchio, he steals the apple Pinocchio is carrying and eats it. Notably, Playful Land also offers apple-flavored items.

Least Favorite: potatoes

SPECULATION: Potatoes are a very starchy (and thus filling) and easy to raise staple crop. I believe the implication here is that Fellow had to eat so many potatoes when he was low on other foods that he eventually became sick of them.

[pumpkinpaix]

Chapter Spotlight 8:

"'Censorship Made It Better': Anti-Fans and Purity Culture in English-Language Chen Qing Ling Fandom" by Abby Springman

Describe your topic/chapter in one sentence/one meme/140 characters.

Rejoice! MDZS has been cancelled!

What drew you to this topic?

When I got into CQL fandom and started lurking on its outskirts on Twitter, I started getting this weird sense of déjà vu. There was this bizarre similarity between the arguments I was seeing about the aspects of CQL/MDZS and their fandoms being "problematic" from a progressive, social justice point of view and the demands for censorship in American libraries that conservative groups were (and still are) making at an alarmingly increasing rate. In an attempt to make sense of this, I fell down what ended up being a really long rabbit hole, and, well, here we are.

Was there anything you were surprised to discover while researching?

I was surprised by the wide variety of fannish backgrounds found amongst members of English-language CQL fandom! I'm not used to seeing so many different "areas" of fandom intersect over a single piece of media like this. Some folks are primarily into the live action movies and TV shows side of things, some are mostly in bandom, some (like me) are traditionally a part of the anime, manga, and gaming contingent, etc. I think that's fascinating, honestly.

Did researching/writing your chapter change how you saw the text, the fandom, or the media? How so?

I didn't use the block button on Tumblr or Twitter for anyone in the fandom while I was working on my chapter. It definitely changed how I saw fandom on those platforms—literally. It really highlighted how much power social media algorithms have over what kind of content is presented to us front and center.

If there’s one thing you hope the fandom takes away from your article, what would it be?

I'll be thrilled if it makes people think about "problematic" content in less black-and-white terms. They don't have to necessarily agree with my conclusions! But if my words make even one person stop and think more about context before posting a reactionary comment, then that would be great.

If you were isekai-ed into MDZS/CQL, what sect affiliation would you choose and why?

The Lan. My existing skills are most likely to be applicable there (see: the library), it seems easy to find some peace and quiet when you need it, there are bunnies, and Hanguang-jun is there.

Chaotic one-sentence pitch to get your friends into MDZS/CQL?

My elevator pitch for CQL has historically been, "It's the adaptation of a book about a gay necromancer, except they can't actually show the gay romance or the zombies on screen."

What is one (1) book/media you would recommend to a MDZS/CQL fan? Tell us about it.

Strange Tales from a Chinese Studio by Pu Songling. It's probably the most accessible collection of Chinese stories of the supernatural available in English. If MDZS/CQL was your first exposure to traditional Chinese cultural beliefs about ghosts, exorcisms, and the like, this is a great introduction to the less xianxia-specific aspects. If that isn't the case for you, I still highly recommend it on its own merits!

Character you keep getting in those "which MDZS/CQL character are you" quizzes?

Wen Ning

Anything to say to potential readers of the collection?

Thank you, and I'm sorry—no, that's a joke. More seriously, I really am thankful for anyone interested in the collection. It's the product of years of hard work by many people, and I'm sure there's an interesting chapter in there for everyone.

(FAQ) (all posts on Catching Chen Qing Ling)

[xadianglyphs]

Seventh Source: The Dark Magic Symbol

In honor of Book Seven: Dark, I want to revisit and expand on analysis of the dark magic symbol, itself—something I'm always low-key thinking about, but now I'm going to make you think about it, too.

We are lucky enough to have a fascinating window into the design process for all the primal source symbols (both individually and as a set) through the portfolio of Samuel Thompson, the designer. This includes the dark magic symbol:

I've scaled up the secondary, "also-ran" designs so they're all the same size, because I do want to talk about some of them. There are several paths of development visible, and each one reveals something that was seriously considered as a possibility for representing dark magic as a whole.

It's in the Blood

So to start out, we know on some level that, during story development, what became dark magic was originally blood magic. Two years ago, when I first looked at the concept art for the symbols, the filename used for the dark magic symbol image was "blood." That was corrected at some point when the designer uploaded new images with better presentation (as one does when maintaining a portfolio), but it happened.

There's also more than enough association between dark magic and blood developed over the course of the series that it seems pretty clear that the name changed on a surface level but the underlying concept remained.

It's even visible in the designs that not only was a blood droplet considered as the entire symbol, but it was incorporated into variations of multiple design directions.

Dragons in the Dark

There's a bit of a problem when you go from "blood" to "dark," which is "how do you represent darkness in icon form?" The primal sources are ultimately elemental—you can see in their design process that a lot of it was about creating a balanced set where the symbols are both individually distinct and yet related enough to fit together as a group. Earth has the usual "do we do rocks or plants?" decision-making, but otherwise it's just... the sun is the sun, water is water, etc. But what the hell is the iconic form of darkness?

Well, apparently it's dragons, because pretty much all of the rest of the designs are a clear evolution of what began as a dragon symbol. It gets stylized into a set of wings that is then further stylized, and in combination with other influences discussed in the next section, we eventually start getting something like the final symbol.

There's one other direction kind of explored here, which is the ouroboros dragon(s). I actually wrote out a whole thing about the ouroboros as a symbol historically vs. through the lens of modern Christian-influenced western culture to use here, but really none of that is the point. The most likely scenario is that they told the designer, "let's explore some possible directions dragons" and the ouroboros designs are just something you do in that situation. Obviously you don't want to actually choose it for the final direction, because then you'll never escape the specter of Fullmetal Alchemist.

But like... why dragons? I mean, this is not an accident. The designer dragon-ed the fuck out of this shit, and the only reason to do that is "that's what he was specifically told to do." So at some point during development, there was apparently a consensus that dark magic should be represented by something related to dragons.

Now, this could be as simple as "dark magic uses the essence of magical creatures, and a dragon is pretty much the epitome of a magical creature," or something like "dark magic elevates humans to being equal with dragons." After s6, however, I feel like there are enough weird little things connecting the Celestial Order, the archdragons, Aaravos, Laurelion, the Staff of Ziard, and various other stuff that it could be... something else. Something we're not yet able to see in its entirety.

But that's something we'll have to wait to find out.

The Staff of Hermes Ziard Hermes

Now to return to reality: the influence of the caduceus on the dark magic symbol is a done deal. It has literally been said. Even if it hadn't, it's also just... kind of obvious.

Like yeah, that sure is a set of wings with a little knob between them and a twisty stem, just like the the final dark magic symbol and all the designs that most resemble it.

I'm not going to go over the caduceus in depth because I did that once already. You can tell I was naught but a wee, innocent babe by the way I use the words "wiki" and "confirmed" in the same sentence. In that post, I spent a lot of time digging into the associations of the caduceus and Hermes/Mercury as if that was a window that would tell us something about dark magic. It was a fun post but largely irrelevant, now—this time, we're going to come at it from another direction.

Setting aside the more distinguishing features of the caduceus like the wings and snakes, what is it? It's a staff. (Or a rod, depending on your interpretation of the distinction between the two.)

Well, interestingly enough, we happen to have another staff to bring to the table for consideration. One that's important within the setting, inextricably linked with dark magic, and with an iconic design.

Now bear with me, because here's my argument: the dark magic symbol is based on the caduceus, but in relationship with the Staff of Ziard, with either the staff influencing the design of the symbol or vice versa.

To see what I'm talking about, we can take a look at the staff from a few different angles. Personally, when seen closed and from the front, I think it already looks plenty like wings.

But if we put it in profile I can do a little overlay to show what I'm talking about more easily:

It's not strictly the most anatomically accurate setup, but stylized in a way that's interestingly similar to the stylization of the "wings" in several of the symbol designs. This could be related to the the "dragons" stage of the designs, assuming that there is some connection with the dragons, or it could just be visual influence from the caduceus itself.

We should also consider the shape of the staff from the front when it's extended (unfolded?):

The rounded rhomboid/oval shape, the diamond in the center? Come on, work with me—it could conceivably resemble the symbol, right? Though yes, I do know what you're thinking. A professional would call that "yonic" and definitely not giggle about it.

As for the twisty bit—what would be the coiling snakes in the caduceus—there's a certain iconic spell associated with the Staff of Ziard:

Maybe a stretch. But you don't get much twistier than a tornado.

Contexts and Meaning within the Setting

Now that I've chewed on my tinfoil had enough that I'll never get the taste out of my mouth, I also want to just touch brief(-ish)ly on the actual use of the symbol within the context of the series setting. Like the primal source symbols, the dark magic symbol doesn't actually show up very often. The two biggies are Claudia's spellbook and the Key of Aaravos in Callum's dream:

I'm going to ignore Callum's dream because the use of the dark magic symbol there says more about Callum's psychology than it says about actual dark magic, while Claudia's spellbook is a use that its author presumably intended to be meaningful for other dark mages.

Ignoring the garbage symbols in the corners, the central hexagonal symbol is reminiscent of the geometric tree of life diagram, which you may be familiar with if you are into either one of several varieties of religious mysticism... or anime. Let's be real, it's probably anime.

I'm not going to explain it in detail because honestly I don't know a lot about it and it's (intentionally, as with most mysticism) pretty complicated. Extremely summarized baby version which suffices for my purpose here is: the hexagonal tree of life diagram is a hierarchical arrangement of nodes and connections between them, with each node representing a distinct facet through which we are meant to recognize a single greater truth or divinity. On the cover of the spellbook, we have the dark magic symbol surrounded by smaller symbols for each primal source. This is a clearer arrangement that could be conveying the same concept—each of the primal sources is only a facet of a truer, deeper magic, which we are to take as being dark magic.

None of that is particularly important, I just think it's neat. Anyway, what I want to do now is propose that there is, as of season six, one additional appearance of the dark magic symbol within the setting context. This one:

Like... rhomboid shape, little diamond in the center, twisty stem? This isn't something unique to the Hearts of Cinder spell, it's an early or ritualistically stylized version of the dark magic symbol.

To contextualize this further, allow me to draw attention to this image from Tales of Xadia, part of a larger graphic showing a scroll that illustrates significant events in the history of dark magic:

We have a sacrificed creature, from which dark magic flows. On it appears to be carved some symbol composed of straight lines, which because of the size and angle we can't really see clearly. I spitballed a while back that it could be a straight-lines version of the Star primal symbol. We also have use of the actual dark magic symbol, which I'll spare you my analysis of since really it's just more of the same.

