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ladyyatexel · 3 years ago

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I Went On A Manga Binge

So you don't have to

For those of you who have wisely avoided the shreds of it I've left around the blog thus-far, I had some weird notion to go re-experience Yu-Gi-Oh uuuuuh a week ago? We'll go with that. Time is meaningless.

I'd been able to read a good portion of the early manga at the end of highschool, and somewhere in my stacks and stacks of paper is fanart from this dark time, so you know I cared. I also still own a Dark Magician action figure somehow, so. I'd also watched a large portion of the anime with my brother because it had been laced with some kind of crack and we couldn't look away? I remember when we both were just like shit, wait, don't change the channel, I can't stop looking at it. And the next thing we knew we were waiting for new episodes and I was doing research on the Japanese original because I was that kid.

Anyway, unnecessary backstory out of the way, here are some... let's call them Observations and Consequences of having read somewhere in the neighborhood of 300 chapters (and growing) of a manga primarily hinged on card games from a spectrum of sources ranging from boringly lawful to sketchy as fuck.

Surprise actual character that develops in typical shounen fashion being Jounouchi. My limited experiences with the 4Kids dub and only early manga had not painted him in a particularly good light. I don't know if episodes were being aired out of order or if I had just missed the ones that established that he was making shit up as he was going along, but Wow I liked him a lot more going through the manga than I ever did watching the (dubbed, heavily edited and censored and thrown into a slurry machine) anime. I'd managed to come out with the impression that he was just as reasonably experienced with the game as Yugi back in the day. Wild.

I'm now reading every single comic-style post on Tumblr backwards.

Striking inverse to first point, wow, I don't like Seto Kaiba. Though he gets points for his general philosophy of the future, and the line I read in my sketchy online combo of scans and scanlations in which he said, "If God is in your way, you run him down," was Metal As Fuck. I somewhat shame-facedly admit to enjoying him a lot more as an Abridged Series character. (I watched Abridged as it came out back in the day! The experience of watching the anime with my brother had been so fresh that I got all the in jokes about the way things were edited and dubbed, it was great. Series remains influential part of my life to this day, which is hella weird.)

I almost understand how Duel Monsters works now. I don't want this.

That said, wow a lot of the decisions made in the anime made everything a lot more ridiculous than the admittedly already ridiculous original. I got the distinct feeling in the manga that the Duelist Kingdom stuff we were seeing was designed to be used and exploited in ways that don't make sense in an actual cardgame just played on a table like a normal person and this was part of testing everyone to think higher, differently. Maybe this is obvious to everyone already, I don't know. I had always liked that it was very, 'Not so fast, I'm going to blow up the moon to change the tides,' but I'm not really sure the anime gave enough explanation that this was an extra layer added to things for that event? You can see people actively getting used to it in the books, and people who aren't considering the real or 3D nature of it getting owned, but my memory of anime version is everyone just like, 'oh, shucks, fuck me, I forgot to consider the phase of the moon before i played this card, can't believe I forgot.' No one calls Yugi on any of this stuff because it's valid play in that situation. Plus Yami Yugi had mad trickster energy in the beginning and it suited him to think of ways to do things inside these little simulation boxes the way it suited him to set perverts on fire. I imagine the real card game trying to emulate this element as something that would be to its detriment, but I neither know nor particular care haha

Ryou Bakura.

Really, though. I think he became kind of casualty of 'wow, we have a lot of characters who really aren't able to do anything in this story anymore,' despite the fact that his whole inner life could have been as interesting as Yugi's. I always like thinking about the possibilities of stories in which main character falls into magical world and is given magical item and told they're the hero and then they find out they've been the bad guy the whole time. The first several volumes of manga were about the quiet weirdo kid that no one talked to who was always blacking out and turning into a fucked up version of himsef because he was so attached to his ancient Egyptian jewelry, so like, Bakura could have much the same shit going on. I want to know what's happening with him so much. He clearly doesn't love being possessed, but he's also so drawn to the ring. Despite it having stabbed him at least twice and him knowing it's a danger to him and his friends, he keeps being pulled back into it. You see so much more of him being like, 'Oooh, a creepy thing, I love that! :D' in the manga than ever in the anime, which I'm all about. Also more blood. I'm very about that as well. Though my memory of the anime also made it look very much like normal regular daily Bakura was just a weird facade in places before he ever would have been. I think that was it trying to compensate for what people didn't see from the Toei anime, but okay whatever, that I love everything about this guy is not news, I don't need to talk about Bakura excessively here, I'm pretty sure that's gonna show up on my blog by itself

On a related note though, damn, more of these people need to talk to each other. Can we have some existential crisis support clubs or something. Can we get like some apologies or something? "I respect you as a duelist." "Cool, but you literally built a tower designed to specifically assassinate me and my friends? You were supposed to get Better after I retaliated by putting you in a coma, but you kinda didn't." "Why would the coma have made it better" "I just told you it didn't" ---- "Sorry I went along with the plan of your evil parasite stabbing you, misled you, and then also jumped in and took up some real estate in your head too." "I understand, I also have an evil thing inside me that does things while I'm blacked out." "...no, I was conscious for all of that." "Oh." "..." "..." "..." "Do you like Ouija Boards?" "sure okay" ETC. Like damn we are reading shounen manga because no one is talking extensively about their feelings here and I'm tapping my foot angrily.

Holy shit there are so many mythologies happening at once. The ancient family guarding the Egyptian Pharaoh has a surname that's a Mesopotamian goddess. None of the god cards make any Egyptian sense except Ra, and just like. Baaarrrrely. Somewhere either Evil Ring Bakura or Mar/lik makes a reference to cremation and spirits being taken to heaven with smoke which several things, but definitely not Ancient Egyptian. Marik/Malik meanwhile is clearly trying to head Arabic, along with Rishid, but then, hey, our sister is just Isis. Goddess McGoddess. Sometimes they're the same goddess! Her name could be Isis Isis or Ishtar Ishtar. Meanwhile, all the obviously 'occult because Christians think it is freaky' stuff. ~ancient egyptian pentagrams~~~This isn't a complaint, I guess so much as a 'Wow, I can kind of see the cultural spot the author was coming from and where he was aiming' kind of thing.

Wonder where things would have gone if the card games had not been latched onto the way they were.

Managed to forget how gross the pre-cardgames stuff was on the sexual harassment front. I'm glad there was a sort of explanation of everyone drifting away from being dick heads and that that decision was made. It got way more comfortable to read after no one was bringing Yugi p*rn on VHS.

Yugi looks better with a nose, glad we got that upgrade.

Interesting to watch the series style shift as it goes away from being horror to being over the top cardgames and friendship (with blood!). The first picture of Mokuba is fucking Jarring. Also noticed that the nicer a character is, the less their teeth are defined.

Glad manga did not go as completely off the fucking the rails about Marik's face. I never got as far as seeing him back in the day because college occurred, but I remember seeing pictures and stuff and being like, "what in the Fuck happened to that dude, I think the house style has collapsed in on itself"

Things the author Really Likes: motorcycles, belts, SHOES, holy shit the shoes. These are some of the most lovingly rendered sneakers I've ever seen. All the detail on his characters goes straight to their feet and then it's stretched upward until it forms stiff peaks. Gently fold in 3000 years of trauma and bake face down in a crumb coat of scattered mythology. Remove when you roll two zeros.

Where the fuck am I going to put the extremely large omnibus volumes of this comic I purchased in order to balance out how much I would be reading for free on the internet. I should have grasped that a three in one edition would be Thick and yet somehow I was still :O when it arrived. Have I strategically purchased volumes that contain my favorite parts, maybe, what's it to you will i eventually get the whole thing because incomplete book series gnaw on my soul? yes

Wish the transition from "I've murdered several people in delightfully karmic ways" to "all you need is friendship in your heart and cards in your hand" Yami Yugi/Pharaoh had been discussed more/transitioned better. Buddy, where did you get this approved for television high horse? Please go back to strangling people with yo-yos or at least tell me why you stopped.

I still can't tell anything that looks like a big robotic monster apart from any other big robotic monster. My dude, I can't tell cars apart, all these monsters look the same.

Yami Yugi fascinated me way more in highschool? Maybe because it was still super early and the anime was like 'we need to torture you about his origins WeEkLy. Now I'm just like 'wait hold on, can we go back to Bakura and Marik for a minute, there's some extreme unpacking to do here?' Those two are paying so much more in baggage fees here my guy wow

Violently uninterested in any of the spinoff media

#yugioh #yu gi oh #ygo #there you go i can't imagine any other way you would decide was necessary to tag this #perhaps now that i have thrown this up i can #something #i don't know how i was going to finish that sentence #shut up lady

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natsunoomoi · 4 years ago

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Holy crap. So like with the previous post I was thinking about Fushigi Yuugi again and kind of checking up on what was up with Byakko Senki cuz I haven’t checked on it in awhile and it looks like it’s on hiatus right now and she’s working more on Arata Kangatari, which is cool cuz I thought she finished that, but I guess not and she just took a break to like finish Genbu and do Byakko or something.

But also I was scrolling through her Twitter to find that she is really into this Chinese movie “Legend of Luo Xiaohei” and so I was checking that out cuz so ironic that Japanese mangaka that got her big break writing manga about an ancient China setting is interested in a Chinese movie. So just looking through her Twitter thread and apparently she found out about Luo Xiaohei from watching a CM while watching Modao Zushi. LMAO It’s amazing, but this situation just feels like an ouroboros eating itself because I have a high suspicion that her work on Fushigi Yuugi imported into China back in the 90s was probably a huge influence on Chinese creators and artists to write their own stories about their culture and helped to popularize the xianxia and wuxia novel movements in more modern times. On top of that MXTX said she was inspired by a D. Gray-man fanfic and while she mentioned that title specifically, I think in the periphery Fushigi Yuugi itself and more recently Arata were probably an influence too. Growing up a number of my Chinese friends also said they got into anime overall because of Fushigi Yuugi because it was an anime and work from Japan about their culture and arguably done pretty damn well.

In terms of the danmei movement as well, I’m pretty sure Fushigi Yuugi was included in what started the movement as the movement was influenced by Japanese BL that came in via Taiwan, and the beginning of Fushigi Yuugi had the whole thing between Nuriko and Hotohori even though that kind of went nowhere, Nuriko dies to everyone’s depression (I have several friends who refuse to watch the rest of the series after Nuriko dies because it’s not the same), and that whole ship goes off a weird deep end with Hotohori marrying a woman that looks like Nuriko. Also, the exact reasons for Nuriko being in the harem and all that. There was a whole lot of shipping in the 90s from Fushigi Yuugi and it was one of the first series that had a male cast that was almost entirely ikemen and I think the actual first reverse harem. A number of shows probably simultaneously popularized the female gaze in mainstream anime, but Fushigi Yuugi was definitely one of them. Like literally one or two years before there was a lot of manly men and guy’s guys kind of anime characters, but beautiful ikemen, no, not really. In 2021, there are some things about the series that are a bit problematic, but it’s influence on the world is pretty significant. It was one of the first shows I’d seen that had any kind of reference to homosexuality or transgender in it and although it’s not necessarily portrayed well, the fact that it was there and that Nuriko was such a beloved character it started a conversation and helped us to get to a time where the topics she represents can be more discussed. I’m actually not even sure what pronouns would be appropriate for Nuriko because of her reasons for what she did and in Japanese the pronoun problem is actually really easy to get around because you just don’t have a subject or speaking in 3rd person is totally normal. But still, without her the minds of thousands or even millions of fans around the world would not have been opened as early to LGBT topics. Her existence, even problematic as it might be, allowed people to consider and love a character of a different sexual orientation or gender identity than their own and just open their minds to just not being a homophobic, biphobic (cuz relationship with Miaka?), or transphobic piece of shit.

Then also Genbu Kaiden and Uruki’s powers. Yeah.... I mean, also kind of with the earlier discussion, the idea of dual cultivation I don’t recall even being brought up much before in most media, but such ideas were also banned and repressed in China at a certain point. Documentation shows it was more of an ancient practice that suddenly became known about again. The book I was talking about that has it more explicitly written is banned in China has its only original surviving copy in the Japanese National Library as it was one of the books brought to Japan by scholars escaping persecution in China and bringing with them books to escape one of the many episodes of mass book burning. According to my Chinese lit professor who had us read an English translation of that book as a part of our curriculum anyway. Supposedly the translator of said book had to go to Japan to read the original in order to write the translation. There’s apparently a number of ancient Chinese texts like that because book burnings were a thing at different points in Chinese history, so if you are a scholar of Chinese lit if you want a complete picture of your field for some texts you do actually have to come to Japan to do your research. But yeah, that power mentioned in that very book Watase-sensei gave to Soi, and also the story of Fushigi Yuugi takes place in that very library that contains that ancient copy of a banned and would have been lost to the world book. If you’re asking why a “dirty” book would be something a scholar would grab to save, ancient lit scholars do regard it as a rather well-written piece of literature even though the content of it is basically taboo.

But also the Fushigi Yuugi Suzaku Ibun game is a hot mess when it comes to this same issue because if you romance Nuriko you can save her from death and my friend Hikari said she wasn’t sure if she was happy about fucking with the universe like that. (I’m not either.) Nuriko’s death was such a huge impact on the story and everything. Also, notably, most of the Suzaku Shichiseishi died, but Nuriko had the LONGEST tribute. Like Chiriko and Mitsukake’s was like a tag on of a few minutes. Hotohori’s was too even, but it was addressed more in the later manga chapters the publisher pressured her to write and in the OVA series afterward.

Also, like Fushigi Yuugi other than the Neverending Story was one of the original sucked into a book holy shit how do I survive stories. Idk if SVSSS is influenced by it in that way, but it’s fair to draw the parallels because of the similar theme. It’s just canonically Taiitsu Shinjin is not behind the the system in the book and in a number of ways Shen Yuan is more competent than Miaka. Miaka gets a lot of shit though and when I re-watched FY a second time I actually found the gripes people generally have about it make up only a small part of the series. People just talk it up so much that it seems like a huge thing when it’s not. Plus the technical canon is only the original TV series because that’s where Watase wanted to end the story and that is an emotional rollercoaster that makes you cry so good. But like there’s some other kinds of parallels as well like how toward the end and like the last two episodes you hate Nakago up until the exact moment you find out why he’s an absolute asshole, and characters straight up criticizing him about how he’s an asshole the whole damn series just gives the same kind of feels that SY gave criticizing the original throughout SVSSS. Can’t say for sure, but Fushigi Yuugi has a lot of clout in a general sense.

But yeah, Watase-sensei said that she was really surprised by the animation quality of Chinese animation these days and she thought Japanese anime was going down in comparison. Same, yo. Same. But still, her work was probably a huge contributor to the movement that allowed MDZS to exist because her art is damn beautiful, Chinese influenced, and she had one of the first works in Asia to like bring the subject of LGBT issues into the mainstream after years of oppression from mostly Western influence because in pre-modern Asia no one gave a shit before and there’s a significant amount of classical novels that address some form of LGBT issues at least in Japanese lit and like even academic documentation that notes Confucius saying that doing it with a guy was better than with a woman. And the author of the work that probably was very influential to BL back in the 90s watches MDZS. She noted that there wasn’t any in the actual anime, which is true, but I think she helped that series to exist and she watches the anime so it’s kind of exciting.

