#it's very poetic and symbolic

[fadedfromtheportraits]

I absolutely love this!!! [Also, sorry for anyone who didn't sign up for me spending every waking minute gushing about this series, but this is pretty much gonna be my entire personality for the forseeable future]

Isabeth screamed, and it wasn’t a sound at all, clawing at the air and catching nothing in her grasp. She twisted and writhed in the air, hysterical mind turning to the animal instinct to catch herself in the wind as she plummeted from the sky, wax wings melting off, her reflection a blur on the icy lake. It was nothing but a brilliant smear of golden light that still wasn’t hot enough to burn, just glow falsely in the beaming sunlight, like a pathetic candle in front of a burning building. It was the light equivalent of roadkill- it was like somebody had created a squirrel full of glitter and gold, and then ran it over repeatedly with their car. It was the pathetic, weak glow of the nightlight- significant and proud in the nighttime, but revealed of its weakness the very instant the sun crests the horizon and reveals the tiny lightbulb to be the pathetic waste it is. It wasn’t anything to be remarked upon, and the sun would barely notice touching it with its unfailable, perfect light.

         But then, like a lightswitch, the world went dark, and for a split second Isabeth was hit by the terrifying reality, the lonely last words of Icarus, the fear of the cord yanked from the wall, the candle at the end of its wick, the certain knowledge that the sun ever cared about this whining beast’s fate. Isabeth twisted herself up at the sky one last time, desperate to see even the glimmer of a star, but they twinkled at her mockingly, seeming to giggle in tinkering voices at her flailing limbs and desperate-scream-that-wasn’t-a-scream. And then they turned away from her once again, turning their attention back to the light that matters.

         And then Isabeth crashed through the reflective surface of the frozen lake, sinking below the icy waters to drown, shattering her spine and causing her melting wings to freeze and break with a sickening crack, and nobody even said a word.

@icerosesummerbracket​ wip

[carnivalcarriondiscarded]

Soooo....... if you don't mind me asking

What was that about a cult in the human au👀👀👀

(I hope I'm getting that right and if not I'm referring to the one implied( ?) In I think the eddie short story you posted a while back)

I hope you have a good day/ night whenever you are <3 <3, you're like one of my fav welcome home creators rn <3 <3

HA uh it's not a real cult! it's more like a cult following if anything, the Guys™️ are just dramatic / passive-aggressive about it

a 'cult following of what' you may ask! well! it's a cult following of Wally! or more specifically, Wally's art. it isn't like, Famous or anything, but there's a niche group of art enthusiasts/snobs/etc that are borderline Obsessed with it (in my mind his art Is pretty funky! i like to think that he has mild associative synesthesia, which bleeds into his work along with his disregard for art 'rules' and the like)

it's not a huge problem? just a minor nuisance. and as a plus, it means that those people will pay absurd amounts for Wally's pieces when he sells them (or is doing commission work)!

Wally has mixed feelings about it. on one hand, he does Not mind attention & loves to talk about his art and meet new people. on the other hand, a lot of his "fans" are overbearing / over-familiar and blatantly misinterpret him and his art. so while Wally loves attending art shows etc, whenever he recognizes one of his "fans" walking over he'll often make an excuse to leave for a minute (or one of his friends will act as sort of a bodyguard lol)

[horizon-penblade]

today on Horizon's Extremely Cursed Shower Thoughts: I wonder what it would be like to lick someone's tears off their face

[divinekangaroo]

Started reading Lymond Chronicles after @deadendtracks' comment that SK must've read them too / based Tommy on Lymond....

and like i'm what, at ch3 or 4 maybe and...

yeahhhhhhhhhh XD

[dcyllom]

i'm writing my fic and my brain jumped ahead to the ending for some reason, except it's not at all how i want to end it and is also really sad. i'm just going to have this super sad and tragic ending stuck in my head for ages until i get around to finishing lol, might write it and let it rot somewhere in my google drive so i don't have to think about it constantly.

[oblako]

she appears and the world lights up

[trashcreatyre]

I love thinking about gay people

[thedeadthree]

🌞🌛✨💛 twc book 3 spoilers !

“i suppose immortality must be easier to cope with when you live it with those you care about”

“his eyes shift to mine, the normally icy green of them warm and inviting, like a meadow bathed in summer sun. “immorality is longer than you can imagine.””

KATRIN ESTHER STRAND ! A DU MORTAIN WHAT ARE YOU TWO TRYING TO DO TAKE ME OUT !!!!!!!!!! THEIR SUN IMAGERY AND RELATING TO EACH OTHER I AM GOING TO LOSE IT ! THESE TWO ! THEY MAKE ME CRAZY ! AND NEVER FAIL TO!

[tiny-sparrow]

Patron saint of sparrows :3

absolutely! love those little guys!

[becausegoodheroesdeservekidneys]

The thing with the Mari Lwyd, though, is that it's being... I don't know, 'appropriated' is the wrong word, but certainly turned into something it isn't.

Thing is, this is a folk tradition in the Welsh language, and that's the most important aspect of it. I feel partly responsible for this, because I accidentally became a bit of an expert on the topic of the Mari Lwyd in a post that escaped Tumblr containment, and I clearly didn't stress it strongly enough there (in my defence, I wrote that post for ten likes and some attention); but this is a Welsh language tradition, conducted in Welsh, using Welsh language poetic forms that are older than the entire English language, and also a very specific sung melody (with a very specific first verse; that's Cân y Fari). It is not actually a 'rap battle'. It's not a recited poem. It is not any old rhyme scheme however you want.

It is not in English.

Given the extensive and frankly ongoing attempts by England to wipe out Welsh, and its attendant cultural traditions, the Mari is being revived across Wales as an act of linguistic-cultural defiance. She's a symbol of Welsh language culture, specifically; an icon to remind that we are a distinct people, with our own culture and traditions, and in spite of everyone and everything, we're still here. Separating her from that by removing the Welsh is, to put it mildly, wildly disrespectful.

...but it IS what I'm increasingly seeing, both online and in real world Mari Lwyd festivals. She's gained enormous pop-culture popularity in recent years, which is fantastic; but she's also been reduced from the tradition to just an aesthetic now.

So many people are talking/drawing about her as though she's a cryptid or a mythological figure, rather than the folk practice of shoving a skull on a stick and pretending to be a naughty horse for cheese and drunken larks. And I get it! It's an intriguing visual! Some of the artwork is great! But this is not what she is. She's not a Krampus equivalent for your Dark Christmas aesthetic.

I see people writing their own version of the pwnco (though never called the pwnco; almost always called some variant on 'Mari Lwyd rap battle'), and as fun as these are, they are never even written in the meter and poetic rules of Cân y Fari, much less in Welsh, and they never conclude with the promise to behave before letting the Mari into the house. The pwnco is the central part to the tradition; this is the Welsh language part, the bit that's important and matters.

Mari Lwyd festivals are increasingly just English wassail festivals with a Mari or two present. The Swansea one last weekend didn't even include a Mari trying to break into a building (insert Shrek meme); there was no pwnco at all. Even in the Chepstow ones, they didn't do actual Cân y Fari; just a couple of recited verses. Instead, the Maris are just an aesthetic, a way to make it look a bit more Welsh, without having to commit to the unfashionable inconvenience of actually including Welsh.

And I don't really know what the answers are to these. I can tell you what I'd like - I'd like art to include the Welsh somewhere, maybe incorporating the first line of Cân y Fari like this one did, to keep it connected to the actual Welsh tradition (or other Welsh, if other phrases are preferred). I'd like people who want to write their version of the pwnco to respect the actual tradition of it by using Cân y Fari's meter and rhyme scheme, finishing with the promise to behave, and actually calling it the pwnco rather than a rap battle (and preferably in Welsh, though I do understand that's not always possible lol). I'd like to see the festivals actually observe the tradition, and include a link on the booking website to an audio clip of Cân y Fari and the words to the first verse, so attendees who want to can learn it ahead of time. I don't know how feasible any of that is, of course! But that's what I'd like to see.

I don't know. This is rambly. But it's something I've been thinking about - and increasingly nettled by - for a while. There's was something so affirming and wonderful at first about seeing the Mari's climb into international recognition, but it's very much turned to dismay by now, because she's important to my endangered culture and yet that's the part that everyone apparently wants to drop for being too awkward and ruining the aesthetic. It's very frustrating.

[kezcore]

thinking about jesus in a very non religious way

[solxamber]

Starstruck || Malleus Draconia

After debuting with a gothic, fantasy-inspired theme, you somehow managed to hit Malleus Draconia’s exact vibe. Now, the fae prince has single-handedly appointed himself your Number One Fan—and he's taking his job very, very seriously.

It’s finally happening. After years of grinding it out in practice rooms, singing until your voice was raw, and dancing until your legs felt like spaghetti, the moment of truth has arrived. The managers want you to decide on your debut concept.

In front of you are two choices: school theme and gothic fantasy. You glance over at the school uniform option and cringe a little inside. At your age? No, thank you.

You’re not about to spend your precious debut years waving around pom-poms and trying to look sixteen. Gothic fantasy, on the other hand? Now that’s got some style. Dark cloaks, intense lighting, elaborate costumes—it’s exactly the drama you’ve been craving.

Your manager stands beside you, flipping through a spreadsheet with an expression that can only be described as financially preoccupied.

“Listen,” he says, in a tone that suggests he’s already decided, “school theme has a mass appeal. It’s relatable. Kids these days love a little campus vibe. And you know, uniform sales have great margins…”

“I’m doing gothic fantasy,” you reply, crossing your arms with a confidence that could stop a truck.

