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mrpenguinpants · 3 days ago

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Me, rattling the bars of my enclosure, dying and in pain. I'M DONE. I usually try to get commissions done within 3 days but I got violently sick out of nowhere.

More writer's notes under the cut:

I feel like most of my single-character one-shots are quite different from my headcanon fics. But this one especially feels way out there. Magnolia (my previous Dottore-only fic) has a somewhat similar vibe, but this one feels like I doubled the existential crisis.

Honestly, I don’t know how to feel about it—which is bad since this is a commission. Thankfully, the commissioner liked it, so we’re safe. Or maybe they were just being really nice to me lol. Either way, I hope they did. I initially planned to use the Ayato fic as a guideline, and I kind of did since this fic follows the same structure. But somewhere in the middle, that plan went out the window.

I think I’m physically incapable of writing Dottore without the relationship dynamic feeling completely doomed. Quite literally, it’s an “I’d follow him into Hell, but I sure wish he’d stop going there” vibe. Plus, my interpretation of Dottore is so different from any other character that I was genuinely worried when the same commissioner came back to me. I was like—do you know what you’re asking for? Because I’m about to crack open a philosophy book for this guy. I even took a German word for the title just to satisfy the pretentious bullshit I associate with when writing Dottore. Even with 4,000 words, I feel like I didn’t explore the relationship dynamic enough to fully convey the serene yet doomed tone I was aiming for. But I’m glad most readers, being the smart people they are, picked up on it.

I think my downfall was the music I was listening to—real bittersweet tracks that probably seeped into the writing. I’ve also taken a lot of liberties with his characterization since we don’t know much about the original Dottore. Personally, I imagine he’d be calm and patient. In the Genshin manga, Dottore (Beta) comes off as much more unhinged, while in the Sumeru Archon quest, Omega seems calmer and more composed. So, I assume the original, technically the oldest, would be the most mellow yet hollow of them all.

Oh, and I have to mention this: the (possible) shade of Dottore’s hair is literally called Air Superiority Blue. That’s way too funny not to bring up. I was going to go with Light Blue Slumber (since I’m trying to build a theme around characters’ hair colors), but it felt a bit lame. So, I looked up Dottore’s hair color and found Air Superiority Blue, but that sounded lame too. Then I changed it to Bitter Blue Slumber, which I didn’t like either, so it became Bitter Slumber. Finally, while writing this, I went looking for a word that captures "bittersweet nostalgia," since that’s sort of the relationship dynamic I wanted to convey (not entirely, but close). And wow, Reddit came through. Someone had already asked the same question, and someone else suggested the word Torschlusspanik. I explained its meaning in the fic, but it’s such a perfect word. So yeah, that’s why the title ended up being what it is. Rip the slumber-title continuity.

Ttorschlusspanik [ Commissioned ]

[ Hcs for Dottore where the reader is very sleepy/sleep-deprived and is constantly falling asleep in battle, on dates, or maybe during research and experiments! ]

Word Count: 4k

Ayato Ver: Pale Blue Slumber Semi Part 1: Low Battery Warning [Masterlist]

Thank you so much for commissioning me! You’re so sweet, and I truly appreciate the tip, but I can’t accept this level of generosity. Please let me know if I went under the word count. Also, thank you for your patience—I got really sick this week and am still recovering.

Torshlosspanik. noun. 1. A desperate feeling that something desired is fading, missing, or being taken away. 2. A feeling of frustration when something one has is departing.