I hope it influences her to go finish Byakko, but OMG I want her to finish Arata too because I like Arata. I should try to find time to read more of it because the anime is too short and the wiki descriptions of what’s happening are so damn confusing and incomplete.

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douchebagbrainwaves · 3 years ago

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OK, I'LL TELL YOU YOU ABOUT FEATURE

They seemed to have lost their virginity at an average of about 14 and by college had tried more drugs than I'd even heard of. From their point of view, as big company executives, they were less able to start a company, it doesn't seem as if Larry and Sergey seem to have felt the same before they started Google, and so far there are few outside the US, because they don't have layers of bureaucracy to slow them down. It meant that a the only way to get rich.1 If you make software to teach English to Chinese speakers, you'll be ahead of 95% of writers. We arrive at adulthood with heads full of lies.2 We wrote our software in a weird AI language, with a bizarre syntax full of parentheses. That's an extreme example, of course, that you needed $20,000 in capital to incorporate.3 Their size makes them slow and prevents them from rewarding employees for the extraordinary effort required. Doing what you love in your spare time.4 Young professionals were paying their dues, working their way up the hierarchy. By giving him something he wants in return.

Once they saw that new BMW 325i, they wanted one too.5 If you simply manage to write in spoken language. Languages less powerful than Blub are obviously less powerful, because they're missing some feature he's used to. The kind of people you find in Cambridge are not there by accident.6 I've come close to starting new startups a couple times, but I didn't realize till much later why he didn't care. We'd interview people from MIT or Harvard or Stanford must be smart. Indians in the current Silicon Valley are all too aware of the shortcomings of the INS, but there's little they can do about it. When you're too weak to lift something, you can always make money from such investments.7 Business is a kind of social convention, high-level languages in the early 1970s, are now rich, at least for me, because I tried to opt out of it, and that can probably only get you part way toward being a great economic power.8 It must have seemed a safe move at the time. At the end of the summer.9

It's not merely that you need a scalable idea to grow.10 How much stock should you give him? Users love a site that's constantly improving. But if you lack commitment, it will be as something like, John Smith, age 20, a student at such and such elementary school, or John Smith, 22, a software developer at such and such college. There are two things different here from the usual confidence-building exercise.11 But it means if you made a serious effort. Bill Gates out of the third world.12 What's going on? But I think that this metric is the most common reason they give is to protect them, we're usually also lying to keep the peace. The kind of people you find in Cambridge are not there by accident.13

Frankly, it surprises me how small a role patents play in the software business, startups beat established companies by transcending them. The problem is that the cycle is slow. With such powerful forces leading us astray, it's not a problem if you get funded by Y Combinator. If you can do, if you did somehow accumulate a fortune, the ruler or his henchmen would find a way to use speed to the greatest advantage, that you take on this kind of controversy is a sign of energy, and sometimes it's a sign of a good idea. Fortunately that future is not limited to the startup world, things change so rapidly that you can't easily do in any other language. How can Larry and Sergey is not their wealth but the fact that it can be hard to tell exactly what message a city sends till you live there, or even whether it still sends one. They build Writely.14 I'm not sure that will happen, but it's the truth. Stanford students are more entrepreneurial than Yale students, but not because of some difference in their characters; the Yale students just have fewer examples.

And whatever you think of a startup. In the US things are more haphazard. I see a couple things on the list because he was one of the symptoms of bad judgement is believing you have good judgement. There are a couple catches. Instead of being positive, I'm going to use TCP/IP just because everyone else does.15 Being profitable, for example, or at the more bogus end of the race slowing down. An example of a job someone had to do.16 But actually being good. There are a lot of people were there during conventional office hours.17

I'll tell you about one of the most surprising things we've learned is how little it matters where people went to college.18 In Lisp, these programs are called macros. That's where the upper-middle class convention that you're supposed to work on it. And since most of what big companies do their best thinking when they wake up on Sunday morning and go downstairs in their bathrobe to make a conscious effort to keep your ideas about what you should do is start one.19 The most powerful wind is users. We're just finally able to measure it. And not only did everyone get the same yield. VCs need to invest in startups, at least by legal standards. Ten years ago, writing applications meant writing applications in C. If you have to operate on ridiculously incomplete information.

Notes

Foster, Richard Florida told me about several valuable sources. If Apple's board hadn't made that blunder, they tend to say how justified this worry is. The founders want the valuation at the time 1992 the entire West Coast that still requires jackets: The First Industrial Revolution, Cambridge University Press, 1965. Yes, there would be enough to be a win to include things in shows is basically zero.

Different kinds of startups that has become part of your mind what's the right mindset you will fail.

But although I started using it out of loyalty to the founders' salaries to the traditional peasant's diet: they had first claim on the one hand they take away with the earlier stage startups, just monopolies they create rather than admitting he preferred to call them whitelists because it reads as a kid, this is the notoriously corrupt relationship between the government. As the name Homer, to mean starting a business, A. The Department of English Studies. Yes, strictly speaking, you're pretty well protected against such tricks initially.

There are also the 11% most susceptible to charisma. Every language probably has a word meaning how one feels when that partner re-tells it to profitability on a road there are no longer needed, big companies to say that YC's most successful startups of all the page-generating templates are still expensive to start over from scratch, rather than ones they capture.

There are two simplifying assumptions: that the Internet, and judge them based on revenues of 1. If the company goes public. This is one resource patent trolls need: lawyers. When that happens.

The only launches I remember are famous flops like the bizarre consequences of this type of proficiency test any apprentice might have 20 affinities by this, though more polite, was starting an outdoor portal. The Duty of Genius, Penguin, 1991, p. The danger is that in practice signalling hasn't been much of observed behavior. When I say in principle is that intelligence doesn't matter in startups tend to be when I was genuinely worried that Airbnb, for example, the startup after you buy it despite having no evidence it's for sale.

Another thing I learned from this experiment: set aside an option pool. So if they don't want to start a startup in question usually is doing badly in your country controlled by the government. But in a company grew at 1% a week for 4 years.

We added two more investors. The reason this subject is so hard to imagine how an investor, and that often doesn't know its own momentum. We think. I'm talking here about everyday tagging.

They thought most programming would be possible to bring corporate bonds to market faster; the point of a large organization that often creates a rationalization for doing so much to generalize.

Many people feel good. So instead of being interrupted deters hackers from starting hard projects. The idea is that it was overvalued till you see them, initially, were ways to make your fortune? In fact the decade preceding the war.

One father told me about a form that would appeal to investors.

Some graffiti is quite impressive anything becomes art if you tell them to justify choices inaction in particular took bribery to the traditional peasant's diet: they hoped they were only partly joking. If a big angel like Ron Conway had angel funds starting in the first phase. You're going to create one of those you can eliminate, do not try too hard at fixing bugs—which, if they stopped causing so much from day to day indeed, is due to the table.

The hardest kind of gestures you use the wrong ISP. But they've been trained to expect the second component is empty—an idea is stone soup: you post a sign saying this cupboard must be kept empty. The two guys were Dan Bricklin and Bob Frankston. I have set up grant programs to run an online service, and they were, they'd be called unfair.

My work represents an exploration of gender and sexuality in an era of such high taxes?

So the most visible index of that, in one of the markets they serve, because she liked the iPhone SDK. For example, because a it's too hard to pick the former, because it is.

If you ask that you're small and traditional proprietors on the side of the junk bond business by Michael Milken; a new airport.

The biggest exits are the only audience for your side project. You're not one of their portfolio companies. He did eventually graduate at about 26.

A lot of time on schleps, but he doesn't remember which.

When I talk about startups. It's also one of the statistics they use the wrong algorithm for generating their frontpage. The reason Y Combinator only got 38 cents on the other: the source of food.

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blackswaneuroparedux · 5 years ago

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Black Swan bookgasm review #1: War Music by Christopher Logue (1981)

This is the first in a series of random book reviews taken from my own hand written notes in my journal. Notes are re-edited to make it into a more coherent presentation with the hope others would read the book for themselves.

War Music by Christopher Logue (1981)

War Music by Christopher Logue comprises versions of Homer’s Iliad published over decades since 1981. It’s a modern, cinematic re-rendering of the Greek epic which manages to re-cast Homer’s battles for twentieth-century readers.

I first read parts of it when I went out on tour to Afghanistan as a combat helicopter pilot. It was a ragged dog eared copy given to me by one of my older siblings who had served in the armed forces with distinction and now he wanted me to have it since I was being deployed to Afghanistan.

In between down times between missions I would read it and just soak in its inventive use off language to tell a story birthed at the dawn of Western civilisation and teaching a lesson as old as civilisation itself: that all wars are the same wars.

The English poet Christopher Logue called himself a “Catholic atheist.” Were he religious, he said, he would look out for God in creation. “Did the ancient Greeks believe in their gods as I believe in the ancient Greeks?” he wondered. One of the Lasallian Brothers at his Catholic school in Southsea told him about the elaborate ornamentation hidden from view on cathedral roofs, “safe in the sight of God until Judgment Day.” This information convinced the young Logue to work from that day in the spirit of the medieval carvers: without justification. “That I did not know what I wanted to do was unimportant,” he wrote.

Logue, born in Portsmouth in 1926, described his father as “a devout Irish-English Catholic.” His paternal grandfather, a Catholic from Coleraine in Northern Ireland, spent twenty-two years in the British Army. His Irish aunt Margaret taught him to read and write. “Atheism?” she once admonished him. “There’s no such thing. A silly boast God finds no trouble in forgiving.” Logue never stopped believing in God, he said, because he had never started believing in Him. “I find the idea of a beginning as impossible to credit as that of an end.” His own atheism left him unimpressed. He preferred the company of people whom he knew to be religious.

Logue always envied people with a purpose. It was not until 1959, after a stint in a military brig and a period writing pornography in Paris, that he found his. In his early thirties and already feeling old, he was asked by the classicist Donald Carne-Ross, then working for the BBC, to adapt a passage from the Iliad for an English version he was broadcasting on the Third Programme. Doris Lessing, a close acquaintance, had told Logue that the Iliad, if not the task of its translation, suited him well: “Something to do with heroism, tragedy, that sort of thing.” But Logue found Homer boring. Carne-Ross proposed a section of Book XXI in which Achilles attacks the river Scamander, provided Logue with a prose crib and advised him to read published translations to get a sense of the story. “A translator must know one language well,” Carne-Ross told Logue. “Preferably his own.”

Carne-Ross also advised Logue to go away and “read translations by those who did. Follow the story.” Logue gave it a go, and the result sowed the seed of what was to blossom over the decades into the centrepiece of Logue’s working life; his ultimate creative endeavour.

For more than forty years the English poet Christopher Logue worked in fits and starts on his narrative poem War Music, subtitled An Account of Homer’s Iliad. The poem, which he was unable to complete before he died in 2011, was published in several sections titled War Music (1981), Kings (1991), The Husbands (1995), All Day Permanent Red (2003), and Cold Calls (2005), corresponding, respectively, to Books 16-19, 1-2, 3-4, 5-6, and 7-9 of The Iliad. These books were brought together in a single volume by Faber publishers that tells the story of Logue’s fragmentary and highly original Trojan War.

Clearly the poem cannot be read outside of its relation to The Iliad, but we also cannot call it a “translation” in the familiar sense. To do so would suggest that it belongs in the same category as works produced with an aim of comprehensive fidelity to the original’s language and structure, texts such as those by Richmond Lattimore, Robert Fitzgerald, Robert Fagles, and Stanley Lombardo.

Is War Music, then, a form of loose translation, a “carrying over” of spirit, with all the liberty that implies? Is Logue, as Gary Wills wrote, the third in an exclusive tradition of English poets, after George Chapman and Alexander Pope, “to bring Homer crashing into their own time”? I think so.

Logue drew inspiration from a vast range of sources. The lines with which Zeus surveys the Trojan plain after a day’s fighting have been taken directly from a New Yorker piece on the first Gulf War: “He looks/ Back to the Ridge that is, save for a million footprints,/ Empty now”. When Agamemnon shouts Achilles down, his words are half-borrowed from Milton’s Lycidas: “Blindmouth!/ Good words would rot your tongue”. Snippets of the venerable translations by Pope and Chapman pop up at unexpected moments, amid the ultra-violence of Logue’s battle scenes.

War Music is a translation that takes no prisoners. No line of Homer’s survives un-annealed by the application of English. Like Homer, Logue is absolutely unapologetic about the business of bloodletting. This attitude complements his insusceptibility to beauty. “In verse (as elsewhere) beauty will serve any view and give it a glamour,” he wrote, pondering the case of Ezra Pound. “We should not be afraid to call it whorish.” Logue takes courage in this matter from the example of the Iliad. “The Greeks are not humanistic, not Christian, not sentimental,” Xanthe Wakefield told him on the occasion of his first looking into Homer. “Please try to understand that. They are musical.” Logue sets himself the challenge of converting the sounds of slaughter into the chimes at midnight. This requires an acute sensitivity to fate untinged by timidity. In one of his working notes Logue reminds himself to supply, at a certain point in the poem, a simile for “how far courage can take you.” In truth his whole work stands as an extension of that simile, almost to its breaking point.

Logue’s retelling of the Iliad plays with the idea that, when it comes to war, any sort of ending is an illusion. His decision to illustrate Homer’s story of brave men and bickering gods with flagrantly anachronistic combat imagery (“whumping” helicopters; Uzis “shuddering warm against your hip”) makes the point that, when it comes to war, the best humanity has ever managed is the odd break between battles. This is certainly how I felt in my down time between missions. The whumping sound of the rotar blades throbbed in my ear as I got into the cockpit of my helicopter - many times it made me think of Logue’s haunting lines.

War Music is incomplete because the war isn’t over. “Someone”, the last line reads, “has left a spear stuck in the sand.” It’s an ideal outgoing image: still, striking, but throbbing with potential; gesturing to the wars to come. As I left Afghanistan I thought about my colonial ancestors who had sought adventure and high service in this beautiful barren land and that I was but a passing present incarnation and then the chilling sad thought struck me that I know I won’t be the last in the wars to come.

It is, of course, frustrating that War Music will never be complete but the collected edition one can buy now gives us a definitive text of one of the strangest and most thrilling English poems since the 20th Century. It also confirms that Logue’s Homer deserves a place alongside those of Chapman and Pope.

#covid19 #book review #book #reading #logue #war music #christopher logue #history #classical #homer #poem #personal #bookgasm #literature

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rangikuxmatsumoto · 4 years ago

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Have you ever seen Super Eyepatch Wolf's video on Bleach? Either the old one he did 4 years ago or the updated one this year? And has it changed your view of Bleach and/or Tite Kubo?