He blinks at you. “Okay, sure, I get the allure. But are you sure? Think of the numbers, the opportunities to connect with the youth. Imagine the adorable school scenes, the casual sports day outfits, the innocent love plots…”

“Imagine the smoke machines and black roses,” you counter, eyes gleaming.

He tries another angle. “Well, just consider the feedback from market research. School themes are—"

“Gothic. Fantasy.”

He sighs deeply, muttering something that sounds suspiciously like, “These artists and their egos,” but gives in, albeit with a look of absolute resignation. “Fine. Gothic fantasy it is. But you’re taking full responsibility if it flops.”

Release day arrives, and your first single—complete with a dramatic, shadow-filled video and costumes that look like something out of a Victorian vampire drama—hits the internet. The reactions are… intense.

Sure, maybe it’s not an overnight sensation, but it’s more than enough to get people talking. Your fans? They’re not your typical “bought it for the vibes” crowd. They are deeply invested.

You’re talking about people who can recite your lyrics like a spell. You even see fan forums cropping up where people dissect the symbolism of your music videos. There’s a post dedicated to the exact shade of black eyeliner you’re wearing, and someone actually counted how many flickers each candle has in the video.

One day, as you’re scrolling through the comments, a particularly poetic fan post catches your eye: “The ethereal aura this idol has given us with their gothic artistry is like a dark gift from another realm.”

Okay, maybe the fandom is a little… intense. But you can’t help but grin.

It all starts innocently enough.

One day, Lilia’s showing Malleus some music videos he calls "classics" (pretty sure some of them are just 20 minutes of bats screeching over synthesizers, but to each their own).

But, as fate would have it, Malleus stumbles across your latest release. His eyes widen as the screen fills with your dark aesthetic, the intense melodies, the dramatic lighting, the black roses swirling around you like a misty dreamscape. He’s hooked.

The video ends, and he turns to Lilia, awestruck. “Who is this human?” he asks, as if you’re some kind of ancient artifact discovered under a full moon.

“Oh, that’s a new artist. Apparently, they’re pretty talented.” Lilia raises an eyebrow, amused by Malleus’s reaction. “Why? Fancy yourself a fan, young master?”

“A fan?” Malleus looks scandalized. “Lilia, I am enchanted.”

Malleus’s enchantment quickly turns into an obsession. He spends the next few days discovering every song, music video, interview, and even those mildly embarrassing “What’s in My Bag?” videos where you show off your essentials (you had no idea one video about your favorite scented candles could attract such intense devotion).

He watches one interview where the host asks if you’re afraid of fae, and you reply with a casual, “Nah, I’d love to visit them one day.”

This is what seals the deal for Malleus. This human is not only a talented artist but also respectful, brave, and curious about the fae world. He has found his idol.

He decides it’s time to support you. And, because he’s the literal prince of the Briar Valley, he does what any fae royalty would: he orders some of your albums.

One hundred of them, to be exact.

In Malleus’s defense, he has absolutely zero concept of money. To him, it’s normal to go big. So he clicks “order” without even thinking, and in his mind, it’s done. Simple.

A few days later, when the delivery truck pulls up with boxes upon boxes upon boxes, Malleus’s reaction is… complicated.

He stares at the delivery man, then back at the wall of albums now stacked in front of him, and mutters, “I may have made a mistake.”

But Malleus Draconia is no quitter. So he devises a new plan: he’ll distribute these albums across the Briar Valley. Anyone who even mildly expresses an interest gets an album handed to them with an enthusiasm that’s both heartwarming and slightly terrifying.

It doesn’t take long before every fae in the valley knows your name, and soon enough, your music is echoing through the mystical woods. You, a mere human, are now an icon among the fae. The legend of the human idol with the beautiful music, who’s brave enough to express curiosity about fae life, spreads like wildfire.

Meanwhile, you’re in the middle of a heated argument with your manager. Despite your loyal fanbase, your concert venues are… sparsely filled, to put it kindly.

“I don’t know how to make this any clearer,” your manager says, waving his phone around for emphasis. “We need more fans, more sold-out shows, or it’s not going to be viable to keep booking these venues!”

You’re about to respond when his phone dings. Then again. And again. Suddenly, it sounds like he’s strapped a vibrating blender to his hand. Ding, ding, ding, dingdingdingding.

“What the…?” He stares at the screen, his expression shifting from annoyance to shock. “I—it says you’ve sold out every single venue. Wait, wait—there’s a waiting list for tickets that haven’t even been put on sale yet?”

He looks at you, blinking in astonishment. “I never doubted you for a second!” he declares with all the sincerity of a used car salesman. You roll your eyes. “Sure, pal.”

Later that night, you decide to check the fan forum for yourself. And something strikes you as… odd. Suddenly, all these usernames sound like they belong to a fantasy RPG. You scroll through names like “Elder_Oak_Watcher,” “Pixie_Phenomenon,” and “Darkthorn_Dreamweaver” and can’t help but wonder if your fandom has fully committed to your fantasy vibe. You chalk it up to hardcore fans. Nothing suspicious, right?

The agency celebrates by booking more venues, announcing a new merch line, and—wait for it—a raffle event for a day with you. You’re thrilled but mostly relieved that things are finally looking up.

Cut to the Briar Valley, where Malleus gets wind of the fan meeting announcement. His eyes practically sparkle with delight.

“I have a chance to spend time with them?” he murmurs, clutching the announcement poster like it’s a sacred artifact.

“Of course, you do!” Lilia chimes in, grinning. “And if you’re really eager, I could help improve your odds.”

Silver, overhearing, asks. “Are we really doing this?”

“It’s for young master Malleus!” Sebek hisses, practically vibrating with devotion. “If he wishes to meet this human, we will ensure he wins that raffle! Even if I don’t understand why he’d—” He pauses, scowling. “—lower himself to that level for a human.”

Lilia waves a hand dismissively. “Oh, Sebek, let Malleus enjoy his hobby! It’s rare to see him so enchanted. Besides, a bit of human culture never hurt anyone!”

Silver shrugs, giving Malleus a supportive smile. “If this makes you happy, Malleus, we’ll all enter on your behalf.”

Sebek bristles. “Very well, if it is the young master’s wish, I, too, shall enter—though I don’t understand this human obsession.”

Lilia claps him on the shoulder. “Consider it a show of loyalty to the crown.”

Sebek mutters something about “weird human tastes” but agrees nonetheless. And with that, your raffle odds have just quadrupled, courtesy of the most enthusiastic and unhinged fae entourage you never knew you needed.

Malleus beams, and for once, the usual silence in Briar Valley is replaced with something very unexpected: the excited murmurs their prince getting ready for his ultimate fan meeting.

It’s your first “Unboxing Fan Mail!” livestream, and you’re bubbling with excitement as you tear through letters and packages. You’re halfway through reading a pile of cute fan letters when one catches your eye: an envelope with a hand-drawn gargoyle. This thing has personality.

“Whoa…,” you mutter as you carefully open it. Inside, you find a letter, written in such flowery, old-fashioned cursive you almost need a magnifying glass. Clearing your throat, you read a part of it aloud:

"Your craft has brought light and delight to the shadows of our realm. It is rare to encounter such reverence and elegance in a human. Know that your courage and respect have earned you an esteemed place in the hearts of those from lands beyond mortal reach. Enclosed is a token of my admiration—a rose from my homeland, blessed to be as timeless as the admiration I hold for you.

Sincerely,

M.D.”

It takes a second for the words to fully sink in. Your gaze drifts to the box sitting beside you, which you unwrap with careful fingers. Inside lies a single Briar rose—its petals dark and lush, radiating a faint magical shimmer that tells you this is no ordinary gift. The rose feels alive, pulsing softly with ancient magic. You gently lift it, brushing a fingertip along the petal’s edge, feeling the cool, unyielding softness.

And suddenly, you feel tears pricking at the corners of your eyes. “Oh… wow,” you manage, voice wavering. You blink back tears but don’t quite succeed, pressing a hand to your mouth in a mix of joy and disbelief. “Thank you so much, M.D. This is… this is beautiful. I don’t even have words.”

Back in the Briar Valley, Malleus is watching the livestream playback with his usual calm demeanor… until he sees you crying. His face falls, and he looks at Lilia, horrified. “Did I… upset them? My letter was meant to honor them, not… bring tears.” He’s practically pale. Well, paler than usual.

“Oh, don’t fret,” Lilia chimes in with a laugh, patting Malleus on the shoulder. “They’re just happy! Look how much they loved it. You brought them pure joy!”

Malleus blinks. “So… I have not offended them?”

“Far from it! In fact,” Lilia says with a knowing smirk, “I think you’re officially their number one fan.”

Malleus’s eyes narrow with sudden, unshakeable determination. “Of course, I am,” he says, as if this is the most obvious truth in the world. “Who else could claim that title?”

You have no idea what you've gotten into.

It’s your first concert. The crowd is buzzing, their voices creating a low hum that vibrates through the walls, yet you’re backstage with a knot in your stomach that feels about the size of a boulder.

You shift from foot to foot, hands clammy as you grip the mic, wondering if this is actually a good idea or if you should just make a break for it now and head for the hills.

A voice echoes through the earpiece: “Three minutes, everyone!”

You take a deep breath, steadying yourself as the band gives you encouraging nods. All those years of training, of dreaming, of rehearsing until your feet felt like they’d fall off—this is what it was for.

Your fans are out there, waiting. You can already hear some of them chanting your name. And slowly, your nerves start to melt away, replaced by a surge of adrenaline.

The lights dim. You step onto the stage, heart pounding, and the audience erupts. Thousands of people, waving lights and singing the opening notes of your debut song back to you.

The energy washes over you, filling every corner of your soul, and suddenly there’s no room left for doubt.

