#its literally my fave show
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I'm very much back in Shingeki no Bahamut: Genesis thoughts so if anyone has any requests i could doodle/sketch on paper in relation to that show, please send asks with requests!! đ
#carpet talks#shingeki no bahamut genesis#rage of bahamut genesis#i have huge love for like most of the characters from that show so no wrong choices#that being said only Genesis characters#Virgin Soul doesn't count. maybe with Mugaro a bit but it still doesnt exist in my heart.#I know there is very little of chances anyone requests anything since that fandom is simply Dead but i can still dream ok#its literally my fave show
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i really do love the daniel x fake rashid dynamic just for how delicious the power dynamics are. the assumed age gap and servitude putting daniel in a position of power that he is not really in at all in dubai in a house of a vampire. but that same assumed dynamic giving ârashidâ knowledge that daniel does not have as the personal assistant to a vampire, who is fed on by him, and as daniel assumes, he also sleeps with. Daniel is jealous of this proximity to louis but jealous of ârashidâ himself as well, wondering how he tastes.
then of course, the fact this is all a premise. Daniel is in no position of power at all, hes being played with, toyed with, all his private comments and desires are transparently observed by not one but two vampires that have the power of life and death over him.
but they ALLOW this, they allow danielâs perceived power, his desire, putting themselves in a false submission to him as both an interviewee and a servant, letting him feel this power as a taste, but every time he gets comfortable in it, reminding him that its a game. wonderful truly
#much to be said like!!#when you trick your sub into thinking youâre a sub and making him dom you before going nope actually you were always our boy#i just loveee fics where daniel fucks fake rashid and is dommy about it because the insanity of it all. the horror đđ©·đ#also fave thing in those fics where danielâs thinking just obscene things about ârashidâ and is like âhope louis doesnât read my mindâ#like oh honey. you donât even know the web youâre tangled in right now. the predator is pretending to be your prey#and just letting you begin to devour before it shows its teeth. longer and sharper than yours. literally#amc iwtv#iwtv#daniel molloy#devils minion#armand
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im so glad im not in 911twt or engage in that part of the fandom cos its just a hot mess with the weirdest takes esp towards Angela Bassett. Ppl need to keep motherâs name out of their mouths. Angela Bassett receives a lot of criticism and hate that she doesn't deserve. She gives it her all and is incredibly talented and let's be real, 9-1-1 wouldn't exist without her đ€·ââïž
#marie txt#angela bassett#athena grant#911 abc#fandom discourse cane be so toxic and why i dnt engage in any fandom related stuff esp on twt#im all for constructive criticism but literally saying AB needs to leave the show is a REACH#and mind you a show that was literally created FOR HER#like just say you hate her and want her gone so your faves can get more screen time#cos if she goes the show goes cos 911 is NOTHING without Angela BassettâŠlike literally cos its HER SHOW#and im sure the cast would feel the same way too#but anyways this is too long but i had go get that off my chest
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hands down one of my top bits in wwdits is s3 ep2 when they're using the cloak of duplication and keyvan novak does impressions of Colin Robinson, laszlo and guillermo instead of them just dubbing the voices over in post
I can't explain it but it fills me with so much joy
#wwdits#also nandor just assuming the default sexuality is bi#what a king#my number 1 top bit is literally anything laszlo says#i have a lot of feelings abt this show#its def my fave tv show (close with always sunny) and my 2nd fave movie#nothing can top mmfr movie wise for me but its a real close 2nd
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Revenant Side Stories
Story VI: Farah
[Konchar] [Graves] [Gaz] [Price] [Novikov] [AO3]
This was originally going to be a retelling of the entirety of Farah's story in MW 2019, but I underestimated how long that would be, so these are more of snapshots of her life, up until 2019.
Farah is going to be a central character in part two because it will revolve around Urzikstan, so I was very excited to get into her character in depth. This was probably the hardest side story to write because I think the original story was already good (it's easier to write for something that had a lot of flaws in it rather than something good... maybe that's why I like cod after all these months lmao)
Anyway, I also decided I'm actually not done with the side stories, and the last actual one will be of... Roba, of all people. I know I made the comic for Ghost's origin story, but I never got to show what he did to Roba.
Alright That's enough rambling let's get to Farah's story
She doesnât remember the first time she has heard of revenants. Humans who are saved from death, only to come back with abilities from worlds beyond their own. Of how they are revered, looked up to. And yet, misunderstood.
They donât look up to revenants in Urzikstan.
The once-dead are not heroes among her people. Theyâre something to be pitied; people who chose to stay on earth and suffer, instead of move on to a better, calmer existence in the place after death. Take on the burden of the Reapers, dust off the dirt of their graves, and continue the endless fight for freedom.
In Urzikstan, revenants are called âthose who sacrificeâ.
Her baba taught her and her brother the different names of Reapers, told them tales of those who sacrifice as bedtime stories. She always found them fascinating, as opposed to her brother. They were often grim, their ending tragic and unsatisfying, but they felt more real like that. Felt more like her day-to-day life than any other fairy tale could.
She wouldnât know how much her story would be like those, before it was too late.
The day she died is muddy, in her memory. Yet another thing she sacrificed, in order to stay in this world. A deafening whistle, followed by walls collapsing around her. Streaks of ash on the bloodless face of her mama. Pain, unlike anything she could imagine. The voices of her baba and brother and uncle, searching. The sickening shifting of concrete above her, whispers praying for mercy, the walls closing in on her-
And she dies.
At seven, before she knew how to write the alphabet, buried beneath the earth with only the pale face of her mother as comfort, Farah Ahmed Karim died. Yet, she did not move on.
The memory of the first time she saw her Reaper was clear. She may have forgotten her motherâs lullabies, or her fatherâs laughter. She has not been given the privilege to forget her Reaping.
The first thing she noticed was the clean air, an odd odor to it but blessedly lacking the dust she has been inhaling for what felt like hours. The lack of pain was the second - her legs no longer crushed under thick concrete walls.
The monster, was the third. A being made of sharp shapes, glistening metal melting and hardening, flowing through cracks in the stone face of the Reaper.