It's still a little bit fuzzy how dark magic spells get the magic resources from reagents, but generally a living reagent (used in its entirety) is killed and non-living reagents (harvested from a larger source) have some destructive act performed on them, like crushing. We have a spell that uses a living(?) human heart, which is apparently distinct from a human life in some way, even though the latter is not going to be getting very far without the former. For casting such a spell, unless you're currently holding someone else's still-beating heart in your hand, you probably want to be at least a little specific about exactly which heart in the vicinity is gonna get consumed. I'm putting forward that there's a way to mark a reagent such that it connects properly with the spell in cases where squishing it in your fist or whatever is impractical.

Like with a symbol, right? And what better symbol than the one for all of dark magic, the staff that may or may not be behind everything?

With that, thanks for coming to this long-ass TED Talk that was entirely an excuse to say "the symbol Viren carves over his heart to mark it for sacrifice is an ancient or stylized version of the dark magic symbol, which itself likely on some level derives its shape from the Staff of Ziard, which he is literally holding in his hands." I've wanted to say it since s6 released. I cannot be stopped.

[vigilskeep]

why the kirkwall chantry is dedicated to hessarian, and why that gives us more than just a cooler name for it with a sexy accusatory nickname for anders in there somewhere: an illustrated guide!

(wait, wait, please remind me who hessarian even is, i hear you ask. hessarian was the tevinter archon who ordered andraste’s execution on the pyre. but struck with guilt at the last minute, he mercifully (i GUESS) killed andraste with a sword rather than let her suffer in the fire. he converted to andrastianism a decade later and took the rest of the imperium with him. he’s really popular in tevinter because, you know, he kind of improves their whole role in the story, and the chantry there likes to think he’s the most important disciple. you may recognise him from being one of the spirits in the urn of sacred ashes gauntlet, from the lore behind the blade of mercy gift for fenris, and the ‘blades of hessarian’ group on the storm coast in inquisition.)

okay, let’s first get the basics down: why do i think the kirkwall chantry is dedicated to hessarian? merrill, our glamorous tour guide to andrastian nonsense, is going to show us why

here’s merrill examing the architecture of the kirkwall chantry. and it’s covered in this guy!

how do we know this guy is hessarian? let’s compare it to some other, canonical andrastion depictions of the latecomer disciple. hessarian is typically depicted with some type of crown or headwear to demonstrate his status in tevinter, robes to denote him as a mage, a long beard probably also symbolic of tevinter culture at the time, and, of course, his blade of mercy. we can see all of these on the figure repeatedly shown in and outside the kirkwall chantry, as well as a certain similarity in the face to the other depictions.

here’s another variant of how the kirkwall chantry depicts the blade of mercy! these are Everywhere, including right over the doors.

and here’s more variants of the same figure inside. he’s carrying some kind of incense burner instead of a sword here, but it’s clearly the same face with the same crown and that classic hessarian beard. note his position of power flanking the enormous andraste figure.

so... why does that matter? isn’t it just a repeated asset?

no, it’s CRAZY actually. and here’s a couple reasons why!

(fascinated by genitivi’s word choice of glitzy mansions, btw.)

firstly, the kirkwall chantry’s dedication to hessarian’s figure is one of the biggest markers that it, along with the gallows and the darkspawn, is a legacy of tevinter. as i said, he’s the favourite there. kirkwall was once emerius under tevinter’s rule, and from the moment we see the weeping twins that welcome you into the city, we’re supposed to remember that the city of chains has not changed all that much. just as emerius’ prisons now incarcerate mages, its industry is now powered by refugees, and the worst parts of its lowtown hold elves probably just as they once did, its magisters’ estates continue to hold the most powerful voices in the city: in this case, that of the chantry and grand cleric elthina. the hessarian statues that demonstrate the chantry’s wealth and power are inarguably either tevinter made or at least made in their style, with such similarity to the statues of slaves that terrorise the gallows courtyard. hightown is no more free of that inheritance than the circle.

secondly, the focus on hessarian can’t be an accident in dragon age 2, a game obsessed with the mercy kill. “without an end, there can be no peace,” says flemeth. somebody has to kill wesley rather than watch him turn into a ghoul. anders has to kill karl. hawke possibly has to kill their other sibling if they catch the taint in the deep roads. varric can kill bartrand when he goes insane. killing the serial killer of elven children rather than letting his madness continue is one of the most universally approved decisions in the game. in her last words, leandra thanks you for ending the mage keeping her alive with twisted necromancy, even if, and especially because, it means the end of her suffering in death. merrill has to kill a possessed keeper marethari. many more can be killed for being “too dangerous” to live, like the blood mage idunna. orsino is slain by hawke after transforming into a monster he would never have wanted to be. there’s probably a dozen more examples i can think of. and of course, in one of the most game-defining decisions hawke has to make, there’s the option to kill anders after the destruction of the kirkwall chantry. merciful is not the word i would use for that, but it has certainly been framed that way. i suppose that’s the same as what i think of hessarian’s actions, isn’t it? (we’re focusing on the andrastian relevance here and not the godawful treatment of mentally ill people in this game, btw, although. yikes.)

“don’t compare yourself to andraste,” says sebastian to anders. he could try telling the game that. hawke gets cast into a lot of roles, but when anders believes they will kill him, he’s casting himself as the martyred andraste, dying to burn rebellion into the face of thedas, and hawke as his hessarian, quick with the merciful blade. i suppose it’s fitting that the kirkwall chantry should be consecrated in the image of its champion. and that the chantry covered in that image gets destroyed moments before hawke makes their choice, if they decide to make a different one. it’s also worth mentioning that meredith is a mimic of andraste, too, with her stolen crown, making anders and meredith obvious combatants for andraste’s legacy in the game. hawke doesn’t get much command of the narrative, but maybe they can at least dodge being anders’ hessarian, if they choose.

idk i think it’s really fucking cool and we should talk about it more, basically! there’s a lot of other angles to take. hessarian is such a fun lore figure to explore. for example, i didn’t even get into the prominence of an andrastian mage figure here, or that the blade of mercy is the symbol of the templar order and was invoked even earlier, in dao, as the “blade of mercy” by traumatised mages who desperately sought to be purified by the templars’ judgement.

also, i think ‘the chantry of hessarian’s mercy’ sounds good. maybe ‘the chantry of our lady’s spilled blood’? that could be sexy. whatever. i’m workshopping it

[drdemonprince]

People treat American politics like sports -- and it serves very much the same function as sports. It is a source of constant new content that can be easily analyzed, repackaged, and commented upon by the media class for a profit, distracting the public and manipulating their emotions, often by amplifying fleeting, moment-by-moment shifts that won't actually be consequential.

It also defines the boundaries of American life -- what American culture supposedly is, and what it means to belong to it or to participate meaningfully in it. If you pay too much attention to it, you get to believing that all that matters is who is holding the ball, and you stop forgetting that it's all a game, and that we could all collectively change the rules at any time we wanted.

It's endlessly frustrating to me to see even the people who realize that it's theater get swept up in its ongoing mini-dramas, and take part in endlessly churning content out about it themselves. If you already recognize that the leadership of both parties represent the interests of the ruling class equally, and equally represent police militarization, the national surveillance apparatus, corporate interests, global exploitation, colonialism, and genocide worldwide (and are the source of your own economic and legal oppression, if you're a person living in the country) why would you find a debate between candidates fascinating? Why would you be rooting for one representative of the ruling class to score a dunk on the other on a stage?

I can't think of a worse use of one's time. If you know who your enemies really are, you don't start rooting for one of them simply because you like their plotline better. And if you actually recognize a solidarity between yourself and the people who are constantly having resources extracted from their lands by American companies and who are being killed in Gaza by American-made bombs, then you wouldn't be hoping for the continued existence and prosperity of an America that occasionally does one or two nice things for you to keep you quiet.

If you think that it's the American government that "gives" you the right to get an abortion or to be gay or transgender, then you're always going to be easy to manipulate into compliance. In reality, it is the state that has the power to take your freedom AWAY -- and it does so constantly, with its police-patrolled protest zones, restrictions on healthcare access, prisons, and taxes for bombs.

But if you recognize that no state should have the ability to define how you get to live and who you get to be in the first place, then you'll forever be suspicious of all the little pacifying treats and fleeting distractions that it offers you. You won't feel relieved that at least the person extracting money from your wallet to build Reaper Drones is a woman, this time. And you won't thank her for giving you the abortion pills that are prepared and distributed by workers who live all around you, and who will continue to know how to do that vital work long after the empire is gone.

[gristlegrinder]

part of what makes IBS so fascinating to me is its position both within the world of Tyria and the story it was trying to tell, and the larger metatextual circumstances surrounding its development. because, like, The Icebrood Saga is a story that's, IMO, largely about placing individual actions in complex systems of power, and what happens when those systems begin to unravel.

-> Can you help us deal with Bangar? Aurene: He's a part of a larger web. Strands connecting to strands. Cut one out and nothing changes, not really. Aurene: It's hard to explain. But seeing how those strands connect... Taking one life won't solve your problems. (x)

so, like, you have Ryland, who talks about "playing his cards right" but has really been dealt a bad hand from the start and can only keep playing bad cards - the one decent play he gets in Turnabout to try and get out of the game gets interrupted by an arrogant bastard killing Cinder, and it's downhill from there. it's not necessarily that it was always going to end the way it did with him, but you're fighting an uphill battle against his upbringing, against his relationship with Bangar, against all cultural context. he insists that Jormag didn't coerce him into anything, and that's true; he ends up as Jormag's champion because, at least from Ryland's perspective, there's really no other option by the time he has the bow in his paws.

likewise, you have Braham, wrestling with being the norn of prophecy, slowly (slower if Champions didn't have to be rushed out of the door, I imagine) coming to terms with what exactly that means. he knows from the beginning that either Jormag dies, or he dies. he knows this, and knows that it's always going to end one way or the other. the prophecy unfurls, and Jormag awakens, and it becomes more and more obvious how it's supposed to go. He bonds with Primordus, because there's really no other option by the time Jormag is threatening to freeze the world ten times over to ice their brother out of existence. and sure, it might still destroy him even if Jormag doesn't kill him, but he doesn't get the luxury of thinking about that.

and then you have the Commander, who should be in control of the narrative, because in-universe they're the Commander and out-of-universe they're the player character, but there are multiple points where that agency is taken away from you - Smodur bombs the bunker and interrupts your negotiation, Ryland puts a bullet through Smodur's skull. you're always going to try and save the farm, but not every problem has an easy solution. the Legions are built on centuries of war and violence and hypervigilance against external threats; Bangar is not an isolated bad actor but a product of that system, and the gears of the war machine churn on both sides of Drizzlewood. you (and Aurene) are largely an audience to the family tragedy - tragedies, plural, both the relationships between Rytlock/Crecia/Ryland and Jormag/Primordus - as they break down.