The music pours out of you, and the crowd’s response is instant, electric. They're clapping, cheering, and singing along. You almost forget to breathe as you realize—they know every word.

It’s in the middle of your second song, during a moment where the lights are shining right on the front row, that you spot something peculiar.

Wait… Are those… fae?

Not just one, but three of them. And they’re not your typical, “blending in” kind of fans, either. One of them—the tall one with the horns—looks like he’s just stepped out of some mythical kingdom (which, granted, he kind of has). There’s an unmissable aura around him, and his eyes are fixed on you like you’re the most mesmerizing sight he’s ever seen.

The other two fae are close by, each one unique but unmistakably not human. And a very sleepy human is nodding off standing there.

You try to keep performing, but your heart’s pounding for a new reason now. The tall fae—he’s so intense. There’s something captivating, almost otherworldly, in the way he’s watching you, like he’s fully captured by your music. It’s a bit like he belongs here and also… really doesn’t. Yet somehow, he makes it work.

Finally, you reach the interaction part of the concert, the moment where you get to pick a “lucky fan” from the crowd for a backstage pass at your next show. Your mind goes blank for a second as you look over the crowd, but the sight of those fae at the front makes your decision easy. You raise a hand, pointing directly at the tall one, still staring at you with that intense look in his eyes.

You can feel the collective shock from the crowd as you exclaim, “You! Yes, at the front! You’re the lucky winner!”

The tall fae’s eyes widen ever so slightly, a look of pure delight crossing his face as his friends react with either shock or something bordering on exasperation. He steps forward a bit, visibly thrilled, and nods to you as if he’s just received the highest honor imaginable.

Lilia, standing beside Malleus, gives a knowing chuckle. “My, my, our prince has been blessed by fortune,” he teases.

Sebek, looking utterly scandalized, hisses, “The Young Master? At a human’s concert again? With a… backstage pass?” His voice drips with disbelief.

Silver, with a half-smile, murmurs, “Well, he does look happy. That’s what matters, right?”

And Malleus, basking in the moment, seems too happy to notice their reactions. He meets your gaze, nodding as if to say, Yes, it is I, your devoted fan.

And suddenly, you’re beaming, too, because in this moment, you realize—you’re not just performing for humans. You’ve captured the attention of beings beyond the mortal world, and something about that feels… magical.

It’s the day of your next concert, and you’re backstage, mentally preparing yourself. You’d think after the first show, the nerves would be easier to handle, but that flutter of excitement is still there. Just as you’re rehearsing a few last lines, your manager bursts in, a mix of terror and wild enthusiasm lighting up his face.

“You… you’ve got to see this,” he stammers, pulling you toward the edge of the curtain.

“Uh, okay?” You’re confused, but you follow him to peek out onto the crowd.

What you see is not what you expected.

The venue is packed. And not just with your usual audience—no, tonight, the crowd is full of fae. Like, really full of fae. A sprinkle of beastmen, a handful of humans (who look varying levels of petrified), but the overwhelming majority? Fae of every type.

You spot wings, horns, a few floating orbs of light that might just be small fae spirits, and an array of gleaming, wide eyes that are laser-focused on the stage.

In the front row, you catch sight of a familiar face. The tall fae with horns who won your backstage pass last time—he’s here, and still utterly entranced. On impulse, you give a little wave, feeling a bit silly, but somehow unable to resist.

To your surprise, he just stands there, looking stunned, until the black-haired fae next to him nudges him with an elbow. Then, almost shyly, he lifts his hand and waves back.

From Malleus’s perspective, everything is perfect. His people have fallen under your spell just as he has. Watching you emerge to greet the crowd, he’s already enraptured.

You look out into the audience, and then—to his amazement—you look right at him and wave. He freezes, utterly smitten, until Lilia nudges him. After a second, he waves back, his heart doing something he’s quite sure it’s never done before.

The concert begins, and it’s an experience beyond anything you’ve known. The fae audience is surprisingly intense—they’re quiet during the softer moments, like they’re absorbing every note, and then wildly enthusiastic during the high-energy parts.

For a second, you wonder if your music has some kind of magic in it, too. Their reaction fuels your own performance, until the final note echoes out and the crowd erupts in applause.

Then comes the moment of truth: the backstage pass winner’s meet and greet.

You’re resting in the designated room, savoring a post-concert cookie when you hear… raised voices?

“Only the winner is allowed in!” your security guard insists, sounding exasperated.

“And I’m telling you,” someone snaps back, “I won’t allow my master to go in alone to meet a human!”

Curious, you step out to find the same quartet from the front row having a tense standoff with security. The tall one—the same one who keeps catching your eye—looks as serene as ever, while his silver-haired friend seems half-asleep despite the commotion. You raise a hand. “It’s okay! Let them all in.”

The guard reluctantly steps aside, and the four file into the room. There’s an awkward pause as they stare at you, clearly debating who should introduce themselves first. The tall one steps forward, and you offer a small smile.

“So… we finally meet. What’s your name?”

“Malleus,” he says, his voice deep and slightly reverent. “Malleus Draconia.”

You’re about to respond when he holds out a hand—a hesitant, almost formal gesture. Before you can shake it, the green-haired fae scowls, clearly offended. “That’s His Highness to you, Don't causally touch him human!”

You freeze mid-motion. Highness? Fae Royalty?

“Yes,” Malleus says mildly, “though I’d rather you not call me that right now, Sebek. This is a personal occasion.”

“Oh, you’re… royalty.” You take a very controlled breath, willing yourself not to faint.

Malleus nods, completely unfazed, though Lilia snickers under his breath and gives you a little wave. “I apologize if that was not clear before. I didn’t mean to startle you.”

You regain your composure. You're a professional. “Right, royalty. Got it. No big deal.” (It’s a huge deal, but you can scream into your pillow later.)

That's when it clicks. M.D, Malleus Draconia, Fae Prince.

In an attempt to break the tension(and to not spiral), you say, “By the way, I loved the little gargoyle you drew on the letter you sent me. It was cute.”

Malleus blinks, visibly taken aback. “You… liked the gargoyle?”

You nod, smiling. “They’re nice to look at.”

For a second, Malleus just stares, and it feels like his entire face is starting to glow. “You appreciate gargoyles?” he says, in a tone that sounds like you’ve just admitted you’re secretly royalty, too.

“Uh, yeah. They’re kinda cool.” You laugh, and Malleus looks like he’s been blessed by every possible deity.

Meanwhile, Sebek mutters something vaguely exasperated, and you catch a snippet: “This human has actually caught the his interest…”

Lilia laughs, giving Malleus a playful nudge. “Well, isn’t that something? I guess you truly are their number one fan, Malleus.”

Malleus nods seriously. “Of course. I am honored to be recognized as such.” His eyes gleam with utter sincerity.

You chat a bit more, exchanging small talk, until you mention offhandedly that your company has been discussing hosting a concert near Briar Valley due to the recent increase in fae fans. Malleus immediately perks up.

“Oh, well, you should simply perform in Briar Valley,” he says, as if offering his personal venue is as easy as lending a pen.

“Wait… seriously?” You look at him, not sure if he’s joking.

“Of course,” Malleus replies earnestly. “I would be delighted to arrange it. As the prince… and your number one fan.” His eyes are so bright and genuine, you can’t help but laugh.

“All right, I’d love that,” you say, heartily amused and impossibly charmed.

As they start to leave, an idea pops into your head. “Hey, Malleus, do you want a picture together?”

He blinks, clearly surprised. “A picture? I… would be honored.”

You take out your phone, getting into position, and then, on a whim, you lean over and kiss him on the cheek right as you snap the photo.

From the doorway, Sebek lets out a scandalized squawk, and your manager looks like he’s about to pass out. But Malleus? He’s wide-eyed, staring at you like you’ve granted him the greatest gift in existence.

With a wink, you murmur, “Consider it a special gift for my biggest fan.”

For a second, Malleus just stands there, wide-eyed, and then, slowly, a delighted, utterly smitten smile spreads across his face.

The concert in Briar Valley turns out to be way more fun than you could’ve ever imagined. You were nervous at first—after all, you’re literally performing in a hidden fae realm with the kind of audience that probably doesn’t even need speakers to hear you.

But once you get started, the vibe is incredible. The fae are enthusiastic, cheering and applauding in that slightly mystical way they have. Their clapping sounds like wind chimes, and every so often, you think you see little trails of magic light in the crowd.

And right in the front row, like always, is Malleus Draconia. He’s the picture of regal elegance, standing out in his official Briar Valley attire, looking like he’s attending some kind of royal ceremony. You’d almost laugh at the contrast—Malleus, dignified and regal, surrounded by a crowd absolutely hyped for a pop concert. And, because you can’t resist, you give him a cheeky wink mid-song.

Malleus doesn’t miss a beat; he looks like he’s been struck by some sort of enchantment himself. His cheeks faintly color, but he doesn’t look away, a faint, dazed smile on his face. He’s living his best fanboy life, and you’d be lying if you said you didn’t enjoy every second of his reaction.

After the concert ends, Malleus insists on personally escorting you around Briar Valley. You’re beyond thrilled—after all, it’s not every day that a fae prince offers to give you a tour of his homeland. Sebek and Silver, ever loyal, trail behind, with Sebek grumbling under his breath every five seconds about “proper decorum” and “human interactions.”

Meanwhile, Lilia is there for the pure entertainment of it all, throwing you little mischievous grins whenever you glance back at him.

