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Heyo, what do you consider the top 5 must-watch EE interviews???
I AM SORRY I TOOK SO LONG TO ANSWER THIS and I think it's because I really don't have a proper answer!! So much of my deep dive into EE was done in one long hyperfixation spiral back when I was first getting fangirl-level into them, a good 6 or 7 years ago, and so I'm running into the problem of most of the interview content I've consumed all sort of homogenizing into one sort of blur of Lore that I've internalized and I am not doing a great job at separating out into its individual components! So, that said, the following list is probably not in line with what I'd actually ultimately believe to be the best, most crucial ones--it's just the ones my brain can call to mind at the moment. lol. BUT HERE ARE SOME:
serious/insightful: • Jon and Alex for Tape Notes podcast. (so not a must-watch so much as a much-listen, but there are a few individual clips from this on youtube in video form as well I believe.) RDF is my favorite EE album and I thought this was a hugely interesting look into their writing process and also had a bunch of cool personal stuff in it! Plus, I think it's a very good look at who the band are, like, "now" -- there's a lot of great content around from MA up through GTH, but by the time they were on album 4 and all like, 30+, and especially once covid hit and sort of changed the trajectory of like.. bands, in general, I feel like it's just been a different animal re: regular interviews etc. • this 2013 3-parter with Jonathan. It's been ages since I watched it but I remembered it almost immediately, and for some reason I'm remembering it as an oddly vulnerable Jon moment. just talking about things. (more good band lore! etc.)
funny/meme-y: • Mike and Jez at Isle of Wight. Unlike many others, I could not possibly count how many times I have rewatched this, and it is funny every time. The interviewer is a buffoon asking totally clueless questions and Jez is having absolutely none of it, he's just chomping his chewing gum the entire time, Mike's doing his best, it destroys me. • Mike and Jez look at memes. Less interview-y and more just #content but whoever edited this video did a TOP NOTCH JOB and it's one I often show to not-in-this-fanbase friends that can still be a fun look at the band and a good laff. • This very sweet one with Alex and Mike being interviewed by a literal child. Contains the infamous "Jeremy, and yes," which is one of my most quoted EE-related sentences ever • this Man Alive track-by-track, also audio only.. the BITS that Jon and Alex are doing. truly incredible stuff
just lads having a nice time :) : • the CAPSLOCK ON talkback - lots of pleasant band and lyric insight, and a great Jez cheese moment at the end • this livestream dot com session is some performing but some Q&Aing, so not really an interview proper, but the energy in the room is delightful alskdghj
other noteworthy bodies of work: • anything with Andy Backhouse. I'll be the first to admit that Andy can grate my nerves sometimes, he often feels annoyingly a little too simp-y or something, but the other side of that coin is that as a huge fan of the band he actually does always ask them questions that are like, Real, he Gets them, so it's guaranteed to be a notch up from just random music journos who are engaging with them on a more surface industry level. Nothing is more frustrating than watching an EE interview where the interviewer just so blatantly doesn't "get" EE's whole deal and doesn't know how to interface. Andy never has that problem ! • any episode of Chips of Chorlton that features them (I think Jon's been on twice and Jeremy once). Dutch Uncles are their friends and hearing them all shoot the shit in an extremely comfortable environment is suuuuch a pleasant and wholly different experience than when the lads are being Professional Music Band guys, even when the latter still consists of them doing fairly goofy things
A VERY LONGWINDED AND NOT ESPECIALLY COMPREHENSIVE ANSWER ?? !!!!! Ultimately I think I was the wrong man for the job. @hellkitepriest has way more of an archivist's nature sort of just intrinsically than I do, he can probably do a better and less ridiculous job akjdshglak
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Luxor, Egypt ..
