#it's what you make of it through your own perspective

[hetchdrive]

This seems like a lot of words to say “people probably aren’t looking at you as much as you think they are and in many cases looking might be a neutral act with no malice behind it. You shouldn’t attribute ill will to strangers unnecessarily” :P

Ultimately I think this is good advice and that in a lot of situations, people probably aren’t looking at you and in a lot of cases there probably isn’t malice behind it! However, catcalling, harassment, and even just being stared at is a thing that very much does happen whether you choose to acknowledge it happening to you or not. From the perspective of wanting to be able to move through the world and interact in society, it does do a lot of good to practice thinking of people looking at you as neutral. I used to be much more socially anxious and it did do me a lot of good to remind myself of this when I was!

But that doesn’t make it not true that sometimes there are people who harass others for being a woman or being visibly queer. Assuming ill intent from strangers based on a history of harassment is for sure something individual people need to work on in themselves. But that assumption doesn’t come from nowhere, it comes from people having negative experiences repeatedly until they learn to expect it in future. Y’know, trauma. Changing your own thought patterns is only solving half the problem and in my experience doesn’t help you stop experiencing harrassment.

To be honest this actually perfectly illustrates my annoyances with therapy as a solution to systemic injustice. You can’t positive think your way out of other people’s prejudice. So what are we going to do about that?

i've been on t for more than half a decade and i have wide hips. testosterone did not change that and i like my hips, but when i wear clothes that aren't baggy i get stared at. i mostly pass but in public i experience a lot of the same things i did as a teenage girl, like dudes in cars slowing down to stare at my ass. the thing that changed over time was that nowadays they go by me and see my face and get angry or disgusted because oh no, that's a man, i just did something gay!!

the attention was shitty before and it's shitty now. being creeped on as a young girl fucking sucked and being creeped on as an adult man with a "feminine figure" fucking sucks. it's kind of weird to me how my experiences in the world have both dramatically changed and stayed largely the same. sometimes i feel like a perpetual teenager, because people won't stop treating me like a kid, but also a kid they can sexualize. the misogyny never went away, it just morphed into a different form because society doesn't like when girls become men.

i get stared at all the fucking time. my body is always someone elses' business. if i dare to wear clothes that don't hide my hips, the way i look becomes instantly morbidly fascinating to people. i can only imagine how it is for trans and intersex people of color, for people who are disabled, for people who have higher autistic support needs than i do, etc.. it's awful.

to my fellow t guys, transmascs, and anyone who feels it applicable, those of us who will always have wide hips or other "feminine" features that the world we live in takes issue with: i see you and your body isn't anyone's business but your own.

[dollishbabess]

batboys hcs with a architect s/o and how she’s so talented into architecture and critics places they go too for fun?? 😭😭 your writing is so fucking amazing omg (please write more)

‘THIS PLACE COULD USE A EXTRA… SHINE’ ── .✦ DOLLISH

a/n: this made me laugh so hard because I’M MAJORING IN ARCHITECTURE RN in college and it’s so funny receiving this but yeah literally tysmm and I will be like refreshing my ‘page’ if it makes sense so I’ll writing more often from now on so get ready.

Tags: batboys x architect!fem!reader

DICK GRAYSON ── .✦

Dick is amazed by your architectural skills and loves to hear you talk about your designs and the inspiration behind them. He’s always asking you for design tips for his own living space in Blüdhaven asking if you can spice his furniture in his apartment and etc.

When the two of you go on dates or to art exhibits, Dick is the type to listen to your critiques and try to pick up on architectural details, though he’s more likely to focus on the overall vibe of the place than technical elements. He loves hearing how you appreciate places that balance form and function.

One of his favorite things is visiting old, historic buildings or new constructions with you and asking your opinion on how they’ve been designed. He’ll even take notes when you go on architectural tours. (You once joked that the ceiling of a museum looked like it was gonna topple on someone and you swear you saw him tense up so fast moving a few inches from you)

JASON TODD ── .✦

Jason is the most curious about your work, wanting to know every detail about how buildings are designed and what makes them stand out. He’ll often ask about the story behind a particular structure or the challenges faced in a project (he’s just a curious boy🥺🥺)

When you’re out and about, Jason can be pretty critical too, especially about how places are put together. If a building seems impractical or poorly designed (like small stalls for bathrooms and just that shitty nonsense), he’ll express his frustration, and you’ll be right there with him offering insightful critiques. You both tend to agree on bad urban planning and laugh about it.

He’ll enjoy taking you to abandoned warehouses or old buildings in Gotham to test your architectural knowledge. Sometimes, you both challenge each other to design something better or fix up a dilapidated structure together.

TIM DRAKE ── .✦

Tim is very impressed by your intellect and the level of detail you put into your architectural designs. He admires how you view the world through the lens of space, function, and beauty.

Tim loves to dive into deep architectural discussions, analyzing how places are structured. He might even pull out his phone to look up blueprints or information about buildings while you're at a location, appreciating the design choices. He enjoys debating the merits of modern architecture versus classic styles with you.

Tim would likely plan visits to art museums or landmarks that have a rich history of architectural design. He’d love to hear your thoughts on every building and structure, and he’ll probably surprise you by arranging a private tour with an expert in architecture.

BRUCE WAYNE ── .✦

Bruce doesn’t show much outward enthusiasm about your work, but it’s clear that he values your opinion. He appreciates your attention to detail, especially when it comes to Gotham’s urban design. He’s likely to ask for your advice when dealing with the renovations or restoration of the Wayne estate or other properties.

Bruce is very into efficiency and functionality. When you critique a building, he’ll listen intently and agree with your assessments if they make sense, especially when it comes to practicality. He appreciates your ability to separate the aesthetic from the real-world needs of a space.

Bruce might take you to visit some of Gotham’s oldest buildings, showing you around his favorite spots. He values your perspective and loves seeing the city through your eyes, especially when you point out potential improvements. He’s also secretly proud of your talent and often encourages you to push boundaries with your designs.

@dollishbabess made by me, do not translate or copy or put on a different platform.

Second divider @cafekitsune

[raven-at-the-writing-desk]

Hopefully this doesn't come off as snarky, but I find it genuinely hilarious that every "big-name" Leona fan that I've seen seems to like him against their will lol. I've always had Leona as my favorite, so it's fun to see the journey other people go through to liking/appreciating him!

Look 💦 I can’t speak for other L*ona likers (regardless of size, honestly; I'm a firm believer that one's level of internet fame isn't a factor in the devotion for a character) but for me—to quote Scar—“my words are a matter of pride.” And by confessing to (ick 🤢) LIKING LION… it’s throwing all that pride out of a window. It seriously does feel like these feelings exist against my will.

I have a summary of my story to explain my relationship with the lion lore 💀 I call it a summary, but it’s still kind of long— It's below the cut for those who are interested!

To begin with, the promotional materials didn’t sell me on him. Everything about how he initially presents—from his arrogance to his “tough/bad boy” design (seriously, that biker-cowboy combo of his dorm uniform is SO ugly and shows way too much skin for my liking…)—was so unappealing to me. He seemed exactly like the kind of character and tropes I tend to dislike. The only “good” thing I saw in him was his face (which, ironically, is what Vil says about him) and maybe his UM chant particularly the line where he demands you kneel before him. Then comes along book 2, which is easily the weakest of the main story and does a HUGE disservice to him, making L*ona seem a lot stupider than he actually is. At that point, I had basically written his entire character off. I claimed to all my Twst friends that there was nothing that would ever make me like him.