"The Balance" isn't sustainable in its current state, but there isn't really a good alternative at this point. you can't back down when you're three dragons in (we tried that after Mordremoth, and Balthazar wouldn't have it and Kralkatorrik couldn't stomach it), and Jormag and Primordus (mostly Jormag) are threatening to escalate as the encroaching void eats away at them both. there's this real sense that they just have to make the best of a bad situation, and hope that the damage is minimal. the universe itself is on a cresting wave and it's about to crash, heading into End of Dragons.

so you have all of that, and it's also the chapter of GW2 where the developers are hit with major studio-disrupting internal problems and a fucking global lockdown. your story gets interrupted, there's not much you can do about it, but you have to keep going and make the best of it, even when the fate of arenanet itself seems uncertain.

what happens in the aftermath, after the dragonstorm clears?

[mdhwrites]

The Mis-Projections of Odalia

Odalia's fanon versus canon characterizations are fascinating to me because at every turn, the fandom takes what is actually a reasonable trait of Odalia and cranks it up to 11, even to the point where it's entirely incongruent with both the facts and the spirit of the show. Consider this a continuation of me questioning how bad a parent Odalia is. I will also say upfront here that I have point, beyond just bashing fandom's ability to remember what the show is, for why this matters but I need to get through the rest first.

So, how does the fandom, or most of them at least, characterize Odalia? Well, they make it that she is the root of all evil, abusive, racist, classist, doesn't care about anyone or anything but herself and is a capitalist who only ever sells snake oils and lies.

In the show... She's very few of these things and many of the rest are actually her being a part of the Isle's culture. Not its nebulous culture that's bad but like the ONE element of its culture that is ever consistent. We'll get to that though.

Is she evil? Honestly, by the metrics of the show, not really. She isn't an slaver like the publishing lizard. She doesn't kill people just for fun like the bounty hunters. She doesn't scam people (we'll get back to that) like Tibbles. She isn't entirely good mind you, she's scrupulous and is willing to break her own beliefs when emotions run high but compared to like ALL the other villains in TOH, she's weirdly tame. Now mind you, the villains of TOH are all charicatures based out of the 90s so the bar is ROCK FUCKING BOTTOM but rather than fantasy levels of evil, Odalia is boringly modern and constrained. Put her in the human realm and literally nothing of what she does changes, including making a killer robot. She is not the worst person on the Isles though.

How about being a bigot of any sort? Well, Dana is correct that as far as we see, Belos is the only bigot on the Isles. The closest that ever comes to it otherwise is Boscha scribbling Round Ears on Luz which as far as bigotry goes is the equivalent of calling a kid with glasses four eyes. No, instead, she is, like all of the Isles, merit based in how she treats people. Period. No ifs ands or buts.

I say this so firmly because people don't seem to understand that. Boscha is liked because she is strong and gets results. Amity was popular because she was top of her class and got results. Willow was disliked not because of any racial, religious, gender, etc. element, it was ENTIRELY from the fact that she fucked around, caused trouble and was entirely unskilled. By her own society, young Willow was an abject failure. She wouldn't listen to rules, even simple ones like 'go to class' in the flashback we see with Amity, and her skill with magic was genuinely abysmal until she swapped courses at which point she excelled and became popular.

So, who does Odalia dislike? Gus, Willow and Luz. One of these fuckers doesn't want to follow what he's a savant at and instead wants to chase cryptids by their societies standards, and also got his ass put into detention before breaking detention to get out, the next already had a history of fucking around and is associated with two troublemakers already meaning she is still trouble, and the third... The third is the apprentice to the OWL LADY. She practices WILD MAGIC. Everything about Luz is illegal WITHOUT getting into all the times Luz has broken the law, rules and just general common sense. By a meritocracy, what the Isles is, these three are the bottom of the barrel. It'd be like saying a parent was unreasonable for not wanting their kid to hang out with the sixteen year old drug dealer behind their school and skipping class to do so. She's pretty fucking valid honestly for not wanting Amity to associate with these people.

Is she abusive? This one is more up in the air but besides Escaping Expulsion, we never see consequences for disobeying her, minus when her kids break the law and try to sabotage their own family in Clouds on the Horizon for which they're ONLY GROUNDED instead of way worse. We also never really see her kids worry about punishment outside of, again, Escaping Expulsion where the twins mention not telling mom they're helping but also they don't try to stop Amity out of fear for her own safety. You know, like people who are used to strict retaliation for mistakes should be. Amity quits the covens and seems to have literally no repercussions from that. She can also just keep telling her mom to go fuck off about her hair. This is not the attitude of an abused child. Oh and on the side of Odalia gives zero shits about her family, first I'm going to say I'm entirely ignoring Clouds on the Horizon's bullshit of "I knew about Belos' plan" because there's no reason for her to have been told that, no need for her to have been told that and is such a needless escalation of her character being cartoonishly evil, ratcheting back into being at home with the rest of the villains of TOH, that it it is just a transcendentally bad piece of writing that should only be mocked. HOWEVER. The first time we literally ever hear about Odalia is a moment of kindness and care. She sends the twins to bring Amity her lunch to make sure she eats. That's... Caring. She didn't send them to scold her or punished her by not letting her eat, she sent her troublemaking twins to the library to feed her and probably in hopes that the twins might study a bit. That's a fine mom move. Without more that is clearly abuse, I see it as neutral at worst. The necklace is the same way. It's more secretive than sending her daughter texts but they all have cellphones, she can just text her and that's really all she ever does with the necklace. She never actually controls Amity with it. Without more to sustain allegations of abuse, I don't see it as anything particularly nasty.

And finally: Is she a scammer? I won't say she isn't a capitalist but TOH never tears down the whole economy and the Isles appears to be by volume 80% scammers or criminals of some sort when it comes to their shopkeeps so capitalism is still absolutely a thing. Is Odalia one of these though? No. The worst she does is exaggeration and that's just marketing. It's not false advertising, it's just painting your product the best you can. She never says the abomaton can take down an Emperor's Coven guard so a trained, albeit young but also top of her class, abomination witch being able to take down the abomaton 1.0? Yeah. that's not lying. It still would do a plenty good job protecting your home and kids from things most people want out of their home defense systems like burglars. It also factually can do everything else Odalia promised. We're shown that. Whether it does it well is up for debate but it DOES do everything legitimately with Amity up until she's supposed to feign being in danger which like... Did you want her to be actually in danger? Actually have her life at risk? Because that would be irresponsible especially to do to your OWN DAUGHTER. She only removes essentially the safety constraints once it's someone she gives no shits about and sees gain in their removal (and also is pissed.) That's not scamming people, that's a product demonstration. It was still able to grab Amity and lift her in the air with one arm, showing its strength. Also, everything else Odalia shows off as Blight Industry tech is legit, much to Luz's detriment.

SO. As you can see, the fandom is essentially dead wrong when it comes to Odalia. They took kernals of truth, that she's a strict mom, capitalist, judgemental, etc. and blew them up to be as bad as they could be. Why did they do this though? Why is this even important?

Well, it's because the show WANTS you to take her that far. Amity doesn't actually do much to redeem herself, especially to those she wrongs. She NEVER does anything but a bare minimum apology to Willow for YEARS of bullying that Odalia didn't ask her to do. Odalia just asked her to stop being friends with Willow. But hey, since all Amity does is an apology, that Willow only kind of accepts, literally stating they're not friends still... What do you do about that? Standing up to Boscha is for Luz after all. Standing up to her mom is for Luz. She never even bashes the ideologies she used to have to show her change, just that she was nebulously wrong but she's better now without any real sacrifice or meaningful acts of redemption. So... As a viewer, what the fuck do you do with that?

Edit: Someone pointed out that she doesn't actually apologize. She does say she was wrong when she was younger which is actually good for redemption BUUUUUT she claims she'll make Boscha and everyone else stop bullying Willow. Then Winging it Like Witches happens where Amity doesn't give a fuck about what Boscha is doing until it is focus fired on Luz making her whole speech there just a bold faced lie. Good job Amity.

Well, you do what the show did and scapegoat people. Why is it okay that Amity abandons her friends like she did Willow so many years ago? Because they're evil and bad people, or Boscha is at least, despite Boscha doing nothing Amity hasn't already in the show. But she was only like that because of her mom. Her awful, abusive, controlling, classist...

Wait a second. Do you dear reader see the problem?

This is why the projection is required. TOH actually is really bad at redemption arcs, namely that it doesn't know what redemption means besides no longer being a dick, and so you actually no way to forgive the characters for what they did by what they do. As such, you need excuses. The people the fandom hates the most are usually those scapegoats, especially for Amity. Why is Boscha worse than Belos when all she is is a bully? Because people claim she was the reason Amity was a bully and shift the fact that Amity was Willow's main bully to Boscha, despite all evidence to the contrary. Why do they make Odalia worse than all other villains in media combined? Because otherwise, their blorbo, the lesbian that helped make TOH as popular as it was, the one who was endlessly praised for having a transcendentally written character arc... Is never redeemed nor actually has much of an arc or depth to her character. She NEEDS to have all these serious elements put upon her through her mom or else... She's just a mean girl who fell in love and decided to care about one person and be a LITTLE better to other people. Remember, at the point of Labyrinth Runners, an entire season after Understanding Willow, Amity does not recognize that she was wrong that Willow is weak despite Willow's entire character for the past season being defined by how overpowered she. Amity very clearly has not been paying attention or caring about anyone about Luz and that's not what a good person does? You care because caring is the correct thing to do.

And I care because I would like her to be written better. I would like her to be more than what she was. I would like the whole show to be. But... Odalia isn't what you think she is and that matters because it means Amity isn't either. The show isn't either. See you next tale.

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[rutilation]

This opening is replete with symbolism. 

Flower language has been a recent fascination of mine.

Do you want to make my new hyperfixation your problem? If so, then let's take a deep dive into the first opening before the new one airs tomorrow.

Before I start, here are a couple of things to keep in mind.

While the use of flower language in this show mostly lines up with Japanese hanakotoba, there are still a number of flowers here that hold particular significance within Chinese culture, and thus have additional meanings that don't line up with those from Japan.  I’ll be mentioning them alongside the Japanese meanings where I deem it relevant.

The following will contain light spoilers of content from the novels/manga which has not been animated at the time of writing. I'll try to be vague and sparing with it, but there are a few flowers I can't discuss without them.

