#its a hell of my own making! i still have that last thing to draw & a stream test to do...

[carnivalcarriondiscarded]

On The Topic Of Eddie.

First of all, he’s completely fucked. He’s screwed. I’ve said it a thousand times and I’ll say it again: I’ve never seen a character more doomed by the narrative. 

Second, Eddie’s halloween costume was Frankenstein’s Monster. And pray tell, what was the Monster’s whole thing? That he’s betrayed by his own creator, rejected / attacked by the town, deeply misunderstood & interpreted as a violent beast despite being well-read and helpful/benevolent. There are some interesting ties there - especially with the Misunderstood Despite Being Well-Read (switch out violent beast with forgetful klutz and it’s a perfect fit). That, plus Eddie’s description of “...brought back from the dead… by the scientist… stitches… a deathly pallor… a bit of a moral conundrum…”

Take that and add it to how Eddie resembles the “night” side of the clocks (this will be expanded upon with Sally in a different post), and how @/theneighborhoodwatch once pointed out that the color purple is only shown in relation to Eddie & may represent secrets, how in livestream trivia it was implied that Eddie doesn’t sleep at night as he is a “busy guy”, and how Sally’s “monster” only comes out at night and likely isn’t a monster at all - she is dramatic, an embellisher, and said to present things that she herself doesn’t know / is uncertain of As Fact, or at least present them as if she knows exactly what she’s talking about (even when she doesn’t and knows it). 

Another tidbit that I may have mentioned but I’ll bring it up again: Eddie’s eyelashes match the scalloped trim under Home’s windows. Three round curves. 

As an additional tally in the “Eddie is soooo fucked <3” scoreboard, Eddie is the mailman in a story where one of the first things we knew to be actually happening was the WHRP receiving letters of Welcome Home media (now I’m not saying Eddie sent them, certainly not. He may or may not have had a hand in helping with the delivery, but what I mean with this is how it ties in symbolically/abstractly/thematically.) That plus the red envelope, the general unfolding delivery theme… Eddie even has a holiday explicitly associated with him - Mail-In Time Day. 

Then there’s the fact that Eddie tends to express Knowledge and a more worldly disposition, in a way. Despite Frank being mentioned as the neighborhood “intellectual”, and he is so with facts, Eddie seems to have a deeper well of… let’s say cultural know-how. Pair that with how his bio is the only one to say/imply that he comes from elsewhere, that he’s been Around. Everyone else came from their family or don’t have a stated before, but Eddie? He was strongly implied to have delivered to a lot of different places - this is made into a running gag, but we all know a running gag for the Show has deeper implications and meanings. 

And the fact that his genuine knowledge as well as his past are consistently dismissed and/or played off for laughs…

IMPORTANT NOTE FOR THIS NEXT BIT: I CANNOT FIND THE OG ASK OUTSIDE OF SCREENSHOTS SO TAKE ALL OF THIS WITH A MASSIVE GRAIN OF SALT, AS THERE IS THE POSSIBILITY THAT THE ASK WAS FROM PRE-2021 AND SO - ALONG WITH THIS SPEC CHUNK - IT MAY BE NULL & VOID. BUT IT ALSO MAY NOT BE! SO I’LL TALK.

A while back - this is related I swear - there was an ask Clown answered where they talked about some of his notes on Eddie. The first part that I want to point out is how apparently Eddie is a good source for information (specifically How-To), but despite being talkative he doesn’t share unless prodded for it. This directly relates to the above points. 

Then there’s the one I really want to talk about - how Clown says that “He [Eddie] has a great deal of precision for someone who presents themselves as a semi-clumsy busybody!” 

That single line made me insane, personally. First, the wording. The choice of saying presents themselves as instead of something like for someone who is. There’s an obvious discrepancy between his precision and clumsiness. Now I don’t doubt that he may be a tad accident-prone, but what if Eddie is dialing up the clumsy nature to disarm his Neighbors / craft a specific reputation for himself / give himself leeway in other areas. 

On one hand, this is suspicious as fuck.

On the other hand, this is so adhd of him. 

One of the things rarely mentioned about it is how sometimes we adhders will play up our more “useless” traits in order to create a bit of a social safety net. Admittedly, I will sometimes play up my forgetfulness so that a) if i do forget things (truth more often than not), people aren’t surprised. b) when i remember things, people are pleasantly surprised. I mean, if people start thinking we’re competent then they’ll start Expecting things from us, which is never a good thing! 

And another thing that relates to it that that ask said - Clown says in it that Eddie is slow to anger, but he gets frustrated more easily. Which is fascinating and very relatable. They also said that he can’t talk about it without wandering too far, which - if the post is viable - has… implications. 

Anyway I am very confident that Eddie is in fact adhd. List of reasons (refer to the wiki trivia Eddie Dear section for sources):

He’s forgetful

He gets so involved with a task and cannot break away until it’s finished, thus often making him late

He’s particular

He has a watch - likely to help him keep track of time, implying that he has difficulty with the concept (time blindness!) 

He is very talkative and rambley 

& seems to have slight difficulty with picking up on social cues telling him when to / when not to speak

He’s slow to anger but more easily frustrated 

Beyond all of this I don’t have much to add that I haven’t already talked about in a previous post! I’m sure even so I’ve restated some (or a lot of) things - it Happens! 

In conclusion: bbg is so screwed & also adhd <3

[pursuitseternal]

“A Life for an Unlife:”

Act 1 Astarion x f!Reader | E | 4K

Summary: The Rogue of your group has been a flirt, he’s asked you for a night of passion… but you know there’s more to him than just the vampirism he’s kept secret. After you make a reckless decision in battle, there’s more than a fever’s heat between you as he tends your wounds.

CW: Act 1 AU romance, wound tending, temperature play, hurt/comfort, feelings confessions, first time as pair

📸 by @casualya

Prompt fill for @wtv-my-current-hyperfixation

Ao3 Link | Astarion Masterlist

Goblins. Why did it have to be goblins? So many and all at once, they seemed to come from every nook and cranny in this Selûne forsaken temple. Panting, you scan the carnage, a few echoing clangs of blades still come from across the great big space, the crumbling walls bouncing grunts and metal strikes. Heart racing in your chest, you try to follow it, feet slipping in the slicks of blood as you round the corner.

Astarion snarls, daggers in hand, disarming the Bugbear he has before him. “You’re mine!” he growls, plunging his blade up into its throat. Then he smiles, pulling the knife free, bloodlust shining like glee in his crimson eyes as he turns towards you.

Gods, he’s glorious all spattered in gore, the crimson on his face and in his hair making those matching eyes of his almost glow. He smirks, drawing himself up, hiding the way his chest heaves from exertion. “Like what you see, darling? I could hardly blame you… If I had known it was violence that got you going, maybe I would have asked you to my bed under different…”

His voice continues to purr, even as he saunters slowly towards you. But movement above on the wall catches your eye. “Astarion!” you gasp, staring right at a wounded goblin, his ugly drawstring bow aimed right for your vampire.

Quicker than a breath, he grabs his own bow, reaching for an arrow… only to find his quiver empty. “Bloody hells,” he growls, those hands twitching as he turns. Then you see it, the look of fear in his red eyes. The faintest sound of the goblins bowstring tightening thunders in your ear even at a distance. And those red eyes widen as he braces himself for the shot. His body is already exhausted, bloodied and bruised. And you think with your instinct, with your magic. With your heart.

Magic flares from your hands, your body rushing in the dank dark air of the ruins as you teleport. His place becomes yours, that arrow meant for him, thus, also becomes yours. Pain slices into your chest, numb at first, the shaft in your chest barely registering to your brain. Just an ache and warmth covering your breasts as you begin to bleed.

You hear your name faintly, distorted to your ears, but definitely called from those lips you long to kiss. Astarion yells for healing, cursing for the Cleric to come. The world narrows to the wet ache in your chest and the fading sound of Astarion’s voice in your ear. Suddenly you’re on your back, the sky above you peeking through the broken temple ceiling is so beautiful you think… and the last thing you see is a pair of crimson eyes and a fluff of bloodied silver hair as a face swims into your line of sight.

Then the world goes black.

You wake to a cool wet cloth pressed to your head by a corpse-cold hand.

“Godsdammit,” you hear that silken voice no longer silken cursing above you, “get up, damn you.”

That wet cloth passes down your cheek, the sound of water wringing into a metal pan pierces the haze of your delirium. “Hells damn it, why did you have to use your blasted magic on me, idiot,” the snarl is rough, distant, his handsome face turned away as he curses your selfless stupidity.

Something presses to your lips. A smooth glass bottle neck, the tingling taste of healing potion dripping into your mouth. “My last healing potion,” he mutters, “all because you were a damned fool to take that arrow just to save my sorry hide…”

“…it’s a handsome… hide,” you mutter, lips half-stuck together as you swallow the potion. You’re not even sure he could understand what you said let alone hear it. As you come to, you realize your skin is damp with water and sweat, your body wracked with shivers. Your skin is hot and cool all at once. Fever.

His hand clenches the bottle, those sure fingers shaking as the glistening red liquid dribbles down your chin.

“Hells,” he curses, wiping it away with the calloused pad of this thumb. “You’re awake?” He clears his throat, “I mean… of course you’re awake.” His gaze narrows, flirtatious and self-assured. “With these skilled hands attending you, you’ll be right as rain in no time.” He wrings the towel in the dish to press it to your brow. “Back on your feet and being foolish and selfless in no time.”

A few swipes of cloth, and he tosses it back in the basin. He turns his back, one hand reaching around to press awkwardly behind him, fingers digging through the worn fabric of his shirt. A strange motion, one you think has more to do with his internal dialogue than the one between you. You part your lips, voice dry and rough. “Astarion, I…”

“Save it,” he snips, “I can help tend your wounds, but I can’t fix stupidity. Foolish, selfless hero. Did you not get enough heroics killing goblins? Not enough finding the Archdruid and wiping out a Hobgoblin and a Drow? You just had to save my sorry ass too?”

His voice grows shrill. That collected purr, the one that rumbles deep in his chest and makes your thighs clench, has disappeared. He sounds frantic. Manic.

Afraid.

You never once imagined you’d see a vampire afraid before. You open your mouth once more but he just shakes his head and interjects again. “The gith went to hurry after the fabled Halsin to bring him here to heal you properly. Even Shadowheart’s powers could only do so much.” He grumbles, annoyed and irritated. He’s… sulking. As if he was the one shot.

“The hells is wrong with you?” you manage to grumble through your parched throat.

“You should have let me take that arrow.” He snarls, voice pressed and quiet. “I was the one dumb enough to run out of arrows! I was the one unaware of my surroundings! But no, you had to save me… to make me look like a fool.” He pauses, worked up into a frenzy, chest heaving and everything. “You… you swapped with me…”

You realize it’s a question… of sorts.

Before you can give answer, he shoves a skin of water in your hands. Then he moves to the flap of your tent. “Where’s that gods forsaken Druid? I need healing here! Now!”

You guzzle down the water, feeling it cool on your feverish skin. Sputtering, the noises draw Astarion’s attention back on you. “Fucks sake,” he curses kneeling back down beside you. His fingers feel like ice on your flushed and fevered face as he wipes the trickles of water clean. “You’re a fucking mess, Al becuase you had to play the hero. And see what heroics get you? An arrow in your chest and a fever as you recover. That will show you not to go around caring for others.” Those magnificent silver brows furrow as he turns to get fresh cool water to dampen your sweating face.

He grinds his teeth, that sharp corner of his jaw clenches and unclenches. Even feverish and sweating, you can tell there is so much he is withholding.

Your head swims as you watch him brood. Shivering, your delirium surges as you vaguely watch him turn his head and disappear through the tent flap. Rustling… footsteps… another cool glass bottle presses to your mouth. Another potion trickles down your dry and gasping throat.

“It’s an antidote, in case that arrow was poisoned, and Halsin is on his way. Just… hold on.” He whispers, more to himself than you. “This isn’t what you deserve darling… but me… I would have deserved this. You’re too good to suffer.” He’s definitely muttering to himself now. “Hells, you’re still burning. I need to get you cool, to stem the fever.”

You hear the sloshing of water and force your eyes open, raising a shaking hand to grip his wrist.

“You’re cool,” you breathe. “Your skin is… ice cold…” you pull his hand to your sweating face. The relief is instant, his undead body soaking in the fever-flush of your cheek.

