#its all about music you must know that

[yuukicyan]

Get them for cheap, don't waste money 🖤 Love you 🖤

https://society6.com/yuukicyan9

[strawberryscorp]

albus comes home after having a bad day and collapses into scorpius's arms

scorpius could be doing anything but he'd pause and play with albus's hair while letting him rant about his day

[widevibratobitch]

my god. skinny people really just have like. No Idea huh just absolutely not a single clue lmao it's almost funny to watch fr but then id lie if i said i wouldn't fucking kill to be able to be that ignorant

[synthshenanigans]

I love trying to Jash people but MAN is it difficult tho

"Can i listen to them on Spotify?" Yea but the videos themselves are important as well plus he worked hard on them so you should watch them on youtube instead.

"Okay well what order do i watch them in?" *gives a list* this is the canonical order but there's 2 videos that have multiple songs in them. So you have to listen to a part of the video, leave, listen to other songs, and eventually come back to finish it.

"Okay but i should understand the lore very well at that point right" WELL YOU SEE THE THING IS-

[f1owermoon]

sorry i just. need to rant for a second

[palms-upturned]

Needed to listen to some music while I did the dishes and for some reason picked “von” from the zankyou no terror soundtrack and jesus god. Experiencing emotions that don’t exist.

[leatherbookmark]

my favourite thing abt tumblr mass-finding out about the origins of the “poor little meow meow” phrase is a couple of people in the tags, who listen to things like, i assume, punk or rap, going “oh so THIS is what people got so emotional over? wow they wouldn’t last a day over here” or “ah, this, yeah a couple of guys from our side did it too”. refreshing

[dirt-str1der]

Whatever kiryu does to you might not always be the best or even safest option but he will always do it with a lot of love in his eyes so you have to forgive him

[moodlesmain]

What I'm Made Of (Sonic Heroes OST) 🤝 With Me (Sonic and the Black Knight OST): Final boss songs who's lyrics apply almost just as much to Sonic as they do to the villain he's facing

[alphalesbian]

Youll just be minding your own business when all of a sudden the inherant intimacy of solo instrumental music is realized upon you. Like youre just supposed to proceed normally after

[livingecho]

 𝓥˙˖* °⸻ tag dump / character based ...

 𝓥˙˖* °⸻ ❛ you still want it … the inner sanctity ⅋ its an evil but the evil is necessary . ❜⎜❲ ic .❳

 𝓥˙˖* °⸻ ❛ must be exhausting always rooting for the anti - hero. ❜⎜❲ answered .❳

 𝓥˙˖* °⸻ ❛ mirror mirror on the wall i see you ⅋ my skin crawls  ❜⎜❲ visage .❳

 𝓥˙˖* °⸻ ❛ did you hear my covert narcissism i disguise as altruism like some kind of congressman ? ❜⎜❲ about .❳

 𝓥˙˖* °⸻ ❛ i don't wanna feel tell me ; that im perfect ⸺ just the way i am ! ❜⎜❲ muse .❳

 𝓥˙˖* °⸻ ❛ darlin’ darlin’ doesn't have a problem lyin’ to herself cause her liquor's top shelf  ❜⎜❲ aes .❳

 𝓥˙˖* °⸻ ❛ but i am in the twilight . ❜⎜❲ dash game .❳

 𝓥˙˖* °⸻ ❛ you feelings ⅋ mine are all holy but … ❜⎜❲ dash com .❳ 

 𝓥˙˖* °⸻ ❛ i am creation : both haunted ⅋ holy . made in glory ! ❜⎜❲ music .❳

 𝓥˙˖* °⸻ ❛ but i will trust the artist molding me ❜⎜❲ clothing .❳

 𝓥˙˖* °⸻ ❛ 🦑squidtime 🦑 ❜⎜❲ crack .❳

 𝓥˙˖* °⸻ ❛ i feel you on my fingertips . my tongue dances behind my lips for you ❜⎜❲ desires .❳

 𝓥˙˖* °⸻ ❛ i know i know i know i know my love can be  …  the killing kind . ❜⎜❲ smut .❳

 𝓥˙˖* °⸻ ❛ can’t you see ? your world’s a fantasy ! ❜⎜❲ oneliner .❳

[princesssarisa]

In the past I've shared other people's musings about the different interpretations of the myth of Orpheus and Eurydice. Namely, why Orpheus looks back at Eurydice, even though he knows it means he'll lose her forever. So many people seem to think they've found the one true explanation of the myth. But to me, the beauty of myths is that they have many possible meanings.