A slumbering figure, a nearly empty desk, and foreboding fabric are the greeting signs to the infamous lab. It’s ironic, really. The concept that the Doctor’s domain comes with a “receptionist” setup stationed in front of imposing steel doors, giving the illusion that this place is as normal—and as morally sound—as any other doctor’s office. At best, it’s laughable to think anyone would believe this place accepts patients willingly, let alone frequently enough to require check-ins. Yet, a shabby but sturdy wooden desk stands innocently in the corner of the entrance, its chipping edges lined with plastic chrysanthemums and white lilies. The artificial flowers are faded, their colors dull from years of neglect, as if mocking the very notion of hospitality. Behind the desk sits an equally worn-down office chair, large enough for someone to curl up in. Its fabric is stained and frayed from years of misuse, the cushion lumpy and barely holding its shape but still useable. All for a receptionist, if you can call them that, who spends more time asleep than actually working as an employee in this most unlikely place. Legs curled up on the seat, arms crisscrossed over the knees in a fetal position. A chin tucked towards the chest, hidden from the view of passersby. Back facing toward prying eyes, leaving only the pronounced slouch of their spine visible, an angle practically begging to develop scoliosis. But the most harrowing detail isn’t the position. It’s the unmistakable black-and-white fur coat draped over them like a blanket, the fabric’s presence carrying an air of authority and fear. A coat only gifted to the Eleven Fatui Harbingers. The desk itself is of no help either. There’s no clipboard, no pens, no paper-nothing that could even remotely resemble the tools of an actual receptionist. It’s an empty stage prop, barely held together by the weight of its own absurdity. And yet, for all its flaws, it stands as the gateway to a place no one in their right mind would willingly step into.

No one dares attempt to wake you. Successfully doing so is practically a death sentence, especially if you go whining to Dottore about the unprompted “alarm clock.” He has a reputation for ensuring the offender never makes a sound again. The only ones bold enough to try and emerge unscathed are his fellow Harbingers, though even they tread lightly when it comes to disturbing your slumber. It’s both impressive and deeply concerning how much of a deep sleeper you are. The bustling footsteps of agents pacing outside the lab, their sharp voices discussing assignments, don’t stir you. The deafening clangs of machinery, coupled with the revolting squelches of severed monster parts being dissected, fail to trigger even a flicker of awareness. Not even Tartaglia’s incessant yammering, loud enough to make glass shudder, elicits so much as an irritated swat from you. Instead, you remain in a state of unyielding sleep, utterly detached from the chaos around you. Your peculiar habit has become such a fixture in the lab that the staff barely remember you exist. You sit perched at their entrance and exit, as still and silent as a gargoyle guarding a forgotten ruin. To them, you are little more than part of the backdrop. A slumbering figure whose presence is a curious mix of ominous and benign.

While it's obvious that the answer to rousing you is to find Dottore himself, or one of his segments if he isn’t around, the interesting part is how you wake up. You're not immune to the initial dizziness that comes with awakening. When you finally open your eyes, blinking the sleep away from your eyelashes, you’re always disoriented. Your eyes feel glazed over, as though you’ve gone blind from keeping them closed too long. Yet, there’s always a common theme: you always reach out toward the nearest blue object. Whether it's an odd trinket or a test tube of acidic liquid, your hand automatically tries to grab it and pull it close to you. It’s part of the reason your desk is stationed outside the lab, away from anything potentially dangerous hidden behind heavy steel doors. Artificial blue has been on the rise lately. Luckily, in nature, blue is very rare. Less than one in ten plants has blue flowers, and even fewer animals are blue. Unfortunately, the biggest nuisance has blue eyes—dead as they are. Tartaglia may not like the doctor, but he does like you. Maybe it’s because your sleep demeanor can be categorized as cute, or maybe you remind him of the simple life in an organization that’s so uptight. Regardless, that little fox has been clawing at the wooden legs yapping for attention. It's only made worse you don't bother to dissuade him, only indulging in his playful antics. It's led to many, many, lectures from one particular segment.

It's fascinating watching how each segment interacts with your sleepy demeanor. While each segment has varying features and appearances, under the same clothes and mask, they would be indistinguishable if they stood still and never spoke. The only true way to discern them is through their actions and mental processes. Hence, it's easy to tell who is who by the way they go about holding you.