Astarion gives a half-hearted, breathy laugh. “Any excuse to get my shirt off, I see? Though I remember someone not being entirely receptive to previous offers to view what lies beneath all this,” he taunts, a forced air of flattery. But the knit of his brows, the wet shine of his red eyes still betrays his worry. “No matter,” he continues, pulling off that cream ruffled shirt to reveal the hard planes of his body. “Better late than never.”

His fingers flex, peeling the blanket off your chest to reveal your breasts bound in linen. “It’s been some time since my body has been warm, let alone feverish, but I do know we have to keep you cool.” Graceful and stealthy, it almost feels like he sneaks up on you the way his body slides against yours, your chests pressed together. Your belly rises rapidly as you pant. Your fever, no doubt. Yes, that’s why your heart thunders beneath your ribs and why your breath is shaky and quick.

The more his corpse-cold torso presses into the softer flesh of yours, the clearer your head grows. Antidote or healing potion or just the cool comfort of his body… whatever it is, it’s working. You feel your senses steadying and your body ground itself.

But you can’t bring yourself to look into his eyes, settling for letting yourself be cuddled and cooled in his arms.

He holds you carefully, like a figure made of glass. The smooth, cool press of his body blankets you and the fever flush and pain of your wound dissipates. You feel almost back to normal. Except for a new kind of heat roiling in your lower belly.

You try to ignore it, but it only worsens the longer you lay skin-to-skin in Astarion’s arms. You try to force your breathing to even out, to will your heart to slow and your limbs to ease…

As if you were asleep, sneaking this moment in his arms. Something you’ve wanted for a while now, but have been too nervous to attempt. He’s always been too flirty, too cocky, or too seductive. You know there is much more behind his show of confidence than he’s revealed to you. So you close your eyes and listen to the slow thump of his undead heart.

It’s quiet as you rest, Astarion barely shifts, barely breathes as he cools you with his skin. Lost in his own broodings and musings. He rests his head on yours, so much intimacy, you realize he thinks you must be asleep. Then he breaks the silence, his inner dialogue escaping him, you realize with a smile.

His voice is like the whisper of cool silk on your skin, his nose pressing into your temple. “You know, I didn’t care much for you when we first met, and the jury’s still out on your heroic tendencies,” he murmurs into your ear. “I’m only saying this because you’re one foot in the proverbial grave, but… please don’t die. I couldn’t bear to have you die because of me. I couldn’t live with it… or… well, be undead with it…”

He laughs at his own joke, his own best audience with you barely conscious in his embrace.

“What’s a life for an unlife at any rate. You’re the first person to say that you cared whether I lived or died, let alone take action to save my life… or my unlife… oh whatever.”

He frustrates himself, his own words getting the better of him.

And you laugh. It’s faint, just a small giggle. But those keen pointed ears twitch at the sound, the hard planes of his belly feeling your own jiggle with your chuckle.

“Hells,” he curses, raising a hand to pinch the bridge of his nose. “You’re awake. You… heard all that?”

Slowly, you lift your head, meeting his hesitant and guarded scarlet gaze. He waits, cautious and careful. After all, he’s spent two centuries as a slave, and given all he’s revealed, it’s clear he’s waiting to see if you’re worthy of trust.

You can’t help but mold your lips into a reassuring smile. Your voice is stronger than he anticipated, the light in your eyes brighter and not with fever-glass. He smiles back as you reply. “You’ve borne enough pain in your life, Astarion. I figured it was time someone else could shoulder the burden. Besides,” you groan, wincing as you shift to reveal the bandages on your chest, “you don’t need any more scars…”

He stiffens. “What do you mean?” he blusters, a show of cocky ignorance. And you just calmly reach around to touch his back, riddled with strange scars.

“I saw you bathing last night in the stream. I… don't know what they mean, but I know you didn’t get them in battle.” Your voice trails off as he stiffens.

“It’s a story for another time… a reminder of Cazador, my old master,” he clenches his jaw, a signal that he’s given you all he will tonight. “At any rate those are wounds that have healed, unlike your festering arrow wound.”

You shiver as he pulls you closer against his cool skin. “At least there’s some plus side to being undead,” he teases, “though… I can’t think of many others.”

You give a feeble laugh again. “You… have many things in your favor. Your quick wit, your deceptive charisma, your determination when you finally find something you set your mind to, that is.”

That makes him laugh too, his hands winding to your back and sliding to grip your ass. He pulls you impossibly closer… and… is that his leg pressing between yours?

“You forget so many of my other advantages, darling. My refined good looks, my impeccable hair, my silver tongue… my mighty fangs….” The last attribute he shows off with a cheeky smirk before dragging them over your neck right in that spot where he’s fed a few times from you.

Your breath catches and your head swims again, and you're pretty sure that the antidote has healed you already. Your fever is lessened, and now your body just burns. That ache in your belly moves lower, settling its weight and pain between your thighs.

No, this is a sense of overwhelm, a heady rush of want and heat as he pulls you hard to press your fevered skin to his ice-cold chest.

You murmur his name against the smooth cool expanse of his chest as you bury your face again.

“Speak up, darling. I’d hate to miss a single sweet syllable from your lips.” Chilling fingers press under your chin, lifting you up to meet his guarded gaze. “Now that I’ve got you right where I’ve wanted you, I’ll ask you again. Why did you save me? Why trade your life for mine? A life for a life is no inconsequential trade…”

The air in your lungs burns. “That’s because what I feel for you isn’t… inconsequential.”

There. It’s done. You said it. The words that have burned in your belly and scratched at your throat every time you locked stares with the fucking vampire… you finally let them out. Finally admitting that you do… feel… something.

His chest is still, neither inhaling more exhaling, crimson eyes scanning your face for deceit or sarcasm. But no. You just stare back at him as your lower lip starts to tremble pathetically and your eyes prick with unshed tears. You wait an ungodly amount of time for him to finally exhale. His breath is cool, especially on your sweat-soaked cheek. “Truly? Is that what you learned from all this?” His words are meant to sting, but his voice quivers with stifled emotion. As if he’s trying to be the arrogant arse he usually is.

“Hells,” he winces, “you’re serious about this? His elegant hand gestures to the minimal space between your chests. “About… us?”

It’s all you can do to meet his stare and try not to cry.

“Not a tenday ago, and the very idea of being held in my arms made you cringe,” he teases, brow arched, conceited smirk on his thick lips. “I’d ask what’s changed, but…” he glances to where your bandages still cut into your chest, dried with blood. “Staring death in the face can give you a new perspective…. Like making you want to stare undeath in the face instead.” His brows furrow, his hand absentmindedly traces over his own twin scars.

For a moment, you think he’s being humorous at your expense, but there is only a far off glint of grief and suffering in his eye. You reach your warm palm to cup his cheek, his name a summons on your tongue. “Astarion…”

Your tone is strong, your breathing rapid, and no doubt he smells the hot arousal that has settled in your belly.

His name on your lips is all the encouragement he needs.

That piercing gaze returns, sharp and hungry. “Need I remind you, I offered you a night to escape all this madness and you… refused. So what’ll it be now, darling?” You feel a cool palm inside your thighs, his own leg gently pushing yours apart. And that gaze deepens in intensity, dilating. “Is this it? It’s what you want… isn’t it?”

You can’t move, can’t breathe, can’t even lift your head to reply. And that smooth, chilling hand travels higher up your leg.

“You’re burning up, darling.” Those arrogant, smirking lips press to your pulse point, just a hint of fang points stabbing into the same spot that’s starting to scar from his near-nightly feeding. “And… I don’t think it’s your fever. Far as I know, fevers don’t make one’s cunt this wet and needy…”

A whine slips past your lips, your body shivering again as your legs splay just a bit more.

“Perhaps I should reward you for saving me the trouble of being shot, a little something for you?”

Before he can slide his hand higher into your underthings, you reach to stop him. “Wait,” you hiss, panting with need even as your mind screams at you. “I… I don’t want this to be a transaction. I want to do this because I want you.”

Those red eyes flare wide, his pointed ears dipping and lowering. A flash of vulnerability even as he rolls himself on top of you.

“Of course you want me, there’s nothing more desirable in the world than a vampire…” the words that come from his flat-lined mouth sound bitter.

“No, no,” you insist, running your hands up to brace his face. “I want you because you’re charming and funny, you’re lonely and hurting, and… I want to make it better for you.”

He freezes, body still pinning yours to the ground, hips pushed into your sex, hands stuck at the back of your neck. “A life for a life, you already spared me an arrow, and now… you offer to help me again?” The words are barely audible, incredulous. If it wasn’t for the narrow distance between your mouths already, you would have thought it was just a voice on the wind outside your tent.

But that cool breath that sweeps between your open lips is all the encouragement you need. You pull him the slight distance between you. Just a kiss. Just a press of his full, gaping lips against your pursed ones.

That’s all it takes, as something snaps into place between you. Now, he’s the one feverish with need, the one beginning to sweat as his hands pull your head back, his mouth working ravenously into your kiss, and those trim hips thrusting his hard cock against your sex.

That grind of his clothed body into your underthings makes your pulse gallop, your heart nearly bursting more now than when a goblin arrow lodged itself near it. Your back arches off the ground, his grip turning your head just so, the perfect angle for his fangs. He bites and drinks as the freezing numbness of his fangs soothes your heat. And yet it makes you all the wetter for him. Your underthings are soaked, the fabric clinging to your folds, dragged to the side by his bulge as he dry fucks you and feeds.

“More, Astarion,” you keen as you buck your hips in time with him. And that sloppy, bloodied mouth lifts from your neck. His eyes are black, barely ringed with scarlet as he pants into your face.

“You sure you’re up for this, darling? Because once I start…" His voice is slick from feeding and rough with lust.

All you do is move your shaking hands to his leathers, finding the fastenings to free his pulsing, flushed cock. His lips quirk to one side, that blood-dripping mouth curling into an even hungrier smirk. “I am right glad you’re feeling so… lively after nearly dying,” he tries to smooth his voice back into that silken purr, but his body is wound too tight. His hand reaches to tease your folds and bare your cunt completely beneath him.

You smirk, pressing your parted lips to his. “Lively, but… perhaps I’ll try that little death you’ve offered me…”

Grit teeth and grinning, he presses that blunted tip at your entrance, a few shallow dips to test your wetness before he pushes all the way inside. Those red eyes close once he’s buried to the hilt. Just a breath of a groan or a laugh, you can’t tell which. All you know is that you will do anything in the future just to hear that sound again. For all his bluster and hunger, he pulls back and pushes in so agonizingly slow. For as quickly as he feeds on your blood, he fucks you tenderly, savouring the drag of his cock against your walls.

Grasping at his neck, you feel the dirge tempo of his undead heart quicken slightly, his skin, still cool, warms just a touch as it grows slick with sweat.

“Hells,” he groans with another breathy giggle, “you’re tighter than a Cleric’s tourniquet.” Those hips undulate, hands still threaded into the mess of your hair. “I fear I won’t last long, not with how much I’ve wanted this.”

His tongue licks at the blood that still sticks to his lips and chin. That thrusting pace quickens, and your hips rock faster to match. Fingers slip to find your clit, teasing it, circling it, pinching it even as his own thrusts grow erratic. You whimper and moan in excess until the heat of your fever dissipates, and the wave of hot pleasure floods you in its place. Your curl in on him, legs gripping and shaking around his waist, arms pulling his chest to bear down on yours even harder. You lose where your body ends and his begins, save for the heated flush of your flesh and his cooler, undead body.

He makes that same coveted noise, the one between a gasp and a laugh, and he does it right in your ear as he comes. He claws around you with the same tenacity as you, as if he can’t bear to be separated from you. Not now. Not that you’ve given him so much… life. Nearly your own life… in exchange that he might feel alive for now, and maybe forever with you.

Thank you to @astarionancuntnin and @nyx-knox for reading it over ✨💅✨

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[ihatedtoadmit]

Art study

pairing: Bang Chan x gn! reader

genre: ...suggestive

warnings: nothing actually happens, so none besides teasing

word count: ~1.3k

summary: You're doing an art study on muscles, and who's a better candidate for reference than your wonderful boyfriend who keeps feeding his delulu fanbase with half-naked pictures?

a/n: Well well well, Nat, you don't have to pay to see me write something like this after all (if you will ever see this, because no chance am I tagging you or anyone, dear). Here, have fun, this is the most spice anyone can get out of my asexual ass.

↳ Main Masterlist

All rights reserved. Please do not steal, repost or feed my work into AI. Thank you!