So I thought I would share a list of every interpretation I know, from every serious adaptation of the story and every analysis I've ever heard or read, of why Orpheus looks back.

One interpretation – advocated by Monteverdi's opera, for example – is that the backward glance represents excessive passion and a fatal lack of self-control. Orpheus loves Eurydice to such excess that he tries to defy the laws of nature by bringing her back from the dead, yet that very same passion dooms his quest fo fail, because he can't resist the temptation to look back at her.

He can also be seen as succumbing to that classic "tragic flaw" of hubris, excessive pride. Because his music and his love conquer the Underworld, it might be that he makes the mistake of thinking he's entirely above divine law, and fatally allows himself to break the one rule that Hades and Persephone set for him.

Then there are the versions where his flaw is his lack of faith, because he looks back out of doubt that Eurydice is really there. I think there are three possible interpretations of this scenario, which can each work alone or else co-exist with each other. From what I've read about Hadestown, it sounds as if it combines all three.

In one interpretation, he doubts Hades and Persephone's promise. Will they really give Eurydice back to him, or is it all a cruel trick? In this case, the message seems to be a warning to trust in the gods; if you doubt their blessings, you might lose them.

Another perspective is that he doubts Eurydice. Does she love him enough to follow him? In this case, the warning is that romantic love can't survive unless the lovers trust each other. I'm thinking of Moulin Rouge!, which is ostensibly based on the Orpheus myth, and which uses Christian's jealousy as its equivalent of Orpheus's fatal doubt and explicitly states "Where there is no trust, there is no love."

The third variation is that he doubts himself. Could his music really have the power to sway the Underworld? The message in this version would be that self-doubt can sabotage all our best efforts.

But all of the above interpretations revolve around the concept that Orpheus looks back because of a tragic flaw, which wasn't necessarily the view of Virgil, the earliest known recorder of the myth. Virgil wrote that Orpheus's backward glance was "A pardonable offense, if the spirits knew how to pardon."

In some versions, when the upper world comes into Orpheus's view, he thinks his journey is over. In this moment, he's so ecstatic and so eager to finally see Eurydice that he unthinkingly turns around an instant too soon, either just before he reaches the threshold or when he's already crossed it but Eurydice is still a few steps behind him. In this scenario, it isn't a personal flaw that makes him look back, but just a moment of passion-fueled carelessness, and the fact that it costs him Eurydice shows the pitilessness of the Underworld.

In other versions, concern for Eurydice makes him look back. Sometimes he looks back because the upward path is steep and rocky, and Eurydice is still limping from her snakebite, so he knows she must be struggling, in some versions he even hears her stumble, and he finally can't resist turning around to help her. Or more cruelly, in other versions – for example, in Gluck's opera – Eurydice doesn't know that Orpheus is forbidden to look back at her, and Orpheus is also forbidden to tell her. So she's distraught that her husband seems to be coldly ignoring her and begs him to look at her until he can't bear her anguish anymore.

These versions highlight the harshness of the Underworld's law, and Orpheus's failure to comply with it seems natural and even inevitable. The message here seems to be that death is pitiless and irreversible: a demigod hero might come close to conquering it, but through little or no fault of his own, he's bound to fail in the end.

Another interpretation I've read is that Orpheus's backward glance represents the nature of grief. We can't help but look back on our memories of our dead loved ones, even though it means feeling the pain of loss all over again.

Then there's the interpretation that Orpheus chooses his memory of Eurydice, represented by the backward glance, rather than a future with a living Eurydice. "The poet's choice," as Portrait of a Lady on Fire puts it. In this reading, Orpheus looks back because he realizes he would rather preserve his memory of their youthful, blissful love, just as it was when she died, than face a future of growing older, the difficulties of married life, and the possibility that their love will fade. That's the slightly more sympathetic version. In the version that makes Orpheus more egotistical, he prefers the idealized memory to the real woman because the memory is entirely his possession, in a way that a living wife with her own will could never be, and will never distract him from his music, but can only inspire it.

Then there are the modern feminist interpretations, also alluded to in Portrait of a Lady on Fire but seen in several female-authored adaptations of the myth too, where Eurydice provokes Orpheus into looking back because she wants to stay in the Underworld. The viewpoint kinder to Orpheus is that Eurydice also wants to preserve their love just as it was, youthful, passionate, and blissful, rather than subject it to the ravages of time and the hardships of life. The variation less sympathetic to Orpheus is that Euyridice was at peace in death, in some versions she drank from the river Lethe and doesn't even remember Orpheus, his attempt to take her back is selfish, and she prefers to be her own free woman than be bound to him forever and literally only live for his sake.

