#its okay for that to be a plot point

[victorian-vampir]

Hey, D&D players?

If one of your party members or player characters has a disability of some kind, say they're partially or fully blind, have a mobility aid, are mentally ill, are deaf, anything at all, let's not try and "fix" them? This goes for fictional and fantasy stuff too, if one of your party members is a werewolf or a vampire or undead and they are comfortable and okay with being that way and do not want to change, unless you have explicit consent of that player to heal them for a dramatic moment of the story, don't fucking try.

Leave disabled pc and npcs alone. Making that man not blind anymore isn't heroic it's just ableist.

[incorrect-riordanverse]

me when im a literal pjo blog and my mother has watched the pjo show but i have not 🧍‍♀️🧍‍♀️

[radiantmists]

reading animorphs sequentially instead of in whatever random order you can get your hands on them is such a trip because you can see these kids getting progressively better at war and worse at being happy, you can see how traumatic events from one book echo into the next ones but never quite get dealt with because these kids have no real way to take care of their mental health, you can see their relationships deepening but simultaneously gaining friction and faultlines as they learn just how far they'd go for each other but also how far they'd go in general...

obviously this series was meant to be episodic in nature, and i actually think that might be the better way to first encounter it, but the arc of the series in publication order is extremely well-crafted

[lucabyte]

transfem loop + siffrin... you agree

i does agree.... i does in fact ... write a 7k word essay on the subject..... if you would like to perhaps click that link and read it if you were not already aware...... kisses u on the forehead......... sorry its that long but i had to cover all of my bases you know how it is with textual analysis when you're trying to draw a distinction between "headcanon" and "reading of the text" because those are different things.... to meeeeeeee.......

[goemon-fan]

This was easily one of the best Lupin episodes

[moldy-flowers]

The interesting experience of being pro Sasuke, anti konoha, pro tobirama, anti Naruto ending, pro Sasusaku, anti Itachi, pro Sakura, anti SasuNaru, pro Tobirama×Izuna, anti Madara, pro karin, anti Orochimaru, pro Uchiha and anti Hashirama. And also as much as I hate the guy danzo was kind of hot when he was younger...

[whollyjoly]

for some reason i can't explain i know saint peter won't call my name

nothing that lives, lives forever - an immortal soldier!alton more au

(1.1k of snippets from my old guard(ish) au where alton more is old, too old, and has been living and fighting far longer than anyone should. full description/other thoughts at the bottom. tw: blood, violence, mentions of death)

Alton clicked the lighter closed, running a thumb over the silver case. The night was warm, sticky in a way that he never could get used to. He sucked in a breath from the cheap cigarette, letting his head fall back against the rough side of the barracks.

It was quiet. Typically, there would be no end to the commotion coming from the small building, one of many that littered Camp Toccoa. The wall of sound was ever-present, no matter if it was shouting or laughing or snoring. But whatever the cause, there was always noise. 

No matter if it was a blanket of noise he knew well, unchanging except for the language and the scenery. Soldiers are soldiers, and some things are a constant. It could almost be comforting, if it didn’t also mean that the need for soldiers was a constant as well.

However, tonight was a Saturday, and it was one of the few weekends that Sobel had allowed Easy the use of their weekend passes. Almost every man in the company had jumped at the chance to get off base, to travel home if they could and spend time with loved ones. The ones with farther-flung hometowns had spirited off to Atlanta, happy to spend their time drinking and dancing and fucking instead of slogging through another run, three miles up, three miles down.

Normally, Alton would have joined them in their carousing - it was easier to pass the time with the effortless camaraderie built during a training camp than bored and alone. 

But today had been a bad day. The sound of swords and the shift of sand beneath his feet followed him out of his nightmares, the humid summer of Georgia morphing itself into the baking, dry heat of the desert. 

His shouts must have been real, because when a hand came to shake him out of his dream, the first face he saw was not that of a grouchy NCO, but of a blood-caked Saracen, eyes alight with righteous fury. 

Alton didn’t think. He had grabbed the knife from under his pillow, an old thing that had been sharpened more times than he could begin to count, and was on the man in less than a breath, pressing the blade into the side of his neck. The familiar thrum of blood beat against his fingertips, the grit of sand scratched his gums. He knew what he had to do, had done it a thousand times, a thousand thousand times, what was a little more bloodshed spilled across his feet-

Alton had blinked, and came to himself in a rush.