You were a very reserved person, something your partner knew all too well. Every touch the two of you shared throughout the entirety of your relationship had no heat behind it, each one only fueled by pure adoration and love. Never once did a kiss turn hungry, hell, there had barely been any kisses the two of you had shared due to your lack of need for the action. Chan knew it all too well, and while he craved more, he also respected it. The last thing he wanted to do was to make you uncomfortable, and so he’d never stepped over that line.

That was the exact reason for his current shyness, the confusion that wanted to sit onto his face hard to mask. There he stood in your doorway, the desk before your hunched form cluttered with pencils and little crumbs of dirty erasers. You were entirely too focused on the task at hand to notice your boyfriend's presence, the song that flowed through your headphones much too loud to hear any footsteps or even words. And so you continued drawing, clueless about anything as your lover watched you work, eyes flitting between your sketch and the endless reference pictures on your screen.

Pictures about him, his back fully on display and unclothed.

A touch broke you out of your concentration as you erased a line for the fourth time, scaring you into throwing away the pencil in your clutches just so you could tear the headphones off your head.

“Interesting art you have there, love.” - Chan mused, yet his skin was as flushed as ever.

You joined him as you could feel your own skin heating up, ashamed that you’d been caught like this. Eyes looked at everything besides your boyfriend, yet you found comfort in that warm touch of his.

“I was just… doing a study, on muscles.” - the words were but a mere whisper, hand quickly reaching to minimise your browser and just hide it from a certain pair of prying eyes.

Still, there was a feeling clawing at the cage of your soul, ripping at the flesh to be let out and rampage freely. It was feral and vicious, planting a thought into your head that seemed impossible to get out, no matter how alien it felt. You could feel your breath hitch at the image that popped into your head, memories of the images you had been staring at for a while now overlapping.

The hand on your shoulder gently squeezed, breaking you out of your derailing thoughts.

“I don't mind, baby, it just… caught me off guard? Glad you enjoyed my performances though.” - Chan’s voice was light, mixing well with the shyness he was trying to hide.

It only urged that fierceness inside to break free, granting you a surge of confidence you would have never had otherwise.

Without any words you finally glanced up at the man you loved, finding him utterly handsome; you would hone your artistic skills for the rest of your life just to capture a fragment of that beauty. His skin was dusted with a faint red, ears painted by the deepest of shades. Those eyes you loved to get lost in were alight with an emotion you had seen them only hold whenever he looked at the boys, and it took your breath away within a heartbeat.

Your body moved on its own, towering over him as you now stood. His hair was still slightly wet from the shower he must have just taken, and you just knew he had been originally on his way to his room to swap his bathrobe for those comfy, black clothes he loved to don in his free time.

He searched your gaze, unsure, yet trusting. His hands comfortably placed themselves onto your hips; their touch was warm, the man before you always running hot. It was something you loved as he balanced out your always cold hands wonderfully, reaching the perfect temperature you both enjoyed.

“Hey, love. How was work today?” - you asked, leaning closer than usual as you swiped those dark curls out of Chan’s face. He leaned into your touch, eyes closing for a second as he thought about his answer.

“The usual, although Hyunjin managed to piss off Minho again. It was a shoe this time that was the weapon, by the way.” - there was an airiness of joy to his words, yet no laugh accompanied it.

No, Chan was entirely too enamoured with the look you were giving him, as if you were worshipping him with your eyes alone. And maybe you were. With each look you studied the way your lover's skin moved, the shadows conforming accordingly. It lured you in, as if Chan was the siren and you were his prey, fated to be drowned in the vast oceans and seas.

He didn't move as you took him all in, hands eventually unable to keep themselves away. Your fingers were cold against the warmth of his fair skin, and you could hear his breath hitch, the muscles inside his neck moving beautifully.

There was something different in your touch, that much he knew, yet he wouldn't have it any other way.

As if you had never seen anything like it before, your hands glided over any free expanse of skin you could reach, memorising how the muscles hidden beneath curved and jumped at your touch. Never once did your eyes stray, wanting to remember every little detail. You wanted your art to be perfect, after all, to represent the real thing as closely as possible and that meant every little detail in their complete glory.

Your eyebrows furrowed as the white robe blocked you off, and so you slightly slid it off from one of Chan's shoulders. His hold on you tightened and you glanced at him briefly, seeing an intensity burning in those dark eyes, one you had never seen before.

You were playing with fire, and you could feel the heat of the danger.

Despite the clear wanting signs, you ignored them much like Icarus, hands now gliding down your lover's arm. Each touch held meaning, praising him in silence, singing odes about this man’s beauty. There was something so intriguing about watching the muscles connect to skin and bone, oh so perfectly toned and reacting to every touch of yours.

You stepped even closer, breaths mingling together as you reached into his robe, mapping out the vast skin of your partner's back. Every dip, every rise and imperfection was noted inside your head, the scorching star in Chan's eyes only growing in intensity as time passed. Your eyes flitted between those deadly stars and his neck, seeing it strain, muscles so tight that they jumped out of the skin in that lovely V-shape you could never grow bored of.

Then, as if something snapped, he gripped your waist with incredible force, not giving you a chance to escape. Despite that, no fear took residence inside you, your now warm fingers still laid peacefully on his shoulders.

“And what do I owe this extremely special moment to, baby?” - his words were a deep rumble, eyes begging for an answer with desperation.

“For being the most beautiful human to grace this planet, my wonderful love. Be my muse, please. Let me draw you, let me study you.” - you answered, one hand now cupping Chan's cheek tenderly, despite the uniquely heated situation.

As if that was the magic word to undo his binding, your lover moved, hauling your taller form easily onto the bed with him. There you were now, sat on his lap as he looked up at you expectantly, the intensity and love never diminishing in those bright eyes of his. Your sketchbook was still sitting beside you on the bed where you had originally thrown it at, hands itching to take it and immortalise what you had engraved into your mind in the past few minutes.

“I'll be your muse whenever, baby. All you needed to do was ask.”

[amalthiaph]

I took an interest in The Bad Batch around the tailend of S2. It's not news to Tumblr that I almost slept on this show. And I cannot thank Caleb Dume enough for being the reason why I pressed the play button for this one. While I haven't been around for most of its active run, and I wish I had been, the last year has been among the best months of my life.

This show challenged my morals, and taught me lessons that I will forever take with me.

Tech taught me to embrace and take pride in who I am. I now think that I am not something that needs to be cured. I needed to be understood and accepted. He taught me that we deserved to be loved and be allowed to live the way we want to (as long as we are not causing harm to ourselves or to others).

Hunter taught me that at the end of the day, we're all still humans. We make mistakes. We fail. But we can learn from them, and we can strive to be better. And I should also take care of my hair bec I cannot accept that a man in a galactic war have better hair than me (Okay, did you honestly think I'm gonna be serious this entire essay?)

Crosshair taught me that at the end of the day, we really are still humans. Sometimes, we make choices that not everyone will understand or agree to. Sometimes, we don't even understand our own choices. But we can learn from them, and we can strive to be better. And that I should also go to therapy bec istg my hand shakes like hell I always need to rely on a pen stabilizer when doing my artworks.

Wrecker taught me that in this world where we can be anything, always choose to be kind. He is a great man who would always be there for everyone, and I hope that one day, I can be that person too. He is afraid of heights, but he climbs and go on high places anyway. Like him, I should also start conquering my fears. Dear Wrecker, I did try conquering my fear of heights last March 9 but I can't. I will try again.

Echo taught me to always fight for the greater good. Almost two years ago, me and a group of people campaigned for a great tomorrow. With pink flags and pink balloons, we worked on our little thing I like to call our rebellion. Sadly, we lost. At times, I am thinking of just giving up bec that's democracy and I cannot go against the people's decision, but characters like Echo and the rest of Rogue One taught me that nothing should ever stop me for fighting for the people's rights and that my love for my fellow citizens should always come first before hatred.

And lastly, Omega taught me to be curious, or more likely to not be ashamed for being curious. Learn about the world. Learn about lots of things. We never know when we need it. While I could say be good at strategy and win 30 grand on card games, nahhh, I'm not that smart.

I also learned to reevalutate myself as an artist. This show taught me integrity. I had ranted about this lately but these characters challenged me in terms of art. I knew that the creators aren't best at proper representation. While I could draw them as they are in the show, I choose to stand for what is right, and represent them as properly as my skills could. In the more technical side, I became good at drawing armors. And this little Actors AU Draw Series taught me to be responsible; I tried my very best to create and post them on time. This increased my productivity.

But enough about me.

There's something I realized two nights ago; we, the fandom, are Bad Batchers ourselves. We can consider ourselves a family, but not one of us is the same and we're all interesting, and capable in our own unique ways. We can have our own opinion and stand about something and still coexist. Like our favorite charactera, we embrace and celebrate our differences.

This show may end. No more Bad Batch Eves, no more cryptic tweets that cause us to hyperventilate, no more Bad Batch Wednesdays but it will live on, through us.

I know there will be a day where we decrease in number, one by one, little by little, but still, the show will live on through our actions, our opinions, our choices we make after May 1, 2024 because I know that all of us were changed in some ways by these characters and this show.

To the crew, your cryptic tweets caused me sleepless nights, but thank you so, so much. It is through your hardwork that we had this wonderful show. Thank you for making every second of the past year so worthwhile and enjoyable for me and for everyone.

However this show will end, whether happy or sad, I am glad it happened. However short my time was with them, I am happy I had been here. However short my time with everyone in the fandom was or if some of you leave one day, still, thank you so much for being part of my life; I am so happy I met all of you.

To Clone Force 99, thank you. I've never loved anything like this before. May the Force be with you.

[comicaurora]

What are your thoughts on guardians vol.3? (If you have watched it) I went into it, expecting it went to the garbage like the rest of the mcu, but I was pleasantly surprised by its creativity, trope subversion, and how it wrapped up the previously unresolved arks of its characters.

That's what I've heard!

The thing is, Guardians 3 could be the most transcendent work of cinema ever made, and I'd probably still feel little to no motivation to watch it at this point. It's not Guardians's fault - it's just suffering from the same problem that superhero comics have been struggling with for decades: no matter how good an individual arc or run is, absolutely nothing good lasts or matters in the long term, and the stories are shaped in such a way that "the long term" is the only thing anyone gets to build towards.

Whenever I complain about the MCU I get a handful of people loudly complaining about my complaining, with the general thesis that if I don't like it I shouldn't watch it or talk about it - if I'm not having fun, just stop engaging with it. And the thing is, I have. I am intellectually interested in why this massive franchise is fumbling the bag so hard, which is why I still check in on it sometimes, but I've long since stopped turning to the MCU for uncritical entertainment. And even the good movies or shows with a lot of interesting ideas - good character arcs, fun concepts, interesting planting for future payoff - don't draw me in anymore, because they're hooked into a massive moneymaking machine that will scrap and squander anything if they think it'll make them more in the quarter. It doesn't matter how good the writing is, because the writers are not allowed to tell a complete, finished story, and they have no control over what happens to their characters outside of their own script.

Captain America's arc was set up from literally minute one to answer one burning question at the core of his character: does a world without a war still need Captain America? After that incredibly basic tee-up at the end of First Avenger, half a dozen movies failed to come up with a reason to say "yes," and now Steve is retired for good after getting fumbled through four different storylines that couldn't even pretend that they needed him (the unused Chekhov's Phone from the end of Civil War still haunts me). The foundational arc of his entire character never happened because nobody bothered to keep track of it past a single movie.

Taika did something interesting with Thor in Ragnarok - take away Mjolnir, force him to recognize what it means to be the god of thunder, give him a very Odin-y missing eye - and the very next movie undid all of it. Just kidding, never mind, here's an eye and a new weapon and also his old weapon again, and in one more movie we're even gonna give him his hair back, probably as an apology for all the completely unironic fatphobia we're gonna slather him in for two and a half hours. I'm not even surprised Love And Thunder was such an overblown mess that barely took itself seriously - why would Taika bother trying to give Thor another arc when the powers that be will just roll it back in six months anyway?

I hear Rocket Raccoon has a fantastic arc in this movie. That's great, and demonstrates that he's being written by a writer that deeply cares about him. But he's part of the MCU, and the MCU doesn't let anything end, so if current patterns hold, Rocket is going to continue to serve as quippy plushie-bait for the next dozen movies and none of that depth is going to come through in the long term. Hell, since they're making Kang noises for the Next Big Threat and Kang's entire gimmick is rewriting timelines, literally none of this is guaranteed to matter. By next year, it might not have even happened anymore.