Shot & Edit by me @un-known97
#마드#mobilephotography#artistontumblr#architecture#pharaoh#Luxor#Egypt#temples#photoshop#phtography#my phoyography#art#egypt history#egypt travel#ancient#artist#photography#photo#travel#movie#aswan#colorful#tomb
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Day 3, I was having a dilemma of choosing between two ocs to have the complex drip, but screw it, they both dress up in the same outfit. Let me know which one slayed. Sorabel the sad girl, or Niko the probably-not-devilish lady. (I'm really tired please spare me)
#cringetober#cringetober 2023#art#oc art#photoshop art#promptober#october#Sorabel#Niko#yugioh outfit#the pharaoh is making a fashion statement#why is he carrying around a heavy bling item#yugi is a fashion icon and you cant tell me otherwise#yugioh#day3#it looks unfinished#unnecessarily complex fit
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i have gotta get my old windows laptop running again
#🍒#if i dont have access to paint tool sai / photoshop 6 & my tablet soon i will start casting pharaohs curses#fuck mac all my homies hate mac#my tablet doesnt run on it and its soooo hard to bootleg things on here -_-
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That was in the 1990s, when Holocaust museums and exhibitions were opening all over the United States, including the monumental United States Holocaust Memorial Museum in Washington. Going to those new exhibitions then was predictably wrenching, but there was also something hopeful about them. Sponsored almost entirely by Jewish philanthropists and nonprofit groups, these museums were imbued with a kind of optimism, a bedrock assumption that they were, for lack of a better word, effective. The idea was that people could come to these museums and learn what the world had done to the Jews, where hatred can lead. They would then stop hating Jews.
It wasn't a ridiculous idea, but it seems to have been proven wrong. A generation later, antisemitism is once again the next big thing, and it is hard to go to these museums today without feeling that something profound has shifted.
[...]
No, what I'm wondering about is the purpose of my knowing all of these obscene facts, in such granular detail.
I already know the official answer of course: Everyone must learn the depths to which humanity can sink. Those who do not study history are bound to repeat it. I attended public middle school; I have been taught these things. But as I read the endless wall texts describing the specific quantities of poison used to murder 90 percent of Europe's Jewish children, something else occurred to me. Perhaps presenting all these facts has the opposite effect from what we think. Perhaps we are giving people ideas.
I don't mean giving people ideas about how to murder Jews. there is no shortage of ideas like that, going back to Pharaoh's decree in the Book of Exodus about drowning Hebrew baby boys in the Nile. I mean, rather, that perhaps we are giving people ideas about our standards. Yes, everyone must learn about the Holocaust so as to not repeat it. But this has come to mean that anything short of the Holocaust is, well, not the Holocaust. The bar is rather high.
Shooting people in a synagogue in San Diego or Pittsburgh isn't "systemic"; it's an act of a "lone wolf." And it's not the Holocaust. The same is true for arson attacks against two different Boston-area synagogues, followed by similar simultaneous attacks on Jewish institutions in Chicago a few days later, along with physical assaults on religious Jews on the streets of New York—all of which happened within a week of my visit to the Auschwitz show.
Lobbing missiles at sleeping children in Israel's Kiryat Gat, where my husband's cousins spent the week of my museum visit dragging their kids to bomb shelters, isn't an attempt to bring "Death to the Jews," no matter how frequently the people lobbing the missiles broadcast those very words; the wily Jews there figured out how to prevent their children from dying in large piles, so it is clearly no big deal.
Doxxing Jewish journalists is definitely not the Holocaust. Harassing Jewish college students is also not the Holocaust. Trolling Jews on social media is not the Holocaust either, even when it involves photoshopping them into gas chambers. (Give the trolls credit: They have definitely heard of Auschwitz.) Even hounding ancient Jewish communities out of entire countries and seizing all their assets—which happened in a dozen Muslim nations whose Jewish communities predated the Islamic conquest, countries that are now all almost entirely Judenrein—is emphatically not the Holocaust. It is quite amazing how many things are not the Holocaust.
The day of my visit to the museum, the rabbi of my synagogue attended a meeting arranged by police for local clergy, including him and seven Christian ministers and priests. The topic of the meeting was security. Even before the Pittsburgh massacre, membership dues at my synagogue included security fees. But apparently these local churches do not charge their congregants security fees, or avail themselves of government funds for this purpose. The rabbi later told me how he sat in stunned silence as church officials discussed whether to put a lock on a church door. "A lock on the door," the rabbi said to me afterward, stupefied.
[...]
