#its literally just my main 2 special interests

[derangedorange]

Since grand festival ended, I'll be drawing Sonic for every splatfest

Day 1: Cats vs. Dogs

[jealousmartini]

List of things I am excited to experience in my K-pop idol dr(s) !

∘₊ ✧───────────────────✧₊∘

💭 — CONCERTS AND CROWD WORK

I FORGOT TO ADD SOMETHING HERE☠️☠️

Doing crowd work with my fans while performing is SUCH A DREAM FOR ME OMG. That's like one my main reasons I'm excited to have a concert because I want to interact with my audience; exchanging glances, throwing stuff for one of them to have and of course performing at my best.

🍊 — COLLABS AND HANGOUTS

Okay okay, I know I have yapped in the past about being excited to meet BTS, but first, let me name a list of groups/idols I am so hyped to be in a 2-foot radius of because sometimes a girl cant help but shriek at the thought of them🙈:

NEWJEANS ||

I FUCKING LOVE THESE GIRLS SO MUCH NO ONE GETS IT. Just a little fun fact, MKB(my own gg) is considered to be like an older sister gg to NEWJEANS because they are both famous 5 member girl groups. Some people even say that NEWJEANS' aesthetic is like a younger sister to MKB's; even though MKB isn't all that "mature" it does give off an older sister feel in contrast to NEWJEANS' AND ITS SOOO CUTEEE😭😭

WONYOUNG — IVE ||

In my dr, Me and Wony are really good friends, and we have each others contacts. I've gone to battle for her in my tiktoks and tweets against antis (I am very much popular for this too since it's considered controversial to speak out in defence for another idol and she isn't the only idol I've fought for😭😭) cus she's literally the sweetest idol ever?? I actually love her to death.

CHAEYOUNG, NAYEON, SANA, MOMO, JIHYOU — TWICE ||

In my opinion all of TWICE is so cute and I freaking love them all, but I am closest to these five. They're some of my closest girl friends because they were the first friends i made (other than my members lmao) and I love them all so much please I can't wait to meet them (especially since MKB and TWICE both exist under JYP so we're basically always hanging out)

BTS ||

No, because you guys. the dating, fighting and relationship rumours that are gonna be floating around me are gonna be CRAZYY cus of how many frequent interactions I have with the group/ the members individually and how much i talk about them because I am SO down bad for them PLEASE (but we can't let them and army know you guys shhh🤫) and I also just be having the LOUDEST MOUTH EVER🏃🏾‍♀️🏃🏾‍♀️

But aside from how badly I want each and every one of them, Me and MKB are super cool friends with BTS; usually, 1 or 2 of us will visit them for whatever reason needed and whatever occasion like watching them behind the scenes, sometimes, we will appear on their lives in person or on phone (cus we have each others contacts😝🤞🏾), we always wish them happy birthday (as they do back to us), and few times some of us will make special appearances on their game challenges on RUN BTS too.

Also, I'd say I'm closest to being with Jungkook, Jimin, Namjoon, and Taehyung- BUT I get along very well with Yoongi, Jin, and Hoeseok too. I just hangout with those 4 the most out of all of them. [EDIT// Actually I do hang out with Jin too what am I talking about]

STRAYKIDS AND ATEEZ ||

More hot men. Idk what to say more about this LMAO😭😭

💭 — LIVESTREAMS AND BIRTHDAYS

MKB is most infamous (other than our music of course) for our ridiculous lives. But my favourite kind of live is the birthday one. The moment of appreciation and love sent from fans and the celebration from my family members and staff is so precious and important to me. The thought into the gifts and the messages mean so much more to me than what anyone could imagine and it gives so much meaning to birthdays because they are so important to me.

🍊 — PRODUCING, FILMMAKING AND BTS

I have always been a big music nerd and my urge to produce music for a loving and interested fanbase makes me feel so warm. it's just what my silly little heart was made to do.

I have also been super interested in being involved with the work behind the scenes , not just being in the scenes of our music videos. I really want to have a say in what the concept of the video to match the music will look like, the outfit ideas, the hidden lore in the videos. It's just such a dream come true for me, and I'm even excited for whatever travelling needs to be done, too.

💭 — STUPID SPECULATIONS/RUMOURS ?

Being nosey and attention seeking is a deadly combo. Always gotta know something, always gotta be talked about somehow (and I usually prefer the fake dating allegations cus they're just so funny and sometimes cute depending on who I'm being shipped with lol)

🍊 — FOOD

I am THE BIGGEST foodie there is I swear. I have always craved and cried to eat real Korean (and East asian) food without thinking about my money or my skin as well as usual meals too and as much as I want (because I scripted my manager let's me eat anything I want since I don't gain weight (I scripted this for all idols tbh cus I just want to see wony eat SOMETHING😭🙏🏾))

💭 — V.I.P STUFF

When I say VIP stuff, I mainly mean 1st class vacations and trips. I freaking LOVE exploring and travelling.. ON LAND. When I shift though, this will be my first time flying on a plane and I'm kinda excited, kinda frightened. I have a slight fear of heights so I'm gonna have to brave through it and try not to throw up or something.

🍊 — FANMADE GIFTS (fanimations, fanfictions, fan art, real life gifts, fan edits, etc.)

I am so freaking hyped for this stuff you guys stop. One of my main love languages is gift giving and receiving, and I already get so hyped when I get a gift on a random day from a family memeber😭😭.

The fan edits and fanfiction are gonna be crazy tho omg the ships..😭😭😭 (I WILL be looking out for the ship fanfics best believe.)

💭 — GOOGLEBOX BUT ITS KPOP IDOLS

"STOP TALKING ABOUT GOOGLEBO-" STFU AND LISTEN HOE🤬

Okay, so before I explode for excitement, I had this idea to make take the Googlebox celebrities and make a K-pop idols edition, and it couldn't be more perfect. Of course, you might be worried about how little privacy and time to myself off camera I may have now that I've added this into my dr, but never worry!

I scripted MKB to get 2 weeks to a month long breaks depending on stuff like exhaustion, injuries, meeting families, or just having a well-deserved vacation. I also scripted that our fanbase is very respectful of our space and don't bombard us if we're spotted in public.

Edit: O.m.g applies to all the things I said about MKB too guys I just cba editing everything add o.m.g in rn

@4ellieluv @cocozydiaries @samara444 @theshifterbear @livingmydreamlife5555

[saturnianoracle]

Whole Signs v Placidus - which house system is better?

Ah yes, ye age olde debate... which house system to use?

When first getting into astrology, the majority will use the placidus house system whether or not they know it. Placidus is the default for modern/ pop astrology; every chart generation website automatically uses it. Nowadays, the most common runner up house system to placidus is Whole Signs (often used by traditional/hellenistic astrologers). Yet, there are many house systems...:

➔Whole signs ➔Placidus ➔Koch ➔Equal/ Equal (MC) ➔Porphyry ➔Regiomontanus ➔Morinus ➔Alcabatius ➔Campanus ➔Meridian ➔Vehlow ➔Meridian

In this post, however, I will give my own argument on why I use whole signs and why I disagree with placidus. If you disagree with me thats fine, but I hope to at least educate on how these house systems even work and the deeper meaning behind why using whole signs is improtant.

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First, how does Placidus work?

The ascendant (as well as the dsc, mc, ic) is a mathematical point based on the on the sign on the Eastern horizon. Placidus works by marking the cusps of the houses into two-hour intervals starting from the time of your birth. This is then pushed every 2 hours for the 12th 11th 10th 9th 8th and 7th house cusps ( because by the 7th house cusp it has completed 6/6 of its daily solar arc ) and then mirrored for the houses below (already an...interesting method). It is a quadrant system.

How does Whole Signs (WS) work?

Whole signs is not a time based system like Placidus. Whole signs split the houses into equal 30 degree segments, much like how the zodiac signs are split, so each house is equal in size and all the signs start at 0 degrees. The ascendant point, MC, IC, and DC float within the house instead.

Main issues:

Historical

➥The maths for this was laid out by Ptolemy for the purpose of understanding primary directions, of which most people now believe was actually used to predict lifespan - not for a house system. And then eventually an astrologer called Abraham ibn Ezra interpreted Ptolemy's works as a house system which Placidus then came along and validated. ➥During the 17th century British astrologers took this and ran. The Church did not like Placidus' works and so the astrologers essentially pushed the system as revenge against the Church/a big F you to them, making it the popularised system to use. This sacrified accuracy. Placidus rests on a foudnation not even designed to be a house system in the first place which creates a lot of problems as we will see below. P.S. I would HIGHLY recommend reading this article on the popularisation of placidus for a more indepth, better explanation.

Functional

➥Placidus simply falls apart at extreme latitudes (which people ARE born at). Take this chart for example:

Is everyone born at extreme latiudes suddenly inherently special for having such a chart where the houses are so vastly unequal and inutile in size? How does one go about interpreting the significance of this? Houses are literally swallowed up/duplicated or are massive or tiny. Just because your houses might not change so much in WS or placidus does not mean its still valid - a house system has to work for everybody universally. In WS however:

This works and makes SENSE. It is not an issue of being able to interpret the so-called intercepted house (which placidus has the issue of as the maths for it was never intended to be a house system in the first place) or not, it is about being accurate in how to read a chart. ➥Notice how in the placidus chart it appears the ascendant is in the 12th house. This is another visual issue with placidus, for instance apps like CoStar will even tell you that your ascendant is in the 12th house... Placidus or not though the ascendant is always in or at the first house, the ascendant can never be in any other house - the 1st house is literally YOU. The cusps just looked messed up because of the intercepted houses. And chart generating platforms like CoStar relying on placidus mess up even further...

➥ Intercepted houses mean a sign/s is "swallowed up" and doesn't influence any house cusp, which contradicts the principle that every zodiac sign has a clear role in the chart (every house and sign matters whether or not a house is empty etc). The idea that a sign is somehow blocked or inaccessible is untrue, whether or not you think it relates to you (certain aspects in your chart for explain that feeling when read properly rather than this, either way astrology does not care about how you feel or how you wish your chart was; many people get upset that their sun sign moves from the 5th to 6th house for example in WS).

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Rebutting common arguments for placidus

"Whole signs doesn't take into account the rotation and curvature of the earth!"

✣First, as explained above, WS houses remain consistent regardless of the observer's latitude, avoiding the distortions and inaccuracies systems like Placidus introduce, particularly at extreme latitudes. WS houses rely on the zodiac's natural, unchanging divisions, which are independent of the Earth's curvature and geographic location (as explained in this post), providing consistent and straightforward house boundaries. ✣WS matches the universe's system. The signs, and therefore the houses are all about the sun rising from zero (its declination/ going from 0 degrees of whatever sign up till 29 and into the next) as the system follows every 30 degree section of the ecliptic , and correlates with the length of the sign's period. If the ascendant involves the ecliptic meeting the horizon , the ascendant point is a specific coordinate that is located within the first house whose cusp starts at 0 rather than marking the beginning of the cusp. Why should the house system not match what is going on above from which we observe and practise.

"Why not a time-based system if astrology is all about predictive techniques and seems so time sensitive?"

✣ Time doesn't exist in space in the same way it does here, time is just our tool to pinpoint moments against a measurement from which we can organise things (generally speaking). Time is, however, crucial for predictions only in how translate what happens up there to below, less so for diving the sky which is basically already divided for us. ✣ Time-based divisions, like placidus, introduce unnecessary complexity without adding real astrological value, as the essential qualities of the houses are fully captured by the zodiac's natural 30-degree segments in WS anyway as explained above.

"The MC and IC cannot be in houses which are not 10th and 4th!"

✣ Yes they can, this is quite straightforward. In WS, the IC can be in the 2nd-6th house and MC in 8th-12th (extremely rarely it can be in the 1st/7th house too). It is a floating mathematical point (like the asc and dsc) and does not mark the beginning of the 4th house and 10th house cusps like in Placidus. ✣ This is because the MC is the point where the sun culminates at its highest position in the sky at a given location, corresponding to the local meridian. The IC is directly opposite, marking the lowest point below the horizon. The MC and IC are not tied to the zodiac signs but are based on the intersection of the ecliptic (the Sun's apparent path) with the meridian line of the observer's location. This intersection varies based on the time of birth and latitude, and these points can occur at any degree of the zodiac. Because WS houses are aligned with the zodiac signs and the MC/IC are specific points along the ecliptic, the MC and IC can fall at different degrees that don't align with the 10th and 4th house cusps. ✣ This adds more nuance to readings. For instance, if the MC is in the 9th house instead of the 10th, it might indicate that one's career/public life/legacy/how they come off is strongly influenced by 9th house themes like higher education, travel, or philosophy. Thus, they add more information to how 10th and 4th house themes manifest. ✣ Here is a must-read article if you want more information (thorough analysis of MC/IC through the houses) on this topic: Patrick Watson- What To Do When the Midheaven Is Not in the 10th Whole Sign House.