Around 2022, I decided to get involved in a round of EBG (Epic Bias Game) which is basically like a test of your will?? You’re supposed to compete with your friends to see who can go for the longest without talking about or acknowledging their oshi (which includes not being able to react to fan works of them). As part of EBG, each participant was randomly assigned a “new oshi” to replace the usual one AND GUESS WHAT, I GOT HANDED L*ONA BY THE WHEEL OF FATE 💀

One of my friends (who knew I hardcore hated him at the time) assured me that this would get me to change my mind. They even went out of their way to write a little story explaining how my OC was forced to spend more time with L*ona, which led me into writing interactions between them to build more of the lore. I managed to outlast the friend in EBG, but didn’t win the entire game. I came out of it not really feeling super different about L*ona, but I think forcing myself to write about him extensively helped me gain a little more perspective on his character. I still didn’t like him, but I at least appreciated his presence in the cast a little more.

AND THEN TWST HAD TO COME AND BASH ME OVER THE HEAD WITH L*ONA CONTENT… All the little vignettes and voice lines where other characters would talk about what a good leader he is (*glares at Epel, Jack, Ruggie, Savanaclaw mobs, etc.*), when he sarcastically claims to be a “delicate prince” or a “lost child”, those moments where he sasses others, times when he’s able to use his charisma and/or intelligence to pull ahead, rare instances when he whips out his royal manners, him respecting women… But I think the turning point for me had to have been book 6 OTL GOOD LORD, BOOK 6 FUCKED ME UP 😭 Him using his UM in a creative way to turn falling glass shards into harmless sand? And strategically turning himself in?? Willingly ceding control of the dorm to Ruggie??? Telling everyone about Styx’s lore???? AND THE BEEF HE HAD WITH JAMIL BUT STILL GIVING HIM WISDOM AND ADVICE… Sometimes I still tear up thinking about how L*ona says “You’re not like me,” to Jamil 😔 implying that part of the reason why L*ona guides others is because he has hope in their futures but not his own… (I’m still salty that EN messed up this line by changing it to “I’m not like you,” which makes him come off as way more arrogant 💦) Anyway, I blame book 6 for being the tipping point in my downward spiral 🌀 IT GOT WORSE IN BOOK 7 WHEN HE STARTED SHOWING HE'S MOTIVATED TO ACTUALLY GRADUATE AND TAKES ON AN INTERNSHIP THAT COULD BENEFIT HIS COUNTRY... Special shoutout to the Club Wear card for being especially hot-- I did my best to hold out against the steady drip of content that called attention to his… positive traits… (Not that I’m saying he doesn’t have any; I mean this in that whenever his strengths as a character are brought up, they really get to me as someone who loves intelligent, mature/responsible types and “big brother” figures OTL) BUT IT'S SO HARD WHEN TWST KEEPS PULLING STUFF LIKE THAT???

Then in 2024 came the stupid Lost in the Book with Nightmare Before Christmas event 💀 which finally introduced us to L*ona in full formal attire (MY WEAKNESS) and gave him the opportunity to be in the role of the "hero" and leader... and those Nightmare Suit vignettes 😭 Leona thinking about what it actually means to be "king"... Ugh, it was another strong showing of his character. I'm pretty sure it was this event that started the snowball of my friends (lovingly) bullying me about him and calling me a tsundere about it. Weirdly enough, a BUNCH of things started happening irl to push L*ona at me too. For example, my pet (who usually actively avoids or attacks Twst stuff) was actually eager to pose for a picture with a L*ona standee. In a group fan merch order, I had asked for the bonus Grim sticker but the artist (who had no idea about my complicated thoughts on L*ona) said they were out of the Grim sticker but they had L*ona stickers they could include instead. Most recently, I had just finished this last-minute artwork of Miss Raven eating pocky by herself to celebrate Pocky Day (11/11). Typically the fan art you'd see on this day would involve two characters playing the "Pocky Game" (in which the players try to eat a stick of pocky from either end; usually it's framed as romantic since meeting in the middle results in a kiss). However, I had chosen to do a solo Miss Raven art because I thought this suited her "I want to be taken seriously!" personality better. Well, guess what? I GOT A PACKAGE DELIVERY NOTIFICATION FOR THE TWST MERCH ORDER... WITH L*ONA IN IT 💀 Almost like he heard there was food meant for sharing and he came to claim it for himself... Like I literally did NOT choose for these things to happen to me, THEY HAPPENED ON THEIR OWN. I DON'T BELIEVE IN PREORDAINED EVENTS BUT THE UNIVERSE SURE IS WORKING IN STRANGE WAYS.

So now that the tables have turned, it’s really embarrassing. Everything is coming back to bite me in the butt… It truly feels like L*ona plotted this all along and was on the prowl, patiently waiting for me to get worn down before he pounces and delivers the final blow to my ego OTL Like, it's gotten to the point where many of my long-time friends in the Twst community are now joking that "It's over" for J word... ONE OF THEM EVEN TOLD ME IT FEELS LIKE I'M GETTING DIVORCED AND L*ONA IS THEIR NEW STEPDAD, HOW AM I SUPPSOED TO FEEL ABOUT HTHAT ??????????? ? ? ????? ? ??? ? ?? ?? ? ???? ?

But by the far the worst, the WORST part about everything here is that if L*ona were fully sentient, he would be so smug about recent developments 😡 It makes me SO mad thinking about how he'd look down on me with that hot smug rage-inducing smirk of his and make fun of me for eating my words so badly.

“What was that you said about hating my guts, herbivore? … Hah, it's written all over your face--you're terrible at hiding your true feelings. You can just give in, you know. Tell me how much you worship me. How much you want me. You'll give in eventually one way or another--so why not make this easier for the both of us and save us the time of playing the wait game? I don't bite, promise." (<- a liar)

(Disclaimer: NOT MY MERCH; this is a L*ona Liker friend’s picture that they’re letting me use as a reaction image 😅)

THIS IS FR MY OVERBLOT ORIGIN STORY…

[urdreamydoodles]

MCU Characters x Reader (Part.1)

How they react when you are angry with them (Part.1)

Characters: Tony Stark, Steve Rogers, Natasha Romanoff, Bruce Banner, Clint Barton, Bucky Barnes, Sam Wilson, Peter Parker (Tom H.), Stephen Strange & Thor Odinson

I'm back in my MCU era, thanks to Agatha All Along, so expect a lot of MCU headcanons, feel free to request those!

Tony Stark

- When you’re angry with Tony, he’s a little stunned. He’s used to being able to charm his way through things or brush issues off with a joke, but the moment he realizes you’re genuinely upset, he feels the ground shift a little. Tony’s mind races, calculating what he did wrong, and for a second, he considers ignoring the problem—but not with you. You mean too much to him, and he can’t stand the idea of pushing you further away.

- He doesn’t immediately know how to apologize, so he leans into his classic defense mechanism: humor. He’ll try to make you laugh, throwing out quips, hoping you’ll crack a smile. When that doesn’t work, he gets a little awkward, mumbling things like, “This is why I avoid real feelings, you know?” as he fumbles through an apology. He’s not used to admitting fault, but with you, he’s learning to swallow his pride.

- Tony goes all out when he realizes he needs to make it up to you. He’ll throw himself into making amends, maybe even a little too extravagantly. Expect some grand, over-the-top gesture—a private jet to Paris, a limited-edition piece of tech he’s been tinkering on, or a fancy dinner in some exclusive place with an outfit he’s bought just for the occasion. He’s not subtle, and he knows it, but he’ll do anything if it means a smile from you.

- When the big gestures don’t work, he takes a different approach. He shows up at your door, looking strangely vulnerable, with something small and meaningful. Maybe it’s a handwritten letter he’s scribbled out, confessing how much he hates it when things aren’t okay between you two. It’s raw, real, and completely unlike Tony, but he means every word. This time, he wants to show that he’s willing to put the ego aside for you.