The MCU has successfully shaped itself into a paradigm where the bright spots of good writing are overridden and lost as soon as the writers room turns over, and that makes it really hard for me to muster up the enthusiasm to watch even a really good movie that's locked into the exact same grist mill as everything else. I'm glad people liked it, I hope it gets to stay good this time - I just have no desire to watch it.

[drenched-in-sunlight]

Your genuinely one of my favorite elden ring artists, what would you say is your favorite aspect of elden ring just in general

this might be a big revelation but i think my favourite part about Elden Ring is i... actually don't really like it until the DLC.

the way the base game presented a kinda basic and fragmented story, one i'd even say i were underwhelmed about. because i went in expecting Sekiro-level of character driven writing (they did promise that in an interview) and what i got... ehhhh. that's why my fanarts for the base game is literally just fluff pieces and shipping Malenia with another character altogether that isn't even in the game. meanwhile my AC6, Sekiro and Bloodborne art... i think you can tell i have a very deep emotional connection to those games from the kind of work im putting out for them. (hell, before the DLC i actually was thinking "well i'll probably only draw some general fanarts after the DLC then go back to draw more JJK stuffs lol" famous last words)

but holy mother of God the way the DLC completely blew everything tf up.

sorry Fromsoftware, i were not aware the Sekiro character-driven part is actually about the DLC. im sorry im still not familiar with your game yet 😭

(this turns into a mini rant so imma put it under cut OTL)

before, i were pretty "...." about Elden Ring female cast. i think Melina appears too little, i think NPCs like Fia and Roderika... i can't figure out the significance of them within the narrative at all. and it kinda upset me because it feels like they regress back to the helpless / fanservice maiden trope that was usually seen in DS franchise for no reason. i don't like how Rennala ends up as and i don't like not knowing why Radagon did that to her (which turns to me not liking the way it became a popular fanon that he actually loved her he was just bound by duty etc etc...i mean what?), i actually don't even really like how Malenia's barely-there story turns out (but that's a rant for another day).

as standalone characters, sure, i'd say they all have their own merits, but if they don't play any role within the narrative... what's the point then?

but all of that is because back then, we literally did not know what's Marika's deal either.

and so she became this cardboard that everyone pins all the crimes and bad things in the world on, which is... fine? makes sense. but the following line of reasoning that she did all that because she's just...like that drives me up the wall. if i want another "woman bad" story i'd just replay DS2 😭

and that line of thought also distance her from other characters in the game. those stories are not lining up, so we literally see no point in anything.

but by giving us Marika's story in the DLC they:

shine light on the possible division between two Numen factions (Anna & Jolan story + Sword of Light & Darkness // no one is left in Marika's home (those embraces Light/Gold/ Greater Will and its Stars children) vs the Numens in Eternal City (those embraces Dark/ Black Moon/ opposing GW and its children)

the discontent with the Moon and how there are those who will never accept it as being equal to the Stars

the other half situation

the Marika's eye colour possible reveal (link her to Roderika - Roderika as a reflection of the maiden Marika once was and probably still is deep down)

give Godwyn more agency in his ending (his personal knights are on a quest for Age of Duskborn) -> link Marika to Fia (Fia as a reflection of the mother Marika is)

draw direct parallel between Messmer - the child carrying Marika's vengeance for the past, to Melina - the child carrying Marika's hope for the future

Marika as a God full of human flaws >< Miquella as a God devoid of all human emotions. both are bad in different ways. but share a same gentle origin of a simple wish for a kinder world.

the DLC singlehandedly swipes clean every problem i have with the base game. like im actually in awe they managed to do that so efficiently 😭

all that is to say. my favourite aspect of all is truly how one's perspective of this one character could alter the entire story.

i still dislike the interpretation that Marika is cold and heartless or that's she's cruel for no reason, but at the same time, i can see how ppl viewing her that way affect how they see other events in the game. just like how my view of her changes my entire view of the story itself too. and i just love how the writers pull that off really skillfully. man. and i think that's sth so unique to videogame storytelling. it's amazing!

[ohtobeleah]

Was It Over? // Jake Seresin

-> Chapter Ten: [The Potato Head Society & The Other Guy, Jarred?]

Summary: Jake helps you shave your head in hopes of keeping your power and control. Facing your own mortality makes you question your faith in a higher authority and Jensen and Jake met for the first, and what you hope, will be the last time.

Warnings: Sick!reader. Breast cancer diagnosis. Jake Seresin x F!reader. Angst, hospital & medical inaccuracies. SLOW BURN ROMANCE/ Inaccurate medical information. Relationship turmoil. Mentions of religion

Word Count: 4.2K

Author Note: It's no secret I've been having a little bit of a rough go on this hell-site as of late. But I'm still here, working on this series. Seeing your weblogs, comments and concepts truly mean the world to me. so please, don't be hesitant to share.

Series Masterlist | Main Masterlist

“My only real advice for this kind of thing is this.” Jensen sighed as he stood on the steps of his townhouse with you. Coffee in one hand, end of life brochure in the other. Things had taken a rather drastic turn for him in the last few days. After your birthday, his health started to drastically diminish–so much so that his doctors weren’t too sure how much time there was left to combat the cancerous cells spreading through his body. “Go right through it.” Jensen smiled, never once did you ever see his positivity falter. “Like right through it, feel it all, be in it, don't avoid it because the moment you start avoiding it is when it's truly won.” 

Little Sammy held your hand as you stood next to Jensen–he was too young to understand that the man talking to you was dying, hell, you weren't even sure if you understood the significance of the pamphlet Jensen had picked up after your first CCA meeting. He’d told you it was for a friend, little did you know that friend was standing right in front of you. 

The Cancer Counseling Association held biweekly meetings at the hospital. You hadn’t planned on attending when your oncologist, Doctor Morrison, had first mentioned it. But when Jensen said he’d been going almost religiously for three years? You thought, what's the harm? 

The harm was it was depressing as fuck. 

“You go completely in the tough times, feel everything and get out the other end of it all.” You’d asked Jensen something along the lines of how he’d managed to keep fighting all this time and still be so positive about life and all its underwhelming rewards. He was for the most part, a happy guy despite it all. But even the strongest of soldiers have an achilles heel. 

Jensens just so happened to be the fact you were forbidden fruit, he wasn't about to tread on another man's toes. Especially when he was tiptoeing towards the sweet release of death's gentle hands. None of that stopped his heart from racing whenever you smiled though. 

“Many of these things you don't have a choice in.” Jensen continued as his eyes lingered down to little two year old Sammy who stood holding your hand in his. If anything you needed the encouragement to fight this battle for your children. “You know, fuck, whats that expression?” Jensen mulled it over as you chuckled, still standing on the path right outside his street facing townhouse. “Uhh–oh yeah! It's not how well you walked through the fire, but how you walked through it regardless.” 

“I think I'm just barely crawling through the flames right now–” You answered honestly. There wasn't a nice way to say he’d looked better than he did right now, with sunken eyes and skin that looked as if all the life had been drained from his soul. 

So you never mentioned it. 

***~***~***~***~***~***~**

“So—“ The library wasn’t Jake Seresins favourite place to go, but there was someone who made the isles of hard covered literature easier to understand that always seemed to draw him in. Like a moth to a flame. “Did you have a good Christmas?” The silence that followed as you stared across the desk where you were processing returned textbooks had Jake's heart racing, he couldn’t read you and that fact made him all the more nervous. “Or not? If you’re Jewish maybe? Don’t celebrate Christmas that’s cool too I just thought—“ You had to giggle at the college football star standing across from the reception desk with his elbows leaning on the ledge. Your smile was pure happiness, it wasn’t hard to make Jake's heart melt inside his chest—a chest he once thought was hollow. 

“I had a wonderful Christmas, I went home to visit my mum, she always says that if the Christians can steal Christmas from the pagans then us non-religious folk can celebrate too.” You shrugged your shoulders politely as you kept checking off the returned textbooks from students who’d taken them home over the summer. 

“What do you mean when you say the Christians stole Christmas?” Jake Seresin grew up in an incredibly conservative, extremely religious household that attended church every Sunday rain hail or shine. Jake swore his mother nearly spontaneously combusted when he had to stay in hospital overnight after having his appendix removed. It was a Saturday afternoon when they’d presented to the emergency room—poor old Janeen nearly dropped dead at the mere thought of her ten year old missing church the next morning. 

“Lord have mercy upon us, for we have sinned.” Jake could still remember his mother crying vividly when he woke after surgery. Even at ten he knew his mother was somewhat of an overly sensitive soul. 

“Well technically, in order to convert the Germanic pagans who, like, celebrated the winter solstice and stuff—the Christians were like, fuck it, let’s just say that Jesus was born on this day and you can hang tinsel and stuff.” Again, you shrugged your shoulders like it was common knowledge, but as Jake stared down at you with confusion swirling in his emerald eyes, you thought for a split second that maybe this was actually news to the college athlete who’d been following you around for the better half of nine months. Respectfully. 

“You can’t just change someone’s birthday like that? Can you?” Jake, in all his years of attending Sunday services, Sunday Schools, being forced to read the bible and knowing far too much about parting seas and burning bushes, he’d never once been told that Christmas was just a day. 

“It’s kinda like how King James was rewriting the bible on one side of the castle and had witches trying to turn his pee into gold on the other.” Jake was speechless as you looked up at him from your chair, your eyes seemingly swirling with knowledge beyond your years. It made sense that you worked in the library on campus. 

“How the hell do you know all this?” Jake asked through a sheepish smile he couldn’t hide, your intelligence intimated him in the best of ways. You made him want to do better, be better, strive for more in life. It wasn’t that Jake wasn’t smart, he was. But next to you? It was an unparalleled excellence. 

“I uh—I tend to read a lot.” Jake caught the way you faded into yourself, never one to want to outshine others. “Just get lost in here sometimes, books are sometimes easier to understand than people.” Jake could sympathise with that sentiment, he knew what it was like to feel like everyone was watching, judging a book by its cover so to speak. Everyone knew him as the meathead footballer who’s weekends were spent racking up the body count. 

But with you? Jake just felt like Jake. Because that’s who he was to you. Simply and forever Jake. 

“Do you like, not believe in God or something Miss Y/l/n?” Jake asked cautiously. He didn’t want to offend you or come across as rude or anything—he was simply asking a question he thought he may need to know if he was ever going to introduce you to his mother. 

“I find it hard to believe in a world full of stories about Gods and Goddesses from a plethora of different perspectives that there can only be one, if one exists they all have to right? Harmoniously and complacent with the way the universe has fallen to shit without their divine intervention.” Jake had to take a moment to take what you had just said in. He was almost rendered speechless, but not quite. Not Jake Seresin. 

“Damn Honeybee, you’re fucking fearless aren’t you?“ Jake couldn’t help but to smirk as he tried to keep his voice down. “You’re just raw doggin’ life with no religious affiliations.” It was then your turn to laugh. 

“Guess I am. What about you? Do you believe in a God? An all mighty man, or woman, that sits in the clouds and judges your every action?” You asked with a teasing smirk as Jake bit his bottom lip, mulling over your question: 

Did he believe in God? 

“My mother would probably prefer if I said yes, but, the more I look at life without the rose coloured glasses I tend to think perhaps the big guy in the sky is all just some story.” 

***~***~***~***~***~***~**

“Did you know hair holds memories.” The sound of buzzing clippers echoed off the walls of the bathroom as you sat before the mirror. Jake stood behind you with those big emerald eyes you loved so dearly, looking at you with a sympathetic look of understanding and support. “In some cultures people don't even cut their hair because it would upset the gods.” Jake could see the tears in your eyes as you looked at him through the mirror, understandably rambling to somewhat buy yourself some more time. “Medusa's hair was alive, there's certain styles linked to different cultures and full hair cutting ceremonies in–” If Jake didn't interrupt now you would have gone on forever. You had a habit of information dropping in situations where nervousness got the better of you. Not that Jake ever minded, he just knew if he didn't get ahead of it, you wouldn't stop. That would ultimately lead to you sitting in silence when the information swirling around inside her head had all been said. Panic would begin to rise inside your chest, the air would soon get thin, the room would suddenly get a little hotter and before you could even realise you'd be in the midst of a full blown panic attack. 

The last time Jake witnessed such a thing was when Sam had colic. 

“Honey–” Jake cooed as he turned off the clippers he held in his hand, only to place them down on the countertop to rest his hands on your shoulders. “Noone is forcing you to do this, if you don’t wanna cut your hair we don't have to.” 