Omega is by far the least attentive or affectionate toward you. Perhaps it’s because he’s the most selfish of them all. There’s still an ongoing debate over whether his dislike for you stems from the fact that you stand in the way of fulfilling his desires or if his ambitions extend beyond simply overtaking the divine gaze. Or perhaps the divine gaze isn't actually his goal in the first place. Either way, it’s two sides of the same coin. When it’s Omega’s turn to fetch you, he does so as if you were any other patient. Completely beneath him. One arm rests behind his back, while the other holds a piece of paper clenched tightly in his hand. His mouth is set in a firm line as he gazes down at your slumped form. Although the air around him is calm and silent, it doesn’t take a genius to know that if he could get away with it, he’d drag you through the halls by your hair. Alas, that kind of act would get him permanently disassembled, so he settles for unceremoniously flipping you upright. The arm resting on the small of his back is removed and curls under your stomach. With one swift motion, you’re treated like one of Signora’s shopping bags. The sight of a limp body folded in half under an arm that surely digs into the stomach is the best way to know if it’s the Omega segment or not.

Beta, on the other hand. Beta. That maniacal and neurotic freak adores you but couldn’t care less about you. His research typically focuses on fusing humans with machinery to create “better versions” of themselves, and he fully believes in that philosophy. You would look so much better if he were allowed to be your sole care provider. If your drowsiness were caused by a medical condition like heart disease, asthma, pain, or a nerve condition, he could simply replace them, and you’d be perfect. If it were a mental issue, well, he’d love you no matter how unresponsive you might be. It wouldn’t be much different from you being asleep anyway. When it’s Beta’s turn to fetch you, he does so with a waltz. He walks purposefully toward your desk. Loud and firm, his hands fisted at his sides with unrestrained glee, swinging in time with each step. Even with a mask that obscures most of his face, it’s clear to see the overexcited grin stretching across his lips. It’s almost like there’s static buzzing in time with his artificial heart, fuzzy yet electrically sharp. There’s no fanfare, as soon as he’s within arm’s reach, he grabs the nearest piece of skin and hauls you out of the chair. By some miracle, you’re always still asleep from the rough handling, which is more than enough for Beta to wrap his other arm around your waist. Your chests press together, and he swings your body to and fro in his mad dance. The sight of a limp body dragged into a dancing plague that’s surely pulling your stiff joints out of place is the best way to know if it’s Beta or not. Beta has been recently banned from coming within a six-foot radius around you.

The original Dottore, Zandik, is a unique case. All of the segments originated from him but at different points in time. However, they are still parts of his thoughts and mannerisms. There really is no order in which the segments are ranked, as they can’t compete with each other. What’s more pointless than trying to beat yourself? You’ll still lose in the end. Zandik is a strange mix of every segment yet none at all. When he wants to see you, he does so slowly, with all the time in the world. His methodical steps echo lightly on the concrete floors of the lab, his arms still at his sides yet loose enough that the slightest wind could blow them away. It’s as eerie as it is tranquil. Everything about the original whispers of restrained patience—that when he arrives at the front of your desk, he simply waits. Usually, it takes you hours or even days to wake up on your own, but when it’s Zandik standing at the edge of your daydream, your eyes slide open. Small ripples in the pond. You’re still lethargic, blindly feeling your way back into your body as your eyes ricochet off the walls until they land on blue. A weighted hand reaches out to grab that ashy blue, and another hand meets your fingertips.

It would be cute if it were anyone else. The sight of a man with curly light blue hair, carrying a bundled-up figure dressed in a white coat with a fluffy black collar, legs dangling from either side of his waist while his hands rest on the lump’s presumed back and thighs. It would be so cute indeed, if it were anyone else but Zandik. But for him, it only looks lonely, despite the two of you pressed together.