Ending thoughts

People find it difficult to move on from placidus because they think their placidus charts makes complete sense/they resonate deeply with it/ they simply prefer their house placements in placidus to WS. All this is because of, for lack of better wording, a skill issue. You think it makes more sense but thats because you don't actually know how to properly delineate a chart - end of. And that's fine, astrology is complex and interpretation requires a lot of practise and deep study, especially into hellenistic works for a richer understanding of astrology.

Using placidus makes readings and your understanding of astrology unnecessarily complex and undermines the true art of chart intepretation, allowing for pop astrologers to import their own 'psychological' analysis, for instance, onto you via astrology - a deep misuse. Astrology has never been about psychologically explaining yourself - it is a map of your entire life of which you will not always 'relate' to, especially at different points in your life because those energies simply won't be pertinent/obvious when we are 5 vs 50 for example. I have spoken about the problems of using "resonating" to determine the accuracy of your astrological studies in my introductory post already, but it is a point which keeps needing to be re-emphasised.

The Whole Sign system is the oldest of all house systems, used effectively by ancient astrologers for thousands of years. It provides consistent and reliable results, particularly in predictive work, without the unnecessary and inaccurate complications introduced by varying house sizes and interceptions. If you want to use profection charts for instance, or many other traditional techniques, placidus will not work.

Placidus (as well as modern rulerships and the ABC house system which I will make posts on later) will take a while to unlearn - it certainly took me a long time to adjust out of the grips of modern pop culture's inaccurate and misleading yet addictive astrology. This is okay. But at the end of the day, wrong is wrong no matter how you try to justify it.

However, it is your personal choice. Posts like mine can only hope to encourage you to explore the deeper layers of astrology. Things like WS can take a while to accept, or you may never accept it - but as long as you make that decision fully informed. Yours sincerely, an ex-Placidus user xoxo

[kerizaret]

Hello everyone and welcome once again to my brain! Today I want to ramble a bit about

✨️ Tsukasa and Rakunosuke (Emu's grandpa) parallels ✨️

Because I feel like we don't talk about them much. Or at all actually

Now, I'm not pulling this out of nowhere. It's quite literally stated at least once, outright, in the game, that Tsukasa is really similar to Emu's grandpa (or even twice – but the other time I'm unsure 100% whether its about Tsukasa specifically, which I'll get to later). That's not to mention the other little things throughout the stories that I think similar between the two

So here's just some thoughts I've had on the topic after rewatching some events, more or less cohesive

1) Tsukasa's PXL auditon & WMS speech

Starting at the very beginning, we've known ever since the wxs main story that there's something in Tsukasa that has drawn Emu in to him already the first time she's ever saw him, at his audition for PXL, which made her hire him herself. She says "found you" at that moment, as if she's been searching for someone exactly like him. Out of all the possible candidates who applied who she might've seen, why Tsukasa specifically?

It could be just about him boasting about making fantastic shows, which of course is a part of it. But I feel like this isn't all, that there was something else that she noticed, that maybe she didn't fully realise at that moment

Then later, in Wonder Magical Showtime, after Tsukasa's motivational speech, Emu specifically thinks back to that audition and how she felt something special there. And, most importantly, she thinks it as if she's talking to her grandpa – like he's somehow tied to it, to her realisation that Tsukasa is the one

Putting aside the fact they were fighting for Rakunosuke's park, which obviously makes Emu think back to him, there's something more. Emu doesn't think anything of the sort about Rui, even though he was the one who came up with the night show, or about Nene. Nor did she mention any kind of this strong feeling/conviction about having them on the Wonder Stage in the main story

She's focused on Tsukasa, because he's the one that brought all these people together and gave them the last push they needed to fight for PXL. He's the one they listen to, he who understands what this park was all about and why they need to save it. He's standing on the stage her grandpa built, looking at all those people working here, and he's leading them, telling them this dream CAN be made a reality and it's more important than anything else

And I feel like she could have looked at that and been reminded of her grandpa a bit, with how much he loved the park he built and brought people together with the same ideals and love and made dreams come true

2) Miles

Speaking of WMS, I'm sure we all remember Miles, the sorcerer Tsukasa played in the night show in WMS, and how he was a character very clearly based on Rakunosuke. It's not very surprising it's Tsks who got this role, but it's still interesting to me. It feels like no-one else would've been able to get this character right and neither would Emu as Shao with someone else playing Miles

I won't get into what "Miles" Tsukasa says in the play, because that's just the script and not a representation of Tsukasa himself, but I do want to draw attention to the specific scene where Emu's father is watching the night show and looks at Tsukasa, then says this:

This is the first time that – i suspect – Tsukasa is outright "stated" to be like Rakunosuke. Here I say "suspected" since I'm not 100% sure of it for two reasons. One of them being that as we know, the ensekai translation is sometimes often bad. For that I looked up the original text as well as an old translation of the event on YT to check for differences

The line ends up being similar in meaning, more or less, but a bit more vague. That also ties to my second doubt though, which is that Emu's father might be referring not to Tsukasa himself, per se, but rather to the character of Miles he's playing

I feel like both can make sense, in their own way (and the event is a Tsukasa focus for a reason, too), but for here I'm throwing it more as a hint than any kind of outright proof. Food for thought

3) Tsukasa and Rakunosuke's deams

Then, as we reach Popping in my Heart! and learn more of Rakunosuke from Riley's pov, there's another interesting thing that pops up. That is, the fact that Tsukasa and Rakunosuke share the same dream

And then, that's when Emu confirms what I've talked about before – that this whole time, she's felt something about Tsukasa being so reminding of her Grandpa

So Tsukasa has all this time "carried the same spirit" as Rakunosuke – which is possibly the reason why Emu has been feeling strangely drawn to him from the beginning

4) The Wonderland SEKAI

Hey. Hey. Remember this line?

(tl by tsukasa's #3 fan on YT)

Yeah, this one. The same reason why wxs even has "Wonderlands" in their troupe name

You know what else has Wonderland in its name?

That's right! Tsukasa's SEKAI!

Tsukasa's SEKAI. A different world that's created from his feelings, that's a place born from his desire to make everyone smile with his shows. A world that just recently expanded to include plushies representing all those different shows – different worlds – wxs created as a troupe. It's a world that Tsukasa, in a way, made by himself (albeit unconsciously)

Oh did I mention the Wonderland SEKAI is also, primarily, pre-wl, a theme park? With a big ass ferris wheel and several stages and a castle and a train and a merry-go-round, a rollercoaster and more? You know, kind of just like Phoenix Wonderland? Which was built by Emu's grandpa?

Do you ever think about that? That both Tsukasa and Rakunosuke "made" their own "Wonderlands"? That the SEKAI is so similar to PXL? Because I do

Anyway. Those were the main similarities or references I noticed, but I still have some few other miscellaneous thoughts i had aside from that that I'll sum up a bit quicker

Tsukasa and Emu's grandpa both care more about the shows (& pxl) themselves and the effect they have on people to make them smile than any kind of fame or recognition

A reminder, too, that despite the movie's popularity, nobody really knew that Rakunosuke worked on "Smiley" (or that it was even a Riley Entertainment movie at all)

There's also the fact that both tsks and rknsk get stuck more on the excitement they want their audiences to feel rather than on the technical sides or worries about how it would be possible – as seen with Rakunosuke convincing Riley to include all his dreams and ideas in "Smiley" without focusing as much on the budget and all to install that wonder in the viewers, and Tsukasa doing anything to perfect his acting, and also agreeing to most of Rui's stunts and experiments and production ideas as long as it gets the audience to become more immersed

I noticed as well that they're both people who wear their hearts on their sleeves, who easily get emotional and enthusiastic, who empathise a lot with the others' emotions and struggles, becoming happy when something good happens to them

^ he cried here. And later at the fan festa seeing nene sing confidently and happily he teared up again

And also just *gestures vaguely at pandemonium event and Rui's "tsukasa's friends' happiness is his own happiness" line*. Yeah

Most importantly, Tsks and Rknsk both care so, so much about shows ending with smiles and not tears

And overall about everyone smiling and being happy. Like Tsukasa telling Emu in the main story, on the ferris wheel, that when her grandpa meant making EVERYONE smile, it included Emu, too, and he wanted to make sure she's happy as well

There's also everything with Emu, too. The way she's very clingy with Tsukasa, always throwing herself at him (not that she isn't with everyone, but she does seem to jump at him the most often)

She's also implied to open up a bit more around him – in Smile of a Dreamer, when wxs expressed their worries about emu hiding her problems, KAITO implies that its unusual she "hasn't told EVEN Tsukasa"

And it's Tsukasa who first understood that, despite how it may seem that "she always is so optimistic and says whatever's on her mind", in the end "the bigger the problem, the less likely she is to talk" (paraphrased quotes from smile of a dreamer). And also underdstood what's the most important to her and how to give her a push to voice her worries to them

It's Tsukasa who Emu first got so scared of leaving their troupe and her behind

I simply feel like Emu is aware of the similarities her grandpa and Tsukasa share and, subconsciously, trusts him a lot and gets attached to him easily

Anyway. This is just a bunch of thoughts that came to mind that I wanted to share and hear your thoughts on maybe too. I love emukasa so much they have such a great dynamic, and I feel the implied similarities between Rakunosuke and Tsukasa add a lot to that too. I'm really curious if it'll be something they'll explore more in future events. Because I feel these parallels are there for some reason

[whatudottu]

All this new Earthspark content (i say with a sigh, not liking what i see), just makes me think more about it? Season 1, so good I didn’t need to think about… give or take Shockwave and the rushed end. Season 2? God- and I’m hearing the bloody ‘Decepticon Dome’ is still around for I guess this is season 3 instead of 2b??

I feel like I wanna share my notes for a season 2 rewrite or at least some concepts for one (with some Shockwave edits from season 1) that I had written on… *looks at the date* 28th July just before I started my shift-

Let’s see what happens then :P

First of all, Shockwave.

What do you mean the fucking unethical science guy has issues with what he immediately labels as cybrids? TFP Father-of-Predacons guy? IDW Literally-Becomes-Onyx-Prime guy?

So you’d think my first idea is to turn him not-racist right? Make him curious about the terrans like (using my main Shockwave experience) his Prime’s equivalent interest in predacons, right?

But what if I didn’t, what if he still has that speciesism but… reflavoured it into something more fitting? Say the ‘medical exploitation’ variant of racism that TFES Shockwave can openly claim that ‘I know I’m doing all these unethical experiments to one specific group, but I would do the same for any cybertronus’ to use Mandroid’s scientific name, but really he doesn’t actually desire to experiment on others he might consider the ‘default’. The kind of racism that treats others as scientific wonders in need of full study.

Heh, TFP Shockwave got off lucky, his obsession was predacons and he only knew they were sapient after reviving one from the dead AND discovering it he could transform; something about archeology vs graverobbing :P

Shockwave in the season 1 finale thus has more willingness to work with people who he considers in some way to be lesser, at least different; what’s a good test for a species’ intelligence than watching them problem solve against a corrupt government organisation?

Now onto the actual fucking season 2 notes then shall we?

With GHOST and Mandroid gone we are lacking threats that aren’t the fucking Decepticons again. The Quintessons of course take Mandroid’s role of the active antagonist, the one or ones that act their own agenda divorced from a wider perspective, but who fills GHOST’s role as the passive background threat? Well, as GHOST was the only company/organisation that had extended their hand to establish a proper post-war cybertronian-human alliance, and they seemed to be pretty tied in to either the government or with heavy media scrutiny, in its place could be filled by the actual American government now labelling any and all cybertronian (and terran) presence as criminal behaviour and thus officially rendering them as illegal literal aliens.