I feel the need to apologize here, to acknowledge that yes, this rabbi and I both know that many non-Jewish houses of worship in other places also require rent-a-cops, to announce that yes, we both know that other groups have been persecuted too—and this degrading need to recite these middle-school-obvious facts is itself an illustration of the problem, which is that dead Jews are only worth discussing if they are part of something bigger, something more. Some other people might go to Holocaust museums to feel sad, and then to feel proud of themselves for feeling sad. They will have learned something officially important, discovered a fancy metaphor for the limits of Western civilization. The problem is that for us, dead Jews aren't a metaphor, but rather actual people that we do not want our children to become.
from "Blockbuster Dead Jews" in People Love Dead Jews by Dara Horn, pp. 183–184, 187–189
#dara horn#people love dead jews#philosemitism#antisemitism#jumblr#שואה#holocaust media#holocaust education#reading list#anti zionist antisemitism#houthis#hamas#muslim antisemitism#arab colonialism#היסטוריה של עם ישראל
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"Perhaps presenting all these facts has the opposite effect from what we think. Perhaps we are giving people ideas.
I don't mean giving people ideas about how to murder Jews. There is no shortage of ideas like that, going back to Pharaoh's decree in the Book of Exodus about drowning Hebrew baby boys in the Nile. I mean, rather, that perhaps we are giving people ideas about our standards. Yes, everyone must learn about the Holocaust aso as not to repeat it. But this has come to mean that anything short of the Holocaust is, well, not the Holocaust. The bar is rather high.
Shooting people in a synagogue in San Diego or Pittsburgh isn't "systemic"; it's an act of a "lone wolf." And it's not the Holocaust. The same is true for arson attacks against two different Boston-area synagogues, followed by similar simultaneous attacks on Jewish institutions in Chicago a few days later, along with physical assaults on religious Jews on the streets of New York - all of which happened within a week of my visit to the Auschwitz show.
Lobbing missiles at sleeping children in Israel's Kiryat Gat, where my husband's cousins spent the week of my museum visit dragging their kids to bomb shelters, isn't an attempt to bring "Death to the Jews," no matter how frequently the people lobbing the missiles broadcast those very words; the wily Jews there figured out how to prevent their children form dying in large piles, so it is clearly no big deal.
Doxxing Jewish journalists is definitely not the Holocaust. Harassing Jewish college students is also not the Holocaust. Trolling Jews on social media is not the Holocaust either, even when it involves photoshopping them into gas chambers. (Give the trolls credit: They have definitely heard of Auschwitz.) Even hounding ancient Jewish communities out of entire countries and seizing all their assets - which happened in a dozen Muslim nations whose Jewish communities predated the Islamic conquest, countries that are now all almost entirely Judenrein - is emphatically not the Holocaust. It is quite amazing how many things are not the Holocaust.
The day of my visit to the museum, the rabbi of my synagogue attended a meeting arranged by police for local clergy, including him and seven Christian ministers and priests. The topic of the meeting was security. Even before the Pittsburgh massacre, membership dues at my synagogue included security fees. But apparently these local churches do not charge their congregants security fees, or avail themselves of government funds for this purpose.. The rabbi later told me how he sat in stunned silence as church officials discussed whether to put a lock on a church door. "A lock on the door," the rabbi said to me afterward, stupefied.
He didn't have to say what I already knew from the emails the synagogue routinely sends: that they've increased the rent-a-cops' hours, that they've done active-shooter training with the nursery school staff, that further initiatives are in place that "cannot be made public." A lock on the door," re repeated, astounded. "They just have no idea."
He is young, this rabbi - younger than me. He was realizing the same thing I realized at the Auschwitz exhibition, about the specificity of our experience. I feel the need to apologize here, to acknowledge that yes, this rabbi and I both know that many non-Jewish houses of worship in other places also require rent-a-cops, to announce that yes, we both know that other groups have been persecuted too - and this degrading need to recite these middle-school-obvious facts is itself an illustration of the problem, which is that dead Jews are only worth discussing if they are part of something bigger, something more. Some other people might go to Holocaust museums to feel sad, and then to feel proud of themselves for feeling sad. They will have learned something officially important, discovered a fancy metaphor for the limits of Western civilization. The problem is that for us, dead Jews aren't a metaphor, but rather actual people that we do not want our children to become."
