#it's worse than tumblr imo

[the-way-astray]

"average keefe art is mid" factoid actually just statistical error. average keefe art is good. hollingsworth georg, who hates keefe stans and created some truly godawful art to punish them, is an outlier and should not have been counted

[echochamber]

'Would there be any flowers, you'd think? — Sure would. And poems, too. All 'round yer coffin.'

instagram

[tavs-brainworm]

Where are these people who are supposedly saying that Astarion is “inherently evil” and therefore irredeemable?

Are they on twitter or something because on here I’m only seeing ppl responding to those arguments but no one actually saying it lmao

I can only find people saying that he’s “evil aligned”, which is NOT the same thing

[icehearts]

I'm so tired of people acting like characters need to die in a story for there to be 'stakes.' First of all, death is not the worst thing that can happen to a character so jot that down--

[beeapartments]

posted about a mario rpg success on twitter and got like jumpscared by a porn bot with a name that's uncomfortably close to my mom's

[violetsquare111]

honestly kinda sad about the whole tumblr communities thing

like it's cool it's fun but imo it just unnecessarily divides content by having it be One Or The Other. now if you want to look at all the art a person's posted on tumblr, including doodles, you just don't have one place to do that. quick offhand thoughts are no longer available on a person's main blog with the rest of their earlier posts, they're arbitrarily hidden off to the side.

and even worse than being split off, communities are (as of yet) not searchable at all, so anything other than recent posts just gets... lost

you can reblog regular posts to communities but then, yet again, discussion on the post is cut up into two places. you can't see any of the community's comments if you're on the main post, not even as the post creator and not even if you're in that community. idk i really prefer the regular tag browsing system

huge props to the people moderating these things, yall are really awesome, it's just qualms i have with the feature in general

[arendalphaeagle]

I'm probably getting a ton of hate for saying this, but I personally do think it's pretty wild that the Dwampyverse Tumblr community I'm part of, completely prohibits any kind of Ferbnessa content, with literally nothing else but a "this doesn't need an explanation" blurb, yet it gives Perryshmirtz a free pass (because "it's a recognized subset in the fandom"), so long as it's being "kept on the same level as the show".

But I mean, why can't we allow Ferbnessa on the same conditions? Ferbnessa has always been a canonical part of the show, and the way they treated it was fine, IMO. Are we really treating an age gap as sacrilege and a worse offense than z**ph***a? Are people so afraid that they think that the age gap is potential (and unconfirmed) p***ph***a or gr***ing, that they find potential b****ality more acceptable?

I find the hypocrisy about this gatekeeping nonsense just a bit weird.

There's also this weird rule about keeping AYA content to a minimum because "too many people hate it". And? So many people also hate how Doofenshmirtz has practically taken over season 2 of Milo Murphy's Law, but there's no rule against that either (nor should there be one).

[dreadfutures]

#i'm sad to hear this because it doesn't reflect my own experience #i actually see more fic and art because i'm in discords with people who share those things and ALSO reblog #but my discord circles probably skew toward older tumblr users who reblog stuff - @anneapocalypse

#discord has me so much more connected to my fellow authors and fanartists#it's sad that it's not a universal experience - @inquisimer

This.

There are some servers where it really is a black hole: people will say "look at this" and it's just a piece of art with no source. Those servers suck tbf.

But.

Discord servers -- any community -- will be as crediting, and reciprocal, and engaged, as any other community, based on the people who build the culture in that community; new people joining communities see that culture and either conform with joy, or they get pushed to conform. And when that culture is one of mutual celebration of creativity, then that's what gets fostered in its participants--and it does leak out into other communities.

Every individual who asks for a source or for a link when someone shares their own or someone else's creativity -- that person who asks is spreading that culture of mutual interest. It becomes a norm, and your community will eventually thrive.

There are always people who will take without giving, whether the sharing/resharing/commenting culture is codified in a Rule or not. But Discord doesn't inherently make people less inclined to share, speak of, or comment on, art and fic. That's down to their own awareness and apathy toward that culture -- which everyone, on every platform, has been complaining about seeing a decrease in in recent years. "So much about fandom now is just pure absorption and no actual engagement" is definitely true.

But I have seen people get more brave about commenting, and more aware of how tumblr works with its reblogging feature, after joining our discords and seeing exactly why those things matter and why they make other people feel good and why it's worth them specifically reaching out and commenting/sharing when things cross their desk.