With that interpretation in mind, I'm surprised I've never read yet another variation. I can imagine a version where, as Orpheus walks up the path toward the living world, he realizes he's being selfish: Eurydice was happy and at peace in the Elysian Fields, she doesn't even remember him because she drank from Lethe, and she's only following him now because Hades and Persephone have forced her to do so. So he finally looks back out of selfless love, to let her go. Maybe I should write this retelling myself.

Are any of these interpretations – or any others – the "true" or "definitive" reason why Orpheus looks back? I don't think so at all. The fact that they all exist and can all ring true says something valuable about the nature of mythology.

[hello-sweetheart]

Neat Freak

Steve’s parents don’t make him keep the house spotless. He really is just that clean and when Nancy tries to tell people there like “lol, sure” but she knows.

He’s a neat freak.

When she would stay over she would change into her pjs and make a small bundle of her day clothes on his desk chair, and steve would just. Fold them. Before getting in bed with her.

Doesn’t take long after for the others to realize it.

Robin thought it was just a guy thing, caring that much about their car. Scolding her for kicking her socked feet up on the dash, and leaving crumbs of toast when she had breakfast to go.

But then she visits his house the first time and Robin has never been good at using a coaster, too scatter brained to pay attention where she sets her drink down each time.

Steve, though? Without missing a beat he will move her glass to the coaster. Every time. Doesn’t even break his strike or pauses his conversation it’s just muscle memory by now.

The kids have had their will broken and no longer put up a fight.

Without being told to anymore, they toe off their shoes and hang their coat by the doorway. They don’t even do that in their own home. How Steve was able to get those wild animals house broken? No body knows.

His mom didn’t actually choose his room decor. It looks a bit barren but Steve likes it that way. It looks clean, easier to do so, too. Everything has its place tucked away from sight so it’s not an eye sore.

Even his plaid wallpaper and curtains he chose for himself. He spent all day finding the curtains that matched the closest and he was really proud of himself when found some.

“Steve, buddy, this looks mental.”

“But look,” (closest the curtains to show that even the pattern lines up seemlessly) “you almost can’t even see the difference between the wall and fabric. It’s like magic! It’s cool!” >:(

He’s very meticulous about his appearance. Dustin is absolutely flabbergasted when he sees his full hair routine for himself. Everything must be done a certain way in a certain order every time. It’s routine.

“Three puffs of the Farah Fawcett! THREE!”

“I DID THREE.”

“YEAH, BUT YOU DID THEM WRONG.”

When they discontinue it, Steve has a mini breakdown. He doesn’t like that his very specific and set routine has been broken. He’s convinced he’ll never find a hair spray to replace it. Everybody stocks up on cans of it to try and lower his anxiety.

He just loves cleaning, okay?

Ironing his kakis and polos until there are no wrinkles is so satisfying. Glass without finger smudges is so nice. His closet being organized by color is so efficient. When he’s worried, anxious, or angry he likes to keep his hands busy and it just calms him down going ham on a water stain in the bathroom.

When he hangs out at Eddie’s, he mindlessly starts picking things up here and there. It’s like heaven for him. He sees a mess and just wants to go to town. Eddie doesn’t mind as long as he knows where everything is in the end. He’ll admit that having his music organized alphabetically is pretty convenient.

It’s also a little funny to watch Steve iron his ripped jeans and battle jacket with an iron he brought from home.

“You’re a freak, Harrington.” Eddie has a shit eating grin. Steve flips him off.

“Fuck off.”

[ifwdominicfike]

chicken tenders

“the best part of my day is when i get to see you naked.”

summary - chris has been stressing this entire week, meetings have piled up while also trying to maintain filming and keep up with his brand. all he wants right now is to see you.

switch!chris x switch!reader

you were on chris’ mind the second he woke up, he hadn’t seen you in about a week due to his busy schedule. he was growing frustrated, mentally and sexually, he would call you here and there to ask how your day was but he wasn’t really listening.

he was too lost in the sound of your tired voice from your long day as you told him what was going on, letting out small hums to let you know he was “listening”.

(flashback to yesterday..)

“and so thats when i tell her that- chris are you okay?” you had heard a soft whine from the other line “y-yeah m’fine, k-keep going ma. m’listening don’t worry..” his face turning red from almost getting caught, hand still wrapped around his cock waiting for you to continue your story “oh ok.. well anyways-“

“o-oh fuck!” he groaned, forgetting you could still hear him. “chris are you-?” you giggle “please ma, n-need you so bad baby.. haven’t been able to see you in so- fuck! so long” he lets out a shaky breath as his hand never stops its movement.