“No–” You sighed. “No, I want to do this, it's just a lot.” You tried to explain. “It's probably one of the only things I still have control over.” Jake understood, it would be hard not to. After all, he wasn't heartless. If he could Jake would have taken this all away, he would have given anything, including his own life to take your pain away. “I just hope I don't have a weird shaped head.” 

“I'm sure you have a really nice scalp dear.” Jake chuckled as he massaged your shoulder tenderly. “And look, if you want my professional opinion, I think you’ll make an awesome live action Mrs. Potato Head.” 

“Jacob!” You tried to hide your smile as you felt your cheek heating with a hume so pure it made your heart skip a beat. “You’re cruel!” 

“But I made you laugh.” Jake countered through a shit eating grin, that signature Seresin smile you loved so much. The very one all three of your children had inherited from their father. “That's all that matters, now–let me work my magic alright, I've got you.” 

“You’re probably a worse hairdresser than you were a husband–” It was a low ball, but Jake took it like a champ as he reached out for the clippers. The buzzing was almost immediate as he used the pad of his thumbs to complete the electrical circuit. With the tool now in full gear, Jake chuckled as he looked at you with fake shock and horror casted across his face. 

“Oh now who's being cruel huh?” Jake watched as your eyes followed his hand that held the clippers. “Technically we’re still married Honey, you still have my last name.” He mumbled under his breath but still loud enough for you to hear, seemingly trying to keep your attention on what he was saying rather than the clippers approaching your head. 

But–you moved:

“Should we cut my hair with scissors first?” 

“Y/n–” Jake sighed as he once again turned off the clippers and placed them back down on the side of the sink. 

“No no no I'm not trying to stall, I just don't want you to accidentally scalp me when my hair gets caught up in the shaver.” Jake saw your point, for the hair you did have left it was pretty thick and full of life still. He held the bridge of his nose and closed his eyes and let out a sigh. Not in frustration towards you, but in defiance of his new quest. 

“I'll go ask the nurses station for some scissors.” 

“Thankyou–” Was all you managed to say back before Jake stepped out of the bathroom attached to your hospital room. The Christmas lights still flickered in the dimly lit room, seemingly consuming the entire room in bright blues, greens, reds and yellows. Even in sickness you couldn't help but to lean into the christmas cheers. 

It hit Jake in that moment as he rounded out of your hospital room that he should get you something small to open when you wake up from surgery. The hospital has a gift shop right? Perhaps some flowers and a small gift you could keep with you during chemo. Maybe a book or a– *Thud* 

Caught up in his own train of thought as he made his way to the nurses station, Jake ran straight into someone coming out of the elevator. There were two very distinct things Jake noticed as he came back into the reality around him. Those distinct things being that the man he’d run into was carrying not only flowers, but a small gift. Huh, uncanny. 

“Sorry man, my bad.” The man apologised almost immediately after the mild impact. 

“No worries, I wasn't watching where I was going, my bad, really.” Jake responded with a polite smile his mother taught him about, the kind of smile you give to a stranger after mild inconveniences. “Jake–” Jake reached out to shake the guy's hand, in retrospect he should have kept walking. Jake really should have just let the interaction fizzle out, but he couldn't. He was too polite for his own good when it came to small interactions. 

The most paranoid fantasy Jake could think of would never have prepared him for the name that the man spoke next as he took Jake's hand in his. 

“Jensen–” 

***~***~***~***~***~***~**

“Okay, I'm ready.” Neither Jake nor Jensen knew if you had mentioned either one in conversation, so, respectfully, both men chose to play the fool. Neither one really wanted to ask. Neither Jake nor Jensen wanted to be the one to open that can of worms. 

When Jake returned with the borrowed scissors in his grasp–he acted as if he hadn’t just met the man he assumed was the very Jensen in your contacts. 

“Last chance Honeybee–” Jake cooed as he leaned in to kiss your cheek. “Are you positive?” He asked with a smile so pure it made your heart skip a beat. “I’m all in with you, just say the word and we do whatever you wanna do.” 

There was a momentary pause in the conversation. Jake's questions lingered in the air around you, it was hard not to get caught in the moment, get lost in the emerald eyes looking at you through the mirror. Jake stared you down as you shifted in your chair to look at him. He saw no hesitation in your eyes as Jake followed your gaze, searching for any sign or signal that could indicate that the next few moments were about to be a mistake. 

“Honey—“ Jake tried to heed the warning lights flashing before his very eyes as you closed the gap between the two of you. Jake stood leaning over your right shoulder, looking longingly at your lips. “Don’t do anything stupid now.” 

“Loving you is stupidity—“ Was all you said before you let your lips softly connect with your husband’s. Jake kissed you back with enough love in his heart to knock the wind right out of your lungs. The fleeting moment was broken, however, when Jake pulled away. The idea of another man kissing you on his mind, what was this guy's deal? Jackson? Jason? 

“Come on Mrs Potato Head, hand me those scissors—“ Jake chuckled, hiding his own insecurities about the man he’d unintentionally met in the hall. You took a second to keep up, but as you licked your lips to savour the taste of Jake's signature vanilla chapstick, you nodded and handed him the scissors. 

“I’m ready.” You sighed, once again looking back at your own reflection. “Let’s get this over with.” Change is an inevitable part of life, but that fact didn't make the current circumstances any easy to process. “Do you think that there's gonna be a place for me despite my inability to believe in a higher being?” Jake understood what you were saying, but he didn't have the answers. “I'm starting to wonder more about if there could ever be a life after death.” 

Clumps of hair in small sections fell to the tiled floor around you as Jake worked his hands through your hair. Cutting strands from your head like the local mower man cut grass. It felt like such a mundane task to complete, like this was an everyday run of the mill, average experience. But for you? This was a hard and confronting pill to have to swallow. 

“I’ve spent my whole life not believing in religion, so who am I supposed to pray to to keep me alive Jake?” Jake saw the tears in your eyes as he cut your hair with caution and steady hands, he heard the small but audible sobs that escaped your lips as he switched from the scissors to the clippers. The buzzing all but silenced your cries but Jake knew this was hard on you. The tears that stained your cheeks clearly reflected your sadness, anger and the inner turmoil that had been engulfing your entire existence since your diagnosis.

“You don’t pray to anyone Honey, you’re stronger than this cancer could ever be.” Again, no one ever sits you down and prepares you for this. No one gives you the heads up about the possibility of one day having to shave your wife's hair off in the name of dignity and control. But as Jake ran the shavers across your scalp, leaving nothing but a small layer of fuzz in their wake, he saw just how much sorrow and pain was swirling in your eyes. 

Jake thought to himself in that very moment: ‘I've been needing a haircut for a while now anyway.’ 

With one quick motion and in the blink of an eye, Jake was running the shavers right down the middle of his head. You really had to take a second to process what he’d just done, what your husband had just done right behind you. 

“Jake!” The shrill that escaped your mouth was something unmatched to any emotion you had ever expressed before. “What are you doing?” The image of Jake shaving his head in solidarity would forever be burnt into your mind. 

“You said it yourself–hair holds memories and we can make new ones together.” Jake cooed as he shaved off those golden boy locks you loved to run your fingers through. He suited the buzz cut a little more than you did if you were being perfectly honest. 

With teary eyes and puffy cheeks you stood on weak legs. The simple gesture of a haircut meant the world to you, Jake knew that. He didn't want you going through this alone. If shaving his head with you brought you a sense of solace? He was more than happy to. 

“Looks good–” You smiled as tears ran down your cheeks. Jake reached out to cup your face in his hands, wiping away your tears with the pads on his thumbs. “Mr. Potato head.”

“Consider us the founders of the Potato Head Society.” Jake chuckled as he leaned in to kiss your forehead. In order to cherish you the way you deserved, Jake had to be the bigger man here. He knew that a cloud of uncertainty loomed in the halls, one by the name of Jackson or fucking Jeremy for all Jake cared. But as he stood in the bathroom with you, surrounded in the locks of hair that had once been on your head, he knew damn well at the end of the day it was still his last name you chose to take. “Good thing you don't have an odd shaped head after all, it kinda suits you.” 

“Would you still love me if I did?” You asked quietly, giving Jake an excuse to confess his love. Jake's lips were soon pressed softly and ever so tenderly against your once again in the blink of an eye as gentle hands still worked to soothe your stained cheeks. 

It wasn’t a hard question to answer, nor an easy question to ask—but as Jake pulled away to rest his forehead on yours as he ran the pad of his thumb across your bottom lip, you knew it was an easy concept to understand: 

“I’ve never, and I will never, stop loving you Honey.” 

***~***~***~***~***~***~**

For as much as Jensen hated all things hospital related, over his past few years of treatment, he’d come to know these halls better than he knew the back of his own hand. 

From countless radiation treatments, to endless chemotherapy sessions. Hours upon hours of remedial therapies and acupuncture sessions to stimulate nerve endings, Jensen was a man who was just about ready to pull the plug and live out the remaining few months he had, or less, from the comfort of his back deck. 

He’d been poked and prodded, sliced and diced, far too many times to count on both his hands and for what? A few extra months tacked on top of a few years spent battling pancreatic cancer. No thankyou. Jensen had always had an optimistic outlook on life, until his life started to become the same bland halls and the same bland rooms, with the same bland doctors and nurses who all shared the same look of medical sympathy. 

Jesen, for all intents and purposes, was ready to give up his signature status of being the resistant ‘pin cushion’. The student nurses could learn how to change cannula sights on the lady, Paola, who sat in the same chair for every chemotherapy session. 

The last few days hadnt been too hot for the six foot one, brown eyed, brown haired (allegedly) man. His prognosis had been diminishing ever since he got the news his treatment was no longer as effective as it once had been. 

The day Jensen was told he only had a few short months to live before his organs would begin to fail, even with treatment, was the same day he saw you crying outside the local doctors office. The Hermitage centre as they called it. 

The last thing Jensen ever wanted was for his life to be meaningless, before he knew what he was doing? His feet were padding against the concrete as the psalm of his hands began to sweat inside his jean pockets. 

“You look like you’ve just been told you’re dying?”  As the elevator counted up the floors of which Jensen had to take from the ground floor of the Rhode Island Hospital to the oncology unit, he could vividly remember asking you that question. He recognised the look on your face because not ten minutes prior he;d been told the very same thing. 

“I'd start to get your affairs in order, Mr. Hughs “ It hadn't been just a regular check up with his local general practitioner. But it had been the almost final nail in a long awaited coffin. 

As the elevator dinged, Jensen took a few steps out into the bustling hallways of the oncology ward. Within seconds, he was met with a force so muscular it damn near knocked him back a few paces. But the cancer ridden ex fireman squared his shoulders and kept easy on his feet. 

“Sorry man, my bad.” Jensen almost immediately apologies after the mild impact. He assumed that it was him that had caused the slight collision. His special awareness was pretty shot these days. The flowers he carried were almost crushed on impact, however he managed to save the bouquet of sweet peas, peonies and pansies. 

“No worries, I wasn't watching where I was going, my bad, really.” The man responded with a polite smile Jensen could only assume his mother taught him about, the kind of smile you give to a stranger after mild inconveniences. “Jake–” like a slow motion car wreck, Jake reached out to shake Jensens hand. In retrospect he should have kept walking. Jensen really should have just let the interaction fizzle out, but he couldn't. He was too polite for his own good when it came to small interactions. 

The most paranoid fantasy Jensen could think of would never have prepared him for the look of utter betrayal that smeared itself across the blonde headed aviators face as Jensen shook your husbands hand: 

“Jensen–”

***~***~***~***~***~***~

Tags: @blindedbythelightt @starset21 @tayl0rhuynh @mamachasesmayhem @marvelogic @itsmytimetoodream @maverick-wingman @kodzukenmaaa @eternalsams @seitmai @nota-professional @jessicab1991 @hardballoonlove @senawashere @lafrone @fanficfandomlove @withahappyrefrain @dizzybee03 @maisie-rebloging-blog

@goldenseresinretriever @a-reader-and-a-writer @sunlightmurdock @shelbycillian @memoriesat30 @accioprocrastination @the-aspiring-fanfic-writer @athenabarnes @eternallyvenus @emma8895eb

[horrorshow]

a season 4(ish) fic rec list focusing on the emotional aftermath of dean going to hell and coming back, and what could have been, for @spnficrecfest

WALLS COME TUMBLING by destina sam/dean, 3.2k, rated E Sam was stupid last time, when Uriel snatched Dean away without warning. Stupid, and unprepared. He won't make that mistake again.

NO ONE IS ASKING (SO LEAVE IT ALONE) by xzombiexkittenx sam/dean, 9.4k, rated E Everyone has their coping mechanisms. Sam’s getting everything under control, one step at a time.