Past the title card, the opening begins with eight blooming flowers dancing through the frame in rapid succession.  These represent the storylines covered by the first cour of the anime in order of appearance, and each can be found in the episode(s) they signify.  From the top:

Rhododendron: This plant is all over the first two episodes, so I'm going to cover its appearances before delving into its meaning. In episode one, there are two shots of the buds of this plant, one as Lihua gives birth, and then again as the doctor examines her baby. They're finally shown in full bloom as one of her ladies disregards the branch Maomao used to warn of the toxic makeup. In the following episode, Gyokuyou has seemingly taken a liking to the flower that saved her daughter's life, and a few clusters can be seen in a vase during several shots before Maomao uses them as an example of a seemingly innocuous plant that could cause accidental poisoning, and indeed, if you look closely at the background during the scene with the soldiers, you can see what appear to be rhododendron shrubs. There are actually quite a few different possible meanings for the many granular varieties of Rhododendrons/azaleas.  Luckily, the characters said the name of the plant out loud for me: shakunage.  So, this is Rhododendron subg. Hymenanthes.  In hanakotoba it means dignity and majesty, but also, on account of its poison, danger and caution. Those last two meanings clearly line up with its ominous usage in these first episodes, growing and maturing as the babies grew sicker. But in addition to their function as a warning of danger, I think there's a case to be made that they also represent Gyokuyou herself. As I stated earlier, she starts keeping them after the first episode, and Hongniang later starts growing the closely-related azaleas in the jade pavilion as well. As for how its meanings apply to her, Gyokuyou is regal, magnanimous, and never loses her composure (unless it's at Jinshi's expense lol,) but she's also described by Gaoshun as shrewd and cautious, being unwilling to hire any lady she doesn't absolutely trust, and constantly gleaning information to send back to her family. These all fit with the dual meanings of rhododendron. In Chinese culture, rhododendrons and azaleas represent womanhood and passion, as well as home and a desire for homecoming.

Cotton rose: A type of hibiscus, this represents Fuyou, decorating both her person and her chambers in episode 3.  It means 'delicate beauty' and 'graceful lover.' I think these are referring to both her skill in dancing, as well as her affectation of frailty and neuroticism. As far as I could dig up, its unique tendency to change color based on the time of day doesn't have particular bearing on its meaning in either Chinese or Japanese culture, but the story itself uses it as a metaphor for Fuyou hiding her passion, will, and cunning behind a wallflower exterior.

Balloon flower:  In hanakotoba, it represents undying love, sincerity, and grace. These grow in the crystal pavilion, adorn the iconography of Lihua's furniture, and likely inform her blue and violet color scheme. Its last two descriptors gesture towards Lihua's style and personality. She's elegant and staid, but she also takes everything quite seriously, and wears her heart on her sleeve. As for the undying love element, I see that as alluding to her love for her son, her agony at his passing, and her hopes of reclaiming that love again through having another child.

Violet: This one actually tripped me up for the longest time.  The flowers in the opening looked like hostas to me, but no matter how closely I looked at the backgrounds in this show, I couldn’t find anything along those lines.  Eventually though, I caught on that these must be the violets from episode five, even if they’re a different color from those shown in the episode.  And also droopier.  Anyway, violets mean humility, sincerity, and ‘a little bit of happiness.’  In the episode proper, they are crushed underfoot as Maomao narrates about the lengths she had to go to keep herself safe while growing up in the red-light district, illustrating how even the modest aspirations of an ordinary peasant are in perpetual danger in such a cutthroat environment.

Chinese aster: Daisies and asters are my least favorite flowers to identify.  They all look the same.  As such, I’m a little less confident about this one, but I think it’s a Chinese aster.  The leaves and buds look similar, and the context in which it appears in episode six suits its meaning.  As Lishu’s ladies disparage her so-called pickiness, a shot of this flower opens the episode.  While the Chinese aster’s meaning changes based on color, white in particular means ‘please believe me.’ I think that speaks for itself

Toad lily:  This appears twice during episode eight, where Maomao gets drawn into the mystery of an attempted murder during her vacation.  Toad lilies symbolize hidden thoughts and intentions, alluding both to the possible conspiracy on the part of the women of the brothel, and to the fact that Maomao will never really know the truth of the incident, having to content herself with speculation.

Sacred bamboo: This one is easy to miss, because while the plant is in full bloom in the opening, it’s laden with berries in the show proper.  This is Nandina, a.k.a. the sacred bamboo, a mainstay of autumn and winter floral arrangements in both China and Japan.  It’s considered auspicious, symbolizing a reversal of ill fortune into prosperity--the precise opposite of how it’s presented in episode nine of the show.  There, Maomao fiddles with the plant as she contemplates all the instances she’s seen of good fortune being struck down by tragedy, and the prospect of that same sword of Damocles falling upon her head as well, a harbinger of eucatasrophe being used to symbolize straight catastrophe.  Also worth noting is the fact that the plant is very poisonous, so much so that it has a reputation for killing any birds which try to eat its berries; I think that bit of trivia might be the inspiration behind the decision to ironically invert its lucky image.  In addition to its central appearance in episode nine, it can also be seen in Lishu’s chambers in episode ten, mixed in among the vases of white camellias.

Japanese azalea: These mean passion and steadfastness, alluding, in my view, to Fengming’s devotion towards Ah-duo.  Fun fact: did you know that honey made from toxic azaleas, termed ‘mad honey,’ is sometimes manufactured on purpose?  It’s not super legal in most of the world, but apparently it can be used as a psychedelic.

After this, we see a panning shot of seven flowers, with the top four representing the high-ranking concubines, and the bottom three representing the high-ranking courtesans. While the first set of flowers grew from buds and flew across the screen, this set consists of still images. If I were to hazard a guess as to why, I'd say that it's because those previous flowers were conveying the movement of emergent stories, while these upcoming flowers portray the relatively static personality traits of individual characters. I'm going to tackle these in reverse order, as the first three flowers to appear are somewhat tricky to talk about.

Peony: This flower represents Gyokuyou, and in addition to appearing in her non-diegetic floral backgrounds, it also decorates the tapestries of the jade pavilion. In Chinese culture, peonies are one of, if not the most, important flowers. They represent feminine beauty, pride, honor, renown, wealth, prosperity, high-status, opulence, and a nobility of spirit. They are considered to be the king of flowers, and were historically only permitted to be grown by nobility. All of these superlatives are likely alluding towards Gyokuyou's status as the emperor's favorite consort, with the best shot at becoming empress.

Balloon flower: See above.

Lily-of-the-valley: This means purity, chastity, humility, and 'happiness will come again.' While the first three all seem to fit Lishu on their face, I find myself curious about the fourth meaning. I'm only partway through the third novel, but if this indicates that, at some point in the future, Lishu finally catches a break, then I'll certainly be happy to see it.

Dendrobium: In China, orchids in general are associated with elegance, refinement, and good taste, which fits with Maomao's description of the garnet pavilion as being beautiful in a minimalist sort of way. They also represent the virtues of an ideal gentleman-scholar: integrity, humility, temperance, and nobility. Furthermore, they are considered emblematic of spring; it, along with bamboo, chrysanthemum, and plum blossom, represent the four seasons. Returning to Japanese symbolism, the flower associated with Ah-duo seems to specifically be Dendrobium nobile. Nobile in particular means 'honest and to-the-point' in hanakotoba, likely alluding to Ah-duo's candid personality, and the fact that she is on casual terms with the emperor.

Regarding the final three flowers, the show itself doesn't explicitly tie any one of them to a particular courtesan--their flowers only appear as a group in episode twelve. But, by contemplating their meanings, and with some help from the characters' wiki pages, we can make some educated guesses.

Yulan Magnolia: This one, I'm guessing, represents Joka. On one hand, I'm kind of dumping her with this because the other two flowers just seem to fit the other two courtesans better, but its attributes nonetheless seem to accord what we know of her character--which admittedly isn't very much. In hanakotoba the yulan magnolia means nobility, sublimity and a love of nature. In China, its pretty similar: purity, nobility, dignity. It's also worth noting that they're commonly planted around Buddhist temples in China, and have been for many centuries, granting them an air of spiritual profundity. Joka is said to be aloof and cold, which is part of her appeal as a courtesan. While chrysanthemums and plum blossoms have a warmer aspect to their meanings, the loftiness of magnolia hews more closely to her characterization. Then there's the matter of her name, which is apparently a stage name. It translates to 'Lady Ka' (or 'Hua,' if you want to go with the Mandarin pronunciation.) Now, the 'ka' in her name is written as 華, and in the story, that character is only permitted to be used by the emperor and his family. So, for her to use it, even as a stage name, is a pretty bold pretense to nobility.

Chrysanthemum: In Japan, chrysanthemums are associated with nobility and the imperial family. In China, they are associated with longevity, endurance, and vitality, on account of their long-lasting blooms that persist late into autumn. I think this is most likely to be Pairin's flower. She's one of the few courtesans who's in her line of work because she wants to be, and is flourishing in an environment where others are desperate and debt-ridden. That covers 'vitality,' and Lihaku can attest to her endurance, if you know what I mean... Moving on, its mentioned in the novels that she's actually in her thirties, but still looks quite young, again harkening to the chrysanthemum's persistence.

As far as symbolism is concerned, chrysanthemums do seem to fit her character better than magnolias. But, something that gives me pause is her name, which means 'white bell,' on account of yulan magnolias being white and having a bell-like shape. I still think it's most likely that the chrysanthemum, and not the magnolia, belongs to her, but it was too notable a coincidence to not at least mention.

Plum Blossom: We can safely assume this one refers to Meimei, as her name is written with the character for plum. As plum trees are among the earliest to bloom each year, and will even bloom while snow still covers their branches, both China and Japan associate them with resilience, hope, inner-strength, and renewal. We don't know much about Meimei either, but my impression of her is that she seems to be the nicest and most even-keeled of Maomao's sisters.

Following this parade of showy flowers, we finally glimpse the emblem of our protagonist, Oxalis corniculata, the creeping wood sorrel, downcast and huddled amidst the underbrush of a forest. Whereas the other flowers we've seen thus far are primarily ornamental (even if some are also edible/medicinal,) wood sorrel is herbaceous and weedy, and is unlikely to grace any vases, wreaths, or arrangements. If it were spotted in a noble's garden, it would likely be uprooted, but to the peasant who finds it growing in a ditch, it's a tasty snack.

In hanakotoba, wood sorrel means joy, 'shining heart,' and 'a mother's love.' All three descriptors, I believe, are relevant to Maomao's character. Despite her flat affect, Maomao has a strong passion and sense of joie de vivre driving her through life. Those further along in either the novels or the manga will recognize 'a mother's love' as (somewhat ironically) gesturing towards her complicated relationship with her mother. As for 'shining heart,' I think that will become apparent as we go further through the opening.