“yeah? need me that bad you’re willing to jerk off to my voice thinking i wouldn’t notice? you’re pathetic chris”

thats what got him, the degrading words pushing him over the edge. all that can be heard from his end is small cries and whimpers with your name thrown in between “fuck. y-you’re killing me baby, can’t wait to see you..”

(present day)

chris was excited for today, some of his meetings got pushed back a couple of days ahead which gave him some time to see you. not right now though, he still had to go to the warehouse to sign cards that were gonna be put in merch drops and still had a meeting or two to attend.

on the way there though he was fairly quiet, usually being his energetic self he would be blasting music throughout the whole car or picking on either matt or nick just because he was bored. “kid you there? hellooo!!” matt said waving his hand in front of chris’ face as they stopped at the red light. “what- matt get your fucking hand away from me dickhead” he pushes his hand away and scoffs “i was trying to ask you something, fucking idiot” matt said, clearly irritated.

“well what? im listening now.” chris grumbled “chris whats your problem? you’ve been acting like a moron this whole week” nick chimes in “probably cause he hasn’t seen his girl all week, s’that it chris?” matt says chuckling while the car starts moving once more.

“kid shut the fuck up already.” chris’ voice is now stern and serious “ooh that must be it” nick says laughing “can you both seriously stop talking, you’re fucking annoying.” he snaps at both of them.

“okay whatever kid just fix whatever the fuck you got going on there, m’not tryna have you moping around with us all day.” matt stated before pulling in to park.

chris was never known to be patient, always eager to have have what he wanted immediately. so when in the middle of a meeting he got a text from you he obviously opened it, not knowing that it was a photo of you in a white lingerie set with a following text saying “need you so bad baby :(“ he excused himself to the restroom and instantly called you.

you pick up immediately with a cheesy smile across your face “hey love!” your voice filled with innocence like you didn’t just get him hard in front of everyone. “y/n cut it out, im serious, right now isn’t a good time sweetheart” he said trying to keep his composure.

“i don’t know what you’re talking about baby, m’not doing anything..” you giggle “ma, please. just give me another hour and im all yours. please.” the desperation in his voice makes your thighs clench in need.

“well what if i want you now, you know i don’t like waiting” you let out a soft sigh, your hand begins to trail down to where you’re aching most. “y/n i swear if you’re doing what i think you are right now.” “don’t act like you don’t like it chris, bet you’re so hard right now, hm?”

“i’ll be there in a hour and if you keep up with this attitude you’re not coming at all tonight.” your thighs clench even more at his daring words. “ugh you’re no fun baby” you groan as he hangs up the phone.

he made his way back as matt and nick look at him annoyed, the meeting was already over and they were just sitting there waiting for chris. “do i have something on me? whats up?” he says checking his clothes and fixing his hair “you had us sitting here for forever, stupid fuck” nick says getting up “yeah whatever kid, are we leaving or not?” he makes his way out not waiting for the two behind him “kid walked out like he’s the one driving” matt said, making nick giggle.

the three were on the way home from a long day, matt was yawning every chance he got and nick was already asleep in the back, chris on the other hand though had a huge grin formed on his face.

“matt can you drop me off at y/n’s?” chris said looking over at his brother “yeah sure” he said with laugh following after “what are you laughing at?” chris said confused “nothing, just knew that was why you were acting like a baby today” “yeah whatever dickhead, just turn right here”

you hear a knock at the door, then suddenly your phone goes off, a text from chris. “im here ma” you smile and go to open the door, the second its slightly open chris barges in pinning you against the wall kissing you like he’ll never get to see you again.

he kicks the door closed and locks its before wrapping his arms around your waist, you can feel him through the rough material of his baggy jeans. fuck.

before you could even tell him something he has you over his shoulder in a tight grip before making his way to your room “someones eager” you say with a giggle.

“can’t believe you, sending me that picture in the middle of my meeting, such a fucking tease baby.” he pins you down to the bed, settled right between your legs before trailing his hands up your shirt (his shirt)..

finally shuffling you out of your clothes so you’re in nothing but that pretty lace from earlier, the tension between you two is making your stomach tighten and between your thighs wet.

him being fully clothed while you’re basically bare under him makes your head spin, wanting to see more of him you begin to play with the bottom of his shirt. “please chris, wanna see you..” you whine “yeah sweetheart? go ahead then, take it off” he smirks as you start to slip his shirt off, running your nails down his chest you feel him shiver. “watch it ma.” he warns as your hands go down further to his prominent bulge poking through his jeans.

