#its just there are so many teens posting super personal stuff

[destroyyaa]

Good gravy spacehey is really cool cause of all the customisability of the main pages and stuff but.... it feels like an armpit

[justablah56]

Dndads?

DNDADS !!!! I'm assuming you're asking me like . what it is n shit . if not . my b . bcs I am about to give you as big of an infodump as I can without spoiling anything lmao .

anyways hello my dear follower , my beloved dungeons and daddies (not a bdsm podcast) is my favorite thing ever <3 it's usually very loosely a dnd podcast , season three tho switches into the call of cthulhu system .

season one is 69 (nice) episodes about four normal world dads and their sons who all get sucked into faerun , a dnd world basically , through a portal while trying to go to their kids soccer game lmao . they end up losing their kids and basically the whole season is them trying to find their kids and then trying to find a way back home with tons of little side quests and detours that they take along the way . most of it is super comedic and lighthearted and it's also just fucking insane sometimes but it also has a lot of super compelling emotional moments and iughencmd it's so good oh my god .

season two is a continuation of the world created in season one , but now the players are playing as the teenaged grandchildren of their original dad characters , and it's heavily influenced by season one so you can't really listen to it on its own . season two is 50 smthin episodes of these teens basically trying to clean up the world after the things that their parents (aka , the kids from season one , aka , the kiddads) and their grandparents did between seasons to try and fix things and kinda ended up making everything worse cbnsndnsnd and it kinda starts off with the kiddads all going missing and suddenly these teenagers are supposed to be in charge of everything the kiddads were originally doing to fix everything . season two is I think a bit less comedic than season 1 , but it does have like . twice as many of those absolutely fucking insane moments lmao , and it does still have a lot of cool emotional moments and ougjfj it's all so good .

a lot of what I post abt usually has to do with this sort of untold season that happened between seasons with the kiddads . a lot of people are very attached to the kiddads , and to me a lot of it is bcs these are the characters we've known for the longest and we've seen them as kids and we see how the events of the first seasons shaped them into the adults they are in season two and man . it's just so cool . season two gives us a lot of small hints to stuff that happened between seasons , and we get a few flashbacks , but there's a lot of stuff that we don't know , and there's so much speculation abt how things happened and it's a very fun sandbox to play in chwndnsnmxx anyways .

season three started just a bit ago , there's 3 episodes so far . they switched who was the dm and so it's a new universe with no relation to the first two seasons , and could pretty easily be listened to on its own . season three is set at some point in the 1950s , and the four characters don't really have like . a solid thing they can all be described as . there's like . a teacher and a weird wife and a car salesman and a teenager . they're great . but it's these four characters who are all in a bowling league together and they're kinda figuring out that hey weird stuff is happening around here and there's monsters and just a ton of stuff and so far it is absolutely hilarious , I love it dearly <3 every character is just . fucking insane . and the dynamic is great , it's just awesome and I personally am having a blast with it so far

ok anyways . thats dndads lmao . if theres anything more specific you want to know literally pleaaaaase ask me and I will be soooooo excited to tell you cndnmxmdmd I'm completely and utterly obsessed with this podcast , I've listened to it . so many times . I will talk about it any chance I get , it's just great . I love it . and that's not even to mention the wonderful community here on Tumblr !!!! it's a relatively small fandom , so for the most part everyone at least recognizes everyone else , and everyone is just so awesome , ive made so many friends through this fandom , its great

[shikariix]

One for all please gimme

I knew you would do this to me AND YET

Emily okay on your own by mxmtoon (feat. Carly Rae Jepsen)

Ohhhh I love this song so much. The vibe is so tasty. This song suits the way Emily has dealt with the majority of her relationships - she's been the one to break up, saying she needs time to herself; that she's not the right person for the other; just generally she's always the one to break it off because she doesn't believe in the relationship anymore. She's not proud of it per se - if anything, she craves a loving relationship. It's just that the ones she's had made her feel like she couldn't breathe. (Of course all of this changes with Beca 😌)

Rahat Burn The House Down by AJR

why DID I add this to his playlist Rahat has a lot of trouble with his identity and once he's clean all of that will come catch up with him at the speed of light. I like how many questions are asked in these lyrics. He's always been the guy to do whatever his friends ask him to, and considering the kinds of friends these were, he's done plenty of stuff that a law abiding citizen would not. I like that this song presents the you-person as a liar because I do imagine these friends have lied to him plenty, and as he's finding his own identitiy, he becomes more aware of what he thinks of that, if that makes sense.

Anna Tears by The Tragic Thrills

I like the vulnerability in this song. Anna is someone who lives by her feelings and she's got a LOT of 'em. It's important for her to remember (and she'd remind others of this constantly!) that it's a good thing to feel so much. We DO have hearts that bleed and maybe we ARE better off having tears so we can weep. I don't have much else to say about it I'm afraid fhjfgf It's a pretty straightforward analysis.

Sara Ghost by Halsey

Okay well part of this is that Sara likes bad girls FDHJGFHJ leather jackets & teasing,,, There's just something about a rulebreaker that draws her in even though she herself follows any rule ever given to her. I think I put this song in here more for the vibes and maybe the feeling that she's lost connection with herself? I might be bullshitting this rn but when I think of her asking 'where did you go' I think more about her inner child as she had to act like a grownup at a very young age because of her upbringing and her mother's disability. Her child self definitely left nothing more than a ghost behind and I think she mourns that more than she would care to admit. But this is probably not the best song to use for this dfhgfjh

Katy Stronger (What Doesn't Kill You) by Kelly Clarkson

DFJHF I know this is like a post-breakup song but for Katy (who is just 16yo) I picked this one because of its unabashed confidence!! Teens do be feeling like nothing can get them down sometimes. She also does have a tendency to think she doesn't need anyone else, partially because finding out she was adopted (single dad) was not the best experience for her. So she says screw it!! I'm cool enough anyway on my own. ✌️

Gabriella The Killing Kind by Marianas Trench

Oh I am SO PLEASED Marianas Trench made it in here hehe. This song gives me super vivid visuals of Gabriella breaking out of the shack she was being held captive in. For context, she's a mutant (like a lot of my OCs FHDJF but it's not always as relevant) and was taken hostage by a group of people who want to eradicate them and she got tortured for information for decades. Gabriella's power is airokinesis, and when a tornado hits the shack, it gives her an incredible powersurge. She uses the wind to break free and take down her captors. And yes, that does include some killing :)

Tiffany #SELFIE by The Chainsmokers

OMG THIS HAS ME BARKING WITH LAUGHTER FDHJFG. Tiff LOVES gossip and selfies, she's chronically online in the bad way hfdgjhg I just can't even find the words to describe how much this song vibes with her 😭 The bitchiness and drama of it all I'm YELLING this was the best one to end on

[montague-fortnite]

What is this site... oh, whatever, I'm Montague, you probably know me. In fact, you SHOULD know me.

Alright, I'm not gonna be on this site a hell of a lot, but listen up because theres rules you need to follow. My blog isn't some place to mess around, so lets keep it civil.

1. Im here because of other people, so dont expect me to be a dog to answer at every mention of my name or every question you just have to ask me.