Instead of an unnamed Saracen, the ashen face of Johnny Martin stared up at him, eyes wide behind the knife.

Alton drew back his hand, retreating almost as quick as he had lunged earlier. He mumbled a quick curse and apology as he stepped out of arm’s reach from the man. It wasn’t until Martin’s eyes widened even farther that Alton realized his tongue was slipping out Arabic of all things.

Usually, Alton was better about remembering himself, who he was almost as important as where he was. But for whatever reason, his demons had decided to catch up with him that night.

After a quick smile and some quip about the Krauts in his dreams, he managed to wave an only-slightly-mollified Martin off. The shorter man apparently hadn’t forgotten it though, if his watchful eyes during chow that morning were anything to go by.

Alton was just glad that no one else was awake to see it, at least. That was the last thing he needed.

And so, instead of joining in on a weekend of broads and booze, Alton found himself waving away the invitation by an eager Smokey and bemused Alley. When the horde made their way out of the barracks, fantasizing in bawdy terms about their planned misadventures, he felt like he could breathe easy.

Fucking finally.

~~

Alton took another drag from the cigarette. He watched the smoke curl, up and up until it faded into nothing amongst the darkening sky.

The lighter was a welcome weight in his hand, grounding him to this time, this life.

The design was worn by now, details barely visible after a half century of worrying. It still managed to amaze him, sometimes, what people could do with the smallest of canvases. Alton didn’t feel the same wonder however, wasn’t as mesmerized by the beauty man could create as he once was.

But in the quiet moments, he could still appreciate the time some French craftsman took to transform a hunk of metal into a small token carried around by a dead man.

Luz had spied the lighter one weekend, and laughed at him for using something so old-fashioned. Alton just shrugged, not caring to admit that he was still getting used to having a light at his fingertips. It wasn’t all that long ago when he was still lighting a pipe with a flintlock pistol, and not so long before that when he would carry around a flint and steel.

Time was passing all the more quickly these days, technologies changing and advancing, and everyone was obsessed with needing things to be quicker, cheaper, simpler. Alton scoffed. He could hardly find it in him to care.

He glanced down at the lighter in his hand, shifting it back and forth in a practiced motion and watched as the light skittered across the sides. 

It had shown flowers, once. A veritable garden of carnations, daffodils, and lilies of the valley, with leaves spilling across the front panel onto the back. They represent good fortune, he was told. Good fortune, luck, and hope. 

When the merchant described it to him, eyes ablaze with a passion known only to those with wares to sell, Alton didn’t try to hide the snort that escaped his throat. 

Fortune and Luck had abandoned him long ago, and hadn’t returned since waking up in a battlefield abandoned by all but the dead, sword in his chest and blood in his mouth. 

And what the fuck was Alton supposed to do with hope?

It was the quote on the back that had caught his eye, all those years ago in a street market in Reims. The beveled edges had faded with time, the familiar letters Alton traced were more memory by now than any physical mark. Une vie honorable est une vie éternelle.

An honorable life is an eternal life.

Alton couldn’t help but stare at the message, both then and now. He hated that goddamn word. Immortal. Unending. Eternal. 

They were such flowery words, used by people who craved what they couldn’t have, what they shouldn’t. The romanticized idea of the everlasting, the fountain of youth, the gift of life! Alton was sick of it.

This wasn’t life. He was a fucking dead man walking. And he sure as hell didn’t do anything honorable to deserve it.

months ago, while thinking about the absolute insanity of the almost...cavalier? attitude we see alton more have over the course of the series, an idea hit my brain: what if there was a reason nothing seemed to phase him - not panzers, not being a breath away from a car wreck, not bastogne, not speirs? what if this wasn't his first war? that thought spiraled me into a minor insanity that is this: my immortal soldier!alton more au, loosely inspired by the movie the old guard (2020). the idea is that, once upon a time, there was a soldier in a land many centuries ago. one day, he died in battle. and then, he woke up. and then he died. and then he woke up. over, and over. drawn to countless battles, conflicts, and wars, each one etching itself into the core of his soul. a never-ending cycle...until one sweltering summer, where he found himself at a training camp at the foot of a mountain. anyways. at some point, i plan on writing this as a full story, but that is admittedly a long ways away. however, in celebration of alton more's birthday today, i wanted to post my favorite scene that i've written for this au! it's set sometime at the beginning of the story, in the early days of camp toccoa. mostly, it's just a character study of this version of alton more. hope you enjoyed! and of course - happy birthday alton more!