- Dara Horn, People Love Dead Jews: Reports from a Haunted Present
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tagged by @photoshop-pharaoh in this thing 🥳🥳
Mood: good!
Listening To: currently von dutch by charli xcx, courtesy of youtube autoplay
Reading: some guy's niche poetry thesis from 2009 which i started last week and still haven't finished
Watching: halfway through an old episode of no more jockeys which is just a delightfully stupid zoom-based youtube webshow courtesy of alex horne, tim key and mark watson
Playing: also nothing alas. i am not a gamer
Eating: the rest of my ludicrously expensive pizza express pizza from tesco. you know when you think "i'm going to treat myself" and then the price of the treat outweighs the benefit of the treat and you sort of just have a regretful pizza. still tasty though
Drinking: pink gin-based cocktail in a can #SaturdayNight
tagging @pliablehead @abattoirstars @shallowtboy @skullunter
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10 people you'd like to get to know better
Thanks for tagging @2-trees and sorry for ignoring, I had rough times 🫠
Last song: Safe and Sound by Justice
Last book: i really can't tell you cause I read too many books at once, but probably something about psychology
Last movie: The Terminal (2004)
Last tv show: What We Do In The Shadows, season 6💅
Sweet/spicy/savory: sweet and savory
Relationship status: being a bitch 🤘
Last thing googled: urban dictionary...
Current obsession: JUSTICEEE, MY GAY FRENCH UNCLES
Looking forward to: next weekend, I'm always tired...
Tagging @qwertyfingers @skullunter @photoshop-pharaoh @veikkoalen @knockmeforsix, I missed you guys <3
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Ask Game: 23, 24, 33
23. five words that describe you? - 1) LOUD, 2) green, 3) passionate, 4) compassionate, 5) present
24. what have you learned about yourself? - I've really valued discovering that a lot of things I used to identify with or aspire to, in an aesthetic or emotional way, are actually not who I genuinely want to be or feel most comfortable being; and that it's okay and actually good to have a strong enough sense of self to feel comfortable actively rejecting things that you'd rather jettison even when it may seem like an overly/unnecessarily strong choice
33. a song that gets stuck in your head? - my two coworkers with whom I am closest/friendliest are both cis gay men and let me tell you those dudes have gone HARD on brat summer™ so I often leave work unable to shake the charli of it all from my mind
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Hellendil is all dressed up as an Egyptian pharaoh for @boxdstars Halloween party! Thank you so much for hosting this! It's such a fun idea! Haven't done one of these in years! 💙
Setup and rendered in DAZ Studio 4.21 Public Build Beta. Postwork in Photoshop Elements 8.0.
#hellendil#ravenclaw#ocs#hogwarts legacy#fanart#halloween party#BOXDHALLOWEEN2023#I just couldn't hide his face behind the Anubis mask#anyone want to be a priestess of Bast or priest of Anubis with him?
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Does any1 have that one post that was pharaoh atem and nicki minaj photoshopped in front of a high school and the dialoge was
Atem: long time no see nicki minaj
Nicki: 3000 years to be exact
And the caption was "I'm working on a dating sim"
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white pharaoh image with jensen’s face photoshopped on
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Ep 44 Pt 2: Name Hunt
We start this half of the episode at the card game that is currently just kinda stalled. It’s more like a D+D session at this point, where everyone is separated, random enemies are appearing in random rooms, and their biggest issue is that they were balanced to work as a team, and as a solo fight they’re gonna freakin die.
Or Bjork will come back in the time it takes for the team to reassemble.
Sorry his name isn’t Bjork, it’s Korn. Or...well it’s something from the 90′s. Zork. It was Zork. But with a c. Bjorc Necrophades.
So as Yami dumps on Bakura about how boring this game is for him, Bakura reminds him that because Pharaoh shoved his memory in a puzzle piece, Pharaoh is dumb as a sack of bricks. Which like, relatable.
I STILL don’t quite get it.
I know that Seto kills Yami in the OG timeline, they have been saying that for 4 seasons. But if Yami had to put himself in that puzzle to put back Zorc...does this imply that the fight with Seto was to resurrect Zorc? that Seto was a pawn of Bakura even in the original timeline?
