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rotisserory · 7 months ago

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Reo Mikage is Actually Great BPD Representation- Some Thoughts

So I had the extremely unfortunate experience of being exposed to Blue Lock (unfortunate because it's all my tiny pea brain can think about now), and while it is absolutely full of silly guys whose brains I want to pick, this little bugger really stood out to me. The second he came onto the screen, I KNEW I smelled the borderline on him. As I watched the series and read the manga, I noticed he is actually an incredibly well-written depiction of someone struggling with BPD. Reo is a super layered character and my favorite hobby is picking apart those layers and yapping incessantly about them, so here we are. I want to write this analysis for a few reasons:

1.) Too many people misunderstand Reo and categorize him as dramatic or childish without any elaboration and he deserves a proper character deep-dive. I think him being borderline explains a LOT of his reactions/choices throughout the story.

2.) Borderline representation is extremely important to me. I'm diagnosed borderline and have struggled with this disorder for around ten years now, so I get really excited when I spy BPD-coded characters (especially if they're likable people and not just ghoulish irredeemable villains or manic pixie dream girl characters). This disorder can be so isolating, especially when the majority of people will never even bother to research or understand it. I know that some people like to chalk Reo's emotional reactions up to him being a moody 17-year-old, but I think I have enough evidence to prove that this is undiagnosed BPD that's festering in his noggin. Not to mention, literally nobody else acts like this in the series. Reo is incredibly unique and distinct in the way he behaves through this narrative and I think it's way past the point of normal teenage angst. Regardless, believe what you want. He'll always be my borderline princess tho <3

3.) I have a master's degree in English and what good is that if I don't write long, painful, pointless essays on anime guys? Not that this is exceptionally well written, I just like to laugh at myself for getting a whole M.A and then this is the shit I publish online lmao

By the end of this, I hope I can shed some light on wtf is going on inside of Reo's silly little head. (I'm also obviously not a psychologist, don't use any of this to diagnose yourself pls I don't need the scandal)

If you want to read, buckle up, because this is gonna be a long one!

First, let me define BPD- It's a personality disorder characterized by a long-standing pattern of instability in mood, interpersonal relationships, and self-image. At its core, it is a disorder categorized by emotional dysregulation (the inability to regulate one's emotional responses) People with BPD feel everything EXTREMELY hard. That's important to keep in mind IMO, because while their reactions may seem dramatic or extreme, what they're feeling IS dramatic and extreme. Everything they're feeling is amplified, so their reactions are amplified. Obviously from the outside, people assume it's an overreaction since they can't see what's going on inside the borderline's head. When you sit down and dissect the thought process of someone like Reo, it becomes a lot easier to understand why they react the way that they do to certain situations.

(Also, I'm not going to reiterate more than once that an explanation is not an excuse to treat people poorly. I cannot read ANYTHING on BPD without hearing every 2 minutes how the disorder isn't an excuse to hurt other people. We get it!! I'm explaining it, not excusing it. This enter essay is an analysis of why someone acts the way they do, not whether or not it's excusable)

So then, what behaviors/signs does somebody need to exhibit to receive a borderline diagnosis? The 9 diagnostic criteria for BPD are as follows:

1. Fear of abandonment

2. Unstable or changing relationships

3. Unstable self-image; struggles with identity or sense of self

4. Impulsive or self-damaging behaviors

5. Suicidal behavior or self-injury

6. Varied or random mood swings

7. Constant feelings of worthlessness or sadness

8. Problems with anger, including frequent loss of temper or physical fights

9. Stress-related paranoia or loss of contact with reality

Someone would only need 5 of these to receive a proper diagnosis. Just with the main story and the spin-off manga that is currently released, I think I have enough evidence to argue that Reo has 8 out of 9 criteria for a BPD diagnosis. For the sake of organization, I’m gonna group some of those together though, indicated by a + symbol. I also want to define a few important terms before I start yapping, so that y'all without BPD can understand wtf I'm even talking about.

Favorite Person (fp) - This is someone who holds massive significance in a borderline's life. They emotionally depend on this person a lot and to a certain extent, their worldview almost revolves around them.

Splitting- the change in perception of someone or something caused by black-or-white thinking or dichotomous thinking. It is the devaluation of someone who was once idealized and vice versa.

Mirroring (aka: the chameleon effect)- the constant, unconscious change in one's identity or sense of self by imitating another person’s behaviors, characteristics, or traits. It is common in people who have a vacant or distorted self-image which is a general symptom of BPD.

Now, time for me to break down the most prominent moments where Reo showcases borderline behavior. As I mentioned, I'm going to try and organize this under each criteria point (with some being grouped together)

Unstable self-image; struggles with identity or sense of self:

Before I delve into Reo's relationships, I want to start with his baseline sense of identity. It’s established early on that Reo is a very bored, empty, unsatisfied person. Nothing excites him, nothing motivates him, and everything is handed to him. He’s frustrated because his parents notoriously try and buy his affection even though he doesn't want anything. For most of his life up until the narrative starts, he's wandering through life empty and frustrated. That is, until he finally sets his sights on soccer and decides to dedicate his life to winning the World Cup:

The wording, 'proves my existence' is interesting here. I think this is the first instance Reo has felt alive. So far, the only notable thing about him has been his family and his money. He hasn't achieved anything exceptional for himself, but now he has that opportunity. With this goal, he can really build something up from nothing and make it his own. It's almost like he's clinging to this dream to prove that he has some purpose in his life other than being the family heir.

Now, this dream changes when he meets Nagi, of course. I'm not gonna focus too much on their relationship in this section, but I will mention that meeting Nagi shifted Reo's entire dream, and not for the better. Through the narrative, his dream went from:

Winning the World Cup

Winning the World Cup with Nagi

Proving to Nagi that leaving him behind was a mistake

Improving himself and becoming a good striker on his own

Being a tool for Nagi to become the best striker

Had Nagi not come in and ask for Reo to come back to him, I think Reo could have done a great job at establishing his own sense of identity without Nagi. But no matter how much he works on himself, with Nagi in the picture, he's never going to value himself more than Nagi. Reo lets Nagi cloud his identity to the point where Isagi calls him out and asks what he's even doing at Blue Lock in the first place, since he clearly can't survive on his own, he needs Nagi with him.

After dealing with the turmoil of being abandoned by Nagi, Reo goes through a few stages. He starts with wanting to become somebody worthy of being beside Nagi, somebody that Nagi would want to choose. Devoting himself to becoming stronger and more versatile, his end goal is to have Nagi realize he made a mistake by leaving him behind. After a few more matches, Reo starts to realize that he needs to grow and change and become a stronger, better version of himself for himself and not for other people.

He decides that the fight was all his fault to begin with, that he should have never forced Nagi to play soccer and now he is going to get back to what his dream was originally, combined with his new desire to be a stand-alone player (and person, for that matter). Reo accepts the mistakes that he made, admits that he shouldn't have forced his ideals onto Nagi, and resolves to become a better person for HIMSELF. That's excellent!

Of course, Reo can't be happy for TOO long. Nagi comes out of the woodwork saying that he can't beat Isagi on his own and asks for Reo's help. Reo does stand up for himself a bit, saying that Nagi is being inconsiderate of his feelings and mentioning how long it took for him to recover from Nagi leaving. Now, the BPD trait here is how Reo not only forgives Nagi and is jumping on him and hugging him THE NEXT PAGE, but he also just disregards everything he said in this sequence. In a matter of two minutes, he no longer wants to be a player that can fight on his own or improve for himself, he wants to improve for Nagi. He starts ruminating again about how hurt he was when Nagi left, but now he's saying all of it wasn't so that he could get stronger individually, it was so that he could be reunited with Nagi again. Nagi asking for his help and saying that now they can play together again motivate Reo more than anything we've seen so far. (Nagi notoriously throws Reo little affection crumbs like this that Reo eats up, but I'm not trying focus on that) Now, Reo's alright with being a tool for Nagi's success again. Everything that happened was supposed to make him stronger so he could be a better partner to Nagi, right? Reo also says as the chapter ends, to please let him be a part of Nagi's dream until Nagi becomes the world's best striker. That's literally so sad!

He's also immediately back to the 'our' 'we' 'us' talk as well. If he can master his chameleon style in order to keep Nagi above the rest of the players, he wont get left behind again. If he devotes his time and energy into being a solo striker like the rest of these guys, Reo knows that he wont be able to keep up. This was always supposed to be his role, right? Building Nagi up to his full potential! :*)

I also like the detail that Reo is back to hugging Nagi and holding him, but Nagi never really touches him back. I think Reo's love language is touch for sure, not that it's incredibly relevant, but I do think it shows that Reo is back to being 100% comfortable around Nagi as if their fight never happened. I hear a lot of fans asking how Reo could have forgiven Nagi so easily, and I say this with my entire chest, it's the BPD. The black-and-white thinking combined with Nagi being Reo's fp and the excruciating pain of being abandoned by him in the first place ?? Of course he's going to take him back. Also, I've seen people blame Reo for not saying no to Nagi when he asks for help and I have to say that is an absolutely insane take. How are we gonna look at a panel where Nagi asks for help and then blame Reo for helping him?? I'm not going to focus on it too much in this post but in my opinion, it is crazy how little accountability both the narrative + fans give Nagi. Reo is pegged as responsible for both of their downfalls and it's nuts tbh.

Currently in the story, I think Reo's identity is still centered around Nagi. It's really easy for borderlines to structure their entire lives and personalities around their favorite person, but I can only hope that these two keep having open and honest discussions with one another. Hopefully, Reo will eventually learn that he can exist without Nagi and that he's more than just 'his arms and legs'.

Unstable or Changing Relationships:

The most notable relationship in Reo's life is Nagi. They're both each other's first real friends, which already sets up a less-than-ideal dynamic. Nagi has no idea how to communicate and he has pretty weak emotional intelligence. On the other hand, Reo is great at communicating, but he isn't used to regulating his emotions. For a lot of borderlines, they can go a very long time without experiencing any symptoms when they don't have a favorite person. When you think about it, the bulk of the disorder is shown through those interactions with other people. If Reo has never had a real friend in his life, I don't think he'd be used to the emotional turmoil that comes with having a fp.

The minute Reo meets Nagi, he's attached. All his classmates notice it, too. They question why Reo is suddenly so obsessed with this random kid who has no interest in him. Reo is ignoring everybody that isnt Nagi.

Very quickly, Reo boils down his view of the world to being him and Nagi versus everybody else, and he makes that very clear. It also depicts something that I think is incredibly crucial to Reo’s character that a lot of people overlook; as Nagi develops to be Reo’s favorite person, Reo’s dream isnt ‘playing soccer’ anymore. It’s Nagi. It’s being with Nagi, playing soccer with Nagi, being useful to Nagi, taking care of Nagi, and being somebody important to Nagi. He doesnt teach Nagi the rules or how to actually play, he teaches Nagi how to play with him. He literally re-writes and re-structures the game so that it can center around him and Nagi. Nagi calls him out on this in the spin-off manga:

Reo doesnt care about the structure of the game, he cares about Nagi. The other people on the field don't matter. The other team doesn't matter. He also starts to unknowingly put Nagi up on a pedestal, which is another borderline trait. He starts reiterating that Nagi is special, he's different from everybody else, he's destined to achieve great things. The more he raises Nagi up, the more he isolates the two of them in his mind, reiterating the idea that it's them against everybody else. His language reflects this too: Reo exclusively talks with 'us' 'we' 'our', insinuating that they're going to do everything together.

When Ego says that there can't be two winners, Reo says that he'll make Nagi the best striker. His 'ego' will be making Nagi successful. Along with putting Nagi on this pedestal, Reo also very early on establishes the fact that he'd pick Nagi over himself any day of the week. He's the only person in Blue Lock who really couldn't care less about becoming a striker himself: his dream is to be a tool in Nagi's success. Or, in simpler terms, he wants to be useful and make Nagi happy.

These two were in trouble from the very beginning. Nagi is lazy as all hell, has 0 motivation to do anything, and his dream is to live a life of luxury and never have to work. Reo, being the borderline baddie that he is, is more than happy to do EVERYTHING for Nagi. Borderlines love extremely hard! It's one of our best traits and I think it's important to showcase that Reo is a massive sweetheart at his core. He clearly loves Nagi a lot and goes to extreme lengths to make sure he feels taken care of. To someone with BPD, NOTHING is too big of an ask for a person they love, especially if that person is their fp. I also disagree with the argument that Reo 'made' Nagi codependent. Nagi likes being taken care of, he says it all the time. If you ask me, I would actually argue that Nagi takes advantage of Reo a little bit because he knows that Reo will do anything for him. But regardless, I think that Reo starts to develop an unspoken expectation with Nagi that he'll provide him with everything he needs, and in turn, Nagi will stick around. I don't think he's doing this intentionally, nor do I think it's being done in a manipulative way. I just think that Reo has a dormant fear of being abandoned that he doesn't totally know he has yet.