I'm really proud of the community culture that's been fostered in those servers. It's impossible to engage with everyone's works, but everyone makes an effort to make sure their interest and enthusiasm is known both to the author/artist directly (whether the artist/author is in the discord itself or not!), and to the larger internet where applicable.

This isn't directed to OP so much as it's directed to the 1 person who commented on their fic -- be the change, encourage that celebration in everyone, and encourage all your shy folks around you to actually tell the creators they like that they like them! it takes so few spoons to leave a comment or to reblog something, and those are acts of love.

we don't talk enough about discords place in the slow death of tumblr. and i say that as someone who uses and loves discord. but the seperation between reblogging and talking on discord def affected how we communicate here. something i see really often is people sharing gifs and art on discord and being like "how pretty is this!" and still never reblog it. or people will talk about a fic on discord or twitter and then the fic itself barely has comments on ao3, so the creators feel like no one is seeing their stuff, or worse, that no one cares. i remember being completely floored when one (1) person on ao3 said their entire server was talkin about my fic bc if they hadn't had commented that i would never know! so much abt fandom now is just pure absorption and no actual engagement.

[stitchposts]

Heyo! Had two questions - one a little less relevant to your blog but I thought I'd shoot my shot :D

First off, do you have any experience with visible mending using embroidery techniques? Both my denim jacket and favorite sweater are getting worn out after years of constant wear, and I'm unsure how do deal with some of the holes. My main issue is that the very ends of the sleeves are simply... splitting open? Like the fabric got so thin from whatever stress I apparently put it under, it fecking disintegrated. It seems simple enough, straight line on an edge, but I'm worried about messing it up anyway.

And, speaking of my jacket, with it falling apart a little and me seeing more about battle vests and the like, I've been wondering about trying to embroider it, maybe make some patches... I have a bunch of cotton embroidery floss that was gifted to me years ago, but not only have I not embroidered much since learning it in school more than 15 years ago, this is also literally my only (wearable) jacket. The other two are a 10 year old fake leather coat that is peeling itself and also doesn't fit right, and a windbreaker in terrible colors that, if I remember correctly, is too badly damaged for me to know how to easily fix it. Meaning just going ham on it is a big risk. Do I try to find my first new jacket since 2019 and hope to stumble upon one satisfactory in both price and fit? Do I just pray and start fixing up my denim jacket? What else do I need anyway? I got thread and sewing needles big enough to fit it, but nothing else.

Help.

Thanks! <3

This post got kinda long even for me, sorry. First off, this is all embroidery related imo, this is still about stitching on fabric. A square is always a rectangle but a rectangle is not always a square. There's nuance under the umbrella of 'embroidery' here and this counts.

There does reach a point when clothing can't really be repaired anymore, and after that point, historically became rags, or the patches used to repair other clothing. You'll eventually need a new jacket, but if your choice is to immediately find one now or to repair your jacket and buy time to be able to locate one, it seems a bit obvious to me what the option to follow here is, especially if you like the look of visible mending.

This is the part where I wanted to add a cut, but tumblr is glitching out and refusing to add one. So I guess everyone is just subjected to this now. Sorry, and I'll try to have an actual pretty embroidery picture up for everyone to see this week since my furnace is no longer trying to blow up. So: visible mending is at the core applying mending techniques to clothing, and instead of trying to make them invisible repairs, using the stitches or extra material that reinforces the repair to creative visual interest and turn it into a design feature. The stitching itself is done to reinforce the fragile parts of your garment. Sometimes it can be darning, other times it's adhering new fabric to back/cover the fragile parts. It depends on the repair which to use, or even which method the mender prefers. It's not always clearcut and even then, sometimes we prefer doing the thing we know better more than a brand new technique and we bruteforce it to work. So, dealer's choice on darning or patching here, but I'll get to both of them. My opinion of your situation is that you have nothing to lose with trying to repair your jacket that fits you. It's already falling apart, and it's better to stabilize it before it gets worse before there are giant gaps in the fabric. Clean it gently by hand by letting it soak in a bucket or a tub with some ph neutral detergent - do a couple rinses of letting it soak, until the water runs clear and stops smelling foul. Then lay it flat to try on a towel, don't hang it up to dry as that will put more stress on the fabric, I find the shoulders are usually one of the first places to give out on my stuff but I am very broad shouldered. In my opinion, gaps in the fabric at high stress spots like the cuffs should have new backing fabric added to the weak spots, and then the visible mending can adhere that in place. If you were to make new embroidered cuffs you could just sew them on, and protect the integrity of the base fabric, the same way patches do. But you may prefer other options. For darning there's a few ways to go about it. Darning itself is using new threads to weave through the holes in fabric, and stabilizing it past the delicate thin edges of the base fabric. A dear friend of mine lives and dies by her Speedweve loom these days, and I've seen her work with it. She is one of the top 5 trusted fiber artists in my life so I vouch for these looms being cool as fuck and very functional without having used it myself. I also got her this particular book called Darned Easy, by Sally Simon, that I find interesting that has a lot of patterns in it for darning - I grabbed it at a used book store at some point. I messaged her before I made this point because she follows this blog and would know this part is about her. Hi bud. She's the only one who gets to see the rest of the interior of the book, because it was published in 1981 and I'd rather not use this blog to host scans of books that are that recently published.