Wait is that it?
(read more under the cut)
Have I finally figured out the paradox that’s been bothering me all season, where before it looked like Yami died 2 separate ways in two separate timelines? I mean, while I am much better (not fully, hence the slow update schedule but am getting much better) Long covid for like an entire year removed so much of my memory, that I was able to play Undertale again like it was the first time. Which is incredible because it’s the most memed game and y’all, I forgot nearly every line that Sans said. Which I’m not gonna lie, kind of rocks. But also kind of difficult when I’m trying to remember the plot of this show.
Bro did offer to write the blog in my stead, but when he attempted to use Photoshop he could not figure out how to leave the text editor. Making these caps will one hundred percent crash my computer if he’s doing the driving. Photoshop crashes my computer about 4 times on a normal day, if you don’t know what you’re doing, Photoshop will seal you in a demon dimension before crashing your computer, and yet, still charge you 12 dollars a month. You cannot turn your back on photoshop, just like Zorc.
Anyway, back to the show:
I mean that’s my personal gamble. I will always gamble Tristan on who’s gonna die. And him being Bakura right now is just...ooo ripe to die this season, yeah?
Bakura took a moment to try and remind Yami that this is all a simulation and all of these pieces on the board were in fact not real people, to which Yami reminded Bakura that he himself is a ghost in a box and is only loosely defined as a “real person” himself.
👁👄👁
And then Karim, who’s name I had completely forgotten, so I’m glad the show reminded me, was like “Oh no! I’m dying!” PS he’s been “dying” for like 3 episodes, so I was very surprised he actually fully died.
Like Egypt Grandpa is going to outlast this stack of bricks down there, and that’s like a lot to take in. Modern Grandpa breaks his butt like constantly but Egyptian Grandpa is built like a truck.
Isis was very upset by this, and like I don’t blame her, look at the FEATURES on that man. True tragedy right there to lose that block of cheese right there and just be left with freakin Shada. Who, in case you forgot, has a motorcycle tattoo on his entire forehead. I too would be crying my eyes out, Isis, this is looking grim for you.
It only just now as I was writing this cap realized that when Bakura was like “who would you bet is going to die first?” he wasn’t talking about Yami’s high school friends, but was in fact foreshadowing the truly tragic death of Karim, who I totally remembered the name of.
Anyway, it’s still gonna be Tristan because for real, Karim doesn’t count.
Bit of a baby manger vibe to this shot, not gonna lie. Nice nativity we got going there. Baby jesus, Mary and Joseph, a shepherd, a wise man, and uh...Shadi. Shadi could be an Angel I guess, he isn’t technically alive. There. Print this out and put it above your grandma’s Christmas tree, instant nativity.
Speaking of the kids, Joey was really testing my gamble by walking headfirst into a trap that spits daggers into your feet.
Inside of this maze is step by step the same as the story of the tomb we saw with the hot version of grandpa that opened this arc.
Including this room, where Grandpa got betrayed by a very silly slingshot.
This was the show spoon feeding us Yugi’s character growth, since he was just a barrel of nerves and sinew when we first met this boy. He is braver this season, I will give him that, but it feels like it’s more that he’s the only person who’s fully aware that none of this is real. Yugi is inside of his own mind puzzle. It’s literally the only place he’s got full control (ish).
At the end of this little walk across the fear pit that literally no one here had any problems with (like Tea walked across this narrow fear pit in 5 inch heels!) The little box that carried Pharaoh’s puzzle isn’t here, instead it’s a bunch of Egyptian hieroglyphs.
Reminder that even Season Zero Yugi, who is the most pile of nerves Yugi, would have kicked your ass even without the puzzle. Like this is mostly my own interpretation, but without the puzzle......Yugi would have straight up stabbed that guy, right? Like straight up? Yugi is a menace to society. Sure, he was nervous about having to defend himself, but Yami wasn’t a Pharaoh yet, he was Yugi’s dark side, who was backed into corners so hard by people with literal whips and people with yoyo’s with spikes on the end, he pretty much always had to choose violence in order to survive Freshman year.
