#its bad but we were like 4 and i never personally did it

[tigersharkapologist]

ho HO just caught up on this thread did not realize this was sitting and updating in drafts lol.

To branch off of septimius, one truth about the gladiator movies is that it’s basically historical fanfiction/au so it’s almost never going to be 80%+ historically accurate. Real life septimius ruled for 18 years, which is pretty solid. Gladiator septimius probably didnt rule for long at all. It has been around ~16 years since the death of maximus, and its been implied that the twins have ruled for the majority of that time. But what about septimius? How long were his ruling years? Not much it seems. Since history rhymes I say he got assassinated big time, maybe when the twins were a bit younger since it seems they’ve had this power since their later teen years (Assuming they’re in their 20s rn)purely guessing with the audacity at which they behave. A point was brought up that the og praetorians septimius didn’t trust got fired and were replaced (maybe he didn’t trust them because they were so easy to refuse Commodus a sword even though they’re literally almost only supposed to listen to what their praefecti tell them to do?? sideplot did quintus and his batch get fired lol? could that be an explanation as to why we dont see him in the second film even though there were about 4 praefecti so chances are he was mixed in the sea of purple somewhere) Speculating but chances are they killed him for that. Regardless he definitely was killed he had maybe five years or less in rule if the twins had the majority since the death of Commodus. That or he was overthrown which is sort of a stretch I feel?

And you’re right in the sense that they have a reason to feel safe, conquering was a huge factor in the success of acquiring the approval of the people, so they definitely had that going for them. My question is have they had assassination attempts before? Were people too scared to even try given their reputation? Do the people think that maybe they killed their father? What about their mother, Julia? Did she suck too? Was she killed along with her deadbeat husband? And most importantly why does bro hate his kids is there some hatred towards red heads Im not aware of (tbf it was a rarer hair color in rome and looked rather similar to the very tribes they were conquesting)

What made septimius such a BAD person? Why did he get like this? He managed to be such a source of pain and negativity in the twins’ childhood to the point that they never fully recovered from it ~10+ years later and probably never will.

au where lucilla and acacius adopt these idiots?? please?? PLEASE they need at least one good and solid ***non deceptive*** father figure in their life and Acacius would crush it I feel.

I started to wonder how many emperors were killed by the praetorian guard and apparently it was quite a few lmao so the emperors were very much not safe with their own bodyguards

makes me wonder how many other little personal privileges the guards could take if they would even kill the emperors if they so chose and if the emperors were ever scared of them

the guard were elite soldiers and a branch of the military working as the emperors' private police essentially

they worked for the emperors and their job was to protect the emperors and to stop social unrest and also demonstrate the emperors' power but while they were ordered by the emperors they were not commanded by them but instead by their own commanding officers

[opens-up-4-nobody]

...

[weezerlvr228]

It's giving the...main character syndrome. like who tf does she think she is??? Y/N???

NO OH MY GOSH ANON. LET ME TELL YOU. LET ME FRIGGIN TELL YOU.

[wishful-seeker]

Tips on how to avoid being unintentionally ableist

1. When a disabled person says they cannot do something, and you wish to offer solutions, do not make a solution that involves them powering through pain, or something thats not accessible to the disabled.

Example:

Disabled person: "washing dishes hurts too much and i cannot do it."

Abled person: "what if you did one dish at a time throughout the day?"

This statement is not respecting that this disabled person just said they "can't". Always respect that. No matter how simple the task would be for you.

Disabled person:" i think ill use plastic silverware so i don't make dishes."

Abled person: "plastic is bad for the environment!"

This statement shuts down the most accessible and disabled friendly option that this disabled person can actually do because of the abled persons personal beliefs. This is not helpful, and ableist.

Better yet, instead of offering solutions, ask them directly "is there anything you need that you do not have that would help you do this?" This allows the disabled person to think about what would work, and they will always have a better idea of what would work than you do.

To add on to this, when we say we have no more energy to solve a problem or do a task, or change our lifestyle, we mean it.

2. If you feel discomfort when a disabled person is talking about their health, good and bad, that is ableist. Your discomfort is coming from a place that deams disabled peoples very existence as a bad thing and you need to fix that.

For example:

Disabled person:" this week has been rough pain wise, ive been through a lot, felt like my body was on fire. Lucky i got new meds though and i think they're helping!"

Abled person: "can we talk about something else, this is a bummer."

Disabled people should be able to exist freely without worrying about your personal comfort. Do you really think its appropriate to tell someone in constant pain that their life is making YOU uncomfortable?

3. Do not treat disabled people as tragedies, do not romanticize their old life or put their current one down.

For example:

Disabled person: "yeah my life is pretty difficult sometimes, ive lost a lot but i still have happy moments."

Abled person: "it makes me so sad to see what disabled people go through :(. You used to love rock climbing and running, i would love to see you move around more again."

This statement is putting more value on the disabled persons abled past, and ignoring their life as a whole.

4. Do not avoid speaking to disabled people because it hurts to see your loved one disabled.

For example: my grandmother avoids conversations with me because it hurts her to see me in pain. While she has good intentions it leaves me being unable to be close to her. This is very isolating to the disabled.

5. Do not stop inviting your disabled friend/loved one out even if they are never well enough to attend. Unless we specifically ask you to stop asking if we can go out, good chances are we want to know you still care because again, disability is very isolating.

6. When a disabled person says certain things in their health have gotten better or worse, do not challenge this because you don't see a difference.

For example:

Disabled person: "yeah things are getting a little better"

Abled person sees disabled person using their wheelchair like usual: "i thought you said you were getting better?"

Better and worse are usually small changes only the disabled experience, its not like abled people healing from a broken arm. Better to a disabled person could mean they can stand for 10 more minutes.

7. Do not expect disabled people to ever be abled again, and again, do not put more value on an abled life.

For example:

Disabled person:"I have been using a wheelchair for 2 years."

Abled person: "oh you're young, im sure you'll be walking around in no time!"

This statement invalidates and ignores the disabled persons current life by hoping they get a more abled bodied life. Its fine to hope disabled people get better, but you don't get to decide what better looks like.

Hope this helps, stay punk.

[notlongtolove]

your hand in my hand

after derek’s less-than-intellectual speech about how he was not spending four uninterrupted hours on a train with reid, hotch’s solution was to pair you with spencer instead. and between your notorious driving and spencer’s—well, spencer’s worse driving, the only logical option was the train.

pairing: spencer reid x fem!reader (second person, no y/n)

genre: fluff

content: mutual pining spencer and bau!reader embark on a 4 hour train ride and share some cute moments over a wordsearch book

word count: 3.1k

note: finished finals n hopped on a flight n came back n wrote this on 4 hours of sleep jst bc i couldn't get the idea of a train ride out of my head...

a line: The sight of your bag in his hand was one you could get used to. It was a sight that made you think of Sunday mornings and shared coffee mugs.

It’s beautiful out there— fields, little lakes and winter trees in February sunlight, every car park a shining mosaic. Long radiant minutes, your hand in my hand, still warm, still warm. -wendy cope

“I still think this is a terrible idea.”

“It’s only a four-hour train ride.”

“Yeah, but it could’ve been a two-hour drive.”

“Two? It’s three at the minimum. Danville is—”

“Not if I’m driving,” you smirk. 

“And that is exactly why I told Hotch I would not be getting in a car with you.”

Hotch had assigned you and Spencer to check out a secondary lead while the rest of the team travelled out to work a case. After Derek’s less-than-intellectual speech about how he was not spending four uninterrupted hours on a train with Reid, Hotch’s solution was to pair you with Spencer instead. And between your notorious driving and Spencer’s—well, Spencer’s worse driving, the only logical option was the train.

Not that it stopped Spencer from pointing out every possible flaw in your driving on the way to the station.

“I’m not that bad, I swear!” you had protested, rolling your eyes.

“You got two speeding tickets in the last month.”

“One month,” Garcia had chimed in over the phone. “And actually, technically, it’s three tickets.”

You groaned. “The third one didn’t count! The cop was just—”

“And don’t even get me started on your sense of direction,” Spencer mumbled. 

“Pretty girl, I love you, but I’d get in a car with Reid before you, and that’s saying a lot,” Morgan’s voice rang out from over the line.

“Thank you!—Wait, hey!” Spencer spluttered.

By the time you make it to the station, its clear that your BAU Jet Privileges had not prepared you for public transportation. “Wheels up in thirty” definitely did not translate to “trains only leave when you’re ready.”

“Can’t we just tell them we’re, like, important or something?” you grumbled, stretching to peek over the crowd in front of you.

“I don’t think that’s how that works,” Spencer muttered, clutching his satchel as he scanned the line. His brow furrowed in that nervous way you’ve come to recognize, the one he always got when cases ran too close to the wire or people hovered just a little too close in his personal space.

As they announced the final boarding call over the station’s intercom, Spencer’s anxiety ramped up, practically vibrating beside you. You, of course, were less concerned. “Relax,” you teased, nudging him. “What are they gonna do, leave without us?”

“Yes,” Spencer snapped. “That’s actually exactly what they’re going to do.”

When a harried-looking attendant opened a new line to speed things up, Spencer grabbed your bag—“God, what is in here?”—and marched you both toward the front of the queue.

“You two together?” she asked, as she gestured between the two of you.

“Oh, uh, no—just friends,” Spencer stammered, color rising in his cheeks.

She blinked at him. 

“Spence, she’s referring to our tickets.”

“Oh! Right, right.” He fumbled with his pocket as you handed yours over, suppressing a grin.

Flustered Spencer was your favorite Spencer. Of course, you’d never admit it out loud, but there was something endlessly endearing about seeing him off-balance, especially if you were the cause. Not the encyclopedia, not the profiler, just Spencer. It was a rare glimpse into the version of him you cherished most. The Spencer who remembered your coffee order, who stayed up with you in hotel lobbies when you’ve had one too many said cups of coffee, who once held your hand for 15 whole minutes after you found a kid’s drawing in a victim’s room and couldn’t keep it together.

It was also a little dangerous. Not in the same way your driving was dangerous (though Spencer might argue otherwise), but in the way where you sometimes wondered if you’d crossed some invisible line. If the lingering hugs and casual touches that weren’t exactly casual meant more than either of you were willing to say. But those were dangerous thoughts, ones best left in the quiet recesses of your mind. So you pushed them aside, as you always did, and focused on the here and now.

The here and now being Spencer, still blushing faintly as he grabbed your bag and adjusted it over his shoulder, his brow furrowed with some internal muttering about how much you packed. When the attendant waved you through with a tired smile and Spencer started making a beeline for your platform with your bag in tow, you couldn’t help but grin. 

“Thanks, partner,” you teased, earning a glare that didn’t quite reach his eyes.

“Just get on the train,” he grumbled, turning away before you could see the corners of his lips twitch upward.

The two of you made your way through the carriages after a brief but spirited debate about whether to walk outside along the platform to reach your assigned car or board the train immediately and navigate through it. Predictably, Spencer had won, and now you were squeezing past narrow aisles and weaving through clusters of passengers with a litany of “Excuse me,” “I’m so sorry,” and even a “I didn’t mean to step on your foot sir,” from you.

By the time you finally reached your carriage, the train had already started moving. Spencer shot you a pointed “I told you so” look that made you roll your eyes as you flopped into your seat. Spencer wrinkled his nose as he lowered himself hesitantly into the seat beside yours, clearly doing his best not to make contact with any of the surfaces he deemed less than pristine. His discomfort was almost palpable, the slight twitch of his fingers betraying his thoughts. Public transport wasn’t exactly his favorite—as he’d once explained in great detail, something about microbial colonies on handrails and seats. You leaned back, watching as he tried to situate himself, his satchel perched protectively on his lap like it might shield him from the horrors of public commuting.

“So,” you said, hoping to distract him, “what joys of reading did you bring along for this glorious journey?”

Spencer glanced at you, then sighed, reaching into his bag. “The Sign of Four,” he said, taking out a well-loved copy of the Sherlock Holmes novel.

��Ooh, a classic,” you replied with an approving nod.

“And you?” he asked, raising an eyebrow as he settled into the question, visibly relaxing, if only a little. His fingers smoothed the corner of his book, but his eyes stayed on you, curious.

You grinned, the kind of grin that promised trouble—or at least something Spencer would find mildly exasperating. Reaching into your bag, you dug through the chaos of receipts, snacks, and whatever else you’d deemed necessary for a four-hour train ride.

“You’re not going to watch something on your phone again are you?” Spencer said, his tone laced with a mix of exasperation and earnest concern. “You do realize that watching something on a phone during a train ride is fundamentally different from doing so on a jet, right?"

“Hold your horses,” you said, your tone light and teasing. “It’s in here somewhere.”

Spencer continued, "The vibrations and lateral motion of the train create a parallax effect that forces your eyes to constantly refocus, which can lead to ocular fatigue and even mild vertigo in some cases—”

“Calm down,” you interrupted, cutting off his impromptu lecture as you pulled out a shiny new word search book. You held it up triumphantly. “Snagged it in the station lobby.”

“I thought you said you needed the restroom.”

“I did,” you said, smirking as you flipped through the book’s pages. “And then I saw this. Couldn’t resist.”

Spencer narrowed his eyes, glancing at the bright, cartoonish cover. “It says meant for ages 10 and up.”

“And last I checked, I am most definitely over the ripe old age of 10, Genius.”

Spencer shook his head, a small, begrudging smile finally breaking through his earlier apprehension. “You’re impossible,” he muttered, but there was a lightness in his voice now that made you grin even wider

“And yet,” you countered, “here you are, stuck with me for the next four hours. Lucky you.”

Spencer sighed dramatically, but you didn’t miss the warmth in his eyes.

The train rattled gently as it picked up speed, the two of you settling into your books. Spencer had opened his novel, but the words on the page blurred as his attention kept drifting. You weren’t exactly helping—constantly shifting in your seat, furrowing your brow in concentration as you hunched over your word search book. He tried to focus, he really did, but his gaze kept flicking away from the neat lines of his novel.

You were stuck on the word minimal when he finally caved.

“Top left, vertically,” he said without looking up.

Your brows furrowed for a moment before Spencer reached over and pointed it out for you. “Oh, thanks!” you replied cheerfully, circling the word with gusto.

At first, it had been helpful, funny even, maybe even a little cute. But by the third time he chimed in with a casual, “Parachute. Bottom right, backwards,” you were ready to stage a mutiny.

“You’re ruining word search!” you declared, tearing the book away from his gaze, clutching it dramatically to your chest.

Spencer laughed, an unrestrained, boyish sound that made your cheeks flush. “It’s not my fault you’re so bad at it!”

You gasped, leveling him with a mock glare. “Spencer Reid, you take that back right now!”

“I’m sorry, I’m sorry,” he said, still grinning, “but it’s like you have horse blinders on or something.”

“Oh, if you’re so good, why don’t you do it?”

It wasn’t a challenge so much as an invitation, but Spencer, being Spencer, took it as both. He snatched the book from your hands, scanned the grid, and completed the puzzle in a little under two minutes.

“Show-off,” you muttered, but you couldn’t help smiling as he handed it back launching into an explanation about linguistic patterns and visual recognition.