The moments when you're awake only happen on two occasions: either you just happened to wake up at that time, or it’s check-up day. What kind of doctor would Dottore be if he didn’t conduct physicals for his only patient who manages to live long enough each year? The check-ups happen twice a week, always two days apart. Never past two days of separation. Ever. Your exact relationship dynamic with Dottore remains as obscure as ever as to why he cares so much. Whether you’re old friends who knew each other before Dottore set foot in Snezhnaya or even when Dottore was called a different name. Or maybe a dead lover resurrected as a zombie in the pursuit of selfish greed and glorious progress; both are possible options. The zombie theory at least explains why you’re constantly drowsy. The staff have never seen you eat anything before, and with the abundance of... zombie food, it's not outlandish as much as it is disgusting. The old friend theory would explain why you can stomach being around someone who can fly off the handle at any moment. The most willing yet unwilling patient. No matter how often Dottore has to wrestle you upright, only for you to slump back asleep the next second, he never loses his temper. If he has to strap you into a straitjacket and hang you from the goddamn ceiling to keep you sitting with a straight back, he will. But by no means will he get anything more than slightly miffed. If he has to force-feed you your medicine because you’re too loopy to remember how to swallow, he’ll shove his fingers into the back of your throat with nothing but a blank smile. The only good thing about your sleep-deprived state is that you’re probably so out of it that you can’t feel discomfort. It saves on using the limited supply of anesthesia the lab carries.

Dottore, for lack of a better word, is displeased with your constant need for sleep. He is deeply frustrated with each check-in and the stagnation of your results. For him, bad results are no different from good ones—they’re still a means of moving forward. Something that will tell him which direction to take rather than wandering around aimlessly in the dark. But in your case, there are no significant changes, as if everything he’s done has been for nothing. He could have closed his eyes and spun a wheel for the same results. The day before your check-in is always the calm before the storm because the staff knows that when the next day comes, they’d better keep their heads down or risk losing them. No one is quite sure if your sleepiness stems from mutated genetics or if it’s a side effect of being around Dottore for too long. Stir-craziness and breakdowns are common in the lab, whether among "patients" or "employees." Everyone eventually goes mad, cooped up within the same cell-shaded walls and working under possibly the worst boss imaginable. Add to that the fact that the Fatui don’t believe in “mental health” days, and with no coping mechanisms in sight, it’s unfair to expect anyone to function effectively. Most people eventually devolve into screaming or manic episodes. Perhaps your escape is more literal. A peaceful retreat from reality through sleep. You’re not even sure why you’re constantly sleep-deprived, especially when you spend more time slumbering than awake. At first, you thought you might be narcoleptic or taking the wrong pills; a diagnosis from scratch must take a long time, right? That was until Dottore bluntly called you an idiot. He told you it’s a bad habit to self-diagnose every minor inconvenience. You should let him do all the thinking and simply listen to him. And truthfully, with the haze clouding your mind, it’s too difficult to think clearly anyway. So, you nod and do as you’re told. It’s easier that way.

It doesn’t happen often, but it occurs more than it should, considering who Dottore is and the reputation he holds. If you wish to cross him, you’d better make it count—because it’ll be your last. He’s in the middle of a meeting with Pantalone, arguing over the lab’s finances when a frantic knock interrupts. Apparently, there’s been a scuffle at the entrance of the lab. To Pantalone's knowledge, there aren't any guards or any agents stationed at the doors except for that sleepy receptionist. Perhaps the doctor's staff finally had enough and decided to take their anger on someone who couldn't fight back? Pantalone's not a good enough person to not find amusement in the situation, infinitely curious as to what Dottore's reaction will be to all of this. Whatever the banker decided to gamble on, his expression doesn't twitch as he follows behind his fellow Harbinger as they walk leisurely through the halls, as if the world has come to a standstill. It’s almost amusing that when your life is potentially on the line, he suddenly decides to take a midday stroll. The only indication of his amusement is the slight shake in his shoulders, hinting at a silent laugh. Dottore punches in the lock code and throws open the steel doors before the automatic switch can activate, slipping through as soon as the gap is wide enough. He stops at the shabby wooden desk that’s now gained a few new dents.

This time, you’re curled up on top of the table, your office chair thrown across the room. Broken. It’s no matter, he’s been meaning to replace it anyway. The chair is just another expense to add to his name. He collects you into his arms effortlessly, and you instinctively sink into the familiar hold. A quick scan from head to toe confirms that you’re unharmed, save for a few strands of hair out of place. Behind him, Pantalone lets out a noise of approval as he surveys the scene. In the center of the room stands a robot with a striking design. A star-shaped frame with six triangular segments forms a perfect symmetry. Glowing cyan cores illuminate the metallic structure, positioned at its center and edges. The intricate details combine sharp, crystalline elements with mechanical precision, radiating an aura of both elegance and menace. As expected of the Doctor. Pantalone can’t help but wonder where this machine was hiding when Signora ventured to Inazuma. Perhaps if it had been deployed then, she might have returned in one piece.