As the stone face moved, grinding against itself, Farah got up to her feet. Her legs screamed at her to run, but the memory of her babaâs stories calmed her.Â
âThe ones who take do not mean harm to the ones who sacrifice, Farah.â he told her, whispering as to not wake her brother, âthey need each other. They need our sacrifice.â
âWhat for, baba? Why would the ones who take need to give humans their powers?â
Baba sighs, a small smile on his lips as he tucks a stray hair behind her ear, âwe donât know for sure, but we must have something they donât. Some say we humans were chosen by chance.â
âWhat do you think?â she asks, her endless craving to know more yet satiated.
âI think we and the ones who take are connected, somehow. I think we are the only ones that can sacrifice.â
Instead of running, instead of listening to all of her senses, Farah stepped forward, and with a small voice asked, âw-who are you?â
The stone face turns to stare at her.
âI AM MIGHT. THE STONE, THE BLADE, THE BULLET.â
The Reaper tilts its head, metal rivers splashing into an endless void.
âDO YOU KNOW WHO YOU ARE?â
Farah blinks away the tears that have gathered in her eyes, tries to speak louder, âIâm⊠Iâm Farah? Iâm a human, Iâm-â
âYOU ARE NOT HUMAN, FARAH. YOU ARE DEAD, BURIED, CRUSHED.â
Her lips turn downwards, and she canât stop the tears any longer, âw-why are you asking if you know?â
The rocks grind in an almost rhythmic way, and somehow Farah knows it is laughing. It makes her avert her eyes.
âCan⊠can you save my mama?â she asks, and the sound stops.
âI CANNOT SAVE YOUR MOTHER, FARAH.â
âS-she⊠I think she also died, can you-â
âI CANNOT SAVE YOUR MOTHER, FARAH.â
She grasps at the torn edges of her dress, sniffing her runny nose, âitâs not⊠itâs not fairâŠâ her face scrunches as she sobs.
The Reaper leans forward, the light surrounding it reflecting with dazzling colors off of its body. Farah closes her eyes, not because she is afraid of it, but because she is afraid for her mama.
âI CANNOT SAVE HER, BUT I CAN SAVE YOU.â
Farah opens her eyes. Baba said he thinks only humans can sacrifice, but maybe not all humans can. Maybe mama wasnât able to sacrifice, butâŠ
She lifts her hands to wipe roughly at her face, tears and snot smearing on her skin. Her eyes trail up the falling liquid metal, beating heart deafening her ears.
Her voice is steady when she says, âI want to see baba and Hadir. I donât want to leave them!â
The stones grind once more, a sort of excitement shaking the very ground.
âYOU WANT TO LIVE, FARAH.â
She nods and repeats, âI-I want to live!â
The Reaper tilts closer, its face level with hers.
âI WILL GIVE YOU THE MIGHT, THE STRENGTH, THE POWER TO LIVE, FARAH. AND I WILL TAKE YOUR SOUL.â
The metal drips near her feet, heat emanating from them. It reminds her of home.
âI choose to sacrifice. For you, for baba, for Hadir. For⊠for mama.â Farah whispers.
The stones shift, circling her. Her breath picks up at the thoughts of crushing walls, but it is not dark here. No one is shouting. She doesnât smell death.
 Metal singes her clothes, and she wants to jump back, but the stones stop her. It burns. It hurts.
It is not dark, but the bright colors blind her all the same.
âI ACCEPT YOUR SACRIFICE, FARAH.â
âMY MIGHT IS YOURS.â
When she wakes again, Farah doesnât feel pain. Sheâs still under ruin, somewhere different from where she was before. All she sees of her mama is a hand, and she holds it. She notices the skin of her own hand glistening in the meager light filtering through dust and ash, like colorful metal. Like her Reaper.
It felt like hours pass before baba found her. She feels hunger and thirst, but the weight of the building doesnât pain her anymore. Baba is crying when he finds her, pulls her out of the wreckage carefully, asking if sheâs hurt.
She tells him nothing hurts. He pulls back from their embrace, his brows scrunched in confusion until he notices.
âI chose sacrifice, baba.â
Baba closes his eyes and hugs her harder, and she knows it wouldâve hurt if she could feel it. He tells her everything will be alright. She wanted to believe it. She couldnât.
They find mama. Hadir tries to wake her up, but Farah pulls his hands away. She tells him mama is in another place now, somewhere better than here. Hadirâs hands shake in hers, but he nods and pulls away.
Uncle and baba rush them home. Farah wants to cover her ears, the sirens donât stop sounding, the noise pitching up and down along with her heart. Loud explosions make her flinch, so Hadir grabs her hand. It makes her feel safer, for a moment.
They run through the market. Thereâs a truck stopping in their way.
The Russians.
Baba lifts her in his arms, Uncle taking Hadir. They tell them to cover their mouth, when the Russians throw weird gas at them. It smells like the liquid mama used to clean their house, and it made her eyes itch and burn.
They enter their home, but baba doesnât stop moving. He gives Hadir a gas mask. He will have to share his with Farah. Uncle leaves, telling baba heâll meet them later.
âW-where are we going?â Hadir asks, clutching the mask.
Baba grabs a backpack, hidden behind the kitchen cabinets, âweâre going to the bridge, then to the mountains. There will be no sirens there.â
Farah hurries to follow him, wiping blood on her dress. Her skin isnât bruised, but it feels weird.
âI donât want to goâŠâ Hadir says with a frown. Baba turns to look at him. He crouches and pets his shoulder.
âI know, dearest. I know. We will return, I promise.â his tone changed, stern like when he taught her not to touch the hot pan, âyou need to be strong for your sister now, alright?â
Baba points to Hadirâs heart, âyou keep mama here,â his hand moves to his head, âand you keep this clear. Thatâs how we survive, you understand?â
âYes, baba.â
Baba shoulders the backpack, and begins walking towards the door, âwhen we get outside, you stay with me, okay?â
As he goes to open it, the handle moves, and the whole frame shakes. Someone is trying to get in.
âStay behind me!â
The door slams open, a large man with a gas mask walking in. Farah takes a step back. The man meets her eyes and closes the door, and she stares at his gun.
Baba pleads with the man. He does not listen.
Baba throws his backpack at him, the man shooting a couple of bullets into the floor. They miss Farahâs feet by a few centimeters, and she freezes, breath held in her lungs. Hadir throws himself against the man, but gets shoved back.
The man pulls out a knife, baba manages to take it, stab the man. But it doesnât change a thing.
It doesnât save him, when the man pushes him to the floor, and shoots one, two, three, four bullets.