(song insp.)

taglist: @sweetxvanixlla @coco-bean-1218 @bucky32557038ww2 @georgieluz @samwinchesterslostshoe @xxluckystrike @next-autopsy @ronald-speirs @land-sh @ronsparky @panzershrike-pretz @theredrenard @kyellin

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[samarecharm]

i love makoto so much but fanon does her so much better (the good parts of the fandom) because in the game her character is so lack luster. they butchered her confidant it is so borning and not even about her. they made her a cop. A COP. they pushed this "canon waifu" role onto her (before sumire came along and did it Even Worse). and it SUCKS because SHE IS SO MUCH MORE!!! SHE IS SO MUCH BETTER!!!! SHE COULD'VE BEEN SO MUCH BETTER!!! the way i feel about canon makoto is the same way i feel about the canon ryuji events post komoshida where he's horribly mistreated and used purely as comic relief: i ignore them <3 my game now <3 never happened <3 my ocs <3

You are so right. I generally apply this to all characters in p5 bc the game does such a shit job of staying consistent with character arcs and personalities. Theres a desperate need to throw in perverse jokes at the expense of female characters and a need to show that the police (as a whole) are reliable people who are not influenced by things like money and power; only the BAD cops do that. Not to mention this obvious fatphobia and homophobia but i feel likes thats a given.

But back to Makoto. Shes a victim of bad writing just like everyone else. Ryuji during the kamoshida arc was fighting with self loathing and genuine anxiety, and aside from the like. One comment on Panthers outfit in the metaverse, hes more than well behaved. All of that is shelved as soon as Kamoshida is gone and replaced with him being weird comic relief (and the focus of alot of sexual jokes that were nonexistent in the beginning of the game). Anns arc about self love and empowerment is completely dropped as soon as the nasty bad guy is put away (so that its good to be weird about her w the Good Guys). Makoto loses her a chunk of her personality to be the mature waifu which is INSANE to me bc shes like. Not okay or normal at all 😭😭😭 she THINKS shes responsible and so does everyone else on her team, but its an act! She doesnt know shit! And she doesnt know that she doesnt know shit bc shes respectful and adults dont care about anything as long as u respect them!

Its very telling that for literally every single thief (and goro), you can see the exact moment the writers gave up on adding anything of worth to their characters outside of the social links. Its like they didnt know what to even do w the characters at their disposal after their main arcs were complete. No mention of friends hanging out without you, no mention of having group hangouts. Everyone is treated as a core, important member of the friend group DURING their arc, but outside of it, they are acquaintances at best. Theres nothing in the game that convinces you that these guys are legitimately friends who care for each other and do Friend Things. And i describe it like that bc there IS a game that treats them all as friends, and its strikers! Strikers/Scramble genuinely feels like the game p5 wanted to be; a road trip w your team where they stay up at night talking to each other and hanging out and doing things together that dont necessarily include you, the player. Its refreshing and lovely but it sucks that u get that kind of attention to detail in a ‘spinoff’ title

[mazojo]

Nick be like being your simp is my full time job and I am dedicated !!!!

[seagull-scribbles]

We would try to do it Santa but-

[kandiarus-secret-archives]

As a reader of SL raganarok i can tell you, that is not SL ragnarok

[chloeapplepi]

i need abled people to shut their mouths and never speak on kabumisu absolutely ever

[lavndvrr]

mini rant but why does EVERY SINGLE THING HAVE ROMANCE IN IT!!! Why??????? Idk why but I find it sooooo boring and sometimes its there for NO REASON!!!! WHY?????

[1am-s0-veryt1red]

with the leaks to the 2nd to last chapter out can I just ask that we hold off on criticism of whoever until the last chapter is officially out? I know it's asking a lot

[ninja-knox-ur-sox-off]

I am at 59k on this Ninjago fic i swear I'll finish it this month I will work on nothing else I am going to finish this--