You both settled into a rhythm, solving the rest of the puzzles side by side. You held the pencil—because, as you put it, you deserved the pencil holding honor—though Spencer still pointed out words before you even had a chance to finish reading the list.

“Butterfly. Horizontal, top left,” he said without missing a beat.

“I saw that! I was getting to it!” you protested, circling the word with exaggerated flair.

Spencer smiled to himself as he watched you, his book long forgotten. Just as you had your favorite version of him, he had his own of you, one he’d never admit aloud. There was something about these little moments—when your carefully curated wit gave way to playful exasperation—that he absolutely adored. No clever retorts, no sharp-edged humor, just you. 

The two of you had been working on the word search together for a while now, the small book balanced precariously on the shared armrest between your seats. Naturally, you’d both leaned in closer without realizing it, the space between you narrowing as the train rattled along. But after a few jerks on the track Spencer notices you shifting uncomfortably in your seat, your expression tightening just slightly.

“What’s wrong?” he asked, voice gentle as he glanced at you.

“Armrest’s digging into my side,” you admitted, twisting a little as if to escape the offending object, the smile you tried to muster falling a little short. 

“Ah,” he said simply, his tone matter-of-fact, “Put it up, then.”

The version of you from an hour ago might have quipped something sarcastic, turning the moment into yet another teasing exchange. But travel fatigue had set in, and the closeness of Spencer—his voice, his warmth, the way he seemed to notice everything—had you more flustered than you cared to admit.

“Oh. Okay,” you murmured, your voice quieter than usual as you moved the armrest up and shifted in your seat. The tension in your posture eased as you repositioned, feeling the strain fade. 

“Better?” he asked, his head tilting slightly as he studied your face.

“Mm. Slightly.” you replied, though the truth was that it was a lot better. Without the armrest, you found yourself acutely aware of how close he was—his arm brushing against yours, the subtle scent of his cologne, the way his knee bumped against yours when the train swayed.

Spencer nodded, seemingly satisfied with your answer, but the faintest hint of a smile lingered on his lips. He shifted slightly too and returned his attention to the forgotten book in his lap. But his fingers drummed idly on the cover, and you could tell his focus was no longer on Sherlock Holmes.

“Let me guess,” you said after a moment, trying to ground yourself in the familiarity of banter. “You’re going to tell me the science behind why train seats are designed to be this uncomfortable?”

Spencer glanced at you, eyes sparkling with amusement. “Actually, I was going to say that the armrests are poorly engineered for optimal comfort. But now that you mention it—”

“Oh, no, you don’t,” you interrupted, groaning as you rolled your eyes, though your grin betrayed you. “Spare me the ergonomics lecture, Doctor Reid.”

Without the armrest dividing you, the space between your shoulders disappeared almost entirely, a quiet sort of intimacy neither of you acknowledged aloud. At first, it was just the puzzle again, you gently nudging the book towards him every now and then, his finger tracing a word before you could even spot it.

“Reindeer. Top right, diagonal,” he said for the third time, his tone just shy of smug.

You circled furiously with a huff. 

It didn’t take long for your enthusiasm to bubble over, the book tipping dangerously toward your face as you leaned forward in an effort to beat him to the next word. After the second near miss, Spencer plucked it from your grasp entirely, holding it at what he claimed was the optimal distance for focus while on a moving train—Though he still let you retain your pencil holding privileges. 

You leaned back with an exaggerated sigh, resting your chin in your hand as you scanned the page. Now, your shoulder didn’t just brush his in passing—it lingered, resting lightly against his as you stretched toward the book in his hands. The contact was unassuming, almost accidental, but you made no move to pull away, and neither did he. Spencer noticed—you were sure of it. How could he not? But if he minded, he didn’t say anything. You caught the faintest twitch of his lips, the smallest sign that he was aware. Maybe even liked it. 

You found yourself leaning more and more, your eyelids growing heavy as the minutes passed. Spencer’s presence was warm beside you, an unspoken comfort that made it easy to drift. It felt like the simplest, most natural thing to surrender to it. You’d handed Spencer the honor of holding the pencil 2 puzzles ago as your head slowly tilted, the weight of it pulling you so temptingly toward his shoulder. A soft sigh escaped you, and before you knew it, your eyes had fluttered shut. Spencer glanced down at you, the way your breathing softened, a perfect stillness that made his chest tighten. 

He didn’t know if he should move away. He knew he didn’t want to. So he stayed where he was, fingers curled loosely around the book, watching as the rhythmic back-and-forth of the train mirrored the gentle rise and fall of your chest. After another slight lurch, your head finally made contact with his shoulder. Spencer stilled, his breath catching in his throat. The way your hair brushed against his cheek while your knee pressed gently against his. How your hand lay across his on the book, a lingering trace of your last attempt to spot a word before he did.

It was all too much for Spencer—and yet, it was just right. 

He dared not move. He didn’t pull back, even though your hair tickled his face. His knee remained pressed against yours, despite the rhythmic sway of the train threatening to break the contact. His hand stayed where it was resting beneath yours on the book, his fingers loosely curled around the pencil, though the book was long forgotten. He stayed, in this unexpected, perfect stillness.

Before he could stop himself, his head had tilted and found its place upon yours. It was comforting, the contact grounding him in a way he hadn’t expected. Spencer let his eyes close, the steady hum of the train and the warmth of your presence lulling him into a strange sense of calm.

When the train finally eased into the station, the gentle jolt stirred you awake. You felt your cheeks warm as the reality of the crowded station seeped back in, the intercom announcements and bustling crowds breaking the intimacy of the moment. Spencer’s eyes were still closed, his breathing even. With a small, almost reluctant sigh, you nudged him awake, the touch soft but insistent. He blinked, looking at you with a hint of confusion that melted into a small smile when he realized where he was.

“Hey,” you murmured, a touch of embarrassment in your voice.

“Hey,” he replied, a soft warmth in his expression. 

“You dropped my word search,” you mumbled, nodding toward the book now resting forgotten on the floor between your feet. 

 “Hm?” He sat up straighter, looking at you with a bit of sleep still clouding his gaze. “Oh, I’m sorry.”

“It’s okay,” you shifted, a little embarrassed at the way you’d curled into him, “I’m sorry I slept on you.”

Spencer’s smile was soft and reassuring. “S’fine. I didn’t mind.”

You felt a flush creep up your neck, spreading heat to your face. You quickly bent down to grab your bag, fingers fumbling with the strap, hoping the movement would distract you. But before you could lift it, Spencer’s hand closed over the strap. You feel your heart thump at the gesture, the simplicity of it making you pause for a moment longer than necessary. The sight of your bag in his hand was one you could get used to. It was a sight that made you think of Sunday mornings and shared coffee mugs. Dangerous thoughts. 

As you stepped off the train, you instinctively reached for your phone, its screen lighting up with an influx of notifications. Hotch’s name stood out among the messages.

“Hm. Hotch asks if we need a driver for the ride back,” you said, raising your phone to show him, “Says he’ll send a van if we want.”

Spencer’s brow furrowed as he looked at the screen, the thoughtful expression on his face almost too easy to read. “What do you think?” he asked, his voice casual but with a note of curiosity.

You shrugged, the practiced ease of your movements not quite matching the fluttering in your chest. “I think we’re fine,” you replied, trying to keep your voice light, “unless you want to?”

“Yeah,” he smiled then, the corner of his lips tilting up, “Think the train was just fine.”

⋆✴︎˚｡⋆ hi if you're here! thank you for reading! feel free to like or reblog or comment or reply!

ᯓ★ song recs if you feel like it: north by clairo saw you in a dream by the japanese house

[comfort-questing]

crow's personal ranking of idioms about dead-ness, for whump purposes

"half dead." basic and classic, and can be used both actually and figuratively ("you look half dead" ie. we all know you didn't sleep last night). 6/10, not bad, points deducted for the frequency of figurative use where nothing actually happened to a character and they just need a nap

"more dead than alive." now we are committing to at least 51% dead, which is promising. I have never heard this used figuratively in a narrative so if someone says it about a character, they mean it. they looked, and dead was the predominant impression. good whump should be expected hereabouts. 8/10.

"dead on their feet." usually used for exhaustion, but honestly, a peak descriptor of exhaustion. 7/10 for that reason alone. we've all been there.

"all but dead." ...does anyone ever say this, or did I just come up with it? -/10 since I don't feel ethical rating it if I'm the only one who uses it

"threshold of death/on death's door/brink of death/verge of death" - dated but also, classic. a solid option overall, implying suspense, uncertainty of outcome. 5/10, nothing special but no complaints really

"looking like death" - equally appropriate for emotional or physical whump, but needs more detail to follow up so we know which one is meant. 4/10 in the abstract, due to ambiguity

"inches from death." have hated this one ever since I was a small crow, because it's usually used for narrow escapes - nearly stabbed, nearly crushed by a falling object, nearly bitten by the monster. emphasizes spatial arrangements to the detriment of actual effects. 2/10 since it can be used for whump, just rarely is

"dying" as an adjective describing a character. is it foreshadowing? is it a medical descriptor? it's probably foreshadowing, or else we're going to have a magical healing deus ex machina. either way, not a thing this crow is super into... 1/10, I'm sure it has potential though.

"left for dead" mmmmmmph... this one is underrated... implying either ruthless, targeted brutality, or perhaps callous abandonment by someone. either way, whump is inevitable to follow. 10/10. whumptober knew what they were doing picking that prompt, and every year I try to find a way to live up to its promise.

"deathly cold/deathly still" ... never out of place or out of style, a clear statement that something is very wrong, a sign of escalation of the situation. equally excellent for finding a teammate in a dungeon, or for checking in worriedly on a sick character in the middle of the night. next-level whump, and especially great for terrifying caretakers. 11/10.

[sugarcoatedstarkey]

Fake boyfriend - p5

Pairings - soft!rafe Cameron x virgin!reader

warnings - none

Part 4

You had walked past the mirror at least 6 times, checking your outfit with a strict eye each time. “Jesus y/n.. you look great!” Kelsie groans, grabbing you by the shoulders and steering you out of the bedroom. “Since when have you been so concerned off what you wore around a guy?” She questions, a smirk creeps its way to her lips and she gives you a friendly nudge.

“What will you do tonight? I feel bad leaving you, you leave tomorrow night”.

She gives you a smile that doesn’t reach her eyes, shrugging her shoulders to your question. “I could see if you could come?”

“No definitely not…honestly I’ll be fine! I’ll probably just stay in” you nod your head and reach for your bag, the rumble of Rafe’s truck cuts through the silence. Kelsie is quick to push you towards the door, overly excited to watch her best friend go out with her boyfriend. “Have the best time okay! I’ll see you tonight or you know maybe in the morning” she winks.

A soft rap on the door she pulls it open, Rafe stands dressed in dark gray chinos and a loose white shirt that is rolled up at the sleeves. You can see a slither of his chest and it just about sends you into cardiac arrest.

“Hey”

“Hey”

“All right love birds, off you go!”

Kelsie pushes you out of the door, your frame smacking his chest face on. His hands are quick to grip your bicep and steady you, you give him a soft smile and let him walk you down to his car. “You look beautiful”.

Your cheeks darken at his words, shying away from him. “Thanks” you manage to whisper, letting him help you up into the truck.

You wore a black dress, it had puffy sleeves and tightened at the waist. Sitting just above your knees, paired with a pair of red pumps.

“So this work event.. should I expect personal questions about us?”

The corner of his lips turn up and he glances over to you briefly, staring at his side profile in awe. His jaw was sculpted and you could see the muscles pop when he clenched his jaw. “Well about that… my dad owns the company”

“Oh”

Your heart begins to race at the idea of meeting his dad, this could either go really well or end really bad for the both of you. He could see behind the lies and ask you to leave.. worse, he could have security escort you out in front of everyone.

“Don’t be nervous”

“Easy for you to say”

He laughs loudly, the sound sends goosebumps down your arms. You pocketed that sound into a core memory, never wanting to forget the way he sounded.

“I have a confession”

“Mhm?”

“That story I told your friend about the elevator..”

“I was meant to ask you how you knew I was stuck in an elevator”

“Well… my dad owns that building. I was in the security room when they got notified of the lift getting stuck, we could see you in the camera.”

“Oh”

You remembered your brief panic attack, pressing the palms of your hands on the mirror to steady your breathing. Reminding yourself you were only one level away from ground, you wouldn’t fall to your death.

“That was the first time I really got a good look at you.. I wanted to be there when they opened the elevator but I was late to a meeting so I couldn’t be… I wanted to be the one to comfort you”

Your eyes glazed over at his confession, your hand reaching over to grip his that sat idly on his lap. “I thought you were beautiful the moment I set eyes on you, but our paths didn’t really cross and when they did it wasn’t the right time for me to introduce myself”

You find yourself nodding, waiting for him to keep speaking, your heart beating harshly against your chest. “So when I caught you walking my way at the party I was beside myself… especially when you said play along and kissed me… it was like I was dreaming.”

Your thumb brushes up and down his palm, his eyes straight ahead. He’s pulling in front of the building before you can say anything and turning to look at you.

His mouth opens to continue but the sound of knuckles on the tinted glass cut through the small bubble the two of you had created around you. Your eyes lingered on his for a moment before dropping to his chest, he let out an annoyed breath and opened his door. “Thanks mate”

He hands the keys to the valet and walks around the front of the car, your eyes never leave his and when he opens your door and helps you out, your eyes still stay on one another. “Don’t be nervous”

All you can do is nod, you didn’t want to go into the building now. Not when he hadn’t finished his conversation, what was he doing to say next? Was he going to say he actually liked you?

You're both swept into a sea of people instantly, everyone saying hi and giving Rafe a hug or handshake. Everyone’s quick to direct their attention to you, eyes surveying the outfit you wore. Your cheeks painted in embarrassment as you gave everyone your best confident smile.

Rafes hand never left your waist, giving you soft squeezes anytime he noticed you staring at your shoes. He gushed about you, introducing you as his girlfriend and light of his life. A twang of guilt bled through your veins when you stood in front of his dad, you didn’t know if lying was a good idea but you weren’t confident enough to put an end to it.

“Dad.. this is y/n, my girlfriend”

You had heard mixed reviews about Ward Cameron, the man who owned pretty much all of the outerbanks. The tough man who pushed his son hard and only wanted the best for his children, the man who didn’t take no for an answer.

“So lovely to meet you! I hope my son is treating you well”

“He is” you give him a soft smile and accept his brief hug. Rafe’s hand is quick to tug you back against him, this time your back pressed tightly to his front.

You don’t miss the way Ward’s eyes drop to his son’s arm around your body, a quick raise of the brow before his eyes were on yours again. You stand in silence, watching him take a sip of his whiskey before he places it on the table next to him.

“Well, I must go say hello to more people. Do join us for dinner sometime soon, yes y/n?”

“Yes sir”

He’s gone before he can hear your response, quickly understanding that is how he never takes no for an answer as he doesn’t stick around to hear anyone’s response.