I’m not saying this is what the show should’ve done because that is a fucking stretch, but if I’m gonna rewrite Earthspark that’s who I’d want to fill the slot, fanfiction (maybe bayverse) kinda stuff. Maybe for a ‘kid friendly’ ‘not-so-anti-american’ way to make it just a special task force that’s still paramilitary enough to not get conservatives to freak; but let it be known the original idea :P

Back to Mandroid, considering the type (and aesthetic) of his final cybernetics - as well as his sharkticon guards (?) that he from what I remembered freed from somewhere (like a fucking shark pit???) - what if he had in fact made contact with the quintessons and, learning that he was from Earth, they had assumed that humanity and the Malto children were the children of Quintus, they were in fact assumed kin by His abandonment. When Mo ends up waking the executioner, it is still however her cybersleeve that draws it’s attention, yet it is also the terrans that draw its ire as they seem kin to the cybertronians Quintus oh so favoured over them, but also because they are filled with Quintus’ energy and ‘getting in the affairs’ or ‘robbing the power’ of humanity by their disturbance.

It’s not particularly too far off of the actual canon motivations to coming to Earth, as they already view humanity as fellow creations of Quintus even if literally untrue and prefer them to cybertronians and specifically to the maltos, but just imagine them being more anti-cybertronian rather than ‘pick me’ over Quintus’ chosen (one of the better things about 2b/3, the Judge actually acknowledged that the human Maltos were another set of child soldiers chosen for a destiny beyond their years, heh even Prowl agrees).

In a way, with this, both the human government and the quintessons can come to the idea that (for their own reasons and information provided) cybertronian affairs disrupt the human way of life and need to - in one way or another - be punished for their ‘chaos’.

Regardless though, the Emberstone is still shattered, and it’s not coming back (though the characters don’t know that… yet).

What doesn’t happen between it shattering and it’s… let’s say ‘pieces’ for now… is that the Decepticons don’t ‘do what they do best’.

Without GHOST in the way to arrest any Decepticon by virtue of them losing the war, the Autobots can actually begin to offer a genuine chance at armistice. Maybe not full on peace, their existence is a little too criminalised at the moment to immediately settle give or take a millennia worth of war in one sitting, but it is so much easier to prove to the Decepticons that they do in fact have a chance of rest against vorns of war and years of imprisonment and - as much as saying so word for word may begrudge the mecha - can ‘prove’ that they are worth as much freedom as the Autobots so prattle on about if neither of them have power over them in the ways GHOST provided.

What are their current goals? 1) do not get captured by government agents; there’s only so many cybertronians left even with a large concentration in Witwicky, and who knows if GHOST sent their technology back to their military. 2) do not let the government know of the terrans’ existence; with what Mandroid was invested in and what GHOST had intended to learn from him, neither faction nor any of the Maltos want to let the terrans become fugitives or pet projects (the craziest scientist they’ll even begin to consider studying the terrans would be Shockwave but even then they’d prefer even bloody Tarantulas more than him). And 3) gather the Emberstone shards before the government does; if Mandroid literally killed every cybertronian and terran on Earth with one blast of the full thing, what is the strength of one fragment actually measured by?

Given that apparently a shard with just a little bit of water is enough to make an entire spark (or at least, depending on what we learnt from 2a or the designs in 2b/3) act in replacement to a spark, probably decently powerful enough-

But to quote Brennan Lee Mulligan in his quite popular Game Changer, on a planet with 70% water coverage, weather patterns of a few sorts that scatter H2O in its many states to its surface, and all the time in the world between the Emberstone shattering and scattering, it is a “…statistical wonder…” that there were TWO (count them, 2) ‘’’’’’’’’Chaos’’’’’’’’’ terrans throughout - I’ll give it this - the entirety yet exclusively of the Americas.

First of all, FUCK THE TERM ‘CHAOS’ TERRAN! Let’s describe them as shard-spark for now, continuing to use Mandroid’s scientific terms we do not know if there’s a particular biomechanical difference beyond the Emberstone shard to sever the terrans AKA cybertronus terran from their new shattered siblings… or perhaps only cousins.

Second of all, shard-spark terrans are NOT born evil, just troubled in whatever relevant ways their circumstances cause them to be. Most often however without the conflict between the factions, a lot them if they do not happen upon a body of water in a location of dry weather conditions or even unluckily get stuck in a glass display would end up probably already being terrans by the time Autobots, Decepticons and 3rd or 4th party lock onto their signal to track them down from interesting community reports.

You know what was funny? Seeing everyone fall in love with Breakdown projecting a father-son relationship onto Aftermath who conversely didn’t give a shit, because y’all would just see Breakdown imposing that as just the cutest thing ever when he literally didn’t earn the right to think that way about a stranger that happened to be a child.

No, if Breakdown wants his ‘being a parent’ moment, he needs to put his back into it and make an effort to at least fucking try to be a parent? Hell, he can fucking suck at it and maybe even fall into a similar situation where he imposes the parent-child relationship onto a bad relationship, the main caveat being that it isn't supposed to be funny that Aftermath doesn't get it.

Breakdown can be the first contact with a shard-spark terran, maybe a few others or maybe alone, maybe he and Bumblebee took it upon themselves to race towards a shard only to discover a lost child. Instead of the fucking gang recruitment way 2a attempts to explain Aftermath going along with Breakdown, both the racers are mildly freaking out that there's a solitary kid who may or may not be a little fucking pissy right, just in the very spot both their scanners are saying IS the Emberstone shard they've been tracking. It takes a harsher more Decepticon standard demand to get Aftermath to follow either of them over a softer weaker Autobot plea; a force of habit for both of them, even if Breakdown starts actively avoiding Bee's responding glare.

Something about Breakdown associating harsh orders, reprimands and mutual hostility says more about him and his relationship to 'family' than it does on Aftermath sneering at squishy feelings that make him feel weird and preferring the worse treatment since it's the one thing he's got experience in. Something about how in fandom spaces every group of people is immediately turned into found family or just straight up family? Well- considering that Breakdown joined the Decepticons because the Stunticons also had done so (and changing Breakdown's association of Decepticons as family down to Stunticons as family), considering that most iterations of the characters 4 mentally ill soldiers and an abusive leader that actively preys on his team's weaknesses then... heh.

Breakdown finding the bickering and the fighting and the unspoken assumptions of that meaning family... it DOES mean more for Breakdown than it does for Aftermath doesn't it? :P

I don't think I got a good order with this but :P With GHOST gone the Autobots don't have a main base anymore, and by don't I fucking MEAN IT they don't go back to GHOST headquarters after all is said and done; it would be the first place to look for cybertronian activity after the government finds out the closest thing humanity had for bot sympathisers went belly up after all. Between them and the newly freed Decepticons, there is only one neutral ground between them on the Malto farm, but it would be Starscream to bring up stink over it (if even in his mischaracterisation in 2a he labels Autobots as oppressors) siting that the Malto's are functionally civilian and shouldn't - whether or not they could at all in the first place - be responsible for the housing of all these soliders; it's a farm, not a warbase, there is no need to bring more children into their squabble especially with the likelihood of crossfaction shared quarters he'd say.

There is one fortification left to stand against potential government hunting, even if it means to repair defense systems and cloaking devices, even signal scramblers just to hopefully allow rest to those tired of running. None of the Autobots would be happy about it - the Decepticons might disagree seeing it as potentially a little bit funny and as a little bit of petty revenge - but that base may or may not happen to be quite purple in it's paintjob, Decepticon base. To offer the curtsy that none of the 'Cons were given however, the Autobots in addition to the betrayer Megatron would be allowed free reign of the base, give or take a few zones off-limits even to lower ranked Decepticon forces. It's not like the Autobots would have left the base unraided in their time under GHOST's thumb, so there's no doomsday weapons to be wary of anyone activating.

Actual base life doesn't feel horrible for the Decepticons who, thanks in all due part to Megatron's aggressive leadership and hostile work environment, are already particularly used to being near permanently on guard even at rest; if the Autobots still had a base of their own in the local area the Decepticons would've made an easy transition even if still incredibly tense. It takes an extremely disciplined trigger for the Autobots not to snap under the tension, everyone save for Megatron who is used to being on edge, unfortunately for him the Decepticons give him shit constantly and tends to skew towards aggravating him than any of the 'Bots.

However, at the very least the remaining scientists have access to Shockwave's lab, which he might be more willing to share if it helps Wheeljack and Tarantulas to agree to run some tests on the terrans and actually begin to study them to get the full picture, at least as full as they can without dissection which is one of the compromises Shockwave would have to contend with especially if Nightshade wants to be science team buddies with at least the other 2. Either way, probably the least hostile section in the crosshabitation Decepticon base? Mostly because of the fact they're all agreeing to science together rather than punch each other.

But not everyone actually remains in the base, some take off to find better opportunities or because they find the base environment more stiffling than usual real free spirit types, AKA Breakdown. And also why I don't think I ordered this the right way- but I suppose from Emberstone to 'chaos' terran to Aftermath to Breakdown may break if I went no GHOST to no Autobot base to 'don't hide warriors in civilian homes' to Decepticon base to Breakdown to Aftermath... actually no... because then I can go to 'chaos' terran again and bring up Spitfire and others.

So, speaking of...

Shard-spark terrans, while not guaranteed to be trouble-kids so to speak, they are more predisposed to such given the circumstances of their creation in addition to the presence of the shard they are aptly named after. Aftermath is of course a bit of a destruction lover, it feels so good to break things it's often quite the shame that to have a broken thing, you must destroy something that may or may not have a use when it is unbroken. Breaking trees, breaking roads, breaking armour (even if it's a little baby dent to a soldier who's dealt with worse from a kid who didn't even exist up until a week ago), all the same to Aftermath who loves the thrill of it and hates things that make that thrill go away.

Can't even make a dent in that annoying Jawbreaker's armour! Ugh, he'll just have to teach JB to break something for him to make these gross feelings stop AKA JB discovers 'breaking things' stim and (with a bonus quick rewrite of his altmode episode where HE'S the one wreaking havoc on town because 'STOP BABYING HIM' 'WHY WON'T YOU LIKE ME' 'I HAVE AN ALTMODE NOW WHY DON'T YOU PAY ATTENTION TO ME' feelings) feels like really bad about it when he wants to break more things and scream :P good thing his mum's a veteran she can probably get him to do a war cry!

Spitfire kinda immediately did a gifted kid speedrun I think instead, Twitch 2.0 with a better drone model with better and more capabilities and the speed to out fly the out-mode, only up until it is Twitch who is preferred for her softer attitude and willingness to give up all that lets her win for someone else. Look Megatron, if you introduce a 'non-deadly' version of the Polyhex Protocol, maybe make fucking sure there is literally no fucking way for someone to be in immense 'death by falling' danger? Look look look look look- you put a newborn into her first race (btw, created while falling and thus having first hand experience that falling isn't deadly), say it's not to the death, and expect her not to assume that the giant cliff beneath the flying fox was also safe?? And that you had initially planned the Malto CHILDREN to run the course also and yet failed to create a proper safety net, literally or not you have a flight mode you could've played spotter!

Is Spitfire without fault? No, but what do you expect a newborn storm child to know about safety especially with a competitive streak like the one she's fast to develop! You all told her how she has the better altmode and 'better than this' why are you all looking at her like she'd suddenly BROKEN!?

And all these fuckers think they can all hug it out while she stands out in the rain biting and gnawing for attention?! Gross!

:P AKA Spitfire is like 12 (minutes) old and already fallen from grace, no wonder she gets a kick out of mutual 'want to bite people' sibling Aftermath :P

I think these thoughts are spiraling though to be fair my notes are also at this point spiraling-

Spitfire and Aftermath love to brawl with each other, it's too wild to be called sparring but it's not particularly deadly enough to call a battle, though it does get out of hand in ways that Breakdown - if he's still trying for parenthood - isn't even prepared to deal with (bumblebee voice: first time?). During one such brawl, Breakdown alternating between chasing the pair and backing off as they throw in more hits on each other, the kids accidentally run into Skullcruncher and - instead of backing down like someone more in the know - end up dragging him out of his listless reverie when Spitfire dodges Aftermath's double hammerfist after he threw her into the Decepticon.

Now why am I bringing up Skullcruncher is he secretly my favourite character? No, no he really isn't. But considering he's been used as a tool to not only display Mandroid's mind control technology as well as the visible consequences of that technology being used by GHOST, I feel as though he'd been left in the dust to kinda... regress? To disappear into his head? Some fucked up torture coping really, just in a literal brainwashing sense since :P GHOST wanted a pet project test subject. The aforementioned science team, with the help of everyone that was mind controlled and able to tell of it, have been trying to work through the brainfog it seems to have left Skullcruncher with. Regardless of the actual care they have for him specifically, they want to know if there's any actual lingering corruption on a mecha's processor all in due part because of it, to see if it would affect them physically as it had done mentally.