As you’re strolling down a cobblestone path lined with Briar roses, you feel the first drop of rain on your cheek. “Oh no, I didn’t bring an umbrella…”

But the second you say it, there’s a flurry of movement. Malleus, Sebek, Silver, and Lilia all open umbrellas in perfect unison, like some kind of magical boy band choreography. Sebek even has an extra umbrella on standby, which he’s holding out to you with a solemn look.

But before you can notice it, Malleus shoots him a look that could probably summon a thunderstorm, and Sebek reluctantly withdraws, muttering darkly under his breath about “Etiquette.”

Meanwhile, Lilia, never one to miss an opportunity, flings the extra umbrella into a bush with a casual flick of his wrist before you can even notice.

He turns to Silver and Sebek with a bright grin, “Come now, let’s give the two some space! Isn’t it so romantic?” Sebek looks horrified, about to argue, but Lilia’s already dragging him and Silver away, leaving you alone with Malleus.

So now it’s just the two of you, standing in the rain, with Malleus holding his large, intricately decorated umbrella over both of you. The umbrella’s big enough that it shields you from the rain easily, but that doesn’t stop Malleus from stepping a little closer, just to be sure.

There’s an awkward, giddy silence as you continue to walk side by side. You can feel the warmth radiating from him, and your hands brush against each other occasionally. Finally, he clears his throat and says, “Did you enjoy the concert? Briar Valley’s… first, of this sort.”

“Oh, definitely!” you say, grinning. “It was amazing to see so many fae enjoying the music. And you were right up front! You didn’t have to—”

“It was… my pleasure,” Malleus replies, his deep voice a little softer than usual. “I wanted to see everything as closely as possible.” There’s an endearing awkwardness to him that only makes him more captivating.

From the moment you met him, you thought Malleus was just a really dedicated fan—sweet, if a bit intense, but ultimately adorable. Sure, he’s got that tall, dark, and slightly terrifying vibe with the horns and the whole royal aura, but he’s also so polite and gentle that you can’t help but find it cute.

But now, as you walk under the same umbrella, his warmth just inches away, it hits you with sudden clarity. Oh, I am so, so screwed.

Because you might like him a little bit. Scratch that—a lot a bit.

Malleus glances at you, noticing the sudden shift in your expression. “Is something amiss?” His voice is gentle, genuinely concerned.

“Oh! No, I’m fine. Just, uh, a little tired from the show,” you say quickly, brushing it off.

Malleus doesn’t look entirely convinced but accepts your answer with a soft nod. Then, almost shyly, he extends his hand. “Here. It’s quite cold… if you’d like…”

You stare down at his offered hand, feeling your pulse jump. It’s such a small, polite gesture, but it sends your heart racing. You slip your hand into his, feeling his warmth seep into your skin, and a small smile tugs at your lips.

As you walk together under the umbrella, Lilia, peeking from behind a corner with a very exasperated Sebek in tow, smirks to himself. "Ah, young love," he sighs dramatically, as if he were watching a play unfold.

Back under the umbrella, Malleus is telling you about the history of Briar Valley, his voice gentle and filled with pride. You don’t catch half of it because you’re too focused on the way he looks down at you, his eyes soft and completely captivated. Every so often, he leans in a little closer, as if he can’t help himself.

Eventually, you reach the end of the walk, the rain easing off, and Malleus turns to you, looking slightly hesitant. “I hope this evening has been enjoyable for you… I wished for you to see the beauty of Briar Valley, but I… I fear I may have monopolized your time.”

You laugh softly. “Oh, trust me, I think you’re doing a great job of showing me around. Plus,” you add, “it’s not so bad sharing an umbrella with my biggest fan.”

Malleus’s expression lights up, a rare, breathtaking smile breaking across his face. “Yes,” he agrees softly, almost to himself. “Your… biggest fan.”

Before they leave, you impulsively pull out your phone. “Hey, Malleus, would you like to take another picture together? You know, as a memory of Briar Valley?”

Malleus’s eyes widen slightly, but he nods. “I would… like that very much.”

You pose, holding up your phone, and just as you snap the picture, he looks at you with a strange spark in his eyes, he leans over, just barely hesitating, and presses a gentle kiss to your cheek.

Now you’re the one who freezes, absolutely flustered but trying very hard to play it off. You clear your throat, laugh a little too brightly, and tuck a strand of hair behind your ear as if it’s no big deal. “W-Well, um, I guess we’re even now!” you stammer, hoping he doesn’t notice the warmth creeping up your face.

Malleus gives you a small, satisfied smile, clearly pleased with your reaction, while Sebek is beside himself, practically vibrating at a frequency that could power one of your concerts, as he splutters, “YOUNG MASTER, THIS IS—YOU CAN’T JUST—A HUMAN—”

But Lilia just laughs, giving Sebek a playful whack on the back. “Come now, Sebek, it’s all in good fun!"

Sebek looks torn between yelling and fainting, muttering to himself about propriety and why, oh why, would the young master be so entranced by a human?!

You just barely manage to keep it together until they leave, but the second you’re alone, you collapse onto the nearest couch, burying your face in a pillow with a ridiculous grin plastered across your face. Because Malleus Draconia, fae prince and possibly the most loyal fan you’ve ever met, just kissed you on the cheek.

Somehow, you know this is just the beginning.

The fan forum has always been your little comfort zone. You’ve got your dedicated fans, who post lovingly questionable fan art, some surprisingly deep theories about your lyrics, and even the occasional meme thread.

Today, though, you’ve decided to go on a bit of a lurking spree. You want to see what people really think—especially the critics. And you do find critics, of course, all happily airing out their grievances. But what you didn’t expect is the replies.

Each negative comment has an oddly formal, razor-sharp response that’s practically dripping with eloquent disdain, all signed "M.D." You read on, completely baffled until it dawns on you: this is Malleus.

This prince has taken it upon himself to haunt your comment section, like a very sophisticated, slightly unhinged ghost. You try to keep from snickering too loudly as you scroll through his hilarious, painfully dignified rebuttals.

I-like-snails: “I don’t understand the hype. This idol is all looks, no talent.”

M.D.: “Your failure to comprehend excellence in its truest form is unfortunate. To imply that this individual relies solely on appearance demonstrates an astonishing lack of insight. Consider expanding your understanding of ‘talent.’ Signed, M.D.”

real-idol-fan: “I’ve seen cooler concepts than this ‘gothic fantasy’ nonsense. So pretentious.”

M.D.: “Ah, but what is more pretentious, dear critic? To appreciate grandeur or to boast of one’s ‘cool’ concepts with all the subtlety of a loud footstep in the night? Gothic fantasy, as you call it, possesses a depth your mind has yet to comprehend. Signed, M.D.”

aura-aura: “This idol’s lyrics don’t even make sense. They’re just trying to sound deep.”

M.D.: “An intellect as shallow as a millpond would indeed struggle to navigate profound lyrical waters. I urge you to revisit the lyrics in question after reading a book or two on metaphor. Signed, M.D.”

You have to clutch your sides as you scroll through the thread. The idea of Malleus, a literal prince, defending you with words like “millpond intellect” and signing every single comment with his initials—it’s ridiculous.

Ridiculous and, at the same time, ridiculously touching. You’d never asked him to do this, never even thought he’d care about what random people thought of you, but here he is, waging a dignified, solo war in the fan forum trenches.

After several minutes, you take a deep breath and manage to calm down, even though you know you’re never going to look at your fan forum the same way again.

It's interview time and things are going smoothly. You’re answering questions about your latest song, about the creative process behind the music videos. All very normal stuff—until the interviewer grins, pulls out a picture, and holds it up for you to see.

You squint and realize, with dawning horror, that it’s the photo. The one of you and Malleus standing close under the same umbrella, him looking at you like you hung the stars and you, very clearly, smiling back at him. Whoever took it managed to capture a moment that looks... well, almost romantic.

"So," the interviewer says, leaning in with a gleam in their eye, "is this someone special?"

You’re ready to laugh it off, to dismiss it casually with a polite “no,” but... you freeze. Looking at that photo, at the way Malleus is watching you, something catches in your throat. “No, of course not” dies on your lips.

Your mind rewinds to all the times he’s shown up, how he’s silently supported you, those comments on the forum—and suddenly, you can’t deny it, not even to yourself.

“No comment,” you manage to say, but it sounds weak, even to you.

The interviewer’s brow arches, and they chuckle knowingly. Meanwhile, you’re scrambling internally. Oh no. Oh no, you’re in trouble. You’re in deep trouble.

The raffle winner is announced, and your mouth drops open when you hear the name. “Malleus Draconia!” Your eyes scan the crowd and—yep, there he is, beaming in a way that could light up an entire stadium, looking like he’s won the lottery.

Well, technically, he has, but there’s something about his expression that suggests this is the best moment of his life. Somewhere in the back of your mind, you feel the universe smirking, because it knows exactly what it’s doing by sending you this unattainable, royally handsome fae prince.

You’d had some time to think since that interview. The photo, the “no comment,” the dawning horror in your gut as you realized that yes, you’re down bad. Horrifically so. In the week since the interview, you’d come to accept it. The only issue? He's so out of your league, it’s practically laughable.

Meanwhile, Malleus is practically vibrating with excitement. As soon as his name was drawn, half of his kingdom exploded in celebratory fanfare. (To be fair, most of the Briar Valley population had entered the raffle in his name. “Statistical advantage,” Lilia had called it.)

By the time he gets home, he’s already lining up outfits, preparing what he calls “appropriate tokens of affection.”

“Perhaps... a small gargoyle?” he muses, clutching a miniature stone sculpture that weighs about as much as a small human child.

Silver clears his throat. “Maybe... consider something less... heavy?”

Undeterred, Malleus sighs but places the gargoyle back, moving on to his backup plan: a solid gold gargoyle instead.

