Saturday’s Late Night Sci-Fi Cinema:
The Humanoid (1979 film)
Original Italian release poster (left) and American release poster (right)
Main cast:
Richard Kiel as Golob
Corinne Clery as Doctor Barbara Gibson
Leonard Mann as Nick
Ivan Rassimov as Lord Graal
Massimo Serato as The Great Brother
Marco Yeh as Tom Tom
Arthur Kennedy as Doctor Kraspin
Barbara Bach as Lady Agatha
Production staff:
Directed by: Aldo Lado (as George B. Lewis)
Story by: Adriano Bolzoni
Screenplay by: Adriano Bolzoni, Aldo Lado and Garry Rusoff (uncredited)
Produced by: Giorgio Venturini
Cinematography by: Silvano Ippoliti
Edited by: Mario Morra
Music by: Ennio Morricone
Production company: Merope Film
Released by: Titanus (Italy) and Columbia Pictures (US)
Original release date: April 11, 1979 (Italy)
YouTube channel: Something Wild Video
In a far distant future, the planet known as Earth, Metropolis, is facing a great danger.
Lord Graal, the evil brother of the Ruler of the Peaceful Galactic Democracy, the Great Brother, has escaped from his inprisonment.
The Great Brother (above) and Lord Graal (below)
After a succesfull escape, Graal seeks refuge on the planet Noxon. A world under slavery of the wicked 200 year-old Lady Agatha, who wants to be at Graal's side on his conquest of Metropolis and the rest of the galaxy.
They will get the help of Dr. Kraspin, a malevolous scientist, and also an outcast from Metropolis. He has a hatred for Dr. Barbara Gibson for being the accuser of his lack of ethics.
Dr. Kraspin and Lady Agatha
The evil trio has a ploy to turn the citizens of Metropolis into humanoids using a rare element named Kapitron. As they stole it from the Groven Institute located on Metropolis.
They took a tall man, a soldier named Golob as a guinea pig. And then he was ordered to kill Dr. Gibson. A plan that failed thanks to Tom Tom, a kid with mystic powers.
Golob as a human
Golob with his robot dog, Kip
Golob turrned into a humanoid
Golob now joins Dr. Gibson, Tom Tom, a young soldier named Nick and a couple of mysterious warriors to fight the menace of Lord Graal and his evil allies.
From left to right: Nick, Tom Tom, Dr. Barbara Gibson and Golob
The Humanoid, (a translalation from the original title L' Umanoide) a 1979 space opera film from director Aldo Lado under the pseudonym of George B. Lewis
Fascinating facts:
This film was produced and released two years after Star Wars: Episode IV, A New Hope. Because the similarities in story, plot and character costumes, it is considered a rip off the George Lucas movie. Even more, filmmaker Aldo Lado used the pseudonym of George B. Lewis for directing it.
It was ranked 28 (of a list of 75) of the Best Space Opera Movies by the Independent Movie Database (IMDb).
The opening sequence was directed by Enzo G. Castellari. It was uncredited.
The special effects supervisor was Antonio Margheriti under the pseudonym of Anthony M. Dawson. He was the director of the film shown in this blog last weekend, War Between The Planets and the other three movies of the Gamma-One series.
Some of the scenes -- particullary the ones of the Groven Institute -- were filmed at Eliat, Israel.
The Groven Institute
In Germany, the movie was re-titled Kampf Um Die 5 Galaxis (fight for the 5th galaxy).
Comment:
In my opinion, mo matter this is a Star Wars rip off, The Humanoid is a very enjoyable movie. That's why I choose to share it with you this weekend.
Thank you for your support on the third year of this blog.
I also want to share this images from Golob's starship taken from screenshots of the movie. Very nice design!
For more information and more stuff about this movie, you can access the film's official homepage:
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Gnarls Barkley - Crazy
2006
"Crazy" is the debut single of American soul duo Gnarls Barkley, taken from their 2006 debut album, St. Elsewhere. It became the first single to top the UK Singles Chart on download sales alone. The song remained at the top of the British charts for nine weeks, the longest number-one spell for more than ten years. The band and their record company then decided to remove the single from music stores in the country (while keeping the download available) so people would "remember the song fondly and not get sick of it". "Crazy" dropped to number five, before disappearing completely from the chart, as under chart rules a physically deleted single could not remain on the chart longer than two weeks after deletion date. Thus, "Crazy" made history at both ends of its chart run. It marked the most rapid exit from the British chart ever for a former number one, and number five was the highest position at which a single has ever spent its final week on the chart at that point.