Between Shockwave's calculated response only providing his own experience in cold logic, Hashtag's experience (Shockers listing her under 'confounding variable' because of her status as a terran) having been used to connect her to Starscream when it counted the most whether or not she was good at playing therapist as a child full of fears and no wisdom, and Megatron nearly gunning down a kid he believed to be the hope of all cybertronian kind (all of the science team is reminded of how he has changed, how he now feels guilt over the future he could've failed instead of snuffing it out himself without mind), there may be a few networks rewired via the cybertronian equivalent of neuroplasticity... but the results so far are inconclusive and it's looking more and more likely to just be biopsychological placebo and coping mechanism Skullcruncher invariably got himself stuck in.

But getting dragged into the antics of laughing yet snarling children, going around beating each other around base not out of malice but out of pure enjoyment and glee, being chased around by someone who has the time and freedom - if not, the ability to be panicked about something so relatively small - to try and deal with the situation? Sure, the first strike is always surprising, and maybe he panicked with something violent in response. But the shard-spark siblings were already in the ebb and flow of their fight, if they got caught or grazed by jaws, if they got hit or dodged a sweep of claws, they'll fight like they always enjoyed. Skullcruncher may not be fully present, may not ever be, but hey... maybe those kids can help fight away the monotony and get him out of his head, out of the past the same faces of over a million years couldn't get to sooner.

Something like that?

And to give more love to other side characters that don't even get voices, why not some more Insecticon content- hell, why not a shard-spark terran who becomes an Insecticon, or at least has a bug altmode that caters to their personality. The 'sit alone inside the tube of a playground set all recess' type, the 'uses thoughts to give themselves company' type, the 'weird loner' type who's non-verbal and asocial? A very patient praying mantis, who takes the bugs outside when they're in and wants to show others the cool little creatures? To BE a bug?

Breakdown, who's willingly tied himself down to who he immediately claimed as his kid... his kids now? He... let's Spitfire decide for herself if she wants to be that but... Aftermath calls him 'old man', that's... that's what humans call their 'dad' right? They both make his spark ache and he's growing more and more confused at why he doesn't just run, take to the streets and drive away where his spark can be free again. But the idea sends his systems into a stronger more whole-body version of the feeling, shooting through his chest down through his arms and legs, in ways that feel familiar but... warmer than with any of the Stunticons.

Bumblebee, who was more or less stuck with the Maltobots as Optimus changed his mission, having gotten to actually learn from them as they learnt from him; he knows the feeling, he knows it strongly. And if they get to hang out more now that they aren't actively fighting each other - though I guess it's still a mutual 'hiding from the government' thing isn't it - they might get to talking about it.

"Yeah, that's just classic worry for you." "Bee, I KNOW what worry feels like, we've been at war for Primus knows how long!" He hated the way it sounded like Bumblebee was brushing him off, emphasised with waving of his hand like he was dusting his plating. If his 'cool' slipped well, the 'Bot didn't press him on it. "Always worrying about dying, worrying about energon. Pit! Worried about shrapnel to the wheels, can't keep beating you in races if my tires blow." Maybe not the best thing to bring up considering... "This is different." It has to be, because he knows he worried about the Stunticons, and they were his family. But... "Breakdown," When did he look away? Breakdown turned back to face Bee, "it's worry FOR them. It's... it's a worry because you care? I care about the Maltos, for the humans AND the terrans, and... I feel worried about them?" He can't help it, Breakdown laughs. A quiet chuckle really, turned snickers as Bumblebee's expressions twist. "HEY! What's so funny about that!?" Just in time to feel a fist beat against his shoulder - right on that afformentioned wheel, hah - even though his optics are narrowed and dentae bared, Bee vents out a laugh he tried and failed to hide. "Mr Never-Settle-Down hiding some wisdom I missed?" He squints at the name but doesn't let that stop his smirk. "Hah, come on Bee, you said it like you were such an expert before! But look who's confused now, right? Because 'classic worry' is so hard to explain." Bumblebee shoves against Breakdown's chassis, venting out another huff. "Okay sure, I'm not perfect at explaining it but!" "You care about them, these new... shard-spark terrans?" Aftermath, Spitfire, almost instantly that burst of 'classic worry' runs his systems wild. "I'm not an expert, so don't quote me on anything but..." He offered up his hand, beckoning for Breakdown to take it in one bold move. "I can help with what I do know, yeah? You've got one handful of kids don't you." With another pulse of his spark, the 'classic worry' - that 'worry FOR them' emotion - shivers down his wires and back up to his chest. Wordlessly, Breakdown takes up the offer with a small quick nod of acknowledgement, and feels the residual tingle simmer. It's not the same feeling with the Stunticons, this kind of worry but... maybe that's a good thing. "Good talk, Feelings-Expert, now why don't I the Winning-Expert take you up on that race?"

Can you tell I hate the first episode of season 2b/3?

Get prepared for a mood shift, we'll be talking about GHOST again!

Obviously because GHOST going defunct and maybe so suddenly it's hard for anyone to corral it under control of the next in rank, it IS an entire organisation after all, there would be quite a few lingering resources within the building itself that the government may be interested in let alone the mecha that would be at a disadvantage to those who would access such resources. Mind control technology and research (definitely don't want the government having that), anti-cybertronian weapons and restraining tools, the fucking GHOST harddrives that were placed in the fucking public recycle centre A YEAR AFTER GHOST FUCKED OFF AND DIED!? Yep that's all getting scavenged, at least as best as they can be while the government is extracting as much resources they can without needing to be sneaky about it.

Hah, considering the lows GHOST is willing to go, one such section - another where the cybertronians can't seem to access one way or another - ends up leading to a morgue of cybertronians, Autobot AND Decepticon. Some of course were known casualties, others are now confirmed dead rather than missing, but missing is an apt term. Missing limbs, missing parts, missing heads. Open chests, open sparks, open processors. Cybertronians were only machines to GHOST, only machines to Mandroid, only machines to manipulate and not even mind control... reprogram would be the term more accurate.

With a well of supply for how cybertronian brains may work, of course someone could eventually slap a remote control onto them and pilot them like a puppet on strings, and it's something something pretty horrific yada yada robot corpse desecration is like nothing on human TV screens.

Hmm... as I said I did like that Prowl acknowledge that hey maybe kids shouldn't get involved with war (even if it might've been framed as 'are we sure children are capable of doing adult responsibilities), so I wonder if I should continue with what my July 28th notes say about him or not... hmm...

Okay! MAYBE! I think it could work?

ANYWAY! Villain Prowl who is a stickler for the rules, villainous only in the way a lawmaker is (read: maker) and collaborating with the government to work cybertronians into the system so that they may be apart of the judicial system, which uh fittingly reflects the quintesson motivation and probably would be really cool to parallel the two. Prowl finds out about human war crimes and goes 'hoo boy some if not a whole fucking many of these laws have been violated by the cybertronian war' and resolves to fix it, but under American government cannot do anything official nor fair while the law only considers humanity. Something something 'cybertronians shouldn't be held to human standard law' yada yada 'so you think yourself above it!?'

Maybe not VILLAIN Prowl per say, more antagonist Prowl who wants to atone for the crimes committed on Earth's surface and give back justice to the people but doing so in the only way he knows how, like a cop. Or at least like a second in command/high ranking Autobot commander and advisor, doing his 'due diligence' to make sure that justice is served and that crimes are punished, which I mean ACAB and all he's still a bastard about it by doing it AS FUCKING SOON as GHOST collapses or at least working actively after the fact but :P

Hah and yeah, Prowl would be stiff lipped about children engaging in conflict. For all the bastard cops that oh so value the punishment part of crime fighting, there are laws in other areas (especially around war) that are to the benefit of the innocent. It's just that war crimes seem to really be listed down after the war has official come to an end and the cybertronian war is still in armistice as of now, in due part because Prowl has committed to atoning NOW of all times :P

This was a bit of a mess, I hope you derive some enjoyment out of this

[mylifewasamazinguntiliwasborn]

So why do I think Dual Destinies is a dogshit game @elzux?

It all boils down to one very simple thing - almost nothing about the game feels like Ace Attorney.

I think the first important thing to note here is that by the time Dual Destinies came out, Ace Attorney had been my special interest for over 5 years. I was extremely familiar with the original trilogy, as well as Apollo Justice and both Investigations games. At that point I didn't dislike any of the games I had played, Apollo Justice was my least favourite but I still loved the game a lot.

Now to the meat. Why doesn't Dual Destinies feel like Ace Attorney? Let's break it down.

The dialogue - lacks the usual humour and snark. The game can't keep me focused on the dialogue. In a game where reading the dialogue is required to play the game. The dialogue is so, so boring and often nonsensical that I found myself skipping huge blocks of text, just because I either couldn't or didn't want to read what was going on. It's a massive drop in quality in a series that is known for its top tier dialogue, which usually effectively furthers both the plot and the characters. Here we instead have dialogue that feels like someone who only knew Phoenix Wright through early 2010s Youtube memes had written it. My favourite example is from DD-1 where Phoenix's inner dialogue reads (Noooo, come back my beautiful contradiction!). First glance, it's okay. Maybe even funny. Second glance, hold up. Phoenix would never think that. He might have used this as a punchline after 4-6 text boxes of lamenting, not just as a single one sentence reaction to one Objection by Payne, of all people.

The characters - closely tied to the dialogue. The returning characters don't act like themselves. The new characters are paper thin and without agency. The side characters are so boring I still barely remember anyone's names. Phoenix is stupid. Why is he stupid? Phoenix is goofy, yeah. He's a silly little guy. Sometimes he's slow, although his literal character arc of the first 3 games is becoming The Best Attorney Ever. He can't be stupid 10+ years into his career. Especially remembering that he JUST tried to reinvent the entire court system in his country (more on this later). That's simply not something an idiot or an incapable lawyer fucking does. Apollo isn't Apollo. He's given three new backstories here and in result, Apollo Justice ceased to exist. He was kind even if a little sarcastic, he was unsure about himself, and he was so willing to learn. And here? Here he's just a mean prick and a know-it-all. Yeah okay he's traumatised yadda yadda then why is he like that in DD-2 as well? You know, BEFORE his bEsT fRiEnD died? Also what fucking best friend? How about you talk about his mother instead? Why turn his cute speech patterns into some traumatic goddamn mess? Literally no one asked for that. Athena is an awful character for the first half of the game, then gets some meat, and is then devolved back to 0 by giving all her agency to Simon Blackquill. Amazing. THIS is the game series praised for its strong female characters? Give me a break. I don't know anything about Athena except that she's a polyglot and has PTSD. That's not a character, that's a plot device. Simon Blackquill is kinda okay but he's also the first major overstepping a line Ace Attorney does. His character is too ridiculous. Why is a death row convict a prosecutor. Even within the AA universe it just doesn't make sense. He's just too much. Bobby Fulbright/Phantom is the 3rd worst character of the entire series. Where is Klavier Gavin. And let's talk about character designs while we're here! They're awful! Not only are the 3D models ass, but Pearl Fey's aged up design is fucking horrendous! Also this is the first game that really feels like it was made for cosplayers. The characters don't feel like characters anymore. This is an anime convention in a courtroom, now.

The plot - again closely tied to the dialogue as dialogue is the main device used to move the plot along in Ace Attorney. It fucking sucks. The cases don't make sense. It's a trend started by AJ, but DD takes it a step or a hundred further. Every case is so deeply uninteresting that even after having now freshly played the first 2 cases, I couldn't really summarise their plots for you. Where's the motivation, or the motive for that matter? Who cares? Who are these people? The only interesting case is the last one, and it's only interesting because of the last half of it. That's where the game peaks, I'll admit it's even good for a moment there. Then it's of course brought down by the whole Phantom thing (refer to section "The characters"). It's so one-dimensional, something Ace Attorney has barely ever been before. It's like Berry Big Circus: The Game. I'm miserable writing this thinking about how I still have four more cases of this to go. But most importantly: WHY give Apollo all these fucking backstories? And WHY erase everything Phoenix did in AJ? Where's the jury? Why was it buried? What happened? What? Where's Klavier Gavin?