Lilia, in the background, chimes in with, “Just give them a rock and say it’s a Briar Valley special!” Malleus ignores him.

The day arrives, and you’re waiting at a cafe for Malleus. The producers are buzzing around, setting up lights and cameras for some wholesome footage to share with your fans. You’re running through the usual script in your mind, but then Malleus walks in, looking... well, looking like Malleus. Tall, regal, glowing with excitement, and completely out of place in the modern cafe.

You’re trying to keep your cool, reminding yourself that he’s just a fan here to meet his favorite idol, but when he brushes his hand against yours as he takes his seat, you’re thrown into chaos. Wide-eyed, flustered chaos. In fact, you’re so visibly affected that one of the producers has to muffle a squeal.

You glance at Malleus, and for a second, it’s like the two of you are in your own little world, oblivious to the cameras. You’re laughing, he’s smiling in that polite but endlessly fascinated way, and it feels like the meet-cute scene in every cheesy K-drama ever made.

After the cafe, the producers decide to set up at a bowling alley. It’s cute, casual, and definitely low-stakes—or so you think. You explain the game rules to Malleus, who nods in solemn understanding. Then, you hand him a bowling ball and stand back, figuring he’ll get the hang of it soon enough.

Except... Malleus does not get the hang of it.

He lifts the ball with such enthusiasm and raw power that when he bowls, it lands with a thunderous bang. The ball rockets down the lane like it’s been launched out of a medieval trebuchet, shattering the pins with explosive force and completely obliterating the machinery behind them.

The bowling alley is plunged into silence. Even the producers are speechless.

You, however, are not. You burst out laughing so hard, tears actually stream down your cheeks, and you double over, clutching your stomach. Malleus, meanwhile, looks at the wreckage he’s caused with a sheepish expression and asks, “Did I... do it wrong?”

You’re still laughing too hard to answer. His expression is priceless—equal parts apologetic and baffled. For all the confusion on his face, he’s smiling too, in that warm, captivated way, like every sound of your laughter is worth all the destroyed bowling alleys in the world.

One of the crew members has to remind you both to stop standing in the wreckage.

After the... eventful bowling alley scene, you suggest something calmer, like feeding ducks at the park. You arrive with a bag of crumbs, ready for a relaxed, picturesque afternoon.

Malleus seems thrilled at the prospect of feeding these “quaint little birds.” He declares “I will bestow upon them many crumbs.”

But, as it turns out, ducks seem to be as unnaturally drawn to Malleus as your fanbase is to you.

The ducks start waddling toward you, sure, but when Malleus bends down to offer a handful of crumbs, they completely mob him. You watch in bewildered amusement as the ducks clamber onto him, flapping and honking, climbing his shoulders, even perching on his head like he’s the world’s fanciest scarecrow.

“I... seem to be... a duck magnet,” he murmurs, looking helplessly at you, as if apologizing for attracting every duck within a ten-mile radius. He’s totally overwhelmed, but also somehow completely fine with it. If you find this amusing, then it’s a noble cause in his mind.

They hop onto his lap, perch on his shoulders, and one brave little duck even nestles itself on his head, honking proudly as it looks down at him.

You’re giggling again, snapping photos with your phone as he stands there, a bemused fae prince turned accidental duck king. Malleus, standing there covered in feathery chaos, looks up at you, his expression softening at the sight of your laughter. You think you see the smile on his lips, and you’re certain this day can’t get any better.

Dinner with Malleus feels like the culmination of every daydream you’ve ever had and every moment you tried to ignore the thrill he gives you. The restaurant is all soft lighting and quiet music, and you’re seated across from him, barely able to touch your food because you’re too busy trying not to stare. Or at least, not to make it obvious you’re staring.

But it’s impossible not to. Malleus, in the soft glow of the candles, looks ethereal in a way that’s borderline unfair. He’s taken off his usual high-collared cloak, and he’s looking at you with an openness that feels both heart-wrenching and unbelievably warm. His eyes hold that steady, unwavering gaze that has you feeling more exposed than any stage spotlight.

You’re talking about something light—music, maybe, or the utterly ridiculous game of bowling earlier. But the words are just filler, a flimsy attempt to distract yourself from the absolute burning feeling in your chest, a feeling you’re starting to realize is a little too big to be brushed aside.

It’s love.

It’s as terrifying as it is exhilarating. You’re looking at him, and it’s all you can do to not reach across the table, grab his hand, and say something incredibly unhinged like, “Hi, you don’t know it yet, but we’re soulmates.”

He leans in, head tilted as he listens to you with that pure, undivided attention. And then, his lips quirk into a faint smile, and you’re done for. Absolutely, completely done for.

Dinner wraps up, and he offers you his arm as you both leave the restaurant and step into the cool night. You take it, fingers curling around his elbow, and feel the warmth of him through the fabric.

The street is quiet, and the moon is hanging low, casting an almost dreamlike glow over everything. And you—well, you’re looking at him like he’s the moon itself, like he’s the only thing worth looking at in the whole universe.

You’re walking slowly, so slowly it feels like the moment is stretching forever, but somehow that’s not enough. You can’t stand it; you can’t stand just holding his arm and pretending this feeling isn’t eating you alive. So, finally, you stop, turn to him, and without even a thought to what this might mean for your career or the scandal it could stir, you say, “Malleus?”

He looks down at you, eyes soft, waiting.

And you just… go for it. You lean up, heart pounding so hard it’s a miracle he can’t hear it, and kiss him.

The world stands still. For a second, you wonder if you’ve overstepped, if maybe he’s going to pull away or question you or—

But then he’s kissing you back. Immediately. Thoroughly. His hand rises to cup your cheek, and he leans in with a gentleness that completely undoes you. You feel the warmth of him, the tenderness in his touch, and it’s enough to make your knees weak.

When you finally pull away, breathless, you look up to find him watching you with an expression that’s somewhere between wonder and the same sort of ache you’re feeling.

And right now, the only thing that makes sense is to kiss him again.

So you do.

This time, it’s softer, slower, like you’re both savoring it, letting the world fall away until it’s just you and him in the middle of the quiet, moonlit street.

When you finally pull back again, there’s a lingering silence. You don’t know what to say. How do you explain to someone that you’re completely undone by them? That you’re staring at him and barely restraining yourself from saying things like, “Let’s make matching T-shirts,” and “You’re my favorite human being, even if you’re technically not human.”

He’s still gazing at you, lips curved in that barely-there smile, looking utterly unphased yet somehow entirely aware of the fact that you’re melting. He’s looking at you like you’re something delicate, something precious, and it’s honestly making you want to pull him down and kiss him senseless all over again.

But instead, you just laugh, quiet and breathless. He raises a brow, a faint smirk playing at his lips. “Are you laughing at me?” he asks, in a tone that’s half curious, half amused.

“No,” you say, “I’m just… realizing something.”

“And what’s that?”

You look at him, eyes shining, and feel that burning again, that truth too big to ignore. “I’m completely in love with you.”

He doesn’t look shocked; instead, he just leans down, pressing a soft kiss to your forehead. And in that moment, you feel it again—the absolute certainty that you’re screwed. Because here’s a man who looks at you like you’re his whole world, and now that you’ve had a taste of this—of him—there’s no going back.

Masterlist

[candy-heart-brew]

I've seen some fans theorize that the lyrics to "Bug-a-Bye and Goodnight" tie into Frank's developing relationship with Eddie, potentially foreshadowing a grisly end for a favorite mailman. The lyrics are incredibly emotional and poor Frank sounds like he's fighting back tears during this entire record, making it feel like there's something more going on under the surface. While it's entirely possible that this is meant to foreshadow Frank and Eddie eventually being separated, I think the song's symbolism could be pointing to a different direction...

I touched a bit on this in a different post but to summarize: the attitude that Frank displays during "Bug-a-Bye and Goodnight" is completely at odds to his reaction to Eddie at the party. During BaBaG he's sad but resigned to fate, he knows that hibernation is inevitable but takes a bit of comfort in the knowledge that it's only temporary and that his loneliness will only last through winter. So, he does his best to power through, keep his personal feelings out of it, and assure his little friends that he'll be alright.

By contrast, his reaction to Eddie's behavior at the party is one of panic and confusion. He doesn't understand what's happening to Eddie or why he's suddenly gone unresponsive, he just knows that he isn't acting like himself at all and he can't accept that. He refuses to leave Eddie alone even after being ignored, continuing to push until he gets a response, at which point he immediately realizes something is wrong and tries to push further, only stopping when Eddie leaves. At this point in the story they don't appear to be especially close but Frank's terrified reaction speaks volumes about his true feelings for Eddie. And if this is how he reacts to him being quieter than usual, I can't imagine that he'd be much calmer or more composed in the event of losing Eddie altogether. IMO, he's far more likely to get angry and demand answers rather than wax poetic. So while "Bug-a-Bye and Goodnight" could potentially foreshadow Eddie's fate, Frank's subdued reaction makes me question that interpretation. I do think there's a deeper meaning to BaBaG, that Frank is singing about something other than bugs, just not Eddie. But then who? Well, as we found out in this last update, bugs are not the only creatures in the neighborhood that hibernate...

Think about it for a moment- Julie is going to be gone for months, leaving Frank all alone without his best friend. Who's going to invite him to games now? Who's going to listen to him about his interests and laugh at his jokes? Who's going to bake gelatin monstrosities with him? Julie is practically his other half so to lose her for months on end must be very difficult for him! He knows that she can't help it and he doesn't blame her but that hardly makes it any easier. All he can really do now is just push that sadness down, wish her goodnight, and wait for her to return.