Only then do her feet unstick, and she mutters to herself, âhide!â
She runs back to her and Hadirâs room, crawling under the bed. The man shouts angrily and she hears something break.
Hadir. She needs to help Hadir!
As the man talks to someone on his phone, Farah crawls towards the kitchen, finding a knife. Mama always warned her not to play with them, but if the man catches HadirâŠ
In her heart, she asks for forgiveness from mama.
When she finds the man, heâs leaning against a wall, his hand clutching his side. Before she can think it over, Farah lowers and slashes at his legs. The man screams in pain, shooting a few bullets at the ground, and turns around to slap her.
It doesnât hurt, but she drops the knife, so she runs away again.
One of babaâs tools is on the ground, mustâve fallen from his backpack. She grabs it and continues running, the man on her tail now.
The man says mean words to her, in Arabic, but her ears are pounding, her own heavy breaths the only thing she can hear. Her grip on the tool tightens.
âIâm going to kill you!â
Farah watches the man stumble in the hallway, searching.
âYouâre going to see father soon, you piece of shit child!â
He trips on the rug. She sneaks closer.
âYouâre dead, you hear me?! YOU'RE FUCKING DEAD!â
Farah runs forward, aiming for his other leg, but he turns around and grabs her hand before she can stab him.
âThere you are!â he grabs her by the neck, slamming her to the floor, âgot you!â
She can feel his hand wrap around her, crushing her windpipe, but it doesnât hurt. The man grunts, before he freezes.
âYouâre- youâre one of them?!â
Hadir jumps on the manâs shoulders, screaming, âget off her!!!â. He uses the knife she dropped to stab him in the neck, âget him, Farah, now!â
Farah grabs the tool, and uses all her strength to stab it into the manâs chest. He screams as flesh gives under the metal.
âItâs working! Again, sister!â
She pulls it out, and repeats.
âGood, Farah!â
And again.
Four times, until the man stops moving and making any sound. Farah takes his mask, the gun too heavy and tool buried in his gut.
Farah and Hadir return to baba. Hadir tries to help him up, but baba stops him.
âI canât⊠I canât go with you.â
Tears well in her eyes. Baba is leaving as well.
Hadir wraps his hands around babaâs, âwhat do we do?â
âYou survive. Whatever it takes.â he turns to look at Farah, âeven⊠even your sacrifice. Never giveâŠupâŠâ
Babaâs head drops. Heâs gone.
Hadir stares at him for a moment longer. He gets up, âletâs go.â
They weave through the town, a murky green tinting the air. People are gasping and coughing around them, until a gunshot silences them. Hadir says itâs not fair. Farah knows.
Itâs not fair, that they pass by people who get shot, and donât get back up. Itâs not fair, that she has to kill twice more, just for them to get a chance at freedom.
Itâs not fair, when a man drags both of them away from it, a cruel smile on his lips as he inspects her.
Itâs not fair, that she knows to recognize the malice in his eyes.
The soldiers take them to a prison. They find out she is one of those who sacrificed.
Itâs not fair, she tells to the Reaper in her heart, that her sacrifice was not enough to save anyone.
She learns very quickly to hate Barkov. He learns, quicker, that his usual torture methods donât work on her. He finds her weakness not in her own flesh, but in the flesh of the others. Hadir, in most cases. They keep the men and women separated, only allowing her to see him once every few weeks, and every time she gives them trouble, he takes the punishment. He tries to hide it, but he canât hide his limp, or his bloodshot eyes, or the scars that keep multiplying upon his skin.
Contrasted with her flawless arms, glistening oddly in the light.
She gets into fights with her Reaper, in the earlier days. Demanding answers, for the simple question of âwhy?â.
Why her? Why this power, that only protects her? Why taunt her, tell her sheâs under the Reaper of Might, yet show her every day how weak she is?
There are whispers among the guards, of a person by the name of âKarimâ. A Commander, aiding the prisoners, attempting to contact foreign forces by transmitting messages from the inside. Barkov spends hours torturing her and the others, trying to find them. After a while, Farah notices a glint of playfulness in the wretched manâs eyes.
He knows who Karim is. He just wants to break them, annihilate the sense of fragile hope Karim gives the prisoners.
Barkov wants their spirit broken. Farah knows he will fail, because as long as any of them stand, they will not give up. For those who can't fight any longer, for those who are still with them in this hell, for Urzikstan.
They think one can uproot it from them. What they donât know, will never understand, is that you canât kill an idea. You canât torture the memory of freedom out of them.
The soldiers seem on edge, mumbling in Russian about rumors of enemy forces invading Urzikstan. One of them slaps the back of her head when she stares too long.
The cycle continues - Barkov interrogates her, always keeping another prisoner in the room to torture in her place. Today it is Azadeh, younger than her by two years. Azadeh doesnât flinch at the glint of a knife, but she screams as Barkov buries it in her thigh.
Farahâs guts burn at her wailing, at Barkovâs cocksure grin, his hand easily yanking the knife out of spasming muscles.
She breaks. Tells him she is Karim. It feels like an end.
Barkov freezes, before he pounces. Knocking her out of the chair, he covers her mouth, pinches her nose, deprives her of air.
Not many things can hurt her, but Farah still needs oxygen to live. Her wrists twitch roughly against the bindings tying her to the chair, Azadeh calls for her. Barkov snarls.
âI will not let terrorists like you ruin my country.â
My country⊠My country?
Urzikstan will never kneel to the likes of you.
As the edges of her vision darken, a soldier bursts into the room, his movements rushed as he informs Barkov the prison is under attack.
Barkov, always needing to have the last laugh, tells her she hasnât saved anyone, that Karimâs role was only to doom her people, and orders his soldiers to the warehouse, to kill everyone.
Air fills her lungs as she inhales for the first time in over a minute. Barkov tells the man to take Azadeh to the warehouse, and her to solitary confinement. She gives Azadeh an encouraging nod, before theyâre separated.
Karim hasnât failed yet. As long as theyâre still alive, she hasnât failed.
Solitary is part of the older section of the building. Farah has been here enough times to know the rebar in the far corner of the cell is loose, and she herself have made sure, should the need arise, it will be easy to extract from the cracked concrete floor.
The moment the soldiers leave, she gets to work, pulling the metal with a grunt. With a few well-placed hits, Farah breaks the lock, and opens the door.