You don't need a loom for darning if you know what patterns to follow to darn using your needle, and there are a lot of ways to make darning decorative in the manner you want for visible mending, just use your contrasting threads to stand out on the ground fabric. There's also other books available, a HUGE amount of them because darning's existed for millenia, but this is the resource I physically had on hand that I wanted to use as my example so it's the one you get pics of.

On the other end of repairs, you can applique on patches or reinforcing material, then quilt the material into place, with the quilting being the surface embroidery you are pushing through the layers of fabric in order to adhere them into place. Before anyone replies to this op telling them to fucking look up sashiko, please get off my post. I take umbrage with a lot of embroidery designs being referred to as 'sashiko.' This type of repair on existing clothing genuinely is one of the origins of sashiko as a necessity of life - it was that a pattern was laid down on the clothing or items that needed to be repaired or pieced together, and then quilted into place with running stitches that formed the design, which reinforced the clothing and allowed the fibers to be usable for longer. I really despise the words 'sashiko' 'wabisabi' and 'kintsugi' tossed around casually out of historical context by every fucking art blogger under the sun. Fabric was fucking expensive pre industrial revolution, so preserving clothing mattered a lot. Many different cultures have preferred methods (very often extremely regional even within a country) for mending in a manner that is similar to what we know of as quilting or applique today, but there's a certain obsession with anything Japanese in particular that bloggers love to describe as mysterious and wholesome when it's just a visually distinctive fucking way to repair a hole in a garment and quilt things together to make it warm and functional.

Anyway. My first vest I made, it did eventually disintegrate. I knew it would happen because fucking entropy of the universe and so I managed to find a new vest I could afford at the time when I happened across it, and kept it in a back closet till I was ready to transform it into my dragon vest. I repaired that first vest until almost every seam was paper thin and shredding. I loved it a lot. I wore it daily for years and years. I'm still sad I can't wear it anymore, even though I kept my back patch from it, and I still don't know what the fuck I am going to do with that patch. Eventually fabric is destroyed, after many many years of service and wear. Things die. You can't put resin on your embroidery and make it live forever. But when things finally do perish, you can use the base fabric that is still good to make new patches. You get to design and plan a new battle vest or projects you want to start. If you're not sure yet about how badly you'll be hit emotionally by seeing something you put hundreds of hours into disintegrate into nothingness, then hold off on making this particular jacket your battle jacket holding a lot of purchased patches and such, instead of as a test springboard for learning repairs. This is not me being facetious or jokey. It hits people pretty hard to lose, especially the first time this happens. We're humans that hold bonds with things we like, especially things with that much personal hand investment on it. It won't be a failure on your part if you decide to learn repair and extend the life of this jacket, when this jacket does finally bite the dust. It will happen. The accomplishment here is how much service and use you get out of the jacket past when you thought you'd have to throw it away far earlier than if you had learned to repair it.

[prettycottonmouthlamia]

I feel like if Ascalon was released during Year 1 or 2 into the game, like maybe with a slightly worse kit but the same visuals, right? She'd be insanely popular, she'd be one of the mainstays, people would be drawing angsty yuri art with her and Kaltsit and Theresa. But she was only revealed in Chapter 10 and came out during Year 4 of the game so she's much, much less popular than I ever expected her to be.

