#it's the most important and ever present thing in the whole series

[leascorner]

j.b.b. | Fake it ‘till you make it

Summary: Y/N’s ex-boyfriend will be at the Christmas party she will be attending. Bucky poses as Y/N’s +1.

Pairing:  Modern!Bucky Barnes x f!reader

Warnings: Use of Y/N and feminine pronoums, a few mentions of food and alcohol, mention of cheating and ghosting people and breaking Y/N's heart, mention of christmas and the dear corporate world, loads of mention of anxiety/stress, some vulgar language

Word Count: 4k

A/N: This is the 3rd Xmas OS of the series. It was a bit thougher to write than I imagined, but I'm quite happy out it turned out. Please do share and like if you enjoyed it, it means a lot!

2024 Christmas Masterlist | Main Masterlist

Y/N’s hands were so sweaty that she had to wipe them on her black coat every five minutes. The air in the car was warm and cosy, a sharp contrast with the cold and dry weather outside. If it should have relaxed her, it wasn’t enough. Instead, she couldn’t stop her right leg from shaking and her heart was beating so fast that it made her blood ring in her ears. She couldn’t believe that even after all this time he was making her this nervous.

Though, it wasn’t him exactly; it was this whole situation…

The he in question was her ex. An ex that, one night, had decided to throw away a four-year-long relationship with a note left on the kitchen counter of their shared apartment. An apartment from which he had planned to move out without facing her. Too bad for him, that same night, Y/N had gotten back from work earlier than expected and had, of course, walked in on him moving out. In the end, she had been the one to kick him out. Nevertheless, the shock had been real when, one week later, Natasha, her dear friend, had seen him at the supermarket, hands in hands with some other woman.

He had broken her entirely: her heart, her trust in this world, her self-esteem and probably everything else. More than one year later, she was still fixing what he had done to her. So naturally, when she heard that he was going to attend the Christmas party of the firm she was working at, she did the only thing she thought she was capable of… She decided not to go.

That was without counting on Natasha, who was determined not to let this slip that easily. He was the bastard that broke her friend. He would be the one daring to attend the Christmas party of the firm his ex was working on for more than six years now. He was only a small accountant from the accounting company to which finance had started to outsource their activities a couple of weeks ago. He was insignificant, while Y/N was expected to take on the role of head of her department after the retirement of her manager. Y/N couldn’t simply decide to not attend. She was going to be there and showing how much better she was doing without him.

Thanks heaven, she wasn’t going to do this alone. When Natasha had succeeding in convincing her to go to this party, Y/N had admitted she didn't feel like going alone. Sure, there would be her coworkers – she had become good friends with a few of them and all were aware of her romantic situation ship (or lack of, therefore). However, between Gina and her three kids, Maria on maternity leave, and Zach who she knew was going to hit on every waiter present, she needed more support. Y/N had made puppy eyes to Natasha, trying to get her to come with her. A look in her agenda later, the redhead had declared with a huge smile on her lips that she would be in Europe that week, closing the most important deal of the year for her own company. That was how Bucky had offered to be her “+1” for the night.

Ever since, Natasha had made up this fantasy of Bucky posing as Y/N’s fiancé for the night. She wanted Y/N’s ex to know Y/N was doing better, much better indeed, now that he wasn’t in her life anymore. At first, Y/N had embraced this idea, it was only payback for the way he had embarrassed her. However, thinking about it again, it definitely didn’t feel like such a good idea. How pathetic was she to try and make him jealous when the simple thought of him should make her indifferent…

Y/N had gotten cold feet a million times. If it wasn’t for Bucky insisting to call a cab to pick them both up and then have it drive them to the party, she would have spent her Friday evening ordering pizza and watching Netflix or if she would have had the courage to get out in the cold, testing this new winery bar that opened downtown to drink away her sorrow.

Even now, on her way to the party, she was only a second away to ask for the car to turn around and go back home. It would be a shame with all the money she had put in her outfits, make-up and hair, and with how Bucky had dressed up too, but she could still pretend to be not feeling well or be sick, no?

She was so lost in her thoughts that she hadn't noticed that the car had stopped, and her door was already opening. A wave of panic washed over her.

She did not want to be here.

She wanted to be anywhere, but here.

“Hey,” Bucky spoke, and she was surprised to see that he was the one to have open the door car. She had not realized Bucky had already gotten out and was offering her his hand to help her get out as well. “Just like we said,” he searched for her eyes as he took a deep inspiration. Eyes lost in the blue of his eyes; she copied him instinctively. It was just one night; she reminded herself to try to ease her nerves. As did Bucky, she breathed out. “It’s going to be okay,” he promised. She nodded weakly, still hooked to his eyes as if they were buoys.

They continued to breathe together for the time she needed to successfully calm herself and her heartbeat. When she was ready, she grabbed her handbag and took his hand. She couldn’t help but notice how her heart fluttered in her chest and how her cheeks heated up when their skin touched, but she quickly pushed the thought aside.

This was how Bucky was, not only with her, but with everyone. He was very well mannered and always nice; opening the door, pulling out the chair for the person he was with to sit down, offering his coat or jacket were anyone too cold. One smile and everyone would fall for him. Y/N couldn’t lie, Bucky was also very good looking. Tall, but not too tall. Definitely muscly under his button-up shirts. Flashing bright smiles. Piercing blue eyes.

Y/N had met him through Natasha. At that time, she had just moved to New York, and they worked at the same company. Natasha had introduced her to her group of friends; people she had been to university with: Wanda, Clint, Sam, Steve, and Bucky – and she was quick to be a part of the group.

While they had always been in the same group of friends, they had never been particularly close. Bucky being Bucky, he was always eager to know what was going on in her life, always interested in discussing about her hobbies, but they had never hanged out outside of their little group gatherings.

Y/N only really acknowledged him after her break-up. It was as if she had worn blinders for all those years. Suddenly, she realized he had been there all along. He continued being nice to her and much more than that. He became a really good friend, showing up at her place with ice-cream so she could cry her heart out. He listened and dried her tears. More than anything else, he made her feel important.

Like he really cared.

And in this past year, it had been everything to her.

As they walked into the building where the party was happening, Bucky spoke to her about the plans Steve and him had over the weekend. He spoke to her as if they were only going to the supermarket do groceries on a Tuesday night. She realized what he was doing – he was trying to clear her mind – and she was grateful for it. It did stop the easiness in her stomach and thankfully, the cold of the night made her hands dry.

In the hall, Bucky took her coat to leave it in the cloakroom. It was the exact same moment her phone decided to ring.

Natasha, less than one minute ago: Don’t forget to send me a picture of the two of you.

Natasha, less than one minute ago: And have fun!

Smiling, Y/N send her a quick answer, a mix of ‘yes mom’ with a rolling eyes emoji and ‘have a good day’ wherever she was – Natasha’s schedule was so hectic it was a bit difficult to follow sometimes; she could have been in London in the morning and Moscow at night.

Y/N put her phone back in her handbag as Bucky walked back to her. With a motion of his hand, he invited her to lead the way and enter in the reception room. His right hand rested in between her shoulder blades that her backless dress left naked. His palm was barely touching her skin, yet the touch of his fingertips grounded her, made her focus on him rather than what was happening around them.

“Y/N!” Gina called out as soon as they entered the room. She left her husband with her boss and nearly came running in their direction.

To Y/N’s disappointment, Bucky’s hand left her back as he let her go to greet her colleague. Gina didn’t lose time to hug Y/N as if the last time they had seen each other was not in the HR meeting that same morning. From the empty glass in her hands, Y/N assumed she had already started to celebrate the end of the year. Gina had never been one to handle alcohol well.

“Bucky, right?” Gina questioned as she turned to her left, to him.

“And you must be Gina.” Bucky stated in return. Gina giggled like a middle school girl – that was typically Bucky’s effect and even if Y/N knew him for a good decade now, it still amazed her. Gina went for a hug and Bucky happily obliged, barely touching her though.

“Hot,” Gina mouthed not so silently to Y/N, who was standing behind them.

Y/N only gave her a stern look and watched as Gina took her sweet time to let him go. If she had thought for a long time already that she would never let Natasha and Gina meet, she knew now that she was indeed right. The two of them in the same room would be the death of her.

Thankfully, someone going up on the stage in front of the dance floor was enough to put poor Bucky out of his misery. The CEO of the firm was about to give his traditional end-of-year speech, and everyone was invited to listen. Gina’s husband was quick to get her to join the crowd who was quickly gathering around the stage.

Y/N turned to Bucky who still wore his typical soft smile and acting as if the interaction with Gina had never happened. Maybe it happened to him more often than Y/N would know. “She is… something. I’m sorry.”

Bucky chuckled to wave it off and only offered her his arm, “Shall we?”

As they stand next to each other, in the crowd of the firm employees in front of the stage, Y/N only listened to the speech with one ear. She couldn’t help watching around the room. She saw the faces of all the persons in the crowd, some she had never seen before and a few familiar ones. Somewhere in the crowd, her eyes met with Zach who raised his glass to her, and she nodded in return to acknowledge him; considering who he was with, she knew she was most likely not going to see him again tonight. Thankfully, she didn’t see her ex and release a breath she didn’t know she was holding.

When her eyes turned to Bucky, he was already looking at her. For the first time, she saw a very subtle frown on his face. He was worried about her. Even if he had agreed to it – and he did so willingly, she felt bad for having him spend the night with her, attending a Christmas party where he knew nobody even more so. The company he was working at must also have its own Christmas party and everybody knew that one company Christmas party a year was much than enough. She wanted him to have a good time, not remembering this night in a bad way. So, she needed to relax.