Although Dottore no longer needs to sleep to survive, there are times when, as he passes by your sleeping form, he’ll pause. He stands still, staring for what feels like an absurd amount of time, meticulously detailing and recording every breath you take within a single minute. It’s always 17. Sleep occupies about one-third of a person’s life, a significant portion of time that, in Dottore's mind, could be devoted to something useful. Something productive, instead of wasting it frolicking in dreams that neither matter nor will change anything. Yet, even he can’t deny that, occasionally, a break from reality can serve as a fragile bandage over a wound that refuses to heal. A fleeting comfort in an otherwise relentless existence.

It’s as awkward as it is unnatural. Despite his title as "The Doctor", his hands weren’t designed for gentle touches of flesh and bone. Yet he tries. His fingers twitch involuntarily as he tilts your body to the side, just enough for him to slide in beside you. Carefully, he rests your body against his shoulder. He expects you to jolt awake, his shoulder is bony and hardly a suitable place to rest your head, even when compared to the flaky cushion of the office chair you’ve somehow grown fond of. But you don’t. Of course, you don’t. You simply lay there, your head nestled against his shoulder as if it were the most natural thing in the world. No protests, no shifting away, just stillness. The transfer of heat begins, as described by the laws of thermodynamics. Hotter, faster-moving molecules collide with cooler, slower ones, transferring energy in a quiet exchange. No fireworks, no blaring alarms, just the science of touch, as mundane and profound as ever. Zandik dares to lower his chin, letting it rest lightly against your head. His mask doesn’t obscure the quiet moment, though he can feel the unnatural curve of his lips twitching upward ever so slightly. Down here, in the deepest layers of the lab, not even the howling winds of Tsaritsa’s snowstorm can reach. It’s eerily quiet, save for the rhythmic sound of your breathing. For a moment, he wonders what it would be like if you woke up now. If your half-lidded eyes would squint at him in confusion, or if you’d simply close them again, surrendering to the haze of sleep. But you don’t stir. Instead, he lets himself linger, suspended between an unusual warmth and the cold detachment of his own thoughts

"Breaks" are not something you can indulge in down in the labs. The closest the staff ever got was when one of the Harbingers passed away, and even then, it lasted only half a day before they were right back to work. Still, if you ask nicely, Dottore will nod toward an empty seat, silently giving you permission to make yourself comfortable. You take the opportunity to describe the dreams you’ve had while Dottore tinkers away in the background. You talk about a train whose tracks stretch far into the stars, far beyond the snow-obscured sky you glimpse through the scarce, frosted windows scattered about the lab. Sometimes, you dream of a whimsical city filled with cute shops and tiny bunny-like robots waddling through fissures in space. You’re certain he isn’t really paying attention, his hands busy with instruments, and his focus locked on his latest project. Sometimes, you suspect he forgets you’re even in the room despite your rambling. A small part of you wants to stamp your feet and pout like a child. After all, you’re only awake for a few fleeting hours each week, and even then, all he can think about is his experiments. His endless, obsessive tinkering. The man’s only "hobby" is experimentation, and you wonder if he’s even capable of entertaining anything else. At least Omega and Beta would give you some attention. Omega might tell you to be quiet with that dismissive tone of his, while Beta would enthusiastically scribble down every word you say, his excitement unnerving yet oddly gratifying. Still… your gaze drifts toward Zandik’s back as he works, the muscles beneath his coat shifting subtly with each precise movement. You pull your knees up against your chest, wrapping your arms around them as you rest your cheek against your folded arms. For a moment, you simply watch him in silence, the quiet hum of the lab filling the space between you. Eventually, your eyes grow heavy, and you let them slip shut. A faint smile tugs at your lips as you wonder where your dreams will take you this time. You wonder if Zandik would come with you.