“He’s scary”

“Mhm, let’s get a drink”

He whisks you away to the bar, ordering you a cocktail from the list. He moves you to stand in front of him, caging you against the bar. Your back pressed against the wooden bench, his eyes are watching the bartender closely so you take this moment to study his features, the way his jaw was sharp and hard but softened when he smiled. Ocean blue eyes that you had witnessed blown out and dark when he was aroused. “I can feel you staring at me”

“Oh, sorry”

“Don’t be sorry… I like it”

A soft wrinkle at the corner of his eyes when he smiles down at you, your stomach clenched at the sight. His hand dropping to your waist once more to pull you closer to him, he dropped his head to look at you. “Rafe” you whispered, pressing your tiptoes into the ground and pushing up slightly. “Yeah?”

“Can I kiss you?” You question, you’d never asked a man before. You expected to feel embarrassment but the only feeling flooding your veins was arousal.

His lips are on yours immediately, his grip on your waist tight as though he thought you might vanish mid kiss. Your arms snake around his neck and pull him closer, mouth parting for his tongue.

A cough from behind is the only thing to bring you back to reality, pulling away in a huff. Turning your attention to the drinks placed on the bar. “Thanks” you both say at the same time.

“Let’s drink this and go” Rafe says, your head frantically nodding as you bring the straw to your mouth to drink the fruity liquid. The alcohol burns your throat slightly, you're not even half way when Rafe is placing his glass down and staring at you with hunger in his eyes.

“I’m done” your rushing, placing the half empty drink down and grabbing his hand. A cheeky grin creeps up his face and he’s rushing you out of the building without any goodbyes.

Tag list - @rafemotherfuckingcameron @rafegirly @prentissesredtanktop @maybankslover @vigilanteshitposting @drewstarkeyslut @emotionsmgcbabe @ijustwanttoreadlols @uraesthete @drewstarkeyswifehoe @aysha4life @yeosxxx @ailee-celeste @aaronhotchswife @watersquirtpewpewboomm @bbadiehoe @dream-pink @unbearableblog @blhemmings @20braced22 @xyzstar @bean-is-reading

[kindaasrikal]

The hate Misako receives is way to strong you guys need to relax with my girl 😭

Like whats with everyone hating Wu and Misako for making mistakes but then looking at Garmadon like ‘omg he’s the best parent! Best character! He didn’t mean to do it!’ Like please if you’re gonna hate the first two for their reasonable mistakes then you gotta hate Garmadon for his too.

Misako was just made into a single mum and had her family ripping to parts in a matter of seconds, we have no idea if Garmadon was banished before or after her pregnancy and personally i believe either way it would make sense why she would make such a mistake as leaving Lloyd.

‘But she could’ve left Lloyd with Wu!’ Thats a bad idea on its own because (and presuming that Morro left just a few years ago, so Misako and Garmadon know of him and what happened)

1) i doubt Wu would be prepared to look after a child after Morro having such a large effect on him (so Misako wouldn’t bring it up with him)

2) Misako AND Wu were grieving the loss of Garmadon, WU DID NOT MEAN TO SEND GARMADON-WHO WAS TRYING TO KILL HIM- TO THE UNDERWORLD.

3) Misako knows what effect the green ninja prophecy can have on a child after Morro, and whilst she definitely doesn’t blame Wu for what happened to Morro (its no ones and everyones fault), she can’t let the possibility of that happen to her baby.

and 4) she can’t have him hate Wu or Garmadon. Wu obviously visited Lloyd during his time in Darkleys cause both of them knew of each other and were familiar enough for Wu to casually scold him and Lloyd to insult Wu. Misako did not want her boy to hate either man and left him at a school that could guarantee that Garmadon is never hated either at such a young age.

Misako did leave and that was a bad choice on her part, but if the writers could manage it better you could have seen a great story based on a single mother in a difficult situation, and the mistakes she made throughout that. Like guys she spent ten years dedicating her LIFE to trying to find a solution to the final battle and the green ninja thing, she spent years thinking of Garmadon and LLOYD, SPECIFICALLY LLOYD, constantly. Misako is a mother who made a mistake, but is a mother who wholeheartedly loves Lloyd more than anything and anyone else.

She could’ve sent letters to Lloyd, but Garmadon could’ve visited Lloyd using the whole shadow powers thing. They both could’ve done so much more to be apart of Lloyd’s life but didn’t. Wu portrays a parent who was inexperienced with Morro, Misako and Garmadon portray parents who were inexperienced, unsure, in difficult positions, and could not handle the situation they were in appropriately. They all are people guys, adults are not all powerful and do not know what to do in the right moments, they are confused and they can be overwhelmed and they can make mistakes, and in this situation a lot of the mistakes had a negative affect on Lloyd, but even Lloyd understands that their situation was not a fair one.

I understand that they messed up big time, I’m not going to downplay that, but genuinely i think the reason everyone is STILL so mad at her specifically is because how poorly she was handled. They introduced her and then immediately victimised her despite the fact they could’ve pointed a view of a guilty mother who doesn’t know HOW to mother. They could’ve shown the actual closure Lloyd needed because I think we all need it too.

THEY DIDNT HANDLE MISAKO’S CHARACTER AND STORY RIGHT AND RUINED A CHARACTER THAT COULDVE BEEN SOOOOO GOOD BFFHDYDG

[batboyblog]

https://www.tumblr.com/batboyblog/763234650399424512/the-recent-chappell-roan-thing-is-why-i-absolutely

I frankly also get the impression that a lot of these people genuinely think another Trump term will just be “business as usual” or “it’ll only hurt the people who deserve to suffer” and that they’ll just be able to hide away from the consequences for four years before someone comes along and fixes the mess for them and they get to benefit.

I don’t think they have any realization of just how bad this is gonna get the second time around, because the first time Trump was metaphorically behind a chained fence and held back by strong rope. This time he’s being let loose alongside his fascist theocratic friends.

I've puzzled about this for some time, because like do people honestly not remember what it was like? what those 4 years were like? the fear, the chaos, the national embarrassment. Every day waking up and going "oh god! what did he DO! while I was asleep!" and how often you'd wake up to some story that he'd tweeted something scary and dangerous at 4am. I believe him threatening to nuke North Korea (the "Fire and Fury" tweet) was one of those very early AM specials that we all woke up to.

I mean for people like Chappell, its hard to remember, but Trump has been the more or less national main character for 9 years, since the fall of 2015. I mean an 18 year old first time voter could have been 8 years old when Trump came down the gold escalators told us all that Mexicans were rapists and he was running for President. So for anyone under 30, Trump is normal since every election they've been able to vote in, he's been the Republican nominee. I've spent 9 years of my life, across 5 elections fighting Trump directly or indirectly. Depressing thought that.

but past that there's been a national effort to gaslight us all into thinking "yeah no it was normal" I mean I remember the media coverage of 2017, the first year or so of Trump's Presidency, every few weeks or so there'd be some "is it time for the 25th amendment now?" story about if Trump's weird behavior this time for his cabinet to step it and remove him. (A quick google turned up CNN Oct 2017, New York Times May 2017, The Guardian July 2017, and Vox February 2017) compare that to coverage today? The term "Sane-washing" has been coined where when Trump says something bonkers it gets characterized as "sometimes meandering" rather than "incomprehensible" and "worrying"

figures in the media have gone so far as to claim there's just no point to covering new Trump scandals because "they won't move the needle" which really should not be a journalist standard. And we see that they do, take North Carolina's Mark Robinson. Caught in a massive scandal, involving sex, porn, and being a Nazi, he's now down massively in the polls after nation wide coverage. Trump just had new court documents opened that showed he wanted a riot on January 6th, that his reaction to a mob threatening the life of his Vice-President was "so what?" and they he knew full well that he had lost but was going to "fight like hell" any ways. And its not much of a story, indeed I'm seeing more news about a NY Republican Congress having worn black face (new story today) than Trump's effort to over throw the government and kill Mike Pence.

past the media's gaslighting of course there's been a major and on-going campaign to effect how we see reality. I know that sounds very woo-woo, but to step back for second, most of what we know about the world is stuff people tell us, so you know Joe Biden is the President because other people have said so, most likely you've never met him or even seen him in person. Well as more and more people turn away from traditional media, and traditional media turns more and more to making of money by confirming the bias of people, it becomes easier and easier to slip things that are not real into "facts we are told". So for example "Joe Biden is President, and also in decline" there's never been any real evidence of that, but if on social media you are bombarded with it 4,000 times a day... you start to take it as understood wisdom.

people are also getting worse and worse at not just taking what they're told if it confirms biases they already have. Former Vice-President Al Gore wrote a book nearly 20 years ago now, called "The Assault on Reason" which had a ton of very interest neuroscience about the ways that moving images, TV he was talking about, by-pass the logic centers of the mind, the way we relate and trust someone talking to us in a way the written word does not. I can't help but reflect on that with the rise of TikTok and short form video as a "source of information" (lol)

any ways this is a long winded way of saying bad faith players, Republicans, left wing grifters, and agents of chaos, have been very good at flooding the zone all through the Biden Presidency with stuff "student loan debt" remember when that was SO! important SO big and Biden "not doing anything" (untrue) was the biggest deal? well yesterday his newest plan got unlocked in court and 3 out of every 4 people with loan debt will get relief.... oh you're just now hearing about that from me? huh... funny... I thought it was the number one issue and reason we should never trust Biden and the Democrats... weird....

but there have been other issues pushed up as THE! issue, its all misdirection, its all meant to get natural Democratic voters to feel frustrated, upset, and hopeless, and not to vote their interest. The world is a big complex multi moving machine, and anyone telling you that one issue either fixes every other issue or totally totally outweighs everything else and should for everyone, is most likely BSing you and doesn't have your best interests at heart.

and lets be clear, Trump is a Rapist he's a lot of things, traitor, racist, scumbag, criminal, scab, tax cheat, fraud, etc but for me any ways, I'm not gonna vote for a rapist to be President and if other people aren't gonna do everything they can to stop a rapist from being the President I don't want to hear how much they care about progressive issues.

[yeonniesblog]

Kuroo x reader x oikawa

Synopsis : After years spent by a certain setter along with a small toddler mending you heart, your life was a just like a blissful movie with a happy ending. But little did you know the person who gave you not only the worst years of your life but also the small ball of sunshine, decided to suddenly make a appearance in your fairytale when fate played a wild

reader's note : this is the last chapter, make sure to read it in order! Sorry for the angst hehe.

Part 1 : meeting you again | Part 2 : wouldn't you | Part 3 : broken promises | Part 4 : where it all went wrong | Part 5 : enough for now (current one)

“she is a fucking psycopath” kenma sighs, putting the car in reverse as he pulls up in his driveway, eyes fixated on the rear view as kuroo watches the irriated expression on his face.

“dude, chill I know you hate kizumi, but I might marry her” kuroo sips his coffee as he lets out a shallow grunt in annoyance too, what was he doing in life.

“no, just think about it, she specifically asked for the ring you bought to propose to y/n, when she knows you could afford to give her much expensive one right now, but, again I repeat. she asked specifically for that ring, only”

the black hair man groans at the explanation, he knows his friend has a point, but he is trying to gaslight himself into believing whatever kizumi explained to him. “i think she just likes it, she was the one who chose it too, all those years ago—” and before kuroo could finish his sentence, the half blonde cuts him off, swiftly taking out his phone from his pocket and muttering something to it “siri, how do you block people in real life”

“yeah, okay, this is a kuroo hate club, I get it” the man sighs, propping his head back on the headrest, closing his eyes. “honestly I know her behavior is weird, but I’m in a tight spot, my only left family is nagging me to marry her, and you know I could care less about marriage” he pauses taking a deep breath. “dad is legit emotionally blackmailing me, sitting at his stupid hospital bed probably faking his disease”

“they want you to marry, doesn't necessarily have to be her” kenma suggests, opening the seatbelt around him. “i cannot marry a stranger, kizumi is a better option, we have been dating on and off for one year” the rooster haired man replies, honestly he really wants to jump off a cliff, but he will suppress the impulsive urges.

“as a rebutal to that, one thing you said was right” kenma sighs finally looking at his friend, kuroo looks tired, or is aged that appropriate word. “her behavior is weird, it's like she has more attachment to y/n than you, she is insecure as fuck of her. you, me and her, we all know she won't ever level up to the place y/n has in your heart, so she trying to become her, its giving me chills” kenma shudders at that thought, physically gagging.

“do you think it's too late for me to get a therapist?” with that kuroo tetsuro groans one more time.

kuroo sits quietly, hands clasped, looking up with hesitant eyes as he watches you put your purse on the table, stoice face, yet so pretty.

he really meant it when he said you got more gorgeous over the years, there were few lines now adorning your face, mature and elegant glow.

even if he sometimes wonders if it would have been better if you both never met at all, if it would have been better if neither of you had to go through the heartbreak, but he knows,

if there was a spell to go back in time, to where he met you, he would do the same thing. he would make a silly chemistry joke and wait for you to laugh at it, not because it was funny, no it was because it was so bad you laughed at it, it was his fault wasn’t it?

to loose the most precious thing in his life, did you feel worse than him, it wasn't a question, nor a comparison, he wanted to know because he will never forget or forgive himself to give you so much pain over the year.

what did you name the kid? did oikawa tooru’ see how your son took the first steps, was he the one who got called father first, what's his favorite food, does he have a birth mark, does he like volleyball? is your son’ tastes similar to what is his? Just like how he saw the little kid adorning your homely baked goods, similar to what he himself used to do.

it pains him, physically pains him to know he wasn't there for anything, he wasn't there to make you food, hold your hair while you threw up during you morning sickness, not hold your hand while you went into labour, he wasn't part of any of it, six years sometimes means nothing and yet to him, now, it means everything, it means every important thing he lost.

“you don't know how much draining this is for me, to be talking to you, or as a matter of fact to talk about what happened, cause honestly you deserve nothing, not the explanation, not to meet me or ruko” you break the silence first, firmly sitting at your place.

and kuroo wishes he could repent on all the thing you said but the only thought in his mind is what you named your son “his name is ruko?”

“his name is oikawa saruko” you firmly state, a small smile tugging at you lips, you were proud your kid had a father like oikawa, cause you can't imagine anyone else being a better father than him.

tetsuro has never wanted to be in someone else's place as much as he wants to be oikawa now, he sighs at your words. “why didn't you tell me, I would get it if you wanted to get away from me, but don't you think I deserved to know the kid was mine?” his voice quivering as he asks you the question, a weird pang in his chest.

“i tried, I tried so many times” your voice quivers slightly “why do you think I asked for your opinion to have a kid?” that silents the man infront of you, his pupil dilated as he realizes how he explained it, and how it sounded like a definite ‘no” from his side.

“not to mention, even after that I was going to tell you, with my parents kuroo and you didn't show up” he relishes at how defeated he feels when you don't even call him by his first name, so the announcement when you called him was with your parents? his legs tenses up and he stops shaking them.

“i know I don't have any excuse but you know there was a storm that night—”

“yet you left me all alone in that storm, tetsuro” his heart breaks into million pieces, do you even know how much he just wants to pull you close and cry, stain your shirt with his tears of sorrow that he made a mistake and couldn't be in your presence and of joy because after years he was able to see you.

“i—y/n” he tries to put his hands over yours but you are swift to pull away, he knows a million reasons of why your reflex action was right, yet he can't help but feel his throat becoming dry “i’m sorry, I assumed you were with your parents, I had no idea, my phone was dead”

“how can you still lie to me?” your voice croaks, finally looking straight into his eyes, you really don't want to care for whatever his action was or what he did but you can't help but feel wronged.