The game mechanics - this is huge. First off, let me go back to the beginning where I said by the time DD came out, I had already made Ace Attorney my entire personality. I knew those games through and through. There's this very specific Ace Attorney logic that one either has/learns along the way or doesn't. Like when you're cross examining and you can Just Tell what to press, or what to present, even if you're not entirely sure why. The games are intuitive, so to speak. Well, not DD! DD remains the only game in the series beside PLvsAA where I have to look up stuff in a guide or save scam to save my ass. DD diverts from the AA logic so much that playing it doesn't feel like Ace Attorney. I can excuse PLvsAA, it was a PL game to begin with so I can understand why sometimes the writing would be lacking, but the 5th installment of the main series!? No way. Also, the mood matrix is easy and stupid and comparable to how Pokémon for the past 10 years has tried to one up itself with each generation when there was no need. Mega evolution was great, why would we need all that other shit. Magatama was great, we don't need Perceive or Moods or Seances. Fuck you. Sorry I'm getting really riled up now. And finally, of course, the elephant in the room. Why. Why can you not examine each location? What? What the fuck? That's where the best dialogue happens. That's where you build the characters you fucking morons. In the background. That's why we have the entire stepladder thing. You can't just take that out. The moment I realised they had done this I lost all hope for the game and haven't seen it since. But Unski, there must be something you like about Dual Destinies, right? It can't all be that bad, right? Right?

Correct. Here's an exhaustive list of all the things I liked about Dual Destinies. -The OST was only the 3rd worst in the series. This isn't entirely on the composer though, it's also that while I like the orchestral arrangements well enough, they just don't quite hit the intensity I fell Ace Attorney deserves. Yes this includes DGS. -Speaking of OST, probably the best Truth theme of the series, and also some of the best Reminiscences are here. -Aura Blackquill is a solid good character with an interesting backstory and her own agenda. She is easily my favourite character in this game, and A tier in the over all series as well. -Phenomenal, haunting artwork. If you've played the game, you probably know which one I'm talking about. -Sometimes the cutscenes weren't entirely awful. -They brought back the black Psyche-Locks. If only they could have done that on someone more meaningful.

[mathewton-cl]

As An IzuOcha Shipper…

…them not ending up together isn’t the problem.

Horikoshi taking the “leave it up to interpretation” approach and then proceeding to COMPLETELY AVOID ADDRESSING their relationship status is the problem.

Horikoshi failing to tie up that one last loose end for Uraraka’s character arc (not closing off her feelings) is the problem.

Again, I ship IzuOcha. Still do, because I’m stubborn. Would I have liked for them to end up together, even if it was only a somewhat blatant implication that could be handwaved? Obviously. But you know what? Maybe I would be upset if the story went out of its way to explicitly de-confirm any chance of Midoriya and Uraraka being a romantic pairing, but I’d at least respect it and understand it a lot more if the story let Midoriya and Uraraka actually talk about this, or at the very least SHOWED US them talking about this. I’d understand if Uraraka completed her character arc by having a heart to heart with Midoriya and telling him that her feelings have changed, her priorities have changed, and Midoriya understands and they remain good friends. Let’s be real, romance isn’t Horikoshi’s strong suit, despite his many attempts to leave romantic implications throughout the series. I’d completely understand if he just had Midoriya and Uraraka talk and they didn’t end up together, because at least then it still provides both of their characters with closure.

But no, that’s too simple. Let’s just “leave it up to interpretation,” because it clearly wasn’t that important, right?

Well, as many people on the internet have already brought up, if it wasn’t so important, why did you spend so much time putting emphasis on it? Why did you have Uraraka, up until the FINAL WAR, have her crush on Midoriya be a crucial part of her character (it wasn’t her only character trait, mind you, but it was still important)? Why did the penultimate chapter have the class come to comfort Uraraka and tell her that they can talk to her… and then come the next chapter, Uraraka apparently hasn’t done anything regarding her supposed crush on Midoriya? For literal YEARS!?

…see, this isn’t even a shipping problem anymore. This is a character problem.

Horikoshi, for whatever reason, chose not to include a romance for the main character and his supposed love interest. And again, that’s fine, not every story needs to be a romance. Two problems with it here though (well, one problem and an observation):

1) Choosing to not at least address the romantic subplot with a “I think we’re better off as friends” encounter, thus actually concluding the subplot and providing a sense of closure, not only leaves the result feeling underwhelming and frustrating, but also actively damages Uraraka’s character arc. We can have her address the problem that caused people like Toga to exist, but heaven forbid she talks about romance with Midoriya.

2) Despite his supposed aversion to romance, Horikoshi still went out of his way to give Gentle and La Brava wedding rings… he’s willing to establish a side romantic pairing without bringing too much attention to it, but he can’t be bothered to do something similar for the arguable MAIN pairing? It’s the “Togata has special clothes so he doesn’t end up buck naked, but Hagakure’s still gotta go commando” debacle again…

I’ma go ahead and wrap this up ‘cause I don’t wanna keep y’all much longer, but like… being optimistic, this ending was… functional. I’ve got my problems with it, obviously, I don’t think it was BAD bad… but it certainly wasn’t good. It works. Barely. And it’s ‘cause of stuff like this.

Midoriya and Uraraka didn’t need to end up together, truly. All Horikoshi had to do was put the smallest amount of effort and give us something of substance, something with closure. Instead, we got what we got.

I get that he was exhausted and wanted the manga to be over… but that excuse only holds up for so long.

[mike-haters-dni]

Scalding, unnecessary take that I'm going to use as an excuse to yap about my hyperfixation characters more than anything, but El's character is actually impossible to stick into coffee shop fanfiction No Supernatural Shit AUs. That's Jane you're writing about. Jane and El are not the same person. At all. And like, Jane is interesting to think about, don't get me wrong. I have thought about Jane. I love Jane. She's adorable and vaguely autistic. But Jane != Eleven.

Eleven is the way she is almost entirely because of her experience/trauma of growing up in the lab and having supernatural murder powers. Her main characters traits are being a self-sacrificing hero and not being sure who she is due to the fact she grew up in an isolated sterile inhuman environment. Unless you're directly translating those things into something unsupernatural (like growing up in a fucked up cult or something and like fighting her way out and now she'll fight to protect other people from similar experiences or something idk) you're writing about Jane the normal gorl who got to grow up with a normal personality in a normal world. And like, you can do that. It's fine it's fandom do whatever u want. But personally, the first thing I come up with when I birth an AU is what crazy powers and fucked up backstory we give Eleven here. Also how do we make her and everyone else really fucking cool but that...might be beside the point idk.

The powers have to basically ruin or have had ruined her life at one point. They have to be a curse that she either reclaims or gets rid of at the end. If she isn't tortured she isn't Eleven Stranger Things lmao

And then yeah yeah my next step is to figure out how Mike AND THE OTHERS OK but mostly Mike get involved in this. Which brings me to my next point: Jane and Mike have no real reason to talk to each other. Mike x Jane is just Normal Gorl x Normal Boy which is like, fine sure if that's what you want, but also you kinda just erased everything interesting about their dynamic. You wanna know what makes El and Mike's relationship so compelling? Objectively? I'm objectively right about everything I'm about to say here? Ok their dynamic is this: Eleven is the most important person in the world, and Mike is the only boy who will ever love her. And yeah that second one sounds really sad but 1. yeah it kinda is :) 2. its not really true that's just what El thinks which is like a major theme for her character TO ME, her underestimating how 'normal' she is esp in her later years 3. it also is kinda true because he's the only boy romantically interested in her who actually understands and experienced all the supernatural/lab trauma bullshit and is actively fighting beside her through the plot of the show, and 4. he's literally perfect and also the only boy she'll ever love and need so it all works out.

And to explain the first one, I mean, you know she's saved the world twice right? She kinda literally is the most important person in the world considering its up to her to stop the apocalypse probably in the end? But its not the being important exactly that makes Mike love her ok, that's more of a meta character thing. Like she doesn't have to literally be the key to saving the world and the most powerful being in the universe. Its more that she has to have something really special about her that draws Mike specifically to her and binds him to her permanently and inseparably and he belongs to her forever and ever and they die in each other's arms. Like she deserves. In canon I imagine objectively and correctly that it went like this: Mike is a natural outcast collector and protector due to his pervasive unconscious need to be needed and his fear of losing the few people who like him, who meets the ultimate outcast girl who literally has nothing and needs him in a very real way, and this gives him an excuse to just pour his entire self into her, fulfilling one of his deepest interpersonal needs. The best part is that she's super selfless and amazing and she loves him the same right back so its actually a beautiful thing they get going. Basically the idea of being anything less than perfect for her is so sad and horrible due to how fucked her life was that it drives the already caretaking Mike into overdrive to make her happy. Not at the cost of him still being an individual person, mind you. But that's the vibe. Also let me just say, all the self-sacrificing vibes and obsession and desperation can become toxic under certain circumstances and that is absolutely a feature not a bug. Sorry you don't like watching your faves yell at each other but we are not the same.

Anyway what the fuck was I talking about? AUs? Yeah ok so when translating Mike (AND THE OTHERS...and the others) into other stories there's more flexibility u kno because he's mostly just Some Guy. He really just needs (TO ME) an excuse to be fighting with Eleven (she has to be fighting something with the powers I know you gave her). He shouldn't be directly involved with whatever gave her the powers but he should generally know of and be somewhat affected by it. Or become aware of it/involved with it over time. Like in the show. You get it. Honestly his only real consistent character traits are being kinda moody and being the leader of the party in whatever vague or not way. And being intelligent. Like he has to be leader for a reason. I guess that's a decent base for a character right there.

oh right side note: you have to do something fun with her name. like she was basically branded Eleven by the freak that gave her the powers so u gotta take that energy and translate it into another branded name that has el in it because she needs to get the nickname ofc. unless its a cyberpunk au in which case Eleven is a pretty normal name and she can just go by that lmao.

So the point ig is Jane and Mike break up when they go away to different colleges and don't talk to each other again until their next high school reunion, while Mike and Eleven are...well you should know by now.

[colorfuldream]

Okay so I've seen it a few times now and there are people who genuinely believe the Squid Sisters have the least content out of every group. I mean, I get forgetting Deep Cuts but the Squid Sisters do have as much as Off The Hook. Sure, OTH is starting to look like favorites now but the SS aren't left behind. Here's an itemized list:

They're in every main story mode. They have three whole games about them. The concept of story mode revolves around them. Just because they aren't proactive in them doesn't make it not count. Their quips and banter are what made us care and learn about them. It did flesh them out. They don't have to actively help to be main characters and receive development. The only game you could argue that is Splatoon 3 but it has a writing problem in general. It did close their story, subtle but interesting and well-written (for what Splatoon is), across the three games.

A short story. They're the only ones who have that. That has insane development, providing a lot of details about them. Like, that's a MAJOR thing that's lore-dumping so many things.

They're in almost every concert. They're in all but two concerts. They're canon too. This gives them a lot of presence in the franchise.

Lots of illustrations. Makes sense. Of course they are with how long they've been around. Still an important sign that they're a major part of the franchise (obviously, the main story is about them). It's always nice to see them in different situations anyways. They also get some lore out of them, fleshes them out and whatever. Which brings me to my next point.

Different outfits. It's not only giving us a sense of how they dress, but it's telling a story. Said it before but, for example, we know Marie likes dressing up for Story Mode and be a mentor of some sort. If you pull that string, you can get that she's someone who puts on a façade depending on the occasion and likes teaching/guiding people, her idea of mature and cool is a traditional outfit from her hometown.

Special Fest variants. Yes, they all do. However, the thing that differentiates them is that this is outside their game and, even though they were mostly reskins, they did get fully new outfits and hairstyles which neither other groups did.

Technically, they got a DLC. Even if it's the old hub and basically promo for Side Order.

They're in Smash Bros. That's not nothing. They're not spirits, they're full-on assist trophies. They better be in it honestly, but it's still something they have over the other two groups. It solidifies their status in the franchise.

Many songs, including remixes. Obviously, but they're also on the Splatfest list which never happened before outside of special events. They started it in Splatoon 2's Final Fest and started it in Splatoon 3's regular Fests. They're trend setters! Which leads me to...

Boss Fight. Final Boss, even. Callie started it. Literally. She fought us. The fact that she was The Final Boss™ puts her above the others. They wish they were her.