She was so lost in her thoughts that Bucky had to nudge her in the ribs so she would applause at the end of the speech.

“Do you want a drink?” Y/N said more for herself than Bucky at her side. Without waiting for him to answer, she continued: “I’ll get us some drinks.”

And just like that, she had left him on the spot and was walking in direction of the bar. One second later, she was turning back and walking to where Bucky was still standing. He looked at her, surprised.

“Thank you so much.”

Bucky smiled, sweetly. That was probably what she liked the most about him, he knew exactly was she was on about. “Doll, pleasure is all mine.”

Doll… Bucky wouldn’t stop calling her by all those sweet nicknames ever since the break-up. It somehow made her stomach fluttered. She wished he was only using those with her, but she knew with how he was, he did it with everyone else.

“No, really,” she insisted. “You didn’t have to do it.” Bucky was going to answer something when she cut him off. “You must think I am pathetic to do this. I swear, I do not have any feeling for him anymore. I just don’t want him to think he won. He can’t be the one to have thrown away a four-years-long relationship and be the one to walk away happy. Not after all he put me through.”

Slowly, Bucky took her chin into his right hand, his eyes meeting hers again. She had not noticed, but they were yet again so close to one another.

“Love, we are going a hell of a time tonight. Screw him. You are much better without him. You would have to be blind not to see it.”

And what a time they were going to have indeed…

After a couple of drinks, Y/N was much comfortable about being here that night. Bucky had somehow managed to get them a full tray of appetizers for them both to share as their dinner. They had been joined by Zach afterwards, who against all odds spent a part of his evening with them. They shared some shots of vodka, took a dozen of silly pictures at the photobooth that was set up, and once the DJ had started to play actual music, they had been quick to join the dance floor. In the crowd of employees, Bucky had made Y/N spun around herself more times than she could count. His hands had been on herself at all times – on her hips, on her arms, on her back, definitely leaving Y/N aching for more.

“I need to take a break.” Y/N announced after a while as she started to walk away from the dance floor. Zach was too busy with some other man to care about her and Bucky was quick to follow her.

“You good?” he asked. As the music was too loud, Y/N only saw his lips moving without hearing what he had said. Bucky stepped closer and had his lips close to her ear to repeat her question.

“Yes,” she nodded, moving her hands in front of herself as a fan to have some air. She had this hotness on her cheeks and nose; her backless dress was now clenched to her features. At this point, she didn’t know anymore if it was from all the dancing or from him being so close to him. She was hot, needed some air and probably also a drink. “I’m thirsty. Do you want something?”

Bucky had to lean in again onto her to let her know what he wanted to drink. Y/N gave him a thumbs-up before walking to the bar. She was wearing a big smile on her lips and was feeling absolutely content. As she walked away from the dance floor, she thought this night couldn’t have gone better… except her feet in those heels and she would have to drink water at some point if she didn’t wish to wake up with a massive headache… And that, as if destiny was playing with her, her eyes landed on the only person that could spoil her night.

Y/N’s smile faded when she was her ex, waiting for his drink at the bar, hand pianoing on the wood of the counter, eyes scanning the room. Bucky’s presence had finally made her totally forget what she had asked him to come for in the first place.

Sighing, she decided she wasn’t going to turn back now. She didn’t have to talk to him, let alone have to look at him. She went to the bar side on her left, at the very opposite of him. Focusing on the barmaid that smiled when she stood against the bar, she repeated Bucky’s whisky order and ordered a soft drink for her. She was about to get back to Bucky with their drinks when a shadow overed on her.

“Y/N, how nice to see you,” his snide voice called her out.

Her two drinks in her hand, she turned to look at him with a stern sight. Still the same charming smile. The same malicious eyes. That same dimple. It had made her heart flattered in the past, though now it only made her want to vomit.

“It has been a long time, how have you been?”

“I am awaited,” was all she answered. Her tone was not rude – though she would have very much like to throw her glass to his face; it was only very firm to pass on the idea that she did not want to talk to him. At all.

“Oh, so you’ve been able to coax someone to come with you?” he said, grabbing on her elbow to keep her from moving away from him.

“Her boyfriend, actually.”

Bucky appeared at her side, out of nowhere. The surprise made him drop his hold on her, making Y/N lose her balance. Thankfully, Bucky firm hand found the exposed skin of her lower back in a second and she gently crashed onto his side.

Unsure of what to do, Y/N looked back at Bucky, who was now getting his drink out of her hands.

“Thank you, doll.”

He smiled at her, and she smiled back, loosing herself in his blue eyes, totally forgetting the room around her and the fact that her ex was right in front of them. The physical contact of his skin on hers was started to make her head fizzy. Or was it the multiples drinks of Champagne finally making it to her head?

“Nice to have seen you again, buddy.”

And without waiting for an answer, Bucky brought Y/N with him to a cocktail table, not so far from the dance floor, but a little bit calmer where they could talk. A couple of steps away from her ex, when he knew they weren’t within earshot, he leaned on Y/N to mutter:

“See, wasn’t that bad.”

Y/N smiled weakly and took down the glass of orange juice she had ordered in one go, now wishing she had ordered vodka with it. Her heart in her chest was pounding and she felt his eyes on her back; he was watching them. All her energy seemed to have left her body. Their encounter had been like a wake-up call, and she didn’t want to be here any longer.

Yet, she didn’t want to be the first one to leave, she didn’t want to let him win. So, she tried to calm herself and she stayed at the limit of the dance floor, watching her colleagues dancing the night away before her eyes. Bucky stayed at her side. He did not say a word, probably because he had understood she did not want to talk.

It was only when the DJ played a slow dancing song that Y/N seemed to wake up from her trance and turned to him.

“Would you dance with me?”

Bucky didn’t need much persuading and was quick to grab Y/N’s hand to lead her to the dance floor. He found them an empty space, where he had her turned to him. His hands immediately found a place on her naked back, sending shivers down her spine, and her hands found their way to the back of his neck.

They moved slowly, body pressed against one another. Y/N let her head fall on his chest while he slowly stoked the skin of her back. Her belly tingled in such a strong way that she finally had the courage to look at him in the eyes. When their eyes met, he was already looking at her, a small smile on his lips that inadvertently draw Y/N’s eyes. His lips were so close, so reachable, that she was tempted to just lean in and see what would happen. The fire in her stomach wanted her to do it. After all, she had already lost so many things this year, nothing worse could happen, right?

She bit her own lips and tried to come back to earth. Bucky was a good friend and if it meant losing him, she didn’t want to risk it. He was too precious to ruin everything, even if she wanted him more than anything.

“What would you say of getting out of here?” Bucky asked when the song finished. Even though the next song was not slow-rhythmed, they had stayed in the same position. Body pressed together, moving slowly.

“Yes, please.”

Yet, none of them moved.

They kept eyeing each other, Y/N’s gaze going from his eyes to his lips and back again. Finally, Bucky made a move. Her breath got caught in her throat when Bucky’s hand took a loose string of her hair and put it behind her ear. The air seemed to have thickened and the time to have paused.

His hand hot on her cheek, he leaned in slowly.

“Please,” she begged him to put her out of her misery.

He chuckled deeply and leaned him more, their lips barely touching. Y/N didn’t waste a second more and brought him closer, crashing their lips a bit too brutally together that they could hear their teeth crashing together. Y/N withdrawn, eyes wide, worried she had hurt him.

“I’m so sor-” Bucky was quick to kiss her again, this time much gently. A second first kiss that they would remember. One of those kisses that would electrify their whole body. One of those kisses that would leave their lips swollen and them asking for more.

“Let’s get out of here.”

Once again, Y/N let Bucky grab her hand and lead her to the cloakroom. He asked for their coats with the ticket he had kept in his wallet as Y/N stood her back against the wooden counter, trying to realize what was going on. She was going to go home, with him of all people.

“Well, that was one hell of a show out there,” Zach whispered as he stood next to her. He too was waiting in line to get his coat and go home with the person at his side, a man from the Californian office she had seen twice in her life. “Couldn’t figure out if you were faking it or not.”

Y/N turned to Bucky at her side, whose hand was still holding her hip, as if he was scared, she would slip away. Then, she turned back to Zach, a big smile on her face.

“Definitely not fake.”

[justrustandstardust]

it's established that gojo's blindfold is a hallmark of his character. it's understood that the blindfold keeps things out; however, i also think there's something to be said about how it also keeps things in. despite the fact that there's already a lot of discourse regarding his blindfold, i think there's more to it than meets the eye (or doesn't, in the case of gojo).

this is going to be somewhat of a long post, but i promise that if you stick around, the end will make the journey worth it.