- Once you finally let him back in, Tony wraps you in his arms and doesn’t let go. He’ll joke that he’s not letting you get mad at him again, and maybe throw in a flirty quip about “testing his limits,” but there’s something deeper there too. Being loved by you has changed him, and he’s willing to work on himself for the first time in a long time. With you, Tony’s found a softness he didn’t know he had, and he’s not going to risk losing it.

Steve Rogers

- Steve Rogers doesn’t like conflict, especially not with you. When he realizes you’re angry, he immediately wants to address it and resolve it, hoping it won’t escalate. He tries to have a calm, level-headed conversation, but he can see that maybe it’s too soon. Steve’s patient, though; he’ll give you space if you need it, even if it pains him to let go for a while.

- While you’re cooling off, Steve takes time to reflect, replaying the situation in his mind, wondering where he went wrong. He’s his own worst critic and can be hard on himself, especially when it comes to you. He’ll try to see things from your perspective, understanding that sometimes his old-fashioned sense of right and wrong can be rigid. He’s willing to bend if it’s what’s needed to bridge the gap between you.

- When he approaches you again, he’s soft-spoken and earnest, offering a sincere apology. There are no excuses, no justifications—just him, owning up to whatever hurt you. His gaze doesn’t leave yours; he wants you to know he truly means it. And as he speaks, he promises he’ll do better, vowing to always listen to you and consider your feelings.

- To make it up to you, Steve chooses something simple but thoughtful, probably something he knows you love. It could be as quiet as a walk through your favorite park or as gentle as a handwritten note tucked into a book you’re reading. Steve understands that sometimes, it’s the little things that mean the most. He’ll give you the space to talk, letting you vent if you need to, always steady, always attentive.

- Once the air clears, Steve is more affectionate than usual, holding your hand, pressing soft kisses to your forehead, grateful to be back in your good graces. He values trust deeply and doesn’t take your forgiveness for granted. Steve knows relationships take work, and he’s fully committed to making it work with you, one respectful conversation at a time.

Natasha Romanoff

- Natasha doesn’t like it when things are off between you two, but she’s used to people being mad at her. Initially, she tries to shrug it off, acting like she doesn’t care, maybe even trying to ignore it. But you’re different. You’re not just anyone; you’re someone she actually trusts, and seeing you upset with her hits her hard.

- Natasha is far more comfortable dealing with enemies than emotional confrontations, so when she finally comes to you, she does it in a roundabout way. She might casually ask, “Are we good?” as if it’s not a big deal, but the nervous tension in her voice betrays her. She’s not great at apologies, so her attempt is awkward but sincere. It’s clear she’s trying, even if she doesn’t always have the words.

- To make it up to you, Natasha doesn’t go for big gestures but rather something deeply personal. She’ll take you to a place she loves—a quiet spot on a rooftop, a hidden café she discovered, somewhere she can let her guard down. She’s careful, almost shy, as she opens up a little about herself, sharing stories she rarely tells. In her own way, she’s letting you know how much she values you.

- Natasha doesn’t usually do comfort, but she’ll go out of her way to make you feel loved and safe. Maybe she’ll surprise you with breakfast or bring you something she knows you’ve been wanting. She pays attention, after all, even if she doesn’t always show it. Little by little, she’ll find ways to let you know that she’s there, committed to making things right.

- When you finally forgive her, Natasha breathes a sigh of relief, leaning in for a hug that lasts a beat longer than usual. She’s not big on words, but she’ll whisper something soft and sincere, just for you. Natasha’s fiercely protective, and after a falling-out, she’s even more attuned to making sure you feel cared for. She’ll stay close, a steady presence at your side, her quiet way of showing just how much she values you.

Bruce Banner

- When you’re angry with Bruce, he’s instantly anxious, worried he’s done something terribly wrong. Conflict isn’t his strong suit, and he’s painfully aware of his capacity for anger. He’s cautious, almost timid, when he realizes you’re upset, giving you space and time. He doesn’t want to make things worse or risk saying the wrong thing.

- Bruce spends time overthinking the situation, dissecting every detail. He questions himself, often getting caught in a loop of self-blame, wondering if he’s ever really been suited for a relationship. But even though he’s scared of confrontation, he values you too much to leave things unresolved. He wants to show you that he’s willing to work through whatever the issue is.

- When he finally comes to you, Bruce’s apology is soft, heartfelt, and a little self-deprecating. He’ll stumble through his words, not wanting to sound defensive, and there’s an earnestness in his gaze as he tries to convey just how much he wants to make things right. He’s not perfect, but he’s open to listening and doing better.

- To make it up to you, Bruce goes for something intimate and personal. He knows you appreciate small gestures, so he’ll show up with something that reflects his feelings for you—maybe a small book he thinks you’d love, or a little experiment from the lab that made him think of you. He’s shy about it, maybe a little embarrassed, but it’s his way of showing he cares.

- When you finally forgive him, Bruce visibly relaxes, wrapping you in a hug as if he never wants to let go. He’s careful, soft, and almost tentative, savoring the warmth of your embrace. Bruce cherishes the trust you give him and is deeply grateful to have someone willing to weather his insecurities. He might even joke, “You’re way too patient with me,” but the gratitude in his voice is genuine.

Clint Barton

- When Clint realizes you’re angry with him, his first reaction is a mix of regret and a slight laugh. He can’t believe he’s managed to mess things up this badly with you, of all people. He knows he tends to joke around a bit too much, so he tries to laugh it off at first, but when he sees how serious you are, his grin fades. He’ll look a bit awkward, rubbing the back of his neck, knowing he’s got some work to do.

- Clint’s never been one to give big, elaborate apologies. Instead, he’ll pull you aside, speaking quietly and genuinely. He’ll admit that he messed up, explaining that sometimes he forgets to take things seriously or considers others’ feelings the way he should. It’s a simple, heartfelt apology, showing his honest side that not many people get to see.

- Once he’s apologized, Clint is all about making you laugh. He’ll start cracking jokes, doing his best impressions, and even pull some ridiculous faces just to get a reaction out of you. Clint knows humor is his best weapon, and he’s shameless about using it if it means making things right. He’s determined not to let you stay mad at him for long, no matter what it takes.

- When his jokes don’t quite cut it, Clint switches gears and puts effort into something he knows will mean a lot to you. He’s a guy who pays attention to the little things, so he’ll show up with your favorite takeout, a warm blanket, or maybe even a funny book he picked up just for you. He knows that it’s the small gestures that can speak volumes.

- After things settle down, Clint wraps you in a warm, comfortable hug, one arm wrapped around your shoulder, making you feel like everything’s back to normal. He’ll joke about how lucky he is that you put up with him, throwing in a wink, but there’s a hint of seriousness behind his words. Clint doesn’t take his relationships for granted, and he’s grateful you’re in his life, even when he messes up.

Bucky Barnes

- Bucky’s heart sinks when he sees that you’re angry. He’s used to pushing people away, and now that he’s got you, he’s terrified of losing you over a misunderstanding. Bucky’s first instinct is to retreat, his mind already whispering that maybe he doesn’t deserve this, doesn’t deserve you. He’ll avoid confrontation if he can, hoping things might smooth over on their own.

- But when he realizes he needs to talk to you, he’s hesitant, nervous, almost as if he’s bracing himself for rejection. Bucky approaches you carefully, speaking in a low, almost shy voice. He struggles with apologies, but he looks you in the eyes, opening up about how hard he finds it to express his feelings. He’s used to running, and being with you is the first time he’s tried not to.