THE EVERLASTING GAZE by fleshflutter cas & dean, 1k It's a strange thing to hate your saviour. Dean doesn't remember Hell, not really. He doesn't remember Castiel putting his hand on him, drawing him up through the fire and blood. But there's a huge, frozen horror hidden in the back of his head. It creeps into his other thoughts.

SLEEPING BEAUTY by deadlybride sam/dean, rated M, 1.3k March 12, 2009. Sam rescues Dean from Alastair.

MORALITY ENDS WHERE A GUN BEGINS by lazy_daze sam/dean, 3.1k, rated E Sam hates the handprint and stares at it when Dean comes out of the shower in just a towel. It hardly even makes him feel better to see the stark lines of Dean's tattoo still on his skin, the same mark over Sam's own heart.

HIT THE GROUND CRAWLING by jonny_vrm sam/dean, 28k, rated E After Sam pulls Dean out of Hell, Dean stops talking. It takes a week for Sam to convince Dean to open his mouth so Sam can check that his tongue hasn't been cut out. It takes two weeks for Sam to accept that Dean really isn't talking. Then it takes a week of silence, the two of them sitting in the Impala like ventriloquist dummies, sitting in motel rooms like human taxidermy, before Sam decides to start talking for the both of them.

DEVIL'S TRAP by ratherastory alastair/dean, 3.8k There is water dripping slowly onto the Devil's Trap, and Dean doesn't care. AU where Sam is unable to kill Alastair in 4x16, exploring Alastair's relationship with Dean further.

PASSION by deadlybride sam/dean, 2.5k, rated M Hell reflects its ruler. Hell is, always, essentially Hell.

YOU TAKE IT WITH YOU by lazy_daze sam/dean, 30k, rated E Sam saves the world, and he brings Dean back from a month in Hell, but that's when things start to get complicated. Dean's cheated death before, but this time, it's different – Dean's spirit is unable to re-enter his body. Can Sam and Bobby work out how to reunite Dean's body and spirit? And how will Dean cope if they can't? From hunts in the Chicago lakes to visits to the Grand Canyon, with dreams, handjobs and hookers along the way, Sam and Dean ride it out and learn all over again how to live this life and live it together.

EMPTY SPACES by mariahlee dean, dean & sam, gen, 4.3k Hell? Consistent. He knew what to expect. Now, topside, everything is different. The world he used to know forty years ago is almost completely unfamiliar.

HANGMAN IS COMING DOWN FROM THE GALLOWS by withdiamonds sam/dean, 28k, rated E Today is the last day of Dean Winchester's life. Today is the last day of Dean Winchester's life. Today is the last day…

I ONLY DREAM OF YOU, MY BEAUTIFUL by sophie_448 sam/dean, 1.2k, rated M The last hours of the year are ticking by, and Sam realizes that there's no way to save Dean.

THE FIRESTARTER by jaimeykay dean & alastair, gen, 13k Set during On the Head of a Pin. While he waits for Dean, Alastair reminisces on what brought them together. Those forty years? Were delicious.

LIKE ROCK SALT WITHOUT A SHOTGUN by lazy_daze sam/dean, 2.8k, rated M Sam thought maybe, when it was all over, when he'd used his powers to their limit and stuffed all the demons back into hell and vaporized Lilith and nearly killed himself in the process -- he'd thought maybe they'd go.

THE DEVIL'S WATER IT AIN'T SO SWEET by xxamlaxx alastair/dean + cas/dean, nc-17 Dean comes back from hell with something extra.

HUNGRY AND HALLOW by hathfrozen sam/dean, 14k, rated E "Sorry," Dean gasps, going to tug the gun away, throw it to the floor, probably. It’s different—it was never okay, and this is—it’s different, what the fuck is he doing. Sam says, “Don’t," as he stretches his neck out and to the side slightly, opening it up to the cool press of the metal barrel.

HOWL VERSE by paxlux sam/dean, 85k, rated E In Hell, people change. Or they stay the same.

I FEEL FLAMES AGAIN by fleshflutter sam/dean, 12k, rated R Following a failed apocalypse, Dean nurses Sam through his addiction to demon's blood, which has driven Sam to horrific things.

FAITH WITHOUT WORKS IS DEAD by deadlybride sam/dean, 2.4k, rated E Sam does what he has to do.

SO FAR FROM YOUR WEAPON/DIG, LAZARUS, DIG by maypoles sam & dean, gen S4, Dean has an especially effed up relationship with pain now, Sam finds out/realises / After "On The Head Of A Pin," Dean has a bit of a breakdown.

[s4tvrnsays]

Finally got around to drawing Élodie! The last artwork i did makes her look scary lol but shes a cutie pie trust me.

Some info about her:

She does ballet. She dislikes it though, and only does it because she’s forced to. She doesn’t want to be under the spotlight doing the jumps and twirls. Rather, she wants to be the one behind the camera lens, the one over the keyboard writing article after article about ballet.

Her hobby is photography. Her parents dont approve, but her older brother helps her out by getting her an early internship at the magazine where he works. Through this internship is where she will first meet adrien.

She’s a mean ass bitch lol. Has absolutely zero friends because she hates everyone at school. Alya specifically hates her the most because when she came up to Élodie to ask her if she wanted to help her with the school paper (since she knows the girl also likes journalism), Élodie just gave her a rude look and walked away, earning alyas scorn ever since haha

This isnt just some quirk, its one of her biggest problems, along with her temper. She sees people as nuisances and beneath her, ignoring the fact that she needs people in her life. Her journey —aided by her kwami— will be to be truer to herself, and learn tolerance and altruism, and be more accepting of people’s friendship.

Her favorite thing in the world is chocolate. Its an actual obsession, something her parents dont approve of (shocker) because she “has to keep her figure”. But she ignores them, and keeps a stash of it on her at all times.

The second picture is what i think she’d look like if she switched her miraculous (Élodie says she hates the bows but the girly girl inside her is jumping for joy).

Alternate Universe details under the cut!

So basically, élodie is from my enhance mlb au thats been spinning in my head recently. It’s basically a mix of early seasons miraculous and concept mlb.

It’s unlikely that this will ever be anything but a concept au bc i have commitment issues but-

Here are the things i changed/added (when it comes to the heroes):

I always thought that lb’s miraculous ladybug power shouldnt be exclusive to her, so i removed it in favor of bringing back her concept powers (the shapeshifting yoyo). In the case of cn, i gave him his old power of black hole because why the hell does he have one power????

But this poses a problem— who will cleanse the akumas? Thats where élodie comes in!

For context, in this au Ladybug and Chat Noir are WAYYYY more chaotic:

Ladybug is still the planner, but her plans are way crazier and confusing to carry out. She gets so caught up in her imagination and idea of a plan, that she fails to consider what might happen if it goes wrong.

Chat Noir is more destructive, more trigger happy with his cataclysm. He finally gets to be free of his dad breathing down his neck and he’ll he damned if he won’t enjoy it!

Élodie as Cigognelle will be the mediator between them. She makes sure the balance is kept, and that they dont blow up the world while theyre trying to save it. That is the purpose of the crane miraculous. It has the power of reguvination and longevity. The balance is preserved, lengthened, and anomalies are corrected.

Its power of increasing its holder’s lifespan made it a favorite of guardians, including Master Fu.

Its kwami, Xiann, is wise and all knowing, often picking his own holders. He sees potential in them, and aids them into becoming true cranes — true upholders of the balance between creation and destruction.

To summarize, here are the big 3’s powers. There will be primary, secondary, and passive powers for each.

Ladybug:

Primary: Lucky Charm, gives the holder clues to help them win the battle. Same as the og.

Secondary: bug bomb/shield/staff. Its in the name, the holder can transform the yoyo into one of these weapons. They can only transform it once each battle, so ladybugs must carefully choose which one will aid them. This doesn’t mean it cant go back to its og form, just that it cant turn into a bomb AND a shield in the same battle.

Passive: grants good luck to its holder. No downsides, ladybugs really are just blessed.

Oh and for fun lets give them side effects.

Side effect: holders become far more tired in the winter, sleeping longer.

Black Cat:

Primary: Cataclysm, destroys anything the holder touches, turning it into dust. Also no change.

Secondary: Black hole. The black cat holder can teleport objects from one black hole to the next. Only two black holes can be present at the same time.

Passive: grants bad luck to its holder. This causes a lot of strife for the holders, but once they learn to accept their miraculous the bad luck will lessen, though never fading.

Side effect: black cats become more nocturnal after becoming the holders of this miraculous, and may or may not have a strange fascination with small, moving objects…. (They have enough self restraint to not chase after them though…)

Crane:

Primary: Ameliorate, which heals all damage caused by unnatural forces, such as kwami powers. However, if the damage from the fight happened too long ago, it will be considered a part of the natural environment, and will only restore future damage up to that point.

Secondary: Gust. Allows the holders to create powerful wind gusts with a flap of their “wings”. Only three gusts can be created each battle (because i had to give this power a downside)

Passive: extends its holder’s lifespan by 20 and up to 40 years. Depending on how long it takes the crane holder to become a true crane, their life span will either increase by a bit (if they learn sooner) or by a BUNCH (if its later).

Side effect: lying becomes way harder, and honesty — especially to oneself — will be all that the holders can say. Also, cranes often find themselves becoming more sociable after gaining their miraculous, which is often a shock since most cranes start of as quite antisocial.

All three can cleanse akumas but only the crane can restore damage !

And thats all!!

This formatting was horrible but i didnt plan any of this, its all word vomit LOL. If you have any thoughts about this, or any way my au can be improved (bc im really trying to make sure all protagonists get equal importance and care, i don’t want Cigognelle to be a mary sue lol) please make a comment! I dont have anyone thinking this up with me, its all from my noggin, so feedback is always welcome!

[liveontelevision]

Hello friends,

Sorry about the lack of content recently, I've been running kinda low on energy :,) but I have some little treats, never fear.

Here's a short Vox thing I wrote awhile ago, it's angsty it's kissy, it ends with a cliffhanger. Classic fic by me.

I meant to turn it into a full thing, and I just might later? We'll see

CW: Smoking and smooching

Human | Vox x Reader

You cringe, scrunching up your nose when the familiar scent hits you. You approach the TV-headed demon, who was lounging on the large balcony of the Vees' Penthouse. Or was it lamenting?

"Yuck. You still smoke here?"

"It's Hell, doll. It's not like it'll kill me. Can't even feel the high anymore, actually."

"I guess not.. Then why do you even smoke? If it doesn't affect you?"

"Eh. I don't know. Try not to think too hard into that shit." A comfortable silence falls between the two of you.

"Can I bum one?" With a mocking scoff, he reaches into his pocket to pull out the pack. In a thoughtless decision, you place the cigarette between your teeth, pulling his face in your direction and inching impossibly close to him. He seemed startled by your sudden attack.

You hover just in front of his lips, lighting the end of your cigarette with the cherry of his own.

That was definitely an interesting move for someone with absolutely no history of smoking. As you inhale, you choke up and immediately cough out the rest. Vox is only watching you, a smile tugging at his lips while you cough up a lung. Your eyes water and you let out a whimper before propping your arms against the railing.

"Smooth." He comments.

"W-Watch it." You snap back.

You do manage to draw out a smoother hit, looking down at the city that, ironically, seemed so lively.

All that time went to waste. All those years you'd spent chasing over this CEO, being a part of the paparazzi, stalking the media for any buzz, passing his building when you have the time.. had the time. The fact that he's seemingly replicated his dream headquarters in the center of the underworld seemed like a Hell in itself. Constantly mocking you for never getting your big scoop. For wasting your life on him.

You couldn't help but approach it at first. You reluctantly enter the stores and offices that surround the first floor, inspecting all his products. You didn't recognize him at first. I mean, he has a TV screen for a head. His voice is what gave it away. His charismatic facade and sauve persona he uses on any television program. That's what you recognized. Apparently those are skills that stick with you after death.

He found you eventually. You'd been residing on the barren side of Hell. It was cozy. Not everyone had family members with them, you were just the lucky few. Your sweet grandma was here. Sinners who are visibly older seemed to be avoid by most clear-minded demons. Why bug them? And what kind of decisions did they make to end up here and survive for so long? They probably don't even remember why they're here. But some seemed to remember their lives.

Your grandma recognize you almost immediately. She was quick to take you into a part of hell that seemed to bypass the cities and dangers. It, of course, had its flaws. The Hellborn rodents were bothersome, but it somehow managed to be peaceful on its own.