(this analysis is the lovechild of mine and @chiarrara, whose sexy big brain sponsored this whole thing).

as a character, gojo is unknowable without his eyes. it's very much proposed that gojo is his eyes; he's even repeatedly referred to as "the six-eyes brat". he's the strongest, and his eyes embody that status/symbol/role in the narrative. his eyes and his character are so intertwined that they almost become the same thing.

we are repeatedly reminded of his eyes throughout the story; they are perhaps his most distinct and identifiable feature. when we're shown the progression of gojo's life from birth to adolescence, we only see his eyes.

during this scene when toji is remebering him, he repeatedly refers to him as the "six-eyes brat". he is his eyes, and nothing else. that's the only thing that toji knows about him because to the jujutsu world, that's all he is.

however, when he's a teenager, although his eyes are more present than we've ever seen them throughout the series, they're noticeably un-glorified. they're undeniably present but they're unremarkable.

they're less symbols of his power and more what they are, which are just eyes. we see glimpses of his eyes so often that we almost forget that they're special, until he steps into his role as the strongest and reminds us of them.

it's important to note that what sets the depiction of his eyes apart here (versus when he's an adult) is the presence of geto. if you comb through every single scene with geto in hidden inventory, you will find that gojo's eyes are not the focal point of his character. they're backgrounded features; his eyes are either half-hidden or entirely obscured by his shades, and they rarely glow.

his eyes make themselves known when geto is absent, like during gojo's fight with toji. in these moments, he is the strongest, invariably leaving room for nothing else. the only exception to this rule is when he's carrying riko's body, in which his eyes glow when he toes the line between human nature and godlike power. if we understand his eyes to be conduits of his power, then their noticeable downplaying can be understood as gojo leaving behind his title as the strongest and stepping into his humanity.

when geto breaks up with gojo, his eyes are not only uncovered, they're un-emphasized. they're perhaps the dullest we've ever seen them, and their distinct, eye-catching blue is swallowed by the whites surrounding his irises. his strength and power don't matter in this moment, and his eyes reflect that. when he's losing geto, he is not the strongest; he is purely gojo satoru.

the emphasis on his eyes in his youth makes their absence in his adulthood even more stark. we rarely see his eyes now, and it's only in the direst of circumstances.

everyone is familiar with the dictum '"the eyes are the window to the soul", which is true: eyes let people see into us. however, they function both ways; like a two-way mirror, they also let us see the world. eyes let people look in, but they also let their beholder look out.

there's a reason gojo only put on the blindfold after geto left. why didn't he wear it from the start? why did he start wearing it at all? all the credit to @hijinks-n-lowjinks for their masterful analysis that inspired this idea, which is as follows:

"....Gojo wants nothing more than to leave the memory of Geto unscathed....There's still a part of Geto's memory that's untarnished if he keeps it private instead of exposing the depth of Geto's crimes to the students, and I think that's what he's clinging onto."

gojo wears the blindfold for two reasons: one, to keep people out, and two, to keep geto in.

in donning the blindfold, gojo seals geto in his mind and simultaneously seals himself off from the world. he holds geto inside of himself, rendering him (or gojo's construction of him) untouchable by anyone else. in order to achieve this, however, the practice necessitates that gojo keeps everyone else out, because they belong to a world without geto that gojo literally and figuratively refuses to see. the wall functions like eyes: twofold, both keeping in and keeping out.

geto can be understood as gojo's blindfold: he is the reason it exists and why gojo put it on the first place. the blindfold is an intractable element in how he (doesn't) navigate the world without geto, because geto's departure from his life catalyzed his withdrawal from the world, which is symbolized through the blindfold.

when geto was in his life, gojo let the world in because it had geto in it. after geto left, he wasn't there for gojo's eyes to find. the permanent blindfold operates like schrödinger's cat— instead of seeing a world without geto, gojo simply chooses to stop seeing.

it's worth noting that the literal barrier pairs with the figurative barrier gojo puts up, which is in his disposition.

there's a reason that gojo's cocky, lighthearted persona comes out when he's wearing the blindfold. it's a figurative barrier that matches the literal one. like i said before, we only see his eyes in the direst of circumstances, and his goofy, cocksure demeanour is notably absent from these instances. i'm not saying it's fake, but the persona is a front, designed to keep people at a distance. he plays it up, and it feels even more distant because we can't see his eyes.

however, gojo isn't the only person with a barrier.

after the breakup, we never see geto wear casual clothes. we always see him in his cult leader outfit, which is distinct and elaborate. geto knows it's a costume, evidenced by the way he even says it himself when someone asks why he's wearing the cult getup:

we also see a notable shift in his persona, to a crazed and almost manic disposition that contrasts starkly with the gentle, kind nature he had in his youth. geto's literal barrier is found in his cult outfit, whereas his figurative one is in his disposition. although they present differently, gojo and geto's literal and figurative barriers mechanize the same modes of expression that seem to be at odds with one another.

gojo’s disposition is designed to counteract the loneliness that shapes his character (a loneliness that geto abetted in being his companion) and geto’s disposition is designed to push people away, because he decided no one could understand him (a role which was previously fulfilled by gojo).

gojo can read geto in a way that no one else can, and geto is gojo's counterpart in a way that no one else can be— they’re missing something only the other can provide and compensating with two dispositions at opposite ends of the emotional spectrum.

when geto is dying, gojo drops the literal and figurative mask. he's almost unrecognizable; he's not laughing, he's not smiling, and he's not wearing the blindfold, because he doesn't need it anymore. the only person he wants to see, the only person he's ever wanted to see, is in front of him now.

however, once again, he's not only one whose walls have come down.

geto drops the manic persona (although he retains the ideals) and he gently smiles in a way that's reminiscent of his youth. his cult leader outfit is also falling off, exposing him in more ways than one. he admits that he never had any hate for anyone at jujutsu tech, and in doing so, materializes the version of himself that lived in gojo's mind for a decade. that's why gojo doesn't bother with the blindfold; the geto in his mind and the geto in front of him are congruous and he's looking at the person he's been seeing inside his head all along.

it's been established that we don't know what gojo says to geto. however, it is also absolutely key that we don't see gojo's eyes in this deeply intimate moment. his eyes, which are inextricably linked to his strength and his role. his eyes, which are the medium through which he limits his engagement with the world. his eyes, which he sealed after geto left and only brings out when he's tasked with fulfilling his role.

in this moment, he considers the question geto asked him during the breakup. "are you gojo satoru because you're the strongest? or are you the strongest because you're gojo satoru?"

and in shielding his eyes from us, gojo answers him.

"i'm gojo satoru because of you, suguru."

his eyes, as the windows to the soul and witnesses to the world, are looking at geto suguru not as the strongest but as gojo satoru, and they are meant for geto alone. yes, the eyes are the windows to the soul but they're also two-way mirror— gojo opens his eyes for geto to look into his soul because the material manifestation of his soul is dying in front of him right now. in baring his eyes, he bares his soul.

before geto dies, we see him the same way gojo does. he seems bashful, almost shy, even mirthful; all traits that are antithetical to the crazed front he put up earlier. conversely, gojo is the most solemn we've ever seen him. in this moment, we see them both for who they really are, because they literally and figuratively only reveal themselves to each other.

after they part ways in shinjuku, geto and gojo embody the same barriers through identical mechanisms: fabric and persona. these barriers function to do the same thing, which is to keep people at a distance in order to leave space for the one person noticeably absent from their lives. it's very fitting that their walls come down as they meet for the last time, because the only people who could've torn them down are the same people for whom they put them up in the first place— nobody else but each other.

[katiascraft]

✐ᝰ "You knew all too well i was right where you left me" | CL16 ࣪𓏲ּ ᥫ᭡ ₊

parings: retired!charles leclerc x writer!ex!reader

series summary: It’s the story of a woman frozen in the moment her world fell apart. A perfect dinner ended with, “I met someone else,” and while everyone moved on, she remained stuck in that instant, unable to let go of the past. A poignant tale of heartbreak, grief, and the weight of being trapped in a “forever” that never was.

‎[one / two / three / four / current / six...]

chapter five

"there'll be happiness after you but there was happiness because of you too"

word count: 6k.

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⋆˚࿔ i did something bad 𝜗𝜚˚⋆

The kiss that started sweet and gentle turned into a passionate and steamy kiss in a fraction of a second. Franco felt kind of desperate. And to be fair, he was. He has waited his whole life for this moment to happen. Or at least all of these years since he met you. But he was convinced he won’t ever feel like this for any other girl in his entire life. He dated girls, fucked a few, played with them sometimes, tried to make it work. But none of them felt like you, laughed like you, thought like you, joked like you. None of them were you. And what was the craziest thing to him was that he had never tasted you. Not like this. He felt raised to heaven blessed by the gods. He felt like a kid who behaved properly and Santa brought him all of the presents he asked for during the year. A dream came true.  

His hands were all over your back and hips. His touch was warm and determined. He felt like he wanted to remember how you felt, the shape of you under his touch, how your skin felt, how warm he made you feel. 

His kisses were tracing a road down your neck. His lips were soft and wet. They made your skin crawl. Your fingers in his hair and shoulders trying to remain stood under his embrace. His skin was soft and his perfume was leaving you drunker by its whiskey scent. That smell defined him very well in your opinion. His skin was on fire. You couldn’t help but feel things you aren’t supposed to feel with your best friend. Well, you were doing things you’re not supposed to do with your bestie either. 

Your breath was heavy. Your heart rate elevated. He came back to your lips and the way he kisses you gently again burnt your body. You felt a heat you haven’t felt in a long time for anyone. If you didn’t remember to be this intense before. Franco was franco. And that implied that everything was different. Unique. He wasn’t like other guys. I mean, he was the most cheerful guy you have ever met. You couldn’t stop laughing around him. It  was impossible not to or have a serious conversation. But at the same time he was such a great listener. When you told him about Charles that you ended up crying, he was the most comforting person. You knew at that moment your friendship made a turn. A turn into one of the most precious relationships you have in your life. He was so comprehensive. It is actually so rare to meet someone like that in this fucked up society these days. 

And for some reason or maybe for all of those reasons, this felt really wrong. You didn’t want to hurt him. You always knew he liked you, of course you did. It was obvious. The way he looked at you. All out of context presents or compliments. All of his invitations to every grand prix during the year. The facetime calls at random times in the day just to check in. and you liked all of that but always tried to make sure you didn’t play with his feelings. Respecting spaces and distances. Codes. He was really important to you, you just couldn’t risk him just like that. Just for a kiss or sex. He deserved to be so happy with someone 100% into him. And you kinda hated destiny for making him like you when you were stuck with Charles and always into someone else (even failing every time). 