But, before we do that, I'd like to take a moment to examine the moments when wood sorrel appears in the show itself. Thus far, by my recollection, it has appeared in episodes one, three, and twelve. The opening shot of the first episode is of a wood sorrel, informing the viewer in no uncertain terms that this is Maomao's flower, (in case the opening was too subtle.) In the third episode, several wood sorrels dot the field where Fuyou sits with her lover, symbolizing how Maomao has aided and protected them. In episode twelve, a single wood sorrel is tucked inside a lavish bouquet of her sister's flowers, a visual gag paralleling them fussing and fawning over her.

Returning to the opening, Maomao is shown contemplating a subtle glow in her closed hands while a reflected, sunlit version of herself glances back at her. Then, as all the previous flowers fall away, as Maomao casts the light up into the air, its glow illuminating her face, the wood sorrel finally stands upright, and blooms in full.

Now is a good time to mention a relevant characteristic of creeping wood sorrel: it only blooms in direct sunlight. When crowded by other plants, it curls in on itself, closing both its flower and leaves. This serves as a clear metaphor for Maomao's personality; under most circumstances, she seeks to be invisible and unobtrusive, but when she's in her element, she commands attention and respect.

Following this, we have her magical girl-esque transformation sequence, with her outstretched hands forming the shape of a blooming flower as she dances through a whirl of yellow wood sorrel petals. She then bows down in imitation of the flower, taking the light back into her chest (there's that shining heart I mentioned earlier,) as she dissolves into the stoic, unassuming version of herself once more, closing out the opening. (Jinshi who?)

I'd like to end this analysis with an observation. While the real wood sorrel exists at the perpetual mercy of outside forces, Maomao is not merely reacting to a light source that exists beyond her control. The light exists within her, and she chooses when it will shine down for all to see, and when she will hide it away in the depths of her heart. To those who've gotten this far, thank you so much for reading.

[fiery-emblems]

Like a lot of people I sometimes ponder what my favorite characters might look like if they were allowed to grow older. I've been seeing a lot of good designs for older Soren specifically so of course I got to thinkin' about my own take!

Some notes on design process under the cut cause I think we should all share our thought process once in a while:

So, for this I didn't want to just want to go with "Soren, exactly the same but older". My thought was "if I was actually in charge of designing for a fire emblem game, one that takes place in a future Tellius perhaps and featuring this character as a guest (a la Tiki or the Awakening trio, which they should keep doing BTW) how would I go about doing that".

You have to think of course, about what the character is actually doing and what their role is. It seems pretty likely that after RD Soren is either traveling the world with Ike or wandering around (probably the former) so "traveler" was the theme. As far as the overall shape and the outer layer especially it seemed obvious to reference the dragons, who are also travelers:

I don't want to just straight up copy the look of the robes though for a couple of reasons. 1) that's boring and the idea here is for an updated visual style 2) I wanted to combine different elements to evoke a feeling of mixing cultures. I figure if this scenario takes place say, 80 years in the future or something, fashions will have moved forward and perhaps you would see elements of beorc and laguz fashions mixed together. Especially for Soren given what he is. So I went with an inner layer that looks more Victorian puffy sleeves (which you don't actually see a lot of in PoR or RD since the characters favor more stiff looking tunics, but they are there and I figured its the future and maybe Crimea has entered its puffy shirt era) with the outer layer looking more like what the dragons wear. 3) Staying with robes seems kind of stagnant. I imagine that a much older Soren who's lived a good life along side his love has probably chilled out a little bit. A little bit. 4) I think having more leg visible gives a more adult silhouette.

The other consideration is the hairstyle. As much as I love Soren being a carbon copy of Rajaion, it wouldn't be the most interesting design choice if I was the character designer of a game to just copy a past design 1 for 1. So I decided to just lengthen his hair a little bit and give it a look like its been blown around in the wind. Soren is the windy guy and I'm assuming he would be more chill here so why not let it be loose and free? This also helps avoid him just looking like Sephiran cause I see that a lot too lol.

Yes I also changed the shape of his brand. I've always been fascinated by the fact that it changed shape between games. I know it was likely just a design oversight but what if it changed because he isn't an adult yet and it changes more as he ages?

Lastly there's the why. Why would your fav show up as a guest character? What would he even do?? Well I think Soren could be really fun actually if we assume he went with Ike and that Ike kept Ragnell with him. I'm picturing a situation where Ike has lived out his natural life and died, leaving Soren to return to Tellius alone in order to tell Mist's family what happened (cause Ike just left without telling anyone anything lol), and to return Ragnell to them. Instead some conflict breaks out, you know how it is, and the more chilled out Soren is convinced to bestow the sword onto the new starry-eyed lord who reminds him of his beloved.

Oh yeah. I can see it now.

[kyouka-supremacy]

I was asked why I like Beast and why I prefer it over the main universe, so obviously I ended up with a 2k+ words essay on why Beast is great. Now I feel like it diverges too much from what the original ask was actually asking for, so I'm leaving it to its own post. Enjoy.

Why do you like Beast? So, first of all you MUST know that this is a question that could keep me talking for days to no end. I'm not kidding. Here there will be some disorganized rambles but trust me, if I had time to actually do so I'd keep going on forever.

Alternative universes are cool I love Beast. I think it starts off at a point when the bsd author was more experienced from having already worked with the main series for many years, and ultimately ended up making an alternative version of the work that is more mature and refined, while still maintaining bsd's core themes (and conservative worldviews at that lmao). Starting off, the “what if” concept is endlessly fascinating, pretty much the entire fandom culture is based on it. It IS unfailingly cool to see what could have happened if Akutagawa sided with the ada and Atsushi with the pm, it is extremely interesting to see what changes out of their personalities and on the other hand what stays the same, what is intrinsically them. About sskk, I find it really compelling how Beast tackles intimate aspects of their lives, pasts and traumas. The café scene is genuinely brilliant in the way it shows, completely unexpectedly and to the reader's full disbelief, them getting along in normal circumstances. Who could have predicted that! Of all things, Akutagawa and Atsushi getting along. But it happened, and nothing before had ever shown to that extent how similar they are, how much on the same page they are, how much they're meant to be– like yeah obviously I mean romantically, but even if you're not particularly into that, it displayed just how deeply connected they are. I'm forever grateful for that scene.

Beast Akutagawa is great But I think… More in general, I just really like Beast Akutagawa and Beast Atsushi, even better than their canon counterparts 😅 Again I do think at the point when they wrote Beast the author had already gathered a lot of experience from serializing bsd for at least five years, and ended up making characters that are more solid and compelling (although please don't get me wrong, I LOVE canon sskk and I believe canon Akutagawa's character arc in particular is amazing. It's just that at least to me Beast sskk is everything I could ever ask for.). I love Beast Akutagawa! It was so so capturing to see him grow outside of the pm. And especially it was infinitely interesting to see Akutagawa grow outside of Dazai. And don't get me wrong, I love the influence Dazai has on canon Akutagawa, I wouldn't have it any other way: it made Akutagawa who he is, and I love reading about his character. But I also found it wonderful and pleasantly refreshing to see how he would be if he had never undergone Dazai's training; I like this Akutagawa who's possibly even more immature and impulsive, wild and untamed than his canon counterpart. Beast is also the universe where Akutagawa gets his chance at being a good person - which is something he desperately strived for but never got to have in the main universe -, and in the end I am a little attached to Akutagawa, so I'm happy for him! His relationship with Oda and the whole ada are wonderful, I like getting to experience a universe where Akutagawa is loved and supported, unapologetically, for who he is.

Beast Atsushi is great Beast Atsushi is AMAZING. Like. Character molded appositely to my liking ahah. He's so cool! He's so tormented! He's sweet and cruel and utterly unstable! I love him so much. He truly is Atsushi at his full potential. I love this Atsushi who's biggest fear isn't the world, but rather himself. He's beautiful and horrible and deathly and kind. He killed his abuser to stop him from haunting his nightmares, but ended up turning those nightmares into his life. He takes his coffee with three sugars. He loves his little sister and would risk the safety of his organization and the boss he's endlessly loyal to for her. The only person who ever understood him is his most loathed enemy. He's one with death and indistinguishable from darkness. His laughter stops rain. He lives in perpetual physical pain due to a choker constantly piercing around his neck and yet even that is nothing compared to the damage of his psyche. He's so, so fucked up. He deserves the world. I LOVE HIM.

Beast Dazai is great Also, I really like Beast Dazai!!! He's always Dazai, but I think his character works out a lot better in Beast for the role he covers. In canon Dazai is this omniscient, all knowing figure, but he's also a protagonist, and him being so perfectly flawless doesn't go well in the long run. You've seen it in the last season 5 episode, it just gets boring after a while– it would be nice to see him face actual challenges and high stakes for once, but he's so overpowered, that never happens. In Beast, it's pretty much the same deal (author really loves Dazai lmao), but the fact that he isn't the protagonist and instead the main villain? I feel like from a storytelling standpoint, it works so much better!! I mean, his being omniscient works a lot better– he's not the one who the reader expects facing challenges and high stakes, the protagonist is. In addition, in Beast Dazai has almost universal knowledge due to his link to the Book, so that makes his being omniscient and even god-like a lot more feasible and easy to contemplate! I think that plot-wise it just works a lot better, there's an actual reason he's so overpowered, and that reason is explained, it's in the text. Oh and I LOVE his utter devotion to Oda. I know it's the same in canon, but still… There in Beast you can see it concretely, you can see it everywhere. That very universe exists how it is because of Dazai's love for Oda, because there's nothing he wouldn't do for him, because in the whole universe, in the whole multiverse, Oda's happiness is the only thing that matters to him. I think such strong feelings of love being put so explicitly is something simply wonderful to read, and makes Dazai infinitely more sympathetic than what he may be in canon. “But I do have one regret, Odasaku— I won't be able to read the novel you'll complete one day.” LIKE YEAH, SURE, ALRIGHT, JUST SHOOT ME TO THE HEAD ALREADY. That line alone is worth the whole novel, honestly. Oh and the thing about Oda harshly repudiating Dazai, the man who literally did everything for him, who dedicated his whole life for him… Man!!! That REALLY made me sympathize with Dazai in a way canon will never be able to. All those factors only contribute making Dazai's suicide in the end all the more emotional– which I believe works really well in the story, he is an enemy and he is a god and he had to die, but still makes for an extremely emotionally charged scene and a wonderful story climax. Imo Beast Dazai had to die so that canon Dazai could live (and, hopefully, find a reason to live!), and it's as bitter as it is beautiful.