- Bucky tries to make it up to you in the most low-key, thoughtful way possible. He’s not one for grand gestures, but he’ll do something meaningful and heartfelt, like leaving you a note explaining how much you mean to him or bringing you something that he knows you love. He’s nervous about whether it’ll be enough, hoping you can see the sincerity in his actions.

- When he feels things softening between you, Bucky relaxes just a little, offering his support in any way you need. He’ll stay close, maybe cooking a meal for you or sitting quietly with you, sharing a comfortable silence. He wants you to know that he’s there, without needing to say much, because he’s always believed that actions speak louder than words.

- When you finally forgive him, Bucky is beyond relieved. He’s more open with his affection, drawing you into a tight embrace, his touch lingering as if he’s afraid to let go. He knows he doesn’t have many people he can count on, but he’s grateful that he can count on you. Bucky’s still working on believing he deserves happiness, but having you in his life makes him want to try.

Sam Wilson

- Sam immediately notices when you’re angry, and his first instinct is to find out what’s going on. He’s straightforward and doesn’t like tension hanging in the air, so he’ll ask, “Alright, what did I do?” in his calm, genuine way, hoping you’ll be willing to talk it out. He’s good at reading people, but he wants to hear it from you directly.

- Sam listens intently when you explain what’s bothering you, nodding and giving you his full attention. He’s respectful and thoughtful, making sure you know he understands where you’re coming from. He’s not the type to dodge blame; if he’s at fault, he’ll own up to it right away. There’s no defensiveness, no excuses—just an honest desire to make things right.

- To make it up to you, Sam takes you on a simple, meaningful outing—something where the two of you can connect and have fun. He’s all about shared experiences, so maybe it’s a long walk, a favorite food spot, or even a small adventure he’s planned just for you. He’s careful, attentive, making sure the focus is on you and helping you feel valued.

- When things calm down, Sam offers a mix of humor and reassurance, wrapping his arm around your shoulder and promising to do better. He’ll look you in the eyes and say something like, “I don’t like seeing you mad. Tell me if I mess up again.” He’s genuine and open, showing you he wants to grow from this experience and be a better partner.

- Once everything’s back to normal, Sam goes the extra mile, making sure you’re laughing and relaxed. He’s always there to lift you up, pulling you in for a warm, affectionate hug and giving you his full, unwavering attention. Sam’s presence is solid, reassuring, and he’ll make sure you know just how much he values having you in his life.

Peter Parker (Tom H.)

- Peter’s heart sinks when he realizes you’re angry with him. He’s young, a little clumsy with emotions, and absolutely hates the idea of upsetting you. His mind starts racing, thinking of everything he could have done wrong. He gets a little panicked, maybe even rambling apologies before he knows what’s going on, hoping you’ll give him a chance to explain.

- When you tell him what’s bothering you, Peter listens carefully, nodding along with wide, earnest eyes. He’s genuinely sorry, his voice soft as he stumbles through an apology. He’s never been great at handling relationship tension, but he’ll try his best to make sure you know how much he cares and how sorry he is for letting you down.

- To make it up to you, Peter goes for something heartfelt, maybe even a bit awkward, but completely sincere. He’ll show up at your window with a little homemade gift, something quirky and thoughtful—perhaps a playlist he made just for you or a funny little gadget he put together in the lab. He’s earnest, a little shy about it, hoping you’ll see how much effort he’s putting in.

- Peter spends extra time trying to lift your spirits, using every ounce of his playful personality to make you laugh. He’ll crack jokes, do silly impressions, or even attempt a bad dance routine just to get you smiling again. He knows he’s a bit of a dork, but he doesn’t mind if it means cheering you up. Peter’s all about making you feel comfortable and loved.

- When you finally forgive him, Peter’s face lights up with relief. He’ll pull you into a warm, enthusiastic hug, holding you close and babbling about how he’s “the luckiest person in the world” to have someone like you. He’s young, optimistic, and just incredibly happy that you’re not mad anymore. To Peter, you’re his world, and he’ll always do whatever it takes to make you feel special.

Stephen Strange

- When Stephen realizes you’re angry with him, he’s a bit taken aback. He’s used to being right and doesn’t often see things from others’ perspectives, so it takes him a moment to understand the weight of the situation. His initial reaction might even be a little defensive, but he quickly catches himself, knowing that with you, he has to try harder to listen and understand.

- Stephen struggles with apologies, often trying to explain away his actions or getting caught up in technicalities. He’s intelligent and analytical, but that doesn’t always work when emotions are involved. Eventually, though, he manages to offer a genuine apology, admitting that he’s not always the easiest person to be with and that he respects you enough to take responsibility.

- To make things right, Stephen will probably use a bit of magic to create something special just for you. It might be a small charm to keep you safe, a little illusion to make you smile, or even a glimpse into some place you’ve always wanted to see. It’s his way of saying he cares, using the one skill he knows best to bring you a little joy.

- As he tries to smooth things over, Stephen is careful, more attentive than usual, and visibly trying to understand your emotions. He may not be great at expressing his own feelings, but he’s willing to try if it means keeping you close. He’ll listen to you, nodding thoughtfully, and maybe even opening up a bit about his past mistakes and how much he values you.

- Once you forgive him, Stephen is visibly relieved, though he keeps it subtle. He gives you a small smile and pulls you close, brushing a gentle kiss to your forehead as he wraps his arms around you. He might even joke, “Guess I need to work on my bedside manner,” but there’s genuine affection behind his words. Stephen knows he’s lucky to have you, and he’s determined to keep learning how to love you better.

Thor Odinson

- Thor is visibly surprised when he realizes you’re angry with him. He’s naturally cheerful and doesn’t take most things too seriously, so the idea that he’s done something to upset you takes him off guard. At first, he tries to brush it off with a booming laugh, but when he sees the seriousness in your eyes, his smile fades. He immediately wants to fix things, willing to do whatever it takes to get you to smile again.

- Thor is quick to apologize, his voice earnest as he promises he didn’t mean to hurt you. He’s not one to overthink things, but he’s deeply sincere, and his apologies come straight from the heart. He’ll look you in the eyes and tell you he values you and never meant to cause any harm, his words laced with the kind of honesty that only Thor can deliver.

- To make it up to you, Thor goes all out. He’ll sweep you off on a grand adventure, maybe a spontaneous trip to Asgard (or at least what remains of it), or he’ll bring you somewhere beautiful and awe-inspiring. Thor loves to celebrate life and wants to remind you of all the incredible experiences the two of you can share. His enthusiasm is infectious, and he hopes that a bit of excitement will make things right.

- As you spend time together, Thor is extra affectionate, showering you with praise and hugs. He’s genuinely sorry and makes sure you feel loved and appreciated, maybe even telling you tales of his own mistakes and what he’s learned from them. He might tease himself a bit, but it’s all to make you laugh and remind you of his dedication to you.

- When you finally forgive him, Thor’s smile lights up the room. He laughs, pulling you into a bear hug, lifting you off your feet, and spinning you around. There’s nothing subtle about his relief and joy, and he’s not afraid to show it. Thor values you immensely and will do everything he can to make sure you know how much you mean to him, promising that he’ll try to be a little more mindful in the future.

[hootbon]

How do you come up with ideas for horror elements in your Freakshow AU?

I'm trying to make a horror au and also I want to make a completely original story too with horror elements and I wanted to know how you come up with ideas since you're one of the best horror creators I've seen

Why thank you, thank you, I think it simply depends on the type of horror you’re going for! Mine is much more psychological as well as some visual. The characters aren’t the most pleasant to the eyes but it isn’t horrific all the time. The au is scary because it presents a possibility, an idea that ‘hey this could very well be real’ and in fact a lot of it is based on real things people go through such as Stockholm syndrome. It’s a near inescapable situation with only one outcome and you know exactly what it is. Funny enough that’s why I do it in the au, it puts these traumas into perspective. You get to experience the horrors they feel too.. of course I’m treading lightly here because I try my best to do research. That said do research!! This is a great form of horror but only if you do it right, it scares the ever loving shit out of people psychologically but make sure you know what you’re doing of course.