“i need you so bad baby..”

“poor girl, so fucking desperate for m’cock.” the sound of his belt buckle clinking and his jeans ruffling off is the only thing consuming the silence between you two, he finally removes the only thing keeping you from seeing all of him and you can’t help but gawk at him. “got nothing to say now, huh? you know starin’ is rude mama.”

you roll your eyes and wrap your hand around him, stroking him at a teasingly slow pace. “just admiring you baby, y’so big..” you bite your lip and look at him through your lashes. “you’re so good fuck-“ he groans while fucking back into your hand, small whimpers leaving his lips encourage you to speed up.

“yeah? look at you.. fucking into my hand, y’that desperate?” your thumb smears the pre-cum around him, your lips make their way to his tip giving him small kisses.

“please-please mama” his hips begin to slowly move, trying to force more of himself in your mouth. quiet whines can be heard as you feel his heavy hands settle on the back of your head, you smirk and sit up before he can take things further.

“n-no baby please! i.. i wont touch you o-or anything-“ next thing he knows you’re on top of him and his back is against the headboard. “you need me that bad? look at you about to cry, all because you need to cum. fucking pathetic.” your voice harsh as you settle down on his lap, your hand caressing his rose tinted cheeks while he continues to squirm underneath you.

you lift your hips and begin to sink down onto him, a quiet hiss leaves your lips from the stretch — you grip onto his shoulders to stabilize yourself.

“shit-” chris’ grip on your hips tightens as he guides you further down onto him, your whines now being muffled as you dig your face into his neck.

“chris.. f-fuck”

“what’s wrong now pretty girl, what happened to that attitude you had a couple of minutes ago huh..?” his condescending tone making you squirm as you rock your hips trying to get some relief. your lips travel down his neck leaving open mouth kisses and bites the further down you go, drunk on the way his hands grip your waist and the way he feels inside you.

“j-just fuck me chris! ple-please” those words alone gives him all he needs to start thrusting up inside you, his tight hold on you lifting you up slightly. “c’mon pretty girl, cant let me do all the work yeah..” he teases you as his other hand comes up to grip onto your jaw, making you look directly at him.

you start to bounce up and down, your moans growing louder by the second each time you slam down onto him. chris wasn’t so quiet either — loud grunts and groans can be heard from him as mumbles of your name and praises leaves his mouth.

“good fucking girl ma, doin’ such a good job f’me sweetheart- fuck!”

your pace starts to slow down, the burning in your thighs starts to get too much for you. you make your way up to his neck once more, leaving your mark in various places that he will for sure see in the morning. the thought of the red and purple splotches traced around his neck and collarbones makes you clench around him.

your movements are barely doing anything by now, leaving chris to do all the work as you get closer and closer to coming. “always makin’ me do all the fucking work huh? greedy brat. always getting whatever she wants isn’t that right?” he taunts as he flips you two around, your legs on his shoulders as he starts fucking into you faster and harder.

“o-oh shit! fuc-fuck me chris please, m’so close baby please!” your babbles becoming incoherent as he hits that spot deep inside you that makes your eyes roll into the back of your head. “go ahead mama, come for me. take this dick ma, s’all yours.”

legs shaking as he continues to fuck into you, your hands grip his curls and bring him down to a sloppy kiss. needing to feel him in any kind of way what so ever, you pull back to let out a loud moan as you clamp down on him and release all over his cock. “theree ya’ go mama, goodd girl. my beautiful girl look at youu” he praises.

his groans getting louder tells you he’s close, trying his best not to come before you. he always made sure you came before him, in his words “gotta make my girl feel good.”

“where you want it ma?” “i-inside baby please!” he groans one last time as he feels you clench around him and that was his breaking point, he cums inside you with a proud smile slapped across his face.

his thrusts slow down as you both come down from the high, he starts to pull out before he hears you wince. “you good ma? did i hurt you-“ “no no baby m’fine just- a little sensitive” you give him a tired smile as you lay your head back feeling like you could fall asleep any second now “i fucked you that good then huh?” his smirk making you roll your eyes and throw the nearest pillow at him.

“chris if were not in that shower in the next 2 seconds you’re sleeping on the couch i swear to-” you say joking (half joking) “ok ok damn no need to get all bossy w’me ma, c’mon lets get you up” he’s now off the bed as he picks you up holding you like a baby. “you’re washing my hair i hope you know that” you tell him with a smile.

“yes i know that, when have i not?” he says confused as he smiles at you half asleep in his arms “my sweet girl, i love you so much” are his last words before walking into the bathroom.