--Okay, so I hadn’t until you brought this to my attention. I watched the second video that he posted earlier this year but gave up with like 3 minutes left because honestly, I don’t need to hear the last 3 minutes to know where he’s going.

Frankly, for the most part I agree with him. I started reading the Bleach manga when it was still coming out. I experienced it all in real time, waiting weekly for the new chapter to be posted, dealing with the anguish of a chapter not coming out because of some holiday in Japan or whatever, or there just being breaks in the storyline. I specifically only following the manga for the longest time because I didn’t want to deal with the anime fillers, I actually didn’t watch the anime for a while because of the use of filler arcs. I actually restarted the anime and manga this summer because of the pandemic and being stuck at home – so like what else do I have to fucking do? NOTHING.

Do I still think the Fullbringer arc is kind of a fever dream and surprised that is more canon than say the Zanpakuto Rebellion arc? Yes.

My best friend and I literally still call each other and scream about plot points that don’t make sense in Bleach. How the timeline is all jacked up and doesn’t make sense, how the storyline in TYBW is rushed and incomplete, how certain things just don’t make sense but this is pretty common is a LOT of shonen animes.

Bleach has its flaws, like a LOT of them, but it was still a defining anime of my teenage/early adulthood. I have a box of shit from my Japan trips and it’s mostly Bleach stuff. The thing is as a roleplayer within the Bleach fandom the fact that Bleach isn’t always perfect is annoying but it allows for a lot of us to make it our own. There’s a reason I’ve kept this muse for as long as I have, how I can take a break and then fall back into this character so easily, it’s because I’ve been able to develop the character as my own. There’s canon that I can use and there’s missing pieces that allow me to fill in the voids with my own personal headcanons.

Do I still want to scream into the void sometimes when stuff isn’t explained properly or that they go back and contradict themselves later in the series, and then also re-contradict that at another point. OF COURSE. It’s a fucking mess, yes, but it’s my fucking mess and I love this stupid anime and will love it forever and always.

Now I need to call my best friend and scream at him about Bleach.

#harugardenthief

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extreme-technicality · 4 years ago

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does talking to an anon help about ninjago help? cuz I'm down

DHDKCKGSC YES IT DOES THANK YOU SO MUCH FOR OFFERING YOUR SERVICES

Okay now that I know I won’t be clogging people’s dashes buckle the fuck in my dude and I should stress that I literally would not be talking about this as much as I will be if I didn’t genuinely enjoy the show. I’m gonna go season by season and just Rant

S1 has the serpentine as the bbeg and like, as far as villains go they’re p lit. They’re early enough that they haven’t been done to hell, things are fresh, the characters and dynamics are being fleshed out, and all in all s1 is a pretty solid season. There’s some fuckery that gets brought up re: how the FUCK aging works and what the actual timeline of Ninjago is and how Wu and Garmadon fit into that timeline, fuckery that LITERALLY NEVER GETS RESOLVED IN A SATISFYING WAY BC ITS REVEALED IN A LATER SEASON (s8, dw we’ll get there lmao) THAT THE ONLY REASON THE FIRST SPINJITSU MASTER, WU, AND GARMADON LIVED AS LONG AS THEY DID IS CUZ THEYRE BASICALLY DEMIGODS AND ITS IMPLIED THAT LLOYD WILL ALSO LIVE FOR A LONG ASS TIME WHICH MEANS ONE DAY HES GONNA OUTLIVE ALL HIS FRIENDS AND EVERYONE HE EVER LOVED WHICH IS A FUN THING TO THINK ABOUT AT NIGHT But anyway I digress, s1 also coincidentally introduces Lloyd (he wasn’t in the pilot episodes that set up the rest of the series) and the existence of Evil Dad Garmadon.

S2 is where Garmadon starts acting a lot more Evil and a lot less Dad. He’s the main antagonist for that season, and I actually read somewhere that the show was originally slated to end after s2 which high key explains the fuckery of literally every single season after this lmaooooo. Much like s1, I really can’t find much to complain about, the first two seasons are pretty decent as far as I can remember

Season. Fucking. Three. Where the fuck do I start??? I hate season three for entirely personal reasons revolving around the STUPID GODDAMN ROMANCE WRITING. okay lemme back up and explain a thing first so, Jay is dating Nya and they’re fine, they’re going steady, aND THEN????? THE BEGINNING OF THE SEASON INTRODUCES BULLSHIT LOVE TRIANGLE FUCKERY FOR ZERO GODDAMN REASON, BITCH I HATE LOVE TRIANGLES AND I HATE THEM EVEN MORE WHEN THEYRE DONE FOR NO GODDAMN REASON!!! AND THEN. AS IF THAT WERENT ENOUGH. THEY SHOEHORNED A ROBOT ROMANCE BETWEEN ZANE AND PIXAL AND I KNOW I RANTED ABOUT THIS A LITTLE BIT WHEN I WAS ACTUALLY WATCHING BUT I DIDNT GO INTO ENOUGH DETAIL!!!! THEY MADE THE OTHER NINJA OOC IN ORDER TO PROP UP THEIR SHIP!!!!!! AND AT ONE POINT ZANE GOES “its like we were…made for each other” AND I HAD TO FUCUCJDHVE I HAD TO SCREAM INTO A PILLOW BRO, IM SO TIRED!!!! NO THE FUCK YOU WERENT!!!!!! YOU WERE MADE FOR YOU AND PIXAL WAS MADE FOR PIXAL AND IF YALLS WANNA BANG BOLTS THATS FINE BUT DONT IMPLY THAT EITHER OF YOU WERE MADE INCOMPLETE!!!! THATS AN INSULT TO YOUR MAKERS AND YOURSELVES, MOVE ON, PLEASE AND THANK YOU. anyway that season also killed Zane (for the first time, but not the last) (spoiler alert lmao) and like, not to be an emotional little shit but I did cry a bit at his funeral.

S4 is honestly one of my favorites, even though the romance crimes continue (the love triangle bullshit is continuing and honestly I maintain that Cole, Nya, and Jay should all have gotten together and in my personal canon they DID, and also Kai has a forced romance) the VILLAIN makes up for it imo. He’s campy!! He’s funny!! He’s a clown!! He’s serious enough that if he says “I’m gonna kill you” HE MEANS IT and that’s so fucking refreshing!!!! S4 is honestly 8/10 just for the villain alone, don’t like that it retconned the SHIT out of the elemental masters and how many different elements there are TO master but eh, it’s ninjago, shit is stupid.

S5 was…interesting? OH WAIT I FORGOT TO MENTION THAT S3 INTRODUCED A GARMADON WHO WAS A LOT LESS EVIL AND A LOT MORE DAD, HONESTLY I THOUGHT IT TOOK A LOT OF THE FLAVOR OUT BUT THATS JUST ME LMAOOO. anyway s5 killed Garmadon, and I was a little sad cuz I like him okay??? I just think he’s NEAT, he’s got big dad energy, he was teaching Lloyd some shit that just got DROPPED and literally was never brought up again which is honestly a theme in Ninjago. Ninjago drinking game: take a shot every time they introduce a plot point or ability and drop it at or before the end of the season. WHICH THEY ALSO DID IN S5 WITH A DIFFERENT POWER ACTUALLY, so all the ninja are masters of Spinjitsu right, well s5 introduced the concept of Airjitsu which only Spinjitsu masters can learn and it lets them FLY and they used that for seasons 5 and 6 and then they nEVER BROUGHT IT UP AGAIN EVEN THOUGH IT WOULDVE COME IN HANDY FOR S E V E R A L DIFFERENT SITUATIONS ACROSS THE SEASONS, ONE OF THEM WOULD BE FALLING TO THEIR DOOM AND MY ASS WOULD BE YELLING “YOU CAN FLY, DUMBASS” - anyway, they do that again later lmao it’s fine. But what’s low key NOT fine is they made Nya the WATER NINJA!!! Like I’m not mad she has powers, except I kinda am, she was doing just fine as Samurai X and honestly the only reason she has super special ninja powers is for plot reasons. Also Cole got turned into a ghost, but by s7 he’s????? No longer a ghost????????? And that’s NEVER addressed or reasoned away, so like. Cool lmao

S6 didn’t happen. Like, canonically, s6 ends with wish fuckery that undoes the entire season and none of the characters remember anything that happened except Jay and Nya because S6 is the season where they get back together so they remember all those events for???? Feelings reasons?????? Unclear, moving on. The actual bbeg for S6 was a djinn with a vaguely Spanish accent, and to this DAY I don’t know why they made him have a SPANISH accent. Djinn are Arabic, not Spanish!! They’re not central or South American, either!!!! Your villain design makes no sense, do better

S7 had MORE time fuckery, and retconned what happened to Kai and Nya’s parents and hmmmhmhmhmhmhm that makes me Upsetti Spaghetti :3 not just the retconning, but the fact that they LITERALLY brought them back oNLY TO NEVER MENTION THEM AGAIN!!!!!! LITERALLY!!!!!!!! Okay so at the VERY very beginning, like pilot episodes beginning, Kai talks about their dad like he died/left fairly recently, BUT s7 contradicts that and claims that both of their parents were essentially abducted when Kai and Nya were little kids, which makes me question what in the fresh fuck two little kids were doing for all those years alone. SETTING THAT ASIDE FOR A HOT SECOND, their parents were also apparently good friends of Wu’s and old war buddies (from the Serpentine wars, which is YET ANOTHER bit of the timeline that doesn’t quite add up but honestly I could make a whole other post about that shit). But if they were such good fucking friends, why didn’t Wu check in every now and again??? What the fuck was Wu doing that was so fucking important that he couldn’t have been assed to visit his friends ONCE in like TEN MOTHERFUCKING YEARS and realize “oh shit, they’re not here and there are two tiny children running around unsupervised…My Kids Now : )” LIKE????? WU YOU LOW KEY SHOULDA LOOKED OUT FOR YOUR FRIENDS’ KIDS BETTER, THEY COULDA DIED BRO!!! Uhhhh the time fuckery also results in Wu getting yeeted ahead in time a bit and the ninja gotta find him

Season. Eight. I have…mixed feelings about this one. The beginning absolutely SLAUGHTERED me, and not in a “this is so fucking funny” way. No, the beginning made me feel like I was being flayed alive with just about every episode because Ninjago was back on its forced romance bullshit and this time it was Lloyd’s turn on the chopping block. That hurt my soul cuz like, look at that mans color scheme, he’s CLEARLY alloaro, why are you forcing romance on my aro man, why would you hurt me like that, BUT ALSO BECAUSE HE AND THE GIRL HE WAS BEING SET UP WITH HAD A LITTLE HEART TO HEART REALLY EARLY ON AND IT WAS THE MOST QUEER CODED SHIT!!!! IT DEADASS READ AS A CONVERSATION BETWEEN AN OUT AND PROUD QUEER AND A CLOSETED QUEER AND THEY MADE!!! IT!!!!! STRAIGHT!!!!!!!!!!!! The only thing that kept me watching at first was wanting to find Wu, and then I started enjoying myself once Cole found a plot-relevant baby and had fatherhood thrust upon him. Everything went from “ehhhhh” to “holy shit this FUCKS” once it was revealed that Rumi (Lloyd’s love interest) wAS PLAYING HIM THE WHOLE TIME AND WAS EVIL AND HAD AN EVIL GIRLFRIEND!!!!!! LITERALLY IMPROVED EVERYTHING ABOUT THE SEASON FOR ME, I COULD EVEN FORGIVE THE WHOLE “let’s resurrect Garmadon, but as evil as possible” BULLSHIT!!!!!!

S9 is a continuation of s8, Garmadon is back and 1000% Evil, 10% Dad, but none of the Dad energies is directed at Lloyd - it’s all directed at Rumi, and honestly I could write a whole ass post on just RUMI cuz that’s honestly my DAUGHTER and I LOVE HER and I’m MAD SHE DIES AT THE END OF THIS SEASON!!!! SHE DESERVED THERAPY AND TO LIVE WITH HER GF AND MAYBE SOME CRIME. AS A TREAT. RUMI DESERVED BETTER AND LOW KEY IM GONNA WRITE A FIC ABOUT IT, BUT ANYWAY WHERE WAS I

Ah right, so s9 has the four major Ninja stuck in the original dimension with no way home, while Lloyd has no powers (cuz he almost died last season) and has to somehow lead a resistance against Garmadon (who has taken control of Ninjago City and is working on the rest of Ninjago). Actually, s9 is pretty cool. Like, the end of s8 and into s9 are low key my favorite episodes, and I kinda wanna rewatch them now -

S10 is a FUN one. Garmadon got got last season, but he didn’t DIE, so he’s in cold storage and now there’s Another Threat and he’s the only one who knows wtf they’re up against so they let him out and he works with them. The funny part is, he is still Very Much Evil and doesn’t quite Get emotions like he did when he was, uh, human lmao, sO HE WOKE UP EVERY DAY DURING THAT SEASON AND DECIDED TO CAUSE PROBLEMS ON PURPOSE. IT WAS THE FUNNIEST FUCKING SHIT. 1000000/10 MY FAVORITE GARMADON, he ended that season by literally fucking off into Ninjago and they never decided to track him down 😭😭😭😭😭and I’m so SAD about it dude

S11 has another Serpentine as the bbeg, though in the setup to that they retconned how the fucking Serpentine tribes and history work??? I think???? Also Wu was a good 150% angrier and generally Done with the ninja’s shit, which was honestly refreshing tho I’m not quite sure I liked what the refreshed view was, but whatever lmao. S11 also had the ninja get yeeted to the dimension farthest from Ninjago, and honestly - okay, so they didn’t all go at the same TIME, Zane left about a week or two before the others did but there was time dilation fuckery afoot which I’m not too mad about cuz low key it makes sense. What I AM mad about is that they didn’t play the angst up to its full POTENTIAL!!!!!! Zane was EVIL in the other dimension!!!! Okay so I’m Ninjago he was only gone for maybe a week or two, but DECADES had passed in the other one, and all that time Zane was alone and disconnected from everyone he knew and loved, with a staff that boosted his power while slowly corrupting him and Turning Him Evil to help him, and like???? The thought of Zane trying to find a way home, trying to get SOME sort of message back, while he has to use the staff more and more to help him survive the long, lonely decades, so that by the time his family DOES show up its too late??? BRO. B R O. THAT JUST HITS DIFFERENT, BUT NINJAGO DIDNT DO THAT!!! THEY MADE HIM EVIL DUE TO MEMORY WIPE!!!!!! MEMORY WIPE IS BABY SHIT COMPARED TO A LONG, SLOW CORRUPTION!!!!!!

S12 was alright. It went into Cole’s mom, touched on some of the adventures she had had, threatened another forced romance (this time on poor Cole, just leave my mans ALONE) but thankfully didn’t follow through this time, introduced cool new powers that honestly hasn’t been elaborated on since that’s the most recent season I think lmao

Anyway thanks for reading and letting me rant!!!! I have,,So Much More I could talk about, PLEASE ask me about Rumi, some of my headcanons re: Garmadon and Wu’s dynamic, the Serpentine, my top five times they butchered Kai’s character for Plot Reasons, or anything else I brought up here that you want me to elaborate on!!!