“what do you mean lie?”

“so your phone was dead enough to not respond to my texts but it was working when you reposted on social media with your now girlfriend, her friends commenting how cute you both looked” you scoff pausing in disbelief “or should I say fiance”

“whatever are you sayi-” then it clicks, it suddenly clicks how kizumi’s friend has always shipped him with her, despite knowing he has a girlfriend, despite him saying he doesn't appreciate it, that it straight up makes him uncomfortable.

how kizumi knew, that your birthdate was his password to Instagram, he remembers her saying it was so cute, its laughable to think how dumb he has been, how could he not notice her intention. but he wishes you told him, he wishes he could have cleared off the last misunderstanding and if he could take it all back he would.

hell, he would never breath the same air as kizumi if he could go back in time and fix things. but he cannot, all he has is regret and all he can do his atone for his mistake, he was hoping you'd be kind enough to let him see his son, he hasn't been a great partner but he sure as heck wants to have some influence in your son’s life—

after all, it was a part of you and him, back then if he actually heard you were pregnant he'd probably be scared as shit, but he would still fight every odds to raise the kid you made, how could he ever resent a mini you, kuroo knows he has no right to feel wronged but all those years without the little guy or even acknowledgment of his existence makes feel burnt.

his lips shaky and he doesn't know if a explanation would even help at this point, nothing would change and even if kizumi was in wrong– so was he though. his mouth ran before he could know.

he looks up at her. “I know you don’t owe me anything, but there’s something you need to hear" your eyes held anger and he was scared of that, he wanted to scream please forgive me, over and over again in a chant but he knew he didn't deserve your forgiveness.

you crossed your arms, wary but patient. you had no idea how you still held on. but they say but they say old habits die hard, and even after six year you had the same patience for him, you wanted to laugh at yourself “Go on.”

“It was Kizumi,” he begins, voice low but firm. “She… she’s the reason things fell apart. She was jealous of you, of what we had. She deleted your texts that night—the ones you sent me about the announcement. She posted on my social media to make it look like I was with her. And she—”

"You didn't know?" your eyes widened and you had no idea how to feel after hearing that, conflicted feeling filled your lungs and the wall of resolve you have solidified getting cracks of doubt in them, but you remained firm.

“No,” Kuroo says quickly, his voice thick with regret. “I was blind, stupid, and I didn’t see what was happening. I let her control too much. I thought I could trust her. But I swear, if I’d known—” He stops, realizing that no matter what he says, it won’t erase the past.

you stare at him, your face unreadable, but there was turmoil behind your eyes “So, you’re saying it was all her fault?”

“No. No..no.” Kuroo says firmly, shaking his head. “It was my fault too. I let her into my life, I didn’t listen to you, and I didn’t fight for you when it mattered. That’s on me. I just… I need you to know that I didn’t abandon you on purpose.”

you exhale slowly, looking down at you cup, a closure huh? but what does that change ? you know oikawa is much more important to you now, nothing could change that, nothing could make you ever abandon the perfect family you have right now. “I believe you, Tetsuro. But that doesn’t change what happened. You weren’t there when I needed you, and I had to pick up the pieces alone. Oikawa was there. He’s been there for me and for Ruko.”

even if there is a shaky heartbeat you feel around your past lover you know it was not meant to be. there are so many things unsaid and there will be so many things which will be, you are a mom now and you could never be an careless one. and as much as tears were welling up in your eyes for what could have been, you won't risk anything for what it is now.

Kuroo swallows the lump in his throat. “I know. And I’m glad he’s been good to you both. I just… I missed so much, Y/N. I want to know him. I know I don’t deserve it, but I want to try.”

bonus scene

Kuroo sits on a bench, watching from a distance as you and Oikawa playing with your son, Ruko. The boy—his son, biologically—has Oikawa’s mannerisms but your smile. Kuroo’s chest tightens as he watches the little boy stumble, only for Oikawa to sweep him up, spinning him around while you laugh.

They look like a family. They are a family

Kuroo thinks to himself, maybe this could have been you both if he wasn't consumed by the thought that you both would also be horrible parents much like your families.

you notice him then, your gaze meeting his. There’s no anger in your eyes anymore, just a quiet understanding. you approach him cautiously, arms crossed. “You’re here,” you speak, trying to keep your tone neutral.

“I just wanted to see him,” Kuroo admits. “I won’t interfere much. I just… needed to see him.”

You sit beside him, keeping a respectful distance. “He’s happy, you know. Oikawa’s a good father. He loves Ruko like he’s his own.” and that breaks kuroo's heart, as much as he tries to look positively at this. He can't help but feel his heart become empty, can't help but wish to be where oikawa is right now in your life.

Kuroo nods, swallowing the lump in his throat. “I can see that. He’s a lucky kid.” you glance at him, your expression softening. “I know the truth now, about Kizumi. About what happened. I’m… sorry you were caught in that.”

“I’m sorry too,” Kuroo says, his voice breaking. He knows it's not enough but all he can do is regret it over and over again. “For everything. For not being there, for letting you down. I should’ve fought harder for us.” you look away, your gaze fixed on Oikawa and Ruko. “Maybe. But it’s too late now, Tetsuro. We’ve both moved on.” and he feels a bit happy, you used his first name, God he is so pathetic

“I know,” he whispers, his heart breaking all over again. “But I’ll never stop wishing I could go back and do it right.” and before you are able to say anything you notice a small figure approaching you, you feel at ease when you notice it's your son, oikawa stood a bit away, he felt protective over you both but he doesn't want to snatch away the closure you deserve, and he can't snatch away ruko from his biological dad. so he stays silent cause he knows ruko would pick him for sure, he loves the little guy to death after all.

“Ruko, this is… this is Tetsuro,” you say gently, getting up from the bench only to kneel beside your son.

The boy looks up, curious but cautious. “Hi,” he says softly, clutching his toy dinosaur.

Kuroo crouches down, his heart aching as he gets his first close look at his son. Ruko has Y/N’s eyes and his messy black hair. He smiles faintly. “Hey, buddy. That’s a cool dinosaur you’ve got there. What’s his name?”

“Cupcake,” Ruko replies, holding it up proudly.For a moment, Kuroo wants to giggle, pondering why a dinosaur would be named Cupcake, but he holds back, his lips twitching into a soft smile. “Cupcake, huh? That’s a pretty unique name. Why’d you pick it?”

Ruko beams, his small chest puffing up with excitement. “Well—it’s not weird, okay? It’s ’cause I love dinosaurs and I love Mom’s handmade cupcakes, so I mixed two favorite things at once!”

Kuroo freezes for a moment, his breath catching in his throat. Cupcakes. His gaze flickers briefly to you, you who look away, your expression unreadable. He remembers countless nights when he’d come over to your place, exhausted from work or practice, and the smell of your freshly baked cupcakes would make him feel like he was home. They were his favorite—a sweet, simple treat that reminded him of your warmth.

And now, their son shares that same love.“That’s… that’s actually genius,” Kuroo finally says, his voice hoarse with emotion. “Cupcake is the perfect name for a dinosaur. You’ve got great taste.”

Ruko grins proudly, going on to describe Cupcake’s many adventures and how he takes the toy everywhere. Kuroo listens intently, his heart clenching. There’s an ache beneath his chest—a mix of pride, love, and regret. He and Ruko have so much in common, and yet, this is the first time he’s learning it.

The realization stings, and he resents you a bit for that but it also fills him with a bittersweet joy. Ruko is bright, imaginative, and full of life. He’s a part of you and him—a reminder of what you both once had. And kuroo decides he can live with that. That's enough for now isn't it?

Finally ending this series, I get embarrassed whenever I reread it but it was my first series and it has been in my drafts for years. But here I ending, thank you for everyone who waited for this.

Here is the taglist (it's based on people who were waiting for it) : @reikashe @mikaela26sstuff @chita318 @mxrice @freddiemylovelg @glxar @amarinthe @rinsangel @captainchrisstan @gamacha @cheeseriz @pluviophilefangirl @bnha-bakusquad @asaitashi @lordmomourmomoness @missyasmim @macky-attoh @belle643 @on-crows-wings

[ladykailitha]

Paper Hearts Part 4

I finished it!! It will have 8 chapters. I'm excited for you guys to see where this goes! I'm still working on Sweet Home Indiana and will be focusing on that until ITS done. Then we'll be back our regularly schedule WIPs.

We have Eddie's big plan and Steve gets his flirt on.

Part 1 Part 2 Part 3

****

Steve slipped into the kitchen and there in his mother’s neat handwriting was a note telling him that there were leftovers in the fridge and that they would be home again next Friday.

He sighed and opened the fridge. He immediately closed it when he saw what the leftovers were.

Boiled cabbage with chopped bacon and carrots. It wasn’t bad if it was made correctly, but his mother boiled any flavor and nutrients out of the poor vegetables and then tossed in cooked bacon to hide its sins.

He opened the cupboard and pulled out a small can of Campbell’s chicken noodle soup and made that. He was craving the sodium. Eddie’s beef was good to get his body to stop shaking, but he had sweat so much he needed to replenish the salt he’d lost.

Once Steve had eaten and drank another glass of water he went to go get a shower and get ready for bed. It was no use trying to get back to his homework now. He had managed to blow up his whole evening by getting lost.

He had no idea how he got to Forest Hills or even why his feet carried him there in the first place. He could feel the weariness seeping into his bones from running for so long.

He undressed and got under the scorching water, letting the heat carry away his pains. His mind ran through all the things that Munson had done for him. The guy had no reason to be nice to him, but he had been more than gracious.

Then it hit him. Munson had called him Stevie, and without thinking Steve had called him Eds.

Eds.

Where the fuck did that come from? They weren’t friends, they could barely be considered acquaintances. Was his brain reaching out to the guy subconsciously? Is that why he ended up at the trailer park? Everyone knew that’s where Munson lived. Who knew how many times the guy had been called trailer trash, but the older teen seemed to rise above the insult.

Steve shook his head, spraying water everywhere. Just because Munson picked up lost sheep, didn’t mean he’d be willing to taken in an injured wolf. Because that’s what he was, reformed or not, Steve would never be a sheep. He would always be a wolf. A predator.

But at least as a wolf he could protect those kids with everything he had. And he would, even if it killed him.

The water had long since turned cold by the time Steve stepped out of the shower. He completed his after shower routine mostly on autopilot as he kept going over his interactions with both Munson men. He didn’t really have good interactions with dads or in this case uncles. But Munson’s uncle Wayne treated him with kindness and he could see where the older boy got it from.

He dressed into his pajamas and slid under the covers. He rolled over on his back and tucked one arm under his pillow, staring up at the ceiling.

Steve thought back to the apology. One Munson really didn’t have to give but did anyway. He thought about the other jocks that bragged about hurting his hand. He held it up and looked at the fading bruise. It wasn’t as though he was even basketball anymore. Hurting his hand wouldn’t do anything but make it hard to do his homework and all he had to do is show his teachers his hurt hand and he’d get extensions for that. Like he had for his concussion last November.

But then again Tommy H. never had reasons for the people he hurt either. He just liked the power he got seeing the person helpless.

He placed his hand over his heart and let himself drift off the sleep, brown eyes and dark curls haunting his dreams.

****

Eddie had originally bought the red heart for himself like he had told the two juniors. But staring at it now, he had a better plan for it. Because that last wall, that last bastion of defense crumbled to ashes when he realized that despite the fancy car, the big house, and the expensive clothes, Steve Harrington was more like Eddie than he thought possible.

Wayne’s approval of the boy cemented that for him. Because if he could take one look at Steve and decide he was worth saving, then Eddie raring to go full steam ahead for a rescue mission.

Eddie could tell that the hearts were made from simple construction paper, like the kind found just about anywhere. He knew it would be technically cheating to just simply make more instead of buying them, but he had no intention of contributing to a dance he was never going to go to because one, it wasn’t his year; two, the whole gay thing; and three, the one person he would want to go with if the gay thing wouldn’t get him hate crimed, wouldn’t give him the time of day.

Well, all right, that might have changed with the whole rescuing him from wandering alone in the dark thing.

He forgave Eddie about being a dumbass, so maybe there was hope for, at the very least, a vast decrease in hostility. And he was willing to take what he could get.

He decided to wait until tomorrow after school to get the construction paper and hope that the high school hadn’t bought up the town’s supply.

On his way out the next morning, Wayne stopped him.

“You don’t have to tell me, son,” he said gently, “but you got feelings for that boy?”

Eddie froze and turned slowly to face his uncle. “What gave you that idea?”

Wayne chuckled and shook his head fondly. “Boy, when you’d go on rants about the Harrington boy, you’d describe his floppy hair, his hazel eyes and how unfairly good looking the kid was. I didn’t say anything because it did sound like he’d been a bit of an ass. Only after last night I got to thinking and was wondering is all.”

Eddie closed his eyes and opened them slowly. He let out a long shuddering breath, his bottom lip quivering.

“I–I don’t...” he closed his eyes again. This wasn’t Al. He wasn’t going to get beat for admitting it, but still it was so hard to say. So he just nodded.

Wayne came up and wrapped his arms around his nephew. “It’s a hell of a lot tougher batting for the other team, but I trust your judgment. Just promise me that if he shows signs of liking you back, you take the chance to tell him how you feel because...”

“You miss one hundred percent of the chances you don’t take,” they said together.

Eddie dropped his bag to the floor and hugged him back. “I know, old man. But I promise if there is a chance, I’ll be brave enough to take it.”

“Get going,” Wayne said, voicing cracking with emotion.

He pulled back and nodded. He reshouldered his backpack and got in his van.

He had a lot to think about and that really wasn’t conducive to paying attention in class or to his friends as they talked about their upcoming D&D session.

Gareth kicked his shin causing him to yelp.

“What the fuck, dude?” Eddie hissed.

“What the fuck is up with you?” Gareth hissed back. “You’ve been going on and on about the mind flayer for weeks and now that it’s literally this weekend, and you’re off in some other realm.”

Eddie blinked at him for a moment before his brain came back on. He shook his head to clear it.

“Yeah, sorry, man,” he said around a pretzel. “Weird night last night.”

“What happened?” Jeff asked, tilting his head to the side.

So Eddie told them. “He was like a ghost, guys. If Wayne hadn’t seen him too, I would have thought I was hitting Mary Jane a little too hard, you know?”

“I didn’t realize he was getting bullied,” Brian said, frowning. “I would have thought with Hargrove giving the dude a wide berth, that everyone else would have too.”

“Untouchable,” Jeff agreed. “The fact that jocks are now splintering into factions tells you what kind of control Steve actually had on them.”

Eddie rubbed his chin. “I don’t know how true this is, but if Harrington wasn’t lying, he’s a real sweetheart, too.”

Then he leaned forward and explained about the pink heart scheme.

“So,” Gareth said, steepling his fingers and resting his chin on them, “you’re telling us is that we have been seriously remiss in our duties in collecting lost sheep.”

The older teen sighed and shook his head. “I’d like to collect him, but I’m afraid the wolves might decide to rip him apart before we got him to safety if we tried.”