2. No disrespectful behaviour under my posts or towards me. Im too busy working to tolerate peoples foolish behaviour. (No homophobia, transphobia, racism, sexism and the likes of it. You get it by now, right? Good.)

3. No NSFW, im always working, so nothing unsafe for that should happen here. I can't have people look over my shoulder at work and see that. (Suggestive is ok but minimal)

4. I may not be what you expected me to be, just because I dont follow your perfect little perception of me does not mean you can tell me off on it. (My canon is my own, simple as that.)

5. Keep your gross problematic stuff away from me, your weird ships, and inappropriate stuff. And that being said, don't pick a fight if I get with someone not of your liking. I pick and choose who I get to stay around, not you.

(No proshippers, and this blog might contain ship content, dont get mad if it's not someone you like. Not your choice, never was.)

{Keep reading to find tags, guides, and my idea of canon for this blog}

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Alright, now here's a few guides for you. Since some people don't know how to contact me, this is how;

My ask blog, I won't check it super often, but it's where you can contact me easiest. Anything weird asked in there is being ignored, so dont bother really.

Mentioning me in posts, feel free to, questions, posts, fanart, whatever you want. But if it's fanart, I prefer you only tag me in content you've made. {That's just to avoid random artists getting uncomfortable by rp accounts}. In reality, I can't stop you doing whatever, though.

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Tags I'll be using just to organise. It keeps me sane instead of getting lost in my own blog.

#Montague Asks - self-explanatory, ask me things, I reply and tag it with that.

#Montague RP Art - any art I make relating to this blog will be tagged with this. If you make an ask or mention me somewhere, there's a chance I will reply with an artwork so this will be the tag for it.

#Montague Puppet - I'll use that when speaking OOC, because well... I'm puppeting this account. I will also use {} when speaking OOC to make it clearer when it's not Montague talking.

#Fortnite tumblrverse - Another tag I'll use when in character, open for other fortnite RP accounts to use.

Montague canon;

Hi hello!! Its the puppet behind Montague here, im not fully knowledged on how Montague may act or what lore he may have besides the society and character lines from NPCs. So if anything seems off its most likely me trying to define my own canon. As time goes on canon may change.

Important note, this account is run by a minor. If this bothers you, not my problem. You can stay or you can leave that is up to you.

HCs applying to this account:

Montague, in my perception, is definitely not straight. I personally haven't applied a specific attraction to Montague, so it'll be vague whenever mentioned.

Montague is not Cis in this blog! But more often than not, he won't openly discuss that, and not many people know. He's rich, he got the surgerys before meeting most people he knows.

Whenever Montague gets hurt and has an open scar, sometimes diamonds will grow there depending on stress levels. This can cause a wound to open up more, so Montague, being an often stressed person, doesn't help this. This is why he has so many guards. Montague without guards is fine. He's fully capable of winning a fight. But it's a safety precaution he put in for himself.

Montague wears makeup, lots. He most likely has plenty of scars from when he got into fights as a teen. Because of this, he spends an hour covering them up. Some need makeup because of their positioning. The scars follow the previous HC of diamond growth, making them more permanent.

Any other HCs youll have to find out by asking the man himself. Asks appreciated!! Thats all for now.

[butch-reidentified]

thank you for your reply!! i hope it's okay to send you an ask instead so i don't impose on that other post any further haha. but you know what, i never even saw it that way "they're also using it to try to make black women (and ESP black teen girls, who are uniquely vulnerable and socially isolated) feel explicitly invited in." because this is so true, i observed it. there are a lot of younger black girls who get caught up in the online-discussions about "attraction" as it relates to black women and it's brutal. the attacks come from all sides, within the community from black men and women alike, from racist white people, from other women (regardless of ethnicity) so i get that instead of realizing this is racism and ignoring or defining their own black womanhood instead of letting it be defined for them, they understandably look to distance themselves from it entirely. it's traumatizing. and then you have the idea of non-binary with a community of people already there just waiting for you and go for it. you absolutely have a point.

for me personally i think i just realized the amount of misogynist stuff i have to swallow and accept to identify as nb + the idea that i'm supposed to internalize the racist actions of others as some kind of personal flaw didn't sit well with me. it also plays into this idea that many women are groomed into, that if there is something wrong, it's internal and YOU have to fix yourself. not the outside world might need to change to accommodate you as a woman, you have to cease being a woman since you don't fit some misogynistic racist patriarchal ideal. i know there were black women who claimed that people didn't "read them as women" because they never held doors open for them or helped them with their luggage and thus they concluded they were not women. and i just couldn't accept that, why give up control and agency like that? (not to mention people do these things for me and i'm dark brown and live in lily-white europe, like? it says nothing about you as a woman at all.)

and about your addition on tifs and blocklists, you know it's funny. tumblr is full of altright and super racist blogs, there is a corner of tumblr like that. i have never once seen people on this side of tumblr (political or just random blogs) make blocklists for those blogs. because it's not needed because anyone who finds that content knows to block it or just stay away. it's universally bad and easily identifiable. for radfem and rad leaning (etc...) blogs however, this doesn't apply. the posts are simply about womanhood and female reality and it rings true for many if they take their time to read them. and effectiveness lies in their truth, so they need to be blocked.

ngl this made me cry

of course it's okay to send me an ask! or dm, or anything! please please know you aren't imposing if you were to add this to the post - and the "haha" honestly stung because it just (and I already know I'm not gonna be able to put this into words the way I'd like to rn), it's female socialization, yk? and I won't begin to try to imagine what that's like when you factor in antiblackness and specifically misogynoir, but I make it a point to call this out because SO many asks I get start with an apology for existing, for reaching out to me. and it hurts, it enrages me that this world has taught its women & girls to do this, to feel this way. I LOVE getting asks and messages from you gyns, truly. it's my favorite. what you wrote here is so meaningful and raw and important, and I honestly think every word of it belongs on that post. you have a right, every right, and you deserve, to speak and be heard. truly heard. you have every right to reach out and make connections and build sisterhood. please do.

I would love for you to add this to the post, and I'd be honored to reblog it and boost YOUR voice fr. I'm honored you wanted to talk to me about this ❤️

btw, your url is just flawless

[noahtally-famous]

Tell me about Picking Petals and that time travel AU of TDPI

Is the elimination order different, or does it go the same way as canon?

oh my godddd this ask has been sitting in my drafts for two months now i think?? ive been holding back on answering this bc i wanted to be in the right environment where i can infodump without getting interrupted. im so so super sorry for the long wait, i hope my response makes up for it!!

first of all, TYSM FOR THE ASK DUDE heads up you're gonna prob get a longass ramble abt this from me so yeah lmao without further ado, lets get into it!