Solos. They did it first. They've also got not one but two mash-ups of their solos so it gotta count. I would argue that theirs are special too as they're meant to be solo pieces while the Anarchy Poisons are always put together be it on the soundtrack or the concerts. They were made to, and it's lovely, as Deep Cut's continuing the trend OTH's set: a united group that values each other and their work over fame. Their music is made to be together. Anarchy Rainbow and its Poisons is just that, something that's all of them, always. They were also fused in every live version, and the in-game live version, unlike Tide Goes Out and Bomb Rush Blush. These were forcefully mashed up as each sang over the other, desperately trying to drown out their will and win this fight. It's only now, years later, that they get an unexpected mash-up, joyful and harmonious —which in a way is a part of their story, them reclaiming this song as they bring their solos together. The Squid Sisters are working for themselves, they now do whatever they want with their careers and what they sing, how they sing, when they sing is up to them and only them.

They're the end credits of every game. Special mention to Splatoon 3 that just sacrifices its own idol group for them. Unlike Splatoon 2, Deep Cut was involved in Story Mode and for all the 10 minutes they spent in it, the end credits should have been theirs as they sure as hell didn't get a DLC. Their equivalent was a last minute addition at that, unceremoniously added later on without much spotlight. Jeez, they could have had a second collab song instead or something!

They've got the final battle song for every game. Makes sense because it's their story and their games, it's the culmination of their work every single time. Unlike the credits, they at least shared the spotlight with Deep Cut... Hey, if Marie's their boss, doesn't that make her a part of their group or vice-versa? She better be, she's the one handling their paperwork after all (poor woman, it's a mess too and they're not spending wisely. Shouldn't have been talking about becoming a manager, Marie, you're getting roped up in too much silliness and Callie won't help).

Participation in 2 Final Fests. By that, I mean actually having a team and representing it. Otherwise, they're involved in every Final Fest.

Merch. I mean why wouldn't they have some?? But it had to be added. Special note for the concert CD and special edition. I guess I'd put there the interview bit Marie conducted in Splatoon 3's soundtrack bonuses. That's another bit of trivia/insight on her work. The Nintendo Magazine interviews also count as they're relevant to their characters.

Their song is a major part of their world and franchise. Calamari Inkantation has a special place in the lore and the franchise. It's THE song but also THEIR song.

4 amiibos. They might not give their outfits (which I kinda like because I'm not fond of how they did it for the others) but they give out gear related to their story, the game, and that we should have gotten. At least they're fixing that flaw I guess.

Storyline during the Splatfests. Not sure if it should be added but it did culminate into long lasting conflict between the two of them and started their storyline. Since it's missing in Splatoon 3, I think it should be noted. It fleshes them out and makes them feel a bit more alive, like they're affected by the results.

Most of these could apply to Off The Hook too. My point is that the Squid Sisters haven't been neglected, not from Nintendo's point of view. They're more than included, arguably the stars of Splatoon 1 and 3. The thing is that Off The Hook is the fan favorite right now so most of our attention is on them, not the others. The Squid Sisters have also been so ingrained in the franchise that we're used to it. We readily accepted they would be the stars of Splatoon 3 because they took over most of Splatoon 2 until Octo Expansion. We assumed the other two groups would get DLCs, or that Deep Cut would be involved in OTH's like in the Main Story, only to realize that Nintendo didn't give a damn and gave the spotlight to OTH alone in an attempt to replicate what Splatoon 2 did. Obviously, once we got over Side Order, we kinda realized this was unfair and that there was favoritism. It didn't help that OTH was featured in regular battles and that Splatoon 2 and 3 handled Splatfests differently, with special events and work done to the idols. We've come a long way since the first game, which itself had changed plenty during its time, so it feels unfair that the Squid Sisters didn't benefit from what the others got or for as long. That doesn't mean they didn't get a lot and weren't the favorites for a long time.

Now, I'm gonna address the thing that made me write this in the first place:

They do have a story and development. Just because it wasn't in your face doesn't mean it didn't happen.

Up until Splatoon 3, the story wasn't as obvious as it could be when it came to the idols. Marina's background is clear-cut, because you cannot be too subtle about it, but apart from some big lines, it wasn't directly stated, nor was her development in Octo Expansion (it's heavily linked to Agent 8 and the Octavian but the fact that she comes to be comfortable in what species she is and overcomes her fear of being found out and rejected should count as a story). She's fascinating and it's important to the world.

But that doesn't leave the Squid Sisters flat and boring. They had an arc! Them slowly resenting each other because of their time as Splatcast anchors, because they were always pit against each other, because of the way being an idol works, is a story in itself. It was bad enough to get Callie to free Octavio, who's a terrible, dangerous person as far as she knew then, and go to the Octarians, poor, underground enemies. The Hypno-Shades are more like heavily suggesting you to obey, we know that Callie had some sort of free will to put glitter, of all things, into their ink. She also was fully conscious of her actions when freeing Octavio, and we know this guy isn't a mastermind and world class manipulator. Marie wasn't doing much better, working a lot and being stressed. Fame drove them apart and broke Callie down to the point of going to people who wanted hers dead. She freed a war criminal. Once Marie saved her, mostly from her own despair, they decided to do their own thing. They didn't need fame or their careers. Family was more important. Tidal Rush was their solos crashing against each other, not listening and trying to sing over the opponent, until Marie blasted on a song that meant the world to them. The hymn of sea kind. The song that they won that fateful contest with when they were young, the reason why their dream came true. The song that they sang when safinf their dear grandpa, powerful enough to make Octolings give up everything and try to join the surface. A beautiful memory. Something that was theirs. And so they sang. Together. "I remember everything!" The innocent days they practiced for the contest, the terrifying ride to Inkopolis, the nervousness of their first Splatcast. But they were together. She wasn't alone. Marie had always been on her side. Neither of them wanted this. If it had been up to them, nobody would have compared them to each other. They wouldn't have been choices for their last Splatfest. It's a certain kind of cruel to ask which of the two teenage girls was the better one. Callie wasn't angry at Marie, she was angry at the system. She felt awkward, self-conscious, worthless because of her status as a celebrity, because she as a person didn't matter. Her comfort? Who cares. Take the photos, sing the songs, be careful to be perfect. She was overworked, isolated, and the only person she could count on was put in the same position and told she was a competitor.

Fresh Start is the two of them reconnecting away from show business. Going back to their roots. They stop being idols afterwards, they don't sing much anymore. They get their own careers. Callie slowly finds the strength to be in the spotlight after so long and goes back to acting, unlike Marie this seems to be more of her thing. Marie keeps on with her podcast, now using it to hype Callie up. Splatoon 3 even shows us that Callie is some sort of spokesperson, announcing that an Inkopolis stage will undergo reconstruction. She's rebuilding her career on her own and making it her own. The Squid Sisters, while some of the most people in the world, weren't recognized in the Splatlands. Sure, Shiver and Frye probably didn't give a damn about Inkopolis musicians but Big Man is a fan, he's even showed them their music, and he still didn't recognize them. They're known for their music, their names possibly for themselves. Splatoon 3 is the only game not to give them a story, even its details don't imply much. But the previous two games did.

It's a story of two girls who got famous too soon, too suddenly, and got eaten by showbusiness. It's two young women taking their power back and breaking free from the idol life. It's a family that managed to heal from the damage fame caused over the years.

I dunno but I think it's beautiful and I'm a sucker for stories that criticize being an idol and family coming together. The Squid Sisters' entire thing was being idols, that's their entire concept, especially identical ones which is dehumanizing enough. It's fitting and not something you'd expect out of Splatoon of all places but it's the kind of franchise that gets surprisingly deep and dark in its smallest details.

No, they're not neglected or underdeveloped. Their story is there, just not as flashy as you'd expect. Their presence is something we're so used to that we don't clock it anymore, moreso when the other group gets attention too. Splatoon 3 didn't handle the writing well, as fun and silly as it gets, and it shows in a lot of ways. It's easy to go "so what was the point of the Squid Sisters being there?" when the story didn't bother doing anything with them for once but they weren't the only one neglected nor did they not get content in other ways!

[jenyifer]

Book List Time!!!

And with that I have 10 give or take books to discuss. Now I’m up to over 30 books since May woooo telling tumblr about each one has been a great motivator so I hope my reviews and list help people out in a non spoiler fun way. Gonna rank these in order I want to reread them.

1. Green Creek the series by TJ Klune 🏳️‍🌈🐺🌶️🌲 Wolfsong Ravensong Heartsong Brothersong I am obsessed. Literally read all four books in 3 days. I have bought physical copies and marked them up. Will make you cry, laugh, and stay in your heart forever. Just……. Go read it. But the quick synopsis is Powerful Humans Wolves Witches have to pay for the sins of their fathers over and over again while maintaining their found family and finding their true soulmates. There is Ace Lesbian non binary rep in here as well.

2. The Warden by Daniel Ford🏳️‍🌈 👩‍❤️‍💋‍👩🧙‍♀️❄️🪦truly a fantasy masterpiece the romance isn’t the focus but it’s fucking good. First sapphic book to get a 10/10 for me. About a witch(with a magic system that is interesting surprising) growing up and finding herself a family without sacrificing who she is. I loved her and at first you think ehhh is this going to be boring no definitely not. Was surprising made me laugh and cry. Can’t wait for part 2 cause more of the hot gf in there I hope.

3. A Taste of Gold and Iron by Alexandra Rowland🏳️‍🌈👑⚔️🌶️🌶️ I listened to this book two times in a row I enjoyed it so much. It’s a bodyguard and prince story. The prince’s depiction of depression anxiety panic attacks was so real. The bodyguard is very endearing. The themes of family are strong and interesting. The mystery was easy to solve but I found it rewarding because I wanted the prince to win so badly haha.

4. Spindle Splintered by Alix E Harrow🏳️‍🌈👩‍❤️‍💋‍👩👸🏼🥀😢

Short story about a dying girl who has a special interest in sleeping beauty. It does have a…. Debatably Sad ending. I did enjoy it for what it was trying to talk about. I lost a friend when she was too young. I’m glad I read it.

5. Scumbag Villains Self-Saving System series by Mo Xiang Tong Xiu 🏳️‍🌈🚩⚔️😈🕊️🤓🌶️? I’m putting it up this high because besides that scene in chapter 21 that slapped me in the brain I really enjoyed the series. Only Danmei I HAD TO GET THE REST OF THE SERIES IMMEDIATELY Hell I’ve even now written fan fic for the side ship. About a Nerd being put into his favorite love to hate stallion novel (story about a hero who fucks his way to success) but he’s in there as the abusive villain who the hero is destined to kill. The nerd has to save himself and unintentionally builds himself a harem featuring the most red flag the hero who so sololy motivated by the nerd. It’s great easy to read very fun. But 🌶️ scene in book 3 is a definite skip and delete from memory.

6. Case File Compendium Vol 1 by Rou Bao Bu Chi Rou 🏳️‍🌈? 😈🚩🩸🕵️🥼

I did just finish reading this so maybe I’m bias but I really did find it a book I couldn’t put down. I even brought it with me to work to read a chapter during my lunch breaks. Main characters are heavy in their homophobic lifestyles but they kiss and protect each other? True crime and mentally ill characters. MC is has a fatal mental illness that makes him unstable and MIL was his former private doctor. MC is trying to date MIL’s little sister. While getting up to shenanigans they stumble into a corrupt hospital and evil forces are maybe after them?! Idk its exciting fun to read but only if you like 🚩’s

7. The Disabled Tyrant’s Beloved Pet Fish Vol 1 by Xue Shan Fei Hu 🏳️‍🌈🐟👑🎨🖼️ I did genuinely laugh my ass off during reading this book. It was incredibly easy to read I think I finished it in 4 hours. Very cute. I love the inside and outside art. About a nonverbal Prince who has anger issues and his crush on the modern man who is trapped within an ugly little fish. Now yes the Prince is becomes actively in love with the fish. Lucky for us we are stuck in the man who is trapped as the fish’s pov and he is genuinely just trying to get back to his world by obeying the powers that be System’s prompts to go home. Fish is not trying to seduce the Prince or anything. It’s just funny I had a great time with vol 1 probably will read vol 2.

8. So Let Them Burn by Kamilah Cole 🏳️‍🌈👩‍❤️‍💋‍👩👩‍❤️‍💋‍👨🐉🏝️ while having dragons and diverse cast it ultimately falls short of expectations wishing for more depth and clarity. The asexual spectrum representation feels muddled and Jamaican inspired cultural elements are unexplored which is at odds with its rich backdrop that could have enhanced the story. The story’s mystery element lacked cohesion resulting in a frustrating bittersweet ending that suggests a sequel and left me unsatisfied. I won’t read the next book. Won’t suggest it.