I think this is a sign of like, how backwards facing it feels like people in fandom, even here on Tumblr. You gotta be willing to experience new content in good faith imo.

[hainethehero]

Steve is held to an impossible standard and therefore the bad takes on him are almost always by people who need to find a way to make it about their “favs.”

Case in point: Tony and Bucky fans. Almost always at the scene of the crime, and continue to be. I say this as someone who is solely a Steve fan and not Bucky or Tony fan. I don’t care for either of those characters and especially their deranged fans who feel the need to make everything about Steve about them instead of Steve. But I would never go into their tags and make stuff about Steve. Because it’s their right to talk about their favs but I don’t think it’s fair that Steve needs to always be dragged into convos that have nothing to do with him.

Steve as a character hasn’t been in the MCU for about 6 years. Yet his tumblr tag contains nonsense to this minute, and it’s mostly Bucky fans making everything about him 24/7 or bitter Tony fans making civil war discourse in 2025.

Sam is getting similar treatment because he’s taken on the cap mantle but his treatment is worse with an added layer of obvious and sometimes not so obvious racism. He also cannot make a mistake or do something that is controversial because he will be held to an impossible standard. I could get into this but since this post is about Steve I won’t. But Sam deserves better and TBH, I think Sam/Steve deserves more love and I find that ship to be much less toxic because the fans seem to know these two love each other dearly and how much Steve wanted to be around Sam since Day 1. How much Sam respects Steve and simply watches his six and why Steve handed him the Shield.

But guys like Bucky and Tony can do lame and act dumb shit after dumb shit and will always be forgiven or sympathized with by their fans because their fans love to be delusional about them. Poor them always.

Bucky is getting a lot of support for potentially screwing things over for Sam but the GP and fandom is mostly on his side and it appears he’s now being compared to iron man if the thunderbolts new poster has anything to do with it.

Tony gets sympathized with because his character is arguably the MCU’s face and most important. The Russo brothers purposely having Steve withhold info from Tony (unconvincingly IMO, because where was the build up? How did allegedly no one else know but Steve and how or when did he even find out? Why is he the only person who gets blamed for this when idk, shield and everyone else involved is right there??) was always going to set people off. Ironman asskissers will support anything he does and he is the most popular character. So if anyone goes against him or something happens where it looks like he was wronged of course the masses will jump to support him and villainize the other person. In this case, it was Steve. But you know, they could have not written the script like this and did the comics version of civil war or idk avoided civil war altogether and went with serpent society and did a real cap movie like they were supposed to. But I digress.

But yes, you are correct. The bad takes towards Steve by Tony fans are very funny but Tony fans literally have it all. He is the face of the cinematic universe and that’s sort of bled into the comics side of things since the MCU mainstreamed his popularity over the last decade and a half. He snapped in endgame to save the world and now his memory lives on. What else do they need to be mad about?

Maybe because oh…idk, even after all this time, Steve’s storylines and discourse are still being discussed to this day and he’s still somehow relevant to a universe that has placed him in the rear view. The conversations around the super soldier serum continued throughout the TV shows, movies, and even Cap Civil War is still discoursed about day after day. Could it be, marvel realizing that Steve became a more compelling character than they expected and his popularity was starting to eclipse that of their Godfather so Civil War had to come in and throw a wrench into things.

After TWS, the popularity for Cap/Steve exploded and I don’t think marvel was expecting that. I also don’t think marvel was prepared for the visceral response by some of the fandom towards the ending of Steve’s arc and how much some fans still cannot let that go and the constant wondering of where he went, demanding for rewrites and fix its and bringing him back and etc etc so on.

I think it’s interesting to say the least. Such a “boring” “do good” “self righteous” lame character shouldn’t still be in everyone’s mouths and thoughts after all this time…right?

THIS. ALL OF THIS.

[princess-nobody]

Avatar Rant: Snowy Region Na'vi

Am I the only one who doesn't like the fanon snow navi designs? Specifically this (I used shitty AI images I found off of pinterest to illustrate the point and to avoid using actual artwork from people 🩷):

(Before I continue my God these are creepy 😭 AI genuinely cannot create Na'vi without them looking uncanny, disturbing and far too human)

I can understand why people choose the more predictable design philosophy – blonde hair, blue eyes, pale/white skin, pretty two pieces – because that's relatively how this sort of lifestyle has been portrayed to us in the media. Every movie or show set in a snowy region always features mostly eastern European characters, so naturally people decide that their snow na'vi must resemble eastern European people to a degree, and this bothers me.