PICKING PETALS:

the fic loml, the first EVER td fic i thought up and I've three chapters prewritten for it, half of the fic planned out/outlined, and so many scenes, moments, interactions, etc for it thought up. i'd gotten back into the fandom and while rewatching tdpi for the first time in 7 years i came up with this idea.

started off as purely self-indulgent bc i wanted to write my spin on the truth or scare episode, and then it turned into all this and im so living for it!!

dashawn-centric, obv. it veers off-course from canon during and after episode 4 (the truth or scare one). the overarching plot is 'what if dave and shawn kissed for the scare, and all the shenanigans that followed with getting feelings for someone you didn't expect all bc of one (1) kiss--as well as some other stuff that snowballs from it bc its total drama'. this is TOTALLY canon divergent. the elimination order is 90% different from canon. the characters get way more depth to the point where they may seem like different ppl with only their canon stereotypes reminding them of who they are in canon (not different as in like ooc btw before anyone jumps to that conclusion, i meant different as in a lot of the characters get more of a personality than what canon gave them lmao). a lot of my dave lore spawned thanks to this fic. dave, himself, gets such a fucking glowup from the 2D version of him canon gave while still retaining his 'normal guy' persona. same with shawn tbh, i love the expansion I've done for the characters in this fic ngl, but personally i love how dave turned out

dave & ella friendship, dave & sky friendship, background jasammy, jasmine & shawn friendship, sammy & shawn friendship, mild sammy & dave camaderie/friendship, sammy & amy development, dave & topher rivalry interactions, dave & scarlett interactions, shawn & topher rivalry, the final three being a ball of tension bc of enmity (i wont say who they are), ella getting her development, dives into character backstories and why they auditioned for td, tensionnn of all kinddd, dramaaa of all kinddd, scarlett's evilness actually being foreshadowed before the Great Reveal, etc etc the list just keeps on going!! these folks are gonna have tdi vibes--they're going to act like teens and befriend each other (or hate each other) bc canon tdpi sorely lacked that and imo the pi cast exudes found family vibes

due to how variant the elimination order is, i literally had to create two new challenges for two of the chapters, esp post-merge bc chris was interjecting himself into practically all the challenges in canon lmaoo also tdpi's eliminations were annoying bc why were there two double eliminations for literally no reason? that's gonna change here as well; no double eliminations, and there's gonna be a variant of elimination types (for example: there's gonna be a 'character is too injured to compete therefore obligatory elimination' type happening in this fic--hmmm i wonder who'll be behind the injury... and some more "scandalous" types bc this is total drama, it's not gonna live up to its name if there aren't any eliminations that are 'unfair'!)

starts from ep4 all the way to the finale--and speaking of the finale, the finalists are partly different from canon too. like i said, nearly everything diverges from canon to a degree. i kind of went nuts with this fic lmao its my bby, i treasure it with my heart, i want to write more for it, i want to publish it so badly, but my goal is to get at least 20 chapters into agtsta before publishing picking petals (tho idk i think that plan might change...im considering maybe giving myself breathing time to get more prewriting done until january before starting the new year off right with some picking petals posting!)

REWIND, REPEAT:

the time-travel au fic!! its still heavily in the works so im basically spitballing ideas here, but im thinking of two options.

dave time-travel route:

initially my idea for this fic (can you tell i love putting dave in situations? that boy deserves to be spun in a mixing bowl), and it'd be interesting bc he's sort of like an anti-villain?? bc its directly after the finale when he gets left behind and attacked by scuba bear. he comes across some malfunctioning tech on the island while running away and BOOM next thing he knows he's somehow zapped back to where and when it started--on the blimp at the very beginning of the season. so he is still reeling from everything that occurred and naturally he isn't feeling too lightly abt the whole ordeal

some of my mutuals may know this, but when i was like 10 and watched tdpi for the first time, i made notes for a season 2 au; it involved a personality shift for dave (even when i was 10 he was one of my favs). my idea in the notes was that he became a hollyleaf, if you know warrior cats lmao; he's more reserved, there's this inner turmoil and energy coiled in him, he's an enigma, he doesn't open up much, he has this Dark Secret vibe surrounding him, but he's also clever and will do anything to get to his goal and he has extensive knowledge of the island due to his time on there. this personality remains the same more or less in this fic. the catch is dave acts more in a villainy way but he doesn't rlly have what it takes to be a villain even though a part of him wants to (hence anti-villain). as much as he pretends he doesn't, he still has emotions--just heavily barricaded, and those emotions prevent him from fully losing his head. he forms an alliance with scarlett (and maybe topher??? idk why i love that trio sm, they would be so iconic when it came to villainy; bonus if sugar informally joins too, not as like a set part of their group tho bc she has her own agenda) and has one goal in mind: to get sky eliminated. gone is the lovestruck fool, he's revenge-driven and says he doesn't have time for love bc he's in it for the competition. (idk yet if there will be love interests for him or if this is just gonna be a dave-centric fic). the finalists are prob gonna be dave and sky bc that'd be fucking iconic after the build-up

shawn & dave friendship, topher & dave alliance, scarlett & dave alliance, sugar & dave hesitant alliance, sky & dave one-sided enmity, ella & dave friendship, maybe more depth abt beardo?? or leonard?? jasmine & dave mutual wariness and distrust, chris absolutely loving this version of dave

sammy time-travel route:

development (lots of development!) on sammy's end as well as her relationship with her sister amy. she'll prob be a finalist too?? or at least in the final four/three, and idk i want it to be a sammy & amy finale but idk if that's too cliche lmaoo i think it'd be interesting!

this one's different. shortly after tdpi ended, sammy partakes in a "controlled experiment" with several other teens with the reward of getting paid a somewhat hefty amount. she decides why not, seems simple enough, but when it's her turn there's a fluke and she gets chucked back in time to the beginning of tdpi (which was the last thing she'd been thinking abt before the experiment). however, maybe one or two episodes in, she decides to take charge in the situation she's going through and adopts a 'fuck it we ball' attitude abt the whole thing where she tries to be a different person--the kind of person she's always aspired to be like but amy had always belittled her for--and this makes her less of a pushover overtime and instead more bolder and persistent in getting as far as she can.

she makes new friends that she hadnt noticed or gotten the chance to become closer with when she initially was on the show. maybe ella & sammy friendship, jasammy, either scamy or scarlett & amy 'we're gonna betray each other' alliance OR scarlett & sammy 'friendship' OR a scarlett using manipulative tactics to play both sisters, etc etc.

both her version and dave's versions of this fic idea are different bc neither of them are fixated on the prize money. they have their own agendas for getting ahead of the rest. dave for revenge and beating sky; sammy for being the person she's always wanted to be and actually moving past the box amy placed her in.

third option (that i literally thought up like ten seconds after writing the sammy route):

COMBINE THE TWO OPTIONS, that'd be pretty sick ngl like dave's on the island when he flashes back and believes he's the only one in the past, but sammy, at the same time, had partaken in that experiment and flashed back to the past too; neither know the other is in the same predicament bc they try to hide it thinking they're the only one until like...later in when they start getting Suspicious and maybe some slip-ups occur bc they're tryna keep a low-profile but things happen y'know? they're 16 year olds who figured out time-travel exists, obv they're gonna fuck around and find out. possible alliance between the two once everything is out in the open? out of pure mutual beneficiary? it'd be funny bc both their personas are on opposing sides lmaoo dave & sky finale, with sammy and amy ending up post-merge? sammy's prob still gonna be in the final four, i think, but idk abt amy lmao i still think before amy gets eliminated she and sammy have a Confrontation bc i def need sammy to confront amy one way or another lmao that girl deserves it, they deserve a Heather & Lindsay Confrontation, sammy deserves to call amy a bitch on international television

ooooh and somehow scarlett finds out?? and tries to get her hands on the technology, but obv time is finicky so dave and sammy can't rlly allow that so they gotta stop her as a joint agenda while they have their own separate ones to deal with?? so this paves way for a true scarlett villain?? she'd make it to the final five or three, i think?

for this idea, there are gonna be multiple povs--dave and sammy's--and it's gonna be multi-plot too; dave and his conflict; sammy and her conflict; and how both alter the season bc of said conflicts and their attitudes abt them; plus the scarlett conflict

(y'know what i may end up going this route lmao bc i love both separate versions and im indecisive as fuck so my motto is if you can combine the options do it!)