But now you hate yourself even more. Not only because you liked to torture yourself in a really twisted way. But also because you were actually kissing him and touching him in not a friendly way. Not the way you’re supposed to touch him. Or to kiss him. Or to spend your time with him. This was so wrong. You knew this would lead to drama. And the worst part is that you couldn’t stop. And maybe you didn’t want to. And why didn’t you? What is your brain planning to do? Making every situation you’re in worse than the previous one. 

And it was the worst scenario possible. You don’t know how you both ended up in Franco's room. His shirt was already off. Your lips were kissing his stomach going down. It was the best situation for him, that’s for sure. You promised to never get this drunk ever again. You stood up after reaching his boxers with your lips. And kissed him again like you wanted to rescued yourself from fuck it all up but at the same time not stopping at all. You were driving Franco insane and for a moment he felt a bit empty. Was this the beginning of something? Or was it just a once in a lifetime night? Thinking about all of this started hunting him. You have never given him signs that you liked him back. But you were one of his best friends. His hands grabbed your head possessively bringing you closer to him starting to lead you to his bed. You followed him, letting him do whatever he wanted with you. 

Were you ready to do this again? 

Surprising as it may sound, you haven’t had sex in a very long time. You liked to have fun with yourself and explore yourself. But it was hard for you to feel something towards someone and desire them this way. Because the only one who used to turn you on was charles. And there he was again in your head. He was always there hunting you. Franco pushed you softly into his bed climbing up on you. And that’s when you woke up from this trance you couldn’t quite comprehend. He was about to undress you when you pushed him again as softly as you could because you were now exasperated about the situation you put yourself under. Franco looked at you scared. He felt he has really fucked it up. 

“y/n i’m sorry, please. Perdon, I didn't mean to.. I’m sorry” he said, getting up and pulling his shirt on again as fast as he could. You tried to adjust yourself heading out the bedroom. You couldn’t face him now. You felt terrible about yourself. You didn’t know how to handle this situation. You were too drunk. But you also knew you wouldn’t know how to deal with this sober either. “y/n wait, please. Let’s talk” he could grab your hand to stop you from leaving the bedroom making you face him. You felt so embarrassed. You felt like a monster. You looked at his face. He was such a good guy and yet here you are about to break his heart. Why didn’t you stop? Why did you let him do this? You knew it was not only your responsibility, it was his as well but still. 

“I'm sorry fran, this shouldn’t have happened. I'm really sorry” when you said those words you could see how his face changed into a one that even broke your heart. He dropped your hand. He knew. He fucking knew you didn’t like him. Then why would you do this? And on his birthday?

You sprinted out of that room immediately. We can say you almost ran away from him. But the reality was that you wanted to run away from yourself and your stupid ass decisions who fucked everything up each single time. The hallway down to where the party was being held never felt so infinite. You knew your anxiety was becoming a bit too much for you at that moment. Catastrophic scenarios were playing on and on in your mind as you took each step down the stairs. The pressure in your chest increases when you see the people at the party. You felt like they were looking at you, judging. Laughing in your face. Howpathetic could you be? Not getting over your only ex fro more than 10 years, then almost fuck your friend thhat you wasn’t sure if you liked him like that for real or not,  then wanting to be over everything and then fucking everything up. You didn't know how to handle these situations. You felt like a teenager again. Too many mistakes. Too confusing. That made you feel ashamed of yourself. You were a 32 years old woman, acting like 17 years old, fucking up friendships while you couldn’t stop thinking of your ex. And that’s when you wanted to throw up. 

You didn’t want to find your friends. You didn’t want to tell them how you fuck it up with the one guy (once again) that is good for you. How you wasted his time and feelings. You felt like a monster. Like you played with him on purpose even if you actually didn’t want to. You were way too harsh on yourself sometimes. You needed to get out of there just like you got away when you first saw Charles again in that restaurant (or well, now it’s a coffee shop). 

It was running away from your fears, you couldn’t confront them. It was running away from you. You hated yourself. You couldn’t think straight and clear about yourself most of the time. The only moment you trusted yourself was when writing. And you also doubted yourself very much on it. You couldn’t win. Your self-confidence didn’t exist. You were sure about it. People were dancing while you were pushing them a bit to walk through the party out to the garden. You need fresh air in your brain as soon as possible. Or you were about to become insane if you didn’t. People said things to you but you didn’t hear. Your eyes locked on the floor. Your stomach was in your throat. The image of Charles stuck in your brain. 

I met someone. I met someone. I met someone. I met someone. I met someone. 

His lips moved, pronouncing those damn three words to your face. As if they were nothing. As if you were nothing at all for him. And maybe you were. You couldn’t imagine Franco saying those things to you, for example. Or maybe men were equal? Maybe you needed to experiment with girls. Maybe they are less complicated and more open. But maybe you were the problem. Too many thoughts per second. You jumped out of every single boat you ended up in. You didn’t know anymore. In your brain, things are too complicated and you know all too well you will need years to repair the damage made to it. From your dad and mum, to Charles and every single other guy you mate. To Franco and to this balcony where you would find someone maybe ready to love you like you matter, like you deserve to feel loved, like you’re amazing and beautiful. Then you were sure you were completely insane. There was no way you were always thinking about someone saving you from yourself. But there you were hoping to meet the love of your life in that gallery outside the party in Franco's house. Maybe writing and your imagination was rotting your brain. You thought about retiring and working in a library as a normal person would do. You didn’t know why you were thinking all of these things suddenly. 

Maybe you were tired and frustrated. You just gave up when you finally got to the garden. The cold air of London fills your lungs, helping you with your anxiety. Your body heat dropped. Your sweaty hands got dry and cold. Your nose is red. Your eyes closed. You were doing your breathing meditation. Your heart palpitations didn’t stop though. And they were fast. Faster than Charles getting over you and everything you built. Faster than you ruining the friendship with franco. Faster than you waiting for someone to save you. Your life sucked. You really didn’t want to think about it like that. But you did. Most times you just couldn't see positive things in it. You felt like a failure. A loser. You didn’t have a lover nor a family. A loser that’s what you were. A complete failure. You had almost no family as well. No father, no mother. Just a brother and a sister who lived on the other side of the world and barely talked to you. Your only family was agostina, your best friend. And she was everything you were not. She has the perfect lover with whom she built a beautiful family of five. Her kids were lovely. She was gorgeous and the greatest person you knew. She was exactly everything you were not. But you didn't hate her. Of course you didn't. You would never think of her like that. It made you as sad as happy for her. Sad for you. Happy for her. 

Why can’t you live something like that? 

“Hey, you okay?” you jumped a little scared because of the sudden interruption to your thoughts and sadness. You turned to your side to find that guy. I think it was Lando's name or something like that Nikola said a few hours ago. When he brought you back to reality you realized you were crying hard. Your face bathed in tears. Cold and puffy. His face was concerned. His eyes are shiny, so blue and green. You found his face so pretty to look at. Alcohol was still in your veins, otherwise you wouldn’t be here crying so dramatically. You would try to hide it. Always. 

⋆˚࿔ let it happen 𝜗𝜚˚⋆

Your eyes were on his eyes. Yours were red and puffy. His red is tired and shiny. You stayed in silence for a moment. You answered his question when he saw your face. Something in him cracked for some reason. Oh, he did know you very well. He saw you on that balcony and now that he has you right in front of him, he couldn’t believe you being more beautiful than on that day, but you actually are. He promised Charles he wouldn’t even try but he talked to Carlos about it. Carlos wanted Charles to move on but he was making a move on you and was crossing the line. 

He looked down to his water bottle on his right hand. “Do you want some? Maybe you feel better” he said with a deep voice. He was nervous as hell. Alcohol in his veins as like in yours. He saw your smile. Your face was so pretty. You looked so cute with the boca juniors shirton. He had one as well. He didn’t think they were his colors, blue and yellow, not his thing. But you looked so pretty in them. All of the girls at the party were dressed looking hot as hell. But you and your friends looked cute. Relaxed outfits for the win. And that made you look all so attractive or at least for him. He recognized you a few hours ago. He was kinda shocked to see you there because he has never seen you near franco like ever. You didn’t go to the races nor comment on Franco's posts. Or anything at all. Then here you are. He saw kissing him. He saw you two going up the stairs. Alcohol didn’t let him analizy things properly even if he tried his best in doing so. 

Your fingers that grabbed the bottle from his hand, brushed his sending electricity throughout his arm. He smiled gently at you watching you drink from it. 

“Thank you, and sorry you had to see me cry” you told him, giving his bottle back and he smiled so pretty, shaking his head. You found him so attractive. You were just trying not to be so obvious. Also, you were worried to look like a slut if he saw you kissing Franco before. But why did you care so much? Why were you thinking all of these things about him? 

“Oh no, don’t be sorry. You still look cute tho” he said giggling a bit making you laugh a bit as well. You shook your head not agreeing with him. 

“Thank you again, but no need to lie about that tho” you told him a little funny. 

“I promise I'm not lying. You're pretty even crying” he confessed, making you blush. “You okay? Need to talk or something?” he asked to checkon you even if you were strangers. “Im lando by the way” he introduced himself so this wasn’t that weird. 

“I’m y/n. Nice to meet you. I think I'm better now, I just made a lot of stupid decisions throughout my life that now alcohol just reminds me how much of a loser I am” you were honest. More honest than you would be with anyone. You just blamed the alcohol. 

“Hey, I don't think you’re a loser y/n. I mean, I know we don’t know each other at all. But for me, you don’t look like a loser at all” he expressed. You looked out to the garden in front of you a bit ashamed. 