- avery’s note ˚ 𝜗𝜚˚⋆｡-

i finallyyy finished this fic omg. i hope you guys like it!! i love bringing dominic fike into any conversation i can. i feel like i could’ve wrote more but i had no real fics for chris.. anyways byee i love youu ᥫ᭡ !!

𝐭𝐚𝐠𝐥𝐢𝐬𝐭 - @submattenthusiast @chrissv4mp @ellaapsworld @jetaimevous @mattsbrowser @55sturn

[livingecho-arch]

tag dump cause tag replacer can't find some of my tags rip

 𝓥˙˖* °⸻ ❛ you still want it … the inner sanctity ⅋ its an evil but the evil is necessary . ❜⎜❲ ic .❳

 𝓥˙˖* °⸻ ❛ must be exhausting always rooting for the anti - hero. ❜⎜❲ answered .❳

 𝓥˙˖* °⸻ ❛ mirror mirror on the wall i see you ⅋ my skin crawls  ❜⎜❲ visage .❳

 𝓥˙˖* °⸻ ❛ did you hear my covert narcissism i disguise as altruism like some kind of congressman ? ❜⎜❲ about .❳

 𝓥˙˖* °⸻ ❛ i don't wanna feel tell me ; that im perfect ⸺ just the way i am ! ❜⎜❲ muse .❳

 𝓥˙˖* °⸻ ❛ darlin’ darlin’ doesn't have a problem lyin’ to herself cause her liquor's top shelf  ❜⎜❲ aes .❳

 𝓥˙˖* °⸻ ❛ but i am in the twilight . ❜⎜❲ dash game .❳

 𝓥˙˖* °⸻ ❛ you feelings ⅋ mine are all holy but … ❜⎜❲ dash com .❳ 

 𝓥˙˖* °⸻ ❛ i am creation : both haunted ⅋ holy . made in glory ! ❜⎜❲ music .❳

 𝓥˙˖* °⸻ ❛ but i will trust the artist molding me ❜⎜❲ clothing .❳

 𝓥˙˖* °⸻ ❛ 🦑squidtime 🦑 ❜⎜❲ crack .❳

 𝓥˙˖* °⸻ ❛ i feel you on my fingertips . my tongue dances behind my lips for you ❜⎜❲ desires .❳

 𝓥˙˖* °⸻ ❛ i know i know i know i know my love can be  …  the killing kind . ❜⎜❲ smut .❳

 𝓥˙˖* °⸻ ❛ can’t you see ? your world’s a fantasy ! ❜⎜❲ one liner .❳

 𝓥˙˖* °⸻ ❛ beyond which there is no god nor devil : only the consequences of actions ❜⎜❲ v . main .❳ 

𝓥˙˖* °⸻ ❛ speak only when spoken to ❜⎜❲ v . before the death of beau .❳

 𝓥˙˖* °⸻ ❛ i am a descendant of the tribe that was banished to the twilight realm ! ❜⎜❲ v . twilight teacher .❳

 𝓥˙˖* °⸻ ❛ the only real crime is betraying someone who trusted you ❜⎜❲ v . warrior .❳

 𝓥˙˖* °⸻ ❛  i would have given my soul to spare you this world ⅋ its loam ❜⎜❲ v . commoner .❳

 𝓥˙˖* °⸻ ❛ but heaven knows im miserable now ❜⎜❲ v . historical .❳

 𝓥˙˖* °⸻ ❛ i am falling . i am fading .  i am drowning help me to breathe … ❜⎜❲ v . modern .❳

 𝓞𝓞𝓒˙˖* °⸻ ❛ seeker of darkness ❜⎜❲ chatterbox.❳

 𝓞𝓞𝓒˙˖* °⸻ ❛ madness takes the paintbrush ⅋ sings ❜⎜❲ artwork.❳

 𝓞𝓞𝓒˙˖* °⸻ ❛ idk what i'm doing either ❜⎜❲ answered.❳

 𝓞𝓞𝓒˙˖* °⸻ ❛ friends owo !!!  ❜⎜❲ promos.❳

 𝓞𝓞𝓒˙˖* °⸻ ❛ i licked it so it’s mine now ❜⎜❲ saved.❳

[renard-dartigue]

Hi now i'm curious what is the beef with the rappers

Man this is going to be long so I'll try to keep this simple and entertaining. I hope this comes across as clear cause I'm shook right now.