[o-uncle-newt]

On the Job minisode and Good Omens as a work on religion

(Note: This was originally a reblog of someone who then expressed that they were unhappy that I reblogged their post. As a courtesy I have reposted it as its own thing- for context, the person was upset that Neil Gaiman's take on religion was stale and said that of course if you have only a surface view of the Torah and the book of Job you'd come away with these kinds of negative impressions.)

I went to Orthodox Jewish day school for thirteen years. I thought the Job minisode was fine, as an adaptation of the story. Not breaking any ground theologically or whatever, but fine. (Though they did definitely get the number of Job's kids wrong, presumably for narrative simplicity, and the shoemaker joke doesn't work because he's really Bildad the ShuCHite.)

And, I mean, I don't think it should be MEANT to be anything but fine...? Good Omens is a fantasy novel in which heaven and hell are both the bad guys- Good Omens the show has basically kept in that model. The whole thing is about a simplistic look at the Christian Bible and a kind of cynical but light hearted agnosticism that doesn't really lend itself particularly to sophisticated religious analysis or whatever. It's not meant for that.*

The Job minisode was written by John Finnemore rather than Gaiman, a writer of whom I am a massive fan and, however, to whom I don't really look for sophisticated religious takes. He's done a Bible/religion sketch or two on his sketch show- I don't particularly love them, they're pretty surfacey- and he's self aware enough to make it very clear that he approaches everything from an "I don't believe in God but I grew up in a Christian country" perspective. (He's a lot more honest about that than a lot of other atheist/agnostic writers I've seen who do takes on religion, incidentally... so many people think they're being "objective" or whatever.)

The thing is, I actually really love the Job minisode as a Good Omens story, working within this complete fantasy world. I was disappointed in a lot of S2 but this felt like the characters, this felt like an interesting meditation on their roles and their choices... I don't know, it just really worked for me.

And I feel like part of the point is to pick one of those "well obviously on the surface this looks a bit fucked up" stories (rather than for there to be an implication that they're the only ones who noticed)- because they're working in a fictional universe in which it's been established since the nineties that heaven/God is at least a bit fucked up (no matter what I as a Jew may personally believe) and so they can just take it and run with it without having to explain! Gaiman did the same thing in S1 with the Garden of Eden and the Ark. It's just a canvas to put an Aziraphale/Crowley plot on. The original book is a Book of Revelations satire!

Honestly, I'm happier to have a pretty basic retelling of a story that's obviously fucked up on the surface, rather than them picking some midrash or something that's more subtle and nuanced and super Jewish-y and then turning it into something about how God or the angels or the demons are bad- partly because Jewish angel/demon stuff doesn't map well onto Good Omens's approach, and also because the whole point of the book from the start has been critical of organized Judeo-Christian (yes I know) religion writ large, and that's not going to change. That was weird for me to get used to as an Orthodox Jewish teen in a Bais Yaakov school when I first read it, but getting past it made me realize that all that meant was that they'd created a Biblical fantasy universe with certain tropes in it.

I think the Job minisode works perfectly well within that particular Biblical fantasy universe, and while I think that you can potentially criticize S1 (and in a slightly different way, the book) for that Biblical satire/fantasy not being particularly sophisticated about religion if that's something important to you, I don't think that it being sophisticated about religion would have improved it as a story.

*I did kinda sorta write a fic that tries to cast Aziraphale and Crowley in a more traditionally Jewish lens and... it was actually really hard. As I said above, the way the Good Omens world is set up doesn't really work for the Jewish thing. I had to make it really clear that angels don't have free will and that Heaven and Hell aren't two different sides.

[dni-archive-official]

Sincerely, what is the point of this? A lot of these are going to be super recognizable anyway and still supports people being weird about just screenshotting other people (Usually teens to be honest) as content. Not everything needs to be archived, especially when minors can grow out of stuff and opinions/beliefs change over time. Kids don't need archives haunting them forever.

the point is that DNIs are a unique look into the internet culture as a whole. i, the owner of this blog, find purity culture morbidly fascinating. people, both minors AND adults, have gotten increasingly comfortable with

sharing their boundaries. definitely a good thing!

being assholes to other people based on in/out-groups, specifically through the veil of anonymity

and i find it interesting to document the place where this is the most obvious, the DNI / BYF page.

dni-archive is an asshole. dni-archive knowingly uses their blog to bring attention to people they dont like. they do not remove derogatory comments.

i, hopefully, am not an asshole most of the time. i can be kind of rude, blunt, terse, and sarcastic, but i do not tolerate bullying of any kind. dni-archive bullies people.

there have been submissions sent to me which included commentary shaming the OOP of the dni for its contents. i delete any and all personal commentary which shows an obvious bias. generally if you want to submit something with commentary, keep it informative and clinical and keep your voice out of it.

look, anon, i get your concern. i have it too. thats why i run this blog the way i do, and its why ive stopped copying dni-archive's posts as i cant look through every single one of them and there are SO MANY and undoubtedly they dont hold themself to the same standards that i do. a few of the posts i did take had to be edited to take out personal information.

these arent entertainment. they arent memes or jokes (though some of them have jokes in them) or anything like that. i get the apprehension, seeing someone post a bunch of DNIs in the same place can make you think "oh god, theyre mocking people for their boundaries!" but no. anon, if you see anyone mocking any of these posts, TELL ME! show me specifically so i can snuff it out, i promise i will!

finally, i just have one last point. i do not archive identifying information as best as i can (and im willing to take corrections on that!). tell me. if someone sees a DNI on this blog that has no names, blog names, urls, links, how will they find the person who made that DNI? if someone recognizes it, then they already knew who made it. most DNI's are screenshots taken with the snipping tool because they cant be copy-pasted like images. how could you reverse image search a colorful screenshot of text? if the original OP came back as an adult and saw a DNI they made when they were, say, 14, they could either politely ask me to remove it (as anyone can, at any time), or just not tell anyone that it was them, and nobody would know. anon, this criticism seems unfounded to me.

[hot-take-tournament]

Goncharov shouldn't have been as big a meme as it was. The Goncharov meme is bad, especially for anyone with any unreality issues. Dead serious.

Yeah, you do make a valid point. Unreality memes are fun, but there are people with genuine unreality issues that were affected by the Goncharov trend.

That being said, I do think that a lot of the fan works - art, writing, shitposts, etc. - inspired by that meme were really fun, and clearly took a lot of effort - and the results were super impressive. So I think the fact that it served as a creative outlet for so many people shouldn't be discounted either.