Thus, the art of dystopia.. funny enough the original show is a dystopia in its own right, you just won’t notice how scary it really is under all the bright colors and lights. Funny enough all I’ve really done is push Caine’s idea to an extreme, a ringmaster who does what he’s programmed to, to entertain the masses with complete disregard to how any of those masses feel.

Though artistically.. look to a lot of analog horror, I use it a lot to base my drawings off of. Uncanny valley is your best friend because it bothers people, you don’t want to look at your favorite cartoon character with disfigured human eyes now do you? You don’t have to outright jumpscare to get the same affect, unnerving people works all the same. Darkness is also your friend, it’s a natural fear everyone has though often it’s always what lurks in it rather than the dark itself… or also go by my rule,

when in doubt, realistic eyes.

[meo-eiru]

MERU😭😭😭 i finally had a free moment to relax and the first thing i wanted to do was play hold your tongues and i've spent the last few hours pouring over how absolutely beautiful of a piece it is in storytelling and visuals. i genuinely have so much to gush over and idk where i should be doing it so into your inbox it goes. i apologise in advance, you also don't have to respond to this bc 1) i am aware it's gonna get vv long and 2) spoilers will definitely be mentioned

i hope sel knows what an absolute gem of a writer she is for executing all of this bc i am fucking gobsmacked by how well certain ideas and concepts were interwoven throughout the entire piece. maybe a lot of the things following are just my interpretations, but that's another thing i really really love — there's enough ambiguity in the prose to be able to infer it in so many different ways

first to the namesake of the game, ‘hold your tongues’ and the many connotations of tongues that are explored throughout; as symbols of liberation and entrapment that intermingle so so well. i feel like the game really delves into the struggles that women face in society, in relationships, just in general and i like how since it's done so through maelyn's own perspective, we're privy to a more complex and raw display of how deeply emotionally scarring it can be.

eric is a little bitch imo (i won't retract that statement ever) but the ever judgmental, taunting and superior tone he has as the ‘voice’ in maelyn's head speaks volumes of the character he possessed and the lasting impact it had on her. giving her dress to another man makes her ‘unfaithful’, the fact that it's emphasised that these are only ‘remains’ of a dress too — bc eric left her with shreds, physically, mentally. 

if we take the dress to act as a metaphor for maelyn herself, he left her in shreds.

in response to this, maelyn bites her tongue, so hard that it bleeds. it's restraint, quite literally biting back your anger and the feeling of being wronged. grounding yourself again to the harsh reality of it all, and it brings her back to the present moment when starling points it out.

we see a similar occurrence later on when maelyn relays her tongue ‘longing for a taste, was to be kept down.' so again, she stops herself (and i think the wording here is particularly interesting, that it was to be kept, so intrinsically this too may also link to how women are commonly taught to be submissive and forced to fit to certain standards). 

in both contexts, the act of biting the tongue can be taken as a suppression of some sort of desire — the first is the desire to be mad, and the second is the desire of lust. both which women have been criticised for through the ages.

i also like to think that the tongue is a representation of freedom. starling is very much making wings to fly out of them, and taking them away from ppl has ‘forever deprived of their ability to lie’ (in which case lying = freedom, i won't expand on this too much bc it'll be another whole essay😭) so going back to maelyn, her biting hers can also be seen as her freedom being hurt, prevented.

another thing is, the line just before ‘he never ran out of tongues’, we can take this as starling never having his freedom threatened. and it poses further questions. is this because of his strength? is it because he has the ocean ‘wholly’? is it because he's a ‘man’?

on my first run through, one of the most prominent questions i came away w/ was what was it that attracted maelyn to starling? to the concept of these monsters of the sea that had surpassed human constraints that had her waiting out all those hours to catch a glimpse of one to begin with. what was it that kept her coming back? time and time again, day after day when she could've not gone back to that shore after leaving.

the text narrates a couple of things that i think contributed, there's a sense of warring humanity and animosity in the repetitive motifs of dirt and uncleanliness, in her noting that starling looked ‘half a man’ and that one half could've ‘consumed’ the other. maelyn has an envy that's touched upon frequently. does maelyn want to be closer to a monster so that no one can hurt her? or does she feel like a monster is all she can be now?

then there's a dynamic with power that was honestly done so well. again, my praise to sel for how well thought out it all was. that part where she put her hand into his guts and he made sounds he was ‘unable to control’, another when she tells him ‘cut’ and he does so without question — she recognises she holds the reins in that moment, acknowledges, ‘in control, I breathed.’ 

starling listens to her for the most part, it's a reoccuring theme. even when making his wings, he's following her instructions although it's made clear that he learns quick and is capable. perhaps this gives her comfortability.

but we see this turn on its head when things start to go left, starling begins to do as he pleases and maelyn is taken back into her trauma, back to feeling ‘disgusting’ and ‘unclean’, she even apologises and promises to do better.

leashes are mentioned a few times, maelyn first describes them as a sort of ‘necklace’ — perhaps this is tribute to the way a woman's submission is often beautified and normalised. the ‘leash’ starling puts on her in one of the ends is made of pearls, he keeps it in his mouth before this. could this be a reference to eric's sweet words that bound maelyn before he revealed himself? starling ties it somewhat loosely ‘so she could breathe’ yet that doesn't take away the fact that it's still there. it has a sort of your cage is not small, but that doesn't mean you're not locked in it kinda feel.

there's so much more i could say but i think ive alr said too much😭 i didnt even get to touch on the cuddle ending which was my favourite, or the symbolism of losing fingers, the significance of the numbers two, three and four to the story. I DIDN'T EVEN TALK MUCH ABT THE ART😭😭 MERU SORRY I GOT DISTRACTED BUT THE ART WAS PHENOMENAL❗️❗️❗️❗️

maelyn is super pretty and i love how her and starling contrast each other in design so nicely. starling's expressions were stellar ++ the bgs and cgs were beautiful (you're right, if you didn't clarify it i would think you were behind the chest one haha). also the body horror aspect was really brought to life with the visuals and ik it definitely mustn't have been easy drawing all those organs, thank you for your service meruuuu

i'll shut up here before i write another 3k, but both you and sel did such a great job w/ this. the two of you deserve a nice break to rest so pls make sure to take things easy and take care of yourselves!! drink water and sleep when you can, and know that you've made a masterpiece♥️

OH MY GOD THIS ASK IS MAKING ME GO FERAL

It's so well written??? You did such a good job picking up the details hidden behind their lines??? I fish you continued writing because I for sure did not want to finish it and please do send the other thoughts you had if you can, I love this so much

I'm sure @celerifleuri will too so I'll tag her

You already mentioned the spoilers at the start but I'll also note it down here for people who haven't played the game yet. I'm sure sel will do a much better job answering your story analyses but I'll also say you're completely right with most things you've said.

The story takes place in 1800s with dated gender roles we unfortunately can still relate to. Maelyn is a curious woman who wants to study and experiment, but is being held back by society and even people who she thought she could trust, but again Sel will do a better job explaining those.

I'll talk about the art a bit. One thing I really enjoyed that was kinda unintentional on my part was the use of night and day.

The story starts at night time, the first ever cg we get of Maelyn is her jumping down the cliff, with the moon's reflection on her left and the waves giving an illusion of wings as she looks up, in that very moment she is free.