It isn't just Nagi that Reo showcases having unstable relationships with, though. Zantetsu is another good example. Reo starts out disliking Zantetsu, he snaps at him a couple times, and calls him a moron more than once. He starts to warm up to him because Nagi tells him to. The favorite person has MASSIVE sway in the borderline's life. If Nagi likes someone, Reo likes them too. (This is, of course, on the condition that they aren't a threat, looking at you Isagi).

In the immediate next chapter, Reo is acting like they're all best friends. He's climbing on top of them in their big bed, saying that the three of them are gonna win their matches, being a little pookie. He goes from not liking this guy at all to considering him one of his close friends super fast. Also on the topic of Isagi, when they're making up the teams for the second selection, Nagi doesn't initially want to tell Reo that he wants Isagi on their team bc he's worried Reo will be upset. But, when he does finally say it, Reo is literally fine with it because like I said, who Nagi likes, Reo likes! On the condition that they don't replace Reo, which clearly happened soon after.

On the opposite side of the spectrum, Reo also shows how he can go from loving someone to despising him very quickly. After Chigiri and Kunigami tell him to get back up in the game post-Nagi's abandonment, we can literally see the switch flip in Reo's head:

Suddenly, he hates Nagi. Nagi's a jerk who abandoned him; he never cared about him, and he threw him away. Dude literally says "Let's kill the bastards that betrayed us". This act of unintentional devaluing is called splitting. What Reo's essentially doing is going from one extreme to the other: if Nagi isn't his perfect treasure, he's the devil that broke his heart. There's no room for a grey area. The reasoning behind borderline's developing this black-and-white mindset is rooted in self-defense. If Reo devalues Nagi into being nothing more than a traitor, then he's stripping away the power that Nagi has to hurt him. If he looks at him like a rival or a villain, it's protecting him from being hurt by Nagi again.

That doesn't mean that he genuinely believes any of this, more so, he's trying to convince himself that it's true. We see that at his core, the reason he's acting like this is because he's hurt. I'll go more into it later on, but he's constantly thinking, what does Isagi have that I don't? What do I have to do in order to win Nagi back? This black-and-white thinking is an automatic self-defense mechanism that I think he's doing subconsciously. Regardless, the shifting he's doing here can cause a little whiplash, which brings me to:

Varied or random mood swings + Problems with anger, including frequent loss of temper or physical fights:

I can’t think of a better way to describe Reo's temperament than the wiki, so let me quote it: "Generally, he seems to feel every emotion with full force and is extremely aware of his own faults and shortcomings, which is evident in several instances of painful breakdowns shown in the spin-off manga. Due to his high emotionality, he can even get violent when he loses his temper."

Reo is characterized as being emotionally unstable. When he's happy, he's elated! When he's sad, he's miserable. There are a ton of scenes between the manga and spin-off manga that show how fast his emotions can flip, but this one was one of my personal favorites:

In this scene, Reo has developed a little scheme in the dining hall where the guys are trading their side dishes. At face value, a throwaway moment. But, I think it's worth looking at because not only does this show Reo's emotional response being triggered in an opposite, semi-extreme direction, but the root cause for the reaction was that he felt rejected by Zantetsu. In his own weird way, he's asking Zantetsu to come over and hang out with him. He's not being exceptionally clear with that message, but I can still pick up on it. "You wanna join in, don't you?" He's extending the invite, making himself vulnerable, and Zantetsu shoots him down by saying nah, I'm fine with my noodles. Reo JUMPS on him like YOU KNOW WHAT? I TOOK THAT PERSONALLY! lol. Jokes aside, I think this moment is a great one to argue Reo's BPD tendencies because it's such a seemingly mundane interaction. Even Zantetsu is surprised by Reo's random outburst. This also sets up the fact that one of Reo's most obvious triggers is being rejected/abandoned/betrayed, an extremely common one between those of us with BPD.

Other instances of Reo having a bad temper are a lot more obvious. In the match against teams V and Z, Reo straight up elbows Raichi in the throat, and then tries to go throw hands with Kuon for hurting Nagi. He only stops because if he gets into any more fights, he’ll get thrown out of the game and won't be able to play with Nagi anymore. He’s visibly pissed though and calls Team Z a joke. Hell, even Reo himself can recognize on a certain level that he can't control his emotions: they control him. They cloud his judgment and make him react in ways that he wish he didn't.

He is constantly plagued by these extreme emotional reactions that are out of his control. Not to say that people with BPD are unable to ever control their emotions, because we can! It takes time and therapy and practice though, which Reo hasn't had. His lack of regulation is also why he has such a dramatic and extreme meltdown when Nagi abandons him.

Fear of Abandonment:

Reo's biggest trigger and the cause of his inner turmoil throughout Blue Lock is his fear of abandonment. I mentioned before that I think he's had this fear dormant inside of him for a while as so many borderlines do, since he hasn't had the chance to experience it before. He alludes to it early on when they first arrive at Blue Lock:

The thought of leaving Nagi for somebody else? Reo considers that heartless. They came together, after all. They're going to win the world cup together. Nagi could break both of his legs and Reo wouldn't leave him, because again, Reo isn't there to team up with the best player and become the best striker in the world: he's there to play with Nagi!! And, like I said, in Reo's mind it's him and Nagi vs everyone else-

Reo exhibits a lot of signs early on of being jealous while they're playing in Blue Lock. I mean, as we discussed, everything should be focused around him and Nagi. When Nagi passes to Zantetsu in the team V and Y match, Reo pulls up like 'hey, why didn't you pass it to me?? ):' There are a lot of little moments like that, but Reo's jealousy is a lot more relevant to my argument after he gets abandoned by Nagi.

Let's talk about that word: abandoned. It seems dramatic, right? Reo uses that term constantly and exclusively. Every time he brings that moment up, he uses the word 'abandoned', or he'll say 'betrayed' or 'chose'. These are very definitive words. He’s not saying Nagi ditched him or flaked on him or blew him off, no; he has abandoned him. That word choice may seem disproportionate to the situation, but that's Reo's reality. This was the ultimate betrayal to him. The constant use of that vocabulary reiterates that in Reo's mind, there is no grey area. Either Nagi chooses him, or he chooses someone else. In choosing someone else, he abandons Reo. Reo is paranoid that Nagi isn't ever going to come back to him and it's because of something that Reo is lacking. How can Nagi like Isagi more than him, anyway?

Now, I do fault Nagi a bit for not communicating better at that moment. I understand that he's bad at communication, but I don't think Reo could have been more obviously upset if he tried. The dude was in TEARS. Nagi saw him devastated and then expected everything to be fine when he met him in the bathhouse? Idk. I'm going to give him the benefit of the doubt and say that he didn't realize it would upset Reo to such an extreme: maybe he thought that they would miss each other, but Reo wouldn't take it personally. I'm doing my best not to harp on Nagi since this is about Reo.

Abandonment is detrimental to people with BPD. It causes extreme inner turmoil that we see with Reo as the story progresses because it is the only thing he can think about. If he isn't trying to cover up his hurt feelings with this idea of revenge, he's self-destructing over being abandoned. He becomes obsessed with wondering why Nagi chose Isagi over him. Was there something wrong with him? Isagi isn't that impressive, why would Nagi rather be with him? These thoughts torture him endlessly and fuel his desire to 'steal' Nagi back. He literally says to Isagi, that he's going to steal Nagi back. Much to his dismay though, Reo starts to notice that Isagi is bringing out some positive traits in Nagi. Nagi's entire vibe is different with Isagi. Nagi is having fun playing soccer without Reo. In fact, he's having more fun. He's making plays he's never made before. His face is visibly different; he's more excited than before.

This is heartbreaking for Reo. Not only was he right that Isagi did have something to offer Nagi that he couldn't, but Reo is having a massive self-hate spiral during this point as well, so he's internalizing all of his flaws and mistakes while the thought is sitting in the back of his head: did Nagi actually have a good reason for abandoning me? Was I not enough to satisfy him? Did I only drag him down? This gets significantly worse the longer he watches Nagi and Isagi play:

Everything is falling apart. Nagi is doing completely fine without Reo, and Reo is an absolute mess. We're circling back to Reo's lack of identity here as well. He's watching firsthand that he's losing Nagi to Isagi: what does he do? What happens to him if he loses Nagi, who is he without Nagi? He's overwhelmed during this match and at one point Reo literally screams that he's going to tear apart their connection. Jealousy is consuming him, but it's also those feelings of inferiority and wondering if he really did deserve to be abandoned. If Nagi is so happy without him, maybe he really did have a reason. These are the thoughts that are circling around in Reo's head. Not to mention, he is constantly tortured by the flashbacks of Nagi leaving him, which I think is a great detail. Some readers might say it's just pointless recapping but I disagree, I think it's depicting how traumatic that was for Reo. As a borderline, being abandoned by your fp IS traumatic. Reo relives that moment so many times because so many things trigger it for him throughout Blue Lock. He can't even look at Chigiri and Kunigami without thinking about him and Nagi. It's a really devastating experience that quickly deteriorates him emotionally.

Constant feelings of worthlessness or sadness + Suicidal behavior or self-injury:

One of my favorite things about Reo is the fact that he is self-aware that he's behaving somewhat irrationally, but he doesn't know how to stop. When we look at one of the several times that Reo is curled up crying over Nagi, he mentions how he really did want to tell Nagi to go and have fun, but he didn't. He couldn't. The visuals shift for this too:

Reo doesnt want to be acting this way, but he can't help it, and that's frustrating to him. It makes him start feeling ashamed of himself. His inner thoughts start to spiral and he feels weak and alone. He's reflecting here on what his true feelings really were at that moment, and how scared and lonely and weak he felt as a result of Nagi leaving him behind.

These feelings quickly evolve into Reo feeling worthless and falling into bouts of self-hatred. He's so ashamed of the way he's feeling and behaving but it feels so out of his control. He says, "maybe if I hadn't gone to Blue Lock in the first place, I wouldn't have to experience this feeling." As I said before, borderline's feel things EXTREMELY intensely; the disorder is described as living with third-degree burns all over your body. Everything hurts. His feelings are so intense and all-consuming right now, it's all he can think about:

I saw some posts in the fandom reddit asking why Reo is acting like this. One in particular reads: "I get that he is betrayed and stuff but he is acting like it’s the end of the world, is it explained later why he acts like this? Is it because he doesn’t think he can win without Nagi?" Not to call this person out, I just want to answer the question in this post-

It has nothing to do with winning; it was never about winning. It was always about Nagi.

If we're looking at Reo through the borderline lens, it IS the end of the world for him. Nagi was his world. What's worse, he's fully aware that he's not acting rationally and he doesn't know why, which is making him feel ashamed and weak and embarrassed. Now I know why he's acting like this, but there are no Blue Lock psychiatrists sitting around to wack him with the mood stabilizers or the DBT handbook, so he's gonna stay feeling like a monster.

He lets these thoughts, along with the resentment and anger from being abandoned in the first place, fuel him for the second selection match. As he's watching the game play out, as Nagi is about to score the winning goal, Reo's mind starts racing with intrusive, negative thoughts.

He's praying that Nagi fails, that he gives up, that he stops trying, anything to stop that solidifying moment where he scores the winning goal and proves once and for all that not only was Reo not strong enough to stop him, but Nagi doesn't need him anymore. He catches himself really quickly, because he realizes he's sounding just like his parents. Everything is spinning out of control so bad, Reo wants Nagi to end up in a vulnerable position so that he isn't the only one falling apart. As he catches himself thinking this, he's disgusted with himself. He calls himself 'utter trash', and as he watches Nagi score the winning goal, he falls to his knees, wishing he was dead.