But you're right, it wasn't a great experience for people with those issues with unreality - but my takeaway from that was the importance of content warnings and tagging things properly, not that the meme itself - or just unreality content as a whole - was bad.

I followed the Goncharov tag when it was at its peak, and I constantly saw people begging other users to tag their posts as #unreality - and while plenty of people were doing that, it felt like just as many weren't.

I don't believe for a second that people were seeing those posts and just choosing to ignore them, because one thing I have learned over the past 3-4 years is that the vast majority of people on this website do genuinely care about the wellbeing of others; and I know that for a fact because a) all you guys have been so supportive of me up until now (<3), and b) because I spent so much time in my shithead teen years sending fucking horrific abuse to those same kind, genuine people, and the way everyone rallied around each other against my scumbag ass is a testament to that kindness.

So I think it's far more likely that they simply weren't seeing those posts, and just didn't know that unreality content can be a trigger for some people - because I genuinely didn't either until the Goncharov meme came around and people started talking about it. It's the same way I didn't know until I started this blog that the things I originally wrote in the master post were triggering people's OCD to the point where they had to blacklist the URL.

At the time Goncharov was a thing, a lot of people were saying that people making content for it should've just 'educated themselves' and then they would've known to tag stuff '#unreality', so it was their fault their work was affecting people with unreality issues - but personally I think that just wasn't fair, because honestly you can't know to educate yourself on an issue that you don't even know exists in the first place. You first need to know what it is you don't know before you can actually learn about it and fill that gap.

I have no idea if any of that answered your question because I'm drunk out of my fucking mind, so I don't know if any of this made sense, and I probably won't remember it in the morning - so:

tl;dr - I don't agree that the Goncharov meme was bad, but I think it did highlight the importance of content warnings and tags.

...unless you thought the meme was just unfunny, which is a different issue - that's an entirely subjective opinion, but I can totally respect it. And that's coming from someone who learnt last week that they apparently Goncharov'd themselves on at least three separate occasions, and has yet to fully recover from that revelation.

Anyway, I hope that all made some kind of sense...

...you guys want a poll?

[offbranddrpepsi]

okay so i don't see a lot's of stuff with jett on here so i was thinking if could you write headcanons for her? both sfw and nsfw if possible! thank you ❣

Of course! NSFW below the cut

SFW

Jett has really bad ADHD and often makes little gusts when she starts zoning out

Parkoured ALOT before getting her powers which made moving around with her powers so much easier to learn.

Accident prone for most of her life and is no stranger to broken bones or sprains

Is either the middle or oldest child of her family and is the best big sister

Hasn't had many serious relationships but isn't really upset about that

Did martial arts as a child and teen. Originally was going to go to college on a sports scholar ship for either that or a similar sport but gave that up to help take care of her family

Played alot of sports! Track, soccer (shes bad at it because she kicks the ball way too hard), vollyball, basketball, swimming (also bad at that because she finds it boring), Gymnastics etc. Always up for pick up games

Prefers suits over dresses but can rock those half shorts half skirts. Is a bit self conscious about her legs so doesn't wear them often

Kiss goblin. Im talking covering her partners faces in smooches and being a big supporter of kissing the homies good night

ultimate hype girl

Goes through shoes SUPER fast because of how she uses her powers

great at skate boarding

Really into the olympics and womens soccer

LOVES taking her partner (s) on dorky dates

has a photo booth strip for pretty much anyone shes taken on a date

chronic clothes stealer but also begs you to wear her clothes because you're cute in them

crushing hugs

NSFW

More experienced with woman than she is men due to being less critical when it comes to hook ups with women. for anyone gender non conforming it depends heavily on their vibe

VERY dominant and prefers topping or service topping

its almost as if her hips were made to wear a strap. Shes so fluid with it and has near perfect control of it

Likes fucking people until the point of their exhaustion. If you aren't sweating or tearing up from over stimulation then her job isn't done

has hella stamina and likes going for as many rounds as possible or until the straps cutting into her too much

Really good with her hands, not as much her mouth but very adamant about either

if you've got a cock and want to fuck her then shes about you being rough.

likes more 'creative' dildos aka fantasy ones, ones with some sort of feature or neat design, etc

likes the thrill of everything but not one into anything more dangerous than choking.

Would be up for semi public sex such as her parkouring you two up a roof top and going to town up there

Likes casual sex as much as committed and is super okay with fucking her friends

brat tamer

sucks at dirty talk because shes too casual and calls you bro and dude instead of pet name

sometimes it gets a bit windy when shes really into it

Rides your face like her life depends on it

A little shit like she is normally, asking if you like that to tease you mainly or just idle picking

big supporter of snack breaks, has an entire drawer of her night stand for post sex snacks

Okay with both unprotected and protected sex but only unprotected if she knows the person personally

Has a thing for topping people taller than her

Ass girl

Would write her name on her partner, usually on their thigh, ass or as a temp womb tattoo

[castlebyersafterdark]

It’s so intriguing how Joseph Quinn entered ST for one season and already has a burgeoning career way stronger than any of the actors who’ve been here for a decade (he’s in a quiet place, the fantastic four, gladiator II, a major alex garland A24 war film, a major elevated horror film, and more to come). It’s like damn, where’s this energy for any of the other cast members? agents, please step up 😤

especially noah’s agent. noah should’ve landed roles post ST2 just like finn did early on

Oh gosh I forgot about that man but yeah, he seems to be popping OFF with big roles. Marvel lead???? Wild. I never could have predicted that one but good for him. I know that Stranger Things has really long filming demands but others have managed to do big roles as well. Not gonna pretend I know that much about the intricacies of all their filming decisions, but it's certainly interesting. I really don't know why Noah wasn't in more (better) stuff in conjunction with ST but maybe it's what his family decided?

now this is all interesting because i agree with vinny about noah's post-ST career. ST is something of a bubble; did you see that parody where it was called 'the worlds favourite TV show every three years' ? basically, most people - the industry peeps who make things happen and the viewing public - forget about the show until a new season comes out. its a cultural phenomenon rather than a stalwart, and i think it's going to continue to generate a loyal fanbase for decades to come, much like nerd classics like star trek. i can totally see this cast coming back again and again for reunion cons but not necessarily having varied, successful careers.

i think they are great actors in ST, but something about the ensemble cast and the magic of the show is what works for me. everything i've seen anyone do outside of ST has been disappointing tbh. i thought finn had quiet beauty in Saving the World, but if I saw that and didnt know who he was, I probably wouldnt think he was a giant star or follow his career. The youngest actors especially, in s1 and s2 they threw so much of themselves into the roles that I believe these characters now belong to them, are part of them. (Imagine: it's 2050, and Stranger Things is being rebooted. I can see Finn and Noah coming back for cameo roles, Mr Clarke or something, and old fans going wild.)

