#its got it all!

[imperfectcourt]

The heartbreaking realization that I keep not being able to write this story bc it has no end game or direction, just a dumb concept. And while I am in support of "does not need a plot, write for fun" my brain will not allow me to work that way

[faeyuh]

hey gang would you guys be interested if i said i had this idea for a tv14 cartoon show inspired by glitch productions, portal, wall-e, and how to become a cult leader(yt vid)?? (i've totally made the concept art and animations already and was totally not a random idea i got while watching glitch x)

i would call it "E-Verged". (its got mind erasing things!)

[toss-a-coin-to-your-stan-account]

being a student during peak pandemic was so fucking surreal like. "it's not an excuse to fall behind" I cannot stress enough to you how much A Worldwide Plague Upending Life As We Know It is literally one of The Top Three Reasons to fall behind

[hinamie]

mentor

[sphor-art]

good ending

[chloesimaginationthings]

Happy one year anniversary to this FNAF post,,

[kagoutiss]

i’ll take care of everything

[bacchuschucklefuck]

no more fan-ta-sizing about it! everything's already changed~

[lildoodlenoodle]

Have we talked about the Miguel Burger yet?

I just wanna know if it was his idea, if he authorized it, or do the other spiders just think it’s rlly fucking funny and do it to annoy the guy?

I need to know WHY

[toxooz]

also been thinking abt pooki with his cunty scarf💅

if my next drawing post isnt the comic update take me out back and shoot me like a sick dog

[chittychittyyangyang]

Listen, you should never film strangers in public without their consent, but I swear there need to be fines or something for people who do that shit in some spaces. For example: I had to go to the ER last night, and some jerk filmed a woman who just came in and was clearly having an asthma attack. She immediately got to go back, and he was unhappy about that. Believe me, I get that it sucks having to wait when you're in pain, but you don't get to pick who deserves care when. The medical system in the US is a nightmare, and the ER could be the worst moment of someone's life. No one deserves to be recorded because some jack ass believes someone doesn't look like they need care.

This is fine to reblog. People who film strangers should be shamed if nothing else.

[poisoned-pearls]

Masquerade Road Trip 🚌

Okay but like…. What if instead of using mirrors they had to stuff this whole cast of people into a bus/van

It’d be a little funny

(Also turn up phone brightness to see it better. Or don’t. Idk I don’t control you)

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[hinamie]

in spite of everything, I had fun <3

[retellingthehobbit]

Retelling The Hobbit Chapter 16: The Song of the Lonely Mountain First chapter / Previous / Next

To view full comic: Webtoon/A03 / Tumblr post with links to all chapters

Other blogs: TikTok/Instagram/Tumblr Sideblog

*crumbles into dust after finishing this* Thank you for reading! This The Hobbit webcomic adaptation thing takes a lot of effort to put together and I can’t tell you how much I appreciate every comment. I also really appreciate the people who’ve spread the word of this comic to their friends! <3

And finally, we’re at the Song of the Lonely Mountain! Within Tolkien’s canon, The Hobbit is an in-universe book that was “written” by Bilbo Baggins, who occasionally lies/embellishes/exaggerates things. The tonal differences between The Hobbit and Lord of the Rings are explained by Bilbo and Frodo/Sam being different kinds of storytellers, with different relationships to “the truth.” This idea is the core of how I’m adapting the novel!  Bilbo is an unreliable narrator who is literally ‘drawing’ from his own limited experiences;  the different art styles reflect the different perspectives of other characters.   The “dwarf art style” in this chapter is inspired by stonework/metalwork in general— but especially by a mix of art deco, Celtic art, and European folk art. 

The central tension of the comic is between Bilbo and Thorin, who each have wildly different ideas about what kind of  story they’re in. Thorin is in a grand fantasy epic, while Bilbo is in a lighthearted children’s book adventure.  The tragedy is, obviously, that only one side of the story ever gets to be fully told.

On a sillier note, a few years ago I had my first gay crush on a lesbian who sang while playing the piano. This chapter is dedicated to the piano lesbian. I hope they’re doing well, wherever they are. XD

I think I might need a bit of a break but I’m hoping for the next chapter, titled “Dawn,” to arrive on January 13th. And your comments/support really do help motivate me to get more done! ^_^