The Beast ada dynamics are great And I love the ada in Beast!!! They feel infinitely more of a family than they do in canon. Kenji, Kunikida, Tanizaki, they all seem to love Akutagawa in a way that's hard to be found towards Atsushi in canon? The way they didn't falter to rescue Akutagawa even as he went, against all their advices and pleas, to a suicidal rampage was wonderful and heartwarming. They make it sound unbelievable that when Atsushi was (mind you, unwillingly) kidnapped their first response would be that it was an hassle and that he should have dealt with it on his own (this time I truly believe it was the author learning from their own mistakes, because seriously, who does that. It makes everyone instantly feel a thousand times less sympathetic). As people have said, the ada alone makes Beast feel like the “right” universe on the basis that in it they actually care about their members. All things considered, the ada treats Akutagawa as this kind of rabid murderous gremlin they just adopted who's going to bite everyone but that they still love no matter what, and it's super cute. Beast ada really is the bsd found family if there ever was one.

A cool plot The Beast storyline is just very compelling in general? The introduction chapter is amazing, I mean, The Heartless Cur is amazing. Again, Beast Akutagawa is such a great character, and the description of his struggle to find his own humanity, although in my opinion does fall weak in some points and has flaws, still treats a concept that's very interesting to ponder over nonetheless. I like how there's a series of more light-hearted chapters in the first half, it helps solidify the characters, and those chapters are really nice to read; not to mention having lighter chapters alternated with the strikingly more gloomy and violent pm Atsushi scenes makes the latter feel all the more frightening and disturbing, it's a great narrative choice. And the big crescendo of Akutagawa storming in the pm headquarters! His fight of physics and morals against Atsushi! Them telling each other they're nothing like the other when the reader knows the exact opposite is true! It's all very good, and again, Dazai's suicide makes for a perfect climax to the story.

Sometimes being a seinen can be good I like how Beast is a seinen way more than the main story is? Don't get me wrong, there's nothing wrong with shounen manga - which bsd seems to lean towards more often than not, with only occasionally tackling more adult concepts -, but at this specific time in my life those darker themes are just something I find more entertaining to read about. I feel like the gritty and often gruesome depictions, although maybe a little overused in the manga, really help emphasize the dark atmosphere of the manga and overall effectively convey the whole “beast” imaginary as wild / violent / unpleasant / animalistic.

It's got sskk in it And in general it's just… Compared to canon, Beast is very very sskk centered. It's significantly shorter than the canon manga, and in a way that helped focus on sskk specifically, because it only had space to narrate one story, which is sskk's. And I don't know what to tell you, I'm here for the sskk. Of course I like Beast best.

Beast Atsushi is great (cont.) Back to Beast Atsushi because he's everything, really. I love how when I went into Beast I was like “I mean, whatever Dazai is making of Atsushi under the pm, if can't possibly be any worse than the constant abuse Akutagawa had to experience 😊” AND I WAS PROVED WRONG. I mean, I think the fact alone that the author could come up with something worse is remarkable. Dazai's emotional manipulation and psychological torment is, I believe, the darkest facet of Dazai we ever witnessed, and it's extremely well executed. Beast Atsushi is so so unstable, so on the brim of mental breakdown and psychosis at every second. Him being made unable to let go of the past makes him live in a perpetual nightmare. And I feel like the way his character story is unwrapped is truly masterful, storytelling wise!!!! On the reader's first encounter with him, it's evident how deeply scarred and disturbed he is, but the reader can't tell why. That adds to the mystery and feeling of unsettling surrounding the character: his story is wrapped up by darkness and it's impossible to predict, just like he is– and it's deliciously unsettling, scary, to be unable to tell anything about what made him like he is except from guessing that it must have been something really bad. And yet even then /nothing/ could have prepared the reader to what his backstory really is? And when the traumatic event is finally unveiled, it's worse then any guess the reader could have made. Atsushi's back to the orphanage flashback passage is terrifying! He didn't undergo any harm, like it would have been easy to guess; on the contrary, his torment stems from having killed his abuser. But he did so at a point when he didn't represent a threat for him anymore, when he was proud of him, when he got close to resemble a father to his eyes; and all of this he realized too late; and now he lives in constant regret, constant terror of himself. It's great, really! And even then, Atsushi carries on with being. super cool lmao. Like yeah he's unstable and everything, he's wild and violent, but he's also still very kind. He's timid and blushes easily. He also feels a lot more mature than he does in canon, and it's nice to see. He's more confident and serious, and that's nice too. He REALLY is my favorite character.

Some pretty cool scenes are in it Moving on, Beast has some truly amazing scenes. The Heartless Cur is amazing and builds up such an awesome character, Atsushi's introduction is petrifying, the Kenji / Akutagawa conversation is as deeply moving as it is cathartic. I won't be talking about the sskk café scene. Akutagawa's whole assault to the pm headquarters is rich of emotional scenes. I already talked about Atsushi's flashback and Dazai's suicide being wonderful passages both from technical and emotional standpoints. And the manga ending is just so good!!!!!!! Like it truly is the perfect ending– the way it ties up with the main story! How it feels like ada Akutagawa's story has just begun, a conclusion but also hope for what's to come. The “out behind our company's building there are some people of low character hanging about”– I can't stress enough how emotional this line, a final and definite tie to the main story, makes me, how meaningful it is in its quality of being both an ending, and a beginning. The last page showing Akutagawa at the center of the ada, it just moves me so deeply to see him being the protagonist, surrounded by a crowd of people who love and support him, getting his own chance at a life in the light 😭😭😭 “I'm going to live as an agency member. I'll solve cases, rescue the weak, and prove that I'm not evil.” Crying my eyes out 😭😭😭😭😭😭 And don't get me started on when Akutagawa and Atsushi's voices mix up to speak as one; I could never hope to be able to express what that makes me feel.

Siblings dynamics are my jam I also love Beast because one of the main aspects that drives the plot is Ryuunosuke and Gin's relationship, and I /love/ siblings relationships, and I //love// Ryuunosuke and Gin's relationship. I don't think Gin's character was written well at all (because the author literally can't write female characters for the life of theirs), but eh, at least it reinforced the concept that Ryuunosuke loves Gin terribly and would be able to do anything for her. Atsushi and Kyouka's relationship, too, is to die for.

The designs and manga art style slay Besides, the character designs are beautiful???? Akutagawa's Beast outfit is my second favorite out of the whole franchise, it's just such a look™. I love in general how rabid and messy Akutagawa looks in Beast, he feels so much more free? And like, good for him. In my head Beast Atsushi is the most handsome man in the entire franchise and I don't think I can take criticism on this. I find cutting off his longer bang such a witty way to represent not only how this Atsushi is different from the one we know (after all, that's the most remarkable and eye-catching feature of his appearance!), but also to symbolize how the cut with his past at the orphanage was harsh and violent. Characters designs aside, Hoshikawa's art style is GORGEUS. It's hard and rough and messy, it's dark and unpolished and violent and beautiful and exactly everything Beast is. It's PERFECT for the story, it's like it was made to portray it.

Sskk is always great And that's just talking about the canon content but like. Beast means a Beast sskk. Which is basically new and improved sskk. And I like sskk. And I like every version of sskk but especially this version where they're even more violent and fucked up and madly in love with each other and evidently meant to be. So yeah.

And this is like, just the very tip of the iceberg of what I love about Beast. Humbling offering you this Beast love letter in hope we can all give this novel the appreciation it deserves (๑˃‌ᴗ˂‌)۶

[i-yap]

omg you are also south indian!!!! i find it really hard to find south indians on here, could you do the batboys reacting to reader wearing traditionally indian clothing for a wedding they are attending???

Im north Indian with a little spanish in me shifting to NY actually but yea the indian dc fanfic community is smaller. I love the idea of a traditional indian s/o with Jason particularly. Dick with someone spanish , tim with an African American, Damian with caucasion and bruce with someone asian. Idk why Thats just How I imagine it. Its in no way a canon to their character or a generalization of people from a culture but the cultures ,and norms and values of these cultures really suit the batboys. Hope this isn't offensive. So Im just going to do batboys x reader in a family event .

Batboys(tim, dick, jason , bruce)x y/n - At a family event

Dick Grayson

is also dressed in your cultural's traditional clothes. Dick has traveled all over the world and he likes seeing you in your traditional clothes. Being comfortable in your traditional wear, being in "your element" . He charms up all your family members, no-one even calls him the white boyfriend anymore . The women also hit on him( of all age groups srsly) He is part of the family by the end( or within 5 mins) of the night . Dont be surprised when you find him and your family laughing about what jokes your parents are going to make at your wedding. He isn't even nervous before going. He is a real charmer and you couldn't be prouder.

Jason todd

doesnt want to go. Really thinks your family wont like him and they probably wont the first time they meet him. Will still wear his leather jacket but at least he wore a white shirt and clean jeans? He even agreed to take the car rather then the bike. Will stop complaining the moment he sees you in your element. Like goddess pro max what even , so ethereal ,the world is shaking . Staring dialed up to 100/10 . plus his complaining was never serious to start with. He wants you to have a family, be connected to your background,. Its just one of the things that make you you and he wont change a single hair on you. Will probably get insecure ( I get set up or marriage proposal talks when I go to family functions - just indian girl things I hate it tbh. And I've noticed its a thing in a lot of cultures) because he'll think that you deserve that traditional life with people who 'get you" but no one will ever get you the way he does and you just need to remind him of that. He is a bit broody , tall and just kind of sticks by you . The men and boys of the group are probably fascinated by him so as the night goes he starts getting more comfortable around them. The kids lowkey like him a lot so its cute and you may get baby fever. And the older women of the group are poking at him( why the jacket? whats with that scar) and you'll have to rescue him. He'll do it all over for you though.

Tim drake-

time to put on that practiced facade. He is used to putting on a fake winning smile at those galas so imagine his surprise when his old tricks don't work at your family function. Personal space? privacy?? fake formalities?? don't exist. Bonus points if it isn't a fake rich family. But he gets to see you In a pretty clothes and he is simping, teasing you on how you look like a real girl now(but he lowkey prefers you in the geeky shirts you guys share) . he did research so like ask him the They are still very impressed by your respectful young man ( who is super rich and smart). He gets by tbh, a bit shy because he is just so not used to all this. But keep him near you, show him how to dance properly and get a few drinks in him and its a party. He loves it, your family loves him and your cousins are now his besties (don't ask when that happened). He loves having a family and it just leaves him with wonder. He is in awe of this and so grateful that you let him into your life.