Here is a glossarie to break thing up:

Prologue (The Spark 🔥)

Round 1.1 (Physical Education 💪🏾)

Interlude part 1 (Roots 🏠)

Round 1.2 (2 Warning Shots 🔫)

Interlude part 2 (Pusha the Seer 👁)

Round 2.1 (Knifes Out 🔪 )

Round 2.2 (The Nuke 💥)

Epilogue (All eyes on him 👀)

My Theory 🤷🏾‍♂️

Highly recommend checking out the tracks yourself while you read along.

Prologue (The Spark)

Let it be known that I am a neutral party and that I don't take sides when it comes to rap beef. I was here for the music and creativity. I am just trying to recount events to the best of my knowledge. Sorry if some details are inaccurate.

Okay so basically, Drake, J Cole, and Kendrick Lamar are the Big 3 of the rap world right now.

A month ago, Future and Metro Boomin (two rapper who supposedly don't fuck with Drake anymore) released a song with Kendrick Lamar called "Like That". In the song Kendrick took a shot at Drake and J Cole, saying there isn't a big 3, its only him on top.

4 weeks ago J Cole dropped a track called "7 Minute Drill" that is dissing Kendrick. However, in a move that is very uncharacteristic of J, he took down the official track and formally apologized to Kendrick. Thus signaling his exit from the rap battle.

ROUND 1.1 (Physical Ed)

Drake on the other hand dropped "Push Ups" 2 weeks ago, a diss track that went after other rappers he doesn't like but mainly Kendrick. In it, he made fun of Kendrick's height and his contracts. He then ends the song with "I was really try'n keep it PG" meaning he has a nuke on Kendrick that people don't know.

Not long later, Drake dropped ANOTHER diss track "Taylor Made Freestyle" with Ai voices of Snoop Dog and fucking 2PAC! Kendrick has stated before that 2pac is one of his idols so this must have been a deep cut. In the song Drake claims Kendrick doesn't write his own music and uses the writers of Taylor Swift. Relating a rapper to pop music is seen as disrespectful.

INTERLUDE PART 1 (Roots)

Before I continue, I want to give a brief run down on how the public perceives these two rappers.

Drake portrays himself as a superstar, he's always on social media flaunting his success and partying with other celebrities, seeing alot of women and living a lavish lifestyle. His music is catchy, something you put on in the club. Most of his fan base praise him for his sick beats and witty lyrics. He's been in the music industry for a while and is no push over.

Kendrick Lamar is a very private person, doesn't expose anything about his personal life unless its on a track. He almost never gets into fights with anyone. He is a family man, stressing the importance of being there for his wife and son and encourages other fathers to do the same. His fan base praise him for his creative lyrics and highlighting the black American condition.

ROUND 1.2 (2 Warning Shots)

2 Day ago, Kendrick Lamar came back with his first official diss track on Drake called "Euphoria". In this song, Kendrick goes in on Drakes fake personality. Drake has always been known around the community as a bit of a poser, he grew up in Canada and was raised by his white mother, a relatively comfortable childhood. He was a star on the popular show Degassi when he was young. garnering him a fan base early in his career. Kendrick doesn't approve of Drake appropriating black American culture and acting like he some tough guy. When in reality he is a Canadian nerd thats disrespectful to 2pac. All throughout the song, Kendrick hits at things that many people have know about Drake, such as his behavior around underage girls. He also called Drake a deadbeat father who isn't in his son's life, even referencing his lost battle to Pusha T. Then Kendrick finally warns him that he has more dirt that he is willing to share if Drake takes things further.

Similar to Drake, Kendrick dropped another track called "6:16 in LA" later that day. This song focuses on Drake's environment, specifically the people he hangs with. Kendrick implies that Drake paid people to dig into his background and when they didn't find anything, Drake made up stuff instead. Kendrick then says that someone in Drakes group is leaking information to him about something even more serious. Also planting a seed in Drake's mind that his supposed friends don't actually like him, just like the clout from hanging around him.

INTERLUDE PART 2 (Pusha the Seer)

Taking a quick break again, we need to discuss something that occurred long before Drake's battle with Kendrick.

5 years ago, Drake was in a rap battle with rapper Pusha T, someone who was smaller than Drake at the time in terms of popularity. Pusha dropped a song called "The Story of Adidon" where he dropped a bomb that Drake had a kid and wasn't taking care of him. Drake initially denied it but it was later revealed to be true.

Since then Drake has never responded to Pusha T's diss track, making Pusha the current winner. And Kendrick is bringing it back into the light.