It is silent outside, in the way a graveyard is. Something sick spreads on her tongue, as she sneaks out of solitary. A few soldiers are making their way to the main cell block, to take the remaining prisoners to the warehouse, Farah assumes. The rebar feels lighter in her hands.
The first soldier she hits over the head screams as he goes down. The rest instinctively start shooting her. It doesnât do much to stop her from caving their skulls in, besides ripping a few new holes into her clothes.
Searching the bodies yields her a key and an extra mag for one of the rifles. All of them were either empty or jammed, the frantic soldiers not recognizing her.
For them, all Urzik are the same.
Her sisters are relieved to see her approach. The gunshots scared them, fearing it was anyone but her. She opens the cell, freeing them. She uses the key to open a gun locker, and orders them to take up arms. No hesitation is visible on their faces. They all know this is an end.
Of the soldiers or theirs, it is yet to be seen.
âOur brothers have been taken to the warehouse to be executed. We are not going to let that happen.â Farah snarls, fingers aching as she grips the rifle, âare we?â
âNo, Commander!â her sisters yell in unison.
Farah feels pride bubble up within her. They havenât broken their spirit.
A series of far away explosions makes their little group flinch. Ayah asks, âwho is attacking us, Commander? Are they on our side?â
âI donât know. And as long as they distract Barkov and his dogs, it doesnât matter. We need to move before itâs too late.â
They slam open the doors, Russian soldiers already ready at the other side. Her sistersâ aim is wobbly, the recoil more than theyâve experienced, but they have one thing the Russians donât.
They donât fear death anymore.
Nadia was injured in the firefight against a sniper. Ghalia has been limping since an explosion knocked her down. Darine and Azadeh are tired, theyâve been in solitary for days with little to no food or water.
They manage to hole up in the warehouse, but thereâs no one there. Farah shouts for Hadir, her echo the only answer.
âCommander!â Azadeh calls, âthereâs a way through here, this is must be where they are!â
Farah kicks the door open, turning right to clear the hallway, when a body slams into her from the left. She falls to the ground heavily, teeth bared as a barrel lines with her forehead. The other two soldiers aim at her sisters, Azadeh screaming in horror, âplease donât shoot!â
For a moment, Farah loses hope. Her mind supplies her with Barkovâs words.
âYou havenât saved anyone.â
In the next, the skylights shatter. Precise bullets take out the three soldiers, not a single wasted shot. Ropes are thrown through the broken windows, and men wearing gas masks repel down. One of them looks at her, âWhose Commander Karim?â
Farah huffs as she pushes a dead body off of her, âIâm Karim.â
The soldier swings his weapon to the side, âwe got your messageâ he lifts the mask up, revealing a pale face, âLieutenant John Price. Where are the others?â
The Lieutenant offers her a hand, and Farah grunts as he lifts her, âin there. Straight ahead.â
Price looks at the dark hallway, before turning back and lowering his mask, âstay close!â
Azadehâs expression is uncertain when Farah stops her from following them. Wordlessly, she nods and returns to her wounded sistersâ side. They both know the path ahead is meant only for trained soldiers.
Trained soldiers, and those who cannot die to a bullet.
Farah keeps her rifle up as the soldiers and her scan the hall. Tanks with warning signs plastered on their exterior line the narrow passage way, and she doesnât need to know Russian to know whatâs inside.
âGot two!â Price warns, and takes out one of the guards. The other doesnât waste time watching his partner go down, and before one of Priceâs soldiers puts a bullet in his head, he aims and shoots Farah.
Straight shot to her heart. These guards are more skilled than the ones she fought through to get here.
Two hands clamp onto her shoulders, and Priceâs wide eyes stare at her through the gas mask, âyouâre not wearing armor- Karim, sit the fuck down, I saw the bullet hit you-!â
Farah frowns, following his line of sight to the hole in her shirt.
âLieutenant-â
He holds her as if sheâs about to collapse, muttering, âwhy are you not bleedingâŠâ
Farah grabs his hands, and the Lieutenantâs brows shoot up.
âYouâre a revenant.â his hands loosen, and drop to his side.
Farah nods, âno bullet or blade can hurt me.â
Something odd passes by Priceâs eyes, but he doesnât say anything to indicate what.
âLieutenant, the prisoners are here! We need the breacher for the door!â
They run towards the back, and Farah slides to a stop at the scene.
In a room with large bullet-proof windows, where fire wars with the Russianâs sickly green gas, her brothers pound on the glass, their screams muffled.
They were going to watch them suffocate and burn.
She shakes out of her stupor when she notices Hadir. Slumped in the corner by a door, unmoving.
âYou havenât saved anyone.â
Farah runs to the other side of the door, where Price and his men are attempting to pry open it. They donât have time for this.
âStand back!â she grunts, and Price barely pulls the other soldier away before she shoots 4 bullets into the lock.
She barely manages to catch Hadir when the door slams open, her brothers running out towards fresh air. She should feel happiness, that they were fast enough to save them.
But in her arms is the still body of her brother, the one who has been through this hell with her from the beginning. The one with their mamaâs eyes, and their babaâs kindness. Farah feels tears run down her face as she presses two fingers to his pulse. Nothing.
There are voices around her, speaking to her. She doesnât hear a thing. No sound is worth hearing when her brotherâs heart does not beat.
Price crouches in front of her, his mask off despite the gas filtering in from the room. His voice is gentle when he speaks, âKarim⊠we need to move.â
She shakes her head. It reminds her of how Hadir didnât want to leave their house, when baba knew they had no choice. She has no choice but to leave him.
Oh, how could she leave him like this?
As the Lieutenant urges her again, as her brothers and sisters start to realize what happened, as Farahâs fingers stay on a paling wrist, she feels it.
A heartbeat.
Hadir gasps, his hands shoot up to claw at his neck frantically, and he jumps away from Farah. Everyone is watching him carefully as he catches his breath, silent and knowing.
Farah clenches her fists, failing to quell the shaking, â...whyâŠ?â
Why did you choose this over seeing mama and baba again?
Hadir turns to face her, but his eyes donât meet hers. Theyâre not the blue-gray they were before, she notices. Green, like the gas that killed him.
âYou survive, whatever it takes. Never give up.â Hadir repeats their babaâs last words. âNot even death will come between us, sister. Not anymore.â
âMay your soul find rest.â she says, and her brothers and sisters murmur it with her. Hadir then lifts his gaze, and he gives her a sad smile.