On the rare occasion that Dottore chooses to sleep of his own will, most likely due to substances that induce drowsiness and force his body into a state of rest, it’s always a remarkably uneventful night. He doesn’t dream anymore, nor does he wish to. Dreams, like the past, serve no purpose to him now. On certain days, if he concentrates hard enough, he can faintly discern whispers from the other segments he's created. However, they are nothing more than distractions, a cacophony that only aggravates his already meticulous mind. When he wakes, it’s as though he hasn’t truly slept at all. His eyelids parted smoothly, his pupils sharp and alert as if no time had passed. Yet there is an unusual sensation, warmth. Dottore does not run warm, and the lab, built for functionality rather than comfort, certainly doesn’t harbor it either. He turns his head, curiosity fleeting, and finds you huddled against his side. Your arms are wrapped around his waist in a loose embrace, and your face is pressed against his chest, seeking solace in his stillness. The white coat with its black feathered collar, the one you wear more often than he does, is draped across your body, serving as a makeshift blanket. His hands remain clasped on his stomach, and he realizes with mild irritation that he can’t move without risking the possibility of waking you. For a moment, he lingers. The seconds on, and his mind races ahead to the tasks awaiting him. The pursuit of progress waits for no one, not even himself. Every moment spent lying in this bed feels like a year’s worth of lost discovery.

With calculated precision, he shifts. His movements are methodical, almost robotic, as he carefully bundles you in the coat, ensuring the hood doesn’t cover your face and obstruct your breathing. In a single fluid motion, he lifts you into his arms as he rises from the bed. He spares a brief glance at your sleeping form, red eyes devoid of emotion. Your breathing is steady at 17 breaths per minute—a rhythm he has memorized and measured countless times before. Still as serene as ever. But then, for just the faintest of moments, his gaze softens, almost imperceptibly, before he turns his attention back to the work that never ceases to call for him. What a peaceful way to escape the world, the thought as cold and clinical as his expression.

---

Hi, thank you for reading! I'll reblog this with further writer notes but I wanted to include the research bits in order of appearance. I can't guarantee the full accuracy but I hope I didn't get anything wrong.

Chrysanthemum & Lily

In many Asian cultures, especially in China and Japan, chrysanthemums are symbolic of death and mourning. In China, the flower is closely linked to the Day of the Dead, and in Japan, it is used in funeral rites. While in some contexts chrysanthemums can symbolize longevity or fidelity, their association with death makes them unlucky in certain circumstances, especially when given as gifts or during celebrations.

Lilies, especially white lilies, are often associated with death and mourning, particularly in Christian symbolism, where they are linked to funerals and burials. While lilies also symbolize purity and rebirth in other contexts, their frequent appearance in funeral arrangements.

Head-Down Position

The sleep position reader takes is a parody of the Head-Down position of babies in their third trimester. The head-down position (cephalic presentation) is the most common and ideal position for birth, where the baby’s head is facing downward, towards the birth canal. This allows the baby to navigate the birth process more easily.

Dancing Plague

Also called the Dancing Mania, this refers to a series of events in the 16th century where groups of people, primarily in Europe, suddenly and uncontrollably began dancing for extended periods, sometimes for days or weeks, often to the point of exhaustion, injury, or even death. The most infamous and well-documented outbreak of the Dancing Plague occurred in 1518 in Strasbourg, then part of the Holy Roman Empire (modern-day France).

Algorithm of Semi-Intransient Matrix of Overseer Network

The robot Pantalone sees is the early concept art for ^ but also known as the "Tomb Guard of the Desert King.".

The number 17 is considered unlucky in Italy because of its association with the Latin word for 17, which is "XVII". Rearranging these Roman numerals gives the word "VIXI", which means "I have lived" or "I am dead" in Latin. This gives the number an ominous connotation, as it can be seen as a symbol of death or misfortune.

Honkai Star Rail & Zenless Zone Zero

Yes, reader was describing these two games as their dreams lol.