It didn't last long, though. Extermination Day finally caught up to your little home. You have no idea how you survived, it was a miracle. but you were the only one. You started appreciating your aftlife in another fit of irony. You're nearly immortal, maybe it's time to give the city a try.

"Thanks for taking me in, too. You didn't have to do that."

"I can't leave my favorite stalker on the streets." He nudges you, having to lean down a bit to do so. He was towering. You let out the softest chuckle, leaning into his touch, despite it's teasing motivations. You sigh, taking another drag.

"Wait these aren't Valentino's smokes, are they?" You hold it over the edge, ready to flick it from your fingers, if that's the case.

"Definitely not. I wouldn't give you those if you asked." You hum at his words, releasing a puff of smoke. "But, uh.. let me know if he offers you any, alright?" You let out a little laugh and nod.

Your comfortable silence was broken, with the end of your cigarette. You let it crumble to the ground, stomping it with your nice business shoes. Vox rolls his eyes, shooing you away.

"Don't ruin those, they were expensive." He mutters.

"Well I would've been fine if you didnt essentially set my wardrobe on fire." You scoff.

"Your wardrobe? Was a bunch of country bumpkin dresses with poofy sleeves, doll. Even Vel was ready to get rid of that mess." The silence overcomes again. The breeze coming from the sheer height of the building seemed refreshing. You looked up to Heaven. How cruel of them to put it in sight.

"I really thought that was it. That life was short and then you die. That there was no point in trying to get rich and famous as long you were doing something you liked."

"So you liked stalking me?"

"Fuck off, Vox, you know what I mean." You couldn't help but smile. "How could I have wasted all that time on you? I could've been building my skills. Maybe I wouldn't be mooching off of some big shot like you if I did." You looked away, not willing to make any eye contact while mentioning him.

"Hey, you know I don't mind.. you can't prepare for death." He reaches out, he's not sure why, maybe to offer you some comfort. Maybe he just wanted to see your face, again. You darted away from him unknowingly, making his hand recoil.

"But, I mind! I don't want to rely on you. I should be able to do this by myself, I came here the same way you did, I had the same chance to get to where you are now." You huffed, embarrassment from your confession turning your face red. "But I just.. I didn't. I keep wasting my time..."

A cool touch hit your cheek, and before you know it your head had been turned to face Vox. He kept his claws holding your chin upwards, despite your attempts to pull out of his grasp.

"Stop it. There's nothing but time here. Listen, I know this isn't exactly what you had in mind, but- for the first time in years.. I feel... human, again." You blink slowly at him, not exactly minding his touch at this point. "And that's because of you." You hated getting flustered, but his words alone caused you to tense up. He felt your jaw clenching in his hand, bringing him back to reality. With a quick release, he brings his fist to his mouth and clears his throat.

"So.. yeah. Don't get it in your head that this is some sort of.. sugar daddy thing. You're free to do whatever you want. You can do whatever you want. And- you uh.. you're always welcome back." You stare at him for longer than you'd like to admit. Looking for some kind of excuse for your gaze, you hold your hand out for another cigarette. He gets the memo after awhile.

You place it between your lips and before you get the chance to think, his hands are back on your chin, bringing your face close. He mirrors your actions from before. It startled you, the cigarette falling from your lips and rolling off the balcony floor. Both your eyes follow it for a moment, before looking at eachother and sharing a little laugh.

His own cigarette falls from his lips. And with his hand still on chin you're pulled into an expected kiss. The sight of his dazed eyes when he finally pulls away only leaves you wanting more. But.. you can't. You pull away with a sullen look and step away from balcony. Without a word, you leave him alone. He's lost yet another independent spark. His heart can ache later. For now, he's cursing himself for letting anyone see that side of him, again.

♡♡♡

Womp womp

Love the pics where they knew eachother in life 👌

Taglist:

( @vififofum / @thornwolfy235 / @tinywolfiegirl / @chipper-chip / @bat-boness / @misfitgirlwrites / @nayomi247 / @lonelynmisunderstood / @escapistoftherealworld / @b4ts1e / @hamthepan / @kyo-kyo1 / @looking1016 / @polytheatrix / @littledolly2345 / @lillianastuff / @yourlocalcryptidbee /@0strawberrysorbet0 / @themageofblood / @jayyyayaysblog / @floralsightings / @azmosposts / @8har0ley8 / @actuallyspiderwoman / @sirenetheblogger / @christineblood / @kaytemchugh / @cimadreamer / @simpdevil66 / @azmosposts / @m3ow1 / @acrazyartist / @redfoxwritesstuff / @4k1to / @meesachan / @corvusskid / @alientee /@xx-spooky-little-vampire-xx / @alon3lylov3r /@sapphireravensworld / @mjmdragons / @catticora / @the-maladaptivedaydreamer / @carrie0-1 / @shamblezzz / @cassandras-nest )

[grenade-maid]

Man, I think what makes me so sad about Guilty Gear is just knowing that there won't ever be anything quite like it. The cultural soup that spawned it just doesn't exist anymore. The edgy 90s counterculture boom can't really be replicated. Doom is something you run on thermostats and microwaves, Mortal Kombat is something your brother's friends played in college, spiked leather and heavy metal are things anyone might be into, arcades have been dead longer than they were alive, everyone is aware of JoJo. Everything that was shocking, transgressive, and exciting then is now pretty normal (if still beloved--nay, more beloved, even). They even made a new Matrix movie about this feeling. And the thing is, there were a lot of fighting games tapping into the same things as Guilty Gear was. They all died in obscurity, and Guilty Gear is the lone survivor, carrying the DNA of a cultural moment but unable to propagate, being the last of its species. Sol Badguy is a perfect protagonist for it, in that sense.

At the end of the day, there's just no real analogue. The genre of musclebound blood soaked anime it was drawing from like Fist of the North Star, Bastard! and Ninja Scroll don't really exist anymore. Rockstars of the hotel thrashing middle finger waving hard drinking hard partying variety don't really exist in the same way, either. Very few recent album covers would make for good stage backgrounds. There isn't really an "underground" subculture or counterculture--we're all just in different niches that are one online search away from each other. Nobody has to "introduce" you to metal, you don't have to know a guy, just look up a few whole discographies and listen on your commute. Fighting games themselves are a firmly established genre with it's own self selecting population--in the 90s it was pretty common for basically anyone to casually try a few rounds of Tekken or have some version of street fighter at home. That's not really the case anymore, and, as such, fighting games need to be designed differently and more thoughtfully than they used to be.

!!!!!!!!!!!!!None of these are bad things!!!!!!!!!!!!!!

But it does mean that any attempt to do something in the same vein as Guilty Gear will necessarily be a pastiche. Hell, even Guilty Gear itself was pastiche by the time of XX. This isn't a bad thing either--I'm loving Little Goody Two Shoes, for example, which is the most lavish and loving throwback to 90s shojo and 00s RPG Maker horror games. But it would still be different. Because even the most loving reference or recreation, even the ones that surpass the quality of the originals, can't replace the spirit of expressing something quintessential to your current moment, whatever that moment is.

The moment that I cherish cause I grew up in its shadow is long gone. I don't know if there's anything in the current moment that could speak to me in the same way. Most of my favorite all time games, manga, anime, etc etc all came out in the last few years, so this isn't about old shit being better. I guess most of what I love that's currently being made just didn't lend itself well to riffing on in the same way. Unfortunately, high passion rock operas screaming your feelings just lend themselves perfectly to kickass games, and those aren't in vogue like they used to be. And, ultimately, on a strictly personal level, I'll never be 15 again, being shown the sickest shit I've ever seen before a D&D game for the first time.

[imagine-a-life-like-this]

Accidentally In Enemies : Epilogue (S.CB)

Word Count : 1.4k

Warnings : swearing probably, accidental bullying, minor argument, obsession kinda, honestly pretty fluffy with minor angst

A/N : It's finally out! Now that I have completed this story, keep your eyes peeled for Minho's! I hope you enjoy the last installment of Changbin's love story!

          Watching her angrily get out of the car and walk towards the house brought back memories of their school days. He couldn’t help the small smile that made its way onto his face as he thought of how they ended up here like this. “Oh now you’re smiling? You’re insufferable, Seo Changbin.”

            “You’re insufferable, Seo Changbin.” She spat at him, holding back her tears. There were so many things he wanted to say, but his mouth couldn’t form any words. They died at the tip of his tongue. Every time he opened his mouth to say something, only silence followed. “Why can’t you just leave me alone?”

            “I don’t want to.” He spat out, earning another glare from her. To her it seemed like he enjoyed making her life miserable. As if he was only alive to torment her, tease her. Like he enjoyed seeing her barely holding on, barely blinking her tears back.

            But that’s not what he meant. He never meant to make her life a living hell. He never meant to be a pain to her. She intrigues him, draws him in unlike anyone else he’s ever met before. Some would say it was just that: intrigue, interest, curiosity even. Just wanting to know her, learn about her.

            Changbin knew it was more than that though. From the second their eyes met while he was practically dancing on her diorama, he knew. Love at first sight seemed so childish, so surface level, so elementary. Calling it that didn’t seem to capture exactly what he felt for her. He’s still unsure how exactly to put into words what he feels for her, what he feels when he looks at her.

            He didn’t want to leave her alone because he couldn’t. It was as if she was a siren, beckoning him out to sea with her song. And even if at the end was death, he would follow the sound. He would allow her to drown him at sea if it meant hers would be the last face he’d see.

            It had to be more than love. He felt it in his heart. Looking at her brought him calm. She felt like home in a person. He would fight a thousand wars and more for her. Just for a moment of her time. It had to be more than love.

            He’s read about love in books. Watched movies about love. Seen love with his own eyes between his parents. This wasn’t fireworks and butterflies. It wasn’t once upon a time and happily ever after. This was something better. Bigger. Stronger.

            Yet he couldn’t put it into words. His mind goes blank around her and he says the wrong thing. Even now, he couldn’t even muster up an apology after ruining her laptop. Spilling a drink on it while trying to give it to her after seeing her study for hours without a break. “You’re my bad luck charm.” She mumbled to herself, trying to clean up his mess. And still he couldn’t even mutter the word sorry.

            She takes a couple steps closer to him. He can smell her perfume; it’s the one her bought for her birthday only a few months ago. The one she said was going to be her special occasion perfume, so she’ll have a scent to remind her of all the special memories they’d make together.

            Today is their first anniversary as a couple. He told her he had a special date planned for her. She got all dressed up, wearing a dress he bought her as a surprise gift, just because. It fit her like a glove, as if it was made with her in mind. Like the designer saw her and made the dress just for her to wear.

            In her mind, Changbin forgot, lied even. He’s just the same Changbin he’s always been. Living to torment her, watch her fall apart. “Does my pain bring you joy?”

            “Does my pain bring you joy?” She looked up at him, surrounded by her belongings, scattered on the floor. He opened his mouth to say something, but nothing came out, seemingly confirming her thoughts. He moved to help gather her things, accidentally kicking something further away. “I don’t know what I did to you, but please stop. I’m begging you.”

            He turned to look at her, seeing that she was still looking at him, tears slowly sliding down her cheeks. His eyes widened in realization, thinking back on all the times he’s accidentally hurt her. She’s never cried so openly like this. Not in front of him, not like this.

            He wanted to wipe her tears away. Explain everything to her. He wanted to bare his entire heart to her. Let her know that his entire existence is made for loving her. That the only thing he really knows how to do is love her.

            But he could see in the lifeless stare she gave him that she didn’t want to see him. So without a word, he walked away. No explanations, no heartfelt confession. He walked away with his hands in his pockets and his heart on his sleeve.

            He would look back for only a second, seeing a man taking his place, helping her gather her things together, and help her to her feet. A man he’s seen her with many times, a friend of hers. A friend that looks at her the same way he does, but he seems to get his words right. “Treat her well, Choi San.”

            She doesn’t know that this was all part of his plan. “No.” He answers simply. “Never has.” He reached out to wipe away her tears, the way he should have the day he accidentally tripped her. “Tomorrow, I promise I will make everything up to you.”

            She’s putty in his hands. Melting at the same touch that she used to flinch away from. Her anger melted away too as Changbin press a short kiss to her lips, asking her to give him a small smile. “I hate you.” She smiles.

            “I love you too.” He leads her inside the house they moved into recently. The first thing she sees is a trail of rose petals, and she glances over at Changbin, who was trying his best to hide what he was feeling. But his excitement was written all over his face with a wide smile and a starry look in his eyes. He told her to follow it, lightly pushing her forwards, while he walked behind her.