Price and his soldiers stand back, looking properly shaken by seeing a dead man return. For them it is an anomaly.
In Urzikstan, they all know what a sacrifice looks like.
Farah gives herself a moment more to mourn Hadir, mourn the peace he refused to receive in death.
She gets up, grips her rifle, and orders her people, âcollect survivors and supplies. Weâre leaving.â
âSister.â
She stops cleaning her knife for a moment, acknowledging Hadirâs presence with a nod, before continuing, âany sign of Barkov?â
Hadir drags a chair to sit in front of her, âno, weâre secure here. The Lieutenant cleared the area well.â he watches her hands work on the sharpening metal, âI⊠I wanted to tell you about my powers.â
Her hand freezes. âImmunity to the gas. I know.â
âNo.â
Farah opens her mouth to question him, but when she looks up at HadirâŠ
Mist flows from his eyes and nose, pouring down his features. Green, toxic, smells of chemicals and death.
When he speaks, more gas flows from his mouth, âIâm not only immune, sister. I can create it.â fear paints his words.
âEnough.â she orders, though to her ears it sounds more like begging. Hadir stops using his power all the same, and it is with shame that he looks at the thin level of gas coating the floor of the run-down room.
Farah puts the knife and whetstone away, and hugs Hadir. He presses closer, and she feels his body tremble with silent sobs.
âYou will not use this power. We do not need weapons of the enemy to win this war.â Her brother may be doomed, cursed forever to bear the gas within him, but it does not mean he needs to continue Barkovâs legacy.
Hadir doesnât respond for a while, but when he pulls back, he nods. âYes, Commander Karim.â he says, pride in the title. âWhat are your orders to our brothers and sisters?â
Farah sheaths the knife, her voice strong and clear, âBarkov mustâve had more prisons. Itâs time we find more hands to help our cause.â
Alex Keller is⊠odd.
He had a surface level knowledge of the situation in Urzikstan when he arrived. Not from a tactical standpoint - CIA doesnât let details like those escape them, of course. But from a humanâs, and perhaps a revenantâs, it was clear Alex was not used to seeing such disgusting levels of violence unhidden for all to see. Barkov doesnât need to hide it. America already knows.
The world already knows.
Kellerâs abilities as a revenant proved advantageous from the very first mission they had. Infiltrating has never been easier, with a man able to become invisible to the naked eye. Later on he has told her of his weaknesses, that his form is still corporal even when see-through, and that electronic optics are able to catch traces of him. His honesty doesnât go unnoticed, and Farah appreciates the trust he puts in her.
Hadir didnât trust him at first. Despite his relation to Captain Price, he was wary of the American. It didnât matter much to Farah, as long as they were amicable enough to work together, but seeing Hadir slowly let his guard down over the weeks was a moment of happiness in her days.
It helps most in days when Hadir seems distant, when a fog she can only call a thirst for revenge clouds his eyes. It feels like the times she has to fight against his violent suggestions double every new mission.
Something is brewing in his mind, she can tell. Hadir doesnât want to share it with her.
At least Alex doesnât push back against her orders with no good reasonâŠ
Theyâre on ground now, Alex using Hadirâs Sniper to scope the Highway of Death, and Farah spotting for him. Theyâre waiting for forces of Al-Mudahiyn, The Sacrificers, to pass through.
Al-Mudahiyn and the ULF used to be one and the same, until they werenât. They share the goal of liberation, but where the ULF chooses to prioritize the safety of the people of Urzikstan, The Sacrificers choose the retribution on the Russians to be theirs.
Liberation will not be achieved peacefully, Farah knows that. But revenge wonât bring it either, and as much as she would hate it if it were to happen, if she had the choice to free her country but let her oppressors walk away unharmed, she would. She is sick of seeing her brothers and sisters die, and sacrifice, and bow their heads to men who see them as lesser.
In that, Al-Mudahiyn and her disagree. The militia focuses its powers on creating chaos among the Russianâs ranks, within Russia itself, and anywhere where its sympathizers live. And while they both deal in violence, Farah cannot agree to it being the objective.
It is a tool. One she will wield only as long as her enemy does.Â
The SAS and CIA have begun to retaliate against Al-Mudahiyn, as has Barkov, their actions too flashy to ignore. Stealing several containers of Russian experimental gas was the last nail in the coffin.
The ULF along with Captain Priceâs team decided to work together to stop them.
âOne vehicle approaching from the east!â
On her mark, Alex takes down the two snipers that attempted to set up on the roof. Killing them is a calculated risk; it could alert their target and cause them to change course, but leaving them alive couldâve risked Hadir and his team, who are nearer to the road.
Two fighters from Hadirâs team take the truck and park it in the middle of the highway as a makeshift blockade. She watches as they rig it up with explosives, and orders them to wait for her signal.
Their target, as do many in The Sacrificersâ ranks, is a revenant. According to Alexâs sources in the CIA, theyâre just a Revenant of Flesh. Their healing powers could save them from some injuries, but an explosion should kill them.
And if the explosion doesnât do them in, bullets will.
They were ready for an ambush. Armored trucks, snipers, mortar teams.
âWe need help! Where is Captain Price?!â Farah shouts as she fires on a few fighters making their way through the ruined house theyâve taken cover in. Alex pops up to shoot as well, but she pushes him behind her when a few bullets hit too close for comfort.
Her clothes are riddled with holes.
Hadir shouts from the rooftop beside theirs, âwe cannot wait! Iâve got more firepower in the truck!â an explosion shakes the foundations of the house, âAlex! Follow me!â
Alex looks back at her, and she nods. Hadirâs intuition never failed them, his habit of preparing for the worst saved operations more than once. Heâs not her second-in-command just because of their blood relation, she trusts him more than anyone else.
That is why, when green, toxic gas started covering the abandoned village rapidly, Farah didnât dare think it was him. Hadir wouldnât do that, he promised her.
She hears him shout to Alex that there are gas masks in the bunker. It shouldâve tipped her off. It didnât.
Coughing horribly, she ran towards the bunker, her steps unsteady as the gas coats her lungs. She has never forgotten the way it claws down her throat, burning, seizing her muscles.
Alex comes into view just as Farahâs vision begins to fade, and the last words she hears singe worse than any chemical could.