#technical talks #ninja hoe #ask dadzawa #nonnie #this was honestly therapeutic tysm #and it let me kill time before I play Mario kart so bonus points!!#I definitely forgot to mention A Lot (like all the times one or all of the ninja lost their powers)#so like!!! feel free to bug me for more shit!!!!

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squarekid · 5 years ago

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The Re-Making of Grace of Monaco: the Unfinished Cut

In the summer of 2013, I was invited by the now defunct U.S. distributors of a feature film I had written called GRACE OF MONACO to participate in the editorial process for a U.S. theatrical cut. As a writer, it was a rare and unusual position to be in. I had never edited a movie before. Never meaningfully set foot in an edit room. Only seen working cuts. Though I was very reluctant about stepping into the arena, I knew this work was going to happen anyway. As a producer on the movie, it was part of my required duties on a project that had been subject to much behind-the-scenes drama (check press for details). I decided to assist how I could in the attempts to restore some of the narrative focus, tone and characterizations that were in the screenplay but not in the finished movie. So much of cinema is about interpretation of the written word — lighting, dressing, design, direction, delivery and performance — that it was never a process of recapturing what was on the page (even if some of the scenes and dialogue were exact). But about re-imagination and careful detective work. About trial and error. A look here. A smile there. A line here. Page by page. Scene by scene. Reshaping story arcs and character movements. Work that often, I have since learned through post-production on my subsequent movies working with some incredibly talented and giving filmmakers, is ideally meant to be part of an intense collaboration between director, writer and producer. 10 years on, it’s become clear with the passing of time that this experience was a black swan that I will never live through again in my career. But yet it seems with the passing years, and the changing headwinds in the business, this cut will be lost for good. I'm not aware of any other copies existing anywhere else. It would be a shame, because those few instructive and fascinating months proved educational enough for me personally to share as an academic and historic record (should any film historians find use for this).

As such, what follows is FOR EDUCATIONAL PURPOSES ONLY.

A few words about what you're going to see for those of you who have never been in the process. This is not a finished movie. This is a working print of the movie many weeks prior to a picture lock; the moment the picture edit is done and you move on to other post production work — VFX, color correction, Automated Dialog Replacement (ADR), looping, scoring, sound mixing, and so on. As such, there is no grading, the film is raw stock dailies, incomplete VFX, temp score, and you'll be doing as much reading as you would watching for all the ADR work. It was meant for many weeks more of input from the director, from the producers, from test audiences. It’s a work half-done. It's a unique viewing experience, but I hope an educational one. Also, no reshoots! The goal was to recut using existing material using the original script for guidance.

So, how is this cut different?

From Melodrama to Drama. A considerable toning down of the heightened style, to get to a more sober portrayal, and more evocative of the era. This included a more subdued and direct form of editing, and a new approach to the score.

Narrative cohesion to center on Grace’s journey and her conflicted relationship with Rainier. At its heart this was a story about a husband and wife who got married first, then figured the rest out later. This is all about POV and the choices Grace has to make to double down on or reject what may have been the biggest mistake in her life. An unhappy woman who married her glamorous Prince, but now trapped in a grotesque place — except she has kids, and doesn’t know how to get out. It’s a tragedy. A story of acceptance. There is no nobility and quite a lot of sadness to the love affair. There were some baroque moments in the script that weren’t shot (for example, Grace taught her kids not to bite by biting them), that would have helped with getting into Grace's psyche. Nevertheless, the intent was to restore some of the essence of this to the movie. To get to the core of Grace’s self-actualization.

Create context for Monaco. Monaco in 1962 was trying to reframe itself as a tax haven to come out from under French colonial rule. They had rich people, they had grotesque people, but at its core, it was mostly a small provincial principality trying to make the most with very little. Monaco in 1962 was different to the Monaco of today, which Rainier subsequently remade into his vision of unbridled wealth and excess. When he echoes Thomas Jefferson in this cut, during a speech that was in the script but not in the other versions, there is an attempt to understand the underlying darkness of this. That though we may not (and should not) agree with him, we can see where his underlying motivations are what Grace has got herself into.

Restructuring of the plot in some cases for more clarity and suspense. To more effectively balance the marriage story with the thriller aspects of the coup plot.

Delivery and additional dialogue. ADR requirements were extensive due to the shift from melodrama to drama. These are an attempt to mute the power of the delivery. So you’ll be reading a lot, as you will in context-setting scenes such as the opening “wall of sound” news-reels.

A final word on the much discussed original screenplay, with almost a decade of hindsight. It was written without much expectation, and a good deal of naivety. The work of a young writer starting out in Hollywood, who found a small pocket of history he found fascinating. Did I think it would end up under such intense scrutiny? Never in my wildest dreams. But fools go where angels fear to tread. Reading it back today, it feels like a great early draft, but not yet a movie, and with a lot of story and character left to be mined. For this I’ll need a whole other essay, but suffice to say it needed more time to develop. I regularly use it today as an example for young writers to show the pitfalls of moving to the production phase before the screenplay has been properly cooked. I will also make available the original treatment and first draft screenplay soon, again FOR EDUCATIONAL PURPOSES ONLY. The treatment I remain very fond of because of the cleanness of its execution.

Finally … is this cut better or worse? Does any of this matter? I don’t know. That’s not the object of this exercise. I leave that for you the viewer to decide. It’s just different. It's impossible to remake a movie after its inception and execution. But the U.S. theatrical cut, as it was to be in an alternate timeline, exists in an orphaned semi-completed state. I moved on a long time ago but Quarantine 2020 opened up some time that allowed me to crack open old files, reflect and revisit those memories, good and bad. Not least of all learning how radically different versions of a movie are possible in post-production with the same material and with creative re-writing. Editing and screenwriting it seems do go hand in hand.

Amel

Quarantine, April 2020

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timeagainreviews · 5 years ago

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Twin Peaks s01e01 “Traces to Nowhere”

Happy New Year, and welcome back to Twin Peaks, friends. Before we dive further into the mystery of Laura Palmer, I would like to tell you about my friend Jason. Jason was a pal of mine in high school. We used to hang out, listen to music, watch TV, and smoke. He lived with his girlfriend at the time who was also my friend. This may sound sappy, but around these two, I genuinely felt like the best version of myself. I miss those days incredibly. Jason also happened to be the first person to ever introduce me to Twin Peaks. One night, he and a friend were watching the movie as I came over to buy a bag. On that day, I discovered what was to become my newest obsession, one of which would stick with me for the next eighteen years of my life. Sadly, Jason and I fell out of contact and we lost track of one another.

I mention this because I recently heard through a mutual friend that Jason died two years ago. I'll not go into the details, suffice it to say, it was too soon. I always wanted to track him down to say hello, and now I'll never get the chance. While my friendship with Jason was immensely rewarding, one of the most persistent things he left me with was a love for Twin Peaks. Much of my personal philosophy comes from Twin Peaks, and it continues to inform the person I am today. If it weren't for Jason, I wouldn't be me. Therefore, I would like to dedicate this article in his memory. To Jason Walton- My friend in the stars.

Thank you for allowing me that moment, friend. Now if you remember, we left off on kind of a spooky note. Through some sort of line of sight, Sarah Palmer was given a vision of a gloved hand retrieving James' half of the heart necklace from where he and Donna had buried it. Dale Cooper, after a long day of detection, has turned in for a night of sleep at the Great Northern hotel, which is exactly where today's episode begins.

I've read in the past that you can tell right away when David Lynch is directing, or in this case, when he isn't directing. This is not a complaint about director Duwayne Dunham's work, but there is a clear departure from the slow wave of emotions that permeates the pilot episode. However, the more straightforward procedural pacing works much to the episode's credit. Being written by David Lynch and Mark Frost, this episode is drenched in Twin Peaks tones and textures. I'd go as far as to say Dunham does a damn fine job following the hard act that is David Lynch.

We start with a pan across Cooper's hotel room. As I've done with my Doctor Who reviews, I found myself trying to see this scene as though it were my first time. You watch Twin Peaks for eighteen years, and you tend to forget just how strange the decor at the Great Northern truly is. Off-camera we can hear Agent Cooper talking to Diane through his recorder. As the camera searches across taxidermied deer hooves holding hunting riffles, and ornate nature paintings, we fall upon Cooper, hanging upside down by a pair of metal hooks around his ankles. It's never explained why he's doing this, but for some reason the late '80s and early '90s had a weird thing about hanging guys upside down as so form of exercise. Michael Keaton did it in Batman, Patrick Bateman had one, and even Dale Cooper. Perhaps it was quick way to indicate both athleticism and eccentricity.

Cooper, hanging about in his hot dad garters and boxers dismounts from his perch with an ease that is both impressive and sexy. Before ending his recording session with Diane, Cooper waxes philosophical about Marilyn Monroe and the Kennedys. In a way, this is Lynch and Frost drawing parallels between the deaths of both Monroe and Laura- two blonde women surrounded by powerful men and mystery. It's fitting when you consider that Lynch and Frost's first collaboration was in the form of a Marilyn Monroe biopic which never came into fruition. In many ways, the project laid some of the groundwork for what would become Twin Peaks.

Starting his day right with a balanced hotel breakfast, we're treated to yet another fascinating glimpse into Cooper's diet. As Sheriff Truman says later in the episode, he must have the metabolism of a bumblebee. Cooper orders a breakfast he refers to as "hard on the arteries," which is as hard as he wants his eggs. He wants his bacon super crispy- cremated. It may sound as though I'm exaggerating, but I've always loved watching Cooper order breakfast. He seems to revere food in a way not regularly seen on dramatic television. The morning coffee is more than one of the best, it's "damn fine." People have complained that the way people talk about food in Twin Peaks is weird. Sure, maybe in life creamed corn isn't an allegory to pain and suffering, but we've all been there when someone is having a similar reaction to the stuff. Food is personal, and it's a part of everyone's lives, why wouldn't characters talk about it?

Arriving at the tail end of Cooper's order is Audrey Horne, who has seemingly grown a good six or seven inches of hair overnight. Out of all of the mysteries in Twin Peaks, this was the least perplexing. Somewhere between filming the pilot and the first episode, Sherilyn Fenn grew her hair out, and it looks stunning. Everything about Audrey is stunning. Her eyebrows are stunning. That sweater is stunning. But at the moment, it is she who is stunned by Agent Cooper. Just as charmed by his eccentricities and his slicked black hair, she approaches Agent Cooper and asks to join him. Immediately Cooper sizes up that she finds him attractive, she's not exactly hiding it, and neither is he for that matter. For many fans, this is the moment the ship of Cooper and Audrey set sail. I personally always prefer the version where Cooper does the adult thing and doesn't date a high schooler.

After questioning Audrey, Cooper heads off to the Sheriff Station where they seem to still be having their breakfast as everyone he encounters has a mouthful of donuts. I'd also like to note the weird guy with a welding torch and ladder near the entrance. Twin Peaks is a lived in world filled with these people toiling away. Sheriff Harry Truman, mouth full of donuts, can't get a word in as Cooper flies into the room. After spelling out the itinerary, Cooper disappears to "urinate." This marks the first of many references to Dale Cooper's pee. Much like Tom Hanks, our favourite FBI agent is passionate about pissing. It's one of those life things, like food, that Twin Peaks likes to celebrate. Sometimes it's really nice to have a good piss, therefore sometimes Twin Peaks is about having a really good piss. I'm being completely earnest here.

Dr Hayward arrives to the sheriff station to report the findings of the post mortem. Unable to carry out the procedure himself, he outsourced the job to a nearby colleague. I've always admired the way Warren Frost plays this scene. His sadness seems to come and go in waves of realisation. There are the same echos from the pilot episode present here. From the report we learn that Laura died from a loss of blood from numerous shallow wounds. She had bite marks on her shoulders and marks on her arms from having been bound. She had also had sex with at least three men the night of her murder. The doctor also concludes that there is no doubt that Ronette was also present. As Dr Hayward relays this grizzly tale, his eyes wander to the photo of Laura. Pangs of sadness wash over his face as he questions who could do such a thing. He was the doctor present at her birth. She was his daughter's best friend. Laura was family to him.

On the other spectrum of family, we join the Johnsons at their incomplete home. Unable to just ask Shelly if she would do his laundry, Leo has to play mind games. He asks her if she did his laundry and chastises her as if catching her in a lie because his bag of nasty truck cabin clothes are still dirty. Eric Da Re is not a great actor, but there's something perfect about that. Leo is a big asshole that gaslights his wife, I don't expect much depth there. The only good thing I say about him is they got rid of his awful perm from the pilot. Even the way he pinches her cheek is controlling and unnatural. There's clearly no love between them, which is why when she discovers a blood-stained shirt in Leo's laundry she hides it. With Laura recently dead, and his behaviour as of late, this could be evidence. When he comes back later in a frenzy to find said shirt, he flies into a rage at its absence.

We're back at the Sheriff Station where we learn James Hurley owned the other half of Laura's necklace. As compared to Bobby's interrogation, James is Mr Manners. He answers all of Agent Cooper's questions with a quiet intensity. He admits to shooting the picnic video, and to owning the other half of the necklace, but not knowing who dug it up. He was also aware Laura was taking drugs but tried to get her to stop. On the night she died, James picked Laura up on his motorcycle. Acting strangely Laura disembarked from his bike, a disagreement ensued, Laura told James she loved him and disappeared into the woods. Cooper seems pleased with this information. We're then shown slow-motion picnic footage of Laura smiling at the camera. A somewhat cheesy "Help me," is played over the sound of wind and haunting music. It's a sort of fourth-wall-breaking that makes Twin Peaks feel as though not only the town, but the show itself is haunted by the late Laura Palmer.

Bobby and Mike, freshly arrested from their fistfight with Ed argue in their holding cells about the money they owe Leo Johnson. After being briefly questioned by Agent Cooper, they're both sent away with a warning not to harm James. James is also released into the custody of Big Ed, who confides that he believes the bartender, Jacques Renault, slipped a Mickey in his drink. Ed wasn't just meeting Norma that night, he was also staking out Jacques' activities as a suspected drug dealer.

Speaking of Norma, we're given a brief but intense encounter at the general store between her and Nadine. At this point in the show, Nadine is completely bonkers. While I don't feel like she becomes any less touched in the head, we do begin to see more depth to her than just Ed's crazy wife. Wendie Robie is so good as Nadine, that Peggy Lipton only really need to react in kind as Nadine goes on about her drape runners. You can tell there's a quiet rivalry between the two women, both of whom resent one another for what they represent to one another. Norma is the woman Ed loves, and Nadine is the woman that stole him from Norma. When Nadine emphatically mentions the cotton balls that will make her drape runners completely silent, Norma can only stand as if in disbelief. It's the epitome of "weird flex, but ok." It doesn't help that all of this cotton ball talk is nestled into a conversation about Ed being in intensive care. Nadine exits as soon as she entered, leaving poor Norma looking confused and slightly violated.