As he sits there decomposing in emotional turmoil and suicidal ideation, Nagi's team chooses Chigiri to join them, and it's the nail in the coffin. This is probably Reo's lowest point in the entire story IMO. Nagi comes up to compliment him on his plays and Reo shows us another classic borderline move: he's anticipating how bad it's going to hurt to be abandoned by Nagi again, so he's trying to push him away before it can happen. We see the dichotomy of his spoken words and inner thoughts here, where he's talking big game to Nagi, saying things like 'you clearly don't care about me anymore, you're throwing me away, if you're going to abandon me just do it properly', while internally he's thinking 'I'm the worst, I wish I was dead, please take this bait and break my heart so that I can self destruct in peace'.

i LOVE the visuals during this moment. This is what Reo thinks is his last line of defense, the last thing he can do to preserve any part of his dignity is to make Nagi hate him so that he'll stop throwing these crumbs of affection at him. It's also really telling that despite his switch in behavior and the devaluing of Nagi, the root of all of that is STILL that he was so hurt by the abandonment.

I don't think I need to analyze the suicidal ideation because he just straight up says he wants to die like three times in this scene but, aside from that, the visual of his inner thoughts vs what he's actually saying is so powerful. Not to mention the chameleon imagery which i'll geek out about in a second, this is another example of his black and white thinking along with the reiteration that being abandoned was literally traumatic for Reo: he says they can never go back to what they were before. Speaking as a borderline, this is painfully true. When people break my trust even in a small way, I can never view them the same as I used to. I can forgive them and let it go, but I'll never be as open with them as I once was. In Reo's shoes, he had Nagi up on this pedestal that he was perfect and would never do anything to hurt him, but he did hurt him (in the worst way possible).

After Nagi tells him he's a pain in the ass and that he doesn't care anymore, Reo thanks him for 'finishing him off'. In his mind, they're done now and he can suffer in peace and quiet without dragging Nagi down anymore.

Bonus Point: The Chameleon Effect

I LOVE THE FACT THAT HIS THING IS CHAMELEONS AHHHH

The chameleon imagery with Reo makes me INSANE dude. As I mentioned towards the beginning of this post, a part of borderline that is seldom talked about is the tendency to take on 'the chameleon effect', or mirror the people around them. REO'S ENTIRE THING IS CHAMELEONS LIKE BFFR ?? That image where he was trying to get Nagi to hate him, was before he even started using his chameleon style, it was just something the authors thought was necessary to include during Reo's mental breakdown. Aside from the cool imagery, his chameleon style is a reflection of his relationship with Nagi. He gets called a jack of all trades and a master of none early on in reference to how when he’s without Nagi, hes not really exceptional at anything. He never really took the time to master one specific thing because he was always so concerned with helping Nagi. This rings my BPD bell for a couple reasons: first of all, when you have no sense of identity and you’re worried it means you have no real personality ?? Steal one!! Take the closest person to you and copy that one. That’s something us baddies know VERY well. Also, think there’s something about you that your fp doesn’t like? Change it! You can morph into anything they want as long as it means they won’t leave you !! :*) Before he makes up with Nagi, he copies moves in hopes that it'll make him stronger and appear more desirable to Nagi. After they make up, he copies whoever he has to so that he can get Nagi to that goal and make himself useful, make himself somebody that Nagi wants to have around. It is a literal direct metaphor for him changing anything and everything about himself for Nagi and graaaahhhh it’s so cool

Reonagi ?? Some thoughts-

I want to close this yap session with my thoughts on Reonagi as a ship. I do think that they can work and I want to make that clear. I'm not on board with the 'borderlines arent capable of having loving and fulfilling relationships' crap. That being said, they both have to put in a bit of effort. Reo has already recognized a lot of his own issues. He admits that he was wrong for pushing his ideals onto Nagi, that he needs to let Nagi grow and be his own person, etc. Nagi really hasn't accepted any fault. I stand by the fact that Nagi needs to be more sensitive with Reo. Way too often when a relationship like this fails, all the blame is put on the one with borderline. I'm gonna be the outlier here and say that if Nagi cares about Reo, he needs to learn about Reo's triggers and be mindful of them. I'm not saying that since Reo is sensitive to abandonment that Nagi should just isolate himself from everybody else, but what I am saying is that when he's going to do something that doesn't involve Reo, he needs to learn how to communicate that he still loves and values Reo. "I'm gonna go play soccer with this person right now, but I haven't forgotten about our promise. When I come back, we can play together. I still love you and I'm not going to leave you for whoever tf I'm playing with rn." (sneaking that 'i love you' in bc like..they're literally canon at this point asdfghjkll) But, I do think that Nagi loves Reo and cares about him in his own way. The two of them just have to keep working on their communication skills. Nagi has the potential to have a hot rich husband who will literally bend over backward for him and buy him all the robux he could ever want, he's gotta put in a shred of effort!

I also like to think that Nagi didn’t totally get the fact that Reo doesn’t gaf about just playing soccer. Nagi thinks soccer is what they do together, it’s what makes reo happy, right? He’s always pushing him to train harder and take the game more seriously because he likes the sport, RIGHT? It would make perfect sense to go play with isagi so that he can get better at soccer and come back to reo a more improved player. Maybe that’s why he was surprised when Reo was so mad in the bathhouse, bc he wasn’t making the connection that Reo cares more about him than soccer. That Reo puts all that energy into him playing soccer because he thinks it’s something that they can have as their own, and once Nagi notices how good he is, he’ll start enjoying it and the two of them can hold hands and run around the soccer pitch!! I think Nagi missed that part tbh, and I don’t think he know that even now in the story. Maybe Reo doesn’t even notice it.

Anyway, a shameless plug to my reonagi playlist if that's your thing (i cooked with this one, i fear) https://open.spotify.com/playlist/5CsvSqmuI4cxOl1nTaV4GJ?si=737a0f21e0bd482a

Closing Thoughts:

Reo is a bpd baddie and I love him very much. I think he's a sensitive guy with a lot of feelings who would benefit from taking time to work through his trauma and his emotions. I hope that he eventually is able to build an identity for himself that doesn't involve Nagi, but baby steps, I suppose. I think Reo is a great balance of positive and negative borderline traits and he reads as a really believable and sympathetic character. He is, however, definitely that friend that you have to slap to stop them from running back to their ex.

Jokes aside though, BPD can be extremely hard to live with, even more so when it's undiagnosed and untreated. If someone you love has BPD, take the time to read up on it and do your best to understand them. I promise you, it will mean the world to them.

If you managed to get this far, thank you for reading! This was a messy stream of consciousness and I appreciate your support by listening.

#blue lock #reo mikage #reonagi #nagireo #nagi seishiro #bpd

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h1llzy · 11 days ago

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MUMBO JUMBO S10 LORE THEORY/OVERVEIW: immortality

Right I have a lot of things to explain, you may be wondering…does mumbo even have lore? And I’d have to tell you yes yes he very much does and it’s stuck in my brain like a worm.

And I believe he has planned it since episode 9 of his hermitcraft series…

I’ll start in chronological order.

Firstly: when mumbo is planning and drawing out his base he has a small box at the bottom with numbers. That is what is going to be the data base in episode 20 , where he talks about him / all his inventions… living on forever. (This will be a major theme)

Now that in its self is not enough to prove anything… but in episode 25… the laboratory we learn about what a certain company is trying to achieve in their endeavours.

It talks of a couple major things: red stone research…artificial intelligence…preservation of the lived experience…

But the biggest of all “soon we will be living forever..”

And they are going to “start human trails shortly…”

Also in this same episode, Mumbo changes his skin and starts to grey.

It goes from this…

To this… and it happens midway through the episode:

(Both taken from episode 25)

So we know that the mined labaratory is testing with artificial intelligence and red stone to attempt to create some sort of immortality situation. And mumbo is being directly effected by it via aging.

But the MOST DARNED evidence is within episode 29 at the very beginning!!! He made an entire cinematic sequence…

(I can’t place the clip but seriously go watch it it’s sooo good!)

From this… we are able to see testing cells… that have chicken noises and villager noises coming from them.

Where we can sort of tell:

- one: the chickens have been tested on in order to possibly experiment on their entire life cycle. (Egg, embryo, chick, chicken..)

- two: the humans within the cinematic…talk in villager noises. So human trials have definitely started.

Then the dialogue shows even more…

“I got the notification, is it done?”

“It’s done…” and then we see this…

A mind… is 100% mapped…

THEN! Midway episode 32 he changes his skin again to grey even more!

(You may say that is because he is literally being sued but that kinda just speedens the process a bit)

So here is the basic parts I have put together in a small synopsis theory:

Mumbo is essentially patient zero, the mined company want to preserve intelligence , to see if after they die they can live as an ai. They have tested on animals, and villagers/ humans (not too sure) but now want mumbo’s intelligence via documenting it all onto a computer. Where it gets trained into an ai that is a replica of the person mind, their personality…every little bit about themselves…that why the brain is 100% mapped..because it is 100% copied… the data base, is also apart of this.. and is actually connected to mumbo in some sort of way, storing all the inventions and red stone ideas he has ever made to be placed into the ai algorithm.

This is very much having a bad effect on mumbo himself, as he seems to be aging much quicker….as if in trying to preserve life they are making it fade more quickly…

But the real question is what is going to end up happening well I have two theory’s for you there….

Silly theory: Grumbot.

You see when mumbo changed his skin it no longer had the waffle…so that possibly means that when minded was mapping out mumbo’s brain…it picked a up a bit of an anomaly..such as….someone’s soul…

Grians… (mwahhaa). So while trying to obtain a obedient ai that could persevere all of mumbo’s intelligence of red stone and inventions forever through the data base. They have also inadvertently picked up a bit of Grian within the ai (which is why the waffle from mumbo’s skin disapeared, due to the fact it’s now in the ai)… creating the famously charming Grumbot!!!

Angst theory: Ai after death

Mumbo is going to die due to the rapid aging that the mined company has placed on him…in which causes them to create basically an ai replica of mumbo, placing him in a robot body where he is essentially “replaced” by his robot version, and that ai is just now him (kinda like Astro boy)

So yeah….this took 2 hours…I need help, the brain rot is bad. Um thanks!

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amourtoken · 4 months ago

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hi so this may be VERH tmi but like :( ive literally never ever been able to actually get off and its making me think of nicky or matt with an inexperienced reader :((((( helpin them get off and taking care of them andndjwnejenrne

I fucking love this and I was in your boat for YEARS so I entirely understand. I didn't realize I could even get off in the first place and thought the whole climax thing was just bs or that there was something wrong with me honestly 😭 I'm 21 now and didn't actually finish for the first time until i was like 18ish if that makes you feel better. I didn't understand my anatomy at all and every guy I'd been with till I met my bf didn't either so it was just a lot of missed opportunity.

Also: adding a cut bc this is LONGGGGG

I feel like explaining you've never gotten off to either of these guys would be like flipping a switch in their brain. Wdym you've never gotten off??? They'd make it a whole ordeal to change that.

Nicky would be "softer" about it, and I put that in quotes bc he's by no means a softie lmao he's a closet freak that just hides it well until the right moment. He's gonna take such good care of you :((

Nicky spends damn near a whole hour on foreplay itself, there's not an inch of your body that goes untouched. He wants you so needy you're shaking underneath him before he even touches you where you really need it. He'd kiss up and down your thighs and his fingers would dig into your hips a bit to drag you closer to his face so he can bury it in your pussy. He'll spend hours here if you let him he doesn't mind, he drags your hands up to his hair so you can pull him around however you need too cause he knows what he's doing but your input is important.

Honestly, he doesn't even care if he gets to cum tonight at all, he's doing this all for you. If eating you out isn't enough he'll work his fingers into you at the same time or offer to use a couple toys if that's better. He just wants you to feel good and he'll do anything to get there. Nicky only stops when he has another idea and that's to fuck you with a vibrator pressed right against your clit. He'd hand it to you so you could control the speed and pressure while he focused on fucking himself into you. If you can't seem to get it right he's more than happy to do it for you again and if the vibrator just isn't your thing dw babe he'll use his fingers.

The whole time he's talking you through it and praising you for doing such a good job for him. Once he can tell you're actually getting close he's practically high on it. He tries his best to not change his pace so you can ride out the feeling as long as you'd like but God once he feels you cumming around his cock he's rutting into you like a fucking animal and can't help himself.

"Fuck baby, that's it- shit- you're doing so good for me, it's okay- you're okay, feels good doesn't it?"

Matt on the other hand is an entirely different creature and when he hears you've never cum before he doesn't have the same "patience" Nicky does. He's more than happy to help you get off, but where Nicky spends hours bringing you to the edge, Matt is dragging you to it by your throat and forcing you off.

Matt wants you all fuzzy brained and subspaced for him during this whole thing cause he's gonna be taking care of you, you don't need to do any thinking. All you need to remember is his name.