âH-Hadir⊠Youâre⊠a revenant?â
When she comes to, itâs to the smell of dust. Her throat still burns, but as she coughs, she feels clean air filter through her nose. Farah blinks her eyes open, to see Hadir equip a gas mask on Alexâs face. He notices her eyes following his movements.
âSisterâŠâ Hadir leaves Alex to approach her, his arms open. Before, she wouldâve taken comfort to see he is not injured.
Now, all she sees is anger. Green, sickly, violent anger.
Farah pushes him away, but she is weakened, so his arms donât leave hers, âhow could you do this?!â
He tries to placate her. It makes her shake with exertion to get away. âI had no choice, Farah! I-â
âNo. Not like this.â her eyes roll back, and before she loses consciousness again, she mumbles, âyou promisedâŠâ
â-Farah!⊠Alex!â
She grunts. Her arms feel weighted when she pushes the dusty gas mask up and off her face. Alex does the same, trying to get up on his feet and failing.
Priceâs voice invades her mind, and she winces. It is an unfamiliar feeling, still. âYouâre alright, Farah. Youâre alright.â
Still unused to the powers, she chooses to speak, âwhere is heâŠ? Where is he?!â
Price finally reaches them, helping Farah get up, only for her to push off to rush out the crooked door, âheâs gone, FarahâŠâ
She snarls. How dare he run, how could he leave- âno⊠Hadir⊠HADIR!!!â
âFarah!â Price follows her, catching her when she stumbles on the steps outdoors, âFarah, stop! Stop, heâs gone!â
Her fists clench on dry earth and she screams. Coward, liar, monster. No curse is bad enough to describe that fucking dog.
She feels Price wrap an arm around her, not to support, but to comfort. It reminds her why theyâre here in the first place.
âThere is no thief.â she tilts her head up, staring at Priceâs blue-gray eyes. His brows knit in confusion, and she continues, âhe created the gas. Iâm sorry, Captain, I didnât know, I didnât knowâŠâ
She feels Price pull images from her memories. She lets him.
The Captain looks through her interactions with Hadir for the past few weeks. At first, Farah thinks he doesnât believe her word, but Price relays to her that heâs not doing it for himself.
Heâs proving her sheâs not at fault.
âThereâs no way you couldâve known, Farah.â he says out loud.
Alex joins him behind them, leaning on another soldier, âitâs okay, Farah. Weâll get him.â
She wants to bristle at those almost meaningless comforting gestures, but the look in Alexâs eyes is pleading her to let it go, for now.
Price helps her up again, shouting to Alex, âwe need to un-ass this target- NOW!â
As they board the helicopter, Farah looks down.
Corpses line the desolate streets, no bird dares to sing at the sight. Both Al-Mudahiyn and ULF fighters lay still, eyes bulging and throat scratched raw. She grits her teeth, but her eyes donât stray from the sight, even as the aircraft rises to the air.
Alex places a hand on her shoulder after a while, a questioning hum following.
She shakes her head, and with it his hand.
A voice that has haunted her for the last two decades drifts closer to her, whispering into her ears a sentence she hates to acknowledge has never been wrong.
âYou havenât saved anyone.â
At twenty-seven, Farah Ahmed Karim has lost the last remaining blood relative she had. There was no one left to mourn, except her.
In a dusty helicopter, with the smell of noxious gas still in her every breath, Farah promised to find him, the walking corpse of her brother, and stop him before he drags more of them down.
And unlike the man who once was her brother, Farah keeps her promises.
#call of duty modern warfare 2#cod mw2#cod farah#cod alex#cod price#farah karim#hadir karim#alex keller#john price#revenant au#call of duty fic#call of duty fanfic#call of duty modern warfare#cod fic#cod fanfic#farah.... <3333#her story makes me so fucking sad every time#i cant see the cutscenes from mw2019 without tearing up#shes my fave character from base game bc shes just so complex#doomed to be in an american military propaganda game...#i decided to change AQ since they havent been mentioned in part 1#and i dont really like how theyre handled in canon#like... russia is the one occupying urzikstan but AQ operates in europe and decided to do what they did in piccadilly circus#but the brits supposedly arent aiding barkov/makarov and are actually against them??#but they cant show americans/brits conquering and violently occupying countries bc cmon guys america doesnt do that its only russia \s#also AQ literally translates to 'the killers' and im sorry but thats... not it#you cant really have nuance with a group called 'the killers'#sorry i just hate when the american military propaganda game propagandas#i hope i managed to make Al-Mudahiyn more... sypmathetic? maybe?#like you could understand more why ppl from the ULF would choose to be part of Al-Mudahiyn... rather than fuckin AQ
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i dont think ill ever recover from the pure tragedy that is Touya Todorokis story/life. Genuinely the ending did mental damage to me
#arson yaps#touya todoroki#todoroki touya#Literally what the fuck was that ending for him#I find all the villains endings to be very unsatisfying but touya was my favorite from the beginning#dabi was just an interesting guy with a very cool character design and then we got his backstory and it was just. Interesting!#hes still a huge fave and i just. Brother euw about the ending#Its hard tp put into words exactly what i hate so much about it but Endeavor not facing real consequences for his actions#And how it all fell into place. We dont even know if touya is alive by the official ending. hes just in some tank basically stuck#its sad. its depressing and its not a fit ending for the story and what i thought the meaning was#none of the villains got an ending that made sense for them#nothing really changed. we didnât seem to learn anything#its a fantasy it really wouldnât have been so difficult to show at least some of the villains getting a sort of redemption#i think theres just lots of lost potential in the canon ending#shout out to fanfic though. in my heart all the villains are alive and got that damn therapy and its all happy#(with yâknow the product of their goals and the heroes its not perfect bc nothing is yaadada)#mha#mha dabi#dabi#and FUCK ENDEAVOR
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they took her from us đ
#edit : ALSO HIS PINK SNOOT . dies.#idk what that bit of your face is called but i miss her. she got flattened out#my drawings of cad dont look like him until i draw it tbh#this is much more /lh /j tone btw but i am comparing th old and new more art now lol#the first cad art is very very cute but to be fair doesnt rly show how tall and thin he is . the xhorhas art does tho . i like that one#but his original outfit is my fave#i think (for the Outfit) its original > level 20 > xhorhas > aeor#thats the tier list#sorry no image desc i literally have no idea how to describe it bc idk the name of that bit of ur face