“Appearances can lie, you know? I’m a loser, I promise you. I’m still stuuckin a fucking restaurante knowing all too well i should’ve move on years ago. But here I am. Fucking up friendships and any opportunity i have to get better and be happy. I just hate myself so much. I won’t ever be happy” you gave up. You no longer cared about what people would think. You didn’t care if he thought you were crazy for telling him so much private stuff. You barely know his name. But there you were comfortable enough to confess your depression to him. He analyzed you. Every detail of your face. Each word you used to describe yourself. 

“I don’t think that makes you a loser still. I think you’re brave enough to tell a stranger how you feel and in my opinion, that takes strength and confidence. And i think you will be happy, you just need to let yourself be” his words hung on the air between you two. Why was a stranger talking to her? Why was he saying things she needed to here? Why his words were important? You were sure he  knew how much of a mess you were. It shows. You were sure. But still he was here. Right when you want someone here waiting for you ready to save you.  Is this who will save you? Are you out of your mind for thinking like this about him? 

Delusion was thinking he will be just like charles wright? You had no idea who this guy was but still you compared him to charles. Because you didn’t want to date Charles again or anyone like him. Or did you? You didn’t know how you felt about all of this. About charles. About yourself. About this guy you don't even know and you want him already to save you just because he called you brave and strong and pretty. Was that really enough for you? Was that the standard you had for yourself? He could be a serial killer right? But you could save him. He could love you. And you would forget about charles. About his touch. About his voice and laugh. About his jokes and moans. About his perfume. About his family and friends. About his cars. About everything related to him. 

But was it fair to love someone to stop loving someone else? 

Did you still love Charles? 

You looked at him again. Your eyes connected. He smiled shyly. You did as well. Maybe you could let this guy ruin you just like Charles did, just because of his face, and his voice and what he said to you without even knowing you. You should get your shit together. You still reeling that fucking monaguesque guy. But at this point you didn’t care anymore. Or at least that’s what you thought. He got closer and kissed your cheek, that took you by surprise but you liked it. Probably way too much.

“I know without knowing you that you’re amazing. You just need to believe it. I’m sure you’ll find someone who sees you” he added and your smile became wider. 

“Thank you, lando.wow. Any stranger said so many nice things about me” you half joked shyly and his cheeks went red. His giggles were the cutest sound you have heard lately. Where was this guy? 

Then you remembered Franco and that this guy probably is his friend. And your back at your self hate again.

Why did everything have to be so difficult?

Why do you have to make so many mistakes at once? 

“y/n, we need your help” Dottie's voice interrupted you two. Her voice seemed worried. “Betty is way too drunk, it’s better if we go home now” she explained, a little suspicious of your both body languages. You nodded. 

“Alright, let’s go. Nice to meet you Lando, hope to talk to you another time though so it’s not that depressing. I promise im fun” you said a bit funny but hurried. Your friend first, always. You kissed his cheek quickly. He laughed about your comment. 

“Oh yea, she is,” Dottie added, supporting you in a smile.

“Hope to see you again sometime, Y/n. good luck with your friend” he said to both of you and after smiling at him you went into the party again.

“D, I think I'm in love,” you said excitedly.

“What?”

⋆˚࿔ it’s time to go 𝜗𝜚˚⋆

⋆˚࿔ 𝜗𝜚˚⋆

⋆˚࿔ 𝜗𝜚˚⋆

⋆˚࿔ the fucking tuesday 𝜗𝜚˚⋆

Arriving in monaco again at 11 am has never felt so good in your entire life. A trip that started like a dream to remember, turned into a nightmare you couldn’t forget but all you wanted to was to forget about it. Just pretend it never existed and erase everything you did wrong that Saturday night.

You missed your house (your safe place),and you needed its comfort more than you would like to admit. Your brain was a mess. You couldn’t stop thinking about charles driving you to your friend’s house then the memory just fading away and inturning into him saying non stop i met someone. You felt you were going insane when you remembered Franco's skin on yours and how good and warm it felt. How you kissed his abs. And then how you got so scared. His face was printed in ink in your subconscious. You could only see sadness, shame, and a bit of hatred. You were sure at that moment he hated you. Like you humiliate him a bit. You felt so bad about it you couldn’t even face him. You really wanted to say sorry but you just didn’t want to see him straight in the eyes. Shame was tattooed all over your body. How could you?

Then your mind was reminded of Lando's existence and you just wanted to punch yourself in the face. What the hell happened with you at that party? Was the fernet that Franco prepared? You wanted to blame anything except yourself. You didn’t understand yourself either. Like your feelings and thoughts couldn’t agree on anything. Like you had split personality issues.

Yes, you liked lando way too much probably in those few minutes at the gallery. But then there was Franco that you now were confused about how you felt about him. Because you really liked to kiss him. To touch him. To feel him close to you in that way.

And then there was still charles.

You were really tired of thinking already you just had to put taylor swift on your headphones.you took the bus that left you one block away from your house. You don't want to call anyone to pick you up. You texted A and she told you that. You didn’t understand why she did it. But it overwhelmed you for sure. You just wanted to retreat from life like forever.

When you finally got home you went straight into bed. When you touched your pillow you started crying. And that’s how you fell asleep scared to have another nightmare.

⋆˚࿔ 𝜗𝜚˚⋆

Charles watched Carlos leaving his phone on the counter with a weird face “everything alright mate?” he asked. Carlos nodded and smiled.

“Yeah, did you send the invitation to everyone you know?” he asked, grabbing the box with vodka bottles and taking them to the fridge.

“Yeah, it’s gonna be a crazy wild night” Charles said excitedly trying to not let his anxiety control his mood right now. He wanted to have fun and purposely forget about everything with alcohol. A lot of it. As much as possible.

⋆˚࿔ 𝜗𝜚˚⋆

The music was so loud that Charles could barely listen to what the blonde girl in front of him was talking about but he didn’t care that much. He was already bored by the third girl Carlos introduced him to. He knows Carlos just has good intentions but he was already convinced no one will captivate him the way you did. Not even if they tried to imitate you. Since he saw you again he couldn’t forget your scent. The way you smiled to your nephews. How you treated them and how he was confused for a moment if they were your children. He always knew you wanted to be a mother and for what he saw he was sure you would be the best one out there. He wanted to forget about you he really did. But he was also sure life hated him. He wanted to rebuild his life and leave behind the damage he caused, but then there was you again in that fucking restaurant. And in that moment he knew all too well it would drive him insane. And he felt like it. He believed it.

The girl notices he wasn’t paying attention to her. Charles was playing with his glass of whiskey. Her face looked annoyed and disappointed. Charles didn’t care. She told him she needed to go to the bathroom and disappeared for the rest of the night. He drank his whole glass in one take. He just wanted to drown in alcohol right there and vaish from life. From everyone who knew him.

He saw Carlos dancing la macarena with his group of spanish friends that came for the holidays. He was enjoying himself around. Rebecca, his girlfriend, was there as well, matching hia freak. And for a moment he felt something he never felt before and he didn't like it at all. He felt envious. He wanted to have his life. Be him. Have the girl of his dreams dancing around with him. His friends were here but not with him. And he didn’t even like to dance. And don't have anyone to have sex with. Then he felt miserable. Angry with life itself.he was disappointed. He felt he let down everyone in his life. And the proof was that damn book she wrote. He was a coward. And everyone knew about it; they just didn't know it was him all along. And when the truth comes out then his life will be ended.

He swallowed hard and stood up to grab more whiskey. This time he was drinking from the bottle. He pushed himself aside from the party and sat near the pool even if he was freezing. He didn’t care anymore if he got sick or died. He was extreme. He looked at your balcony and wanted to cry. He wanted to cry like a child. Throw punches and scream. He felt there was no way to fix his life. He regretted breaking you so much. He always knew this was everything to you. You were so caring and always there for him and his whole family. He also knew he broke his mum. She loves you deeply. You were like her daughter, the one she never had. The one he and dad would have loved to have if they could choose the sex of their children. Remembering his dad broke him. He started crying. If he was here he knew he would be disappointed in him. Not because of his career (he made history) but because he isn’t with a good woman. He doesn't have kids either. And he now believed he didn't even have a future.

He looked again at your balcony. The lights were off. He didn’t know if you were there or not. If you had a lover. Or even if you have him blocked on social media. And that’s when curiosity won over him. What if he tried to search for your name on instagram? He was sure someone he knew, knew you as well. Monaco is too little to not have those coincidences on the daily.

He searched the first letters of your name and then saw that his ex, alexandra followed you. He felt weird about it and his face showed confusion with his eyebrows. He clicked on your profile and started stalking you. You still paint and have a piano. You used to play piano together. Actually, you taught him. You were the best professor he had ever had. He smiled looking at pictures of random dogs you found on the streets and with your nephews. You built a new family away from your actual family. That made him happy for a second. He knew after both of your parents died, you didn’t get along so well with your siblings. But he didn’t know if it was still like that. He saw how successful you were. How your book was a bestseller and how it would be a movie produced by universal. He was surprised. He would have never expected this outcome. Back in the day you were an art teacher for children and had a studio where you gave those lessons. Children loved you so much. He remembered their bright smiles when the parents came around to pick them up. He admired you so much for it. He even fantasizes that one day that face so bright and happy will be the one your children will have everytime they look at their mother. He wanted to be a father with you. But then alex came around and fucked it all up. Or well he actually did. And he still couldn’t understand why he did it.