Under this interpretation, certain lyrics in BaBaG take on a different meaning to me. Lines like "I know it's for the best, I can't keep you," or "I'll be the first to tell you, you just can't stay," could imply an oncoming rift between the two of them. The recent updates have implied that Frank and Julie were written to be a couple and were perceived as such in-universe. We don't yet know how the two of them felt about that but we do know that they were very close to the point of doing basically everything together! But now Frank is falling in love with someone else, someone who may very well come to eclipse Julie in terms of importance to him. No matter how much he loves her, no matter how much they might want to stay together, there are some things you just can't fight and this play-relationship they have can't last forever...

But that's just my interpretation!

[prettyinpwn]

Stan Pines: A Masterclass in Character Writing and Symbolism AKA Stan is Godly, Literally (GF Writing Analysis Pt. 5)

If you're interested in reading a similar writing analysis on Ford Pines, please visit this page.

I've wanted to write a post on Stan for a long time, because I'm going to make a bold claim: he is THE best written character in Gravity Falls. I literally have never been able to find a flaw with his writing, and the reason? Not only does he have the markers of quality I mentioned in my post about Ford's writing (a want, need, character arc, realistic flaws), but...

I would also argue he is THE main protagonist and hero of Gravity Falls if I had to pin it down to just one, and his character arc matches the external conflict, that being Bill Cipher and the theme of growing up vs. staying in childhood and ego vs. selflessness, in ways that are just - and I'm not exaggerating - poetic. And the best part is, he had a lot more time and attention in the spotlight in the show than Ford, so everything I mentioned in the other post that was good about Ford's writing, ramp that up x100 for Stan.

His character also touches on multiple other fantastic themes: breaking generational trauma, healing broken familial relationships that seem unfixable, redemption, the misunderstanding of the family "fuckup" (although Stan is not that in the least, but that's part of his character arc), positive masculinity, true brotherhood, self-love, self-identity, and probably a million others I'm missing and will find out even just as I write this.

As for the godly part, well... you'll just have to read to the end. And no, I'm not kidding or exaggerating, either.

Okay, okay, gushing aside, let's get to the analysis. I'm not sure this will be as neatly structured as Ford's was, but there are just so many damn good things about Stan's writing that it's hard to stick to just one point. Let us begin.

Stan's Backstory: I Am Not Ford and That's Bad + Protecting/Providing for Family > Everything Else

So as I discussed in my post about Ford linked above, much of Stan's childhood revolved around Ford. His entire existence as a child was summed up by one question: how do I compare to Ford? This is especially emphasized in how their father, Filbrick, treated them. One of the end credits ciphers in the show reads as follows:

"A STUBBORN TOUGH NEW JERSEY NATIVE, FILBRICK WASN’T TOO CREATIVE, HAVING TWINS WAS NOT HIS PLAN, SO HE JUST SHRUGGED AND NAMED BOTH STAN."

Haha, very funny. But OUCH. Imagine knowing that your whole name is your name, was because your father only expected one son and was too lazy to come up with anything else. So literally, Stan doesn't even have his own name - his own identity - technically. Stan also was apparently the second twin born, so came in "second" even from birth, and being Ford's (either identical or very similar fraternal) twin, well... it's hard for someone to untie their identity from their brother's with those factors surrounding them as a kid.

There are many other factors that illustrate my point (Ford got Filbrick's name as his middle name, the way Filbrick literally put Stan on the lawn for sale as a kid for failing a test, etc). All in all, Ford receives their father's love, Stan does not, although we could argue that this isn't that great for Ford, not really, as I did in my post on his writing. Because it's a love that comes with a, "I'd also like to use you." attached (just like Bill, gee).

All in all, it's very obvious from all these context clues that Ford was the beloved one, and Stan was the unexpected one, from birth to the end of Gravity Falls, where he uses that to his advantage - albeit in a different context - to defeat Bill Cipher.

Worse yet, Stan happened to have a twin that was extremely smart and talented in a way that was easily noticed. Ford is a Golden Child, as I described in his own writing analysis post, and siblings of the golden child like Stan? Well... the other sibling(s) are often the Scapegoat. As the source in the last sentence states, the Scapegoat is "often blamed for family mistakes, discarded, neglected, and has been gaslighted into believing it was their fault. The scapegoated child is usually assigned at a young age and often carries this role through to adulthood and never loses the unfortunate title.". This can highly affect the Scapegoat's self-esteem, even into adulthood.

This page also covers the Golden Child vs. Scapegoat dynamic. Pay attention to these quotes from this source:

"You are the one the parent will come after when things are going wrong."

"You are subjected to their emotional and verbal abuse the most."

"You may even feel like you need to fix your broken family."

Also, take into account these panels from the comic, Lost Legends, released after Gravity Falls ended:

Yikes. A child doesn't say these things unless a parent has taught them that everything they do is wrong and they are lesser than their sibling. This kid's noticed how Filbrick looks with pride at Ford, but not him. And here's the thing: the item Stan stole in this comic that made Filbrick mad? Stan did it to clean it to make his father proud. Sound familiar? In the events of Gravity Falls, Stan works on the portal for thirty years and gets Ford back, and he gets... yelled at for it. Stan always has good intentions. Although, Ford has a point in the above comic panel: Stan does take shortcuts that get him into trouble. He did almost get jailed by the US government and end the universe to save Ford.

But this is a consistent theme with Stan's character throughout the show. Even WE as the audience first see Stan the way his family did - a conniving scoundrel and money-grubbing criminal - but through the events of the show, just as Stan's family starts to realize it, even when Stan does things that seem bad, like stealing radioactive waste, working on a portal described as a potential cause of the end of the world, has a ton of different identities, etc... we find out Stan had good intentions all along.

Even Stan's greediness? That need for money? That also stemmed from the same good intentions, because how ELSE was he going to afford Ford's mortgage to keep the Shack in order to keep working on bringing him home? It was also likely something ingrained into him from when he was kicked out. Because Filbrick told him, basically, until you make us the money that Ford losing his chance at West Coast Tech cost us, GTFO. Literally. :'(

So Stan... really IS not what he seems. He seems like a fuckup, a criminal, a liar, and a greedy conman. But really... he's a family defender, protector, and supporter. Want to have your mind blown? Intentional or not, let's look at the very first scene we see Stan in in the series:

"Oh look, I'm a monster!"

"Just kidding, I'm not. I'm someone else under what looks like a monster."

Yes. Stan's whole character arc is foreshadowed in like... three seconds in the first episode. The very first time we see him. Not just his arc, but also his role as someone that seems deceptively evil but is actually good. And not just the arc that Ford and Dipper take from distrusting Stan to finally understanding his good intentions, but also the realization WE as viewers have about Stan as we follow the story. Additionally - which we'll get into later - it's symbolic of Stan's internal character arc he takes across the series of realizing he himself isn't the monster that his father planted in his mind as a child, but a good person worthy of love.

All of that... in a few seconds of animation. If that wasn't intentional, then DAMN did the writing gods smile on the Gravity Falls team the day they planned this scene. Back to the point about who Stan really is: the family "fuckup" (not really, but we'll get to that later), and a family defender and protector. This is the true core of Stan's character throughout the whole series. Not only was he Ford's defender as a child, protecting him from bullies, but you know those scenes the fandom universally agrees on were Stan at his most badass? Ahem...

"Everything I've worked for, everything I care about, it's all for this family!"

"Turn around and look at me, you one-eyed demon! You're a real wise-guy, but you made one fatal mistake: you messed with my family."

Yeah. Look at what Stan is doing in EVERY single one of these scenes: protecting his family. And as bad as Filbrick was, just like I explained in the post I made about Ford's writing... Filbrick also passed down some things to Stan that make him the hero he is. And it's also stuff that Stan passes down to Dipper:

Yeah, it kinda sucked for Dipper at the time. Was it a perfect way of teaching a child to be tough? Er, no, although another mark of a well-written character is that they can make mistakes and have flaws; Stan's not perfect. And the fandom has criticized the way Stan passed down this lesson to Dipper, because it can be considered very similar to the way Filbrick passed it down to Stan. But look what it did: when the world fights and threatens his family, just like Stan, Dipper fights back. With punches, too:

So... to summarize this first part: Stan was taught from childhood "I'm not Ford, and that's bad. I am a monster unworthy of love that always messes up.", and his role is a family protector, which started with how he protected Ford from bullies as a child. This is the core of his self-identity. So let's get into the writing techniques that make a well-written character that I discussed in Ford's writing analysis post...

Stan's Core Want vs. Need

I'll quote my explanation of want vs. need from my own post on Ford I made about a year ago:

"When I took writing classes in college (and over years of writing in general and drooling over writing advice podcasts and blogs), I found that the best method for me, personally, when it comes to crafting characters is to focus on two major things:

1. Their want.

2. Their need.

On the surface, these look like the same things, but in character writing, they can be vastly different. For example, say that you have a character that greatly desires fame and recognition. They want these things.

But what’s the real reason behind it? Is it because they had a parent that was famous and want to live up to their example? Is it because they want to be adored by people? Is it because they were told they’d never amount to anything by someone and want to prove them wrong?

This real reason behind it all is the core need. Yes, they want fame and recognition, but they need it because, say, they have low self-esteem and need copious amounts of outside validation to boost it.

Tied to this need is usually a backstory reason (sometimes called their wound). Say your hypothetical character was bullied a lot as a child. Or abused by a parent. Etc. Whatever the wound was, it caused a big, painful hole in their heart that they try to fill and fix with their want.

So they go on a journey. The want is often the external journey. The need is often the core journey / character arc. Our example character seeks fame and recognition on an external journey, but deep inside, they realize they need something else, which is to understand that their past trauma/wound doesn’t define them, and fame and recognition will not be the balm they expect it will be. Often, they realize they had what they needed all along. They grow past their flaws associated with their seeking this want through understanding and instead pursuing the need."