Speaking of forbidden love, we're given a great scene between Donna Hayward and her mother, Eileen. We learn that despite her grief for Laura, and the guilt it makes her feel, Donna is finding herself loving James. Despite the nightmare that surrounds her, this love for James is like a beautiful dream. Eileen encourages her to invite James over for dinner, which she does. When watching James meet the Haywards I couldn't help but think of Eraserhead. In both, we get two entirely different, albeit very Lynchian "meet the parents," scenes. While James isn't asked to carve any manmade chickens, the awkward politeness permeates both scenes. There’s a sort of wholesomeness that borders on absurdity. Watching James make small talk in his big boy sweater is about the cutest damn thing that you almost forget how violent and terrifying Twin Peaks can be at times. This is something lifted straight out of the Waltons with it's cheesy Americana and good-natured sincerity. Of course, not everyone is as pleased about this new pairing as Mike and Bobby spot James' bike outside Donna's house.

Meanwhile, Dale and Harry find their way at the Martel residence to speak with Josie about her language classes with Laura. Through body language alone, Cooper deduces that the Sheriff and Josie are an item of sorts, as indicated at the end of the pilot episode. Pete is his usual charming self, offering up a cup of Joe to our boys. We're given another Cooperism as he asks for his coffee "black as midnight on a moonless night." That's pure poetry. We don't learn much from Josie here, other than the fact that Laura used to tutor her English and that she seemed distracted the last time they met. The biggest takeaway from the scene is that somehow Pete accidentally brewed a pot of coffee with a fish in the percolator. This is easily one of the most iconic scenes from the original series. Jack Nance was a treasure, and I will never not feel absolute delight when he comes rushing in just a touch too late- they've already tried the coffee.

Josie is called away for a phone call from the ice queen Catherine who informs her that shutting down the mill for the day cost the company more money than it was worth. After hanging up with Josie, we can see Catherine is in a strange motel, sipping champagne with Ben Horne. They're clearly working against Josie, but it's no secret that neither of them trust one another. Everyone is playing the double secret con, and it doesn't make a whole lot of sense. However, we do learn that the two are on again off again lovers. On the other side of town, Deputy Hawk follows up with Ronette's parents at the hospital. The Pulaskis don't have much information other than the fact that Ronette used to work the perfume counter at Horne's Department Store. As he is leaving, Hawk sees a suspicious one armed man skulking around the morgue. Following his gut instinct he starts tailing this mysterious figure through the dark halls of the hospital. Upon entering a room alight in a trippy dayglo black light, Hawk finds himself alone. Whoever this mystery man was, he disappeared into thin air.

A lot of this episode's theme seems to centre around the relationship between the parents and the high schoolers. Along with her conversation with her own mother, we get a scene between Donna and Sarah Palmer. Sarah, still sick with grief, seems genuinely pleased to see Donna until she sees Laura's face superimposed over Donna's. As she's pulling her closer she gets another vision, this time of a creepy grey-haired man sitting at the edge of Laura's bed. Sarah goes into full-on panic mode in a way only Grace Zabriskie is capable of delivering. Leland rushes in to whisk Donna away from the traumatic experience. In his own home, Bobby is getting a stern lecture from his father, Major Garland Briggs. The Major awkwardly tries to treat Bobby with some tough love, but ultimately misses the mark. Bobby's problems are bigger than anything his poor parents could fathom. The Hornes also experience a bit of domestic turmoil with Ben confronts Audrey about how her conversation with the Norwegians cost their family greatly. But unlike the Briggses, if Ben wanted to understand Audrey's rebellious nature, he only need look in the mirror.

Let's take a moment now to consider Laura Palmer. She was a troubled teenage girl with a drug habit, yes. Add to that being homecoming queen, in Spanish club, tutoring immigrants, caring for Audrey's special needs brother, and even heading Meals on Wheels for the elderly and shut-ins. It's the Meals on Wheels program that brings Cooper and Truman to the Double R Diner, where Laura used to work. We learn that Laura didn't just head the program, she created it. If any fictional characters were gunning for sainthood, Laura would be high on the list. It's easy to see why losing her has wounded the town so completely. The Log Lady approaches Cooper about Laura Palmer informing him that her log saw something the night Laura died. However, Cooper's reluctance to ask the log directly leads to her leaving before relaying the log's message.

Fresh off her shift from the Double R, Shelly returns home to Leo who has just put a bar of soap into a sock. He questions her about the bloody shirt, but she feigns ignorance. He tells her he's going to "teach," her about respecting people's property as he advances toward her with the sock swinging over his head. We can only look on hopelessly as the brutish Leo approaches a cowering Shelly. The scene graciously cuts away, as we know what comes next. The episode concludes in Dr Jacoby's bizarre Hawaii themed office (or maybe apartment, maybe both). Inside a fishtank sits three dried out puffer fish filled with blinking lights like paper lamps. After putting a tape into his stereo he dons a pair of giant headphones revealing a taped conversation from his former secret patient- Laura Palmer. He pulls coconut from a palm tree and settles in to listen to his tape. He opens up the coconut to reveal the other half of Laura's necklace. It appears that Dr Jacoby was the one following James and Donna into the woods.

The contents of the recording are revealing, not just about Laura, but also about Dr Jacoby. Laura's flirtatious nature indicates that we can add one more sexual partner to Laura's list. She mentions how James is sweet but too dumb to talk to her about her problems like Jacoby is capable of doing. But part of the brilliance in the scene is that you can also sense that Laura is acting for Dr Jacoby. Fulfilling the role of a young helpless girl who loves him, so that he may fulfil some role she needs. Whether it be a form of protection or just a soundboard for her problems, she had him wrapped around her finger. So what is this ritual of Jacoby's? Are these the actions of a killer reminiscing over the trophies of his hunt, or a man grieving the real, if not inappropriate relationship he had with a young girl? As the tape continues, we hear Laura talking about a man in a red car who can really light her "F-I-R-E." She continues to make a confession about a mystery man, but the audio drops out, leaving us only the doctor's perplexed face to clue us into what she said. The credits roll as we're left wondering.

Truth be told, I could have written this review without having to rewatch the episode. I try and rewatch Twin Peaks in its entirety at least once every one or two years. However, I am glad I did revisit this one as there are lots of little pieces of minutiae I may have overlooked. More than anything, I was curious to weigh Dunham's directing against David Lynch's, and I have to say, it's not bad. The tone is correct for the series and the emotions are played for real. It's always going to be different because the two directors are different people. But as certain episodes in season two prove, some directors begin to parody Lynch's style, adding weird for the sake of weird. But this early on, it is as though Twin Peaks is a juggernaut of unstoppable creativity. Even the duller storylines take on the energy of the greater mystery. Lynch only directed a handful of the original series episodes, which is why the next episode I'm reviewing is an especially exciting one. Not only is episode two (aka the third episode) directed by David Lynch, but it also begins to introduce some of the more metaphysical elements of the series. You could almost say that Lynch directs the most important episodes, and my god is this next one a doozy.

Well, friends, that's all from the world of Twin Peaks for now. I'll have the next review up soonish, but not before the new Doctor Who review. Speaking of which, it is now less than an hour until it airs! Who else is excited? What a great way to ring in the new year! See you all soon!

#twin peaks #season one #david lynch #mark frost #dale cooper #kyle maclachlan #Laura Palmer #Sheryl Lee #dr jaboby #donna hayward #audrey horne #duwayne dunham #traces to nowhere #james hurley #bobby briggs #ronette pulaski

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schraubd · 6 years ago

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Election 2018: How Did Anti-Semites Do?

A few days ago, Tablet Magazine published a list of eight "antisemites running for Congress". It was a good start, but woefully incomplete -- there are so many more antisemites to choose from! Moreover, it doesn't really properly gradate antisemitism (there's a huge difference between a literal Holocaust Denier and someone who's been in a room with Louis Farrakhan). So while you can read how Tablet's 8 fared here, for a more comprehensive picture this post has you covered. First, the good news: the absolutely, positively, most blatant antisemites generally did not win.

Actual Neo-Nazi Arthur Jones lost to Democratic Rep. Dan Lipinski 73-27 in Illinois' 3rd congressional district.

Jones' Holocaust-denying compatriot, John Fitzgerald, lost by a similar 72-28 margin in California's 11th district to Democratic Rep. Mark DeSaulnier.

In state legislative races, the same basically held true:

In North Carolina's 48th state house district, GOP nominee Russell Walker -- who once said Jews "descend from Satan" -- lost to Black Democratic minister Garland Pierce 63-37.

In Missouri, GOP nominee Steve West (who was disowned by his own kids) fell well short of unseating Democratic State Rep. Jon Carpenter.

Finally, in California, Maria Estrada's virulent antisemitism didn't stop her from earning an Our Revolution endorsement, but it presumably did her no favors in her D-on-D challenge to State Assembly speaker Anthony Rendon -- she lost 56-44.

The two biggest antisemites to win were both incumbents.

Open White Supremacist Rep. Steve King (R-IA), last seen telling the world that European Neo-Nazi parties would just be plain old Republicans in America, had a much closer than anticipated race against Democrat J.D. Scholten. Still, King prevailed 50-47, thus proving that there is no limit to how racist you can be if there are enough Republicans in your district.

Meanwhile, in Washington, GOP State Rep. Matt Shea -- who advocated for an American theocracy where non-Christian men are executed -- handily won reelection 58-42. Huzzah.

Now, those guys represent the worst of the worst. Most (not all) were running on the GOP line, and most (not all) lost. But the Tablet list itself evinces a clear antisemitic spectrum, and once you move past the obvious cases the story gets more complex. On Tablet's list were two definite borderline entries, for whom I think it's fair to question if they are properly called antisemitic at all (certainly, they're far further afield than some of the names further down on this list):

The case for including Indiana Rep. Andre Carson (D) appears to boil down to "he's been in a room with Farrakhan and the Iranian president", which isn't exactly on the level of denying the Holocaust. Call me jaded, but this felt very thin to me. Carson's Indiana district is gerrymandered to be reliably blue, and so it was -- Carson took his race 63-37.

Lena Epstein -- the Republican candidate in Michigan's 11th congressional district -- also has fair grounds to question her inclusion. Yes, inviting a Jews for Jesus Rabbi to eulogize the Pittsburgh victims was stupid, and insensitive, and baffling, and did I mention stupid? -- but was it antisemitic? I'm not sure. But we no longer need to expend much effort figuring it out: Epstein was soundly defeated by Democrat Haley Stevens, flipping this open GOP seat blue and I suspect signaling the last we hear of Epstein in national politics.

The next tier of antisemites comprises people who aren't really accused of saying anything antisemitic themselves, but who have endorsed antisemites or antisemitic movements.

On the Democratic side, Rep. Danny Davis (D-IL) is the poster child -- while the past few weeks might have you believe that every Democrat in the country is a Louis Farrakhan fanboy, Davis is one of the few who actually has praised the man (the NOI has a large presence in Davis' Chicago district). Davis' district is one of the bluest in the country, and he took 88% of the vote against nominal Republican opposition.

On the Republican side, Rep. Dana Rohrabacher (R-CA) endorsed a Holocaust denier for school board (and that wasn't even his only connection to the Holocaust denying set). "Putin's favorite Congressman" looks to have gone down in his toss-up race, losing narrowly to Democrat Harley Rouda.

Also falling into this category (though arguably shading into the class below) is California GOP Rep. Steve Knight, who ran an ad featuring a far-right activist notorious for antisemitic and racist online comments (Knight plead ignorance about the guy's views, but you'd think the t-shirt he was wearing in the ad -- a US flag with "infidel" stamped over it -- would be a giveaway). Knight lost his seat 51-49 to Democrat Katie Hill.

Next, we get to people who have themselves said or done antisemitic things -- albeit perhaps not as vividly as a Steve King sort.

For Republicans, George Soros is the fulcrum. Rep. Matt Gaetz (R-FL), who gave a Holocaust denier a State of the Union ticket and is a major source of Soros-related conspiracy theorizing, works as a good example. He handily won his re-election race 67-33.

Speaking of Soros, in Minnesota's 1st district, Jim Hagedorn -- who claimed that Joe Lieberman only supported the Iraq War because he was a Jew and who then cut an ad claiming his opponent was "owned" by the Jewish globalist billionaire -- looks like he will squeak out a win over Democrat Dan Feehan. If that result holds, it marks one of the few districts this cycle to flip D-to-R. It also is particularly painful for me because this is the district where my wife grew up and my in-laws still live.

And while Florida gubernatorial candidate Ron DeSantis is more well-known for the racism, he too dipped his toe in the antisemitic Soros conspiracy pool, accusing his African-American opponent, Andrew Gillum, of looking to "seed[] into our state government, you know, Soros-backed activists." DeSantis, a Republican, prevailed over Gillum by about a single point in what had been thought to be a blue-leaning race.

Two more Democratic members of Tablet's list -- Leslie Cockburn and Ilhan Omar -- fit in this category, albeit for comments that are several years or (in Cockburn's case) decades old.

Cockburn wrote a book in the early 90s that was basically a "Israel is responsible for all awful things" screed; she lost her VA-05 race to Republican Denver "bigfoot erotica" Riggelman, because America is awesome and that was really a choice. The margin was 53-47 in a race that was viewed as a decent, if not top-of-the-class, Democratic pickup opportunity.

Omar, running in Minnesota's 5th district, has come under fire for a tweet where she accused Israel of "hypnotizing" the world to prevent it from seeing its "evil". While she has seemingly moderated her views on Israel, she pointedly declined to walk back this comment or recognize how it seems to traffic in antisemitic tropes (in contrast to her 5th district predecessor, Keith Ellison, who pointedly disassociated himself from prior Farrakhan affiliations). Omar won her race by a crushing 78-21 margin.

Finally, it's worth looking at some local races where Republicans (albeit not always the Republican candidate) ran antisemitic ads.

In Alaska, a GOP mailer which showed stacks of cash being stuffed into Democrat Jesse Kiehl's suit didn't seem to work, Kiehl defeated right-leaning independent Don Etheridge 60-37. (Etheridge he disavowed the Republican ad).

In California, Republican Tyler Diep painted his Jewish opponent Josh Lowenthal green, enlarged his nose, and showed him clutching $100 bills; Diep prevailed in his California Assembly race, 54-46.

Pennsylvania State Rep. Todd Stephens (R) made sure to drop the "Johnson" from the name of Democratic opponent Sara Johnson Rothman when he photoshopped her holding a stack of cash, instead going with "Stop Sara Rothman". Stephens won re-election by a narrow 51-49 margin.

In North Carolina, Republican Rickey Padgett tried to unseat State Senator Mike Woodard (D) by, among other things, posting a picture with Chuck Schumer dressed in a Nazi SS uniform. Woodward prevailed by a 62-36 spread.

Finally, in Connecticut, Democrat Matt Lesser gained national attention when his Republican opponent Ed Charamut sent out a mailer depicting Lesser with wild eyes, a huge nose, and a wad of cash. Lesser prevailed in a tight race, winning 52-48.