Alex Was beautiful, he couldn’t deny that. She also loved him dearly. She was in love with him. And he thought he was with her. But then everything spiraled down and collapsed. He met her at that partymax verstappen threw to celebrate he was an official f1 driver for red bull. He invited everyone he ever met along his life. You couldn’t go because you had to take an exam the following morning. And that’s when it happened. She was dancing with her group of friends. She also had a boyfriend. And we talked and sparks were there. And then Charles got all confused. And they kissed. And he had already cheated by the time he realized that it was wrong. And then he couldn't stop. And his life went to shit.

He didn’t realize he was sobbing until he felt his teardrops stain his creme pants. He was using a fancy outfit. He looked really good. But as everything he touched, he also ruined that too in that moment. And because he was so busy feeling miserable, he didn’t realize the police were already at carlos’ door wanting to shut down the party. I mean, it was a tuesday night of a working week after all.

⋆˚࿔ 𝜗𝜚˚⋆

When Charles got closer to Carlos, he was already shouting at the police officers like a crazy man. He was drunk for sure and the policeman knew about it too. No perfume will ever smell like that. Not in Monaco of course.

“Then tell me, who will call? I need to know who to call. I never do parties and then once I do I can't and it’s not fair. I need to know who called you, it's my right as a citizen "Carlos was verbose and angry.

“Carlos it’s okay, how much should we pay you to let us have a party?” Charles intervenes trying to look not drunk at all but failing in each word. Police men looked at each other, annoyed by these two men.

“That would be a crime, sir” the police officer with a beard that looked disgusting in charles’ opinion, answered him. He kind of felt offended.

“Then who it was!!” Carlos was losing it and Charles was scared they would take him to jail right there.

“Your neighbor” the other one talked now pointing his fingers to his right. His right.

Your house was at his right. You called the cops. At that moment he felt he was about to faint. He was sure he was white. The policemen looked at him weird. Carlos then started walking. If you were in a cartoon show he would have smoke coming out his head right now. He walked fast towards your hose. Charles panicked and followed him desperate. Carlos started banging your door so he could tell you things.

“Carlos, nono. Let’s just go home, c’mon "Charles tried to convince Carlos but he was determined and ignored him. He won’t let you ruin his party. His celebration. His opportunity to present a woman for his friend to be happy. The one he taught you ruined. Becausehe couldn’t be over you. And he saw all of this as if you were now not letting him be able to in a very twisted way.

Charles was scared and worried when he saw your light turning on by the minute. His eyes wanting to leave his face when he saw you in your marvel pajamas again. Your hair was a mess and your face had the darkest circles under your eyes. Your face puffy as if you were crying or you did before you went to sleep and then they woke you up. No he felt as guilty as when he realized he left the love of his life stuck in that fucking restaurant you both loved so much.

“What the fuck is wrong with you bitch? Huh? Stop torturing my friend!” carlos said aggressively the moment he saw you when you opened the door.

⋆˚࿔ TO BE CONTINUED 𝜗𝜚˚⋆

chapter six: coming soon.

tag list: @a-beaverhausen , @annaluna12 , @thehoplessromanticclub , @emryb , @hadids-world , @kaztheemyth , @freyathehuntress , @diorbrxtz , @theseerbetweenus , @sie17136 , @leila-030304 , @charlesgirl16 , @ricciardosheart , @weekendlusting

author’s note: hope you all have a merry christmas ❤️ and that you like this chapter as much as I do !

thank you everyone for reading and sharing what I write. I really really appreciate it!

if you wanna be part of the tag list just leave a comment!

see you on the next chapter :)

Don’t forget to like, reblog or comment! And follow me so we can be friends! (And drink mate together) <3

[kaizokuou-ni-naru]

What! Are your top five reveals in One Piece! Which ones made you go “holy shit” or “hell yeah” the most!

i'm taking reveal here to mean 'points at which previously-hidden information is revealed to the audience,' not just where we're told something new. so:

THE FREEST MAN ON THE SEA: maybe not as dramatic or seismic as some other things on this list, but to me luffy telling rayleigh that to him being the pirate king just means being the freest in the world is the single most important thing we ever learn about luffy's character, and it defines the themes of the whole series. it recontextualizes everything about luffy and the way he interacts with the world and the way he pursues his goal because now we finally know what that goal actually is, and what it means to him. and for the whole first half of the story we don't know this! it's easy to forget because we're, what, six hundred chapters past it now, but we get all the way to sabaody without really knowing what drives luffy, and then we get it and it slides into place perfectly.

WORLD SANK: a recent one, but so satisfying and well-placed. the sunken world reveal is the best kind of big lore reveal, to me, because it's something that makes so much sense it was completely possible to predict it years ago (and people did), and now that it has been confirmed, it's opened up a massive world of implications and questions that are incredibly fun to think about. i'm really excited to see where the story goes with it.

NIKA: i'm sort of rolling everything we learn about gear 5/nika/joyboy in the 1040 chapters of wano together here; i've written at length before on this blog about why i like the nika reveal so much, so i'll just say now that it takes one piece's most fundamental and powerful themes and symbolism (liberation and joy and the sun) which have been built up across the story and reveals to you that those things are a real literal force in the narrative strong enough to turn a draconic tyrant into a garden snake. and having established what he has now about nika, the way oda has continued to explore the implications of that figure existing in the world has been absolutely fabulous to read.

RAIZOU IS SAFE: a smaller and more arc-specific one compared to some of the others on this list, but i just really like the way this reveal is done. the interval between the dressrosa team's arrival on zou and the reveal that raizou was there the whole time isn't even particularly long, but it's the execution which makes it; the devastation of the city, the solemnity of the whole moment, inuarashi and nekomamushi bowing their heads, luffy and the strawhats' reactions. i like the minks a lot, and this is the moment that defines them as a group, as well as establishing the themes of loyalty and sacrifice that will go on to become very prominent in wano.

ROGER WAS DYING: i've talked before about how i really like the handling of roger as a figure and how our knowledge of him evolves and becomes more personal and human over the course of the story. the turning point in that evolution is the introduction of rayleigh; his reveal that roger was not caught, that he turned himself in because he was dying, and that they found the truth of the world there at the end of the grand line. it shifts the whole presentation of the story; we've been told about roger from the very start of the very first chapter, and it's here that we learn the information we thought we had about him has been woefully incomplete. there's a bigger mystery here, one greater than just 'what treasure did roger leave.' and i really like we get this context about roger in the very same scene we learn what it means to luffy to be the pirate king.

[bvidzsoo]

Under the pretense (1)

The second installment of Popular boys? Overrated ♡

❝𝔜𝔬𝔲 𝔥𝔞𝔳𝔢 𝔟𝔢𝔴𝔦𝔱𝔠𝔥𝔢𝔡 𝔪𝔢, 𝔟𝔬𝔡𝔶 𝔞𝔫𝔡 𝔰𝔬𝔲𝔩, 𝔞𝔫𝔡 ℑ 𝔩𝔬𝔳𝔢, ℑ 𝔩𝔬𝔳𝔢, ℑ 𝔩𝔬𝔳𝔢 𝔶𝔬𝔲.❞

Author: bvidzsoo

Pairing: Jeong Yunho x female reader

🎭Warning: cursing, very slight mention of being suicidal 🎭Word count: 6.2k 🎭Genre: humor, cliché themes, 90's rom-com vibes; University!au; Popular guy!au; Sport!au; Enemies to Lovers!au 🎭Rating: nc-17 🎭Summary: What was supposed to be the best time of your life turned into something more bizarre and only slightly fun. Don't get me wrong, having to share your theater class out of the blue with popular guy Jeong Yunho, to most, didn't sound like the worst idea, but to you...yeah, you would've been more grateful if the principal found other methods of punishment for her son's misbehavior.

A/N: Hello, lovelies! I present you the start of Yunho and our MC's story, I hope it caught your attention and you'll stick around for the next two parts. You can also check out Seonghwa's, which happens in the same universe, it's in the series m.list. The taglist is open, so just lmk in whose part you'd like to be tagged. I made a visual board and playlist for the series, so check them out as I still update them! ^^ Thank you for reading and let me know what you thought of this part, I love reading your feedback! divider

Taglist: @anxiousskylar @philijack @alienvibecheck @yunhosfairy

♡ Series M.list ♡

꧁༺ Visual Board ༻꧂

♫ Playlist ♫

            I had always been a dreamer, a child with big sparkling eyes, eager to discover the world and its wonders. My parents had always considered me naïve and way too kind, but I found life easier to navigate if I remained humble and kind to those around me. I was not too fond of loud spaces and huge crowds, I would much rather prefer smaller circles where everyone came together to spend their time in silence. That’s how I discovered my elementary school’s reading club. I had been young and disoriented after a strenuous P.E. class when walking down the hallway, pushed into a door by two bigger boys as they chased each other down the hallway. The door I was slammed into wasn’t closed, so I very ungraciously fell inside a classroom in which five people sat in a circle, in silence, with books in their hands and candy on the round table. Eyes fell onto me, mostly surprised, and I blushed as I sputtered my apologies, embarrassed and wanting to hide away as I had disturbed their peace, but my curiosity got the better of me. The teacher in the room made sure I was fine and asked whether I wanted to join them when she noticed me staring longingly at the book in her hands. I didn’t say no to her.

And really, that’s how my love for literature and theatre sparked, evolving into a passion by the time I reached my high school graduation. I knew what I wanted to be, I knew what I had to do next. I had been a theatre kid my whole life, so when my mother rushed inside my room one cool summer evening with my acceptance letter in her hands, I knew my life would change in the next few seconds. Allston Hall University, the dream institution of every student who wishes to become someone important and useful in the near future. I was one of those students, tears streaming down my cheeks due to happiness when my mother read the letter, informing me that I had been accepted and was even the student with the highest grade currently. It was a dream come true, everything I have worked for, my aspirations and hard work were tangible, and I finally felt like I could release the breath of air that’s been constricting my lungs ever since I sent in my application. I was rushing towards the future I wanted, the one I had been dreaming of.