Not because they look like white people (though that is like 25% why ngl) but because it just isn't realistic? Na'vi may be inspired by humans but they are still a different species living on a harsh and deadly planet that humans can't survive in, na'vi winter and snow would be excruciatingly difficult for them, and they would need to adapt to it.

I just don't see how they would be so thin and petite and pale, people say to blend in, but why? Only a handful of animals in arctic regions are actually white to blend in (polar bears, arctic foxes etc.) so wouldn't it make more sense to base them off of arctic animals from the ice age? Back then, animals were bigger, bulkier, with thicker skin and hair all over to protect themselves from the crippling cold – with that in mind, wouldn't snow na'vi be bigger than average na'vi, and bulkier too? Unlike regular na'vi, it would make sense that the snow ones actually have body hair all over, maybe even fur if you want to take it that far.

And if you're basing them off of INDIGENOUS people, then appearance, features and fashion wise, wouldn't it make more sense to base them off of the actual Inuit people of the arctic instead of Elsa from frozen 😭

Because realistically why would they wear flowey dresses and two pieces in weather that is probably 80% worse than any winter humanity has ever faced... especially since na'vi are all inspired by different non-white/european indigenous communities, and yes... non-white/European indigenous people do in fact live in cold, snowy, arctic regions...

To add a little bit of pseudo-psychology to it, it may be done in an attempt from white avatar fans for the most part to feel closer to the na'vi by adding a white adjacent sub-species, as the closer to europeans the na'vi look, the more they see themselves within the na'vi. However, that is purely speculation lol.

Also, I do NOT think you are racist or anti-indigenous or anything of the sort if your headcanon for snow na'vi looks anything like the examples! You're allowed to draw and design what you want, and just because tumblr user princess-nobody doesn't like it, doesn't mean it's bad.

TLDR: Fanon snow na'vi don't make sense and confuse me lol. Imo snow na'vi would be big and bulky behemoths that are covered in thick body hair and wear large, figure covering warm clothing, not skinny little russian girls in ballet outfits LMAOOOO.

[atopvisenyashill]

What are your thoughts on GRRM’s new notablog post on HOTD S2?

omg i'm sorry so i did not get notified that i had a few new asks, i didn't even see this until i logged in on desktop. tumblr eat shit smh.

ANYWAYS.

I actually agree with Xiran Jay Zhao, here, where they said this was a warning shot. It feels like a warning shot. Like a "hey I'm being nitpicky and pedantic now but if you think I won't go scroched earth you got another thing coming." I've seen so much "this is unprofessional" "this is annoying" "why is he complaining" and I think it is not only mind boggling to side with a corporation and the idiots running these shows (and we know I mostly like Condal and Hess, but come on Condal was the mastermind of Sansa Bolton why are we defending him right now!!), I think everyone is blowing his comments wildly out of proportion. He didn't take a dig at anyone but the writer's room and more specifically Ryan Condal, who he has had a working relationship with for well over a decade. He didn't shittalk any casting, he didn't shittalk any specific writers or directors except one of the main showrunners, he compliments the special effects, he has consistently had (and imo is careful) nothing but praise for the actors, even minor roles like Blood & Cheese. This was an incredibly milqtoast "please remember that every change has huge affects on the narrative later" critique and the people handwringing over his behavior are absolute losers, I'm sorry.

And beyond the fact that he didn't make any huge digs, I think this conversation also wildly ignores the way authors have no control over their own characters once they sign the rights over. They can be completely bamboozled by changes and they have no recourse to go "what the hell are you doing." And yet, signing your book's rights away (even if the production sits in developmental hell for decades) is usually what nets these author's the most money - GRRM surely makes a shitton off his books, but most authors get paid absolutely nothing even when they're wildly popular because of how book deals work now. Take, again, Xiran for example - Iron Widow was a huge runaway hit, a good and fresh take on this new boom of culturally based sff. And yet Xiran has talked about how they immediately set to work writing a middle grade novel because they desperately needed the money because they got paid 16k over two years for their runaway hit that made their publishers significantly more than 16k. I think George is not only mad for authors with less control than he has but also, obviously, for himself - I've said time and again, but I do think Dark Daenerys is where we are headed, and the fact that they completely botched showing it has got to smart. And if the ending for Dany is anything other than Jon killing her, that has got to smart too. So he watched these people fuck up his original series and push him completely out of that writer's room as they made more and more changes, and now he's watching s2 of HOTD and seeing some changes and getting some real bad vibes. It's not doomerism to think s3 is going to go massively off the rails when we have seasons 6-8 of the main show to show us just how off the rails it can go!