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why is everyone pretending like cyberpunk edgerunners is good. the writing is so bad i hate it
#i'm rewatching it for the third time đ#i remember seeing a post i think from demilypyro abt how 2077 was a shitty game that everyone forgot how bad it was because of the anime#and the anime is terrible#all of the reviews online call the ending sad but it's literally just đ§ââïž okay so. big whoop.#which would've been great for like to explore the futility of doing jack shit in this world bc it can be taken from you like that#they did a good job of this in the first 6 episodes before the timeskip#but the timeskip ruins everything#and u have to balance how unsatisfying that kind of thing is w the reality of that's just how it is#but NO#it's SAD because EVERYONE DIED#we didn't get a chance to slow down with the characters and get an update post timeskip#and the timeskip negates everything interesting about lucy (my fave 4evr)#and it changes her from a strong independent character that's scary good at her job because she was a lab baby and trained since birth and#an archetype of character i like in cyberpunk (a character that looks sexy without sexualising themself or getting sexualized by others)#(and in context most people wear something similarly revealing regardless of gender or presentation and modesty is the outlier)#wait i take that back she does flirt with david in her introduction scene. but i think it was done tastefully to show that she's confident#in herself and her abilities. and not in like an i'm hot do what i want way. we see her in the same episode being genuine and vulnerable#on multiple occasions. and then it reveals she was just buying time for her group to ambush him#she's a really interesting and cool character guys i swear#but the timeskip takes that and turns her into a stay at home expecting mother damsel in distress wanting to settle down and start a family#and the domesticity is so disturbing bc its like. i guess she wants to leave the edgerunner life behind to live on the moon.#BUT THAT'S SO MUCH DIFFERENT THAN WHAT THEY DID HERE#she doesn't pass the bechdel test anymore suddenly. who is she#they mischaracterised my blorbo so bad#it's like their writing budget got slashed mid show.
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that scene with cyn/the solver and uzi at the very end where the solver/cyn is still a part of uzi.... so OSSDID/System coded fr fr.... im going insane abt it. im so autistical abt this
please please PLEASE send me asks abt this i am so eager to talk to ppl abt it
(rambles in tags)
#murder drones#murder drones ep 8#murder drones spoilers#md ep 8 spoilers#have i literally ever posted abt md on here i fucking LOVE md. me specifically as an alter especially it is my fave show <3#i want to BE cyn fr fr. shes soooo gender envy#0ph3li4.txt#i would word my thoughts more but even tho im a system myself im SOOOO fucking scared other systems will say 'wtf are u on abt'#but like#i dont think uzi's experience is a 1.1 paralell with being a system obv but i think functionally itd be v similar (to my experiences)#the previous hosts of the solver. cyn included. are not alters per se. i dont think uzi would use that term for them anywayz. but they are-#part of uzi and her 'brain' and whatnot. yk?#kind of like a new host taking over#so like#cyn /solver might be the main one uzi has to deal with#but i feel like theres potential that she could deal with the other hosts too.#do you think original cyn is in there at all?#ugh im gonna get so much flack for using the wrong term so lemme just start I KNOW INTEGRATION AND FUSION OR WHATEVER ARE DIFFERENT!!#that being said#i prefer the term integration to fusion. so.#in this scenario / au whatever i like to imagine original cyn is integrated with another part. most likely solver itself.#and in our experience with alters integating (not universal!!). some of their traits/mannerisms wear off on that part! so solver probably-#gained some of original cyn's personality traits / mannerims. but is still its own person.#tessa could also be part of the 'system' even tho she wasnt a host per se#idk#im yappin#please send asks abt this i will ramble forever and ever
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A Reconsecration in Blood and Twilight
Happy Pride to everyone, but especially to my beloved prince in horns Askalaphos and his blackguard, Solar, an NPC from our Ravenloft campaign.
Once a devout paladin of the Morning Lord, then of Mother Night after his death, corrupt rebirth, and subsequent fall from grace as he pursued power no matter the cost in the pursuit of vengeance against Strahd... the aasimar blackguard Solar now learns what it is to be true to his own heart as the newest disciple of Askalaphos, a fallen demigod son of Ares and former slave to the Abyss slowly regaining his own spark of divinity and sense of purpose as he seeks an escape from the mists of Ravenloft. None of this would have been possible, however, had their mutual annoyance friend Rixa not been dead-set on saving the both of them from themselves, despite their belief that this was a hopeless cause... or if they had not joined forces to save her in return when she was captured by her nemesis. A long and dangerous road still lies between them and victory over Strahd, the Dark Powers, and the corruption that stains their very souls, but walk it they shall... after all, nothing worth fighting for is ever easy.
#askalaphos areios#rixa's arts#it was really SUCH a journey like. irl years in the making. like almost ten years when u think abt it. and i am damn proud of this.#they still have a long way to go and two paladins to un-doom from the narrative but yknow#something something gay love can pierce the veil of death and save the day#i don't know how we're going to pull that off but i am definitely going to cry when we do#anyway i finally got around to making a censored edit of this painting so the weenie police don't get me. pls tumblr its covered i promise.#not that there was very much of one showing there in the first place since it was askalaphos' but still.#so anyway happy pride to my demigod and his blackguard#who he literally seduced into leaving his old homophobic god and joining his cult instead#they are absolutely terrible disasters your honour but they're trying to get better and that's what matters#some fun details abt this piece: the constellation in the background is Gemini. both his birth sign and representative of his twin brother#sadly his twin ialmenos is deceased however#and the statue in the background is based on my fave statue of Ares.#alright i'll hush now. i just really am proud of this little painting and all the story behind it. i hope you guys like it too.