            The walls were adorned with lights and pictures of the two of them throughout the year they’ve been together. From their first date to the day he officially asked her to be his girlfriend to the day they moved into the house. She was quite literally walking down memory lane, taking in every small detail.

            Memory lane lead her into their backyard where there, in the middle, sat a floral arrangement that said turn around.

            Changbin was kneeling on one knee with an open box, her dream ring inside. “I’ve known since the moment I met you that this was more than love. And it’s taken me years to find the right words to describe exactly what I feel for you. I adore you. I cherish you. You complete me. You’re my soulmate and I want to spend the rest of my life adoring you and cherishing you if you’d let me. So Y/n, my greatest love, will you marry me?”

            She, in all her years, had never felt so much love. All her years loving San felt like nothing compared to this. To love San she made an effort. She held on as tight as she could, even when it hurt her, because she thought that’s what love was. Even when she knew San was slipping away, she held on tighter. She forced herself to love San.            

But loving Changbin, being with him, it was effortless. She didn’t have to hold on tightly because she knew he wasn’t going anywhere. It was as if she was born to love Changbin. Like she didn’t know anything else except how to love him. For her, there really was only one answer to this question. It wasn’t yes or no. For her there was only, “Yes.”

back to masterlist

@mxnsxngie @maeleelee @turtledove824 @moon0fthenight @dinossaurz

[dapper-lil-arts]

So uh. My freelance work here is kind of dying.

I thought i'd keep my long-term followers on the know-how, so i might as well write about my current circumstances here, give y'all an update, so to speak.

So, for several reasons, most of them not even my fault, i've been getting less and less commissions, almost none, actually, and the ones i get are usualy on the cheaper side, which is bad concidering that this is my livelihood, commission money pays my bills, my groceries, and my taxes, and now i sure as hell am strugling to imagine this will sustain me for long. Twitter is a sinking ship ever since elon went over, Specificaly for people like me. I had just broken into 12k followers there, a huge milestone for me, and then i got shadowbanned, and for the last few months i've gotten *nothing*. It's completely dead, i'm stagnated there, all my arts are censored, and there's no way for me to undo it or fix it, and so i've gotten less and less comms out there, which sucks because its the only reason i was even on that stupid site. Here on tumblr, meanwhile, the CEO went on a massive transphobic streak, and a lot of lgbt folk (which composed a lot of my following,) decided to jump ship, and i sure as hell dont blame them, but sadly that's more potential costumers that bailed, and there's no proper website to go to. Anywhere i'd go, i'd be starting from scratch again, which would be utterly disheartening and frustrating, and there no website that is kind to artists, with no algorythim, that also have a messaging system (the latter being ESSENTIAL to the way i do comms) So i'm kind of stuck. I just. have nowhere to go, and nothing to do. And last but not least, my own fault, I've just been drawing and creating what *I* specificaly want, on an hedonistic streak this year. That's why theres so much pony bs on this blog now, and why i was straight up posting poetry a while back, and have written hundreds upon hundreds of fanfiction pages in the last few months; Which, unfortunately, is a terrible business decision if your intent is making money. Which I surely should have prioritized, but in the end, its not up to me, its up to the costumers... So now i'm a bit stuck. I've enjoyed the things ive drawn and written more than anything i've ever done, and yet, i've never been less successful on the actual business side. I'm still considering my venues, my possibilities, but there's not many. Trying to get a job would certainly pull me away from creation, and i'd hate it regardless of what it was, and on another venue, theres no guarantee that going back to furry titties would bring me money.

and that's whats heartbreaking about it too. no matter how much effort i put on my work, theres no guarantee of sucess, so why even spend time trying to craft a masterpiece? why not just follow trends and make a tiktok account or whatever the fuck makes money these days. I'd rather not, frankly. And i wont. Well, that's about it. Thanks for reading this update, that's how my life is goin atm. i'm going to continue doing as i am right now, but yknow... I'm not sure what i should do, if you want to give me suggestions, feel free.

[sky-kiss]

Okay sorry for all these prompts/ideas but I just can't get rid of these worms and would love to hear your takes on them! How would you imagine a scenario where Raphael is wounded and decided "I'm going to teleport to my favourite person instead of going back to the Hells" (maybe he was wounded in the Hells and escaped). He manages to teleport to them/their doorstep before passing out. What would ensue? 👀👀👀

p.s. I only though of this because I was thinking of Raphael without his doublet so you see that shirt and then imagined him being all bloodied and beat up 😩 Welp... Adding that to the back burner of things to draw!

A/N: Ya’ll feeling a lil’ bloodthirsty against the boy tonight. What has he done to deserve such violence? You know. Aside from everything. I’ve opted for a touch of silliness. 

_________

The House of Hope is compromised. 

It’s Raphael’s last cognizant thought for some time. The assassin closes the distance between them with hellish speed, a blur of wings and bladed limbs. He’s vaguely aware of the pain, but it’s the burning he feels first. It’s like acid in his veins. Poison, he thinks, and that airy disconnect startles him; it’s poisoned me. 

Raphael rips the beast off him, snapping its neck in one fluid move. Screams echo throughout the House. He hears more of those things scurrying about in the main hall and something massive, something awful, crashing towards the boudoir. 

They’ve come for him. His father’s men or a rival Archdevil, it matters not. He moves towards his armoire, intending to slip into the Hell Dusk armor before they are upon him, and nearly collapses. His vision swims; the muscles in his hands and calves are still in the process of cramping. Everything wants to spasm. 

The cambion grits his teeth, pride warring with rationality. If they kill him here, it will be a final death. But on the Prime…even if they fell upon him, there is hope. Raphael forces his hands through the familiar gesture and casts himself among the planes. He has no destination in mind; his mind cycles through its expansive catalog of people and places and locates one with sufficient strength. The House fades. 

Convenient, because so does his consciousness. 

________

There’s a devil in her garden. 

Well. Cambion.

Tav purses her lips, rocking back on her heels. She should probably feel panicky but can’t find it in herself. Raphael looks rough. His doublet is shredded. His red skin is tinged nearly purple, and sweat beads on his forehead. The hero of Baldur’s Gate glances back towards her cottage, down at the devil she’d once (tenuously) considered a friendly acquaintance. 

If he’d thought to come to her after a decade, then things must have gone sideways back home. 

She sighs, kneeling and slipping her arms under his. The devil is hot. Not in an attractive way, not even in a natural temperature way; it’s like his blood is boiling in his veins and cooking him from the inside out. She goes to move him and groans. 

“Gods, couldn’t even transform to make this a little more manageable, hmm? Good to see you’ve not changed, dear.” 

Getting him inside is an arduous process. Tav has to stop more than once. He’s heavier than he looks, and touching him burns her. 

She finally, finally manages to drag him to the couch. Tav presses the back of her hand to his cheek. She’s no expert in Infernal medicine, but he doesn’t feel or look great. Chewing her lip, she weighs her options. Leave him and hope he awakens…

…or take matters into her own hands. 

She’s always been more of a take-charge sort. Tav fetches a knife from the kitchen. He isn’t going to be happy with her, but he’ll also be alive, so it’s a tradeoff he’ll have to accept. She finishes cutting the doublet free. Seeing him without it is strange. Tav sits back on her heels. He looks smaller, so much more vulnerable without that mark of rank. The shirt beneath is rather plain by comparison. Frilled, yes, but nothing out of the ordinary. Tav cuts it away; the blood has ruined it. They’ll find something else for him to wear. 

The wound stretches across his side. It oozes in some places; the skin along the edges is blackened, already starting to rot. She wonders if his mortal blood worsened or lessened the effect of the poison. 

Tav fetches half a dozen potions from the pantry alongside a roll of bandages. She’ll have to work quickly and pray. 

_________

Raphael regains consciousness halfway through the procedure. The cambion is aware of a pinching sensation in his side; there’s a small hand on his ribs, trying to keep him from moving away. His host pinches him. They’re saying something. 

“Transform.” 

Gods above and below, he recognizes that voice. The devil groans, chancing to open his eyes. Tav is staring at him, crouched between his spread leads, needle in hand. 

“Not you.” 

She snickers. “Me, darling. Don’t complain. You manifested in my garden.” 

“Anything ruined?” 

“An entire bed of night lilies.”

He huffs. “I’m glad to hear it. I should visit far more destruction upon this wretched…” the room does a dizzying turn and his nausea intensifies. 

“You can visit your destruction later. Right now, I need you to transform. Your skin is a bit…” she shrugs. “More difficult to manage as a devil. You need sutures.” He snaps his fingers. The shift is not as immediate as he’d like, and he has to screw his eyes shut against the latent exhaustion. Tav’s hand shifts, moving up to cup the back of his neck. “Easy, love. You’re alright. Could you stomach a healing drought?”

He nods. Tav presses the potion into his hand and returns to her work, leaning over him. There’s a part of him, separate from the pain and sickness, which catalogs the healthier warmth of her skin and the press of her against his thigh. Her scent is precisely as he remembered. Her hair…

Raphael frowns, reaching out to tweak one shorn strand. “You cut your hair.”

She smiles, stitching him back together with practiced ease. “Do you like it?” 

“Not in the least.” 

Tav laughs. It’s a far cry from the last time they were together. When the wretched thing had the gall to deny him; when she’d cut ties entirely and ended their mutually beneficial relationship. She’s so close. He could snuff out her miserable life and finally make good on…

“There.” She pats his stomach, pressing back on her heels. She doesn’t move away, he notes; her elbows remain on either of his thighs. She is such a little thing, his pretty mouse, even with her horrible new hair and a smattering of fresh wrinkles. She tips her head to the side. “You’ll have to rest a while. But you’ll live.” 

“The House is compromised.” 

Tav finally stands. She smooths his hair back, pressing a kiss to his cheek. “Stay here then. We’ll make it work.” 

[s0kkix]

Would it be too much to ask, how do you draw your faces? / avoid same face syndrome ?

etc etc

not too much at all, thanks for the ask !

the way i think about faces is like a puzzle - the eyes, nose, lips, ears, chin, etc. being the puzzle pieces. it's a sort of "mix and match" game.

for example, these three characters all have a similar, strong nose and droopy eyes with puffed eyebags (except for azariel in the last pic), but thanks to different face shapes, body builds (how a character is built also reflects in their face) ears, hair and other details the characters can be told apart.

incorporating your character's personality into the face design is a great idea. perhaps the way they express a certain emotion is different to the way other characters do. maybe their resting face is happier-looking than another character's. the face is a big element of character design, because it's a tool of storytelling on its own.

take a look at my lucifer, for example. woah ! what the hell happened to them ? (he's still pretty though)

the face should entice, force the beholder to ask questions about the character and be curious about their story. i'm not saying every face you draw should suggest the oddest of backstories and personalities, but give each of your characters something unique to their face that would spark someone's interest.

now, i haven't exactly checked how well they stand out amongst eachother by removing the hair and the rest of the body, but i did draw a bunch of my characters together without colour on one paper.

my biggest tip is - exaggerate ! find a feature you want to stick out in your character's face and construct the rest of the face to compliment it. matching a face with the character's personality is also something you should know how to do, so i suggest doing research on shape and colour language.

it's important to take note of how faces look as people (or humanoid characters) age and grow older. wrinkles are one of the main ways i add character to ... well, my characters.

as much as i enjoy drawing wrinkles, i usually save them for "wise old" or nurturing characters. but of course, wrinkles appear on all sorts of people, especially if they have a fuller face.

(i am speaking specifically for my stylization which often strives to be somewhat anatomically realistic)

another tip is to reference life when you study ! human people have such a wide array of features you can utilize, it's amazing and beautiful ! just make sure you do research on ethnic features and when they appear on which face (unless you're going for something supernatural/humanoid, then the nose gallery is all yours /j).

also, don't drastically diversify faces all the time. siblings and family members often have similar features and it's okay to repeat them in these cases.

(this artwork is pretty old)

if your character and costume design is good, "same face syndrome" shouldn't worry you at all. avoiding this art community boogeyman is just one way of diversifying your art and adding spice to it. lacking this diversity really is no sin.

at worst, it's just going to look odd. for example, if you're so used to drawing young, wrinkle-less characters and attempt to draw an older character without any exercise prior to that, chances are this character is going to look oddly youthful, resulting in a sort of silly outcome.

but just like with everything, take your time ! changes and improvements don't happen overnight, and it takes time for you to get used to new things. with all that said, i'm wishing you the best of luck and happy drawing !