I could for sure see him dragging you onto his lap in front of a big floor length mirror so he can show you everything he's doing. Your legs are spread on either side of his and he has one of those app controlled vibrators inside you (only taking it out when he wants to fill you up with his cock instead). The idea of watching yourself get off is embarrassing but fuck you're so wet it doesn't really matter at this point, Matt's fingers feel too good to worry about anything else. He has one hand spreading you wide and the other is switching from fingering you and scissoring you open to rubbing your clit and spreading your wetness around. His legs are keeping yours open even when yours squeeze against his and threaten to close.

You're literally dripping down his hand and wrist by the time he decides to fuck you, and he's not changing his stance from earlier, you're still in front of the mirror. He still ends up doing all the work and he's more than happy to though, picking you up and slamming you down on his cock until you were whimpering and crying. Your shoulder and neck are totally littered with bite marks and hickeys from him as well.

When he can tell you're getting close to that edge he hilts himself entirely inside you and wraps a hand around your throat to keep you steady while the other one abuses your clit. Youre twitching in his hold and nearly sobbing by this point cause it feels like an electric current is running under your skin until that coil in your belly unwinds and you yelp and cry in his arms while you cum around his dick. His pace slows on your clit but doesn't stop, he's trying to draw it out as much as he can for you before he lifts you off his cock to change positions.

#Nicky #Matt #Ask #Nicholas ruffilo smut #Matt dierkes smut

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rickktish · 1 year ago

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A list of mutable batfam headcanons that live inside my brain:

Steph deserves to be 6’ minimum, preferably 6’1” or 2”

Bruce is constantly trying to balance his need to be at the same eye level or above the people he’s intimidating vs his need to do his funky little gargoyle crouch. His favorite thing about the GCPD roof is that it has lots of surfaces he can crouch on and still meet or look down at Gordon’s eye level

Tim and Damian suffer from “too similar to get along” disease and must either become best friends or despise each other until the end of time

Babs prefers light, natural toned makeup. Steph prefers pops of color and decent amounts of jewelry when she can get away with it. Cass prefers jewelry and no makeup at all

Jason’s comfort meals are all variations on soup served with bread for dipping

Jason is of the opinion that Fitzwilliam Darcy is an ass at the beginning of the book and it’s a good thing he decided to change himself so he could take his place as Best Fictional Man Ever. Dick, who read the book in order to be able to connect with Jason better, is of the opinion that Fitzwilliam Darcy has done nothing wrong ever and only needed to work on his social skills, meaning that it’s his improved ability to communicate that makes him worthy of Elizabeth Bennet at the end. Neither of them wants to listen to Tim’s analysis of what this says about their relationships with Bruce

Duke has never engaged in non-Alfred approved chaos. This is not because Duke seeks Alfred’s approval, but rather because their senses of humor are in perfect alignment and Alfred is always pleased to discover that he approves of Duke’s particular instances of chaos even after the fact

Damian never had stuffed animals growing up, but after being corrupted by Dick’s influence he can no longer sleep without a minimum of one in his bed

Damian collects posters and articulable action figures. His favorite ones are the ones that can stand on their own, which he uses for posing practice in his drawings. His favorite figure is of one of the characters in Cheese Vikings who has a zuko-esque backstory and a secret propensity for gardening

Dick always buys the most beat up box of cereal at the grocery store because he feels bad for them

Cass loves not only ballet, but other works by classical composers as well. She will unironically listen to the local classical station, and can identify the Borodin String Quartet by the sound of their instruments alone

Tim and Bruce watch and read Gray Ghost media in all its various forms and discuss it together as a bonding activity

Alfred and Jason’s shared birthday is usually celebrated with them making each other cakes, meaning that everyone gets to enjoy not one but two cakes for the day

Jason specializes in cheesecake above all other cakes, though he did make Damian a black forest cake for his birthday once right after he’d finished playing Portal

Literally everyone is surprised when they learn that Damian plays video games. No one has ever once looked at him and thought “yeah, i bet that kid plays console games” and he’s actually really insecure about it, but he also refuses to wear any kind of merch outside the house. He owns dozens of gaming and anime T-shirts but refuses to be seen as anything but completely neutral outside his own territory

Most of the bats wear drug-detecting nail polish at all times, though the base and reactive colors vary by the bat in question

Bruce and Dick have both had therapists straightup quit on them and are therefore reluctant to go back to therapy ever again

Duke’s favorite book is Walden Pond

Alfred read Lord of the Rings aloud to Bruce when he was a kid

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glade-constellation · 1 year ago

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“We’re going to literally spell out why the bad guy is bad, and how to help them, but do nothing about it because they are Bad Guy™️ and bad guys can’t change.”

The current running theme for every single fucking villain in TSAMS. A running theme I viscerally hate with my entire being. I think KC was the only one to escape this, but even then they just killed him off later.

For a show that seems to want to handle sensitive and heavy topics, they sure as hell never handle them well. Listen, if a majority of your audience is young teens, you need to be careful with the story you tell and what might be taken from it. TSAMS is teaching its audience that bad people will never change.

That’s just not true. At all.

Often people who act out do so because of past trauma. Trauma can be healed with time and therapy. Yes, it’s difficult, especially when the person says they don’t want to heal. But you can do it. Did you know that rejecting help can be a subconscious survival tactic? It doesn’t instantly mean that the person wants to be bad, or wants to stay bad. They are simply living in survival mode, and their brain thinks the way they currently act is the only way to survive.

Just because Bloodmoon says they can’t be helped doesn’t mean it’s true. And it definitely doesn’t mean they immediately deserve death. Yes, they have done terrible things, but nearly everything they’ve done has been ordered of them by another person. That, or their coding. The coding may be a harder thing to fix, but listen. Look at your current cast. You can’t tell me Moon and Solar couldn’t work together to fix it. Or Earth couldn’t help them with therapy and they’d eventually turn to killing just animals. There are so many ways Bloodmoon could be helped, but no. Just no. They don’t want to be helped, so we won’t go out of our way to try.

It’s just so unbelievably frustrating that several fans have pointed this out and the show doesn’t seem to care. Bloodmoon has room to be redeemed, even now, but the show doesn’t want that. They seem to be stuck on this idea the Bloodmoon can’t be redeemed.

And it’s not like this is a new theme they’re trying to tell for the story. No, this has been around since Eclipse. Yes, Sun and Moon did try to help Eclipse in the beginning, but help is a strong word. It was more like they tried to bargain with him. No one actually tried to help. And the moment the bargaining didn’t work, they just dubbed him the villain and turned against him. In the end, Eclipse tried to help. It was pretty terribly done, yeah. But he was trying. He even gave up his one piece of power and told Moon he could send him anywhere in the multiverse. But no, the only way out was through death. I get that Eclipse did a lot of terrible things. I get that a large majority of the cast had their own trauma because of Eclipse. But he could have been helped. We have seen moments where he wanted help, but would immediately turn back to his survival tactics. Eclipse was bad, but he didn’t have to die.

Anyways, they already taught the “villains always bad” story with Eclipse. They don’t need to retell it with Bloodmoon. That’s just reusing old parts of the story.

The only reason I don’t bring Ruin up is because Ruin was different from all the others. There wasn’t anything that made him a villain besides the fact that he was a virus. There was no “sad backstory”. He just was evil. That is how you write a villain you want your audience to love but still want to kill off in the end. Ruin was fun to watch, and a great villain, and I wasn’t mad when they got rid of the virus. I was attached but not at the emotional level as I am with Eclipse, KC, and Bloodmoon. He had no backstory to make me want him to live. I love a villain that is enjoyable to watch but don’t mind when they’re gone. That is how you write a good villain you don’t want people to riot about afterwards.

This has just turned into me ranting about storytelling and character analysis, but honestly. TSAMS. Do better. A good portion of your fan base is screaming for a Bloodmoon redemption. Why are you pushing so hard for people to hate them? You’ve already told the plot line you’re currently trying to sell. What is the point of just upsetting your fans?

#🌟 Ten Talks #tsams #sams #the sun and moon show #sun and moon show #tsams bloodmoon #tsams eclipse #tsams killcode #tsams ruin #long post #not super long but long enough

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timeagainreviews · 6 months ago

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In Space, Nobody Can Hear You Scream for Your Nappy Change

Few shows have had as many pilot episodes as Doctor Who. From “An Unearthly Child,” to the 1996 TV movie, to 2005’s “Rose,” and now “Space Babies.” However, one could argue that every new Doctor is essentially a pilot episode. There are notable shifts in the show’s dynamic to such a degree that it’s practically a reset. Any major personnel shift is a renewal. The transition from William Hartnell to Patrick Troughton, the transfer of power from Russell T Davies to Steven Moffat, and again, from Moffat to Chris Chibnall, for example. Even series ten began with the cheeky title “The Pilot,” where we find the Doctor earthbound as a college professor with his student, Bill, and his wife, Nardole. But “Space Babies,” is an odd one, for so many reasons. Mostly because it’s introducing us to characters we’ve been getting to know for a couple of episodes now. Then, of course, there’s everything else.

For some, an episode called “Space Babies” was always going to be a hard sale. Back in March when they revealed the new episode titles as a series of vignettes, Space Babies looked and sounded a lot like what we got. Sometimes a very literal title can be a bit of fun. “Snakes on a Plane,” tells you everything you need to know going in. While it may have benefitted from a bit of virality, you could argue that it does more with its premise than something like “Cocaine Bear,” which was little more than its title. I’ve complained in the past that my issue with the concept of the Timeless Child was that you could figure out the story by hearing the words. If I can watch a story in my head from its title, then in the words of Amy Pond- what is the point of you? My reaction to the title “Space Babies,” was very similar. Except in this case, I would say it was closer to a “Snakes On a Plane,” than a “Cocaine Bear.”

We’re off to a great start. I got to mention cocaine and babies in the same sentence. Speaking of awkward starts, why did Russell T Davies decide to open the show with the twee episode for the kiddies? Those types of stories are usually relegated to the mid-season point, after a really good one. I guess they needed a palette cleanser to put some space between “The Giggle,” and “The Devil’s Chord,” as they’re essentially the same story twice. But that’s for the next review. Though “Rose,” has its own brand of wacky weirdness with man-eating rubbish bins and plastic boyfriend doppelgangers with pizza peels for hands. Even still, it’s an odd choice for the “pilot.”

A lot of the episode’s enjoyment is predicated on how cute you think babies are. In my case, it’s not very much. If they had called the episode “Space Kittens,” it would have hooked me. But babies come with baggage. People are weird about babies. Babies are often politicised, which this episode definitely does, but more on that later. Another reason why babies were a hard sell for me is they’re not actors. Child actors are rarely good, so filtering their performances through the vacant faces of babies is like making a bad thing worse. Sure, they animated their mouths with cutting-edge technology straight from 1995’s “Babe,” but their faces gave us no range of emotion unless you count Eric, whose facial expression was that of one constantly bricking it in his diaper. I was reminded of the Gelflings in “The Dark Crystal: Age of Resistance,” in that it takes some getting used to the look of their faces. Except in the case of the Gelflings, the Jim Henson Creature Workshop knew their limitations and used CGI where the puppets fell short. A furrowed brow would have gone a long way to sell the babies.

However, I’m not made of stone. I’m not so joyless that I can’t send my critical brain on a little vacay for 46 minutes. I also appreciate that Doctor Who still takes the time to do stories for children. It’s a family show, after all. I was even impressed that the episode was able to sell me on the concept of a booger man (or Bogeyman to be precise) when “Sleep No More,” had so utterly failed to sell me on the concept of eye booger men previously. Even more, I had never expected to feel an emotional connection to said Bogeyman. While a lot of it had to do with Ncuti Gatwa’s performance, I’ll admit I actually got a little choked up at the end of the episode. Even a snotty little freak of nature deserves a place in the world, and I identified with that. It’s nice when a Doctor Who episode ends and it was actually about something.

As mentioned before, Russell T Davies uses the baggage that comes along with babies to stoke the fire of his own story. Through the eyes of Jocylen, the ship’s reluctant nanny, we see the babies in another light- as a constant source of worry. Having never wanted the job in the first place, Jocylen’s part is one of necessity rather than vocation. No one working in the field of charity or crisis aid wants to be doing the work. Sure, it’s fulfilling, but the nature of its necessity is telling of the world at large, or in this case- star system. In a perfect star system, no child would go unhugged, unattended, or forgotten. Yet here she is, forced by circumstance and emboldened by compassion to rise to the occasion. She may not be nailing it, but seriously, who the hell else was taking care of the children they forced to exist? If “Kill the Moon,” was Doctor Who’s pro-life story, this episode stands in stark contrast as the pro-choice story.