In spite of this deletion, the song was the best-selling single of 2006 in the UK. In December 2006, it was nominated for the United Kingdom's Record of the Year but lost to "Patience" by Take That. "Crazy" won a Grammy Award for Best Urban/Alternative Performance in 2007 and was also nominated for Record of the Year, and it won a 2006 MTV Europe Music Award for Best Song. The music video was nominated for three 2006 MTV Video Music Awards: Best Group Video, Best Direction, and Best Editing, and won the latter two. It was also nominated for a 2006 MTV Europe Music Award for Best Video. "Crazy" was named the best song of 2006 by Rolling Stone and by The Village Voice's annual Pazz & Jop critics poll. "Crazy" was performed at the 2006 MTV Movie Awards, with Danger Mouse and Green dressed as various Star Wars characters.
The single entered multiple other single charts throughout Europe, including the German, the Swedish, the Austrian and the Irish Singles Charts, and the Dutch Top 40, resulting in a number one position on the European Hot 100 Singles. "Crazy" also performed strongly outside Europe, with top-five positions on the New Zealand and Australian Single Charts, and was also certified gold in both countries. In the US, the song "Crazy" spent seven consecutive weeks in the number-two spot on the Billboard Hot 100.
Musically, "Crazy" was inspired by film scores of Spaghetti Westerns, in particular by the works of Ennio Morricone, and the song "Last Men Standing" by Gian Piero Reverberi and Gian Franco Reverberi from the 1968 Spaghetti Western Django, Prepare a Coffin, an unofficial prequel to Django. "Crazy" samples the song, and also utilizes parts of the main melody and chord structure. Because of this, the Reverberis are credited as songwriters along with CeeLo Green and Danger Mouse. "Crazy" was used in several films and TV shows including Kick-Ass, I Think I Love My Wife, Religulous, The Big Short, Cold Case, How to Rock, Grey's Anatomy, Medium, Boyhood, and It's Always Sunny in Philadelphia.
"Crazy" received a total of 86,8% yes votes!
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all you need is more radaway
save a horse. ride a cowboy. ;)
anyways i really loved the tv show and i love the game. and ghouls are just chef's kiss. or maybe that's because i love monsters. sad that i finished it so quickly. :(
perhaps i can put what i learned in my western class to good use lol
character: cooper howard aka. the ghoul
it's never easy surviving the wasteland. you don't know how you managed to survive for this long. perhaps because you seemed to have been blessed with incredible luck.
and building up endurance, of course.
you felt little to no side effects from the radiation of the food you were eating. which just meant you had a lot of radaway and rad-x stocked up.
to make ends meet, though, you had to start hunting. scavenging and scrapping by wasn't enough. you needed the extra caps.
thus your rivalry with another bounty hunter was born.
"well, well. aren't you far from home, sweetheart?"
you were used to comments about your outfit. a vault suit. yes, you came from one. you had been exiled after your father was revealed to be managing the experiment behind it. the child pays for the sins of the father always.
"you're not the first and you won't be the last." you pull the head off the body as clean as possible.
"now i don't know if you should do that."
"and why not?"
a bullet flies past you and burrows itself into the ground. you finally look up. a cowboy hat. the face of a ghoul. his gun pointing right at you.
but you weren't afraid.
"because he's my target." he pulls out a piece of paper. "and he's mine."
"seems unfair if i did all the work. and you just collect his head and the prize." you pull out the same piece of paper. yours is a little more worn out though. and covered in dried blood.
"that's the way of the wasteland sweetheart."
"if you believe so."
your hands were fast. two bullets lodged into his right left and when he looks up, you're gone.
of course, you learned from the best: western holotapes. you really liked them when you were growing up. claimed to want to be a lone hero.
in some ways, you were. the wasteland was just a new version of the wild west, wasn't it?
"spaghetti? like...the pasta?"
more like spaghetti western. he knew that, of course. but no one in the wasteland knew what a spaghetti western was. they were remnants of a past long gone and one only accessible by holotapes in the vaults.
"that's their name." the person says. "why? you have business with them?"
"perhaps." the ghoul was looking to return a favor.
"don't even try. they're far more formidable than you think."
"we'll see about that."
your rivalry was an exchange of bullets, more often than not. thankfully, you always stocked up on bloodbags and could make a stimpack from your heavy (but useful) travel chemistry kit. you were smart like that.
surprisingly, it became something to look forward. mostly because the ghoul preferred if he tried killing you, so he managed to get you out of a tough situation by killing the other people trying to kill you.
and you returned the favor. there was something satisfying about lodging a bullet into him again.
unfortunately, this left you two stuck on a job once. captured by raiders. you had been knocked out with a drug. and he had collapsed from...something.
"fuck." you mutter, pulling at the ropes binding you. your luck had run out for the day it seems, because your arms were tied to the ghoul's around this godforsaken pole. the metal was also uncomfortably rubbing up against your skin.
"you got a knife or anything sharp?" he looks over at you. it's rare to see him without his cowboy hat. his head was rather smooth.
you chuckle a little.