But all good things had a downside to them. Allston Hall University was huge, the biggest in our county, and it harboured various majors and many people, to the point you’d have to watch your every step in the hallways to avoid crashing into anyone. My first day, and week, had been nerve-wracking. People were loud and friendly, sometimes too friendly, to the point I felt uncomfortable in their presence and had to excuse myself to take a moment of solitude. Despite being a theatre kid myself, I felt like the odd one in my circle of people, the one that didn’t fully belong, the one that was a bit different. Everyone around me was outgoing and boisterous, eager to be heard, and even more eager to make more friends. I was quiet and curious, but I liked watching people from the sidelines, assessing a situation from afar before jumping into anything. I liked to meet new people, but I struggled to find common ground with them. I never had many friends growing up, most were surface-level, but the one true friend I did have decided to move counties and start working, instead of following an academic path. There was nothing wrong with that, but our time was limited together and she rarely visited, our friendship has transformed into a long-distance one.

But, to my utmost surprise, I didn’t stay friendless at this huge university for too long. As an extracurricular, I have picked up a Visual Arts class since I have been always interested in it. The class was small and filled with people who dressed better than in any fashion magazine I had seen, all of them having a peculiar aura that I seemed to enjoy a lot. And, to my surprise, they were more like me than my own colleagues. They were quiet, mostly sticking to themselves with big headphones on as they bobbed their heads to the music, briefly greeting you once you entered the classroom. They were mostly art majors, but they didn’t make me feel bad for not being one. A passion was a passion, and they didn’t make fun of you for loving what you loved. However, even here, it seemed that there was someone who wasn’t like the others, someone who was loud and energetic, always laughing and joking with students and professors alike. She was like a happy virus, her happy disposition contagious, and without realizing it at first, I was drawn to her like a moth to a flame. Perhaps it was because we were complete opposites, unlike my closest friend who thought and viewed the world similarly to me, but with Wendy everything seemed to feel like a new experience.

I couldn’t tell when it happened when the two of us became best friends, but it’s been a year since and we were almost inseparable. Wendy loved spending her free time with me, humming to herself and drawing while I wrote sonnets and read through the next play we’d be going through or even performing with Mrs. Jeong. Wendy felt like a fresh breeze, ready to yank me away from my monotonous days, eager to experience something new. I hated amusement parks, but I went to one with her and had the fun of my life, having never screamed or laughed as much as that afternoon. Wendy couldn’t skate, but one snowy evening, I took her to the skating ring and taught her how to find her balance, and through baby steps, she became even better than me. Wendy loved visual arts but she never understood the charm of a book, a play, or a poem, so I brought her along to the reading club I had been frequenting since my freshman year in high school, and it was an unforgettable experience for the both of us, but Wendy concluded that perhaps literature just wasn’t for her. Much similar to my experience, when I let her drag me to Allston Hall’s first baseball game of the year, all excited and giddy to see her favourite players, only for me to conclude at the end of the game that the sport held no interesting elements for me to find likeable or enjoyable, baseball just wasn’t invented for me.

So yes, Wendy and I were opposite sides of the same coin, eager to learn more and discover the world through our own lenses while dragging the other after ourselves. This would explain why we were currently decked out at the bleachers, sitting at the lowest spot as Wendy’s eyes followed the boys while they played a friendly game and warmed up for their very soon upcoming game. Wendy was athletic and loved to get in a good morning run, which she usually did outside the bleachers to catch a peek of when the boys would go in to exercise. It was embarrassing at first, to walk in every second day with her and have the boys gawking at us, but now it was plainly amusing to see Wendy fall over herself whenever one of them acknowledged her. Her father had been a player in a smaller league, so Wendy grew up in the sport, hence her immense love for it. She was convinced the boys on the University’s team were undiscovered gems and she made sure to stick around them until one of them finally asked her out. She thought I didn’t know, but it was rather obvious that her eyes were set on Byun Baekhyun, the biggest trickster on the team with a notorious grip that could send any batter into a spiral when he’d pitch—these were Wendy’s words, not mine.

I continued flipping through the shortened version of Pride and Prejudice as we would soon do a small audition to see who got which role. Mrs. Jeong wanted to do something special and new this year, so there have been added elements to the play—ones that would send Jane Austen into an existential crisis, in my opinion, but Mrs. Jeong likes to think out of the box and considers herself an innovative person—which I agree with, but the play would’ve been best without the modifications done to it. Wendy, sitting in front of me as I had taken the bench between my legs, hunched over my play, sighed dreamily and tapped her fingers against her chin. She was usually a very loud person, but surprisingly she knew when to remain silent, when to give me space and tranquillity to be able to enjoy my reading time. Her short hair stuck to her nape as she decided to run an extra lap this morning, on the verge of hyperventilating when she finally ran inside the arena, spotting me easily as I was the only person in the bleachers while the boys did their warm-ups. Her bag was with me and I knew she refrained from sprawling out on the ground just because Baekhyun was watching her, so I handed her the water bottle with an amused smile. Wendy took it with gratitude and sprinkled some on her face and neck before she took a small sip, chest still heaving from her run.

“That was very sexy of you,” I said with a chuckle as she settled next to me, trying to regulate her breaths as she caught Baekhyun’s eyes, cheeks flushing even deeper as he waved in our direction. Wendy fumbled with her water bottle for a second, then eagerly waved back and pushed my thigh with her elbow to acknowledge Baekhyun as well. I flashed him a smile and gave him a curt nod, which he returned before the coach blew his whistle and called out his name to get him to focus again.

“Don’t make fun of me,” Wendy mumbled, grabbing her towel out of her bag, “my throat was parched and my brain felt like it was overheating.”

“When will you stop finding ways to kill yourself?” I raised an eyebrow and Wendy gave me a look of confusion.

“I’m just pushing my limits, nothing you have to worry about.” Wendy shrugged, taking a sip of her water again, “You know I’m training for the marathon.”

“Right, I almost forgot.” I fixed Wendy with a stare, rather unimpressed as it was impossible to forget that she was training for next month’s marathon. She speaks of it daily, around the same time after she finishes her run and complains about being on the verge of passing out, I’m sure there are other ways of training yourself for a marathon that don’t involve putting too much pressure on yourself and sending your body into despair as it clings to life—a bit dramatic, but that’s what being a theatre kid made of me.

This was half an hour ago, and now Wendy had completely settled down as she was leaned back on her hands, gazing out onto the field as I blocked out the sound of a bat hitting the ball every few minutes, enraptured by the play as I imagined Mr. Darcy standing in front of me, thick eyebrows furrowed and eyes shining with confusion as Miss Elizabeth—me—tells him that he cannot disrespect her whole family and look down on her, and then expect her to fall to her knees and accept his affections. The language was a lot more modern than the one Jane Austen had used, this is where Mrs. Jeong’s crafting comes into play and makes me cringe as Elizabeth is supposed to tell Mr. Darcy that ‘she won’t throw herself at him like every other bitch’, I just knew Jane Austen was rolling in her grave at the atrocity that’s been done to her masterpiece. I could try and convince Mrs. Jeong to modify that part, hopefully, as she’s rather keen on me due to how seriously I take her classes. Cheers erupted on the field and they increased in volume as Wendy gasped next to me, holding her hands together as she was on the verge of shooting up from her seat. The boys were merely training, yet Wendy treated it like a real game every time she got the chance.

“Oh, that’s a home run—” Wendy’s voice was strained, and she sprang up from her spot as the whole team exclaimed, making me lose my train of thought as I couldn’t focus in loud surroundings, “Seungkwan just hit a home run!”

I looked out towards the field as the boys crowded around Seungkwan, forming a circle as they made howling sounds and jumped around, making Seungkwan cackle loudly as he basked in the attention. He was a rather uptight guy, but out on the field, he was simply amazing although he’s never managed to hit a home run until now.

“Oh, this is amazing,” Wendy mused, her eyes sparkling as she clapped away, showing the boys thumbs-up as they turned our way to bow, pushing Seungkwan to the front as he grinned widely, “They’ll ace the next game, Y/N, I can feel it deep in my bones.”

I chuckled but said nothing as I knew this meant a lot to Wendy, and only grabbed her arm to make her sit down when the coach threw her an irritated look. They couldn’t kick us out because we weren’t doing anything illegal or interrupting their training, but I knew the coach wasn’t too fond of two girls always lingering around the bleachers to distract his boys. Not that it was our attention, but I have caught them busy ogling us instead of doing their warm-ups. Wendy was buzzing as she sat down, chewing her bottom lip before she started chewing her nails, making me grip her wrist to stop her as I knew she did it subconsciously. She gave me a grateful smile and I turned back to my play as the boys had calmed down too, going back to their friendly game.

“Do you want to stay for longer?” I asked as I flipped to the next page, eyebrows furrowing as it was Mr. Darcy’s monologue that wasn’t in the original work, “I think I could make use of a coffee right now.”

“Can’t we stay for another fifteen minutes at least?” Wendy asked with a pout, her sparkly eyes widening as I gave her an unimpressed look, “Yunho is up for pitching right now and then it’s Baekhyun again, I promise we can leave once he’s done.”