Jeff winced. He knew what Eddie was talking about. Steve Harrington wasn’t the usual lost sheep. He might be bullied now, but as King, Harrington had run far too long with the wolves to think that they could protect him one hundred percent of the time.

“So what are we going to do?” Brian asked. “Because if we let this slide, we’re throwing our lot in with the bullies and that’s something I refuse to do.”

A grin spread out over Eddie’s face, closed lips and dimples entrenched into his cheeks. “We’re going to make the school think that he’s just as popular as he ever was.”

The other three boys looked at each other in confusion.

“So what have you got?” Gareth asked, his own grin starting to take over his face.

****

Eddie made sure to get to class early so he could see where Steve was going to sit. He tried to tell himself it was about the dude’s hand, but it wasn’t working. He wanted to see if the former Hawkins royalty would chose to sit with his old friends or by him again.

He didn’t have long to wait. Steve walked in not long after he did, just as the bell rang. He didn’t even look at his old desk near the front and beelined it for the chair he had sat in on Friday.

The teacher picked up on the change immediately and wrinkled her nose. “I am to suppose that you are taking up permanent residence in the back with Mr. Munson, Mr. Harrington?”

Steve half shrugged as he began to pull out his things for class. “I got more work done, Mrs. Dixon and I really want to graduate on time.”

Mrs. Dixon nodded. “Agreed and as long as you continue the level of attention from last week, you are permitted to stay there.”

About half way through class while Mrs. Dixon was grading papers, Tommy H. turned around and kicked Steve’s chair. “Suck up,” he hissed.

Steve puckered his lips and wagged his eyebrows. “Why? Do you want to be next?”

Tommy turned back around, his face bright red.

Eddie raised an eyebrow and cocked his head to the side as he considered everything about that interaction.

A little blossom of hope sprouted in his chest and he fought to keep it down. Steve had insinuated that other people were gay for years, but to Eddie’s highly trained gay ears, that sounded like Steve was offering to suck Tommy H.’s dick and that Tommy didn’t exactly turn him down.

Curiouser and curiouser, he thought tapping his lips thoughtfully. More research would have to be done.

He pulled out a different notebook, the one he used for campaign notes and song lyrics.

He wrote girls over one column and boys over the other and began tallying what he knew about the former King of Hawkins.

A shit ton went into the Steve liking girls column, but there was surprisingly more in the liking boys column then he would have thought possible. He looked up to catch Steve smirking at him.

Eddie quickly covered his notebook and stuck his tongue out at Steve.

The other boy shook his head and went back to doing the assignment. Eddie was more careful about what he left out in the open because he didn’t want Steve teased for it nor did he want him to see that Eddie was trying to figure him out.

The bell rang and the notebook was suddenly whisked off his desk.

“Hey!” Eddie cried, looking up to see Steve dancing away with the notebook teasingly. “Stevie!” He grabbed his bag and chased after the other boy. But the other boy was a jock and Eddie was wheezing for breath by the time he caught up with him at his locker.

“Give that back,” he huffed.

Steve gave him a bright smile and handed it back. “I just made a minor addition.”

Eddie frowned as he flipped through the pages but didn’t see anything. Steve took it back and turned to the correct page and leaned close so that only Eddie could hear.

“I trust you’ll keep my secret,” he whispered and then dropped to one knee to start getting into his locker.

Eddie gulped at the sight and turned to the paper to avoid saying something stupid. There in bold capital letters under his girls/guys columns was the word BOTH.

He looked up at Steve who had stood up. Steve winked at him and then walked away, leaving a shocked Eddie behind.

****

Part 5 Part 6 Part 7 Part 8

Tag List:

@mira-jadeamethyst @rozzieroos @itsall-taken @redfreckledwolf @emly03

@spectrum-spectre @slv-333 @zerokrox-blog @gregre369 ​@a-little-unsteddie

@chaosgremlinmunson @messrs-weasley @chaoticlovingdreamer @maya-custodios-dionach @danili666

@goodolefashionedloverboi @val-from-lawrence @i-must-potato @carlyv @wonderland-girl143-blog

@vecnuthy @irregular-child @bookbinderbitch @bookworm0690 @anne-bennett-cosplayer

@yikes-a-bee @awkwardgravity1 @littlewildflowerkitten @genderless-spoon @cinnamon-mushroomabomination

@dragonmama76 @scheodingers-muppet @ellietheasexylibrarian @thedragonsaunt @useless-nb-bisexual

@fullpoetrybread @disrespectedgoatman @counting-dollars-counting-stars @tinyplanet95 @moonshadows-13

@swimmingbirdrunningrock @croatoan-like-its-hot @lolawonsstuff @lololol-1234 @dotdot-wierdlife

@ravenfrog @dauntlessdiva @thelittleclare @steddieyourself @dam28lh

[cutiebinni]

172 with myunggi?

˗ˏˋ ★ ˎˊ˗ // i wait for you - exes to lovers with myung-gi

warning !! : angsty, set in incheon south korea, myunggi is a bad bf, cussing, think thats all !

a/n : i love this trope so bad. yes, the title is derived from that one alex g song! (this is SO bad im sobbing guys)

── ⟢ ・⸝⸝

you’d send text after text, but you’d never get one back.

it frustrated you, really.

you didn’t understand why he couldn’t just text you back, give you at least some closure.

you’d been texting him for 7 fucking months. would he ever get back to you? if he did, what would he even say?

what do you even say in that position? how could he ever possibly explain himself?

fine.

you give up.

⋆⁺₊⋆ ━━━━⊱༒︎ • ༒︎⊰━━━━ ⋆⁺₊⋆

1 month later

the phone ringing woke you up in the middle of the night. you looked up at your ceiling to where the time projected.

3:27 am.

who the fuck would be calling you this late? you grab your phone and look at the number.

INCOMING CALL FROM 032-XXXX-XXXX

a number you didnt know was calling you at 3 in the morning? that’s odd..

it had to be pretty important if they couldn’t wait til morning, so you answered. you tapped answer and pressed the phone up to your ear. “hello?” you mumbled.

“h-hello? is this- y/n, oh my god, is that r-really you?” the voice, which you presumed to be a guy, rambled on.

was he.. crying?

“who is this?” you questioned, “how do you know my name?”

“do you really not recognize my voice? y/n-ah, its myung-gi..”

you froze.

myung-gi’s calling you? after all this time?

“what do you want?” you spat coldly.

“listen, baby, i’m sorry—“

“no, i don’t wanna hear your ‘im sorry’ bullshit. what do you want?”

“can you let me finish?” he said frustrated. “im sorry. i know what i did was wrong. do you think we could meet up..? i wanna..-“ he sniffled before continuing,

“i need to explain everything. i know you pr-probably hate me, but please, y/n..”

you hesitated, part of you wanting to decline and hang up, but you were curious. “fine,” you started, “where do you want to meet?”

“really? u-uh.. remember the park we used to go to? what about there? 8pm?”

you sighed, “i guess i’ll be there.”

⋆⁺₊⋆ ━━━━⊱༒︎ • ༒︎⊰━━━━ ⋆⁺₊⋆

it was five degrees out, about 4 inches of snow covered the ground. your feet sunk into the ground with every step you took.

you had put on a puffy black jacket, a scarf and some warm earmuffs.

you saw a bench that was covered in snow and walked over to it. you drew a little heart in the snow with your gloved hand before wiping all the snow off and sitting down.

5 minutes later, you still sat there on the wooden park bench, freezing your ass off.

and then you saw him.

“y/n..” he mumbled. bags under his eyes, heavier than ever. nose red from the cold.. or was it from crying? you stood up and he walked over to you.

“hi myeong.” you muttered back in a slightly cold tone. he ran up to hug you, and you gently pushed him off. “what did you want to see me for?”

“i just wanted to see you. hear your voice in person, you look so pretty, prettier than ever.. my y/n-“

“don’t call me that. im not yours anymore.”

he took a step back, your words feeling like ice cold water to the face, like a reality check. “right.. i uh.. sorry.”

“do you really think you can just walk back into my life like this? like nothing ever happened?”

“i- well, i..” he said before shaking his head, clearing his throat and continuing,

“i had to do what i did. you know how many people are after me. i didn’t wanna risk your life. y/n, i’m 1.8 billion won in debt. other people are in the same amount of debt because of me. im wanted by the police. me being with you risks your life.”

“you could have at least told me something.. i was worried sick. i thought you died.”

"i know," he said, his voice breaking. "i was scared. scared of being vulnerable, of dragging you into my mess. but i realize now that pushing you away was the worst thing i could have done.”

you sighed. "i don't know if I can just forgive you like that. you hurt me.”

"i understand," he said, tears in his eyes, "but i’m here now, and i want to make things right. if you'll let me."

you looked at him, seeing the sincerity in his eyes. “it’s gonna take time. you’ll have to be patient.”

he grabbed your hand, frantically nodding, “i’ll wait, y/n. i’ll do whatever i can.”

⋆⁺₊⋆ ━━━━⊱༒︎ • ༒︎⊰━━━━ ⋆⁺₊⋆

months passed, and true to his word, he was patient. he showed up, he listened, and he worked to rebuild the trust.

slowly, the walls you had built around your heart began to crumble.

one evening, as the sun set, you found yourselves back at the park, sitting together on that same bench.

he turned to you, his eyes full of love and hope. "i’ve missed you so much. more than you'll ever know."

you smiled, feeling the warmth of his words. "i’ve missed you too."

he leaned in, hesitating for a moment before you closed the distance, your lips meeting in a kiss that felt like coming home.

in that moment, all the hurt and pain melted away, replaced by a love that was stronger than ever.

⊹˚₊─────────────────‧₊˚⊹

tags : @ventforu @zuminxtdoor @enhacracy

[pasta-in-the-pudding]

ERM LIKE IMAGINE JEFF TOBY AND SLENDERMAN WITH A ZOMBIE S/O THAT'S LIKE CLINGY N STUFF AND IS A LITTLE DIMWITTED BC THEY'RE BRAIN IS LIKE GONE N STUFF BUT THEIR RLLY SWEET (platonic or romantic u can pick)

- 🧟

Summary: Jeff, Toby and Slenderman with an S/o who is a zombie. Zombie shenanigans ensue

Genre: Silly fluff

Warnings: Mentions of body parts popping off, body decaying while still being alive(ish), zombies

Credits: Jeff the killer- Creepypasta, Ticci Toby- Creepypasta, Slenderman- Creepypasta, Lacy heart divider- kodaswrld on tumblr, Lighter divider- sister-lucifer on tumblr

A/n: ok, let me first say how much i LOVE this concept!! It's so freaking epicsauce ourghhh.....also as for the relationship i did blurred lines?? Like zombie reader just is silly, creeps dont know what they're up to

Thank you so much for requesting!

Jeff The Killer

You're his favorite person in the manor (besides Ben)

Because everyone else is either stupid or weird, and that pisses him off

But you're only stupid and weird bc most of your brain is rotted out

And that's badass

You also don't talk much, so that's a big plus

You just kinda....cling

Instead of just saying "Hi Jeff!" or maybe a "omg my most favorite person in the world who is so beautiful and could rival that of jesus himself" you just kinda squeal in excitement and cling to his arm

You drool a lot, and have a bit of a biting issue

So when you cling to him he almost always also gets a mixture of slobber and blood from your previous meal on his hoodie

He's gotten used to this, so he just continues whatever he was doing while you follow him around, still clung to his arm and bent at a 90 degree angle, giggling and biting him every now and again

I think the only quirk of yours he doesn't like is when you lick him

Because it's always a big ass stripe right up his face

Have you ever smelt rotting flesh mixed with bad breath? No? He has.

You have a good reason for doing it though!

With how often his smile re-opens, you only notice the faint smell of blood

And with your seemingly never ending hunger, and way of thriving solely on instinct, you just kinda....slurp

He does NOT like that

The only creature allowed to lick him is Smile Dog, and that's because that's his son

He takes your arms away as punishment

No arms for 30 minutes >:(

Much to your dismay, because now you cant cling to him

So you make do with gnawing at him instead

Slenderman

You like to follow him around, even when he has to work

Which if you were anyone else he might be a bit annoyed

But you are harmless, and honestly what's the worst you could do?

So he allows you to stay, because it keeps you from doing something silly like losing one of your limbs in the maze like hallways of the manor

Which has happened before

it took 4 hours to find

You like to gnaw on him as well, and it is actually your main form of communication with him since he's so tall and you can't really cling to him good

You don't get bored either, i think your brain is a little bit too rotted to become bored

So a lot of times you will just wrap around his leg and gnaw at him, humming and grunting happily while he works

Every now and then he will give you a paper he doesn't need for you to chew on instead of his expensive suit

It keeps you busy for a few minutes, but nothing is better than really expensive suits

It is very quickly into your office hang outs that he begins taking your limbs from you also

Because sometimes you like to go wander

Which is fine, but those are the only limbs they have for you

So i hope you can roll around

He'd also probably be the best non-doctor creep to put your limbs back on

He has no understanding of human anatomy, but he knows that if he gets a pop its a good sign

So even though you cant understand what im saying rn bc your brain is rotted DONT LET JEFF DO IT HE WILL SNAP YOUR ARM IN HALF

Ticci Toby

Ok so we all know this guy is a nervous wreck

Well imagine that x10 around you

His main chore when he's not working is chopping firewood for the manor

Often times, doing that takes up all day so as long as you just sit there and be good, he won't have as much nerves

But we all know that the second you see a butterfly or smth, you're off chasing after it into the woods

Cut to him tying you to the nearest tree so you cant get up and run again

Which works until your arm pops off

He doesn't even notice it at first, as he was too busy chopping the wood

But the second he does notice, he screams like a little girl

"When did that happen??!?!?" he'll say worriedly as he picks it up

He knows you are a zombie, but what he doesn't know is that your limbs are able to be put back on

Cue him freaking out bc he thought he broke you or something

So he takes you to E.J, tripping over his words as he tries to explain that he has no clue what happened and how sorry he is

And E.J just....pops it right back on

"Oh." Toby mutters

The next day he decides that chopping wood is too dangerous for you, even if you aren't the one doing the chopping

So he puts all of his hoodies on you as a make-shift bubble wrap

As well as a bunch of layers of pants

And then he ties you to the tree

Which works fine!

Until you start eating dirt

"No- Hey! Don't eat that!!"

You are just happy he is showing you some attention instead of just letting you sit there all day

[genericpuff]

Are there any things you like about LO? Or is it all shit to you. Personally, I think it could be a great storyline with the right execution, but a lot of the stuff and plot is unnecessary (I.e. Hades being thousands of years older than Kore and making characters fall in love with people they are racist/classist towards 😨😨)

Oh there are LOADS of things that I liked and still enjoy about LO despite all the shit I've thrown at it. I love love LOVE a lot of the older art-

Like, damn, that shit is so charming! I swear I had that Tower 4 panel as my phone background for like, 2 years LOL

Rachel had a really strong understanding of shape language, composition, color theory, and expressive linework in a way that was really appealing and unique at the time, but along the way it was just lost, undoubtedly due to her taking more of a backseat in the character art process and leaving it to her assistants.

That said, there's a lot of... not so charming, too.