9. Faithless Book2 by C L Clark 🏳️‍🌈🚩👩‍❤️‍💋‍👩⚔️👑😩 a big let down from book 1 but I’m locked in for life I guess. Luca is back in France navigating a way to get the crown. While Touraine shows up with a priest and Teen to some how get food for her people. Most of the plot feels useless both MC characters are stupid and do no growing. The new teen character was interesting. I disliked the poly romance I didn’t particularly feel comfortable about Touraine and Luca why not add another person in what could go wrong? Luca’s reign as Queen looks to be very bad and you will feel extremely disappointed at the end. I’m going to read the next book but only because I like the characters who didn’t go to France.

10. Self-Made Boys by Anna-Marie McLemore.

I read 90% of this book and I regret it. It’s a trans characters as the leads gay retelling of the great gatsby. I was truly excited to read it I’ve read The Great Gatsby many times. However this book just laughs at the source material. I’m tempted to say maybe the Chat GPT’d the plot and didn’t ask for any over arching themes in the book. I couldn’t do it I’m gonna have to find a better trans representation book in my next set of ten.

DNF’s

Last Night at the Telegraph Club, The Once and Future witches, Gearbreakers, the emperor and the endless palace.

[l4v3nd3r-bl00d]

i thought i'd do an updated introduction post since i’ve been so inactive, so new mutuals/followers can know more about me!😊❤️

my name is kittie, i am 18, i have been diagnosed with autism & adhd since i was 15 (important to know because it explains why i am the way that i am lol) i don’t mind what pronouns you use for me, literally any are fine. i am just a person. 😁

i first started collecting violet exacts in 2019 however my collection has grown pretty slowly since i can’t hold down a job because disability.. disables. 🥲😭💔

i enjoy old things quite a lot, at the moment my main areas of interest are in: gothic architecture, silent film era (georges méliès films are my fav), skeleton keys, children’s books & toys from the 40s-70s, taxidermy, postcards, and vintage fashion/lingerie from the 40s-70s.

i also cosplay, i just don’t post it on the internet very much, my favourite anime are: kamisama kiss, vampire knight, nana, paradise kiss, love live, k-on, the future diary and chobits.

my main/oldest special interest is japanese fashion subcultures! (lolita, mori kei, fairy kei, dolly kei and cult party kei to be specific)

i don’t game regularly but my favourite games/game franchises are: american mcgees alice & madness returns, fran bow, sally face, little misfortune, stray, silent hill, elder scrolls, resident evil, skyrim, bloodborne, life is strange, the walking dead, the last of us and batman: arkham knight.

some of my favourite shows/movies: ahs (obviously), the office, dexter, the walking dead, its always sunny in philadelphia, lost, kamikaze girls, ghost world, sharp objects, wayne, a series of unfortunate events(both the series and the movie), gummo, ginger snaps, donnie darko, twin peaks, black mirror, and every wes anderson, tim burton and a24 project ever.

okay now here is a dump of all of my fav albums because i feel it’s very telling

blonde redhead - misery is a butterfly & 23

scarling - sweet heart dealer & so long, scarecrow

air - le voyage dans la lune & talkie walkie

oingo boingo - only a lad

brennan wedl - holy water branch

daniel johnson - hi how are you

teen suicide - dc snug film/ waste yrself & i will be my own hell

fox academy - luxury beverage

sidney gish - no dogs allowed

s.maharba - s.maharba

mcr - i brought you my bullets, you brought me your love & three cheers for sweet revenge

katie jane garside - lullabies in a glass wilderness

roar - impossible animals & i’m not here to make friends

candy claws - ceres and calypso in the deep time

imogen heap - speak for yourself

ricky eat acid - three love songs

dandelion hands - bleak week

catatonia - equally cursed and blessed

mort garson - mother earths plantasia

black box recorder - england made me

lady radiator - bounce energy hear me out

coma cinema - posthumous release

color filter - sleep in a synchrotron & i often think in music

jenny01 - jenny01 best & cluster

otto benson - songs before bed

marysgate - special memory

fear before the march of flames - the always open mouth & odd how people shake

the avalanches - since i left you

elysian fields - queen of the meadow & ghosts of no

leslie gore - i’ll cry if i want to

my bloody valentine - loveless

smashing pumpkins - siamese dream & mellon collie and the infinite sadness

jack off jill - clear hearts grey flowers

colour filter - sleep in a synchrotron

elliot smith - xo

panic at the disco - a fever you can’t sweat out & pretty odd

maple bee - chasing eva & home

nastyona - another secret

heartsrevolution - kitsune hearts japan

rasputina - transylvanian regurgitations &cabin fever

chris vrenna - american mcgees alice

queenadreena - taxidermy

bunny boy - Shelly & the bunny tree & did the angels come to kiss you

hole - live through this & celebrity skin

akira yamaoka - silent hill 2

hooky - something to look forward to

jack stauber - micro pop & pop food

satanicpornocultshop - arkhaiomelisidonophunikheratos

sparklehorse - its a wonderful life

susumu yokota - symbol

every album by the cure ever

i’m not very interesting so i don’t have a whole lot to say about myself on a personal level, i just like to share the media that i enjoy lol. don't be shy to message me if u ever wanna talk, especially about anything music, fashion or fandom related, just a heads up though that i sometimes really suck at replying(i apologise in advance)🥲

here are links to my other social media if you want to follow me elsewhere, though all personal accounts, not violet or ahs related.

tiktok: https://www.tiktok.com/@kittiebot?_t=8pZwtHs5DjU&_r=1

instagram: https://www.instagram.com/kittiebot13621?igsh=MnFpbzlpaWo0enpn&utm_source=qr

pinterest: https://pin.it/4Rlko08SX

spotify: https://open.spotify.com/user/qenp8br378218on2h77lzldq8?si=-sS3g8ATQECdosiCSmBVyw

- kittie😇❤️

[theswordwizard]

screenshotting for use instead of forcing them to see hella tags but as someone who has a constant background of narration around special interests going on in their head which eventually will start to run out of "canon compliant" possibilities and start experimenting with crossovers: this is why I struggled for a bit to do a coherent plotty crossover between daredevil and nbc's hannibal. this is another rambling "for me and literally two other people with my interests and way too interested in meta-compliancy" post:

basically: daredevil and nbc's hannibal have conflicting main themes in ways where they don't as easily synthesize into a new coherent theme. nbc hannibal basically amounts to: what does it take for a person to become a 'monster,' or otherwise transform into a version of themselves that would be a terrifying stranger to them previously. and it sort of frames it as... not necessarily a power fantasy, but it frames trauma as something powerfully transformative. you become a version of yourself that can survive/thrive/take control in the hell you've ended up in. you will surprise yourself what you are capable of doing when it's your only option. but at the same time, its a sort of "succumbing" to your situation.

daredevil is almost antithetical to this. matt's whole thing can kinda be summed up as "even after everything, it's still you." you can go through any amount of trauma and still be able to recognize yourself after. you can stick to your principles even when pushed to the limit and come out alive, and being able to do so is important. he IS his principles, and even though he constantly falls short of himself, his struggle is a definitive trait of his. whenever he starts to abandon his principles is always tied to him losing his sense of self.

he cannot win (in the long run) if he abandons who he is, even if it's only an internal struggle. it's especially prevalent in the comics where basically whenever he abandons his principles he has a bit of a flip-out and tries to abandon "matt murdock" entirely, and then struggles to maintain whatever new identity he takes and has a whole identity crisis/mental breakdown. his strength is his stubbornness and refusal to remain fallen from his standard of self.

so obviously, one of these themes need to bend so far it breaks when put together. put matt in range of the BAU/Hannibal's house and its the big book vs thin book meme. in part because matt's biggest struggles in his narratives are against structural violence and systems (not to mention... the smells...). "there's this one evil guy causing 90% of the problems" is again basically antithetical to matt's narratives, or are at the most just his weakest plots.

ALSO, a lot of the murders in hannibal get treated as combinations of three categories (by Hannibal, who I would say has the most Thematic Influence over the show): 1) they basically deserved it and they were better off being dead in whatever form than alive (mason, mischa's killer), 2) what the killer gained from their death was more important than their life (sorta the case of melissa, her death being the photo negative so will could understand the ripper), 3) their death was important to the killed person, they were only able to ascend or transcend something in their death (many of the ripper victims and general murder victims.)

Basically "agreeing" with Hannibal, or adopting his viewpoint, (or basically being 'seduced' by the story) requires viewing deaths in those three ways. It requires a sort of dissociation with the reality of a person dying in any practical matter. any death becomes metaphor and symbolic, and the symbol is more important than the ending of life, it transcends it. this also doesn't rock with matt's themes.

even if you go serial killer AU matt's relationship with violence, and the temptation of committing murder, is based around practicality. it's that killing would technically be the most efficient way of stopping someone from hurting other people ever again. it's how he could cut through the red tape and financial security that protects fisk or fisk's stand-in, the way they've manipulated systems of supposed justice to hurt people (and specifically innocents), and just end it for good. obv in cases where that does happen (by his hand or others) it again leans into the fact that there is no single bogeyman that can be killed to stop evil or whatever. if fisk dies, there is a replacement to that power vacuum, if matt steps into that role to try and control it, he fails miserably.

hannibal approaches the seduction of murder with: and it's actually awesome? while daredevil approaches it with: it won't actually help you, and it won't fix anything. you will only destroy yourself. both of the (shows at least) fixations on catholicism also have parallel approaches with hannibal encouraging you to become your own god and daredevil reminding you that you aren't. will is basically betrayed by his friends and community while matt is consistently supported by his.

ultimately, nbc hannibal is very metaphorical and artsy and pretentious (i say lovingly) while daredevil is like. How Would Superpowers Effect The Local Law Economy.

[spruzu]

Doing a silly post of all my (main) fav characters bcz why not.

They will mainly be in order of who i like the most but some are even and if i was asked to pick one between them i physically wouldnt be able to.

-KNUCKLES THE MF ECHIDNA!!!!!!!!!!

HES SO COOOOL I CANT. Theres a knuckles shaped part in my heart. (kinda wanna be him in a way it's kinda embarrassing) I LOVE all of his versions in sonic prime, renegade knucks has a special place in my heart though he's top tier. Sonic boom knuckles is so funny and stupid like him going ''Oh wait i cant read.'' is so funny to me as a dyslexic person myself. Movie knuckles needs to be protected at all costs istg he's so sweet. GIVE KNUCKLES ALL THE GRAPES HE WANTS! 🍇🍇🍇🍇

-Sonic the hedgehog

Sonic's on the same level as knuckles he genuinely so cool and i do base some of my personality off him... i love his character development in sonic prime but his attitude in sonic x is so funny its amazing. He's defo got a bit of attitude to him in the older stuff which makes me love him more. His jokes and ''Wtf is danger.'' attitude is so real. Also movie sonic voiced by Ben Schwartz HELL YEAH, i love Ben hes so funny i cant wait for sonic 3.

-Shadow the hedgehog

''Another sonic character? is all your favourite characters sonic characters?'' no, just wait i get to other characters <3 but MY MY MY MY MYYY OH MY I LOVE SHADOW. I remember my first sonic game, if you can even call it that, being Mario and Sonic 2012 Olympic games and always playing as either shadow, sonic, silver or amy. I loved paying as him. Also his game is SO FUN and his backstory is so fun to learn and 100% take some of his personality and put it onto mine like i do with sonic. He's just such a good character and im glad this is the year of shadow bcz we NEED more shadow content. i would ramble about him more but i cant think of anything else to say.

-Leonardo (ROTMNT)

Another character voiced by Ben schwartz! I just recently watched this movie and i LOVED it. I used to like TMNT when i was little but never fully got into it but my favourites were always Leo and Mikey. Im literally him /hj. He's such a cool character (i say that with all of them i just love them all so much). Also if any TMNT fans have any movie/TV show recommendations for TMNT i am willing to take them!

-Miles Morales

I remember watching Into the Spider Verse and i loved it so much, i felt bad for miles in a way because he had to go through seeing spider man die in front of his eyes then realising hes the new spider man and blah blah blah. Im watching Penny's (from snapcube) VODs from when she played Spiderman 2 and miles' suits are so cool i love how they added the spider-verse movie suits into the game theyre defo some of my favs. Across the spider verse was such a good movie but into the spider verse was defo better (hot take? idk). Im so excited to see what happens in the next movie.