But I don't feel that way with B characters like Eddie/Joe Quinn. You have to consider that he was hella charismatic and is considered a good actor, period, not just within the show: he's a seasoned british theatre actor with roots in the biz. he's sort of like what jonathan bailey is to bridgerton, getting all the roles despite his castmates being super talented too. it speaks volumes about the kind of characters that the general public want to see + that the industry is willing to write. we've seen the steddie fandom here: joe has one hell of a demographic lapping up his stuff, and he's riding a fame wave of hot white twenty-something male, similar to Paul Mescal... and considering how fast pop culture/hollywood moves these days, I wouldnt be surprised if he too fades away after a few years of great success (like J. Law). He could also fuck it up with one wrong comment and get cancelled within the year lol. It's just so hard to predict.

but vinny was probably right on with noah being young - child stars rarely expand beyond one franchise/film while theyre that small due to legal filming limits and school commitments etc, and because theres so few child roles in hollywood. so comparing a young noah's talent and career with joe quinn's, who was an adult when he joined ST, doesnt really make sense.

+ this isnt really on topic but i personally would prefer them to fade and be happy and healthy than grind away and become jaded by the industry or have many flops. i already think finn worked too hard as a teen and has basically developmentally lived his twenties before his teen years, and is now sort of going back to that teen mindset and experimenting with music and chilling and doing things a teen should. when he said he had abandoned his career goals to focus on personal ones like 'being comfortable in my own skin', i rejoiced and also cursed the whole fame thing for just being so fucked up. his goal is to be 'a happy and healthy older person' - i mean, that made me cry dude. the implications and subtext of that statement! and people are out here thinking they should all be happy and fine cos theyre rich and have fancy cars and all these fans. like, tell me you don't know anything about what it means to be human. 🙄

Excellent points and discussions, all very real. Agreed. Thank you !! ❤️❤️

[signalwatch]

Bram Stoker's Dracula (1992)

Watched:  10/21/2023

Format:  Amazon

Viewing:  Second, I think

Director:  Francis Ford Coppola

Firstly, this isn't Bram Stoker's actual Dracula.  This is Francis Ford Coppola's Bram Stoker's Dracula (1992).

I very much remember Coppola, with whose work I'd just become acquainted at age 15 or so, announcing he was going to remake the Universal Monster stuff using the source material.  And as a teen, I was jazzed.  Let's kick the dust off, ditch the stuffy 1930's stylings (I'd never seen the movies at this point) and lets make a Dracula for the 90's!  

All I can really remember from that first movie is that it was... a lot.  The reviews were mixed, but everyone was going to see it, and I was in a packed theatre when I watched it myself.  

Honestly, I remember thinking "well... that was a lot.  And I get why the reviews were mixed."  Halloween night of '93, I went to see the original, and was like "oh, wow.  This is rad.  I get why people love this." and, in fact, my interest in horror movie monsters I'd had as a kid was reignited (along with a VHS copy of Phantom of the Opera) to the point where I'm annoying about it to this day!

Over the years, I've not returned to the Coppola movie because (a) I didn't like it all that much to begin with, and (b) there's so many Draculas.  And one gotta catch 'em all.  

Since seeing this back in '92, I've since read the novel, watched the 1930's original many, many times, seen some sequels to that, watched the Hammer films, watched a clutch of other vampire films and Dracula adaptations - including stage plays, read Carmilla, and basically laid down what I think is a solid foundation.

This movie is super strange.

Like, look.  It's got some amazing ideas, and beautiful visuals.  My exposure to the movie in the internet age has been largely through stills and gifs, and given the dedication to the visual that this movie embraces, its a reminder that the film has some stunning photography, FX, design, costuming, etc....  It's an absolute "spared no expense" endeavor.  

I actually love the fact that the movie uses weird edits and dissolves - the peacock feather to the sun, etc... 

You can't ask for a better cast in 1992.  This is a post Silence of the Lambs Anthony Hopkins getting to play all the cool roles, a height of her fame Winona Ryder, Richard E. Grant, Cary Elwes, Billy Campbell, Keanu Reeves, and fucking Tom Waits as Renfield.  And, of course, a young Gary Oldman showing everyone what Gary Oldman can do.

Look, the movie isn't the book, full stop.  Since Lugosi made women swoon in the stage show of Dracula and then in theaters (no, really), the story of Dracula has become weirdly morphed from "agent of Satan slowly murders virgins" to "eternal love story".  

The book provides nothing like the pre-credits sequence to explain why the Count became an agent of the devil other than it sounded like a fun sort of thing to do.  There's no suicide of a wife, no war with the Turks.  There's no attempt to humanize Dracula by giving him a reason he might turn to the forces of darkness with which the audience might sympathize.  

There's just no love story between Dracula and anyone else in the book.  There's Mina having a mix of shocking sympathy for her tormentor (because she's a good person) and a bit of Stockholm Syndrome in the final chapters.   I have read that a lot of the past lives stuff is borrowed from a different Stoker novel about mummies, but it feels straight taken from the Boris Karloff movie The Mummy.  Which makes me wonder what Coppola planned to do for his remake there, had they proceeded as planned.  

There's nothing wrong with making the story a romance - that's what vampire stuff does, I guess.  But Bram Stoker's Dracula essentially turns the story of Dracula into Mina cheating on her boyfriend while he's at work with a dude with no job and a soul patch.  She'll insist they made such a connection (and, ironically, he's also juggling three other ladies she doesn't know about) and she's going to act nuts about it because she's invested so much into her secret little fling when she should write her dude and admit she's banging someone else.

The end result is that no one in the movie is anyone you care about except for maybe Van Helsing.  Mina seems like a dupe, Jonathan is wishy-washy, Lucy is narrative cannon fodder as the horny girl in a horror movie, and the three suitors are stripped of any qualities other than they sure are in the movie, and one has a hat.

Because the movie leans into Mina and Vlad's secret affair, it chews through a lot of plot time and also sets the pacing of the movie somewhat different from the novel.  By necessity, this means - so the movie isn't even longer than what feels like a very, very long two hours - the other characters get some short shrift and plotlines get condensed.  And that's... fine?  

Surely this movie's love affair works for someone out there, just as the Bella/ Edward romance works for a lot of people.  And I'm not opposed to it on its face, I just don't think this movie pulls it off in a way that makes you (a) cheer for the romance or (b) be horrified by Mina's seduction.  It just sorta rolls out, and the dramatic irony of Mina having no idea what's really happening becomes tedious.  And tedious is not good for movies.

I don't blame either actor here (even if sometimes Ryder's Ryderism in her voice gives the game away).  Oldman is maybe at an 8 at his lowest and an 11 for good chunks of the film, but that's what's called for.  Ryder is playing what she's got, but it's hard to know what that is.  We don't get much of who Mina is until she's already in crisis.

What we clearly do get is the idea that this is sexual repression, Victorian style.  And Dracula is supposed to prey on the unspoken horniness of the women - with Mina clearly trying to push Jonathan's Victorian sensibilities, and of which Lucy seems keenly aware as she uses the barest hint of a sexual nature to keep three dudes with options on the line.  

At the time of the movie's release, between fighting prudishness and lots of blood, this was seen by some as a movie for the AIDS/ HIV era, which... I don't think Coppola probably thought about even once.  It's the sort of observation made that is more about how the movie reflects the times, and what the viewer might bring to the film.  I don't think (but don't know) it was made for such a comparison - especially when the novel is clearly about science wrangling with unknown diseases, and the movie skips a lot of that element.  Except...