#for those who haven't seen it #reblog #reblog on main #to the 2 people that read my writer note tags #i had too much to say so under the cut instead #but im super happy people could feel the vibe I was going for #i don't think readers are stupid #you're not. you're human beings with the ability to draw connections without someone shoving it down your throat #but i feel like my writing doesn't explain things properly or leave enough clues for people to pick up on it #because in my head it makes sense since im the one writing it #but regardless that doesn't matter now #love all of you #bro when I tell you the dichotomy of writing for windbreaker and genshin #my previous fic was so nice and fluffy #then bam existential crisis #and then my next fic for windbreaker is literally so sugar sweet its sickening #then ill go back to hsr to write a fic for sunday because i want him to come home and that fic will be my offering #THAT SUNDAY FIC WILL ALSO BE SAD #maybe i don't know yet I haven't exactly started #but the flip flop is crazy

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thanatika · 23 days ago

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yeah i agree with your point about survival mechanics and i feel the same way about the lack of combat mechanics. "why would an educated city doctor need a weapon" because shit is hitting the fan in every way impossible and pretty much everyone is walking around armed... also why am i supposed to believe the the fact that he's a man of intellect will somehow provide him with food? i don't think anyone is going to be too eager to share food during an outbreak intellectual or not...

+ follow up for the previous ask but actually my favorite quest from the original pathologic is the day 11 bachelor quest that involves shooting down soldiers. i think it really drives the point home about how this random fuckass guy who is supposed to be battling a plague doesn't even have the time to do that anymore because the people in charge are asking completely irrelevant things of him now and he's at a position where he cannot refuse what is being asked of him. like i think it was good storytelling that even as the guy who lowkey wants to deal with the plague and solve its mystery you still have other, more pressing, less interesting and or pleasant tasks to complete

i agree! honestly, i feel this way about the combat mechanics even more than i do about the physical survival (food, health, illness, sleep) mechanics. because sure, i can see how it makes sense for daniil's position of authority to mean that his basic needs are somewhat provided for -- although i don't think it makes more sense than what we got in the original game. i've never seen anyone bring up "isn't it kind of unrealistic that the bachelor isn't given lots of food during a massive food shortage?" as a plothole that needed to be resolved. the townspeople generally don't like him much, and most of the people with power don't either, except for the kains. sure, maybe it's kind of weird that you can go see the kains while broke and on the verge of keeling over from hunger, and they won't do anything to help you, but... the kains are pretty self-centered, and they're so goddamn weird that maybe they forget that you need to eat food to live anyway. and it's half-implied that the powers that be are ultimately giving daniil this role as a convenient way to kill him, so it makes sense that they would put no pressure on the town authorities to keep him alive.

(and honestly, artemy is taken under the olgimsky's auspices as much as the kains take daniil's under theirs! which is to say, selfishly, with ulterior motives that are more important to them than the well-being of their healer, but... the olgimskys are set up as the wealthiest of the 3 families financially, as well as the ones with the most access to food, given their control over the meat industry. so if anything it's "weirder" that artemy isn't more materially provided for, though to be clear i don't think there's an actual plothole there either way.)

but anyway, you could handwave it and say that daniil's position of privilege and authority gives him more perks than he got in the original game, but the amount of fighting you have to do to get through town is... kind of an unavoidable physical reality? like you're given so many sidequests that you often wind up walking around town after dark, and that's when the bandits come out. is the idea that the bandits would be too scared to attack him because he's so important? because that doesn't make a lot of sense to me, and even pathologic 2 establishes that he's seen as a valuable target by the bandits:

and then there's the quests where combat plays a more direct role in the story itself, like getting involved in saving andrey from the firing squad, or killing guards to break artemy out of prison, or the quest where you have to kill var in attempt to stop the arsonists (which i include on the same tier as the other ones because i really like the quest journal entry he has if you complete it where he blames himself for willow's death. it's a good character moment.)