On the other hand the first ever cg of Starling is day time. The sun is shining brightly from his left, almost blindingly, as he looks down. His hair covering the screen like spider webs.

To contrast these, it's night time in the wood ending. Just like the first cg of Maelyn, we can see the soft moonight shining upon them but not quite reaching Starling's face. Maelyn is alive.

Meanwhile in the bone ending, even though they are underwater we can tell it's day time, just like the first Starling cg. We get to see a glimpse of them through the seaweeds covering our view, the sunlight showering them gently. Starling is alive.

For the character designs too, a bit of a reverse but I'd say Maelyn resembles the sun, meanwhile Starling is like the moon.

They both share green eyes, although quite different shades. Maelyn has bright red hair that contrasts Starling's red tongue tail.

I also like that Maelyn's hair, albeit a bit loosely, is braided and kept tidy. Meanwhile Starling's hair is usually all over the place and quite messy.

[underwaterspiderbird]

you rly think *you* did something? you didn’t.

the only one who misunderstands star wars is your stinky ass for thinking anybody with a different point of view or interpretation that goes against the jedi is automatically wrong, “just misunderstands”,or “media illiterate”. i probably know more star wars’n you could ever hope to dream. and no, “george wrote things this way at first so it can never evolve or be anything else” isn’t a valid answer.

never said the sith as an organized group don’t have their glaring problems either, newsflash all systems do. sith beliefs boil down to empowering yourself through your emotions & turning your grief and unrest into a freeing force. the rest of that hatred enslaving shit is plain old religious bullshit, much like the jedi’s colonization of anybody who aren’t like them. and you rly think the jedi respected the nightsisters? nah bro, if anything they merely tolerated them & tried as hard as possible not to think about them in case of their own beliefs being challenged. palpatine’s the trump of the sith, he’s a fuckin’ weirdo and he speaks for nobody. nobody except for other weirdos like him, not the genuinely sensible sith who just do their own thing and stand by it

you’re the one who came in calling me media illiterate for disagreeing that the jedi are peace loving monks & don’t have their own mountains of darkness they’re hiding. check your cataracts fool.

it doesn’t matter how something was written first, it’s evolved since then & taken on a life of its own with differing perspectives & interpretations (“the truths we cling to depend greatly on our point of view” ring any bells?), which is what makes star wars star wars in the first place, and even Lucas knows that and has time and again acknowledged this. the whole idea that “jedi good sith bad and anybody who thinks different is wrong and stupid” is a fucking lie. always has been, always will be.

the jedi aren’t inherently good, the sith aren’t inherently bad, the jedi’s view of the force is not inherently true nor is it the only “right” way. get over it. just say nuance and questioning the world around you is a frightening concept to you and we’ll understand🤷🏽‍♀️

order 66 was NOT a genocide. you can only genocide people & cultures, you can’t genocide a systemically deified super-religion that wants everyone in existence to either agree with them & exist their way or burn in hell for eternity. any decent ppl who went down with the purge forfeit their lives down the drain along with their family, home & very sense of self. they. had. it. fucking. coming.

from an indigenous person, fuck y’all for even comparing order 66 to genocide & talking all over survivors of real genocides to save face for your evangelical faith & the people you think are good guys. you are not about to disrespect the continent-sized OCEANS of blood that make up our ancestors & loved ones who were lost to real genocide. fuck off.

[fuck-you-upmusicbracket]

Tomcat Disposables (Will Wood)

Is there cheese in the great beyond/What's the moon made of?/Meet me there after I'm gone/Life gets short, our teeth grow long/Mind me not, and I'll/Mind my own, and my mind/Held the same light as the one in your eyes/Do I belong in right and wrong?/One dies alone, and why?/Don't know/Goodbye, so long

"Song is from POV of a mouse, wishing for someone to love and just to survive really. In the end the mouse is poisoned."

"This song. Is about a mouse. A MOUSE. it has no RIGHT being able to make me bawl my eyes out. so essentially will wood made friends with a mouse he found in his kitchen and was like feeding it and stuff. and his landlord said he had to kill it because mice carry diseases. so he had to set out a poison trap and kill it. and after he did so he wrote this song in tribute to it. it’s all from the mouse’s perspective and goes through the betrayal of being poisoned. ‘what’s the moon made of? meet me there after I’m gone!’ fucks me up so much you have absolutely no idea"

If I Die Young (The Band Perry)

If I die young/Bury me in satin/Lay me down on a bed of roses/Sink me in the river at dawn/Send me away with the words of a love song

"It’s such a gentle song about death. It probably was the first time I realized you didn’t have to be buried when you die and that even sad ends didn’t have to be sad when you remember them."

[angstics]

I always thought black parade is about a horrible person who feels sorry for himself. He’s hurt people over his honor (being a soldier and all that) but I don’t see the fascism. He’s self centered and he doesn’t care if we feel sorry/happy for him but I genuinely don’t understand how that ties into fascism. I haven’t watched cabaret and maybe that’s why but to my understanding cabaret is directly affected by war but the patient isn’t. At least not when he’s in the hospital.

I feel like this is something Mcr is starting to build rather than something that has always been there? Can you explain a bit more? I feel really stupid and I love art so not understanding it hurts. I read your posts btw but yeah I don’t get it? Maybe I am stupid after all

this isnt related to intelligence at all, i dont think im reading any like Secret Messages behind black parade. everyone has their own reading of what bp means. a lot of the ideas i post are incomplete and only really make sense in my head because it caters to MY thoughts, MY experiences, MY enjoyment. i felt so jubilant about identifying the fascist imagery because i feel like it's an Underrated (not hidden) part of the black parade. but it mostly does so through APPROPRIATION and EXPRESSIONISM.

appropriation is what i mean by black parade co-opting the concept of cabaret: ignoring the world's troubles via entertainment leading to destruction inside the soul and outside in the world. cabaret is about fascism, black parade is about depression. the narrator is inside his mind, his entertaining space, self centered and self flagellating, to the detriment of his own life. by Alluding to a story about fascism, i like reading that theme into black parade as well. Expressionism is a recent development in my conception of black parade. i thought bp was APOLITICAL until i realized that the personal theme could symbolize a wider critique, the way german expressionism was a reflection of troubled, decaying society.

there are also some elements of fascistic theme within the text, but theyre milder than the overwhelming themes of self-hatred, memory etc. these elements include the overwhelming presence of war and retribution (mother war, mama, welcome, teenagers, sleep). the portraits by chris anthony read very dark to me, these military-straight, brooding, rigid characters. the destruction in the streets of the welcome music video. all elements that speak to an unnamed destructive force that must be squashed, or a need for a leader that can be a savior. the "black parade" as an army that welcomes you to valhallah. there's more to say im sure, i just havent thought about it outside the personal perspective much.

your ideas can co-exist with my ideas. there is no one true reading. this is just what i like thinking about!!