I think, on the one hand, there's a lot to appreciate in the old art that shouldn't be rejected as we criticize this series. At the end of the day, as much as we riff on it, many of us did love this series at one point in time, so we shouldn't cringe at what it used to make us feel or pretend like we were ever above it when we were very much lost in it for ages before it went down the tubes.

But there is a lot to be said about the effects of rose-colored glasses, and how LO was never perfect. The reality is that much of Rachel's work is exemplified by the odd beautiful thing that sticks in our memories, but when we actually go back to relive those memories, we find they're all strung together by some not so beautiful stuff that makes us go 'wait what???'

Case in point, with LO we remember beautiful compositions like this:

But then within those same episodes we get:

And it's like oh. Yikes.

Aside from the art, there was also the SA plot as well as the Act of Wrath. The SA plot felt really special to me at the time because I was someone who was once in Persephone's shoes, being pressured into sex that I wasn't ready for but wasn't capable of saying no to. I can appreciate what Rachel was trying to do with that plot, but over time it became clear that she wasn't committed to seeing that plotline through and so I kind of just dropped my expectations for it entirely.

That said, it wasn't the SA plotline that set me off. I had good faith in that one still that it would be addressed eventually. It was the Act of Wrath plotline that did me in. The premise of it was totally my cup of tea in the way of "quirky character has a dark evil backstory!" which is shit that I absolutely LOVE, but then when the "twist" happened that Eris was the one to give her wrath, that was literally when I had my almost "canon event" moment of realizing "wait... I don't think Rachel knows what she's doing." And then it was just all downhill from there. The S2 finale sealed my fate LOL

All that said, as much as my brain is often defaulting to "ew! gross! bad!!!" in all honesty I do still appreciate what LO meant to be back when I still enjoyed it. It meant enough to me that I just couldn't let it the fuck go when it started to go downhill, so much so that I started making my own version of it! And that's something that sets it apart so much more from other comics I really don't like anymore (or comics I never liked to begin with) like Down to Earth, The Kiss Bet, Let's Play, etc. where I really can't even be bothered to think about them let alone talk about them to the extent I do about LO. I may be full of beans when it comes to LO, but I'd still rather be talking about it and all its failings and what it used to mean to me than about any of those other works. I loved it enough to still want it in my life and that's what Rekindled has accomplished for me.

[randomfoggytiger]

The Field Where I Died: The Tragic Flaws of Glen Morgan and James Wong

My thoughts on The Field Where I Died are divided into neat little categories for this episode: frustration for what we were given, acceptance of its existence, anger at Glen Morgan and James Wong's behind-the-scenes revelations, acknowledgment of their feelings, determination that the end product's truth was different than what was originally conceptualized, and genuine understanding of others' love for its creativity and vision.

But those thoughts are inseparable from a broader perspective of Morgan and Wong's work on Season 4.

I'm going to be pulling a lot of information from an interview here; but to save time (and sanity), I'll emphasize the quotes in italics instead of continually citing my source.

"I CAN DO BETTER" VISIONARIES

(Credit to: @sleepyscully.)

It's no secret that Morgan and Wong always wrote-- shall we say-- angsty episodes that drove a wedge in Mulder and Scully's relationship. Sometimes that was executed brilliantly-- Squeeze, Beyond the Sea, Home, Never Again-- and sometimes that was executed... badly. Their bent is the nature of conflict, and its potential resolution; or ideals and tarnished realities; or things we thought we knew and understood but never really did. And those are powerful tools... if, like all tools, they're wielded effectively.

They're the difference between the ridiculous conceit of Musings of a CSM-- an episode that set everyone against each other (we'll get to that)-- and Beyond the Sea-- and episode that wowed Carter (convincing him to keep Gillian on the show), fans, and critics alike.

I've already tackled how The Field Where I Died could work here (how Scully broke the cycle) and here (Scully, snakes, and reincarnation.) I have no qualms with the idea that Mulder and Scully themselves aren't romantic soulmates in every lifetime: that was never the magic of their relationship, to me. And I do love the concept that Melissa serves as a contrast for Mulder: as Morgan says,

 One reason why I wrote Melissa that way was my notion that if you’re Mulder and you found your soulmate, the love of all your loves, within the body of this unappealing person, what would you do? I don’t know if we totally explored that. I don’t know if Duchovny would agree with me – he knows more about Mulder – but I think Melissa is the type of women that Mulder would be attracted to. Someone like Bambi in ‘The War of the Coprophages’ is good for a joke, but I don’t really see Mulder going after her. There’s something sad about Melissa. There was a secret within her that was important for him to get at. That mirrors his life, and his own search for his sister. He is a character whose whole drive is to help everybody, but he’s so unsuccessful at that, and with helping himself. All he wants is to find one person that he can rescue – but he’s not too good at it.

No matter how despairing Mulder is, Morgan said, he would not be tempted, like Melissa, to end his life. “I looked at Melissa as if she decided reincarnation might be true, and that if she had chosen this life, at that point she realized, ‘This is a bad idea. This is a miserable life and I’m not getting much out of it. I’m just going back to heaven and I’ll wait for you.’ She wanted out. But Mulder, as much as he’d love to go to the other side to see what’s there, is a life-affirming character. He’s going to keep on looking. He’s not going to quit. Mulder has questions for this life.”

That rings true to me.

What I do have qualms with is that Mulder and Scully's incredible, undeniable, written-into-canon-at-this-point connection (that was established in the Pilot, purposefully, by Chris Carter himself, post here) is boiled down to a destined, warped tri-connection that is part of and secondary to his (chemistry-less) connection with a woman that doomed him in every lifetime. A woman who is an unreliable narrator, and who could easily be swaying Mulder into believing her story because of her own form of mental instability and fragility. It could be a beautiful love story, and it's undeniably beautifully shot (and mostly beautifully written), but it's not Mulder's-- it's Morgan's:

For Morgan, an episode about reincarnation and eternal soulmates was not just a good story for Mulder, but a personal expression of the thoughts and emotions he had experienced during the past year, when his relationship with Cloke grew from friendship into romance (they are now engaged), “I had gone through a failed marriage in which I had really believed,” Morgan revealed. “I had always wanted to believe there is somebody out there for you, and I had been in a situation where that didn’t come true. And I thought, ‘It’s a lie. That person you think is out there for you is a lie.’ But then I met Kristen and I was rejuvenated by that. I really thought. that you can be reborn in this life, not just life after death. I regained faith that there is one person for you, one person who, by being in your life, can motivate you to change the crappy things you were doing before. In this case, it was Kristen. I knew she did a lot of characters and voices, so I wanted to incorporate that.. I wanted to write something for her that challenged her. Also, I wanted to write something for David Duchovny that challenged him.”

("Challenged", indeed.)

And that... that rubs me the wrong way.

NOT EVERYTHING IS ABOUT YOU

I'm not here for Glen's romance, I'm sorry. I'm here to be persuaded that Mulder might have a soulmate, that Scully might be a soulmate, that all three could be bound in this doomed pattern for lifetimes; and if that cycle was broken with Melissa Ephesian's death. (More importantly: does Mulder and/or Scully believe it's broken?) What we were given instead was a memoir to love in general that shoehorned itself into the show without regard for canon.

I'm not angry with TFWID as much as I am other episodes (most of Existence and canon onward, for example) because Mulder and Scully's characterization never strays-- Field may have been carelessly wedged in, but it was skillful with its emotional exploration. Further, the events and facts presented so summarily contradict each other that there's no real "threat" propped up by its existence. And, while I can't excuse the cringe-inducing acting from Morgan's wife, I can explain why DD's turned out so "badly" (read: jarringly):

Bowman’s director’s cut ran so long that Morgan and Wong were forced to trim twenty minutes out of the episode.... Morgan felt that the emotional impact of Mulder’s hypnosis session might have been marred by the cutting, since it interfered with the flow of Duchovny’s acting throughout the entire scene. “I called David and I said, ‘I’m cutting it this way.’ I could hear that he was upset. I know what actors go through to prepare, and then to have to sit in a chair for a couple of hours in front of a bunch of grips and gaffers and people that they hang out with everyday, and cry – it’s just like taking off your clothes. And then to find it’s been cut out. I had to come home and tell Kristen, ‘Look, this part is coming out.’ She was upset and David was upset. Jim was off prepping ‘Musings of Cigarette Smoking Man’ or doing something and I was just very alone.’

(For context, the hypnosis scene was originally twelve minutes long.)

While I might be tempted to sympathize with Morgan, he didn't extend that sympathy equally to his wife or Duchovny, instead turning this combined loss into a one-sided self-pity party.

MULDER THE SACRIFICE, SCULLY THE SAVIOR

I also have a theory that Carter was writing Scully as a savior and Mulder as a sacrificial lamb for the mainline series (until he made William a magic baby and ruined eight years of build-up), post here.

There's a reason that The X-Files is told through Scully's perspective; and that Mulder is often compared to Ahab chasing the White Whale, to a man on a fated quest, to a boy who lost his sister and can't live freely until he has that closure. There's a reason that Scully is Mulder's "one-in-five billion", his salvation ("But you saved me!"), his constant, his touchstone-- and his "human credential", as David Duchovny put it. There's a reason that Carter banked an entire series off of a chemistry and bond he wrote into the graveyard scene, and maintains that that is when Mulder and Scully fell in love (though to what degree is up for fanon interpretation.) There's a reason that the CSM was wrong to picture Mulder as a Christ-like figure, and Scully was right to walk into Mulder's subconscious and rescue him with the truth ("Get up and fight.") There's a reason that Mulder's rescue in Deep Throat underscores his and Scully's partnership from then on out: he in danger-- be it from Jersey Devils, moth men, fated love triangles, Houston bombs, brain surgery, alien abduction-- and she his rescuer (discussed a little here.)

Why is this important? Because The Field Where I Died's concept is not without canonical merit: Mulder running headlong into danger, Scully holding him back long enough to prevent the cycle from repeating. And it ties into the mytharc's ad nauseam question of Fate v. Freewill (posts here and here.) TFWID could even work if you factor in the theory of Scully's immortality (post here.)

But the reality is, Morgan and Wong were not going for canonical adherence.

THE WONDER OF THE SUPERNATURAL, THE FAILURE OF THE HUMAN CONNECTION

Episodic timeline goofs and gaffes aside, the problems in The Field Where I Died lie deeper than which woman Mulder loves and which one he perpetually makes friendship bracelets with. The greatest problem arrives, settles, and stains with the introduction of soulmates: the recontextualization of the infamous MSR dynamic.

Morgan was focusing again on Mulder and Scully as humans; but he fumbled, amplifying then explaining away their "unspoken" as a supernatural connection rather than the meeting of uncannily similar minds:

Apart from personal considerations, Morgan and Wong wanted to reorient the show’s attitude towards the paranormal, which they felt in the third session had been expressed far too often as something evil or wrong. “The paranormal isn’t about death or evil,” Morgan said. “It’s about wonder.” In line with this approach, he and Wong wanted to avoid writing a conventional villain; instead, the principal conflicts take place between Mulder and Scully or are internal, with both Mulder and Melissa haunted by their pasts, in this life, and perhaps previous lives. 

Morgan and Wong wanted to zero in on two humans, and all their complications as such, brushing up against the unfathomable, neutral force beyond their comprehension... but then ruined that message, that build-up, by justifying the personal, human aspect-- their connection-- by making it inhuman, unnatural, and supernatural, too. All the while, of course, telling us (and believing themselves) that fans were upset because they introduced another romance for Mulder.

(As a side note: why do I excuse-- for lack of a better word-- David Duchovny's similar sentiments towards TFWID and its reception? Firstly, he, and others, genuinely loves it; and I'm happy for him. To David, it seems, love is more powerful when it is guaranteed for a lifetime and beyond-- the insecurity of someone falling out of love, platonically or romantically, is more powerful than a finite and fickle love that can be lost or tarnished. That being his interpretation-- and Morgan's intention-- I can see why he'd love TFWID. It's a powerful sentiment. More importantly, the man doesn't hold it against fans-- he thinks they misinterpreted its intent-- like Morgan thought they did-- understands why it would disgruntle, but maintains that he loves it, regardless. I can respect that position, even if we disagree; because the heart likes what it likes. I, for one, have my own likes that others might hate.)

LAZILY WRITTEN

The greatest mistake of all-- one Morgan humbly recognizes-- is the faults in the writing. Well... more accurately, that he and Wong failed to keep a complete vision that would (most definitely, guys) translate better to audiences. His ideas, I concede, were intriguing; but like all mediums, the final product is what audiences are left to judge and believe in. For TFWID, it was mixed up before the scenes were filmed, and hacked apart after the footage was wrapped-- so much so, that Morgan kept realizing the magnitude of his mistakes after the fact:

Under hypnosis, Mulder describes a scene of death and destruction from the Warsaw ghetto; in this past life, he is a Jewish woman, Scully is his father, Samantha is his son, and the Cigarette Smoking Man is a Gestapo officer. 

Next he [Mulder] becomes Sullivan Biddle, already dead in battle, Scully is his sergeant, and Melissa is there, as Sarah. He has no information on the bunkers, all he sees is death. Morgan wrote these scenes to express the overwhelming sense of loss that Mulder has felt his entire life. The scene was shot in extreme close-up, inspired, Morgan said, by his love of Ingmar Bergman’s films. “To spend three quarters of an act, six or seven minutes, in close-up, on television, is wonderful,” he said. “On TV, we’re always cutting back and forth. We’re always blowing stuff up. Jim and I participate in that. Act Four of ‘Home’ couldn’t be more different than act three of ‘The Field Where I Died.’ I’m proud of that. ”

(And you might have blown it, Glen.)

Morgan’s enthusiasm for the scene was not matched by a good number of the show’s fans, who felt the scene was overwrought, both in the writing, and in Duchovny’s performance. “I think both Kristen and David did a great job,” Morgan said. “David just can’t win. If he walks around going, ‘Scully, I’m going here. Oh. Extreme possibilities,’ everyone says, ‘...that guy just mumbles his way through.’ If he emotes, people don’t want to see that. People can say his acting was bad. I don’t think that it was, but some felt it was obviously ‘acting.’ It’s in a close-up, it’s a long monologue, so it points to acting. 

(An unnecessarily long scene that, unfortunately, had to be chopped; and was chopped so badly that, consequently, it lost its nuance and made Duchovny look like a fool by proxy.)

Bowman’s director’s cut ran so long that Morgan and Wong were forced to trim twenty minutes out of the episode, including eliminating one of Melissa’s personalities, a crude loudmouth named Jobee, as well information that supported Scully’s viewpoint, and large sections from Melissa’s and Mulder’s hypnosis sessions

 “If we’d focused on Scully’s viewpoint more, we could have thrown up the idea that maybe Mulder’s wrong, maybe this is just wishful thinking,” Morgan added. “I know this sounds really bad, but to me the hypnosis scene is more important than a teaser. I was desperate to cut out time, and in favoring emotional content over plot content, I might have blown it.”

[Morgan]: "... I read a post online asking why Scully was always a man in the past, and I hadn’t thought about that. I wish I had altered that; it was a mistake.”

And it wasn't just TFWID that was littered with inconsistencies in service to Morgan and Wong's vision.