"something funny?" the ghoul asks.
"nothing. you're just...shaped like an egg."
"very funny."
"let me guess. your answer is no?"
"i don't have a knife up my sleeve, sadly. think they took it."
"shame." the ghoul shimmies something out of his own sleeve. he flicks the blade out and begins sawing at the rope. "watch your fingers."
you keep your fingers tucked in. eventually, the rope on your wrists comes undone and one arm soon after. the rest comes off and you rub your skin. "fuck these guys. always hated raiders."
"well, we both got sold out. we need to find that thing now. or else we'll be dead by sunrise." he tugs on the door of the jail cell and clicks his tongue.
"i don't have sharp objects. but i do have these." you pull out the bobby pin taped on the inside of your sleeve, alongside a mini screwdriver.
the lock wasn't very complicated, so you picked it with ease.
as you both are grabbing your equipment, you hear footsteps up above. light ones and heavier ones. and the sound of a muffled, altered, robotic voice.
the brotherhood of steel was worse than raiders, honestly.
"you go left, i go right. how does that sound?"
"i don't usually like taking orders from my rivals." he reloads his gun. "but for you? sure."
the event left the both of you soaked in the blood of your enemies. on the other hand, you guys left with plenty of loot and an idea of where your target was: dead. at the bottom of a lake.
it was a journey to get there, wherein you learned the details of each other's lives. you didn't think he was paying much attention to your sentences. after all, you came from a vault.
and yet, you saw a hint of sympathy in his eyes.
he seemed less keen on sharing details about his life, aside from his former name. cooper howard.
undeniably, as a fan of westerns, you recognized his names. from the holotapes.
"they had those?" cooper shakes his head, taking sips of water. "no way."
"yes way! it's where i learned to shoot."
"from watching my movies?"
"yes!"
"that is...a pleasant surprise." cooper leans back.
"that also makes you over 200 years old."
"that it does. something wrong with that?"
"no. the wasteland changes people." you maintain your attention to your suit, sewing a tear up. "just...you're looking for something, aren't you? everyone's always looking for something up here."
"are you looking for something?" his voice hardens and he sits up straight.
"i was. and then i found it. and i stopped." you tie the thread to seal the stitch and then tear the thread with your teeth. "i hope you find what you're looking for though."
"well, that's awfully kind of you, sweetheart."
"i have a name, you know."
"what is it?"
"(y/n)."
getting personal in the wasteland was something cooper wasn't adamant about. but the circumstances seems to call for it.
"guess we're even now."
the body of water was daunting. it was murky and dark. you pursed your lips and dumped your bag. "well. guess we have no choice."
cooper looks over at you then quickly turns around when he sees what you're doing: taking off your suit and going down to your underwear. "what are you doing?"
"i'm going to go get that head. that's how we get paid, right? easy three thousand caps. 15 hundred split evenly." you stretch.
"i think you might die."
"i'll be fine. i've done it before." Aquaperson perk.
"i can also swim, you know."
"i'll be fine cooper." you pop a rad-x pill just in case. "be back in a bit."
you dive like a swan, making minimal splash into the water. your form disappears beneath the darkness.
you're gone beneath the water for over an hour. cooper's heart was beating against his rib cage. you should be out by now. it should not be that hard. did something get you? things lurked beneath the murky waters always.
"fuck!"
he drops his equipment and begins stripping down, until he is just in his pants. he would need to dive after you. if you were dead, then so be it. it was fun while it lasted.
suddenly, you emerge. you take in the oxygen of the surface and hold the head up high. "got 'em." you swim over to the shore and walk out of the water.
there was something about how...wet you were that got him feeling hot and bothered.
"something happen down there?"
"couple of mirelurks. no big deal. which reminds me." you set the head on the ground and go back into the water. within minutes, you're pulling out the bodies of the mirelurks you had killed. "dinner."
while cutting the mirelurks open, you observe the way he walks around you. his muscles bulging a little as he cuts a mirelurk open and takes the meat. he was kind of...attractive?
"were you going to come after me?" he stops cutting hearing your question. "in the water, i mean."
"so what if i did?" cooper averts his eyes.
"that's sweet of you. i didn't know you had a soft spot for me."
"i don't."
"sure." you can tell he was lying through his teeth.
dinner was a nice, cozy meal. it was delicious. a nice surprise considering the nature of the wasteland.
cooper notices the way you're looking at him. and he looks at you the same way.
though how does this work exactly?
"do you want to..." you try to find a decent way to say this. fuck is a good term. but it felt a little vulgar in the moment.
cooper already knows what you're asking. "absolutely. if you can handle it." he smirks.
it's so cute when he smirks.
you glance over at your bag, looking at your stash of radaway. you had plenty. plus your stash of rad-x too.
"i absolutely can."
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