So anyways, that part of my rant over (and please believe me when I say I checked myself here because I could rant for hours about how it's genuinely so upsetting to see people call him unprofessional over this when not only did he write the fucking series, but he's lived in this series for three decades!!!!! this is his whole life, this is his legacy, of course he's feeling some type of way about how it's handled jesus christ on a cracker, there's people who have said worse about their mediocre nyt pushed bestsellers getting adapted badly!), when it comes to the actual meat of his post....I'm sorry idk how anyone is annoyed by this post because it was hilarious to me. He spent a whole blog post whinging about how Dead Baby #4 and Kingsguard Man #12 are gonna get cut out of the show. I think he framed it in that goofy way on purpose to hide how annoyed he is but you can see where the real annoyance lies - the changes to Helaena, losing one of his grisly death scenes, and being willfully mislead about potential changes to the plot. I think a lot of people missed those points but EYE am not a goofy ass like those people and I can guarantee you that Condal and HBO got the point too.

Of course, I do think he is also irked about Maelor and Ser Rickard's scenes being cut out. He wrote a long ass, highly meticulous, near unadaptable work, and I think when he handed the IP over he assumed he was giving it to people who would rise to the challenge and only make cuts when absolutely necessary. And that just clearly hasn't happened. Incredibly important characters get cut, main characters get their plots wildly changed for no reason, and people get personality transplants on a near constant basis for no other reason than D&D and Condal thought it would look cooler. I think if there was more dedication to keeping him in the loop and keeping true to the story, he wouldn't have bitched so much. But Hess is on record saying she doesn't feel loyal to the story and at a certain point, you reach your breaking point there and I think he has finally reached his. AND GOOD FOR HIM. LET THAT OLD MAN GO APESHIT THEY'VE COMPLETLEY FUCKED HIS WORLD UP!!!

[komohine]

hey!! first of all I have to say I absolutely adore your art and literally have to avoid watching your newest animation because it traps me and I end up watching it for like ten minutes over and over… it’s just too good.

as a klance shipper I’m sorry for all of the weirdos commenting on your stuff?? people don’t know when to just scroll if something isn’t for them. but I’m super curious about your perspective on jaith! Ive never given it much thought but your art is making me thinkkkkk and I’d love to hear what drew you to it and why you like their dynamic

this is gonna be a short overview but if u want any in depth stuff searching #headcanon on my tumblr should give you my loads of insane ramblings lol…

for me i think it was a lot of things combined. I only watched voltron for the first time last year and i binged… all 8 seasons in 2 days… lmao oops. This meant i didnt have time to ruminate and get attached to klance and also meanr that i met james a lot earlier. long story short i found that one look he and keith shared a lot more intriguing than… the entirety of the klance interactions… lol

i also went in w the expectation of me being a klance shipper. Like i fully believed it but it just never stood out to me. All the popular klance scenes either just read as humourous to me or were undercut by the context of allurance (cough sunset scene cough).

basically, keith and lance interacted too much and too non-romantically for me to ship them. Keith and james, on the other hand, had few interactions and the ones they had i found were very emotionally charged and that left me with a great deal of speculative potential. i like my ships to stay canon compliant, i like filling in the gaps, so jaith was truly a goldmine for me.

also keith and james were the true rivals to lovers imo. james was the golden boy second place, he worked hard and was straight laced but still always lost to keith. keith was top of his class out of raw talent, but had disciplinary issues. thats like peak rivalry there. meanwhile keith didnt even remember who lance was lmfao and lance only got into the program after keith dropped out, so they werent rivals in any capacity. overall i find klance’s dynamic a bit boring.

and also jaith has the added “knew eachother in childhood” bonus that i really like expanding on. i think theres just something devastating about two young arizona boys who liked to catch bugs together growing apart because of their own personal tragedies. keith’s father died and part of him died with him. in my head, james fought so hard to keeo keith from slipping away until his own father got tired of his youngest not living up to their family name and became much worse to little james. its all just so gutwrenching.