TFWID, "MUSINGS", AND THE BLAME GAME

When Morgan and Wong returned from their other writing projects, they had to decide whether to leave the studio-- angry at its interference-- or take a deal and partly work for The X-Files and Millennium. Obviously they chose the latter, and rejoined after a hiatus of one or two years. In that time, the X-Files had become a hit. But M and W had changes, and plans to execute those changes, in mind: they both thought that the show had strayed from its original vision-- again, the "wonder" of the paranormal and supernatural-- and would be set to (better) rights with their input and direction.

Not all of their work was flawed-- Home and Never Again were tightly written-- and not all of their ideas were self-involved. For example: when joining the show, they and the other writers were told this season's purpose was to drive a wedge between Mulder and Scully, and framed Never Again around that idea:

“My understanding at the beginning of the year was that we were going to drive to a point where Mulder and Scully didn’t trust each other,” Morgan said. His own scenario for plotting out the season was somewhat different from what Carter and the other writers came up with this year, but the fundamental issue was the same: trust. “I would have slowly split Mulder and Scully up over the course of the season, then in the last episode have Scully put Mulder away for his own good, which he would perceive as the ultimate betrayal,” Morgan said. “And then the next season, they would have had an entire year’s healing to go through.”

That's not an entirely unreasonable direction to take, either.

The other writers had other plans. For good or ill, it was Chris's show; and Chris wanted to steer it in a certain direction. Those who joined and added their thoughts cohesively helped construct the mainline arcs that bloomed into Season 4's cancer revelation and Season 5's lack of faith, as well as building up Fight the Future concurrently. M and W, however, felt bruised when their visions were either tweaked or countermanded; and left the experience disgruntled. For good or ill, Chris Carter, Glen Morgan, and James Wong all had good and bad ideas; but only one of them had created the show-- something which the latter two couldn't, at times, accept.

Case and point: I detour to Musings of a Cigarette Smoking Man because that episode-- from its conception to its creation to its execution-- explains clearly what led Morgan and Wong astray.

Home was successful, The Field Where I Died much less so. For both episodes, Chris Carter seemed content to let Morgan and Wong do whatever they wanted. However, a shift occurred when fans fell out of sync with M and W's vision (TFWID); and that shift manifested when Glen and James immediately wanted to jump into a CSM backstory, the mytharc domain of CC. Both writers felt the big bad of The X-Files had become gutless; and they wanted to inject some terror into him by killing off Frohike in the end. Per their original vision, the narrative element was excluded and CSM would reclaim his villainy via a Forrest Gump monologue then follow through by gunning down an innocent man. Chris Carter, meanwhile, did not want Frohike killed and did not think that CSM would care to waste time murdering a relative nobody to his life and work. William B. Davis, CSM's actor, was also insistent this version of CSM was not his character; and was so dissatisfied with it that he called up CC himself. Carter tried to appease all sides with a compromise: letting M and W write what they wanted (within limits) and reassuring himself and WBD that this episode wasn't canon:

Davis promptly called Carter to ask if this was the real history of the Cigarette Smoking Man (Carter told him no).

...“The Cigarette Smoking Man’s flashbacks were my idea, because I indeed wanted the episode to be a memoir,” Morgan said. But the idea that Frohike could be the real narrator was a Carter-imposed addition to the script, to make it seem as if the events of the episode were not real. Carter even changed the name of the script, from “Memoirs of a Cigarette Smoking Man” to “Musings of a Cigarette Smoking Man.”

[Wong]: ...“The line where Deep Throat says, ‘Maybe I’m not the liar’ was another change imposed on the script so you could make the leap that perhaps this is all. a dream, or the ramblings of Frohike.”

If that weren't potentially explosive enough, Morgan and Wong went behind Chris's back, consulting others on set to create their vision, anyway. When CC turned down Glen's dogged request, twice, to film an alternate ending, Wong took matters into his own, unauthorized hands:

Morgan and Wong felt so strongly about this issue, that they decided to try an end run around Ten Thirteen. They figured that if they filmed the scene their way, and cut it into the episode, it would be so powerful that Carter would have to agree with them. Morgan called Wong up in Vancouver and told him to take a few crew members while everyone else was at lunch, and get some shots of blood spattering on the sign to the Lone Gunman offices. Wong decided against the stealth approach; instead, he filmed William B. Davis pulling back on the trigger, and Tom Braidwood, as Frohike, getting a bullet in the head. Morgan nearly panicked when he heard what his partner had done; he was certain word of it would reach Ten Thirteen down in Los Angeles. His fears were justified.

Carter, meanwhile, allegedly proved how cleverly his fingers always remained on the pulse of the show:

Wong recalled: “I was in the editing room, and I said to the editor, why don’t we print up the B negative? We’ll cut it in and show Chris. [The “B” negative was the negative with the footage of the Cigarette Smoking Man pulling the trigger and Frohike getting shot.] And the editor told me, ‘You can’t do that.’ I said, ‘What do you mean, we can’t do that? Just print the B negative.’ He said, ‘Well, it’s been taken out of the lab. It can’t be found.” In a move worthy of a scene from an X-Files episode, someone had deliberately removed the negative without telling Morgan and Wong, and they had no idea where it was. 

(And how do we know this was CC's doing? Because every single actor, writer, and director interviewed always marveled at his inhuman ability to be aware of every single, teeny tiny detail on set.)

Apparently, the incident blew over wordlessly, so much so that Chris asked Glen and James to help flesh out Millennium and called them up, years later, to craft the Revival with him (and sat nearby while Morgan teasingly alluded to the above incident, just a few years ago.)

To tie it all back to The Field Where I Died: the work they created-- while beautifully written-- was sloppily fitted into the show they were hired to write for:

And then there were the timeline inconsistencies, which Morgan and Wong didn’t even know about until the episode aired and Morgan logged on and was bombarded with dozens of internet posts complaining that the events of “Musings” couldn’t be for real, because they contradicted the teaser to “Apocrypha.” In the “Apocrypha” teaser, which is set in 1953, a young Cigarette Smoking Man (already smoking), a young Bill Mulder, and a third man, all in civilian dress, question a horribly burned submarine crewman who had encountered an alien in a flashback shown in the previous episode, “Piper Maru.” Morgan’s version proposed an entirely different history, with the young Cigarette Smoking Man and Bill Mulder, both Army officers, first meeting in 1961 at Fort Bragg, North Carolina. The Cigarette Smoking Man doesn’t even smoke, until he takes his first nervous puff late in the first act. Although Morgan and Wong had seen “Apocrypha,” they didn’t remember the events of the teaser. “Okay, we’re sloppy,” Morgan admitted.

To top off the battle of egos, Glen and James laid a portion of the blame at the nameless feet of some faceless "other" rather than taking it upon themselves... or having the guts to point the finger at one person in particular:

“But somebody should have told us. They all read the script. It was the same thing that happened to us on ‘Little Green Men when we showed Samantha’s abduction.'” Added Wong: “If somebody had said, ‘Hey, you know, in the third season, this was said and this doesn’t make sense anymore.’ And we would have changed it. But nobody told us that And the internet people go, ‘This doesn’t make sense,’ and now we look like idiots. We have part of the blame obviously; we didn’t know. We didn’t catch it.”

(It's easy to feel for them and their position... until you realize that there is no evidence-- that I have found-- of them asking if there was a show bible or other resource to consult. Meaning, again, that M and W have to take some blame for this grievance, as well.)

And last but not least, they-- particularly Glen Morgan-- martyred their pain instead of fully accepting and owning their own part in this ever-evolving disaster:

But their disappointment over the changes they were forced to make “Musings of Cigarette Smoking Man” caused them to withhold the ghost story and look for something else. “I had done a lot of research and I had always wanted to write a feature about Lincoln’s ghost,” Morgan said, “But I felt they didn’t want my heart and soul anymore, so I wouldn’t give this one to them."

CONCESSIONS

While these two scalawags contributed their fair share to frustrating and complicated behind-the-scenes shenanigans, their instincts weren't completely wrong, nor all their conduct unrighteous.

They were right on the money with Home--

“Thematically, Sheriff Taylor was doing the same thing that the brothers were doing. They didn’t want things to change,” Morgan said. Scully conducts an examination on the baby, and when the DNA tests come back, she is shocked to find results impossible to believe; they indicate the child had three fathers.

“It was much more controversial than we thought it would be,” Wong said. “Some fans were repulsed beyond analyzing the show; they were just kind of sickened by it. They were pretty turned off. Some people loved it. There was a lot of really, really negative reaction.”

“I have really been stung by that whole reaction,” Morgan admitted. “To me, the show must have become so big while we were away. I think a lot of people hadn’t been exposed to what we did when we were first on the show. They were going, '...what are they doing?’ and we go, ‘But, this is what we always did!’ We had “Squeeze,” or episodes like Chris’ ‘Irresistible,’ these shocking, horrible shows. Act four of ‘Tooms’ I think is on a level with ‘Home,’ so we were going, ‘What is all the ruckus about?’ We figured a lot of people don’t know that earlier stuff, or certain tones that we were going after then.”

-- and Never Again--

“He’s been caught off guard by not knowing something about her,” Morgan said. “A date with someone in Philadelphia, someone he’s never heard of, someone she’s never told him about. He’s unnerved by his lack of certainty about her, with her being wrong about Ed.” The episode ends with Scully telling Mulder firmly, “It’s my life,” and Mulder saying, “But it’s…” and suddenly stopping. Why didn’t he finish his sentence? “It was our way of saying to the other writers, ‘Here’s where Mulder and Scully are, and now the ball is in your court,'” explained Morgan. “That’s what I always felt was our role. In the first couple of years when we were on the show, we might hand it off and then have to pick up the ball ourselves a couple of episodes later, but knowing we were about to leave and would have no input whatsoever, we just said, ‘Well, here’s this thing, how about this? Now it’s yours.’ I feel that Mulder had come to respect that there’s more to this than just him, that Scully is now a part of his life and he’s a part of hers. I think that she learned the danger of exploring the rebellious side, and that it has to be accompanied by responsibility. What she did almost got her killed. So I think that she probably has it a little in check, and yet she’s always carrying the memory of it on her back. It isn’t anything for her to let go of. But next time she’ll be smarter about it, and she won’t let it get so far away from her.”

--and were misunderstood both times.

They were also wrongfully done by here or there--

Morgan had the unhappy task of telling an understandably upset Anderson that the scene she specifically requested had been cut. 

Morgan and Wong were frustrated once more when the network decided to move “Never Again” out of its post-Super Bowl slot, and substitute “Leonard Betts,” the episode that was originally scheduled to air after “Never Again.” “Leonard Betts” ended with the wrenching realization by Scully that she might have contracted the cancer that afflicted the other female abduction victims she met in second season’s “Nisei.” This revelation impacted the rationale behind Scully’s behavior in “Never Again” in ways never intended by Morgan and Wong. “I felt horrible,” Morgan stated. “Those are not her motives for her actions in this episode. The motives in ‘Never Again’ are completely altered by posing that she has a disease or a death sentence...."

-- but did wrong themselves, despite unprecedented creative freedom (see the previous section.)

The trouble, it seems, is an inability to differentiate the criticisms they receive. The pearl-clutching, deaf-and-dumb moralizers over Home are not the same crowd scratching (nay, banging) their heads over the blatant and illogical inconsistencies in The Field Where I Died and Musings of a Cigarette Smoking Man. (In fact, the last episode mentioned aged nicely, if the IMDb numbers haven't lied.) And that trouble compounds when they can't understand why a behemoth ship, constantly taking on mounting expectations and schedules, might halt for pit stops but won't change course for inconsistent passengers.

Lastly, while I can sympathize with the emotions both Glen Morgan and James Wong felt for having their work constantly tampered with, that sympathy dwindles when contemplating a few factors:

They were working for someone else's show, not their own.

They were given unlimited creative freedom upon their return, and were only reigned in after their projects continued to falter.

They were butting heads against two factors that the show runner himself wanted to keep ambiguous or under hat: CSM's backstory and Mulder and Scully's lives outside of work.

Having one's spirit crushed by back-to-back disappointments can't solely fall on the shoulders of the network or show runners when the first two ventures weren't touched, tampered, or changed (except for a run time you knew you had going in); and they can't fall solely on fans when the end results provided were lackluster in quality.

And an important last note: I do not feel that Glen Morgan or James Wong acted maliciously-- carelessly, mostly; overly self-involved here or there, most probably. Their focus remained on fleshing out the characters, exploring the ramifications of their actions, and digging up and handing over imperative context for canon-- attempting to iron out Mulder and Scully's split-up, William's adoption, and Charlie's estrangement in the Revival, for example. But they're not saints; and they still have an edge against criticism and interference that clings to and eats away at the quality of their work. In short, we are only glimpsing one aspect of Morgan's and Wong's lives during an intensely frustrating moment in their lives-- but it was important enough to The Field Where I Died's lore that I felt it was crucial to share.

CONCLUSION

For me, I'm glad Morgan and Wong messed up so badly that Gestapo CSM was still alive when canon CSM was born. To me, I think Morgan was way too eager (kindly, I shall reframe from saying 'self-involved') and way too disinclined to ask for necessary criticism for his projects. To me, I'm certain Morgan and Wong cared more about their concepts than the canon they were writing for-- making Mulder and Scully platonic (but could become romantic?) soulmates without providing essential explanation or further clarity. To me, I think focusing only on what Mulder gets out of this arrangement-- instead of exploring how this would affect Scully, as well-- was a cheap maneuver to vehicle in Morgan and his wife's love story (the same impulse that drove Morgan to write Melissa Scully as a romantic option for Mulder, that inspired the death of Frohike, and that butchered Maggie Scully's deathbed in Home Again: the impulse of wanting things his way.) For me, I'm glad this episode was too long, was chopped up very badly, and was ultimately exposed as a vanity project by fans' negative reactions. And, to me, I believe that negative reaction was largely brushed aside-- ignorantly, though not maliciously-- by Morgan because "fans just wanted Mulder and Scully together."

And, lastly: to me, Glen Morgan and James Wong-- while wrong to some extent-- at least take (partial) fault for their vision going awry. We're all human, we all make mistakes; we all learn and grow.

The rest I leave to you to draw your own conclusions.

Thanks for reading~

Enjoy!

[robbie-wallis]

I need to vent about Watcher, endure it if you can

Relax, this isn't a parasocial thing, but it is a long ass post, which suits me as a long ass human.

I need an outlet to discuss the terrible business decision Watcher has made by announcing their plan to leave YouTube, and this long-forgotten Tumblr account reached from its grave to grab at my ankle.

If you didn't see their video, good for you. It's extremely cringe-worthy in its sentimentality and editing, with blurry shots, pensive pauses and obligatory sad piano.

But at least there's no f'ing Ukulele.

Although, I think we might get the Ukulele in a few months.

Even though anyone who reads this is probably familiar with what the "Ghoul Boys" have done, I feel as though I need to add a little history.

WATCHER HISTORY

You can skip this part if you've been obsessively following the shenanigans, this is for the noobs who were never a "shaniac" or a "boogara".

Shane Madej and Ryan Bergara used to work at Buzzfeed. They hosted the successful Buzzfeed Unsolved shows. In 2019 they followed in the footsteps of the Try Guys and Safia Nygaaard and left Buzzfeed to create their own YouTube channel named "Watcher".