Our intro to Van Helsing has him discussing syphilis in a medical classroom, and making clear connections between STDs and the moral nature of man, which was quite the rage in the 90's.  I doubt that bit would make the cut in 2023, and it's an odd tie to Van Helsing as mystic scientist and Dracula-chaser. 

Flipping the script of the seduction of Mina is the imprisonment and seduction of Jonathan.  What is curious is that the movie never deals with what Mina knows about Jonathan's time away, how he delivered that info, etc... as it seems she's fully aware of the situation, and  we are robbed of her own reaction.  It's a lot, and she just seems like she's taking it all in stride.  Which, I guess if you've been shtupping a mysterious Eastern prince, you don't make a lot of fuss when your man tells you three hot women forced him into sex daily for a month.

What the movie does offer is spectacle upon spectacle.  And that isn't necessarily wrong.  The portion of the novel that's Jonathan's POV gets really weird, really fast.  But it can be the difference between Jonathan seeing a glimpse of what seems to be wolves in the woods and us seeing Jonathan's wagon from the shoulder POV of wolves, as the movie does.  The suggestion that the count moves unnaturally versus the obvious floating and zipping around the count does on screen that leaves nothing for the viewer to share Jonathan's uncertainty.  But this is a matter of taste.

I do enjoy the "this is a soundstage" look and feel to the exterior shots and the swing-for-the-fences design, including some of the stuff that's a bit risky to try as it can *feel* like it's trying.  The movie really is gorgeous, and there's a reason the stills that people post every Halloween have made me want to revisit the movie.  

Is it scary?  I mean - I think it has its moments.  And it embraces the weirdness of Renfield and Dracula himself as well as any version.  But without really *caring* about Mina or Lucy, the horror of what's happening is more indicated than visceral.  The scariest bit is probably, really, the dudes going into Lucy's crypt, with the first fifteen minutes in Dracula's castle a close second.  There's a lot of space in-between those scenes and after.

What's odd is that this is really considered the other Dracula film, the primary version still the 1931 Lugosi version or the Spanish version.  There have been innumerable versions before and since the 1992 version, but no one really seems interested in just telling the story in the book.  That said, this one is certainly closer than most.  

With endless streaming services, it seems like *someone* would just give it a go.  

By the way, I still think the guy who played the best Dracula in a movie in recent years was Nic Cage in Renfield.  I can only imagine if Coppola had cast his nephew for this what we could have had.

[ectonurites]

TIMBER IS ENDGAME!!!

Sorry I’m just excited after reading the new issue of Tim’s solo but they basically confirmed it with this issue and I’m so excited!

okay so three things, sorry in advance if i sound snippy with any/all of this:

1. this was sent at around ~2am in my timezone, when the comic in question was released only like 2 hours earlier. which to me feels… a tad early to start talking in my (or anyone’s) inbox about it without any sort of spoiler/context warning before talking about the issue’s content. especially if i have not already posted about the issue myself, indicating i’ve read it. i know you did not say anything terribly specific here, but like… still. i personally prefer going into new issues completely blind aside from officially released promo stuff (aka im good with seeing solicits and the previews from dc and stuff the artists/writers may post/talk about ahead of time) so getting any other info ahead (even vague stuff) really frustrates me as a general thing. (I know that may seem hypocritical because there are times i’ve discussed/referenced leaks, but trust me when i say i don’t seek them out. sometimes they are thrust upon me because people don’t tag that shit properly, and i still have opinions all the time always, but i make a point of spoiler tagging in those scenarios).

2. in general, the concept of a comic ship (especially one with teen/young adult characters) being ‘endgame’ is just so wildly absurd to me. like without reading the issue i’d guess you’re using the phrase in a more colloquial ‘this ship is going to stick around longterm!’ way, and sure totally i’d believe that sort of thing got indicated, and that’s cool and exciting if it was! but monthly superhero comics are an ongoing medium… i guess i’m getting into semantics here but there can’t really be endgame ships if the ‘game’ never ‘ends’. even an individual book getting cancelled isn’t an actual end when it’s part of a shared universe thus the same characters can pop up elsewhere. and even if its like ‘ahhh look! the future!’ that sort of thing happens in comics every other week and can change so so easily.

3. i have not actually been keeping up to date with Tim’s current solo to begin with. i know that may seem shocking because of the [gestures vaguely to my icon and my blog in general] but it’s because unfortunately the universe had really cruel timing the day TD:R #1 released and due to that i’m still in ‘every new issue coming out just makes me think about how many months it’s been since my uncle died’ mode. so ive been avoiding the book and avoiding discussion about it for the sake of my own mental health right now. someday i’ll get around to it but idk when i’m gonna have enough… distance, I guess, to be able to.

anyways. sorry that that is probably super not the sort of response you were wanting/expecting, pls don’t think im Mad at you individual anon who sent this and i’m glad you’re excited about whatever happened in the book! this just… struck me and my brain at the wrong moment in the wrong ways, i suppose

[ilhoonftw]

okay I’m no expert when it comes to sales and industry dynamics but I truly fully believe that K-pop reached its height and all these inflated sales and records purely cuz of covid. this isn’t to discredit anybody’s work and of course there was already a spotlight on it but the level it reached was purely cuz of covid cuz with everybody locked up inside a lot of people just needed lighthearted content to binge and that’s what kpop provided. I might be fully wrong about the prediction but I do believe that with lockdowns not happening kpop will minimise a lot more than what stans expect at the moment. I just find it so fascinating and sometimes I do wonder if Covid didn’t happen then what would the kpop landscape look like? im sorry for any mistakes cuz English isn’t my first language

sorry for late reply anon!

i think covid was def a factor but sale numbers started rising before that. like i remember when digital downloads took over and very popular idols weren't cracking 500k sales because market saturation. albums also had less gimmicks, like photocard poster and that's it. exo is the group that brought back massive sales, for whiiiiile they weren't considered a legit million sellers because sm produced multiple versions of albums. now it doesn't seem like an issue anymore... g.o.d were the last idol million sellers (fun fact first million sellers in korea was a band hyunsik's father was in)

i do think covid cranked things to the max. whatever was going on already became accelerated(?). no doubt sale numbers would continue to go up as kpop became more known abroad and buying albums became more accessible, but covid did cause things to skyrocket. and you can tell kpop's growth goes hand in hand with korea's economy, because things are slowing up there. there's gotta be some shady stuff going on, like buying back albums to hike up sale numbers artificially (cube did that to 4m in 2012 were caught immediately...) as digital chart manipulation in 2010s was a thing companies like starshit got away with. like at this point i wonder if authorities tasked with catching fraud are just looking the other way, ignoring how album sales numbers look unreal

i think you can gauge kpop's rise abroad by how many youtube videos about "dark side of kpop" popped up. a lot of them at best silly at worst misinformed. active entertaiment industry in every country is Bad. kpop was based on japanese and american teen idol systems if you ask Me, and both of these are... yea. lee sooman especially basically copied everyone's homework, sm rookies are exactly what johnny juniors are minus i guess backdancing for senior idols

covid caused things go online and tbh stuff you wouldn't be able to access in 2019 was uploaded officially in 2020. being able to stream kpop concerts online??? unthinkable before that

shipping things from korea became harder to do because korea post became super restrictive, i ordered some kbeauty items in feb 2020 from ebay, sellers couldn't ship them and just refunded me. things shipped in jan/feb came like 3 months later 🫣 i stopped buying albums by that point so idk how that affected individual buyers, but group order accounts are all over twitter/fb so idk

personally covid caused a lot of hurt and pain in my life i wish it didn't happen at all. and that govt's response wasn't basically 'if you die, you die' but that's besides the point

and your english is fine! don't worry! im not a native speaker either

[coolblackmetal666]

I feel like this is a take that someone needs to make, so I guess it'll be me:

Buffy ruined the MCU by being the best version of Spider-Man.