I'll summarize Stan's character writing using these concepts right here, like I did for Ford in his analysis post:

“I want to be Ford because I want to be loved like he is, and I want to protect those I care about and do the right thing. But what I need is to realize is that who I am - not Ford, but Stan - was good enough all along, proven by how I've always protected those I care about, and I never NEEDED to be Ford in the first place. This stems from a wound from my childhood where I was a scapegoat child treated like a fuckup who never did anything right and could never measure up to Ford, and was conditioned to think that being like Ford was a ticket to earn familial love. I had what I needed all along: myself, because I am good enough and worthy of love, despite what my father taught me."

Stan's Arc: I Am Not Ford... and That's Okay

AKA Stan's arc is basically: learning to love yourself and be yourself, even when you were conditioned to think you have no value. Don't believe me? Guess what Stan does for thirty years: pretends to be Ford. And he literally does it by pretending to have died. He "kills" Stanley Pines AKA himself in a staged car crash to become Stanford Pines.

And guess how he defeats Bill? By pretending to be Ford. His greatest weakness is actually his strength, and then he flips it: he reveals to Bill that he's not Ford, he's actually Stan. And THAT'S when the antagonist of Gravity Falls is truly defeated - an antagonist that represents stasis, lack of change, and with The Book of Bill's context, an antagonist that never freed himself from his own past - is when Stan learns to accept himself and admit who he really is and learns to let the past go. And it's telling that this is what he says when he does it:

"Heh. Guess I was good for something after all." AKA: "Yeah, fuck what Pa said about me."

There it is. The moment of Stan realizing his father was wrong, and he was wrong for thinking himself a fuckup all those years. And this is the expression he pulls at this moment of realization; at the peak of his character arc, all while burning in flames like a phoenix reborn. It sounds corny when I put it that way, but LITERALLY, all the fire symbolism feels like it wasn't foreshadowing Stan's death, but his rebirth as himself after pretending to be Ford all those years. He's not burning who he is, he's burning away who he thought - who he was told - he was. Funny that it takes place in the mind, huh?

This is the face of a man who is at peace and finally loves himself for the first time in his life. That ain't just his mind burning. That's him punching his demon that's haunted him and his brother their whole lives, protecting his family as always, and, symbolically, punching a demon that represents the show's overall antagonist of the shackles of staying stuck in the past, forgiveness, and the value of moving on. He literally punches the antagonist - staying stuck in the past - to pieces and THAT'S when he wins.

Also, can we talk about how Bill and Filbrick share color schemes, and Filbrick even has a brick-like pattern in his suit (also, I mean... come on, he's got 'brick' in his name)? I'll let you make your own conclusion about what that means for Stan's character arc:

It's also telling that Bill Cipher's backstory is that he burned his home dimension and loved ones - including his family - to ashes. The Axolotl - Gravity Falls' equivalent of basically God, from what I can tell - says himself about Bill in one of the books released outside of the show:

"Saw his own dimension burn. Misses home and can't return. Says he's happy. He's a liar. Blame the arson for the fire."

Bill misses home. He wants the past and to hold onto his family, just like Stan and Mabel do. Isn't it funny how whenever Bill shows up... time stops?

And look what Bill says in Weirdmageddon: "This party never stops! Time is dead and meaning has no meaning!"

Time stopped. He just wants fun. He's almost like a child that never grew up. And... look at what it was that Stan wrecked in A Tale of Two Stans as a teenager:

A perpetual motion machine. That thing that's not supposed to stop, just like time. Stan 'breaking' time by wanting to hold Ford in the past, with him, instead of leaving him to go to college while Stan was stuck in the past/Glass Shard Beach? That's what broke their brotherhood.

But what makes Stan a hero, and Bill a villain, is that he lets go of the past and his childhood. Bill never does. And he's defeated when Stan lets go of the past, something Bill never did. Why? Because he has family to make facing the future easier. He has familial and self love. Bill doesn't, because he killed his own. (Sorry, got off track again, but Stan's arc and story ties so deeply to the other characters' and the main themes that it's hard not to take some detours, because it illustrates just how well-written Stan is. Gravity Falls' story IS his story.).

Wanna know something cute? Wanna know how Stan realized he had worth during that scene after he defeats Bill? Why I'm betting the show runners showed Stan clutching to a picture of Dipper and Mabel as this happens? I'll give you one guess why Dipper and Mabel are so important to Stan, and why he clutches to their photo even as his mind is burning apart in the finale:

They're the first family members since Ford (whose love he'd lost) who loved Stan for who he was, not for who they thought he should have been. Mabel trusting Stan in Not What He Seems is basically the first damn time Stan's heard in thirty plus years from a family member that, "Hey, I trust you have good intentions and aren't just a lying fuckup. You're not a monster. You're not what you seem.".

Also, he's protecting his family. That always makes him happy, too, of course.

Ego Death and the "Stan is Godly" Part

Yep, we're taking this analysis post train all the way to "damn this is deep and PrettyinPwn is likely crazy for noticing it" station. The only reason I'm tacking this part on is that I saw a Q&A with Hirsch recently that sparked my attention. He was on his The Book of Bill tour, and someone asked if there was anyone more powerful than Bill in Gravity Falls lore. Of course, Hirsch said the Axolotl, but what he said about what Bill vs. the Axolotl stands for caught my eye:

The video in question. The question and answer starts around 21:22. The quote I want to point out is, though, is what we learn about these two beings:

Hirsch: "Bill's weaknesses in terms of his overconfidence, his ego, and his lack of ability to focus on one thing at a time are things that a being that has no ego, thinks on a long scale, and does have empathy is actually stronger than him because of those things."

So when we boil the conflict of Bill vs. the Axolotl down to simple terms - what makes evil vs. good in the Gravity Falls universe - is this: ego and selfishness vs. no ego and empathy.

Guess which characters wrestle with these themes? The correct answer is: ALL of them. But especially Stan and Ford. This is really what their conflict is about at the core. They both struggled with ego and selfishness, and that's when - in the story - they lose most. But they win when they choose selflessness and empathy. When they... drum roll, please... partake in ego death.

Well, let's describe an ego death. First, we must define what an ego is (source for all of the following quotes):

Ego: "The ego is a sense of self that you develop at a young age." and, "-relates to your feelings about your own importance and abilities.".

*cough "I'm the family fuckup and poor man's version of Ford because that's what people taught me to believe in my youth." cough*

And an ego death "-is the (often instantaneous) realization that you are not truly the things you've identified with, and the "ego" or sense of self you've created in your mind is a fabrication. In some instances, it can offer a profound feeling of peace and connectedness with all that is, as the walls of separation the ego creates come crumbling down."

*cough "I'm not Ford's poor copy, I'm not a fuckup, I have worth, and I realize this in my literal mind as I pull this expression-

-of total peace as the walls of my mind literally BURN around me" cough*

And, "When one comes through on the other side having released all the things they've identified with, with only their true spirit left, Kaiser says, they begin to live from a place of pure love."

*cough "I'll hold a picture of the ones I love and realize self-love as my mind burns around me because this is who I really am: a man who protects and loves my family and my family loves me" cough*

Cheeky asides, well... aside, are you seeing what I'm getting at, folks? Look, I can't prove that Hirsch and crew intended all this, but in my opinion: you wanna know why there are so many gags of Stan or versions of him melting or burning in the show? Why fire is such an important symbol surrounding him? Why there are so many times he's killed his own identity and became a "new" man again and again and again, be it as a young grifter, or as a drifter who became his brother to bring him back again, or as an old man who "killed" his own mind to save the world and his memories returned?

Because it's ego death. The rebirth of true self from a lie you were living. That's literally what Stan's arc is a metaphor for. Even better, he reaches his character arc's zenith when he does this:

That's not an old man punching a stupid little bastard. That's an old man punching what threatens his family, punching his own past, punching his own demons, punching his brother's demon, punching his prior identity, and - given that we know that Bill is a symbol of ego now - punching the personification of literal ego and letting it burn. There are, let's count, seven symbolic meanings in that punch at the very least. Maybe eight if you count that the rightside-up triangle is the alchemical symbol for fire, and by Stan beating it, it's symbolism of his defeating the fire that's eating his memories AKA why he gets his memories back. I could find more, probably.

And yes, the chubby old conman we love so much - and is the opposite of spiritual both in action and in Hirsch's words (he's said Stan is an atheist as an adult) literally has a character arc where he attains spiritual enlightenment that aligns with the god of the Gravity Falls universe - the Axolotl, who has no ego as Hirsch said - hidden under many layers of symbolism. I don't know if Hirsch and the writing crew planned this with Stan, but holy damn... this is what I meant when I said that Stan is the best written character in Gravity Falls, even if this part was unintentional. There are just so many layers of meaning here.

And the best part? Stan was this hero all along. Everything we cheer him on for - be it punching zombies to protect his niblings or spending three decades of his life trying to get his brother back - is when he's being selfless and empathetic. We love Stan as a character because he has a big heart. He's a good person because, as we described above, he is - through beating ego in a universe where its god represents a lack of ego - godly.

No, fangirls, put the sexy Hunkle art down. I mean literally spiritually godly in the Gravity Falls universe, at least in the way good and evil is portrayed in the themes and worldbuilding. No, I'm not exaggerating, either. Let's return to that quote about the Axolotl's powers and why he's stronger than Bill:

"-that a being that has no ego, thinks on a long scale, and does have empathy is actually stronger than him (Bill) because of those things."