An episode with a butt-shaped space station that farts its way to the shores of freedom seems like an odd choice to talk about refugees, but it’s also the episode that gave a booger a soul. While a lot of the tone aligns more with “Aliens of London/World War Three,” or “Love and Monsters,” the message aligns more with something like “Turn Left.” Russell T Davies is giving us a spoonful of sugar with our medicine, which seems the correct approach in a show where Christmas trees are capable of murder. Suffice it to say, seeing a Rwandan refugee playing a British icon on the BBC commenting on the conservative government’s Rwandan bill is better than anything the show could do on its own. You almost have to do it, and more than I’m glad RTD rose to the occasion, I’m glad it was Ncuti who got to do it.

Speaking of things only Ncuti Gatwa could do, I appreciate that his Doctor is emotionally available enough to offer a hug to a child while still being alien enough to scare the bejeezus out of them. I can’t really picture Tom Baker hugging anyone, though I can imagine him scaring the bejeezus out of someone. Maybe Matt Smith would do it. Jodie as well. But Gatwa’s Doctor is an interesting mixture of compassionate and completely aloof. It’s a mixture that is sometimes at odds with itself, but it works. You see it in brief moments like when Ruby’s caretaker instincts take over and she runs head-on into danger, while the Doctor takes a moment to pop around the corner and catch up to her. It’s the classic dynamic of the Doctor being reminded of human nature by his companion.

I really like this selfless defender of the people streak in Ruby’s personality. It reminds me a lot of an ‘80s companion. She’s like a mixture of Nyssa and Ace. She puts herself in harm's way to protect others. She writes songs to cheer up lovesick lesbians. She’s got a very full personality that is palpable very early on. We got this level of character development with RTD’s earlier companions, and it’s nice to see it continue. What’s less nice is how he seems to have also taken a page from Steven Moffat’s book where the companion must also be needlessly complicated. What’s more is it feels less enticing and more like retreading familiar territory. It’s giving “The Impossible Girl,” vibes with an Amy Pond pregnancy body scan to bring it full circle. This is one of my biggest issues with the RTD2 era so far- it feels like a remix of past Doctor Who. That isn’t to say he’s added nothing new to the show, but it does feel a bit Clara 2.0. I’m just saying, it doesn’t always have to be some star-crossed destiny. If you do it every time, it loses its power. Sometimes people just meet each other. Say what you will about Yaz’s characterisation, but at least she was allowed to be a person.

The story at the heart of “Space Babies,” is ultimately a bit thin. You could argue that there was never any real threat, but that happens sometimes on Doctor Who (take “Listen,” for example). I’ve seen some people online complaining that the Bogeyman doesn’t die, but what does it really do other than scare people? Sure, you see Eric’s pram toppled and find him characteristically bricking it in his diaper, but he’s not got a scratch on him. What if Eric went missing because the Bogeyman “ate” him. They could reveal that he actually was protecting Eric from the dangers of the malfunctioning bowels of the ship. Imagine the bogey bits tearing away out of the airlock, slowly revealing Eric inside. Not only would Jocylen have almost taken an innocent life, but two innocent lives. Pair that with the Doctor's brave rescue and blammo! It could have upped the tension and implied more danger, is all I’m saying.

I was a bit confused by the ship’s computer creating the Bogeyman in the first place. That entire aspect of the plot was skimmed over and very flimsy. I thought they were doing something with the show’s new magical premise, a “superstition of the Bogeyman made him exist,” sort of angle. But no, it was just something the ship did, for reasons. I also expected that to be the reason for Ruby's transformation into the weird scaly lizard woman. I expected it to suddenly be possible through superstition that stepping on a butterfly could change the course of history. But instead, the Doctor forgot to push the butterfly compensator on the TARDIS console. Kinda weird that RTD had two moments to further his own mythology but sided on technobabble. Not bad, just odd.

One aspect that bothered me was how long it took them to reveal the Bogeyman was made of snot. When they took the time to do this whole to do with the babies blowing their noses, I immediately looked over at my wife and said “The Bogeyman is made of baby boogers,’ to which she responded “I hate that you’re right.” They telegraphed it so hard that it made the Doctor seem slow on the uptake. If you recall from my review of "The Husbands of River Song," I felt like they did the same thing to River with how long it took her to recognise the Doctor. However, I imagine it's a bit of a balancing act to know when to reveal something. The Doctor doesn't necessarily have all of the information we have as an audience.

As pilots go, “Space Babies,” could have done better at introducing a new audience to Doctor Who. Much of the expository dialogue about who the Doctor is or where he came from felt rushed and unnatural. My friend Taryn said she enjoyed this aspect of the Doctor being less cryptic and more forthcoming with information. While I agree, I feel like the execution was clumsy, a word we’re starting to see more often in my reviews of the RTD2 era. For comparison, take Fallout, a show that came out only a month earlier. Both are technically first seasons of tv shows based on pre-existing properties with dense lore. Both have eight episodes to tell their stories. And yet with Fallout, we get a trickle of information as things happen. With Doctor Who we have the Doctor stopping his companion mid-sentence to say “Oh yeah, by the way, I have two hearts.” Look, I get it, I’m neurodivergent. I appreciate a good infodump. But there’s a big reason people are calling Fallout a triumph- it respects its audience enough to reveal things over time.

RTD said recently that young people won’t watch black and white. I don’t know if this is true as I am a cusp gen x/millennial. I don’t know much about what kids get up to these days, but I also don’t go around saying what they will and won’t do. It sounds a lot like “Those damn kids with their hip hop video games,” or like “Kids don’t like anything that isn’t Tik Tok or Roblox.” It feels like it misunderstands the appeal of storytelling in the first place. Studio executives have never fully understood what is good about Doctor Who. In the ‘70s and ‘80s, it was “Why can’t it be like Star Wars?” In the Chibnall era, the goal was to compete with Netflix. And now it’s “We need to meet the same standards of Marvel.” But if Doctor Who is always being compared to something else, you curse it into always being behind the curve. When I fell in love with Doctor Who, it was because it wasn’t like anything I had ever seen before. If I want to watch Iron Man, I’ll watch Iron Man.

Not all of the expository dialogue was without merit. I’ve been continually impressed by RTD’s handling of the Timeless Child storyline. As longtime readers know, I was not a fan of that story. Hell, first-time readers probably picked up on it in this article. But I don’t think it’s fair to discount the people who did enjoy that story. And I think it is far more interesting for the show to develop the idea as opposed to sweeping it under the rug. We learned that the Time Lord genocide was cellular, which helps the whole concept of the Master achieving what millions of Daleks couldn’t do make more sense. It’s amazing how much a single line of dialogue can overcome a lot of shoddy writing. I liked the Doctor stating that it doesn’t matter where he comes from, as I’ve been saying that the whole damn time. It’s also nice that despite everything, the Doctor is still a Time Lord in his hearts of hearts. We as fans kinda need those moments so we can collectively move on from what has been a rather ugly time in the fandom.

That’s not to say we aren’t still in an ugly culture battle within the fandom. Racism is still a very real aspect to the conversation. As are ableism, sexism, transphobia. And despite RTD meeting these things head-on with the grace of a fish out of water, we’ve still got some great points of intrigue. Who is this woman played by Susan Twist we keep seeing in the background? Who is the one who waits? Is Mrs Flood the White Guardian to Susan Twist’s Black Guardian? I would love to say it’s the Rani because it’s been 20 fucking years of it not being the Rani, which is also the exact reason I won’t say it’s the Rani. But god I wish it was the Rani. They even name-drop her! Give us this one, please. My point being, despite its daftness and its expressionless babies, “Space Babies,” still gives us a lot to go off of. If you didn’t like it, do what I did and watch it twice. The emotional resonance works better when it feels less like you’re watching a car accident.

Look, if you didn’t like “Space Babies,” I get it. Maybe it’s not for you. There are weird little problems with the episode. The expository dialogue I mentioned, for example. The babies are a bit much. The Bogeyman howling like a werewolf was batshit weird. I guess it was because they compared him to a dog. Even then, why not make it bark? You could ask things like “Why didn’t the Doctor use the TARDIS to fly them to safety instead of setting their space station on a crash course with the planet’s surface?” or "Why didn't the Doctor get sucked out of the airlock? It's air pressure, not gravity." Is the humour still falling a bit flat? Sure. It’s easy to pick stuff apart. But come on, the episode is called “Space Babies,” you knew ahead of time if that concept was going to work for you or not.

_______________________________________________

Thanks for reading! I'm sorry these articles are taking a while. Having two episodes drop simultaneously doubles my workload! I'll have the review for "The Devil's Chord," up tomorrow! Hopefully next week will be more timely.

#Doctor Who #Space Babies #Ncuti Gatwa #Millie Gibson #Russel T Davies #Ruby Sunday #Fifteenth Doctor #Season one #RTD #RTD2 #Susan Twist #Bogeyman #TARDIS #BBC #timeagainreviews

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raine-kai · 1 year ago

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Luffy and the Limitations of Reality

Today I finally got the time to watch the Gear 5th fight episodes, and I had some thoughts. (Well. It's less that I had time, and more that I was paying no attention to anything else because my brain was full of One Piece so I decided to embrace it.)

First off, SEVEN EPISODES??? Wow they really milked it 😂 I don't remember how many chapters it was but seven would be almost a whole volume and I don't think it was that. (Yes, I know, old news that the anime will milk these things for all they're worth, but still.)

Secondly and most of all, though, I want to talk about what Gear 5th, and Luffy's use of it, tells us about him.

Luffy is excellent at working out clever ways to fight opponents, even when it seems impossible, and training himself up to impossible lengths, using everything he has at his disposal.

But Gear 5th is a little bit different in that it's literally world-bending. The fact that he could use it more or less instantly could be the fruit communicating to him via their compatibility...or it could be that Luffy is always pushing the boundaries of reality in his mind.

While it could easily be a bit of both, Luffy's comment that he can do everything he wanted suggests to me that it's more of the latter.

This means, to me, that Luffy has always felt a little bit caged inside his own head, trapped by the boundaries of reality and physics. That Gear 5th to him is breaking free of these trivial cages that have always limited him, and allowed him to have the time of his life.

There's something that resonates with me about that, feeling trapped in your mind and discovering an outlet through imagination and joy that cut through and reshape a dark, serious world.

One Piece is full of metaphors and references and I'm sure we've barely scratched the surface of what Sun God Nika means, and who Joy Boy was.

But I feel there is something momentous about having Luffy be so good at using his Nika powers, with very little learning curve. Something that suggests an enormity about how he fights all systems that limit him all the time, including physics and reality itself.

He's always done silly things in battle—the first examples that come to mind are the time he tried to eat Crocodile and water Luffy and gomu gomu no boh—and Gear 5th harkens back to those with Kaido demanding that Luffy take the fight seriously. But things like grabbing lightning or peeling up the ground? Luffy has these extremely wacky ideas and as soon as he sees that he can make the ground change form to suit him, he immediately starts playing with that.

One Piece has always had a huge theme of freedom, and I like that it takes this theme to extremes—freedom even from things like physics which will forever constrain us.

It's redefined the shonen genre, and continues to do so by defying and subverting genre conventions again and again.

I've been a One Piece fan for over twenty years, and most of the long-running stories that I was a fan of twenty years ago have waned in my esteem; yet here is One Piece, still waxing, still growing in its scope and impact. The queer representation that used to be considered questionable has become something largely seen as very positive—not through retconning, but through expanding the in-world representation of non-cis characters. (I still live in dread that one day this will be taken away, but until then....) The story has had its ups and downs, but it always introduces something new to drag me back in.

Today, it's the notion that true freedom means even freedom from physics and the limitations of the material world, and that could so easily be silly...and it IS silly, but in a way that continues to make me invested in the story, and love Luffy ever more.

Kaido keeps telling Luffy to be serious, calling him a child...but he loses. All this time, he's been waiting for Joy Boy, but when he meets him, he ridicules him.

There's something in here too about the power of childish fun, embracing your brain's weirdness, and not minding when people call you names.

But when I put it like that...hasn't that always been ONE PIECE in a nutshell?

#one piece anime #one piece spoilers #gomu gomu no mi #sun god nika #monkey d. luffy #luffy #gear 5th #gear 5 spoilers #one piece meta #meta

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pliablehead · 4 months ago

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Heyo, what do you consider the top 5 must-watch EE interviews???