Like yes he walked across a bridge without fear. Makes sense, the bridge doesn’t have spike yoyo’s, fire shooting out, a guy holding your girlfriend hostage with a gun at a burger restaurant, and whatever capitalist nightmare Seto has come up with that month. But we can still call this bridge character development, as a treat.
After Joey tricked the switch that opened the garage door to Yami’s secret name, the episode ended.
can’t wait to see Tristan hold up some fingers and have the show convince me it’s a gun.
Anyway, here’s a link to read these from the start, which I keep giving you although I need to reread my own blog myself, haha.
https://steve0discusses.tumblr.com/tagged/yugioh/chrono
#Yugioh#Yu-Gi-Oh#YGO#Analysis#screencap#watchwithme#Episode recap#Yugi Muto#Joey Wheeler#Tristan Taylor#Yami Muto#Bakura#Theif King Bakura#Tea Gardner#S5#Ep 44
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Hi Morana!
How are you doing? How is the writing going, what are you up to?
Greetings Sam, thank you so much for this ask! I've been meaning to do a little update for a while and this gives me a perfect excuse lol
On life (tw for mentions of illness):
It's still very hectic at the moment which hasn't really allowed me time to pursue any creative avenues. I've been fighting off various illnesses since my younger brother started school because my immune system isn't used to all the germs he's around, including covid and strep, and on top of that there was a West Nile Virus outbreak in my state which my mom ended up catching and had to be hospitalized for a few days but she's doing a lot better now. We still have not found a place to live yet, but we managed to finagle two more months from our landlords to find a place since moving during the summer is damn near impossible when they rack up the prices and everything is being taken. There's also a lot going on in my more personal life that's left me quite stressed and lethargic. A little bright side though is that we also found two itty bitty stray kittens under a house and I had to take care of them for almost 2 weeks, but they ended up getting adopted which is great! They were both very cute gray tabbies like their mom, and they were technically my other cat Ivan's half-siblings. I've also got a queens of the stone age and hozier concert coming up soon which i am SO hyped for, my entire life has been In Times New Roman and Unreal Unearth for the past weeks.
On writing:
In the past few days, I've finally found some peace to write and draw some. I've been mainly focusing on The Resurrectioners and trying to get at least 50k words by the end of October. I've also been outlining The Stray Girls and trying to work on a cover in Photoshop (which i got recently totally legally, but i usually just use Clip Studio). I've sort of put What We Undertake on the backburner for now, it's not that i don't want to work on it or am burnt out, it's just that I'm not nearly as passionate about furthering the plot like I am with The Resurrectioners. I've sort of fallen into a hole of mythology and folktales about necromancy trying to learn more about the history behind its representation.
I've also gotten back into drawing now that I've actually had time to do so lol. Here’s some drawings I’ve gotten done recently!
(in order from left to right: Nazriya from The Resurrectioners, Circe from Give No Quarter, A quick sketch of Zekiah from The Resurrectioners, and a face study of Charlie Hunnam)
I've also put off studying Russian for a month or so and am trying to get back into my one-hour-a-day studying routine I had previously which is taking a toll on me to be honest lol. I bought the Curse of the Pharaohs DLC for AC Origins and I've also started to play Assassins Creed: Liberation for the first time and so far I'm loving both. I can't believe some people say it's the worst installment. I'm working on Aveline fanart as we speak.
But yeah! There's a little update, I'm going to be posting some of my writing soon/doing a few tag games to get back into the groove of things so watch out for those. Thanks again Sam for checking up on me and sending the ask!
#morana's maundering#morana post at a normal time challenge (impossible)#writing updates#life updates#current wip
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Well, would you be able to beat Alex Robertshaw in a fight?
i ADORE that two separate people want an answer on this. what an environment i have cultivated on tumblr dot com.
to answer your question, wonky, probably not due to him being a whole foot taller than me and seemingly decently strong. unfortunately. to answer @photoshop-pharaoh: having never been in a fight (this surprises people. @qwertyfingers told me the other week he was surprised i didn't get beaten up at school because "i have that energy" jdfsfgh) i have zero experience to back this up but on instinct i would utilise my lower centre of gravity and run into him really hard to tackle him or something or yknow just biting him
tl;dr:
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