Bruce wayne

does a lot of research . He knows exactly how to act, what to say and what to do. A bit cold and aloof . Still surprised by the whole chaos . But unlike tim he keeps his cool. your family is impressed by you "bagging" the rich billionaire boyfriend. If this is batman with robins ver then they are worried about the huge amount of kids he adopted and what that means for you. So uh..just mention the billion again? They ask really personal questions but bruce prepared and is so ready for it. He loves seeing you in your traditional clothes, probably encourages you to wear them casually too. As if anyone can stop you, go to galas in traditional clothes or just wear home traditional in the mansion. Over all he loves getting a peak into your life and what experiences shaped you to be the woman he loves so dearly now.

If there's anything offensive about this let me know and I will change the content or even delete the whole thing. Ive based it a little of the four different cultured families I have and the common stuff I've noticed in all of them. But I've tried keeping it as general as possible tbh. So I'm sorry if this is offending anyone.

[the-lonelyshepherd]

Had my ninety millionth rewatch of Yellowjackets because I wanted to work on drawing the girls. Been thinking about Jackie's butterfly shirt and how Shauna later on wears it. Not to mention to Shauna wears other butterfly shirts. any thoughts on if the butterfly symbolism was intentional? -💀

HI YES. i had like. so many thoughts on this all at once. i reasearched a lot of butterfly shit for a personal project before and it all just clicked in yj context. a warning that this is going to be rambley its going to be messy and some of it might be a stretch. yippee!

SOO first off its def like. butterflies are a very common just design for shirts in the 90s so its def just like part of the period wardrobe. HOWEVER. jackie and shauna, as far as i know, are the only characters seen wearing butterfly shirts (and i could be wrong but even so theyre the only characters with repeated obvious butterfly shirts including in the adult timeline). which is very interesting.

so heres shaunas butterfly shirt (note the words)

jackie's butterfly shirt and.. shauna wearing it (note the scene)

adult shauna also wears a butterfly shirt im 99% sure it was like black with a white butterfly design. i need to find a pic rgh

SO LETS START

first off - what is butterfly symbolism?

butterfly symbolism is literally anything you want it to be. its such a common symbol if you look it up theres millions of websites on weird slightly not so slightly appropriating spirit bs and a shitton of vague statements. so lets narrow the question.

what is butterfly symbolism in the context of yellowjackets?

much better. my personal view on it is this - butterflies, in a multitude of cultures, are a symbol of hope. theyre pretty theyre flappy theyre whatever. but butterflies are also a symbol of change, of transformation. but what i think is so interesting about butterflies as change is when we look at how butterflies change.

butterfly transformation is inherently something of horror. its a gorey, bloody transformation where the caterpillar literally dissolves in a chamber of its own making and reforms into something completely different. but the thing i find so fascinating is that its not a whole new thing - its literally a restructuring of the caterpillar. its something that was always there.

and this exact thing is imo one of the central themes of yellowjackets - they were always these people. What the wilderness did is amplified it, twisted it, made it louder and more obvious and definitely more bloody. but the violence and the competitiveness and the drama? was always there. look at allie, look at shauna and jeff. what the wilderness did was give them a stage (a chrysalis, if you will) to transform.

What about the specific shirt designs?

Lets start with shauna. Its a basic design with 6 butterflies of various kinds, but the most notable thing for me is the text. "Lueur d'espoir

yeah i used google translate whatever its not like ive been taking french classes for years. or something. let me live.

so. as you can see its "glimmer of hope" which goes hand in hand with the common butterfly symbolism. but actions overpower words because with a lot of shauna's actions, (ie 2.07 massive girl on girl violence) shes pretty much the opposite of hope. shes giving into the brutal violence that the wilderness is bringing out in all of them and hell she even relishes it. its an almost comedic grasp at imitating jackie when really shes the opposite side of the butterfly symbolism coin - transformation. but specifically metamorphasis. this side of her was always there.

now its number time!!

shaunas shirt has 6 butterflies and jackies has 3. jackie is literally half of what makes up shauna - without jackie she loses a significant piece of herself. i might throw up.

after jackies death shauna does everything she can to get her back. not only does she talk to jackies corpse for months, she literally EATS her. but theres also more subtle attempts to get that part of herself back - like wearing her "missing half" - the butterfly shirt. its all in vain really because its with that grasping at anything she has left of jackie and order and everything she used to know, with that shirt, that she commits one of the most brutal acts of violence in the entire show. also shauna wears it while beating up lottie after wilderness baby dies and wb was basically the last living (rip) thing she has of jackie. ough.

back to shaunas original shirt, the one with six butterflies. 6 is a number commonly associated with nurturing energy, and sometimes maternal. sound familiar?

similarly, jackie(shauna)'s 3 butterfly shirt - 3 in general is a very powerful number symbolically. the birth-life-death cycle, the mind-body-soul connection, things coming in threes. jackieshauna and whatever they connect to be that wilderness baby, jeff, callie, the wilderness in general maybe lottie. who knows!! the toxic homoerotic bestfriendship spares no one.

ALSO the butterflies on jackies 3 shirt are monarchs which are commonly associated with the dead and more specifically remembrance of the dead. throws up.

so overall!

the butterfly shirts could very much be just be time period wardrobing but i do think there is at least some significance given jackie and shauna are the only characters (as far as i know) who repeatedly wear butterfly shirts.

butterflies in jackie's context are almost a satire of the hope theyre supposed to represent - jackie has lost all hope by clinging to a past she can never get back to. in most cases she would be a hopeful character - take akilahs clinging to wiskayok, doing SAT prep and talking about her family. but the difference with jackie is that she clings to it as if it were already dead. she has this passive suicidality because she knows that shes never going back to what was and she REFUSES to transform. a catterpillar who doesnt pupate and dies never changing.

butterflies in shauna's context i think point to the gorey, transformative yet revealing nature of the wilderness. similar to metamorphosis, through a complete restrucuring of what was already there in the optimal conditions for change, we see this violent, bloody, version of Shauna emerge in the wilderness. Similarly to the twisting of butterfly metaphors, shauna also represents a twisted kind of hope through her pregancy. Inherently a birth is supposed to be a symbol of new life, of hope and joy. And for a while the baby is a symbol of hope! you have the babyshower raising spirits etc. but everyone knows it was doomed from the start. in the wilderness a birth is not a thing of hope but a thing of horror - its seeing your teammates mouths covered with blood and its burying your son when you too are still a child.

soo yeah. butterflies. dont know how much of this is gonna make sense but it definately made me think about things

[beifong-brainrot]

If worked for the team who made Avatar TloK. How would you rewrite TloK?

To be completely honest, rewriting tlok wouldn't fix all it's issues. Tlok just needed to have longer seasons, an actually established amount of seasons so they weren't pressured to make every single season a complete story for fear of not getting more time.

But let's say, hypothetically that I murdered mr Crabs or whoever is in charge of Nickelodeon and removed any studio meddling from the show.

My perfect world would include:

More filler episodes that focus on a singular character. Think Sokka's Master or the Painted Lady. The Krew are all fascinating characters with a lot of potential, however, due to the runtime of the show, their storylines are rushed... or completely nonexistent. Give me more details of Mako and Bolin's childhood. Show me emore of Asami struggling with her father's arrest.

I'd try to cut down on the westernisation of the show. I can see why these foreign aspects slipped in, since the closer the Avatarverse inches to our modern times, the more blurred the lines become. At least to my whiteass. I'd try to lean towards silkpunk, rather than the much more west based steampunk. It would be a fascinating endeavour to imagine what a world with mostly eastern influences would look like.

I'd make Vaatu the overarching villain/final boss of the story... it would require a bit of moving around of the timeline but I think I'd structure it as: Red Lotus> Kuvira> Amon> Vaatu. However I'd blur the timeline more. Make Amon a background threat in the eariler seasons, only for him to rise in popularity and power after people see what benders like Kuvira are capable of, for example.

This would also allow for certain villains to become redeemed or at least helpful in some way, later on. Mayhaps Amon and Kuvira team with the Krew to defeat Vaatu in some way.

Also, instead of destroying Vaatu completely, I'm leaning towards Korra absorbing him, in a way. Yes Vaatu is a dark spirit, but 'darker' urges are necessary for humans' survival and happiness. Korra embodies the duality of man very well. I think it would be a fascinating idea to see the Avatar become the embodiment of both light and darkness.

In general, making Vaatu and Raava more morally ambiguous, rather than the simple good spirit/bad spirit thing they had in the og show would be a fascinating concept.

I'd do my best to pull away from the show's original centerist narrative. Have Korra learn from the villains and make active changes to the world, showing her growth as an Avatar and person. Perhaps she's reluctant to see the Red Lotus' point of view at the beginning of the show, but sympathises with Amon at the tail end of the story.

Make the entire Krew queer. And talk about queerness more, in general. Have the characters have open conversations about queerness in their respective enviornments and cultures. Tlok already has a very queer undertone to it, even before korrasami became canon, but touching on this subject more overtly would provide great opportunity for characterisation and worldbuilding.

Have the story span several years. Watch the Krew grow up. Tlok works very well as a coming of age story even in its original form. Have Vaatu and his darkness and chaos symbolise the uncharted waters of maturity at the end of teenagedom. This especially works if Korra merges or accepts him like i suggested.

There... that's some basics. I think that most of my criticisms of the show could mostly be solved if the studio wasn't being a bitch but well. We can't have nice things, can we?

I took a while to answer this ask because it was genuinely such an interesting, but overwhelming question.

Also now I have wayy too many ideas about a potential tlok rewrite, so feel free to ask me about that if you want to hear me ramble.

[boneyardbob]

If there is one thing I love its a fascinating micro-culture about a niche group of beings. Currently breaking down what that would look like for the creepypastas and how it changes depending on YOUR (yes you!) personal takes on them.

Something I see in so much art is the almost cliche creepy-crouch. In cosplay, fics, art, half the time the pastas are squatting or crouching down while in a resting stage. It makes perfect since logistically; which is one of the easiest ways to start building culture. Squatting instead of sitting or standing is already a cultural thing, mostly in Asia. It works well for the pastas because to kill people they probably need good leg strength and movement so it’s an easy position to hold. It also lets someone curl up in the fetal position while staying on their feet, ready to move at a second's notice. Its good for self soothing or while hiding and waiting to pounce on someone! A lot of the creeps are also animalistic, or have animal-like habits. Being low to the ground to cautiously examine something, track shoe prints, even smell people, it just makes sense.