I AM SORRY I TOOK SO LONG TO ANSWER THIS and I think it's because I really don't have a proper answer!! So much of my deep dive into EE was done in one long hyperfixation spiral back when I was first getting fangirl-level into them, a good 6 or 7 years ago, and so I'm running into the problem of most of the interview content I've consumed all sort of homogenizing into one sort of blur of Lore that I've internalized and I am not doing a great job at separating out into its individual components! So, that said, the following list is probably not in line with what I'd actually ultimately believe to be the best, most crucial ones--it's just the ones my brain can call to mind at the moment. lol. BUT HERE ARE SOME:

serious/insightful: • Jon and Alex for Tape Notes podcast. (so not a must-watch so much as a much-listen, but there are a few individual clips from this on youtube in video form as well I believe.) RDF is my favorite EE album and I thought this was a hugely interesting look into their writing process and also had a bunch of cool personal stuff in it! Plus, I think it's a very good look at who the band are, like, "now" -- there's a lot of great content around from MA up through GTH, but by the time they were on album 4 and all like, 30+, and especially once covid hit and sort of changed the trajectory of like.. bands, in general, I feel like it's just been a different animal re: regular interviews etc. • this 2013 3-parter with Jonathan. It's been ages since I watched it but I remembered it almost immediately, and for some reason I'm remembering it as an oddly vulnerable Jon moment. just talking about things. (more good band lore! etc.)

funny/meme-y: • Mike and Jez at Isle of Wight. Unlike many others, I could not possibly count how many times I have rewatched this, and it is funny every time. The interviewer is a buffoon asking totally clueless questions and Jez is having absolutely none of it, he's just chomping his chewing gum the entire time, Mike's doing his best, it destroys me. • Mike and Jez look at memes. Less interview-y and more just #content but whoever edited this video did a TOP NOTCH JOB and it's one I often show to not-in-this-fanbase friends that can still be a fun look at the band and a good laff. • This very sweet one with Alex and Mike being interviewed by a literal child. Contains the infamous "Jeremy, and yes," which is one of my most quoted EE-related sentences ever • this Man Alive track-by-track, also audio only.. the BITS that Jon and Alex are doing. truly incredible stuff

just lads having a nice time :) : • the CAPSLOCK ON talkback - lots of pleasant band and lyric insight, and a great Jez cheese moment at the end • this livestream dot com session is some performing but some Q&Aing, so not really an interview proper, but the energy in the room is delightful alskdghj

other noteworthy bodies of work: • anything with Andy Backhouse. I'll be the first to admit that Andy can grate my nerves sometimes, he often feels annoyingly a little too simp-y or something, but the other side of that coin is that as a huge fan of the band he actually does always ask them questions that are like, Real, he Gets them, so it's guaranteed to be a notch up from just random music journos who are engaging with them on a more surface industry level. Nothing is more frustrating than watching an EE interview where the interviewer just so blatantly doesn't "get" EE's whole deal and doesn't know how to interface. Andy never has that problem ! • any episode of Chips of Chorlton that features them (I think Jon's been on twice and Jeremy once). Dutch Uncles are their friends and hearing them all shoot the shit in an extremely comfortable environment is suuuuch a pleasant and wholly different experience than when the lads are being Professional Music Band guys, even when the latter still consists of them doing fairly goofy things

A VERY LONGWINDED AND NOT ESPECIALLY COMPREHENSIVE ANSWER ?? !!!!! Ultimately I think I was the wrong man for the job. @hellkitepriest has way more of an archivist's nature sort of just intrinsically than I do, he can probably do a better and less ridiculous job akjdshglak

#TL;DR #e e #photoshop pharaoh #I HOPE THIS WAS ANYTHING..... HAhh #this has been a post

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voicemailvoicemail · 7 months ago

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Click for Palestine 🇵🇸 : https://arab.org/click-to-help/palestine/

Hey! What’s up? Thanks for coming around!

Pseudonym’s Annie. I’ve got most of my quick info in my bio, if you ever feel inclined to skim it! I’m Bangladeshi and Muslim. I’m also aspec, omnisexual, and pangender. I also am very large and contain multitudes.

This is my main blog! I reblog a lot of stuff I find funny, stuff about the moon, about animals and nature but birds and fish in particular, about community and partnership and overcoming prejudice, about love and family and friends, and about identity and orientation and mental health.

I tag all my posts, replies, and reblogs as accurately as I can. If there are any issues with my tags, post contents, or anything else in my blog, please let me know so I can fix it and make it a more comfortable online space!

I love meeting people! If you'd like to, shoot me a message or an ask and you can be sure I'll respond!

Below is the alphabetically organised guide to my current fandoms and my relationship with them, and to my organisational structure for my tags. It's a long post; keep reading at your own risk!

Fandoms!

Artemis Fowl

I can be safely critical of it nowadays since it's geared towards a younger audience but I respect the solid worldbuilding it portrays, especially for a children's book. Good stuff- I'd still recommend it.

Don’t Hug Me I’m Scared

Again, got into it when I was younger and it kind of burrowed its way into my brain where it rotted, forgotten, for ages until the sudden new season. Not necessarily emotionally invested, but the Three Of Them have my whole heart for sure.

Dungeon Meshi

I got into it VERY recently by binging the manga, and now I'm keeping up with the Netflix adaptation! Obsessed with the solid worldbuilding.

Gravity Falls

Top fandom ever everrrrr. Got obsessed with it as a kid and I’ve never let it go since. I know all the sordid fandom history, all the best and most popular headcanons of current day, and some the most based fanartists and fics. I do a lot of recreational multishipping in my dark and evil mind palace.

My Little Pony

Come on come onnnnn. It's a classic. I have an encyclopaedic and philosophical understanding of the MLP universe. No I will not talk about it.

Percy Jackson

Hey I mean it was pretty formative for me when I was younger. Got me into mythology! I'm critical of it nowadays but I cannot deny the positive impact it had on me. Good stuff! Haven't and probably won't watch the new live adaptation.

Piranesi

Read it VERY recently. Made me very existential for a while. However, the books I am emotionally invested in change on a monthly basis. Expect the title to switch in a little bit.

Welcome to Night Vale

I got into it half a year ago and it literally changed my brain chemistry. One of my forever fandoms for sure. An astute Aubergine truther, I am.

Tag Organisation Guide!

Annie’s Anomalous Affairs:

#annie’s aberrant abominations - there’s very little content in this tag. OC tag; I don’t reaaaally talk about my OCs though so don’t worry about it. It’s mostly stuff I reblog to help character build anyway. I’ll list the subtags for individual OCs below as they appear on my blog.

#abomination: Danny #abomination: Hannah #abomination: Hedon #abomination: Lola #abomination: Spring #abomination: Teresa

#annie adores advice - there’s a LOT of content in this tag. Advice or awareness spreading I reblog that I think will help me live easier, or to signal boost so people who need it can use it.

#annie attempts art - my art! At least up until now I’ve drawn purely on Procreate so it’s all digital medium.

#annie awakened - a tag specifically for answering asks and mentions! Nothing important there, just some fun with cool people online. Long post warning for most of the content there.

#annie awkwardly articulates - my posts! I talk about my thoughts and experiences, or I’ll be talking with some pals online.

#authentic annie appearances - screenshots of text conversations with my friends.

Annie Appreciates…:

#birdposting - just the same; reblogging cool and/or funny posts about birds! I love birds. Love their behaviour, love how they evolve, love eating them. I try to include the species of bird in the tags whenever I can!

#boys will be boys - I use this tag whenever I am appreciating masculinity! This includes folks being silly, being kind, being geeky, and all around being. Often accompanied by the “girl moment” tag (elaborated on below). This is because I see beautiful and unique representations of femininity and masculinity in almost everything and everyone.

#classic - tag for infamous Tumblr posts that I archive for myself! Gotta collect those heritage posts, man. Can’t have a blog without the colour of the sky.

#classic + #to me - iconic Tumblr posts that feel like they should be infamous but aren’t for some reason.

#fishposting - you guessed it; reblogging cool and/or funny posts about fish! I love fish. Love their biology, love how they look, love eating them. I try to include the species of fish in the tags whenever I can!

#girl moment - I use this tag whenever I am appreciating femininity! This includes folks being silly, being kind, being geeky, and all around being. Often accompanied by the “boys will be boys” tag (elaborated on above). This is because I see beautiful and unique representations of femininity and masculinity in almost everything and everyone.

#later gator - the tag I use to save things (usually videos) to look at later when I’m scrolling tumblr at double-time (or have my volume on), probably because I’m at work.

#my romantic wife - that’s the moon! I adore the moon, it’s unmatched (tag not to be confused with the term I often use, “my platonic wife”, elaborated on below)!

#number - tag for things that I think are attractive, ranging from various drawings of people (not images, I’m not comfortable publicly thirsting after living individuals) to standard-ATX motherboards.

#take me out to dinner first - tag for scheduled posts that have something to do with the date of the day.

Annie’s Associates:

#DNA double felix-cipher - tag for tumblr user @toytanks, Felix-Cipher. The tag is a play on the term “double helix structure”.

#my froinds :3 - I talk about or reblog posts that remind me of my friends! My friends are very important to me and I love them so so much. If I’m using this tag I’m talking about my irl pals.

#sarufiyyun - tag for tumblr user @biblicallyaccuratechicken, Seraph-Chim, who’s angelkin. Sarufiyyun is the Islamic term for Seraphim.

#the coworker - this very specific colleague I have who who is pretty eccentric.

#the spouse - this is “my platonic wife” (not to be confused with the tag “my romantic wife”, elaborated on above)! My best friend who I’ve known for nearly two decades. I have a special tag for her because I have a special relationship with her. Sometimes I will be a little sulky about her, but hey, marriage has its ups and downs!

Annie’s Avocations:

#art reference - what it says on the tin. Step by step guides or simple diagrams of art tips; whatever helps me draw!

#recipes - I feel like I should throw this tag in here now that I have at least two or three reblogs for it. Cool recipes for cool food I’d like to make one day.

#tutorial - tutorials for anything at all! I eat life advice for every meal.

#writing - yes, I have nothing to show for it on here, but I’m a writer! Tag for writing tips and also inspiration.

That's all, folks! Have a good one!

#pinned post #header post #annie awkwardly articulates

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kfkr1ze · 2 months ago

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[002-B02] A Scary Sentai World is too Excessive!

Summary — ✈︎ Akuta confidently announces his concept for their first tour, but the other students are confused by how incoherent the proposal is.

Characters — ✈︎ Akuta, Kiroku, Nanaki, Muneuji, Ushio, Sakujiro

Location: HAMA Tours Meeting Room

Kaede: Umm, what is this…?

Akuta: EHHH!? What’s with that reaction!? No matter how you look at it, that’s clearly our tour concept!

Kaede: R-Right…

Nanaki: This is the concept proposal, right? There’s something like a crab…? Drawn on the corner of it.

Akuta: It’s not “something like a crab”, it’s the Monstrous Ultra Smooth Meat Bun Crab! Stop it guuuys, now I’m worried it’s too vague!

Kiroku: I… like this… drawing…

Ushio: Well this isn’t an art exhibit, so.

Sakujiro: Let us move on from the topic of the art. Rather, the real problem is the content of the proposal.

Akuta: ‘Kayyy, then I’ll get on with my explanation. Let’s turn to page one!

Muneuji: There’s only one sheet of paper.

Akuta: First up is the concept. I wanted to do a heart racing action scene with a buncha fwooms and bwaams! That kinda feeling is fine, right?

And all the guests can be action stars too! You get it? See? Everytime I think about it, I get too excited!

Akuta: That’s why the title is “The Touring Sentai Kankou[1] Rangers!〜 Revenge of the Monstrous Ultra Smooth Meat Bun Crab〜” Opening scene〜!

Ushio: Rangers…?

Muneuji: Now that I think about it, the other day he was making a big deal about us watching some Tokusatsu Sentai series. I believe he bought a subscription?

Akuta: So at Asu High, the HUUUGE Monstrous Ultra Smooth Meat Bun Crab makes his attack! His favorite snack is the brains and flesh of tourists!

Kaede: (This worldview of his is way too excessive…!)

Akuta: He’ll crush the school building! There are explosions! The students and parents are trying to escape. And, when all hope seems lost, someone calls out for help!

And that’s when we, “The Touring Sentai Kankou Rangers”, appear in a flash and save everyone!

