darkhollowfashion

[lilmeowmrow]

quick comic redraw of *the* tkm scene

[chloesimaginationthings]

Abby and Into the pit Oswald have similar “friends”..

[itslilacokay]

oh would you look at that

part 1!

[benrybenrybenry-chr]

being into sherlock holmes is so stupid like. yeah here's my blorbo, you don't know him. you think you do, but unless you've systematically fallen in love with him through the personal writings of his retired army doctor best friend you really don't. yeah. he's one of the most popular and well known characters in the world. I have interacted with at least 60% of the current fans. hey do you think he associates the sounds of waterfalls with death? do you think he'll ever get over that? I won't. good talk

[bbbbbbbbatman]

you know that post that's like the best way to deal with conspiracy theorists is to suggest an even wilder conspiracy (ex. "did you know the moon landing was faked?" "you believe in the moon?")?

well that but with tim and bernard. every time bernard gets a little too close to the bat secret, tim suggests something insane and then goes to great lengths to find (or occasionally manufacture) evidence for his stupid theory.

-----

bernard: okay hear me out, what if the second robin came back to life and is now red hood

tim: okay but what if red hood is actually joker from a different dimension where he didn't go mad and his life of crime escalated?

-----

bernard: i think the youngest robin might actually be blood-related to batman

tim: maybe the youngest robin is a literal demon that batman summoned and bound to him

-----

sometimes he goes a little too deep down the rabbit hole and manages to convince himself of his theories. And, on one notable occasion, one of theories actually turned out to be true and helped solve a case.

[ingoodjesst]

have you put the pieces together yet, detective

[beaulesbian]

The Terror 1.10 + captain

[redliferiot]

grian pearl and scott: none of us chose or even truly desired to win, rather, victory was thrust upon us like the cloak of destiny that we all don. victory was unwelcome and in some cases unexpected, it could've been anyone but it was us martyn: i murdered cause i wanted to win and i won cause i wanted to murder

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[positivelyadhd]

sending my love to people with slow processing speeds.

you should be allowed to take your time to do things and I am so sorry if people have ever made you feel like you can't.

you and your contributions are just as worthy as everyone else's, the speed in which you do them should not impact that.

I am so sorry if you ever been made to feel like you weren't good enough because you "couldn't keep up".

you are good enough. you are trying enough. there is nothing wrong with you and it's not your fault.

[poorly-drawn-mdzs]

Instruction on Courtship

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[holdmymetaphor]

okay when i started rewatching house, it took me until 3x15 but i started to notice a pattern in house's wardrobe. the scene where foreman was trying to express sadness(?) at house's (fake) brain cancer they were both wearing pink.

After that I noticed that any time house was wearing pink, they were particularly vulnerable moments. Moments that he's feeling tender or open. Moments where he is being pretty earnest.

Then I started to notice that other colored shirts came up at different times. Light blue was his most neutral state, it represents logic and reason imo. Maybe a little bit of humor. There's a lightness or surface-ness to it.

Purple represents something like consequences or grief or guilt. any time there is purple someone is bearing the weight of a decision that was made, or a complex situation.

Black represents, as you can imagine, death. the darkest moments we see house in black.

The other colors aren't as prominent, but I have theories. Red is sex, power, life, excitement, ego. tan is neutrality. white is almost naive. green is rare and house never wears it. Dark blue is still logic but more solemn, more deep. its also interesting to note the times when he doesn't wear a t-shirt under his dress shirt and leaves like 3 buttons open (hubba hubba) and when he /only/ wears a t-shirt. I think his dress shirt is almost like his armor.

[holisticdogpark]

oh the tragedy of a podcast character with a daughter..............

[kanohivolitakk]

Ok can we stop talking about the "gymbo inika were the reason love isn't canon"when there's stuff in the prototype plans that are far more insane and interesting including (but not limited to)

One of the earliest concepts for 06 was set in Mata nui where Toa nuva fought the morally gray Toa Rahna, who served as a more negative reflection of Toa. A major theme for this idea was exploring if toa could be evil.

While 08 always had bat themed villains, initially 08 was supposed to have army builder mooks instead of BoM Makuta. Also originally 08s villains were supposed to be Karda nui natives

That said, Makuta as a species and Brotherhood of Makuta were planned to by the story team as early as 2004, and were already considered to be the villains of 08. Though by this time only the titan sets.

There's at least two different concepts for aquatic villains that vastly differ from the Barraki. One of them were soldiers that were possibly army-builder villains, while the others were traders who weren't necessarily evil(?) Regardless both of them very were starkly different to the Barraki in canon, thoguh the soldier concept is far more align to with what we ended up getting.

The Piraka we know and love(?) seem to be a fusion of the two prototype concepts of 06 villains: A greedy brigand species who terrorize the locals called Hagalakh and the aforementioned Toa Rahna. The Piraka took the aesthetics/lore/culture of the Hagalakh and the "anti-toa team/ group of six individuals who served as evil disorted version of toa" concept from toa Rahna.

In the concept with the Hagalakh as 06's antagonists, their goal was to wake up Tren Krom who was supposed to be the final boss. Tren Krom in this version was supposed to be a dead giant whose corpse hosts a temple and the treasures the villains seek.

In some of the plans the hunt for mask of life started in 07, not 06. 06 instead had a different goal that depended on which version of the story plans wer'e talking about

Some plans had the toa Inika/Mahri be the main team for all three years, while some plans had the team change every year. The plan

Some of the plans indicate the "Matorans" were meant to be different species of beneveloent creatures, as they used different title than Matoran to describe them. These include the Rana and the Ihoian, though the Rana may have been Matoran

Lot of plans had the titan sets be either Rahi, or at least, other Rahi-like creatures and beasts. Many of 06 and 07s concepts had these beasts be protectors for sacred locations or the Mask of Life.

There were plans for character titans. One of the Haglak/TK concepts had the leader of Haglaks, Torak, while one of the prototype Barraki were meant to have their leader be a titan set

06 was designed a shakeup that would revitalized the brand by addressing major flaws the storyteam felt prevented new kids getting hooked. One of the bigger roadblocks was the lack of a main protagonist. This was corrected by introducing a new Matoran protagonist with a connection to Mask of Life who would act as the centerpiece of the Ignition trilogy and eventually become a Toa.

At the end of 06 the Toa of Fire (Jaller??) was supposed to die and be replaced by the aforementioned Matoran protagonist as the toa of fire

Mazeka was the name of a corridor in 06 plans

Takanuva was supposed to use Mask of Life at some point

Toa Mahri were called Toa Awkwa at one point

[codacheetah]

This specific dialogue interests me because it feels like the closest thing we get to a direct correlation between the True Ending and Loop giving up. I mean yea obviously the True Ending is literally the "TRUE ENDING" of SASASAP there was even a whole dialogue change to twohats in the latest update to super canonize it for the people who didn't get it. But the way this is phrased (as the direct progression of "something terrible" into "i'm here") makes me think that Loop waking up in that meadow again directly led into them making their second wish.

[dxxtruction]

Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.

He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.

That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).

Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.

50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"

Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.

They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.

This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.

Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.