-Silver the hedgehog

Another sonic character yes, but i love sonic so much its my main special interest/hyperfixation. Silver is so silly i need to see more content of him tho. It's also kinda funny how his first appearance was sonic 06 ,which as we all know, is an awful game. In need to see more of him we need another game with him in as a playable character. Smt like SA2 idk.

-Batman

All forms of batman, lego batman is top tier and the rest under him. I watched the lego batman movie in the cinema when it came out and little me loved it and i recently, abt 3 years ago, got fully into batman stuff. The movies are so good and batman is such a cool character to, i need to meet more people who like him.

Thats it for now, i would add garfield but i dont really have anything to say abt him other than hes the most realest character ever. Hate mondays, love lasagne.

Anyways, i love these characters so much most of them being my comfort characters **cough cough** the sonic ones **cough cough**.

[winterrhayle]

rank all of the 6 lunar chronicles books! i've asked a few of my friends irl this and ive seen very differing opinions so im curious (and ive seen how much you like ranking so..😂)

LOLLLL yeah ranking is my favourite thing ever ever ever ever ever ever its so fun okay (this is kinda long sorry hahaha) :

winter - this probably isnt a shocker, bc well ^^^ my url😭 literally what does this book NOT have. its 800+ pages, it contains so many perspectives, every single ship, every character dynamic is fully formed, the plot is insane and weaves together so well, the drama, the luna visuals, JACINTER, MISS WINTER HAYLE BLACKBURN.... like......... name a better book.... exactly. winter > everything. this is my go to book to reread and i think that its actually etched into the grooves of my brain. i have 2 copies of this book and they are my prized possessions

fairest - okay this ranking might be controversial, and i hate levana as much as everyone else does(just a disclaimer lol). but I LOVEEEE a character study, specially when said character is a villain. i read fairest after i'd completed all of the main 4 books and it just added so many more layers to the lunar characters (winter, levana, jacin etc), and also introduces us to evret, who is talked about in the main series but as we know he dies before the events of tlc :( but i loved his character and i found this book so interesting, also as a winter girl it was cool to see her parents, and her as a baby / toddler,, and also the og trio winter, jacin and selene / cinder own my WHOLE soul bc they are soooo <33333333333333 this book actually breaks my heart soo bad every time but i still crave rereading it bc its so good

cinder - ahhh when everything was somewhat simple, i like rereading this one to just go back to square one and like. reminisce on how everything begun and look at all of the seeds marissa planted (like that brief mention of winter and the descriptions of jacin aka the blond guard or whatever it was they described him as) . and i just love the kaider of it all of course and idk this one is just so nostalgic to me

scarlet - something about this book just keeps me on edge every time i read it. i literally cannot put it down once i start it and even though i know all of the plot twists and everything now im just constantly hooked. i love the visuals of this book, with the farm in rieux, and futuristic paris, and the fight in the abandoned opera house, soo cool. also i love how well this book in particular ties into little red riding hood because every single time i read the part about michelle actually being ran under glamour, aka the wolf disguised as the grandma like in the og fairytale, i am GAGGED its such a cool way to tie it into the lore of this series. annndddd i feel like i do talk about scarlet on here a lot because of winlet but i do NOT talk about wolf enough so let me just say something: wolf is such an interesting and complex character andi loveeee him and i love how much his personality varies from babygirl to actual killer hahhah

cress - i love this book to death BUTT i feel like some of the desert chapters kinda did drag on a little, especially as ive read this book so many times they're the scenes i tend to skim through (and this was true even BEFORE i became a cresswell hater tbh), but other than that this book is 10/10, i love the farafrah chapters especially, and i loved watching jacin be annoying and also i loved watching the rampion crew start to fill out and become bigger, ALSO this book has that iconic miscommunication scene where thorne and cress reunite with the others but thorne is blind so he didnt know that 'the wolf' cress was talking about was just our wolf (ze'ev) and the chaos of all that and cinder and dr erland and them almost getting arrested and escaping on the rampion / iko was pure chaos ALSOOOO this book had the technical introduction of winter bc you hear her adopting scarlet to save her which is fun so yeah !!! if they took out the cresswell of it all this book would be higher bc theres so much to love (and i mean this literally, this book is SO LONG)

stars above - this feels weird to rank because it isnt one full book, its a set of short stories, and the reason why its down here is because the only ones i consistently go back to are something old something new and the princess and the guard, if those two were full books they would probably be in the number 2 or 3 spot tbh (specially princess and the guard), but the thing is with stars above is that theres just a little too much filler for me,, like thornes chapter is pointless and is not interesting at all, and the little andriod actually is really sweet but i wouldve happily sacrificed that and thornes chapter to get more content with the other short stories, as i feel like they had a lot more to say (i do love cinders cameo in the little andriod tho)

[thunderberryart]

It's interesting how some of the criticisms I've seen over on r/runefactory concerning RF4's writing--specifically those surrounding Act 3--are serving as inspiration for a potential AU to explore in fanart (and maybe fanfiction as well, if I ever get around to it.)

So, you know, even as someone who adores Rune Factory 4's cast of characters and the individual character arcs everyone goes through, I am not without my criticisms of the writing. One thing I am definitely not a fan of is the fact that all three acts of the main story are essentially "save Ventuswill: Parts 1, 2, and 3." It's not that "save the Divine Dragon" is a bad plot to have, but that it never really switches up the formula enough to keep it consistently interesting across the length of RF4's story. You can easily describe the three acts of RF4's story as "Ventuswill is secretly dying! You must save her! Oh, now she's dying again! Get the Rune Spheres back from Ethelberd and save her! Surprise! She's not actually dead! Let's save her for real this time!" And because of that lack of variation, the most interesting aspects of Act 2 and Act 3, at least for me, are not saving Ventuswill, but the stuff that happens with the other characters who are involved in the plot. Arthur, who cites frequently in his dialogue how much he dislikes having been born a prince, utilizes the resources he has at his disposal to get Selphia the support it needs from the capital because as much as he may complain about his position, he knows he has a responsibility as a member of Norad's royal family and the true prince who was supposed to run Selphia. Doug, who was revealed earlier in Act 1 to actually be a spy for the Sechs with a personal vendetta against Ventuswill, feels immense guilt for having believed in a lie that ultimately hurt the people he cares about, and he actively seeks to redeem himself to the point of getting injured multiple times across Act 2. And during Act 3, we finally learn that Frey/Lest is a surviving descendant of the Earthmates who have spent literal centuries trying to find a solution to the runes in the land dying out so that Ventuswill will no longer have to rely on the sacrifices of the Guardians in order to live.

However, a post by u/KamenRiderSekai, who I believe goes by @avenger-concerto here, highlights that Act 3 does, to an extent, potentially ruin the narrative themes of Rune Factory 4's story. Even as someone who generally prefers happy endings to sad or bittersweet ones (hell, the whole reason I originally bought Rune Factory 4 Special was because I needed a more lighthearted game after the literal rain of depression that was Ender Lilies: Quietus of the Knights), Act 3 does feel very... out of place. A lot of RF4's themes revolve around those of loss, grief, loneliness, and self-isolation, and how you need to make the most of the time you have with those you love instead of shoving them away because life is so short. Although it was upsetting to see Ventuswill die at the end of the Act 2 despite all the crap Lest/Frey went through trying to save her, it feels... fitting, especially since Frey/Lest's ending narration solidifies that although they and the rest of the town were in mourning for some time, they resolved to move forward with their lives because all Ventuswill wanted was a bright future for her friends and for Selphia, and she was absolutely tired of people sacrificing themselves for her sake.

But Act 3 comes along and you learn that Oh, not only was Ventuswill not ready to go just yet, but we still have a chance to save Ventuswill despite the fact that she's literally dead. I get that although it has its "dark" moments, Rune Factory is overall a fairly lighthearted series, but it just seems very shoehorned in for the sake of giving players a happy ending where Ventuswill is alive and well. And when you do complete Rune Prana and save Ventuswill, there is so very little fanfare to the point that there isn't even a credits roll like the first two acts; all you get is a commemorative illustration featuring Ventuswill in her human form down in the trophy room. It makes Act 3 almost feel like one big afterthought despite the important lore it contains, especially in regards to Frey/Lest.

With all that said, KamenRiderSekai did briefly bring up an interesting, alternate concept for Act 3, one that has been gnawing at my brain off and on again since I originally first read it. Taken directly from the original reddit thread:

"A more apt arc would have been maybe the birth or succession of a new "Ventuswill", which is something I've always thought of as an alternative for years on end."

This makes so much more sense to me on so many levels. First off: Ventuswill does state during Act 1 that, when she expires, the runes her body gives off will be enough to sustain the land for another 1000 years, during which a new Native Wind Dragon will be born to play their role as she did. A new "Ventuswill" being born, possibly as a result of the influences of the Rune Spheres as well as whatever efforts the protagonist and the Guardians put in, would 100% make sense from a lore standpoint. However, it also makes sense from a thematic standpoint in regards to the franchise as a whole.

A major theme prevalent in the Rune Factory series is the cycle of life, death and rebirth. In almost every game, the protagonist loses their memories, resulting in the "death" of their past self. They wake up in a new town that takes them in, where they create a new life for themselves; eventually, they fall in love with someone, get married, and start a family with their spouse. This lines up so well with the idea that even though the old Ventuswill is gone, she is not forgotten and her spirit will live on in the new Wind Dragon who will one day guide and protect the land like their predecessor.

If I were to make this into a full blown AU, there are other things I would like to explore as well. I highlighted in a post from August about how Arthur's Another Episode reveals that Selphia's relationship with the royal family is complicated because it is not actually ruled by the king, but by Ventuswill herself, and that her death should have had more implications in terms of Selphia's political status as well as in regards to Frey/Lest and Arthur's switch... which it doesn't because a major point of RF4's gameplay is that you're in charge of Selphia and even Arthur returning to his position briefly during Act 2 doesn't affect your ability to manage the town through the Order Symbol.

There is also the matter of the Guardians; although they willingly allowed themselves to have the Etherlink spell cast on them because they wanted to save Ventuswill, all four of them had lives prior to their centuries-long slumber and with her death, it seemingly renders the sacrifices they made pointless. So, you know, there is an incredibly great potential for angst as well as character development if this becomes a "Okay, we failed to save Ventuswill, but we can speedrun the birth of the new Ventuswill" plot.

I'm sorry for the massive ramble. It is just strangely satisfying knowing that some genuinely valid criticisms of a game I adore have the potential to result in some incredibly tasty fanwork scenarios.

[willoillo]

Hi! (I’ve been assured you won’t bite 😉, not that I assumed otherwise!) I see you’re reading warrior cats! So far what’s been your main enjoyment gleaned? I know you’ve mentioned the books being in order is a little difficult with your library, so, I thought to mention the special editions! They’re singular books focussed on one character that is sometimes *gasp* not even from Thunderclan! My favourite remains, enduringly, Crookedstar’s book. They do fall at different places in the timeline across the different ones- which could pose some difficulty if you’re reading the main series through blind- but his and Tallstar’s books are set around or pre the first series with windclan and riverclan insight I find delightful. In any case, the point is those two volumes for instance can be read and completed between books being absent from the library whilst you await the next chronological one etc if you’re hankering for Warrior Cat books and would otherwise be forced to wait (as well as being fun to read anyway of their own merit).

Crookedstar’s book is a little tragic but he does make the leadership position and become fully immersed in his community/clan and the heart wrenching bits that stop him getting there faster are all ultimately overcome, hence his name! It’s also, I find, actually really good at its disability inclusion (in a main character here!) for all that it is from Warrior Cats where side characters descend into some amount of inconsistency usually.

I just finished book 2; since it was literally unavailable at the local library I found an ebook online, haha. Gonna be waiting on my hold for the next book though!! Physical media is a much more enjoyable reading experience.

To focus mainly on the stuff that I like so far, I've been enjoying the focus on the physicality of the cats? Like the body languages and touches of describing their actions through that context makes it feel more like cats. I also find the naming conventions interesting!!

Thank you for letting me know that about the special editions; I would've assumed they tied into a plot somewhere but it's good to know they can kinda slot in anywhere. I'll prolly not have any better luck getting those at the library but at least it gives me options lol