I already got our colors down. I’m gonna be Kankou Orange! Kiroku is Purple and Nanaki is Turquoise! Pink is Muneuji and then Ushio is Lime!

Oh right, in the debut scene, when the explosion goes off, the smoke that comes out is gonna be in our five image colors. Like your stereotypical Sentai scene!

So after that, we defeat the Monstrous Ultra Smooth Meat Bun Crab, and then peace will return to Asu High for another day… BUTーー

Kaede: Wait um, before we continue, what’s with the Hishio-don thing right here?

Akuta: The ones we had the other day were SOOO good, so I drew it there as a bonus.

Nanaki: That literally has nothing to do with the concept.

Akuta: Alrighty, I’m continuing on with the explanation!

Akuta: So at the end, we’ll do the BEST LIVE EVER with us rangers and the Monstrous Ultra Smooth Manjuu Crab and then we review aannd that’s the・end!

Well? What’dya think〜!?

Kaede: To summarize… is it fine to say the overall concept is a “Sentai Action”?

Akuta: That’s OKAY!

Nanaki: How long did it take you to think of this?

Akuta: Seconds?

Sakujiro: I believe the fact that you conjured this all up within seconds is somewhat praiseworthy, however… It is quite incoherent.

Akuta: Incoherent! YAYYAYY!!

Kaede: Sakujiro-san, Akuta-kun takes “incoherent” as a compliment…

Sakujiro: How insolent.

Ushio: Its favorite food being brains is too gross so that has to get changed. And why are there so many explosions? Why do you want everything to explode so much? I don’t get the point at all.

Akuta: ‘Cuz explosions are a piece of art〜

Kiroku: ……How will… you make… an explosion…?

Akuta: Isn’t that obvious? Clearly we’ll use the egg!

Muneuji: But it has already returned to the sea.

Kaede: An egg?

Nanaki: Ah uhーー It’s not a regular egg… It’s an egg shaped bomb . We saw something like that on dazzle.

Ushio: It’s just useless anime talk, so don’t worry about it. ‘Cuz we’re all dumb kids.

Kaede: (Even so, I wasn’t expecting a plan that flew this off the rails… I was too careless.)

(I should’ve checked in on him more… Maybe I could’ve caught this earlier on and kept him in check.)

Ushio: So? What’s our team name?

Akuta: I already said it! The Touring Sentai Kankou Rangers!

Ushio: T-That’s so fucking lame… I’m at a loss for words.

Kaede: (This is my responsibility. First, I got to get us out of this mess and get things sortedーー)

Nanaki: …Yeah, there’s no way we can go with this.

Kiroku: ………

Nanaki: First up, there’s no way we can make a gigantic ultra smooth crab. Not just that, but we can’t damage the school…

Akuta: Nonono, we’re not gonna ACTUALLY do it, it’s just an act!

Ushio: First day back and being forced to act in a show like this… Hell no.

Muneuji: Putting the willingness to act aside, will every person who comes to the school enjoy this concept?

People from all age and gender groups are gathering. Why not find a broader concept that they will all enjoy?

Ushio: How can you be sure that no one will get injured from the explosion? We won’t just be outcasted this time, our entire social lives will die.

I don’t think we should be exploding things so casually. For our own sake too.

Kiroku: …I feel like……you might’ve… forgotten……to think about… our budget.

Akuta: Uu……

Nanaki: As a concept, it’s not related to Asu High or HAMA in the first place.

Ushio: Don’t just come up with something on the fly. Take the time to actually think of a better concept.

Akuta: …T-This whole time you’ve all just been criticizing me! Even JJ Park will add a “but” to the end of his criticisms and actually praise people! Praise me more!

Muneuji: I’ve been trying to think of something praiseworthy this entire time, but I have not found anything yet.

Akuta: Whaaat…

Kiroku: ……I think… your drawings… were… really good……

Akuta: ………

Bathroom.

Kaede: A-Akuta-kun…!

(Akuta-kun’s expression looked unusually tense there… Maybe it’s best if we get a bit of fresh air before meeting again.)

ーーEveryone! It’s a bit early, but let’s take a lunch break.

Location: HAMA Tours Office Floor

Kaede: (What are you doing right now, Akuta-kun…)

Nanaki: ………

Kaede: Nanaki-kun, do you know if Akuta-kun’s in the conference room?

Nanaki: Uh… I don’t know.

Kaede: I see… Thanks anyways.

Nanaki: …Yeah.

Kaede: (I’ll just buy a bento box for him downstairs and try calling for him… I hope he cheers up.)

Location: HAMA Tours Back Wharf

Akuta: ………

Nanaki: Whaaat are you spacing out for?

Akuta: Woaooh!? Nanaki, you scared me!

Nanaki: Got you. …Can I sit on this elephant?

Akuta: Go right ahead〜 It’s not like I own it or anything.

Nanaki: …I thought you might be feeling a bit down after what happened earlier. You got criticized pretty badly.

Akuta: …Aah〜

Nanaki: I make music myself, so I can get it a bitーー

Anything you make yourself is like seeing your bare self. It can get scary exposing yourself like that to the public.

But y’know… Even if it’s not a perfect piece, you’ll never get anywhere unless you do expose yourself like that.

We became Ward Mayors in order to start all kinds of new things like that.

There’s bound to be tough spots along the way, and there definitely will be people who criticize you. Actually, it’s the overwhelming majority who do at firstーー

But no matter what, I think to myself, “I have to start somewhere” …It’s the same for you too.

Akuta: Heh.

Nanaki: ?

Akuta: Thank you! Nanaki, you're like some kinda kindness expert. But don’t worry, I’m not depressed at ALL!

In the first place, if people don’t get my good points at all, they’re the ones who are gonna make my charisma go awayーー

So I just gotta say bye bye to those people! Right? Isn’t it simple?

In this world, we have “the freedom to not understand each other.” That’s what my Uncle told me.

Nanaki: ….....

Pff… Hahahaha…! I was just worried for nothing. Of course you’re the stubborn type. How interesting.

Akuta: Buu・uut.

…This time, I don’t wanna say goodbye to you guys. It’s the easy way out, so I don’t wanna do that.

Nanaki: ………

Akuta: Oh, you want some? It’s super good. Kiroku came by earlier to give me some. He didn’t say anything, though.

Nanaki: Baby cookies… It’s very Kiroku-esque huh. Then, I’ll take some. Munch munch…

Akuta: Munch munch… By the way, you’re the one who’s gonna write our song for the Hospitality Live, right Nanaki?

Nanaki: Eh?

Akuta: Your music is literally THE BEST! I always wanted you to be the one who makes it!

Nanaki: Ahー…… Yeah, or wait no, I don’t…really care but… Nah, I have to think about it a bit more.

‘Cuz the truth is, I’m not really making music right now.

Akuta: EH!?? WHY!??

Nanaki: …‘Cuz I… lo…

Nanaki: I… I keep making… Love songs…

Akuta: Hahh〜!?

Nanaki: I wanna stop making them too, but like, I keep getting stuck in this loop, so I’ve been trying to keep my feelings in control, but…

Akuta: Wha〜t? I can’t hear what you mumbling, but we don’t need love songs y’know? Just make normal ones.

Nanaki: I know. Butーー Don’t you have something that you can’t help but think about, no matter if you’re awake or asleep?

Akuta: ………

Nanaki: That’s just what I feel like right now. But I could say the same thing about you…

The concept you came up with was just a mess that was filled with a buncha stuff you liked all over the place, right?

Maybe it’d be a good idea for you to take the idea you think about the most and use it as a base for the concept.

But not like movies or anything. Something a bit more internal, or personalーー

Akuta: Internal… Like what?

Nanaki: Likeーー L-Love troubles, or something…

Kaede: Ah, Akuta-kun and Nanaki-kun, there you are.

Nanaki: Ah……!?

Akuta: Ohh, Sensei!

Nanaki: T-That’s all I wanted to say, so I’m going now! Bye!

Kaede: …Nanaki-kun just left.

Akuta: Yeah. …Hm…

Previous — ✈︎ Masterlist — ✈︎ Next

Notes — ✈︎

For "The Touring Sentai Kankou Rangers" He says “Kankou” twice, once in kanji (観光) and once in katakana. It means tourism, so I decided to keep the “Kankou” in katakana as just kankou instead of trying to translate it twice, since afterwards he’s like I’m kankou orange ! For Enstars fans (sorry.) it’s kindaaa how people will say “ryuusei red” instead of “meteor red”

#kfkr1ze #18trip #18trip translation #bitter sweet sixteen #chapter 002 #akuta isotake #nanaki nanamegi #ushio kurama #kinugawa kiroku #muneuji kaguya #sakujiro karigane

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desultory-novice · 2 years ago

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CW: Serious but vague talk about the complex feelings associated with the loss of a loved one and mourning - both in Kirby and in real life. Some personal stuff and once more for good measure mentions of death and mourning.

I know I don't owe anyone an excuse for my brief absence, but I was completely caught off guard this year when I realized the anniversary of Planet Robobot fell just days before the passing of my own father last year. No surprise I didn't make the connection last year, but it hit me this year and it hit hard.

I know that they're not the fandom's most popular characters ("most hated" may be more like it?) but I feel almost painfully close to the story of Susanna Patrya Haltmann and Max Profitt Haltmann. For I was also a child who was torn between being really mad at my father for his flaws and mistakes while also pining for this idealized parent-child relationship we didn't have, to the point of often spurning the bond we did have because it wasn't going the way I imagined it. I also had to watch close up as he wasted away, his senses going one by one, till he looked more and more like a fading shell of a person.

...You know, I didn't even finish playing PR until last year or maybe the year before? Of course I knew the story spoilers. But I couldn't make myself play it. I finally did because I felt I had to. And I'm glad, even if finishing it left me with a weird sense of sadness. A sense of sadness that finally came full circle a few months later...

I thought I would draw something for the anniversary this year. Something sad, bittersweet, poignant, meaningful. Something akin to a tribute. But my pen just wouldn't move. I don't think I have the words or the visuals to fully express what I felt about it right now. It's why, even though I really do like these two characters, I hardly ever draw them.

It's this closeness that renders them blurry in my vision.

...I suppose I might as well talk about this while I'm here, but I have this ask in my inbox about the Merry Magoland Branch AU. About Joronia and Max and what happens to them after their souls are freed.

'Do they come back to life?'

...God, I've written one thousand answers to that post in my head.

Part of my brain says the "right" answer to give - here on my Kirby blog where every story has a happy ending or at least a chance at salvation no matter how grim - is "of course they come back to life!" The Merry Magoland Branch AU is a sad but cutesy fractured fairy tale of a story where everyone ends up better than they started! Besides, they’re already souls. What else would happen to them? Just quietly go off to rest? That wouldn’t be satisfying!

...

But another part of me looks at "Kirby," a series that has characters who have "died" and come back to life and characters who have died and stayed dead and I feel like, as painful as it is to those such as the Sectaranza shippers and the other fans of of the implied dead cast members...

...they're not coming back. They can't come back. They shouldn't come back. Even in a completely fictional setting, even in a silly AU, it is hard for me, personally, to make myself change what has happened. What has been done.

Don't get me wrong, I've even scribbled out a few "everyone lives!" scenarios but I've never been able to draw a single one... I tell myself that if a miracle happens and one day I'm scouted to make a Kirby comic or animated series or movie, something where I get to retell the world from the beginning, I would not have it so the "dead" characters die, if only because they are unique enough that I would want them around to use for future stories. Like Moretsu Pupupu Hour, with its funny Sectonia who is literally allergic to peace. Or that one manga I haven't read where Susie and her father run some kind of puzzle store??

But again, that would be a Kirby I had control of from the beginning.

I guess what I'm trying to say is that I'm proud of Kirby the series for not being so grimdark “realism” that Marx, upon blowing up, turns into meat pasta and instead comes back with a smile and laugh to kick exploding jester balls at people all because you waved a magic heart-shaped wand.

And I'm absolutely content with letting spunky wizard Magolor mercilessly fight his way back through some sort of purgatory dimension and start life over as a medieval salesperson, building up good karma one microtransaction at a time. I think that stuff is important. (Well, not so much the microstransactions.) But I'm also proud of it for letting some characters... not come back.