They brought along Steven Lim, another Buzzfeed person who is most known for the "Worth It" series. This series followed Lim and his friend/s spending obscene amounts of money on obscenely overpriced and indulgent products.

Think of it as being similar to the $100 V's $10,000 Sidemen content, only without the self-awareness and British "bad lads" humor.

Notably, even the Sidemen seem to have cut back on those adventures, perhaps understanding how bad it looks when so many people are struggling to pay their essential bills.

Steven became the CEO of Watcher while Shane and Ryan continued to create and present for the new channel.

They were wildly successful by YouTube standards. At the time of their self-spanking on Friday they were close to achieving 3 million subscribers, in just 4 years, based on basically only 2 cornerstone shows. If Social Blade is still a reasonably trusted source in everything but estimating income, they were gaining thousands of new subscribers every week.

Their most successful shows were Ghost Files, Puppet History, Too Many Spirits and Mystery Files.

Ghost Files is the only one of these shows which requires heavy investment, travel, a large crew and impressive production costs. These videos are shot on-location and require a lot of work. The rest are basically Good Mythical Morning style, just the two hosts and their banter.

Aside from Ghost Files, their content could be created with 3 cameras, 2 lapel mics and a good editor.

They were massively successful, solely because of Ryan and Shane.

THE DEMISE

So, what did they do on Friday 19th April? They decided to announce the launch of their own subscription platform.

Not a Patreon for extra content, behind-the-scenes, audience interaction etc, (they already had a Patreon with 6,000 paying subscribers earning them at least $50k a month), but a bespoke streaming platform which looks like a clone of Netflix.

The cost is $5.99 a month, or $60 a year.

Comparable to Netflix.

And by that I mean the price is comparable to Netflix while the content is comparable to a 4 year old YouTube channel.

Don't get me wrong, their production quality is incredible. The quantity, however, is not.

From the end of May viewers will have to pay to be a subscriber on their own platform in order to watch their shows.

They'll still be posting their trailers on YouTube, and the first episodes of new shows, but to watch it all you'll have to pay up or miss out.

Edited to add: Variety originally reported the Watcher crew were planning to remove all their existing content from YouTube to monetize it on their own platform. It's since been confirmed they will not be removing their old content. Fans are undecided whether this was a back-track after the announcement or a misunderstanding by Variety. You be the judge.

Of course, they're entitled to do this. They are creating a product and you can either enjoy it or not. No one is entitled to see it, for free, whenever they like.

Why did they do this?

Half of the sombre video gushes about their "humble beginnings" as "struggling young guys in a big harsh world", which comes across as extremely self-indulgent and ego-stroking.

A quarter of it explains how insanely successful they've been on YouTube and how this is all thanks to the fans who stuck with them after Buzzfeed, how it's allowed them to hire 25 people, how it's given them the freedom to create what they enjoy making and what the viewers want to see, and - most importantly - how it's allowed them to increase production quality on Ghost Files.

The final quarter of the video explains that this isn't good enough, the quality isn't high enough, the finish not glossy enough, it's not "TV caliber" enough! They want more, they need more, you have to give them more, mostly (apparently) because their CEO Steven Lim wants to bring back his show where he flies around the world with his bestie sipping Champagne and eating gold-leaf-covered lobster.

In short, they want more money to make even bigger things, even though their audience never asked for that.

WHY IT WILL NOT WORK

Oh my goodness, this is going to be a ride so strap in.

I'm not a YouTube creator so there are a lot of things I do not know. Having said that, I know a little about business.

This ain't Buzzfeed, y'all

Watcher became successful because of Ryan and Shane. It was their friendship, their personalities, and the content we loved to watch featuring them at Buzzfeed, that brought us along for the ride.

The audience they poached from Buzzfeed is there for them and Ghost Files. It's not there for Steven Lim and "Worth It". His show worked under the Buzzfeed umbrella only because they had numerous sub-categories in that community to support it.

The Try Guys left and created their own channel from their Buzzfeed fans.

Safia Nygaard left and created her own channel from her Buzzfeed fans.

Shane and Ryan left and created Watcher from their Buzzfeed fans.

Steven Lim left and became the CEO of Watcher. He didn't take his audience with him.

The audience of Watcher is not the audience of "watch me fly around the word with my pal and spend $100K on hand-reared, Whiskey marinaded, diamond-encrusted Kobe steak".

And... IN THIS ECONOMY?

Steven chose to become a CEO instead of a presenter. He's missed the opportunity to take that Buzzfeed audience with him.

This is made clear by the Watcher channel itself. Their "man eats food" content rarely breaks 500K views while their Ghost Files breaks 2 million consistently.

If a million of their viewers followed them from Buzzfeed to Watcher, the other 2 million have joined them since, based almost entirely on their spoopy content.

Not only did they base their channel on this genre and format, they have distilled their audience further ever since the creation of their channel and no matter how hard they try to diversify into "man eats food" it's just not working.

This ain't Netflix, y'all

As mentioned, the $5.99 charge is comparable to Netflix and just about every other streaming platform. Only Watcher can't give you even 5% of what a competing platform can offer for that price.

Other platforms also tailor their content and their pricing based on geographical location and localized economics.

You're paying far less than $5.99 a month if you live in an economy where the median household income is $300 a month. YouTube has a global audience. Their subscribers don't all live in a stable economy where $5.99 is considered disposable income.

We don't know the numbers, but I would guess only 60% of their subscribers are based in the USA, Canada, and the UK.

Even for those who do live in a stable economy, their audience is predominantly young adults and students. Most young adults are currently facing the reality that they will possibly never own their own home, they're living day-to-day trying to budget.

They've instantly priced-out a large % of their audience.

I confidently predict that diehard fans who can't see anything wrong with this will sign up for $5.99 a month, binge watch for a couple of weeks, realize there's no new spoopy content and cancel.

They'll come back when a full season of Ghost Files has arrived, pay again, binge it and leave.

Steven Lim thinks they're gonna get $5.99 a month, every month, from thousands of subscribers. In reality they're going to get maybe $12 a year, from people signing up to binge watch what they want, then leaving.

This will then decline naturally as attention wanes during the months where there is no spoopy.

This ain't good marketing, y'all

They're going to be posting "trailers and season pilots" on YouTube.

Sure, I bet YouTube is gonna be totes okay with a channel doing nothing but trying to hijack traffic for an external site.

Posting nothing but trailers and season premiers will mean maybe one full video per month during busy seasons. That's not enough to remain relevant for the algorithm.

If 80% of those posts are also just trailers saying "leave YouTube and come here", the channel will be smacked down quicker than a crypto scam using an AI generated Elongated Muskrat.

Their channel was growing steadily, but that was with full content regularly posted. When the schedule drops off, and when most of it is considered spammy by YouTube, it's going to collapse like a flan in a cupboard.

A streaming platform needs a constant flow of new subscribers just to replace the gradual drop-off (maybe ask Rooster Teeth about that). When your global audience at YouTube is gone, where are those new subscribers coming from?

The platform is also an additional overhead. It's going to cost thousands a month to keep the servers going.

This ain't good financial management, y'all

I don't know if they've already spent hundreds of thousands of $s on Lim's "men eat food" gamble, but I suspect they have.

I know they have spent hundreds of thousands of $s on a new season of Ghost Files, flying to the UK to host live events while filming those episodes.

This means they've over-extended their finances just at the moment where they've cratered their opportunities to see a return on investment.

Just that, on its own, is enough to destroy a production company.

They do not need 25 employees any more than I need an editor and proof-reader for this long ass post.

They do not need a production studio in Hollywood any more than I needed an office to write this.

They do not need to spend tens of thousands of $s on glossy graphics that appear on screen for maybe 4 seconds in one episode any more than I needed to add screengrabs to this painfully long essay.

By leaving YouTube they've lost:

Adsense revenue (which might not be much on a per-video basis but adds up with a back catalogue over years of productions)

Sponsorship deals, which allegedly contributes almost 50% of their annual revenue.

Merch sales, which is about to crash if the only people they can promote merch to are already paying per month in their smaller ecosystem.

Patreon. Why would someone pay $5.99 twice, for the same or less content?

And they've abandoned all of this for maybe a few thousand people who will probably end up paying just $12 a year when a new spoopy season arrives for them to binge.

I'm no Will Hunting, but no matter how hard I try to make the numbers work they just don't, and I don't need Robin Williams to tell me it's not my fault.

This ain't nice, y'all

Some of you are feeling like Ned's wife right now, and some of you will have no idea what that's in reference to.

Most of you will hate that I made that reference more than you hated the SNL skit.

I get it.

Maybe the worst part about all of his, from a viewer's perspective, is the dismissive nature of their sign-off.

They didn't mention the Patreon members once, not one single time in the whole video. It's like they consider the Patreon "too YouTube". They're the deformed cousin locked in the attic. They're the relative who wasn't invited to the wedding because they can't afford a Tom Ford suit. They're the colleague who isn't invited to the staff night out because they only work in accounting and no one has anything in common with Janice anyway.

These are diehard fans who were actually paying them extra to support them and enjoy a little bonus behind the scenes, and the boys didn't even consider them worthy of an utterance.

They also finished with "If you don't follow us and pay up it's been real, peace out". I'm paraphrasing, but that's basically what it was.

They spent so much of the video saying how awesome and great it was that the fans and YouTube got them to this point, but they didn't thank their Patreon members, and they ended with a blunt suggestion that if you don't follow them and pay more then you're not a real fan anyway and they don't really need you.

"Thanks for getting us here, sucks to be you, bye now!"

You made them wealthy, you helped them hire 25 people, you helped them increase production value to "TV caliber" even though you didn't ask for that, but your job is done and now you're superfluous. Only the real fans are wanted.

In the words of the great George Carlin - "It's a big club, and you ain't in it".

They're okay losing the vast majority of the people who got them here if a few thousand of those are comfortable enough to be able to pay $60 a year for a YouTube channel.

Can it get worse? Sure!

We've had a weekend to enjoy the constant heat of this bonfire and it's predictably worsened with each hour of silence from the company and its employees.

The fact that they haven't back-tracked, despite almost unanimous agreement that this is badder than the baddest thing that could happen to their company, suggests they're okay with it.

Consensus seems to be that they knew it would be this bad, and they're cool. They predicted 90% of people would scream "Boo to you good sirs! Boo indeed!" and they could still survive on the 10% who don't see a problem here.

The lack of response reinforces the narrative that they're totally fine with discarding almost their entire audience if they can just squeeze the cash they need out of whoever is left.

This ain't fixable, y'all (maybe)

Note: I don't want this to be mean, but it's going to sound a little bitchy no matter how I try to say it.

If they'd brought out the Ukulele on Saturday, or even teased Ukulele's on their socials before putting out a video on Sunday, they probably could have survived this with much hand-wringing and a little groveling.

But now I think they've grilled this Kobe steak for far too long.

They've lost 100K subscribers, and counting. The venom among Patreon members is allegedly worse than the public comments section under the video, which is startling. Dozens of YouTubers are torching them harder than a $100 crème brûlée.

People are scraping their channel content in case it's nuked.

Shane "eat the rich" Madej's sentiments over the last few years look disingenuous, to say the least. To shamelessly steal someone else's comment: "Imagine being all 'eat the rich' right before throwing yourself on the plate". He's silent while his McMansion burns down, at his own hands. "Why not!?" indeed.

Steven "I drive a Tesla" Lim's socials now make him look like a tech-bro try-hard and his use of words like "early adopter" and "soft launch" in the video only compound the belief that this was all his brainchild. He is the CEO, and that comes with responsibility and the associated blame. You can't steer the ship into the Bermuda Triangle and then disappear without looking like the bad guy.

Okay, you can disappear, but that convoluted metaphor is a mystery for someone else to solve.

Ryan "TV caliber" Bergara now sounds like an elitist who thinks YouTube is "too pedestrian" for his big plans, not big enough to meet his artistic vision. You see, he's more James Cameron, while YouTube is more like your student film club. He's grown beyond this pesky platform with billions of daily hits offering exponential growth with almost zero financial risk.

Even if they released a video today admitting they messed up big time it's still going to be hard to get the taste of this Ghost Pepper Warhead out of the collective mouth of their viewers.

This hasn't just burned their shared brand, it's singed their individual reputations among an audience upon which their careers rely.

What they should have done, on Saturday, is release a video (Ukulele or no) confessing their error. They should have announced their new platform will instead just be a bigger and better Patreon, with early access to everything, behind-the-scenes content, extra features, audience interaction etc.

They should have reversed to make clear their YouTube channel will stay the priority, their main source of revenue, but that you could get more on their own platform if you want it.

And, maybe, over time, people will pay for that. If they grow their channel to 6 million subscribers in the next 4 years there will be a couple hundred thousand of them willing and able to pay $5.99 a month for 8 years of shows, 8 years of behind the scenes content, 8 years of community involvement and regular early access to new episodes.

Maybe then they could try out their "privileged guys eat expensive food in expensive places" show and see how it does? Maybe a majority of people won't be living on the cusp of poverty by then and it won't look as tone-deaf as a 13 year old YouTuber trying to cover Jeff Buckley's "Hallelujah"? Maybe then they could hire another 50 people and make Bergara's "TV caliber" (I still don't know exactly what that means) game shows and reboots?

The clock has been ticking since they hit that "publish" button on their career ending video, but that clock is about to count down to zero and silence will permeate throughout their previously lively community.

That 1980s basement set needed someone crying in the corner, right?

The problem is, their own platform is not a terrible idea. Really, it's not the worst thing they could do. The badness came in the timing, the switch, the middle finger and the f you. They could have released this as an extra, their own Patreon alternative, waited, developed it over time into something sustainable and established.

They could still try to do that and hope this dark chapter is forgotten.

Maybe I'm wrong? Maybe Lim is a financial genius with more skill than the management of Rooster Teeth and their corporate parent company combined? Maybe this gamble will be wildly successful despite all streaming services down-sizing or just going bankrupt? Maybe they won't be back on YouTube in 3-6 months begging for views after having to lay off 20 of their employees?

I know this... if I were one of those 25 employees blind faith would not be enough to stop me from looking for another job.

I suppose this will, for now, remain... a mystery.

EDIT:

I'm not writing another essay about this, but I'm glad to see they've backtracked and made the right choice to use WatcherTV as any sane creator would - to host early access and exclusive content in addition to their YouTube channel.

Over time, while promoting it in every video, building up that trust and fan base, it can be a secure and long-term financial bonus helping them to expand their business incrementally as finances allow.

Why this wasn't the plan all along is anyone's guess. Gambling everything on this was never the sane decision.

I still think they need to scale back on costs. I still think the food content is not currently a viable source of income while being a serious drain on resources. I still think they need to stop hiring all their friends and they need to hire one person who doesn't have personal relationships with everyone there and can make the tough business decisions.

No one likes firing people, it's ten times worse when it's a friend. But this is a reality of business and just wishing it wasn't so isn't going to make it go away. It would be awesome if we could all run a business where we can hire all our friends and family, never have to rely on any outside funding, make whatever we want, make a great living in one of the most expensive cities in the world and continue to grow.

That's just not the reality.

Their apology was genuine, in my opinion. I just hope they can work out the right financial balance.