Well... guess what Stan does? He loses his ego so hard he regularly kills his own identity multiple times in his life and goes through a symbolic ego death, he thinks on a long scale (thirty years long), and is empathetic and selfless to the point of sacrifice. And the Axolotl in real life lore? Xolotl, the god of Aztec myth? Guess what he's a god of (source):

Why I highlighted "vulture"? Honestly, this is just a neat little thing I wanted to point out, and was a part of a massive theory I was writing about Stan and Bill that sadly never came to fruition (although I may return to it someday), but here's a hint: what was Stan and Ford's school mascot in New Jersey?

I'll let you take away from all the above what you will. Let's just say: there are a LOT of similarities between Stan and the Axolotl and its real life god counterpart, Xolotl. Does that that mean he's literally the Axolotl when I say he's godly in the Gravity Falls setting? Maybe not.

Here's one last odd something that caught my eye. This is also a leftover from that theory I mentioned above, but I'll just... leave this here, because I don't think anyone else has ever pointed it out before and it expands on what I've been talking about:

Stan in the opening. The first time we see this guy, technically. He's sitting in his favorite chair. And as we all know, he turns to look at something. But just where the hell does he turn to look?

Half of you are like, "Well, what? What's he looking at?". There's a blue glow to his right, and you know what that blue glow is? The tank, which happens to have...

Could be a coincidence, maybe unintentional, but it's... kind of odd, not gonna lie. To have a character that embodies the traits of the setting's god look over at the setting's god the first time viewers see him. Just... a bit strange... and Xolotl was also a shapeshifter god, and given that Stan goes through so many identities in his life... and axolotls are able to regenerate limbs and so are a symbol of healing and rebirth like Stan - whose whole story is about healing and having multiple "rebirths" - is...

Anyways, I've gotten far off track mentioning things from that theory just for fun that I never posted. I may still post it, so I won't spoil all of it or list any more of the very odd coincidences between Stan and the Axolotl, but all you need to know from this post is that Stan shares a lot of similarities with his setting's god in symbolism, and embodies the power of the Axolotl AKA godliness in the Gravity Falls universe: no ego, selflessness, and knowing how to play a long game, because those are exactly the traits he uses to defeat Bill, as well as the traits that help him resolve his character arc wound.

So... now what?

I'm not really sure what to put here, to be honest. This post was a lot more meandering than Ford's was, but that's because there are so many different aspects of Stan's writing that are amazing, especially in symbolism. I hope it was coherent and made sense. A part of me was considering leaving out the ego death and Axolotl parts, but I thought it interesting enough to keep in. Let me know your thoughts!

[camilledlc]

I think the fact that Careless Whisper is Vanessa and Wade's songs and Iris is Logan and Wade's is very poetic and holds a lot of meaning. Let me explain:

Careless Whisper is all about a relationship ending, the longing for this person you won't ever have again and full of regrets. It's a song about a love that will never come back ("sad good-byes", "now that you're gone", etc). I also think the song deeply explains their relationship (Vanessa/Wade) in general.

Wade is feeling very insecure about his relationship in general, knowing that he hurts Vanessa (2nd movie), that staying with her is kind of selfish but yet he doesn't want to let her go ("I feel so unsure", "there's no comfort in the truth / pain is all you find", "guilty feet"). Besides, the lyrics : "we'd hurt each other with the things we'd want to say" is very much them when Vanessa breaks up with him in DP3. Realistically, he knows that "it's better this way", because he isn't good enough for her in his mind. He hurts her and he doesn't matter enough. He knows the relationship have to end.

Yet, he is still very much desperate for her love, and can't seem to let her go, like seen in the 3rd movie. He wants her back ("Please stay", "Was what I did so wrong, so wrong / That you had to leave me alone?"), because he feels as if she's his one true love. No one has ever had him like this (shameless So High School reference). She felt like his soulmate, and losing her is losing this kind of love that you only find once in your life, it's like losing his soulmate. That's why he's "never gonna dance again / The way [he] danced with [her]". And the song adds "Never without your love", and I think it really represents his vision. He can't love again, and entirely be himself again if it isn't for/with Vanessa's love. She was the good thing in him, his one true love, and now he's wondering if he's ever gonna be able to have a love like this again ("But now, who's gonna dance with me?").

Now, Deadpool and Wolverine introduces Logan in the mix, and one of the main song in the movie is Iris. I think it represents perfectly Wade's state of mind during the movie, and his relationship with Logan. I do believe it's to be taken more from Logan's perspective, but the general theme of it is the same.

This song is a love song, yet very melancholic and tainted with sadness. It is very repetitive, and the singer already seems to know how things will play out. I think it puts us in the mindset of Wade, who had a previous relationship that seemed doomed because it would never work with who he is as a person and as a hero. He realizes that, and that a relationship with him can't last ("When everything's made to be broken", "And sooner or later, it's over"). Besides, a lots of other lyrics feels like they could refer to him feeling generally insecure about himself and who he is. He is aware that he is not necessarily a good person, he often lies to mask the truth about his feelings ("the moment of truth in your lies"). He is prompt to annoy, and attack, and doesn't mind being attacked back. He always puts himself in danger, and I think that the lyrics "you bleed just to know, you're alive" could explain why very well. And funnily enough, just before the song says : "When everything feels like the movies" and we all know that Wade knows he's in one.

So I think that we have a Wade that is deeply insecure about himself cause he knows he isn't necessarily a good person, he endangers himself and others constantly, and he can't be too surrounded by loved ones because he's gonna hurt them or put them in danger by his existence alone. He can't love and hold onto love. Yet, he wants someone to truly know who he is and to appreciate him for him ("I just want you to know who I am"). He is willing to be known by Logan during the movie, opening up to him. He always hides behind a mask, and symbolically, it's a way to keep people out. In the comics, it is even said that his scars causes him to often be left out of public spaces ; and in the first movie, he refused to go back to his girlfriend because of them, shutting her out too. Its like the lyrics : "And I don't want the world to see me / 'Cause I don't think that they'd understand", which can be read both literally because of his scars and metaphorically because of his personality, his tendencies to be 'weird' and 'annoying' as he talks and talks and breaks the fourth wall. Yet, he shows his face without a mask to Logan during the important moments, and he also shows him his true self. He wants Logan to know who he really is.

So, despite being broken down and knowing how and why his previous relationship ended, thinking that this one will have the same fate, Wade just wants to be known and seen by Logan, to be loved for who he is.

And I think Logan do, and he very much relate to the first part of the song. From his reality, he betrayed everyone he loved. He has no real home to back to, nothing to live for. This is why he is willing to give up everything to let Wade alive ("And I'd give up forever to touch you"). He wants to sacrifice himself not only because it's what hero do, but also because Wade doesn't deserve to die. Wade is the one who made him proud to wear this suit again, like shown in his flashbacks at the end ("You're the closest to heaven that I'll ever be"). Then, they both go to save the world together, and they look in each other's eyes like nothing else exist ("And all I can taste is this moment / And all I can breathe is your life"). After years of being plagued by the voices of his friends, in this moment, he can't hear them anymore because all that exist is Wade and him saving the world, and his memories of Wade giving him a life again. He genuinely appreciates Wade for who he is and what is done, even staying with Wade in his universe and in his home ("And I don't wanna go home right now", "I just don't wanna miss you tonight").

In conclusion, Careless Whisper represents Wade's love for Vanessa, and how despite them having to break up, he never thought he could love someone else again. Yet, with Iris, we know that Wade is still insecure and unsure about it all, but is willing to open up for love again, to be loved by Logan.

(And last detail because i really wanted to include it but it was already very long, I like how the sentence "And you can't fight the tears that ain't coming" reflects how Wade was never really letting himself live truthfully. He never completely acknowledged his own emotions, and so he was spiralling and battling within himself but never could get out of this as long as he wasn't truthful about his feelings towards his need to matter. But in the end, eventually, he realizes that he matters, and there are no more tears to fight).

[ghostietea]

I get from a logical angle why people might be put off by her but I think it's a shame that Akito Sohma doesn't get more appreciation because she is truly one of the characters of all time. She's the evil female reincarnation of God. She's so androgynous one of the anime adaptations guessed her gender wrong. She dresses like a theater tech. She sits like a gremlin. One time someone said something that upset her and she was bedridden for months. She wore a full coverage pure black outfit to the beach in summer and then complained about the heat. She has flower symbolism. She's campy and dramatic. She was assigned male at birth for political reasons. She simultaneously looks like a twink and a dyke. She has no friends until she's 20. She passive aggressively flirts with the protagonist the first time they talk. When she's not fucking up people's lives she just lounges around at home being depressed. She's a tragic villain almost certainly doomed to be a bad person by her upbringing and part of the tragedy is that it's still her fault. She doesn't know murder is wrong. She's pretty much a cult leader but that's one of the few things that isn't her fault. All of her schemes backfire on her in a poetically ironic way. She likes the in universe Pokemon equivalent. She looks like the evil twin of one of the main characters and this is never explained because the author forgot why she did it. She's a decent transfem allegory and a bungled transmasc one. She has world's worst internalized misogyny but is willing to change her whole life the minute another woman wants to have a legitimate positive relationship with her. She's the human manifestation of a cycle of abuse who then goes on to break it. She's extremely sexy. She is simultaneously very dangerous and intimidating and a pathetic failgirl. She's a perfect foil and parallel to the protagonist. She marries a man who had revenge sex with her evil mom. The author said that she ships her and the protagonist in a no homo way. She can be easily interpreted as autistic. She has catastrophic abandonment issues. She's hiding that she's a girl but wears her kimono improperly open in a way that makes it so she's constantly at risk of accidentally flashing someone. She has daddy issues and mommy issues. She was even homeschooled.