[ahappydnp]

Oh!! What are your thoughts on dinok? I missed that and I never wanted to know something so badly your takes are the best

personal opinions/rambling under the cut/ reblogs turned off for fear of bringing back the discourse

my thoughts are i love daniel very dearly and think he is an incredibly talented writer and storyteller but that this particular story didn't/doesn't need to be told by him

from my personal perspective- i do want to preface this by saying dan revealed the plot of dinok shortly after i personally came out as a lesbian to my long term male partner which resulted in me losing quite literally everything (my job, our shared home, our pets, some friends) smack dab in the middle of lockdown

so for me, i was a bit upset and apprehensive of dan's interpretation of what having a breakdown and coming out as an established (and regular) adult in a het relationship would be like? because the plot was specifically "what if dan howell was never famous and finished his degree and stayed with his high school partner but then had a complete breakdown because he hated his life" (which was LITERALLY exactly my life)

and it's not that i don't trust him with a narrative, it's that i was confused as to why it had to be about him and not an original character. but also let's be honest, dan doesn't know what it feels like to not be financially secure and weighing the options between living your truth or having a roof over your head. he doesn't know what it's like to try and process something so life changing completely alone and the absolute crushing devastation of hurting someone you love in the process

like the concept of dinok would be incredible for late in life queers, but i would absolutely want it to be told by someone who's keenly aware of the emotions and trials that come with it. dan has OBVIOUSLY been through hell, but not this specific kind of hell.

i guess it's just like...if he wanted to make something naval gazey about himself that he was also going to be the star of, why not do something you know? it was just an interesting choice i guess and i would like to know why he chose it. i kind of assumed he'd want to go fully fictional for his traditional media debut?

anyway like i said it's not because i don't trust him with that kind of story or that he'd be malicious or purposefully ignorant, it just would have been a really hard watch for me personally. dan doesn't know what it feels like to come out when there's no celebration or support, he's never sobbed alone in the guest room of his own house because his now ex can't even look at him feeling like the world just ended (for which i am so so grateful, because it should be a celebration and he deserved every single ounce of love he got!!!) ((also i do want to say it is totally worth it and i am so much happier now and genuinely do not regret it, but sometimes it IS the hard part))

ANYWAY dan switch gears and maybe write about anything else that's not "what if my situation was bad lol that'd suck"

[ilikekidsshows]

On one hand, Ive been saying ever since Kuro Neko that Marinette has a god and victim complex and thinks reality starts and ends with her which constantly leads to people ending up much worse for it (Adrichat in particular) and nothing significant getting fucking done because of how irrelevant Marinette herself is

So sure, you can bet your ass i feel validated by the "Ladybug will decide for the world what the truth is" development and how much worse everything is clearly about to get. In that sense, I'll sure have the time of my life now lol

But on the other hand, nah, I still never wanted this. I'll have my fun with it now that I'm proven right because of how awful the emotional journey was for me watching all this unfold. I wasn't even surprised by Kwamis Choice or the season 5 finale, that was imo obvious ever since season 4. At this point, I'll just enjoy it as a salty bitch. Fuck it, I earned that when I called these awful plot resolutions years ago and I only get further validated for what I "salted" on Marinette.

Or, wait. Is it even SALT when I continue to be proven right over and over again? Sounds like I'm reading it RIGHT while Marinette fans still go on disregarding 90% of the show and then call themselves FANS Lol

---

What a time for the fandom, when describing what happens in canon counts as salt. Every single time "non-salty" people describe the actual, canon episodes, they have to accompany it with constant refrains of “but Marinette is really stressed”, “but Marinette is in a really difficult spot”, “but Marinette isn’t the only one doing these things”, “but Marinette is too young to be in this situation” or my beloathed “but Marinette has good intentions”.

That's why I've decided to embrace the salt.

Here's a really salty take: if Marinette is so incapable of answering for her actions, then maybe she shouldn’t be taking on so many responsibilities to begin with. According to all these defenses of Marinette, these supposed good faith takes on her behavior, she is too incompetent or emotionally compromised to be expected to act in a moral way, too young to make sound decisions about anything, too paranoid or blinded by her own sense of moral superiority to take perspectives other than her own into account and too weak mentally to handle her boyfriend having emotional needs.

If Marinette really is this incompetent and incapable, maybe she shouldn’t be having everyone else lie to Adrien based on her judgment call. If she really is so mentally weak that she can’t handle the grieving and changing of his world view that her boyfriend needs to go through in order to live his life to the fullest (or as fullest as a remote control robot can get), maybe she should just leave that to the other people in the know. Kagami wants to tell Adrien the truth, let her. And let her deal with the aftermath, too. Meanwhile Marinette can just skip off to be worshiped by her parents, friends and ex boyfriend, now that he’s back in town.

Yeah, Marinette would be the most selfish girlfriend ever for just dumping Adrien until he stops being sad, but she’s being one regardless. The only thing different is that then Adrien would know and maybe he’d reconsider if such a one-sided relationship where he’s expected to give all the support while receiving none in return is what he really wants and needs. Maybe Adrien should know, not only what he is and who his dad really was, but who his girlfriend really is: someone too weak to be his partner not only for the better, but also the worse.

[shawxskinner]

"I suppose that's one way to look at it - well, your moral compass is better then most. Sure you would be the voice of reason should you be compared to some." Definitely wouldn't stand a chance if somebody was comparing her and his self. But perhaps it was a matter of perspective. Though Shaw himself was loyal, but if it didn't involve the people close to him - then everything was off of the table. "The world's not fair. We have to do what we can to survive." Shaw's own mindset regarding that topic. The man however almost recoiled at the word honor being mentioned. He could be trusted but in that moment, it was like a curse and he drew the last stick. "Keep that down will you, this might turn into a cycle. I am not old enough to be watching over some of these guys." Clearly adamant on not making this a common thing. Shaw's own chaotic personality was pushing to get through but couldn't. "Too bad you aren't in the mood to play hero, I think I might give you a few IOU's if you could bail me out." He chuckled though in the end. "There's something new every day- keep things interesting. Though you would be surprised at how damn dirty some people are. I swear some of us need to wear masks with the odor." Like come on, some people needed to be hosed down in some of those instances. "I won't say anything bad about who gives me a paycheck." Shaw remarked as he laughed.

"There's no such thing as a good person once you hit a certain age; I think we're all a bit gray," Julie shrugged at the compliment. Most people in the Cowboy Mafia would think she was referring to Caid, but Julie was referring to herself. Good people didn't see what she saw and barely bat an eye. Sometimes good people did bad things and sometimes bad people did good things. It was all relative. She was a salon owner and could cut hair well -- far from anyone's hero outside of maybe her sons.

Julie couldn't help but smile as Shaw referred to himself as a babysitter. "I can't imagine you've pissed anyone off this bad; maybe, it's an honor: you're trusted to take care of the babies," she pointed her glass in his direction before taking a sip. In some ways, Shaw and Julie's roots came from the same garden just a different patch of soil. Undoubtedly, whether or not the world would see them as good people, the world couldn't denied they became more than what the world gave them to start with. "How's the studio been? Joey still a pain in the ass, or has old age dulled him some?"

[ramblingguy54]

Why The Migration Scene Is So Integral

Their conflicting goodbye will never not get me emotional.

Hesitation so thick in the air you could be gagged by it.

It's why the migration scene is arguably this film's whole backbone.

The beautiful remorse written all over Brightbill's face.

Realizing he had rejected someone that saved his life.

By the brutal rules of nature, a runt like him shouldn't be alive.

Yet, here he is now. Left with nothing, but guilt toward Roz.

Not to mention, deepened love/admiration for her, too.

A good number of animated films normally have their main characters separate mad at each other after a liar revealed occurs. Thankfully, The Wild Robot doesn't do this with their dynamic, rather going for something highly meaningful and timeless.

What's most important is cutting the bullshit between them, prompting for a more intimate conversation of this magnitude.

Longneck was the fucking MVP, on that note. His wisdom brought the clarity Brightbill needed to understand what's important here.

Tragedy doesn't define a family's foundation of any kind.

It's choosing what to make of the cards you've been dealt.

That's why The Wild Robot is an astoundingly resonating story for many, myself included.

It's about looking through our inner turmoil to find something unbelievably beautiful.

Something that can never be taken away, unwavering love.

The magic of simple storytelling done insanely well.