[welivetodream]

✨ My BSD hot takes/unpopular opinions ✨:

1. Identifying BSD characters as Queer, is not problematic. STOP being so Heteronormative. Gay characters are not gonna kill you.

If I see another "BuT tHe ChArAcTeRs nEvEr SaId tHeY aRe GaY" I would bomb you 💣/j

2. Skk/SSKK/Fyolai/other popular ships, exist because people like it. If you don't ship them, don't engage with their content. Not all shippers act crazy and toxic. Stop blaming everything on shippers.

3. Atsushi/Kyouka is problematic, stop justifying it with "only 4 year age gap". Kyouka is a CHILD, ship her with Kenji if you want. Atsushi, like a normal 18 year old would never look at a highschool freshman and date her. Even if they date in the future, he knew her when she was younger and they had a sibling like dynamic. Lucy is a way better love interest to Atsushi (Don't know if this is an unpopular opinion tho, but I saw some people justifying it 😐😐😐)

4. DAZAI IS NOT EVIL. HE IS FAR FROM EVIL. He is, despite being super popular and the face of BSD, the most mischaracterized and villified character. Morally grey characters exist??!!!

5. Mori is a way worse person than Dazai ever was.

6. PM members get a free pass for any heinous crime they commit by being hot or babygirl-ified (still love them tho, we do not often discuss how bad their actions have been, you can like criminals and acknowledge they are criminals in fiction. I would add DoA to this too, but it's worse with the PM)

7. Akutagawa's abuse of Kyouka shouldn't be forgotten just because Dazai abused Akutagawa.

8. Mori emotionally manipulated and abused Dazai when he was a teen. Just because it wasn't physical, doesn't mean it was nothing.

9. Atsushi is NOT a soft boy, he is way bitter, salty and sarcastic than we give him credit

10. Poe is important to Ranpo and their friendship/relationship is wholesome as hell

11. Ranpo and Yosano's friendship is way better than them being in a relationship in the future

12. FukuFuku is better than Fukumori (imo!!!!)

13. Buying real authors work after watching BSD is actually a really good thing, since more Gen z kids (or other people) will read classics

14. There are layers to Atsushi and Akutagawa relationship/rivalry, and they have the MOST important relationship (not meaning romantic, just in general) in the entire canon.

15. Kunikida and Yosano could be a power couple

16. Fyodor is not a great villain (yet)

17. Nikolai CARRIES the DoA

18. Sigma shouldn't be in the ADA, he needs a happy home, family and some time to adjust to normal life

19. Q and Elise are both underused characters and could become a great dynamic

20. Ango deserves more love, the amount of pressure and stress he deals with is INSANE

21. It's OKAY if everyone joins the fandom for Dazai or skk (I did at first too!!)

22. Higuchi is annoying as hell. I do not get her hype, I like her but not as much as most people (just personal opinion, do not flame me 😭)

23. Everyone in The Guild is forgettable or boring (except Fitzgerald, Poe and Lucy. I like Louisa, but I forget her all the time)

24. Hetero ships are just not that great/interesting in BSD to me 🤷🏻‍♀️ (except maybe AtsuLucy or rare pairs) and female characters are not best utilised, I wish they play more major roles (can't wait for Agatha to arrive!!)

25. Some fan theories/arts get the story better than "canon" stuff at times. Fanon is NOT always the worst (sometimes enjoyable when the canon gets too dark or sad)

26. Toxic ships are okay in fiction as long as they are legal. Humans like toxic things, we consume it like junk food 💅🏻

(These are all personal opinions of mine and do not matter. Feel free to disagree. But, do not hate or be toxic!!!! 😇😇😇😇)

(PS: I compiled all these because of posts I have seen in, Reddit, Pinterest, Twitter and sometimes Tiktok. These aren't really abt you Tumblr folks. I meant to post this on reddit but did not have the courage or mental strength lol)

[zahri-melitor]

Hi! I’m a steph fan and your steph post really is good. IDK what post/person you’re talking about (I assume it’s going around, because I’m seeing the tumblr posts about it) but I love steph, and I think her sense of retributive justice and almost like instinctual violence towards men makes complete sense with her character. Even if I don’t think every writer was doing it intentionally (BQM certainly wasn’t thinking about Steph’s history with men when he had Steph get startled and punch Tim accidentally or whatever), these traits I think speak to feelings a lot of abused and wronged teenage girls have. I think it’s genuinely bizarre to want to remove these traits that IMO make Steph interesting in order to make her more palatable.