Round 2.1 (Knifes Out)

Around 2 am EST time of May 4th, Drake drops his diss track, "Family Matters" one of his strongest songs, switching his flow 3 times in the span of 7 minutes. In true Drake fashion, its a club song with a catchy beat. Like his previous diss, its aimed at multiple people but the main focus is on Kendrick, even bring up "I was really try'n keep this PG".

Drake doubles down on his black identity and mocks the fact that Kendrick and other rappers are saying he isn't black, (incorrectly assuming that they are coming at him for being mixed when the real issue is that he is appropriating black American rap culture as a Canadian mixed man who grew up in a safe environment) Drake not only calls Kendrick a fraud who only raps about black issues for attention, Or that his activism is performative. He makes a shocking claims that Kendrick is a wife beater. Then Drake says that Kendrick's son doesn't belong to him and implies Kendrick's producer was the real father.

The track caused an uproar. But only for the span of 15 minutes. Because Kendrick did the unthinkable.

ROUND 2.2 (THE NUKE)

Almost as if expecting Drake's move, Kendrick Lamar did what no one saw coming. He dropped his diss track "Meet The Grahams" about 15 minutes after Drake released "Family Matters".

This time around, in a fashion almost unheard of from him, Kendrick strips all the usual metaphors from his lyricism and structures his track like he is speaking to Drake and his family, 4 parts per individual.

Kendrick begins by speaking to Drakes Son, Adonis, the same son Pusha T exposed Drake for neglecting 5 years ago. He's apologizing to him for his father's behavior. Kendrick speaks to him softly but sternly like a mentor, telling him not to be like his father. Kendrick tells Adonis all the things Drake did and warns him not to do them too: involved with escorts, plastic surgery to appear more black, surgery to look more muscular, hiding a kid. (Kendrick stresses that Adonis is black regardless of being mixed, further highlighting that he isn't discrediting Drake's blackness because he's mixed but because he isn't being himself.) Finishing of by telling the kid to be proud of who he is.

The second half is Kendrick addressing Drake's mother and father, Sandra and Denise. Kendrick speaks to her like he's revealing tragic news, explaining to her that her son is involved in disgusting things. He goes down a list of things, his tone growing more intense and angry. Kendrick then claimed that Drake is employing and enabling pedos in his group, and hopes they die. Even implying that his group is going to be raided by the feds some day.

The third half is the MOST shocking of all. Kendrick begins talking to an unnamed individual, simply calls her babygirl. Similar to Adonis, Kendrick takes on a somber tone and apologizes to her for Drakes behavior. He says its not her fault Drake abandoned her, says that she is deserving of love. He warns her not to become a target for people like Drake to pray on and says she has so much to offer the world.

Kendrick revealed Drake has ANOTHER kid and isn't in their life! (Allegedly)

To close of, the fourth half is Kendrick speaking directly to Drake, his tone tired. He tries to reiterate that he doesn't have hate for him. However, Kendrick says Drake was the first one to go after his family and he couldn't let it slide. He once again calls for Drake to take the mask off. Then says this isn't a rap battle anymore, tells Drake he is fighting himself.

Epilogue (All eyes on him)

And so here we are, waiting for what will happen next.

Drake posted an Instagram story denying the claim he has another kid. But given what happened with Pusha T, we can't quite take his word for it yet. We should wait a bit to see if anything comes out.

Kendrick hasn't put out a statement on Drake's claims about him but given the recurring theme of Drake being a manipulative lier, Kendrick clearly denies it. Given how private he is, its difficult to prove or disprove it. Much like Drake's claims, we will have to wait and see if any evidence comes out about it.

Drake and Kendrick stans are at eachothers throats right now, arguing over who one and whats real or fake.

Right now everyone is looking to see if Drake is going to continue the battle or stay silent like he did with Pusha.

My Theory

Personally as an outside observer who only followed the beef for good music. I think this goes beyond a simple rap battle.

Here is my theory: Someone from Drake's clique told Kendrick that Drake and his producers were writing something about him. Real or fake, Kendrick was pissed. And so he drafted 3 tracks, dumping everything he hates about Drake into them. And then, with the leaker's help, Kendrick baited Drake into a battle, goading Drake to drop the "Family Matters" track so he can shut the battle down with "Meet the Grahams". Or maybe his first 2 tracks were a warning to Drake that if he released a track with lies on him he would reveal he has another kid.

I do think Kendrick initially had good intentions in trying to help Drake be a better person. But maybe the more he learned about Drake the less sympathetic he felt.

But I don't know thats just how I see it.

Thanks for reading my essay. I hope it made sense heh. I encourage healthy discussions in the comments and reblogs please. But everyone agrees that Drake is inappropriate with young girls. We won't argue over that.