hell, even in pathologic 2 itself, one of the biggest Bachelor Moments is on day 11, when you have that big dramatic convo with him after he killed a soldier for the papers he was delivering. plus one of bad grief's idle dialogues in patho 2 is commentary on the bachelor being "quick on the draw" and that he "already shot someone". like he just straight up is not living a combat-free existence. and overall, combat isn't just a good tool from a mechanical perspective, heightening the stakes and placing pressure on the player (though it is), it's also pretty important for him on a thematic level imo, almost as important as artemy and his "rivers of blood". in patho classic, daniil has this early interaction with the inquisitor:

which, thinking about it from a doylist perspective, was probably the writers' attempt to make it sound more plausible that this random medical researcher from the big city was competent with multiple types of guns. and i appreciate them coming up with that hint of backstory to cover their bases a bit, but with those bases covered, i think the fact that daniil ultimately spends more time shooting people than he does prescribing medicines for them actually does a lot for him thematically? i mean, if his whole thing is that he's this "tempted destroyer", someone who frames his career as a combative battle with death rather than a quest to save people's lives, whose "default" solution is to raze the town with artillery because he's too limited by his rationalist worldview and military upbringing (and bitterness over being manipulated and sabotaged) to come up with a solution that saves the any remaining infected survivors on his own. plus the way that clara frames artemy and daniil as two sides of the same coin in being violent destroyers and killers, who without player intervention will immediately devolve to running around chasing each other down in what's either an insanely dedicated tom and jerry LARP or some really elaborate foreplay. imo, that whole dichotomy (which is pretty core to the game, as the idea of dichotomies are core to it in general) works so much better with the way they're both presented in classic, stalking around with gun/scalpel in hand. hell, not to mention the effect that spending 12 in-game days trying not to starve and getting killed by bandits or guards or worms or soldiers every day would have on the player, and the way it would make them feel about the town and their natural projection of those feelings onto dankovsky, who is a perfectly fitting vessel for them as the avatar actually undergoing those virtual experiences.

ultimately i think they are mainly going this direction out of a desire to do something more creative and original, which is fine... it just seems a bit silly to me that they keep saying "well obviously that doesn't really work for the bachelor's scenario", when, well... even as recently as patho 2 in 2019, they seemed to think it fit his narrative pretty well! i'm also guessing that a lack of combat won't be that bandits are just no longer roaming the streets at night. it sounds more like pathologic 3 is set to be more of a nonlinear experience, where you'll probably fast travel from place to place instead of having to walk across town so much? so you'll be avoiding bandits just in the sense that the gameplay will be avoiding them. i guess i'm hoping that at the very least, there's still the implication of the crunch of not getting enough sleep or food and the threat of being stabbed to death while trying to get through town occurring to dankovsky in the background, even if those mechanics are deemphasized in favor of more macro-level town resource management, time control, and sherlock holmes fruit ninja or whatever the hell they were on about back in 2022 lmao.

#pathologic #pathologic 3 #i probably sound insane talking about pathologic 3 i'm like pleaaaaase let there still be violence in it 🥺#and tbf i dont think thats going to be a major lacking area; they're stringing up 12 year olds like party streamers in the fucking trailer!#but even before the trailer came out i was like i think its important that he still has to kill some people honestly...#my other wishlist thing is that i hope there's still moments where he gets btfo'd and it fades to black.#like the moment with the guards in the cemetery when you try to desecrate a grave or with the termitary on day 8 #or with the soldiers on day 11 if you try to talk to them about andrey instead of reading a walkthrough and killing them in advance LOL #there's like 1 similar moment in artemy's route (when he gets put in jail) but i think its funny how much more often that happens to daniil #bro keeps getting his ass beat. and i hope it continues #on an upside i guess if they really are removing all combat it might bring a wider audience who hadnt played until now?#like i play plenty of combat-heavy games but a lot of times i get bored of it and a game having none of it is a selling point to me #like when i first heard about disco elysium it was marketed as this really cool game that had no combat and that's half of why i picked up #and tbh technically that wasn't true about disco but yeah...#also thanks for the ask!!!!#patho meta #patho #mine #asks

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