What are the takeaways here? Well, for starters, the most virulent and explicit antisemites generally lost. That's good, though given that those candidates generally ran in ideologically lopsided districts it's easy to overdraw from that. The Steve King victory shows that where the partisan lean works in the antisemite's favor, partisan allegiance generally trumps (seriously, does anyone have confidence that if Arthur Jones ran in Steve King's district as the Republican candidate, he would lose?). And if that holds true for to a blatant bigot like King, it certainly applies to more mild or sporadic offenders, like Davis and Omar.

The more interesting -- and troublesome -- story is how less overt but still clear antisemitism played out in more closely contested races. Those who assume that America just doesn't tolerate antisemitism are in for a surprise. Hagedorn's antisemitic past (and present) didn't seem to dent his chances in Minnesota's toss-up first district, for example. This isn't to say that antisemites were universally winning -- more that antisemitism, even when expressed, generally isn't a losing issue either even in the sort of closely contested districts where you might expect candidates to tread more carefully.

Moreover, there's a partisan lean to this that cannot be ignored. Certainly, there are incidents of antisemitism in both Democratic and Republican politics. And because American Jews (and Jewish politicians) are so overwhelmingly liberal, there are far more progressive "targets" for antisemitism than there are conservatives. Still, between Soros conspiracy theorizing and "Jews clutching money" ads, there seemed to be a noticeable step-up in GOP appeals to this sort of antisemitic sentiment that doesn't have a clear parallel among Democrats right now.

And Republican strategists must have come to a conclusion that these ads work. Yes, maybe they turn off some Jewish or more liberal-leaning voters. But Republican campaign operatives must think they make up for it by revving up the conservative base (or even independents -- for a variety of reasons I strongly suspect that right-leaning independents might be even more susceptible to this sort of appeal).

There was certainly no systematic punishing effect for Republicans going to this well -- and so we can expect they'll keep doing it. And that is a worrisome conclusion.

via The Debate Link https://ift.tt/2zyyHER

#anti-semitism #Election 2018 #Jews

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ill-be-istj-if-no-one-else-is · 5 years ago

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1/4. I work in a tech job where I demonstrate the operation of latest/advanced instruments to clients (usually hospitals/universities). I don't find it personally fulfilling, but it pay bills while I figure out my life. Since my clients are usually more learned in the theory side of things, some ask why the instrument/software doesn't function in a theoretically ideal way (it's usually because of logistical constraints).

2/4. I get a bit frustrated with those kind of questions because I understand the impulse as a thought exercise, but I'm not being paid to speculate and its not part of my job to explain why the instrument doesn't work a certain way. As the job involves picking up the workings of a new instrument every other week, I have a lot of expertise in operation/function, but I don't know very much about the principles behind their functioning. 3/4. I know it's not relevant to my ability to do my job, but I feel the incompleteness of my knowledge gives me a sense of baseline anxiety and frustration, like I don't know enough and it unsettles me, like one question could unravel all my knowledge, even though I've largely received good reviews from my boss and clients for two years. Is this frustration something Te users experience? 4/4. INTP fits me otherwise, but I'm a little confused, because I find it easier than most Ti users to "let go" of answers when I know they're not relevant to the task. But I was also raised by two formidably competent STJs, so I wonder if I too use Si-Te or I've just superficially picked up their "get it done attitude" while internally retaining the Ti frustration that comes with not having a complete picture. Do you think parenting can affect how your functions manifest? Thanks!

---------------------------

Hi anon,

This is an interesting question and I’m not actually sure of the ultimate answer of whether you use Ti or Te but let’s talk through it!

Reading through this your writing style doesn’t strike me as INTP at all but I wouldn’t rule out ISTP or one of the IxTJs; that said if you did a decent amount of editing the ask or if you’re experienced in having to write business emails you might just be an INTP who’s picked up the skill.

Something I’ve been thinking about recently re: my own frustrations with high Ti; I think the problems I have aren’t with the desire to know everything, which I actually support to a decent extent; it’s not knowing when it’s appropriate to try to know everything and when you have to just get to work with the information you have. (Te users can have the opposite problem, of trying to go to work with insufficient information instead of taking more time to gather additional info).

So with that in mind, I think this could fit with either Ti or Te, but again based on what you’ve said I’d look at ISTP before INTP (granted, I do not know what led you to type as INTP), as the Se can often temper some of the Ti “but I must know everything” tendencies through pragmatism and the desire for real-world action. Your mention of one question potentially unraveling everything does make me think a little more of Ti, so yeah: check out ISTP.

As for the question at the end about your parents having an influence - I definitely think so! My mother is an ISFJ raised by TJs, for example, and I had a lot of trouble early on in learning MBTI in figuring out if she used Te or Fe since her management skills are pretty strong. It’s hard to predict exactly how they’ll influence you (eg: said ISFJ mom managed to produce my extremely ENFP brother), but if you know their types you can definitely see how you learned certain behaviors from them that are often associated more with their types than yours.

#mbti #intp #istp #introverted thinking #extroverted thinking #Anon ask #answered asks

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secretlyatargaryen · 5 years ago

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July 2019 Reviews

Games

Walden, a game - A delightful experience for those who love games and literature and the idea of them together. The best parts of the game are the quotes from Thoreau's book that appear on the screen when you examine something closely, like a fox or a maple tree, complete with great voice acting. The ecological detail put into the game is impressive. The worst part is that the game mechanics for completing tasks are clunky and there is very little time each day before the game forces you to go to sleep and begin the next day, and your hunger, fuel, and shelter meter always seems to be low, causing you to spend the majority of your daylight hours picking berries and collecting firewood. I get that this is supposed to mirror the experience of "living simply," but 1) it is boringly repetitive and if anything calls to mind the irony of “being one with nature” in a computer game and 2) there are a lot of other interesting things to do in the game which you do not have enough time to do, such as helping escaped slaves on their way to the underground railroad. I learned playing this game that Henry David Thoreau was basically every guy I met in college who hated the government and whose solution to its atrocities was to fuck off into the woods and smoke pot instead of actually doing anything about it. This analogy is completed by the fact that you are able to go into town and get food and clean laundry from your parents' house if you get too low on those things.

Black Mirror (2017) - No, not the Netflix series. This is a re-imagining of the Black Mirror series of adventure games developed in the early 2000s. The original game is considered a classic of point and click adventures but suffers from an unoriginal plot (obligatory part where I once again complain about horror games and their obsession with "Surprise! You're crazy! Dead women!") and the unfortunateness of early 3D polygon graphics. The second and third game took the series in a completely new and original direction and were quite good, so while I had never heard of the remake before I came across it during the steam summer sale, I was cautiously hopeful. Even if it was trash, it's just the kind of gothic-mystery-exploring-a-haunted-castle trash that I like to throw my money at. The gameplay is pretty fun (minus some quick time events where you can get killed by ghosts mostly by failing to operate the somewhat clunky controls - the game was originally ported for PS4) and the story is original but also expands upon the series mythos. An enjoyable trashy gothic yarn, although the story also felt incomplete, even to someone who has played the original games, and was both wrapped up too quickly and left weirdly unresolved.

Books

Greenglass House, Kate Milford - I started this book a while ago and it’s been on my radar for a while, and I restarted it again when I heard it was going to be on this year’s BOB list. A fun young adult adventure story which utilizes one of my favorite mystery tropes, the closed circle. The story is that preteen Milo lives in the eponymous house, which his family runs as an inn. The house used to be a meeting place for smugglers back in the day, which means there’s buried treasure somewhere in the house, and when the story starts a slew of guests arrive at the house and are stranded by a snowstorm, when things start getting mysterious. Someone in the house is a thief! I really like this book and the way that the story’s original folklore is woven into the plot. There are also several dungeons and dragons elements that play a role in the plot - to solve the mystery, Milo and his friend Meddy pretend to be characters in a role-playing game, and I love the way the story makes connections between games, stories, and language, since that happens to align with my interests.

Serafina and the Black Cloak, Robert Beatty - Another BOB book, this one also has been on my radar for a while because the series is very popular among my students, and when I went to Beatty’s website recently I saw that Disney had already put their name on it, lol. What I didn’t know was that the series takes place in my state. The setting is the Biltmore Estate in the late 1800s, and the story is a historical fantasy that utilizes some of the local folklore in some really interesting ways, although it’s more fantasy than historical. An enjoyable read with an interesting female protagonist.

Movies

Ready Player One - I enjoyed this movie a lot more than I thought I would. I had heard going into it that it was not a great adaptation from friends who loved the book, which I haven’t read. That might be why I did enjoyed it so much. I don’t think it’s anything that memorable, but it is enjoyable. I can see why the book became so popular, although I’ve read books with similar storylines. I guess a book like this is more relevant nowadays with the popularity of VR in the modern gaming market, but the story relied on some tired cliches nonetheless. I also was a bit annoyed when the story acknowledged the issue with the main character falling for Artemis’ idealistically beautiful avatar without really knowing her...and then had her turn out to be stunningly gorgeous in real life. Okay, she had a wine-stain disfigurement on her face, but she was still traditionally beautiful, and the main character gets to be with her in the end while meanwhile, his actual best friend, who turns out to be an unfeminine black girl in real life and who obviously has a crush on him, is left behind.

Picnic At Hanging Rock - I come across this movie on gothic film recommendation lists every so often and have wanted to watch it for years, and I happened to find it on youtube, which surprised me. The original movie is from 1975 and is a cult classic for a reason. Stunning visuals and a story that leaves you confused in the just the right way. After watching it, I was itching to learn more and came across last year’s amazon prime series with Natalie Dormer and watched all six episodes, and although the series was enjoyable and a good extension for anyone who enjoys the original movie, it does not have the charm or brilliance of the original. The series expands on the story, but part of the beauty of the original movie is the way the story is told in what isn’t said, and in carefully choreographed scenes where nobody on screen says a word. I can see why the movie is called “gothic” as it has some of the trappings of the genre. It takes place in 1900 at a remote and mysterious boarding school in Australia. Three girls vanish during a school field trip, seemingly without a trace. What happened to them may have been supernatural. Or they may have been murdered, kidnapped, or run off on their own. Also, I’m pretty sure everyone is gay.

We Have Always Lived in the Castle - I’m a huge fan of the Shirley Jackson novel which this movie is an adaptation of, and unlike Netflix’s The Haunting of Hill House, this movie is actually a fairly straight adaptation of the novel. The movie captures the gothic feel of the book as well as the anxiety about gender and class from which it gets its themes, and there are solid performances all around, but the movie does seem a bit devoid of a life of its own. Despite, and possibly because of, the voice-over narration, Merricat never really comes alive as a character the way she does in the book. This is, I think, a problem with a lot of book to movie adaptations that rely on voice-overs to tell the story. I can see the appeal of this, especially with a book like this which is both heavily steeped in POV and characterized by an unreliable narrator, but I found myself really wishing the movie would just let itself tell the story rather than the narrator.

Shows

American Gods - I watched all of season two on the starz website except for the finale, which I was told that I needed to upgrade by account to watch, so if you are watching on the website or the app be aware of that. I enjoyed season two, although it lacked some of the urgency of the first season. I do enjoy some of the adaptational choices made that update the novel a bit, such as having Technology be outsourced by New Media. Also, season two saw the arrival of my daughter, Sam Black Crow. I’m also looking forward to the Lakeside subplot next season (I assume) as it’s my favorite part of the novel.

Stranger Things - I watched the first four episodes of season one when it came out, and then for some reason never finished it. I know, I know. It didn’t take me very long to watch all three seasons, which I sort of interpreted as one as a result, although I do think there’s a drop in quality somewhere in the second/third season, but overall it’s a fun show that definitely kept me interested and invested in the characters. Also, every scene relating to the upside down motivated me to clean my bathroom.

#jenny reviews

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synthient · 6 years ago

Note

Could you elaborate on what you mean about Death T re stanning and fairness? It sounds interesting and I'd love to hear about it if you don't mind sharing.

ajhfakj hoo boy. Okay.

So some time around the summer before last (judging by the point where the first baffled and frustrated readmores start showing up on this blog), I read Death-T. It made me feel…some kind of way. An…unpleasant kind of way.

Here’s the thing about me: I can’t just let myself have an emotional reaction to a piece of fiction. I have to, first, pick apart my own emotions to figure out why I had that reaction, and second, pick apart the story to figure out how it works and how it made me feel that way.

On the Feelings Front, I’ve isolated two main causes:

1. I have a brain that Needs Things To Be Fair. That doesn’t mean I can’t handle unfairness in a piece of fiction. Unfairness creates conflict, and conflict is what makes for good storytelling. But it does mean that I need the story to be aware of its own unfairness. I need the unfairness to be the point. Otherwise I start vibrating at high speeds and shaking my fist at clouds.

2. I’m a Kaiba stan. I accidentally got emotionally attached to the Funny Card Game Boy from the Funny Card Game Show.

There’s the feelings part. That leaves the “picking apart the story” side of the equation. And I’ve been trying to do that in nice punchy little one-or-two-paragraph text posts for the past year or so, but I don’t think I’ve ever really done the argument justice that way. So I guess that leaves only one option: writing a giant wordvomit essay on Yugioh (1996-2004).

Why This Is A Death-T Hateblog: The Masterpost

An important note: I like being able to back up my thoughts with Evidence From The Text, but I’m specifically working off the (Viz translated) manga. You can read Cards with Teeth here, Capumon here, and Death-T starting here if you want to check any of my facts or draw your own conclusions. Keep in mind that the Toei anime made pretty huge changes to the s0 Kaiba storyline, and the DM anime skipped most of it entirely–if you’re more familiar with those continuities, there’re some major differences in the manga.

(Also this thing probably reads better on desktop. I think the formatting got screwed up on mobile)

How We Got Here

Before we can actually dig into Death-T, we need to start at the very beginning (♫a very good place to start♫). So that means taking a look at “The Cards with Teeth (Part 1)” and “The Cards with Teeth (Part 2).”

For its first 8 chapters, the Yugioh manga chugs blissfully (if repetitively) along with an episodic, conflict-of-the-week formula. No overarching plot. Next to no sense of continuity. No trading cards in sight.

Then this asshole shows up.

His name is Seto Kaiba (or “Kaiba,” at least–not sure if this is just a Viz thing, but my copy of CwT never mentions his given name). Not that he bears a whole lot of resemblance to the Seto Kaiba we later come to know and love (and/or love to hate).

Almost none of his most defining traits are there yet. There’s no mention of Mokuba, no mention of Kaibacorp, no indicationthat he’s especially rich (besides the fact that he’s carrying around a wholebriefcase of trading cards), no reason to believe he has a specific obsession with Blue Eyes (he just thinks it’s a strong card and it’d help him win tournaments), and no sign of any special hacking/strategy/hand-to-hand-combat/etc. skills (the kid is hilariously incompetent).

This dude was never supposed to be a recurring character, and it shows.