Both media franchises are about (or starts out being about) a depressed teenager who tries to balance having a normal, healthy teenage life with their superheroics. Their depression mostly stems from feeling like the weight of the world is on their shoulders, because their powers give them responsibility.

Also, both characters seem to have some meta knowledge about the tropes of the genre that they're in. I mean, that was kind of the X factor that made Spider-Man so popular in the 60s to begin with, now? He's just a nerdy highschooler, just like you comic book reader! He'll make the exact same quips about super villain names and evil monologues that you would do if you were in this situation, average superhero comics fan!

(This is also, imo, why Deadpool is the worst version of Spider-Man. They take the meta jokiness, flanderize that characterization to bits and ignore everything that makes Spider-Man a well rounded character)

I won't go into why I think Buffy is the best version of Spider-Man. I have to admit I'm biased. I grew up reading Spider-Man comics, and as a trans woman, Buffy filled a certain escapist fantasy in my teens that those comics filled when I was a kid. It's a very comforting show for me, for many reasons, so I might not be the most impartial person to talk about this.

I will, however, go into how I think Buffy ruined the MCU. The writing style is very distinctive. It's smart and quippy while dealing with heavy themes. It's no wonder that this is the most academically studied tv show of all time due to its psychological richness. Its also no wonder that it was so completely embraced by nerd fandom at the time, due to part of its lineage coming from that space. You can probably see where this is going.

Yeah, the big problem with Buffy is that it made Joss Whedon king of the nerds. Joss (imo) is a total piece of shit who treats his coworkers terribly, but he's also, unfortunately, a really good writer when he puts his mind to it. The Body is considered by many to be the best episode of a TV series of all time for a good reason. It's written and directed by Joss Whedon.

But yeah, he got so much praise for the witty, quippy writing style that I basically think it went to his head a bit. It works really well when your main character is a snarky teen or young adult, but Joss Whedon started writing all of his characters that way.

Then he got tapped to write and direct The Avengers. The problem is, when every single character in your superhero world is Spider-Man, no one is.

So yeah, never really been a fan of the MCU or their approach to stuff, but I have friends who are and that's okay. It's all down to personal taste eventually (even though I think the MCUs iron grip on the cinema landscape has been devastating for film as an art form, but that's neither here nor there).

Anyways, that's hopefully the last long, unfocused, geeky rant I ever go on, at least on tumblr, because it makes me feel really annoying when I do that. So yeah.

Back to posting pretty pictures of trees or whatever.

[phoenix-is-the-hottest-thing]

it’s not a matter of being old, I just don’t like hearing anti rhetoric parroted— I’d rather shut that down right away. It’s always “why not use college students if you’re going to sexualize them” and never “what age do a lot of people start becoming more aware of their sexuality again?”

I personally don’t give a fuck (and I’m not mad at you just annoyed about age discourse in general) but allow me to play devil’s advocate for a second.

Sexualizing youth at roughly the age a lot of people start exploring sexuality isn’t weird to me. It’s, like… representing a particular experience a lot of folks have.

It’s not something I care about, because high school kinda sucked for me and I don’t have all that many fond memories, but sure I do find those struggles relatable, or at least understandable. I’ve been reading a manga where a bunch of baby lesbians start dealing with having romantic feelings, or their crush kissing someone else, it’s something that you’d get over more quickly in college because you already have the experience and development to deal with it.

This development is something people like writing about! They’ll pull from their experiences, or other people’s, and it’s so common/popular that it practically became its own genre, them being minors isn’t even a bleep on the radar.

I mean come on it’s almost all coming of age stories! What age do you come of age again???

16~17 is when people go through that kinda character development, they get super hormonal/particularly horny or their peers do, or they start having new anxieties about their future post graduation, etc.

16~17 is the toughest age to be and probably sees just about the hardest changes to handle. So that’s when most coming of ages stories happen. It’s perfect as a setting for a story about maturing.

I also assume it is more relatable to everyone considering going to college isn’t a given, nor does it have a true standard for the experience— there are manga drawing schools now, but I don’t think every mangaka went to college to write their stories.

Finally, you have to think about the target audience. Coming of age manga is often written FOR TEENAGERS, just like YA novels. Why wouldn’t you write about teenagers going through teenager bullshit when you’re talking to teenagers going through it?

I’m an adult now, to pick the manga I mentioned earlier back up— my view of them has changed because I’m no longer the primary audience for shoujo/shonen type stuff. Back when I was younger I would have identified directly with their struggles. Now I relate because I see my past self, or it feels like watching little siblings or younger friends going through struggles I know seem sooo big now, but they’ll be okay. It’s not about going wow so hot they are kissing. It’s playing on my nostalgia. I was once 16 too!

A lot of the time I’ll read josei or seinen now, much more often than I used to, and guess the fuck what I found one set in college last week.

So tldr, why high school? Target audience and memories of growth, primarily. Why is it sexualized? Because that’s the age you start discovering sexuality, and it’s very charged for both teens and adults in that context.

Are there also standard tropes like sexy loli stuff, yeah, manga is kind of a weird genre with that, but it probably comes down to more social context which I’m not going to try and get into— imo it’s literally just a symptom of saying the quiet part out loud, young girls are extremely sexualized in the west too.

Anyway rant over. Don’t like don’t read don’t come into my inbox throwing around blanket statements about how weird or suspicious a super common trope with years and years of context and thousands of works with various degrees of questionable content is.

Instead of “isn’t it kind of weird (weird means ew, I am distancing myself from this gross concept I’m being judgmental about), why do they even do this thing where there’s an obvious solution to this thing I personally perceive as a problem”, try to think about it or do research.

Coming from a place of compassion and understanding is more interesting! People have good or at least understandable reasons for what they do 90% of the time.

isnt seele 16?

I was about to answer “no” and leave it at that but I decided to battle misinformation and make myself clear

If you’re making a high school AU, then sure Seele would logically be a teenager. Just like if she’s in a, say, florist and tattoo artist AU, as a working adult, she would not be 16.

If you’re talking about canon, not only is she old enough to drive a motorcycle, she is a 2000 kid and it’s currently happening somewhere in 2018, definitely not 16.

So no, in the man-eating mermaid AU, be reassured she is definitely not 16. Man-eating mermaid Seele gives no indication that she is a minor, nor is she meant to read as a minor. She’s definitely munched on humans though.

(If it had been the case I would’ve probably mentioned it or tagged it Underage. I try to be thorough.)