#its got it all!
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imperfectcourt · 11 months ago
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The heartbreaking realization that I keep not being able to write this story bc it has no end game or direction, just a dumb concept. And while I am in support of "does not need a plot, write for fun" my brain will not allow me to work that way
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faeyuh · 1 year ago
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hey gang would you guys be interested if i said i had this idea for a tv14 cartoon show inspired by glitch productions, portal, wall-e, and how to become a cult leader(yt vid)?? (i've totally made the concept art and animations already and was totally not a random idea i got while watching glitch x)
i would call it "E-Verged". (its got mind erasing things!)
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stemmmm · 1 month ago
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more people gotta try this shit where bill has not improved and will not change but he's just chilling so its fine probably. its great
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being a student during peak pandemic was so fucking surreal like. "it's not an excuse to fall behind" I cannot stress enough to you how much A Worldwide Plague Upending Life As We Know It is literally one of The Top Three Reasons to fall behind
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hinamie · 4 months ago
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mentor
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eydilily · 1 month ago
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would you bite the hand that feeds you?
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maythedreadwolftakeyou · 11 days ago
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Viago, when playing as Rook De Riva: you IDIOT you were my favorite fledgling why did you have to make a mess of this now I have to jump through all these convoluted hoops to keep you safe. Teia stop telling Rook how much I missed them it's not funny they could have DIED. also your room is exactly the way you left it please come home
Strife, when playing as Rook Aldwir: Why hasn't this weird bug i kicked out of our camp ages ago died yet :|
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sphor-art · 2 months ago
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good ending
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chloesimaginationthings · 2 months ago
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Happy one year anniversary to this FNAF post,,
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kagoutiss · 2 months ago
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i’ll take care of everything
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aethersea · 6 months ago
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another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!
(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.
actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)
a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.
deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.
the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.
and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.
however.
you do have to know which one you're doing.
the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).
and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.
the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.
the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.
point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.
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bacchuschucklefuck · 5 months ago
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no more fan-ta-sizing about it! everything's already changed~
#dimension 20#fantasy high junior year#fhjy#figueroth faeth#riz gukgak#adaine abernant#fabian seacaster#gorgug thistlespring#kristen applebees#fh class quangle#my! class swap thing! I guess this is like the poster for it now#got overinvested and finished it properly instead of winging it lol#in closeup order: cleric!gorgug; bard!riz; rogue!fabian; sorcerer!kristen; barbarian!fig; artificer!adaine#this one does have the harpoon gun I'd give fabian during sophomore year but literally only figured out for this piece lol#I like how it looks tho Im glad I hashed it out#thinking abt power armor adaine a lot tbh... she has the transhumanist audacity. she's villain-adjacent enough#to attempt unspeakable acts of body improvement#(its funny bc to wear a rig like that would Also demand a certain level of physical strength from you)#also yeah this is the thing with riz holding a megaphone that got me considering#its fun! it fits the aesthetics! maybe it'd grant him range for bardics#maybe he gets to keep that Im just not sure how he'd carry it around lol#fig gets to have all of her makeup... I like almost never remember to draw it usually kdsjfhdjk listen. I just forgor#I always forget makeup is real#also dont ask me what's in kristen's thermos it Is usually tea but you truly never know#sometimes its soup. it can be lighter fluid. soap perhaps. hot chocolate#also if u come knocking on my door abt kristen's somatic in this piece: I wont be home#she gets to be gross especially bc shes funny and 17yo and gay. we give it to her#okay I. whoo I should lay down. finally I can move on to other things#cheers! wahoo. yahha perhaps
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lildoodlenoodle · 2 years ago
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Have we talked about the Miguel Burger yet?
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I just wanna know if it was his idea, if he authorized it, or do the other spiders just think it’s rlly fucking funny and do it to annoy the guy?
I need to know WHY
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nedlittle · 24 days ago
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toxooz · 1 year ago
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also been thinking abt pooki with his cunty scarf💅
if my next drawing post isnt the comic update take me out back and shoot me like a sick dog
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hinamie · 3 months ago
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in spite of everything, I had fun <3
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