But anyway, let’s run through the basic series of events:

- Kaiba wanders into the game shop looking forbooster packs. Yugi recognizes him as an acquaintance from school (not as a famous kid CEO, and not as a recent transfer student)

- Kaiba happens to notice the Blue Eyes card lying out onGrandpa’s counter (in this version of events, he hasn’t been stealing rare cards for months before this, he didn’t creep on Yugi’s conversation and followhim home, he had no idea going in that the Blue Eyes was there, and he didn’t already have the other three)

- He offers to trade all the cards in his briefcasefor the Blue Eyes (although he doesn’t tell Grandpa to name his price—again,the millionaire CEO element isn’t a thing yet)

- Grandpa refuses, so the next day Kaiba comes up with alaughably badly thought-out plan to steal the card

- Shockingly, Yugi notices that the “color copy from the catalog” isn’t the real deal. He gently tries to confront Kaiba about it in private

- Kaiba (without showing an ounce of the cool head you’d think you’d need to take over and run a company) panics, starts stammering and unconvincingly denying it, and then smacks Yugi with his briefcase

Annnd then Part 2 plays out like a standard s0 chapter.

“Yami Yugi” takes over. They play a shadow game. Kaiba cheats by slipping the stolen Blue Eyes out of his sleeve (Atem’s like “That’s my Grandpa’s card!” and Kaiba straight up goes “Whaaat, nooo, that’s my card that I, uh, found on the street just now.” A teen genius criminal mastermind, everybody). The shadow magic gives him a spritz from its metaphorical Karmic Cat-Training Spray Bottle and makes his Blue Eyes dissolve (I’d like to think that was Kisara going “I’m not mad, just disappointed,” and Memory World tries to retroactively make that connection, but it’s pretty abundantly clear that nothing about this series was planned that far ahead). He loses. Yadda yadda yadda.

And then Atem goes in for the penalty game.

To recap:

Some random 10th grader from Yugi’s school stole a trading card, hit someone, and was generally kind of a jerk. As punishment, he was trapped in a hyper-realistic illusion of being ripped apart and slaughtered by half a dozen monsters at once.

Y…ay…?

Let’s Stop and Reflect for a Sec

In theory, I shouldn’t be that much more upset about Cards with Teeth than I am about any other part of s0, right? It’s not like the manga framed it as horrific and wrong when Atem set off an explosion in some teenage bully’s face a couple chapters ago. Giving us the vicarious pleasure of punishing our bullies in over-the-top, Carrie-style ways without actually exploring any of the consequences is, like, the early manga’s whole thing.

But even taking into account the fact that I already had an attachment to this Nasty Bowl Cut Boy thanks to the anime, I do actually think that there are at least two factors that set CwT apart.

The first is that Atem’s karmic punishments are usually…well, karmic. If he inflicts physical harm on someone, it’s because they already inflicted or tried to inflict roughly the same amount of harm on Yugi & co. If the crime was relatively minor, then he only gives out a minor punishment–like, say, when the homeroom teacher was Just Kinda Mean, all he did was allow the class to see her without her makeup on (…setting aside the Let’s Get Into Gender Politics-ness of that chapter).

There’s even a few cases where you could argue that the punishment is too light to fit the crime. Ushio beat Jonouchi and Honda half to death and tried to murder Yugi with a knife, and all he got was this lousy t-shirt an illusion that made the trash on the ground look like money.

In another chapter, the villain of the week tried to rape Anzu, and the only punishment he faced was having his side business exposed as a scam (Let’s Get Into Gender Politics).

Yet in CwT, we see one of the most harmless villains in all of s0 (no prolonged beatings or attempted murder? unheard of!) receive what’s arguably the most horrifying penalty game in the whole manga. At least when that guy got set on fire, it was over fast.

And that brings us to factor number two: Kaiba is the first penalty game victim in s0 who comes back.

Capumon: Gotta Catch ‘em All!

Well, technically he doesn’t come back in person, at first. Someone else shows up to fight in his name.

Oh hey Mokie. How’s it going?

Rather understandably (imo), Mokuba wants the guy who tortured his brother last week to face some actual consequences for it.

Now here’s an interesting opportunity that the manga has set up for itself. Is it going to dig deep into the balance between defending yourself vs lashing out and causing undue harm? Is it going to remind us that most of the penalty game victims so far, whatever their crimes,have been children? Is it going to demonstrate that when you take out your anger on someone, you don’t just hurt your immediate target, but their loved ones as well?

Nah, who am I kidding.

Hurting or inconveniencing the Good Guys in any way is Bad. Anything the Good Guys do is Good and Justified. Using magic to stick an already-hurting eleven-year-old in his own personalized hell? Good and Justified.

Before he’s shoved screaming into the Giant Vending Machine Capsule Where Bad And Naughty Elementary Schoolers Go To Atone For Their Crimes, Mokuba mentions that the other penalty game he heard about “made my brother go crazy!”

He also drops a hint of things to come with all the subtlety of an anvil. So I guess by this point, the numbers had come in and the card game chapter had proved unexpectedly popular enough that a sequel was in the works.

Death-Twink? Death-Tastic?Death-Two: Electric Boogaloo?

I’ve been pretty hard on Cards with Teeth and Capsule Monsters Chess so far. But you want to know the truth?

On their own, they aren’t necessarily that bad.

What really matters in a story isn’t the literal events: it’s how those events are framed. At the moment, we’re only midway through an incomplete storyline. Maybe we’re supposed to be horrified. Maybe we’re supposed to be questioning whether or not the hero is really in the right. It all hangs on what these chapters are building to.

As it turns out–as Mokuba just helpfully clued us in on–they were building to Death-T.

And that’s where the shit hits the fan.

Over a dozen chapters after we first met Kaiba, a whole bunch of completely-unforeshadowed facts about him are suddenly dumped on us all at once. He’s rich! The kind of rich that allows for limo rides, a giant mansion, and flouncing around in a fur-lined cape like feudal European nobility! And he’s the president of a company, even though “Whaa?!! But he’s still in high school!” Speaking of which, apparently Kaiba “hasn’t been at school recently.”

The Death-T arc opens with Yugi and Jonouchi attending the world’s most awkward sleepover–the host never shows up, and they don’t even get to paint each others’ nails or watch movies. Also Mokuba tries to murder them in the night, but you know what? If someone tortured my brother, “made him go crazy,” and left him huddled in the house feverishly working on a bizarre project and refusing to go to school for the next few weeks, I’d probably poison them too.

The morning after the sleepover, we learn another new Kaiba Fact…

Ever since the Experience of Death happened, he’s been having horrible recurring PTSD nightmares about it. As you do. When you get tortured.

(This is why, even though I know intellectually that it’s Not That Deep and people arejust having fun, I still get a little skeeved out when I see jokes about howDeath-T happened “just” because Kaiba was that mad about losing a card game or “just”because he had a crush on Yugi and he didn’t know how to deal with it. I’malways internally like “Nnno, I’m pretty sure it was the torture?”)

So far we’ve been shown in pretty brutal detail that our “hero” psychologically broke a fifteen-year-old for no good reason. The manga’s going to have its work cut out for it if it really wants to do a convincing redemption arc for its protagonist. And there’s no way it could possibly try to spin that random act of torture as an acceptable thing, right?

…right?

Crime and Punishment

That’s one of my first big problems with Death-T: to me, it reads as a way of trying to retroactively justify the Experience of Death.

That seems to be the purpose of suddenly giving Kaiba all this wealth and power that was never hinted at in Cards with Teeth. See, he wasn’t just some random high school kid who had the bad luck of crossing someone with magic powers; he was (however improbable that is, as the story lampshades) a high school-aged CEO. He’s so ludicrously powerful that he can torture an old man in front of a live audience and get away with it. Punching up looks a lot better than punching down, doesn’t it?

And you can’t really fault the hero for torturing someone evil, can you? Kaiba used Grandpa’s sanity as a blackmail chip! He ran experiments on human test subjects! He wants to kill Yugi and everyone he loves! Surely a little torture is no worse than he deserved.

There’s only one one problem with that: the Experience of Death happened before Death-T. There’s no way Atem could have known any of this was coming. The audience couldn’t have known it was coming. Takahashi didn’t know. Chronologically speaking, the Experience of Death wasn’t revenge for Death-T. It’s the other way around.

Best Served Cold

So Death-T is a form of eye-for-an-eye vengeance: “Yugi” beat Kaiba at Duel Monsters and tortured him, so now Kaiba’s gonna beat Yugi and torture him, using his own perfect virtual recreation of “Yugi’s” penalty game (oh yeah, that whole “the average person goes insane in about 10 minutes” thing? Kaiba was able to program that detail from personal experience).

But wait! This isn’t really eye-for-an-eye! Kaiba’s going after Yugi’s loved ones, not just Yugi, and that’s worse than what Yugi did to him! And even if it was proportionate, revenge is bad and wrong. That’s how you get endless back-and-forth chains of vengeance and generational blood feuds and stuff. Two wrongs don’t make a right!

And those could all be reasonable points, except…

This entire story is about how great and badass eye-for-an-eye justice is.

“Wouldn’t it be cool if you could take everyone who ever hurt you and make them suffer even worse” is practically the thesis of Season 0. You can’t make something look awesome when the protagonist does it and then turn around and make it seem evil and inexcusable coming from anyone else.

And while Kaiba does wind up targeting Yugi’s friends, that wasn’t part of his original plan. He’s surprised when random people start jumping out of the bleachers/the Kaibacorp employee roster and insisting that they won’t let Yugi do this alone. The writing uses his surprise as proof that he just doesn’t understand The Power of Friendship, but it’s also evidence that his original target was just Yugi.

“If you’re gonna side with my torturer, then you can have the same fate as him, I guess.” It’s not even that far outside the logic Atem’s been using all this time. Just because there’s only one main gang member who personally hurt his friend, that doesn’t mean that Atem won’t rope every random mook who gets in his way into the death game too. (Granted, this doesn’t really apply to Kaiba’s treatment of Grandpa. Or the offscreen experimentation/blackmailing. Or Mokuba, but…we’ll get to that).

…But like I said before, the big issue isn’t the events. It’s the framing. Maybe the point will ultimately be that if penalty games are wrong when the bad guy does them, then they’re wrong when the hero does them too. Maybe this is all leading up to a big reexamination of Atem’s moral code and some much-needed character development.

Maybe. Let’s keep going and see.

*Great Gatsby comic voice* Baby? What Baby

Death-T runs for 14 chapters, but Kaiba isn’t actually there for, like…half of them.

I mean, he’s technically there? Occasionally? He’ll show up long enough to dramatically play chess for a panel or so, or to stick his head on a TV monitor and provide some Helpful Death Game Hints. But for all practical purposes, he’s pretty much absent for the entire middle section of the story arc.

And, uh…let’s just say I 100% understand and respect the DM anime’s decisionto go straight from Grandpa’s heart attack to the final duel and skipeverything in between.

If Kaiba’s real goal is to beat Yugi at Duel Monsters, then all the death games leading up to that one are basically filler. And they manage to be just as contrived and nonsensical as any anime filler arc, without a fraction of the fun.

It’s largely a tonal issue. The writing swings wildly between grimdark dramatics, sentimental conversations about friendship where everyone hugs and cries (tbh that’s one of the few redeeming qualities of the arc), and “comic relief” where the “““comedy””” is all either bodily function jokes or sexual assault jokes (L̠̤̯͍̦e̮̪͎̞t's̞̮̳̱̰̦̲ ̲G͖͉̹̻̯͉͖e̜̝̗͓̟͚t̖͚ ͚̰̞̮̝̫͎I͓̜̦̳̭͚͎n̪̪͈t͍̥̰̼o͚͎͇̣̘̝ ̪̼̜̣̳G͈̠̫e̳̝̗̪ṋ͚̞͎ͅd͔̙͓̯̹e̯̺̯̩r͔̣̲͔̳̗ ̘͙P̖̦o̩̺͖͎̞̬l͎̺͕̹i͇̣̼̦t̰i̬̰̝͙̗̝c̜̼̺̪̲̞s).

Honestly, in terms of the “stanning and fairness” argument, there’s not much to talk about here. It just adds insult to injury that not only does Death-T throw my fave under the bus, but it’s really badly written.

The Mokuba Thing

Okay, let’s fast-forward through the filler zone and stoppp…here.

In the context of the anime, where we know (and see multiple flashbacks demonstrating) that their whole life has been an “us against the world” story, this scene is tragic. Seto’s trust in people has been eroded so much that he even thinks Mokuba is conspiring against him? Their love and support for each other, which has survived through so much hardship, has finally cracked under the weight of this latest trauma? There’s a lot of dramatic and tearjerking potential there.

I think it’s pretty safe to say that most of us bring our baggage from the anime with us when we read the manga. The vast majority of the western Yugioh fandom did start with DM.

But if we look at this purely in the context of the manga–if we can pretend, for a second, that none of us have ever heard of the anime–this is the first time we see the two of them interacting onscreen. And none of those touching flashbacks of Seto comforting Mokuba and defending him from bullies and promising to be his father exist here. All we ever really learn about their relationship before this point is “They used to be a little closer when they were younger. Source: one (1) photo of them playing chess.”

So instead of serving as the tragic lowpoint of their relationship, this scene sets the baseline for it: Mokuba desperately wants to make his brother happy and earn his approval, while Seto responds with dismissal and cruelty.

In the anime (and to a certain extent in the later manga), Mokuba’s purpose in the narrative is to humanize Seto. But in Death-T, he serves the opposite function. Every interaction they have is an opportunity for Seto to kick the dog and prove what a monster he is.

And it’s all downhill from here.

………………

…So.

I have…mixed feelings about this.

On one level–a meta level–I think this scene serves the same purpose as taking that random high schooler from CwT and suddenly giving him ridiculous amounts of money and power and mustache-twirling levels of villainy. It’s a way of making the Experience of Death seem retroactively justified (and also a way of making the upcoming penalty game look fair).

On the other hand. It’s.

Horrific.

This scene is supposed to make us hate Kaiba, and it does it’s job really really well.

Personally speaking? I’m of the opinion that trying to hurt the child under your care as badly as you conceivably can is a “don’t pass go, don’t collect $100″ kind of deal. There’s no coming back from that. There’s no fixing or salvaging this relationship.

(God, this whole thing is wrapped in so many layers of fantasy that I’m not even sure what the real-world equivalent would be. Trying to beat your child not quite to death?)

Mokuba should not have had to continue living with his brother after this, any more than the Ishtars should have had to stay with their dad or Seto should have had to stay with Gozaburo. Mokuba forgiving Seto for this isn’t touching to me, it’s gut-wrenching. Every “heartwarming” brotherly moment in the later manga (all, like…2 and a half of them) feels hollow and sad.

As far as I’m concerned, this scene doesn’t “complicate” their relationship in any interesting or meaningful way. Their anime relationship already has plenty of complications–their sometimes unhealthy co-dependence, the fact that Seto is still a kid himself and he’s not really equipped to be a parent,Mokuba’s difficulty understanding that Seto can’t just “go back to who he was” before his trauma, the times when Seto is too caught up in his own pain to really be there for Mokuba, the manipulation involved in Seto’s takeover plan, etc. This just makes their relationship outright child abuse.