While I can actually understand people wanting her to grapple with restorative vs. retributive justice (again, i think this is a really common thing for young abused people to question and struggle with so seeing it on-page could be interesting), I think there’s more and more this sense of because Dixon wrote her this way, you should throw it all out which is so catastrophically boring to me. As much as Dixon is a conservative, and wrote Steph as a bit of a mouthpiece (and leaning on stereotypes about young girls in her characterization), plenty of it i think makes complete sense and genuinely works for her character.

Which, again isn’t to say I think every single aspect should be immutable forever (I think that would also be boring, especially for Steph who very rarely has gotten to be seriously introspective or have a fully realized arc in which her beliefs change past like 2000), but plenty of them straight up work for her teenage years in particular. Like of course the girl with no friends we meet on-page and no real support system when shes introduced is going to be possessive and desperate and catty! She started coming on to Tim after he REMEMBERED HER VIGILANTE NAME. That’s what it takes for teenage steph to like a boy, which I think speaks a ton for her dynamics with her male peers in her life. Like the minute you think even a second about what Steph’s life was probably like pre-Spoiler, I think most of her character flaws as a teenager (even those born of a conservative era or sexist writing) make complete sense.

I understand people not liking Steph (although I think she gets a lot less leeway than her male counterparts), but I think buffing out her canonical traits and flaws so she’s just like this freakish exaggerated version of herself (a perky, hyper-feminine stereotypical blonde thats super chaotic and doesnt think and does everything unintentionally) that only exists as a character foil to Tim or Cass or as a like cookie cutter snarky young female sidekick is way worse.

The thing about Steph in particular compared to a lot of other characters is that she has two very distinct, separate versions of her story that exist in an overlapping form (rather than before and after a Crisis like a lot of other characters who have a similar discontinuity in their characterisation).

The main character Steph you get reading Batgirl 2009 and Batgirls 2022 is a quite different personality to supporting character Steph that forms her appearances from 1992-2004, Batman RIP, Tynion's 'Tec, and Mariko Tamaki's 'Tec and One Bad Day.

Now personally, what I enjoy in a character is complexity and personality traits that are simultaneously assets and flaws (This is part of the reason I adore Barbara Gordon: she's a stubborn, grudge-holding hypocrite, and it gives her character so much depth). Another thing that you particularly see with female characters is they often develop a lot of complexity via stories that don't quite line up but when analysed turn into patterns of behaviour that various writers didn't even realise they were contributing to.

Supporting character Steph tends to be allowed to be messy (to help move stories along!) and that's where a lot of her most interesting personality traits pop up. As you say, there's a lot of solid background to why she hates to see criminals 'get away with it' based in her background and childhood and storylines. There's reasons for why she seems such a loner who has trouble forming friendships and who clings to the people who do put up with her for validation, and is so territorial over her relationships with Tim and Cass. She's desperate for approval and will cling to any shred of it she gets. And that desperation and determination is where her stubborn commitment to get back up again and ignore everyone trying to convince her to stop comes from, and how she keeps fighting, to prove her naysayers wrong.

While I tend to feel the Batgirl 2009 and Batgirls 2022 version of Steph is really flattened out into Generic Perky Blonde Optimist, because she's not allowed to face consequences of her actions or be at fault for anything in those titles.

It also obviously makes discussions difficult, with the overlapping contradictory characterisation versions, because if you're talking to someone who's only read a small chunk of her canon, you have to work out which bits they know, and with the added problem that what looks like obvious entry points (her solo or Batgirls) tend towards more uncharacteristic and flattened personality versions of her. Someone who's only read, say, Batgirls, has a very different view of who Steph is than someone who's only read Steph's Robin appearances, and if they try to discuss it without realising the significant differences in characterisation they're going to end up talking at crosspurposes.