Dark Matter Blade is both a badass and strangely attractive (...just me?) for an eyeball made of dark matter but despite the fact that maybe all he wanted was friends, despite the fact that it's implied he rescued Gooey from Dark Matter and hid him on Popstar to protect him from Zero, despite the fact that he should have become a good guy and was instead used heartlessly by Zero like ammunition, losing the few marks of individuality he'd been able to keep thus far (his hair and armor and cape) he's just gone. He'll never join the others on Popstar. Never enjoy the warmth of a spring day or get to be a sibling to Gooey. He'll never even get to explain things to poor Gooey that they ought to know, and he was probably the only one who could.

It's tragic. It's upsetting. It's unfair.

And it's...important, much as I hate to say it.

Dess secret... but I actually get a little mad when people want Taranza to "...hurry up and find a new girlfriend and stop being in mourning all the time" because... I think it's okay for Kirby to have "a character who is in mourning." I suppose there's no real reason he can't be "character who was in mourning who was able to find love again" but I also kind of like that he's THERE as a character for anyone who has lost a loved one and is still sad about it. For those who haven't begun rebuilding their life just yet.

Gooey is the one who lost someone without every really knowing what he had/could have had. Susie is the one who lost someone and also has to get back to work because that's a real thing too.

I didn't really mean to talk about death and mourning in Kirby (for a second time) but I think part of me had to as well. At least if I was ever going to go back to regular posting. I don't even really feel as if I even captured everything there was to say. Like I said, I don't really have the words.

But, yeah, anyway, if you've ever seen me politely push back when someone brings up Susie or Max discourse of the negative variety on my blog, hopefully you have a slightly better understanding as to why I respond the way I do.

#Kirby #Susanna Patrya Haltmann #max profitt haltmann #sectaranza mention #Dess Text Post #Taranza #Gooey Kirby #Dark Matter Blade #cw death #cw personal #cw illness #I left Elfy and Fecty out of this because that was too much speculation #But you could see them as something similiar

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biconickyoshi · 7 months ago

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ive already put a comment on ur fic but i couldnt let it go without saying that i *literally* cant watch the main show without thinking about your fic and i wish that i could like. watch a version of the show that was your fic xD like ive been ranting and raving to my friends the entire time id been reading it and telling them to read it and i was planning on trying to get back into art so i could make some art of the boys, i am like. a changed person. this will be living in the back of my head rent free for the rest of eternity LMAO if you ever get like, doubtful of your skills or anything or unsure if people actually like anything youve wrote, i am here to tell u to not be cus i am *living* for this fic im running around in circles rereading it and getting zoomies lmfao, it is literally one of my fave fics of all time and ive been in fandom spaces for half my life now, its THAT GOOD (also anyone who follows you, you guys need to go read it honestly, IT NEEDS MORE HITS AND KUDOS AND AAAAGFAHGAF) im sorry if this ask is dumb or anything but. i had to let u know that u have CHANGED ME lmfao keep up the good work! i wish my brain worked the way yours does xD

Aaaaa it's so flattering to hear all of this anon!!! T-T Thank you so much!! I too very much wish there was a version of my show that was my fic lmao, I would loveeee to see so many scenes animated! Also it makes me SO happy to know that you're telling your friends about The Avatar and the Fire Prince!!! If you ever draw any fan art, pleaseeee mention me in the post and feel free to use "the avatar and the fire prince" and/or "taatfp" as a tag to help me find it! :)

Thank you so much for the encouraging words as well - I try not to get too in my head with worrying about whether or not people will like what I have planned for future plotlines, or if I'm writing in a way that stays true to the spirit/plot of the OG show while still being different enough to be entertaining/engaging... AtLA is such a precious piece of media to me, so I hold myself to very high standards, which can be detrimental when I just want to get a chapter out but I keep rereading it and finding little things "wrong" that need to be fixed lol.

Anyways this is NOT a dumb ask at all anon! I sincerely appreciate you taking the time to send this to me, and I apologize for not getting to it sooner! I've been a bit swamped with asks and comments recently so I've been trying to answer them in small chunks at a time haha

Hope you have a great day, and I'm super excited for you to see what I have planned for the future of TAatFP! :) <3

#asks #my fic #the avatar and the fire prince #taatfp #zukaang #atla #atla au #atla fic

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territorialufo · 21 days ago

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i give in can you tell me about that little iphone binch

YESS YES I CAN TELL YOU ABOUT THE LITTLE IPHONE BINCH !!!!!!!!! this is literally just rambling im so sorry. There's a lot of text blocks in the beginning but the end has more pics and silly stuff

Also ii spoilers but its hard to talk abt mephone without getting into the recent stuff so whatever

Under cut cause this got. Really long. whoops

Context/background of II/mephone

“Inanimate Insanity” (ii) is a web animation originally released in 2011, considered the second “major” object show after BFDI. btw an object show is a genre of web series that features anthropomorphized inanimate objects competing for some kind of prize. I am NOT the right person to ask about object shows cause the only one ive ever been invested in to this extent is ii and theres SOO many other ones out there LMAO. Ok sorry i sounded like a bot for a second there JUST PROVIDING CONTEXT!! Inanimate Insanity’s structure is kind of interesting because it starts out as a silly comedy in s1 and most of s2 before descending into a really drama heavy storyline, with tension caused both by mephone’s past haunting him and conflict between the contestants themselves. Then suddenly s2 goes on a four year hiatus and animationepic (main youtube channel) launches s3 with new characters and artstyle, seemingly completely ditching the plot they had in s2??? IM NOT GONNA GET TOO INTO ALL THAT but it all works out timeline wise so its chill the tone switch was just rly funny at the time 😭😭😭

ANYWAYYYY mephone. Mephone4. Mister phone. Four. The one and only four. MeFon! MePhone4 (parodying the IPhone4) is the de facto host of the in-universe reality show “Inanimate Insanity”!! As the host, he has speaking lines in nearly every episode which is super awesome and epic for mephone4 enjoyers (me). His initial vibe was inspired by Chris McClean from TDI, and was even voiced by Christian Potenza in the first episode before being switched to Mark Katz, who is the father of the creator of II, Adam Katz, which is also pretty cool i think. Since Mark Katz is a grown ass dude, mephone just has. The same voice for like the entire series SHDHF everyone else’s voices are changing and stuff as the creators got older but mephone just sounds like a middle aged man for all of it 😭I love it tho this isn’t a criticism!!! As the years go by it gets more and more expressive :) s1 is. rough. considering it was made by a bunch of kids, its very much a product of its time lol

Lore/character

Ok lore time cause the thing w mephone is most of his backstory was kind of just hinted at (or implied with the existence of Apple irl). Like in s1 there was the introduction of mephone4s and 5, but otherwise, not much (as far as I can remember. I watched s1 when i was a kid so its been a while lmao). Then there was s2e8 where the contestants go to headquarters and we meet steve cobs (yes, like steve jobs), who’s his creator and dad?? Again some hints are dropped but nothing concrete about their relationship. And then BOOM. SEASON 2 EPISODE 13. “Mine Your Own Business” was my fave II ep for sooo long (idk what my fave is now tbh) cause THE MEPHONE LORE DROP??????? IT WAS CRAZY and also the ending of the episode with fan’s monologue and the soundtrack “shell of a fan” is my fave in the show ANYWAY ANYWAY so begins the remembering of the Horrors.

He was “born” in Meeple Headquarters, and PLEASE KNOW THAT HE WAS BORN AN ADULT OH MY GOD there are some clowns who think hes literally 14 years old bc thats how old the iphone4 is USE YOUR BRAIN USE YOUR BRAIN AAAAA right so he basically knows nothing about the world, confined to headquarters until his eventual escape. Cobs and mephone have a pretty interesting dynamic, where cobs has most of the power. The way Cobs praises mephone but later shoots him down is so AUHGHGHGH. It’s an oppressive environment he's living in, only expected to do assigned tasks and shamed for any genuine interests, while having the pressure to impress his creator on his shoulders at the threat of being discarded. Mephone grows to hate and fear cobs, but at the same time, cobs is the only person whos known him since the beginning.

The way literally every problem mephone has can be traced back to his origin/how he was raised is so crazy. Like even before the s2e16 twist, it was extremely prevalent??? There are a bunch of analysis posts that explain it way better than I could but MANNNN for a show that the crew started when they were literally 13, they were able to tie things together pretty well, i think!

It’s been pretty obvious since s2e13 that hosting Inanimate Insanity is just one big escapist fantasy for mephone, one where he is free to do as he pleases while ignoring all the trauma he sustained in “childhood”. Cause it’s implied he escaped Meeple, deleted his bad memories, and then started s1 right after. I mean, it makes sense, since outside of the cold, mechanical nature of Meeple, the only warmth he got was from his enjoyment of reality tv shows. If s1 is an amnesia mephone, and s2 is a spiraling mephone, then I’d describe s3 as “escapism but worse” mephone. It doesn’t ever get as gloomy as s2, but s3 has steady background reminders of “hey guys remember mephone is running away from all his problems right now!!” until it all comes to head in the finale. Some ppl dislike how mephone-centric the show’s gotten, but honestly idgaf more for me

I do want to say that he is very flawed, though. Esp near the beginning, he is really fucking rude and does not respect his contestants at all and frequently belittles them and puts them in mortal danger. he tends to view them and everything that happens to them through the lens of “its just part of the show!!!!”. He tends to brush off everyone’s problems, no matter how serious, even when he’s the one that caused them.

His reality show host personality is all a very big facade to cover up how he feels about the past (thus further submerging him in the fantasy of Inanimate Insanity). Like previous users have mentioned, this is likely due to the fact that he had no one to learn HOW to be empathetic/kind from besides reality television (which is known to be exaggerated for drama) and cobs (who is his abuser) But I famously do enjoy characters who are kind of dickheads, the confidence being a mask is like a tasty bonus to me.

The dichotomy between his arrogant host exterior and paranoid/anxious interior is really interesting and fun to watch. Compared to his relatively sweet/naive beginning personality, it’s wild to see just how much he’s changed since then because of everything that’s happened. His relationships with the rest of the characters is also interesting, cause despite being their host, he isn’t very close with a lot of them. Other than maybe Bot, who I believe he feels kinship with since they're both robots who freed themselves from the expectations of others. Same with Mepad, since they’re both from Meeple.

He’s a robot, but in an emotional/psychological sense, is basically a normal person/object (person is synonymous with object in this case). He feels like a person despite being an AI. which makes cobs a lot worse imo, he mistreats all his creations, but at least the other newer mephones are barely “feeling” at all, unlike 4.

Basically,

Cobs: i have engineered a machine that is functionally a person

Everyone: you fucked up a perfectly good phone is what you did. Look at him. He’s got ptsd.

Not to get too into ii16/17, but they basically recontextualized the entire series and made what we initially thought about mephone’s escapist tendencies and origins a million times worse. Bro was so tormented he subconsciously made his OCs come to life 😭😭😭all while projecting all his issues onto them??? Psychologically sound individual activities. Additionally, the way he was created is also. Terrible. Cobs basically invaded an alien planet, kidnapped an alien kid, and then presumably used its energy to create mephone4. Outer space colonization? In MY object show? yes!

Ok now im just gonna talk about random stuff i like about him

His powers are so cool.,.,,. Esp as a foil to cobs/mephonex, who could represent destruction, he represents creation with his generation ability. Also something abt using his powers for non violent reasons when his creation was built upon violence uhh idk. And I think the screen turning green and the sound effect is very satisfying dlsjkfg. Oh and the fact that he canonically had to practice to get better at it? In the flashbacks he’s shown having trouble generating even a simple tree, and now he can make pretty much anything with minimal effort.

Also MeLife, which allows him to bring contestants back from the dead, is an ability unique to him, which is super cool!!

He can create portals as well and this is never explained. He can just suddenly do it KDLJFGH this kind of renders Mepad’s teleportation ability useless but it's still fun.

I like when he uses his face as an actual screen :)

Something something robot related stuff

He is not waterproof and will malfunction or even die when wet

His speaking function can be disabled by other people

Glitches while talking sometimes!! Delightful

Something that gets overlooked often I think is the s1 finale, where mephone4S (mephone4's brother) basically killed himself to save mephone4 by downgrading his own OS. Technically, mephone isn’t even in his original body anymore, he’s inhabiting his brother’s. Fun!

this is unrelated but he got shot in the face with a gun once. there havent been any guns since unfortunately

Get yoinked idiot

In conclusion,

I heart him and im sad ii is gonna be ending soon thx for reading

#Sorry if this is incoherent i do not have a way with words <3 this was written with my heart and not my head #in case this escapes my target audience. anyone else who sees this. this isn't supposed to be a quality analysis of mephone/ii #its mostly just a word vomit summary #and my personal feelings #peace and love #ask

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