But hey, they hugged that one time in Duelist Kingdom, so it’s fine, right?

ExODiA iiiIIIIT’s not pAHsible

The final duel happens. The big Blue Eyes vs Exodia showdown.

*Bill Wurtz voice* So that’s pretty nifty, I would say.

It’s..? A genuinely cool and dramatic duel. There’s a reason it’s one of the, like, three Death-T elements the DM anime actually bothered to keep. Not much to say about it.

Sure was a whole lot of buildup just to end things with one (1) deus ex machina instawin card, tho.

The Tragic Backstory

So if all this happened because of a penalty game, what do you think the solution could be?

Did you say “another, even harsher penalty game”?

Ding ding ding!

This time, instead of torturing the fifteen-year-old, our hero puts the fifteen-year-old in a vegetative state as he begs for mercy.

Yaaaayy!

Some fun facts about the Mind Crush that we don’t actually learn until Duelist Kingdom:

1. It lasted for 6 months

2. Mokuba spent that entire time alone, in the big empty mansion, with no parental guidance or adult supervision except the butlers and maids, caring for his brother’s comatose body 24/7

3. When Atem put Kaiba in that coma, he had absolutely no idea if he’d ever be able to wake up or not. He thought he could, maybe–Kaiba’s pretty strong, right? But he also finds the idea that Kaiba died in his coma and came back to haunt him perfectly believable. “Fixed,” dead…eh, it was kind of a coin toss.

But wait, the story’s not over yet! First we have to find out Why Kaiba Is The Way He Is (“Because your buddy tortured him last month” isn’t enough of an answer, apparently).

This is communicated in the most natural way possible: Mokuba just starts monologuing about all his brother’s deepest darkest traumas to a bunch of strangers his brother hates.

The claim that Kaiba’s backstory is “more complex” in the manga than it is in the anime has always confused me, because this is…it. These three pages are the whole backstory. I mean, in Battle City we do get one more passing line of dialog about how Kaibacorp used to be a weapons manufacturer and Gozaburo “sold Seto’s soul to the military industrial complex,” but other than that… The anime took these bare bones and fleshed them out significantly, but from a pure manga canon standpoint, it’s not a whole lot to work with.

But there’s still enough here to rub me the wrong way.

For one thing, this sequence is almost an exact parallel to two later moments in the manga: Pegasus’s backstory dump at the end of Duelist Kingdom, and Malik’s backstory dump mid-Battle City. In both of those cases, the purpose of the scene is to take a villain whose motives seemed cruel and inexplicable and finally reveal the reasons behind his actions. We’re supposed to be seeing these characters in a sympathetic light for the very first time.

But Kaiba’s motives in Death-T, uh, weren’t exactly a mystery. He already made it pretty explicitly clear that this was about the torture. So as a narrative tool, Mokuba’s monologue:

1. seems a little superfluous

2. seems like a way of taking any responsibility out of the protagonist’s hands. Kaiba didn’t snap because of anything Atem did, he just had a bunch of fucked up baggage that Atem couldn’t possibly have known about or accounted for. Who knew some people take it badly when you torture them??

3. seems to suggest that we weren’t supposed to be sympathizing with Kaiba before this point. If this is the big “oh, now that I know why he did it, I guess I feel a little bad for him :(” moment, then that means the part where he got tortured…wasn’t?

And, as always, there’s the issue of the framing.

The grace note of the monologue–the thought it leaves us with, the intended takeaway–isn’t “If only he hadn’t gone through years of abuse, in circumstances he had no real control over because he was a child.” It’s “If only he hadn’t brought all this upon himself by cheating.”

Even if we ignore the fact that it’s physically impossible to cheat at chess (which seems like kind of a big oversight for a gaming manga, but oh well, That’s Yugioh Babe)…

How can you possibly present a ten-year-old cheating at a board game in a desperate gambit to get himself and his brother out of an orphanage as his start of darkness?

Yet that’s exactly what the writing does. This is a story about how games “reveal the true hearts” of their players and bring karmic retribution down on anyone who doesn’t respect the game and follow the rules. The implication is that the child abuse Seto suffered was karma. He rightfully earned it by cheating at chess, just like he brought the Experience of Death upon himself by cheating at Duel Monsters.

Oh yeah, speaking of which…

Wheel of Morality, Turn Turn Turn, Tell Us The Lesson We Should Learn

What was the outcome of Death-T? What impact did it actually have?

Did it bring about any big moral reckoning? Any questioning of the heroes’ values? Did Atem learn the difficult but important lesson “torture bad”?

Nnnnope!

Death-T is immediately followed by a series of episodic chapters that take us right back to the status quo like nothing happened. Atem keeps merrily handing out penalty games all the way up to the very end of Duelist Kingdom. When he does finally stop doing them, his decision has nothing to do with Death-T. It takes a comment from Pegasus about the Millennium Items having an “evil intelligence” to make him wonder “wait…I’m from a Millennium Item…I’m an intelligence…could evil…maybe include…torture????”

And even after the manga lukewarmly reverses its position to “torture sort of bad I guess,” it never really does anything with that revelation. None of the past penalty games are ever reexamined. No apologies are made. The Experience of Death is quietly swept under the rug, and the Mind Crush, when it’s brought up at all, is framed as noble act that “fixed” Kaiba (because “if you make someone suffer badly enough, you can hurt them into being a better person” is a great message).

Basically, we learned nothing from Death-T, nothing changed, and our takeaway is supposed to be “Atem was 100% in the right and Kaiba was 100% in the wrong, and also he’s an evil monster who deserved everything he got.”

Guess I Need A Satisfying Conclusion of Some Kind Even Through Death-T Didn’t Really Have One, Huh

Wow.

That was…a whole lot of words of Death-T rage that I apparently had in me zjkghzkkf.

I tend to feel less justified about constantly harping on Death-T then I do when it comes to, like, the racism in Memory World, or the series’ general Miss O’Gyny. It’s not like “magical vigilantism” is exactly a real-word social issue that’s being reflected in this piece of fiction. I realize a lot of my anger pretty much boils down to “hey,, ! thats…my fave. stopp...being mean to him >:(”

But I also feel like the issues in Death-T aren’t limited to Death-T.

The manga has this…this thing where it wants to be able to pinpoint a few clear, unchanging moral rules (“cheating is bad!” “graverobbing is bad!” “patricide is bad!”) and just apply them neatly to every situation, without having to take into account any of that inconvenient stuff like “what were the circumstances of this specific situation,” or “how many choices were actually open to this person,” or “how much harm was done by this choice compared to its benefits in terms of basic human well-being.” Yet at the same time, that moral absolutism is somehow coupled with a reluctance to apply any moral judgement to its protagonists at all.

The two points where that becomes clearest are Death-T and Memory World. And I feel like even when people acknowledge the issues with those arcs, they still want to be able to write it off as “oh, that was just a problem with the early chapters, it was fixed as the writing matured,” or “oh, that was just a problem at the end because of the mad rush to finish the story before it got canceled, it was never a thing before then.” But it’s not an isolated problem. It’s there at the beginning of the story, it’s there at the end, and it’s baked into everything in the middle.

…but anyhow.

hey,, ! thats…my fave. stopp...being mean to him >:(

#'i like atem too and i ignore most of s0 bc of what it did to both their characters' disclaimer #long post #r...real long...#i am so sorry if the readmore doesn't work on mobile

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basketcase789 · 6 years ago

Text

Heartbeat Song

“Every heart sings a song, incomplete, until another heart whispers back.”

- Plato

Group: BTS

Member: Suga (feat. others)

Genre: soulmate au

Chapters: 1, 2, 3, 4, 5

Yoongi pulled off his headphones and brought a hand up to massage the back of his neck, trying to work out the kinks. He glanced at the clock on his computer screen, and seeing it was just past 2 a.m., sat back in his chair with a deep sigh.

He was working on composing a song for BTS’ next studio album, and he’d been at it for four hours in his studio now, without much progress. Despite trial and error he just couldn’t seem to mould the melody into the song he had in mind.

He’d always found it difficult trying to compose a song when there was an entirely different one playing over and over in his head. One that was all too familiar.

He brought his hands up to his face to rub at his tired eyes and sighed again. This song did tend to creep into his mind more often when he was exhausted or stressed out. Perhaps it was trying to tell him he’d done enough work for today and to go to bed.

He closed the software he’d been using to edit his music, but wasn’t quite ready to head back to the dorm just yet. He opened up his internet browser instead.

The familiar home page of Synced Up loaded onto his screen. Every night for the past three years he’d browsed the site before going to bed, save for those few nights where he just couldn’t find the energy to.

He clicked on the first audio file displaying under the new uploads section, which immediately began playing in a pop-up screen, revealing the profile of the user who had uploaded it. Female, 20 years old, located in Belarus. He only needed the few seconds it took to read the user’s details to know that this song wasn’t his. He clicked on the next audio file. And the next. And the next...

After fifteen minutes he gave up. With his busy work schedule he couldn’t seem to keep up with all the daily uploads to the site. It didn’t help when the same song was allowed to be uploaded multiple times; first and most common were clips of the user simply humming the melody, and then later they tended to re-upload a version with instruments - whether professionally done or after learning an instrument themselves.

There were just too many people searching for their soulmates via the matching song that played over and over in one’s head.

Yoongi had been searching for three years now with no luck. He’d entertained the thought of simply arranging the melody himself and posting it. Maybe that way his soulmate could find him instead. Sure, the song would be difficult to synthesize at first because the melody sounded like a music box lullaby in his mind, but with a bit of work he could probably get it right.

However, Synced Up didn’t allow for anonymous submissions - no exceptions. You had to be able to prove you were you. In the past they’d had an anonymous option, but people had stolen others’ songs as their own, leading to a whole lot of issues. He remembered hearing about the lawsuits in the news, and the site had even temporarily shut down.

If he signed up then everyone would know it was him. And once fans found out about the melody and memorized it he’d never find his real soulmate. That’s why he’d been searching so earnestly, instead.

He couldn’t help but feel a little bitter when he thought of Namjoon and Seokjin, two of his bandmates to have already discovered their soulmates. Both had found each of their songs their very first try on the website, like fate or something. And as for Hoseok, he had an even more effortless encounter; he found his soulmate one day at the airport while she was humming to herself as he happened to walk by. Yoongi wouldn’t have believed it if he hadn’t been there himself.

Maybe this was all for the best, he concluded. He’d be lying if he said he didn’t get lonely every now and then, but he didn’t exactly have a lot of free time to spend on a significant other. He would be content with just knowing who his soulmate was - or that he had one at all. To know he wasn’t alone in the universe and there was someone out there for him. By his age very few people had yet to find their soulmate, although people in the public eye like himself tended to keep their relationships low profile. His fellow members certainly did.

He finally closed the web browser, but hesitated before powering off his computer. He found himself putting his headphones on and opening his audio software back up. It couldn’t hurt to compose a little something. Any other song that got stuck in his head seemed to disappear once he’d brought it to life, so why not this one? He could do without the constant reminder that he hadn’t found his soulmate yet, for a little while. Maybe actually get some sleep for once.

Half an hour later he called it quits, with the basic melody completed. He’d have to leave for the dorm now if he still wanted a few precious hours of sleep. After all, he knew he’d be back at it later in the morning, trying to meet the deadlines for the new album.

His soul song was out of his head - for now.

It was too early for any sane person to be awake, Yoongi thought, but sometimes it can’t be helped.

He sat at a boardroom table along with the rest of his members, nursing a large coffee. Black. It wasn’t a cream and sugar kind of day.

Yoongi spotted Jungkook stifle a yawn from across the table just as Bang PD spoke up, officially beginning their meeting.

“Okay, you guys know the drill. We have twenty song demos here, and we need to cut the list down to twelve for your next album. And we’re not leaving here until we know which ones and the order they’ll feature in.”

Yoongi never really offered much input at these kinds of meetings, unless there happened to be a song or two he was particularly passionate about. He composed the songs, and he trusted his members and staff to select the best ones from there. Songs that didn’t get picked always had a chance of appearing on a future album, anyway.

Bang PD continued. “We’ve all had time to listen to the songs. As discussed, the previously agreed upon concept for this comeback is…”

This time Yoongi couldn’t help but yawn. Why were these meetings always so repetitive? He could have been spending all this time asleep in his bed, instead of watching from the sidelines while everyone discussed which songs they liked best. Yoongi was confident all of the songs would be a hit, so it didn’t really matter to him. Lyrics and vocals weren’t even set in stone yet, so he didn’t feel particularly attached to any of the songs.

He was nearing the bottom of his coffee cup, but luckily the end of the meeting seemed to be at hand.

“Before we agree on which order these songs will appear, I want you all to have a listen to the song Hoseok has been working on. His track will complete the album as the thirteenth song, and if it does well on the music charts he’ll be allowed to release a solo album in the coming months.”

Hoseok was beaming from the other side of the table, and Yoongi gave him a silent thumbs up while the other members cheered and hyped him up.

Bang PD took a moment to search for the correct file on the laptop and clicked play, as Yoongi took the last few sips of his coffee. The music filled the room, upbeat and sounding exactly like something Hoseok would create.

A few bars later, Yoongi’s coffee cup froze in front of his mouth. His mouth grew dry, but it wasn’t from the bitter coffee. The hairs on the back of his neck stood on end as he realized the base melody sounded all too familiar. Although its beat was sped up to match the upbeat tempo, he was certain. It was his soul song.

He felt the blood drain from his face. He’d been hiding the track in a folder amongst the other ones he’d been working on and completely forgot about it. It must have been copied along with the other files when he transferred them to a USB stick for submission weeks ago.

There was no way he could let this song be released to the public. It was far too intimate to have it broadcasted all over the radio.

He waited patiently until the song was finished before opening his mouth to speak, but Hoseok beat him to it.

“I based it off one of your uncompleted songs, you don’t mind do you Yoongi?”

Hoseok looked so excited to be releasing the song, wearing a proud smile and practically vibrating in his seat. He’d clearly put a lot of effort into it. Hoseok was younger than him, so Yoongi knew he would scrap the song if he asked him to. They were close friends, practically brothers, and he knew Hoseok wouldn’t go forward with something he was uncomfortable with. And he knew Hoseok would understand if he just explained everything to him.

But Yoongi found himself smiling instead, saying, “Not at all. Go for it.”

Hoseok had been patiently hoping for months - years even? - to release a self-made album. Yoongi couldn’t let him down like this. He could be biased, but Hoseok’s song did sound like it could turn out to be a huge hit. What harm could it do, really, releasing it to the public? Yoongi was the only one who knew it was his soul song. Him and his soulmate, that is.

Namjoon clapped Hoseok on the back, and Yoongi heard Jungkook say he knew the song was going to be a huge success, mirroring Yoongi’s thoughts. Yoongi looked down into his cup with a sigh. He was going to need a lot more coffee to get through this comeback.

#suga #yoongi #min yoongi #suga scenario #yoongi scenario #bts #bts scenario #suga fanfic #yoongi fanfic #bts fanfic #fanfic friday

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