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Sending telepathic messages at James Gunn just DARING him to put Rick Flag's son Rick Flag III in Peacemaker s2 just cause. Like yeah I guess it would be great Rick Flag sr. angst or whatever but mainly i just love stupid comic family trees where they're all named basically the same thing
#also he gets negative points bc jr hasnt been blown up yet after doing some wild shit#THE FACT THAT WE NEVER GOT THE RICK FLAG âIM GONNA GO ROGUE AND SHOOT A SENATORâ OK NOW IM ON THE RUN NOW IM JUMPING OUT OF AN AIRPLANE#and am gonna like suicide bomb a nuke or whatever that crazy ass storyline was is SUCH a fucking shame#and then turns out he wasn't rlly dead guys he was fine đđđđđ#the steve trevors and rick flags of the world are never my absolute faves or even close but like. sometimes you gotta take a moment#to just marvel at the crazy ass shit going on w them. that is like also incredibly boring and who gives a fuck#like rick flag specifically at belle reve every day is just too daddy issues to function its a mess#and its simultaneously like youre SO sick of it (just.like waller lmao) bc like ohhhh g.i. joe military man sad bc if his father in the war#or whatever like its not abt you buddy. and then by lord will he make it abt him in a way that is SO fucking crazy youre just like damn. ok#never go to therapy live your manic life#also the comic silliness verneer is SO important. like white guy war movie monologue âmy father died... on dinosaur islandâ âit was the war#that took him... the war wheel...â etc.#were not talking abt steve anymore btw but yeah rick flags crazy#rick flag is literally like SO convinced hes the protagonist and all main character w his legacy drama and daddy issues or whatever like no#dude this is the amanda waller show were here for her angst lol nobody cares abt your drama#now go put on the party city makeup and chase capt boomerang around as if you were a zombie
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THE GUITAR DEKNXNLLEEXWNJEWODÂŁNEXKJ
#i know i made bascially this exact post about a month ago#but now ive actually watched the show that its from!!#its safe to say im going insane#literally 3 of my fave things mixed into one#mat baynton + queen + guitar#eehehejeeje#bbc ghosts#horrible histories#six idiots#mat baynton#mathew baynton#i heart mat baynton#spy2011#chris pitt-goddard
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I may understand KHUX inside and out, where I have all the little inconsistencies mapped out into some elaborate plan that makes sense after all....
but I still am so confused about KHDR
#there are so many things were i'm like ''huh ? w... whah ??''#both UX and DR go back and forth making you believe certain things that are LITERALLY not fucking true#its one reason why... idk I'm not excited for ML's episodic release#I love UX's ''we watched this month's episode'' like it was a TV show#but at the same time building theories when the NEXT episode you learn that you had factually incorrect information....#idk that got old for me personally#so I'm glad DR was (mostly) out all at once;#and I'm ready to be VERY careful and hesitant with ML's episodic revelations#but anyway I digress#DR confuses me a lot because I still don't understand Baldr's goals and when Hoder dies vs how that fuels him etc etc#I know I need to rewatch DR and actually write everything down to really help it sink in and digest but...#idk I think this is one of my least fave titles of recent KH releases#not that I didn't like it#but it didn't exactly explain a lot of Young Xehanort's mysteries like I thought it would....#ANYWAYYYY thank you for reading...
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why did no one tell me invincible was good......
#i thought it was going to be grimdark and it IS too violent for me but. its very fun actually???? THE MUSIC IS GREAT#also unfortunately the fascist space dad's design is targeting me personally ohhhh my god oh my god. he has a great face#worst guy literally on earth <3 he's pretty <3 unfortunately. they gave him my fave kind of nose help me help me#the character designs in this show are SO fun i'm gonna have to check out the comics someday hmmmm#kayvswords
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GWUH i love when comments tell me how i might have prolonged certain aspects of my fic but then reassure me it Gets Better to read (very important to meeeee).. thank u to user swirling wind of repetition ur comment made my DAY!!!!! (crying)
UGHHELDEWOSKPENEPEJDPSKEKDKE SOMEONE TOOK THE TIME TO WRITE ALL OF THIS IM SICKKKK IM SO TOUCHED
#egg boils#comments#<- was that my tag#UGHHHHH THIS MAKES ME SO HAPPY.#I ALSO GOT MORE COMMENTS AFTER THIS AND I. WE FRUCKINB CRODEEEE#FAVE#save#also smth abt the angst is that it was literally the basis of the fic bc i wanted hoshina to be comforting her each time and i know his own#thoughts mustâve been so frustrating to read MY BAD REALLY like what is ur problem girl but also#<- thinking abt it i did make hoshina confess First Verbally which is woah. in its own sense bc all this while he would only initiate to#comfort or help his captainâŠ. but when he doesnât have that excuse of reaching out anymore n sheâs the one who takes care of him instead đ€#i guess that also helps him gain a bit more confidence and see where he truly stands beside her#like yeah flowers r cute and all but the confirmation she wants him and will stay by his side too.. (something she said previously and Then#proceeded to do so when she found him in the dojo) WHICH BTW. she figured out smth was wrong w the text messages but never got the chance to#find out properly bc sheâd always miss the timing. girl whoâs been staying on base recently and KNOWS where hoshina wld go when he canât#sleep but never catches him bc sheâs either too late or he never shows up (choosing to lie awake in bed instead)#ARGHHHHHH MY HSMN#hoshina afraid to take the first step but he does it anyway DOES IT ANYWAY BECSUSE HE WONT LIVE FOREVER AND i think with the raid on#tachikawa base and other significant deaths it gets a lot more Obvious
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number one jim houseman (secretary of defense) fan of all time... thats me baby
#listen im not dedicated enough to be the true number one fan of my faves as much as i like to joke that i am#like i have adhd. you get it. But no one has cared about jim houseman ever (including me!) so the titles up for grabs#i âdont even like him đ i just think its really funny to look exactly like that image over possibly the least important metal gear character#Like oh my god you could cut him out of the game and nothing would change. doesnt the colonel come back on literally the next codec call#like after the shit twins scene? why did the colonel have to get taken away for no reason??? idek#at least every other irrelevant metal gear character actually did something for the story or gameplay#the cobras are more relevant than him. johnny is more relevant than him. The guy who peed on raiden is more important than him#jim houseman didnt even get a backstory he just showed up to call them all stupid and say yeah were gonna bomb you#and when the colonel comes back he says hes gone into ''early retirement''. i think he was confirmed dead in a book...? idek if thats canon#Dont worry about why i know this all off the top of my head btw#i forgot what my point was. um i started being like WOAHHHH ITS JIM HOUSEMAN (SECRETARY OF DEFENSE) đđđđ„đ„đ«Ąđ«Ąđ«Ąđ«Ą because its funny#but i think i subconsciously trained myself to have that reaction every time i get to that part in mgs1#so thats. something!#ive completely forgot what i was going on about i keep getting distracted watching mgs1. hopefully ididnt leave out anything important#muffin mumbles
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