[zeb-z]

also can I just say. the difference between the joy of fit and bagi having a full day with blue, getting acquainted with the base, reuniting with their loved ones, all relieved to have more materials and more of a team - and then the absolute misery of etoiles and roier, moving the few valuable possessions red has to a new base that got immediately discovered anyway, losing all their gear, getting it back, then burning it themselves before killing eachother, is just so fucking funny. the new blues had freshman orientation while the new reds had a trial by fire canon event

[rouge-the-bat]

some people are so weird about talking about opression as if its just a very cut-and-dry idea that ONLY EVER affects These people and never anyone else. when thats. really just not how anything works.

and then people act like saying this is trying to silence people and not let them have a word to define their oppression or something and its like ??? thats not what is being said ??? have words for certain types of oppression absolutely! its good to be able to have a term to use to spread more knowledge about what certain groups tend to go through!

but oppression for different groups overlap. to claim that x thing only ever happens to y people is just fucked up, because then YOURE the one trying to silence other peoples experiences.

and of course, just having a word to define what oppression a certain group goes through isnt inherently saying no one else experiences it, but some of yall certainly act like thats what it means and that perception is only going to divide you from other people and what things they also go through that are the same or similar to yours.

and it can easily influence the idea in ones mind that x people is The Most Oppressed and everyone else is The Oppressor (when oppression is an action, not an inherent quality of any individual of a non-ideological group), even when theres so many people that are hurting right alongside you and yall can be supporting one another and FIGHTING FOR EACH OTHER instead of with each other. remember, people that are actively trying to oppress others will ALWAYS benefit from people being divided and infighting.

[discordiansamba]

there's a bit of a rush towards the evening. zuko sighs and gets up to go and help katara. iroh sends his nephew off with a pat on the back, watching as he nearly effortlessly slips back into waiting tables. zuko is himself again, but iroh fears he may never be entirely free of lee. he will do what he can to help, iroh thinks.

he turns to his son.

his new beard and mustache do not suit him, iroh thinks. they were grown by a much different man, in earth kingdom style. lu ten catches his eye and gives him a faint smile even as he strokes them. he'd felt compelled to grow them after being brainwashed. a suggestion from the dai li, perhaps, to help mask his face. he supposes he'll have to shave, if he's to return to the fire nation to become his heir.

iroh embraces his son again.

it has been seven years, iroh thinks. seven years since he last saw lu ten. all this time, he'd thought he was dead. now his son was here, in front of him- alive and well. and married, apparently! i heard you invited zuko to the ceremony, but you must tell me about it. and about your husband! lu ten sheepishly rubs the back of his neck, but he does not hesitate to divulge.

min-su was a lot like me, lu ten tells him, i would have picked him too. except...

he trails off. he does not need to finish. if the siege had succeeded, lu ten would have not ended up this way. he also never would have met the man he'd shared no insignificant part of his life with. he would be different. they all would be different.

"i'm glad we lost," lu ten says, "-but i'm sorry you had to go through that, father."

iroh pats his back. he is grateful they lost as well. it opened his eyes to things he had refused to see before. lu ten nods, his gaze drifting towards the main shop just in time to see zuko trying to pull out a wayward toddler from underneath a table, as katara giggles and holds up the tablecloth. the expression he sees on his nephew's face as he emerges is not one iroh has seen before.

it has nothing and everything to do with the ordeal he went through.

they speak in length. lu ten tells him of his life as min-su. how he'd thought of himself as a refugee who had gotten himself in a bit of trouble with the dai li, and how he'd been determined to turn over a new leaf upon being released. he'd signed up for a position as a guard first thing that morning, apparently. it was good, steady work-

-until the fire nation had invaded.

"really gives you a new perspective on things," lu ten says, "-being earth kingdom. living through that."

lu ten is quiet after that. iroh can tell he's thinking. eventually he stands up, and starts helping him make tea. he'd taught his son years ago, but he'd never thought he'd get the chance to make tea with him again. seven years is a long time to live as another person, but they fall into step together regardless.

but lu ten had not been as lost as zuko had been.

"i wish i'd seen it," lu ten whispers, "-maybe i could have done something. i recognized you. why couldn't i recognize him?"

iroh puts his hand on his shoulder and shakes his head. it is not his fault. you had not seen zuko since he was a child. his father had not yet burned him then. he is just glad the two of you found each other regardless. he looks at his son and wonders what it was like, meeting a member of his own family anew.

he would rather not find out the answer.

the evening rush trickles down, and the jasmine dragon's closing hour arrived. iroh cannot lie- he enjoyed acting as its owner once more. but he knows he cannot return here. he has already been away from the fire nation for too long. he must return home.

lu ten bows to him, and bids him goodnight.

iroh looks at his son, but he understands. min-su had a life here. even if lu ten does not intend to return to it, he cannot simply disappear. he must go home to his husband. must figure out his next step. iroh tells him that he and zuko plan to leave for the fire nation next week. lu ten promises he will be there.

it is hard, watching his son leave.

but this time, iroh knows he will return to him.

the taste of the tea is familiar.

min-su frowns, and stares at his cup. he knows this flavor, but he's never been to this tea shop before. he never would have thought of coming to a tea shop in the upper ring if lee hadn't invited him. he'd been worried sick about the kid recently. he kept disappearing and reappearing- moving away suddenly, without warning.

he looks up at lee. something is... different about him.

it's just the short hair. or maybe it's the way he's stopped hiding his scar. it had churned his gut the first time he saw it. he'd wondered how anyone could do that to a kid- and he'd been relieved to learn later that it was just from an accident. he wasn't so sure why he'd been convinced someone had done it to him on purpose.

(he always expected lee to hate his father.)

min-su asks if he can meet the brewer. the tea is delicious he says. lee nods and leads him to the back. he's not smiling, for once. his expression is serious. it's not like him, min-su can't help but think. it's very much like him, he also thinks.

min-su stops dead in his tracks at the sight of the old man in the kitchen. he... knows this man from somewhere, some part of him thinks, even though they've never met. the man meets his eyes, and tears flow down his cheeks.

he calls him lu ten.

min-su feels cool hands pressed up against his skull- and then slowly, groggily, lu ten wakes up. it's like being dragged out of a frozen pond after being trapped in there for a long time. for a few moments, he doesn't remember how to move his body. then his father has thrown his arms around him and the spell breaks.

"father," lu ten says, "-what are you doing here?"

here is ba sing se. the siege failed. lu ten was captured. he was taken underneath a lake, and a different man using his body had walked back out. he called himself min-su, and found work as a guard. he was a good earth kingdom man, loyal to the earth king and the dai li. he fought for his country. he'd fallen in love with a metalworker and had married him. his favorite tea shop was a place called the lotus blossom...

...his favorite tea server was a young boy named lee.

lee. agni. zuko.

"father, zuko-"

"is fine," zuko says from behind him- then makes a face and wiggles his fingers, "-ish."

the waterbender just nods her head in solemn agreement. lu ten wonders if he's supposed to know her too. he's pretty sure she did something to heal his head. he looks at his cousin- and then extends an arm to him. zuko rolls his eyes in a very un-lee-like way, but he lets him drag them into the hug.

he'll find out a bit later exactly what happened to him. he'd been brainwashed. years later, his uncle and zuko come to the city as refugees- and zuko would help his sister take it down from the inside, only to be doublecrossed by her. zuko had been brainwashed too, but his was far worse than lu ten's had been.

the war was over. the fire nation had been defeated. his father now sat on the fire lord's throne, after having it taken from him by his uncle. he no longer wished for war- only peace. and lu ten, who had lived for seven years as a good earth kingdom man, could look back and see the futility and cruelness of it all.

...agni. how was he supposed to tell his husband this?