Now that a habit has been formed among this group of people it just becomes a thing they do. Its their thing! No one bats an eye at each other when squatting down mid conversation. In fact it might come across as welcoming or have the same vibe as breaking bread. "I like this conversation, and you, so I am going to get more comfortable now." And that encourages the other person to crouch as well so both can be relaxed and on the same page. Think of a cat slow blinking at you or when they tuck their paws away. Once its established you can add ✨ style ✨ or different posture can mean different things. Is this guy resting flat on his feet, or is he on his toes with his hands on the ground in front of him? Are they still, or are they bouncing and rocking about? Are their feet next together or spread out so they have more room for movement?

This might be HORRIFICALLY boring to most but I find it so fucking interesting. I could talk for days breaking down the culture of a bunch of magical, half monster serial killers. ITS FASCINATING!!!!

[altbite]

You’re Kinda Cool *Konig Headcanons*

Konig x Alternative!Reader Headcanons

hehe konig is husband material.

ANyway, GN!Reader is an alt person who has dyed hair - that is mohawk, piercings and tattoos. Because alt is also a very wide range of sub cultures and styles, I will do my best to make it that way/not mention a specific sub culture so it can be inclusive. Also idc if it wouldn’t be realistic, take it or leave it lmao, very much based on personal experience and inspired by the fact i dyed my hair today

+ some 141 headcanons because i can :3

__

The first time he sees you, he is taken aback by your looks: Dyed hair and pierced. He couldn’t decide whether he thought you were attractive or intimidating

To the rest of 141, this was normal. They saw you change your hair more frequently than your clothes.

Konig was fascinated nonetheless. You looked cool and he wanted to be your friend but was too awkward to approach you.

When he saw you talk to other recruits, you were this sarcastic, dark humoured person who bullied them. His first impression was you were kind of a dick.

This was your way of showing love and friendship towards people.

He got more bewildered when he saw how nice you were to strangers and not the first impression he got of you.

He realised he might’ve judged you prematurely. His impression of you was probably the same way people saw him: tall, intimidating and probably mean due to his size

Once he actually got to know you though, you two got along great.

You two kept up with each other and some of the wack shit you said and did. You two had some of the most pointless theories and questions that spiralled into debates. It often made you laugh so hard, it hurt.

He always compliments you on your hair, and gets secretly jealous because he’s always wanted to try dye his hair but didn’t want to stand out more than he did.

When you were bleaching or dyeing your hair, he would watch and keep you company.

Konig enjoyed watching you experiment with your hair.

One time you asked him to help you out, and he panicked a little. You giggled at him and told him its not that scary and you’d guide him

With your mohawk, it was somewhat of a struggle to shave it and dye the back of it so you used Konig’s presence to your advantage.

You asked him to help you shave and poor guy was stressed and took his time to perfect it and not accidentally fuck it up.

He did pretty well, even if it took twice as long.

When it came to bleaching, he thought your hair would fall out if he helped so he refused to go near you.

It took a lot to convince him thats not how it works if you do it properly.

Konig would watch and study you and how you do things, learning and mentally taking note. He really wanted to help, he was just nervous.

When you got to dyeing your hair fun colours, you asked him which one to go with and do the one he picked. It made Konig blush and giggle knowing you took his suggestions on board.

He would eventually start helping you with these things. When it came to shaving your hair, he would volunteer and eventually he did it without asking. It was his little job for you. Especially if he had feelings for you or you two were dating. He loved being in your bubble and being useful.

He would also help with bleach and hair dye. You let him experiment with colours and combinations. He was living his emo/scene life through you.

Konig had wanted to dye his hair too but he was too afraid to ask you. He was also afraid it could damage his hair or something would go wrong. He would overthink a lot about this.

He eventually asked if you could do his hair like yours. You were a fit of happiness and giggles as you agreed profusely.

You did a test strand first to see how his hair would react and give him a chance to feel it out before fully committing.

He really liked the strand that he kept it for ages. You would dye it for him different colours.

It was a bonding experience for you two. It also got messy most of the time and both of you would have dye on your hands as you refused to use gloves.

You have attempted to convince him to dye his eyebrows. He is not a fan. Stands there cross armed, shaking his head.

He loves your piercings. Has asked you a million questions about them. Big boy has a fear of needles so he would never get anything done himself. Asks you about pain and healing and all.

Has helped you picked out jewellery.

He is afraid to touch your piercings in case he hurts you.

Konig goes with you one time to get a new piercing and faints before you even get pierced. It was jaw dropping at first but funny afterwards.

Is fascinated by your tattoos. Depending where they are on your body and what your relationship is, he will traced them.

Always slaps them out of boredom.

Accidentally slaps you too hard sometimes and leaves you with bruises and feels bad.

Watches you and Ghost talk tattoos, flabbergasted because he doesn’t understand what you guys are saying. Thinks you two are sadisctic

The boys have all helped you with your hair before. Soap managed to fuck it up once and you banned him from coming near your hair

Soap is kinda salty you won’t let it go but you take too much pride in your hair.

They all saw the strand you did for Konig and Gaz and Soap begged you to do them. Ghost glared at you to not come near him and his hair. Price just sighed in disappointment that you were influencing his boys like this. He does think your hair is cool however.

You shock everyone when you have a normal hair colour because they aren’t used to you being,,,normal.

Konig mostly loves your music taste. There are some questionable songs in your playlist and he doesn’t understand why you some them.

You made him a personalised playlist and he made one for you.

You have taken him to concerts of your favourite bands and even if he isn’t a fan, he is genuinely happy to be around you and enjoys watching you have fun.

He was not prepared for how loud you get at concerts. thats not the only time you get loud tho

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That’s it for now. I cant think of anything else to add but feel free to comment or repost with more headcanons of your own! Also requests are open if you want anything specific :]

[ego-meliorem-esse]

Staying alive for centuries, if not millennia, and enduring trauma that spans for generations is bound to transform even saints into rats. Day-to-day life in the middle-ages was batshit dystopian (especially in Europe). I'm of the belief that older nations (think england, france, china, india) are far more rat-like and cynical than their much younger counterparts who have witnessed far less war, strife, prejudice and just aren't as burnt out as them (with some major exceptions). Mega bonus points if the youngins received some form of parental care, even if it's not perfect (like zee, australia, alfred).

I love how you emphasize that "Arthur is not a good man". But in his defense, I think none of the oldies are good men. There are personifications that predate Arthur by many millennia (e.g. India, China). To them, Arthur looks like a teenager. They lost power to a pasty little rat completely drunk on power, and so a part of them knows their colonization wouldn't last, so they endure it with an air of haughty annoyance and impatience, I'd like to think. They're still working against Arthur, but there's no seething rage as one might expect. They master the stiff upper lip far, far better than Arthur. Which I imagine makes him envious. I know you don't talk about India or China, but I think their personal interactions with Arthur would be extremely fascinating, be it in the 19th century or present-day. sorry for the long rant, luv your blog

👆👆👆👆👆👆👆👆👆

(I am so sorry i took a millenia to answer this but i always wnated to give a structured and thought out oppinion but never had the time in the last few months to sit down and think.

Having said that Im gonna answer as many older asks as i possibly can. Im sorry once again and your mind is a palace decorated with interesting and fascinating ideas)

So many have come before him. Too many died not having been recorded by the watchfull eye of history.

Arthur is not the oldest of the oldies. He is young compared to someone like China or Syria.

To start off with i think China is the most interesting Helltalia character there is. Just the years and cultures and dynasties and changing political systems and rise to power and fall and rise and again and again. The splitting and putting back together the regions. The innovation and influence. Ahvdnajxbnzksbx

So much creative liberty there and so much to learn and look into.

None of these nations, old or young are good or bad. They also are. In a way that a sparrow is bad for crop growth and good for locust population control.

"Arthur is not a good man" is not a general idea. They are Arthurs own words, about himself. He does not believe himself to be a good man. But then again, there are few nations who think of themselves as 'good' or 'righteous'. Years come and years pass. Now multiply that by a few thousant times. Good decisions lead to bad concequences and bad decisions lead to good ones. Good ideas are good until there are better ones pointing out the horrors of the past ideas. If you try to protect yourself and your family and damn another are you a bad person? Or are you a bad person if you damn your own family to save others? 'Good' is different for every nation. It just so happens that Arthur does not consider who he is to be righteous or benevolent. He has made decisions that damned his own soldiers for the sake of his own blood, his children. But he has sacrificed the lives of his progenies to advance himself and his empire. Its not the fact that he sacrificed his children or soldiers that he thinks make him bad, but he believes his hypocracy to be the thing that makes him "not a good man".

I think the older countries like China, Syria, ancient Rome and Egypt, Norte-Chico, Aksum (etc etc) didnt have what younger nations today got. At least not as frequently and directly. Alfred got a father willing to burn down villages and string up reverends to make sure his son didnt see the hangmans knot ever again. His brother and sister and their weird and tall french brother got to live a life as vomfotable as possible for them at that particular time growing up. They didnt see the world change. They were born into it already having shifted. That goes for other younger nationfolk. Some had harder lives than others but the world was connected and integrated to a certain degree when they were born. Loneliness is the main topic of the ancient nation personifications. If you asked a human in a town or village a few thousand years ago what the characteristics of his nation was he would respond with loneliness and reclusivity. So few knew eachother and fewer interacted regularly. A nation born is a nation doomed or abandoned by their parent nation if they had one. If by death or otherwise.

So what i think really set appart the oldies from the noobs are the inreactions they have with eachother. Old nations have learned and expect the sort of "stiff upper lip" you mentioned more than newer nations. If thats even possible. They grew up lonely, and and to a certain degree every nation is lonely, but the ancient world saw too much. So they stay even more lonely.

As ive mentioned, China is such an interesting character to me. He is very smart and he has lived through double the shit these old Europeans have. The oppium wars is something i studied recently and i kept thinking of how Yao would see all of this: "the gall of that young man to come to my shores and demand to do proper business while pointing a loaded gun to my head".

And after a few more decades he sees this European powerhouse get knocked down by none other than the mans very own bastard boy. As a human man, Yao finds comfort and amusment in that. The irony is rich and plentiful. The revenge tastes sweet.

But as a nation, that is extremly scary. The higherarchy is changing, so that means he has to change. And if he has to change that means old wounds will be reopen and new ones will take their place beside the old ones. And he does change. He adapts and tries to understand. Lots of new wounds are reddening his clothes. Lots of new wounds are reddening the clothes of others. In that change, there is loneliness. He keeps it to himself. Saving face is what he knows how to do. Just as most nations do.

Yao has long ago decided to drop the words good/bad from his personal lexicon. The concept of good is noble but not advantageous when it comes to their kind. Nations are purely bad in some situations, yet they are entirely good in others.

Anyyywayyyyy, im rambling too much at this point. I might do more hcs on China, but i think i should stop here for now. This isnt coherent or logical so lemme stop myself from further embarassment lol