I sighed but knew I wouldn’t drag my best friend away before she got to watch Baekhyun pitch again, so I just nodded and threw a quick glance at the field. Indeed, player number 04 was up for pitching, Jeong Yunho. His name didn’t leave a distaste in my mouth as I, thankfully, had never had to interact with him, but it was inevitable to know who he was with how huge his reputation had gotten over the last year. We started out at university at the same time, he’s been a baseball player since he was just a child, and he was rising in the ranks rather quickly. He was amazing, even as someone who still didn’t understand how baseball worked, I knew he was good at what he did and he was often praised for his skills. He was the best pitcher the team had—the university has had for ages, at least based on the coach’s words—and he carried himself like a successful athlete would, always smiling brightly with his warm eyes twinkling with mischief-ridden in them.

Sure, Jeong Yunho had a warm and perceiving aura, friendly and even kind, but even those couldn’t stop the rumours spreading of him being a heartthrob. Better said, he was a womanizer. He appeared to be this soft and puppy type of guy, sweeping girls off their feet with his acts of service and soft-spoken nature, but just as quickly as he wrapped them around his fingers, he dropped them without his ‘kind’ smile breaking from his lips, eyes even teary when he told them that he just wasn’t right for them, that they deserved someone better. Behind his innocent mask lay a man who enjoyed playing with others and using them to his liking with a deceiving smile and excuses that didn’t make sense upon another thought. But many girls didn’t care about the rumours, they thought they were simply fake because certainly the sweet and kind Jeong Yunho couldn’t be like that, not with them at least. And that is exactly how they go their hearts broken by the most sought out playboy of our university, from the baseball team at least. The soccer team was even worse, you’d never hear the end of how cool and mysterious Park Seonghwa was. Personally, I preferred my peace of mind and stayed away from both.

I heard the bat collide against the ball with a loud bang, and I could tell it was a strong hit as the boys ‘oohed’, but Wendy just gasped, stiffening in her seat. I paid it no mind as she reacted to every single thing the players did, living in the moment and giving her all to the game—even if just friendly. But some exclaimed alarmed and tried to warn us—or me—of something, but I was too busy ignoring them as my irritation levels were rising. I just really wanted a cup of coffee and silence to be able to finish reading the play before my class later today.

“Y/N!” Wendy’s shrill exclamation made my head snap up, taking in her wide eyes as she gesticulated, only confusing me more. Turning my head to the right, to see what got the boys reacting like that as well, my own eyes widened into saucers when I realized a white small ball was hurling at my face rather quickly. I knew I could dodge it, it wasn’t too late yet, but I felt blindsided as I stared at it, accepting the fact that it would either break my nose or give me a black eye. But someone was moving on the field, had been for a few seconds now, running full speed towards me and the ball. And before it could collide against my face and ruin it, a black glove was in my face, so close that if I puckered my lips, it would’ve touched the fabric. My heart was beating fast and I stared up at the person who caught the ball with wide eyes, exhaling loudly as Wendy yelped and shot up from her seat again.

For a second, it was completely silent, even the coach stood staring at us with an open mouth, whistle threatening to fall from it, but the boys on the field suddenly started howling once again, yelling and calling out my ‘saviour’s’ name. His chest was rising and falling rapidly, lips parted and eyebrows furrowed as his cheeks were rosy from the bite of frost of the morning air, but also from having pitched for the last few minutes. I could feel my own cheeks tinge red from the adrenaline and also from the way the guy’s warm chocolate eyes seemed to melt into mine. Yunho looked pleased that he managed to catch the ball, and his fingers closed around it as he lowered his hand and leaned down a little. My back was rigid as I couldn’t help but blink at him wordlessly, gripping the play tightly in my hands.

“Are you okay?” His eyebrows furrowed more, and his face was ridden with worry as he searched for eye contact. I gulped and averted my eyes, exhaling shakily.

“Yes,” I took a tentative glance at Yunho and cleared my throat, “thank you.”

“I’m sorry.” My eyebrows furrowed as he looked apologetic, biting his bottom lip which was cherry red and plump, “I positioned my arm wrong and I was distracted when I pitched, I almost hurt you.”

“Oh, uhm,” I stared at him for a few seconds as I felt Wendy sit back down and subtly nudge my arm, “It’s fine, you managed to catch it so—good job?”

Yunho chuckled, and I was taken aback by how high-pitched it sounded and how warm his tone was, cheeks puffy and rosy, and definitely giving him this sweet and innocent aura, “Glad to be your saviour despite putting you in harm's way myself.”

I hummed as I found myself lost for words, all the acting classes I had taken flying out the window. There was something about his gaze that made me feel small, made me forget how to articulate my words, “Best if it doesn’t happen again, right?”

Yunho chuckled and I felt embarrassed, but he didn’t look like he meant bad, he seemed simply amused. I was sure he could tell I was flustered and that only made me feel more embarrassed, “Right, I’ll try to keep my eyes off you next time then, focus more on pitching.”

Wendy gasped next to me as I just stared at Yunho dumbfounded, trying not to let my confusion show at the sudden change of events. Well, I was under the impression nobody paid me any mind as I never really paid them any mind, I was here for Wendy and it was pretty obvious.

“Are you reading a play by any chance?” Yunho asked as he looked down at my lap, and I cleared my throat, feeling hesitant as I nodded my head.

“Yeah, Pride and—”

“Pride and Prejudice,” He smiled sweetly, his eyes hidden by his baseball cap, “my favourite.”

I knew Wendy wanted to scream and jump up and down, but she was doing a good job of remaining put and silent. For some reason, Yunho didn’t pass me as the person who would pick up a book, let alone a play, to read, so I just gave him a tight smile and an unimpressed look. I had heard the rumours, and I was sure they were true, I didn’t want to fall for his schemes.

“Right.” My tone was a bit sharp and I knew it took him off guard because his eyebrows twitched, “Aren’t you supposed to be pitching?”

And as if the coach had heard my words, he blew his whistle loudly and shouted, “Jeong, get back on the field!”

Yunho bit his lower lip and grabbed his cap as he nodded his head, winking at me before he was jogging back onto the field, making me grimace. Wendy’s eyebrows were raised and she had a suggestive smile on her face, but I just sighed and shook my head, deciding that I wanted to have coffee now, “We both know he sleeps with every girl and then dumps them right after, so before you get even started, I’m not interested in him at all.”

“But he’s so handsome and tall.” Wendy sighed dreamily and I chuckled, standing up.

“There are plenty of tall and handsome guys at our university, I’ll find myself a decent one, thank you very much.”

“Where are you going?”

“To get my coffee.”

“But Baekhyun hadn’t pitched yet.”

I chuckled as Wendy whined, rooted to her place as I got off the bench.

“Meet me at the coffee shop then, I have class in an hour so don’t stay for long.”

“I love you! Save me a seat by the window!”

I chuckled and nodded, waving Wendy off as she focused on the game again, eyes wide and attentive. I kept to the side of the field so that I wouldn’t be in anyone’s way and walked quickly so that I could be out of the arena swiftly, without angering the coach. Wonwoo, who was the left fielder, threw me a quick smile and I waved at him as I passed by, feeling eyes on the back of my head. I didn’t turn around to check who it was as the coach had spotted me and narrowed his eyes at me. I bowed my head and then slipped out of the arena, less stressed and happier now that I was about to get my caffeine fill of the day.

             The rest of my day had gone well, and I was more than excited to attend my last class of the day, drama class. We’d hold the rest of our courses at the small theatre of the University as Mrs. Jeong wanted us to focus on the upcoming play only, assignments already handed out as our final grade now depended on finishing it on time and also delivering our best in the play, the two grades turning into our final score. I happily skipped down the stairs of the theatre and greeted a few of my colleagues as I settled not too far from the front rows, somewhere in the middle of the row. I liked sitting by myself so that nobody could distract me while Mrs. Jeong gave us advice and coached us on how to deliver the lines, when to put emotion in it and just how much of it. I placed my coat on the chair on my right and left my backpack on the floor as I leaned down to unzip it and grab the play, my yellow notebook, a black pen and a green marker. I heard the door of the theatre close and open loudly, then running down the stairs and shuffling as I straightened up, trying to organize my things in my lap as I waited for Mrs. Jeong to show up.

To my surprise, there was movement on my left and I looked over, curious of who decided to sit right next to me when there were numerous empty seats in the theatre, only to find Jeong Yunho staring back at me with a surprised expression similar to mine on his face.

“What are you doing here?”

“Oh, hey I know you, hi!”

Yunho and I spoke at the same time as I heard the girls sitting a few rows in the back behind us whisper and giggle to each other. Yunho flushed as he pushed his leather jacket off his wide shoulders and settled quietly in the seat next to mine. I continued staring at him with confusion as his legs spread out wide, his head turning to face me.

“You’re the girl from this morning,” Yunho said as he disregarded my question, “I actually see you around the field often, do you like baseball?”

“No.” I deadpanned and Yunho’s enthusiasm died out at once, smiling unsure, “My friend loves baseball so I tag along with her sometimes.”

“Ah, that makes sense.” Yunho’s smile became more confident as his eyes took in my features, making me feel a bit uncomfortable, “And how are you?”

“I’m—fine.” I still didn’t understand what he was doing here, but I wasn’t about to be rude to him, “And you?”

Yunho’s smile widened into a grin, and he threw a short glance behind us when the girls started giggling louder, “Rather good knowing you’re here too. Why are you here?”

I tried to refrain from sighing at his not-so-subtle flirting and occupied my hands as I grabbed my marker and fiddled with it, “I’m a drama major, Yunho.”

Yunho’s eyes widened for a small fraction, cheeks flushing, “Oh, that sounds lovely, I—sorry, I’m just taken aback that you know my name.”

I didn’t mean to glare at him, but he was bad at playing the abashed and shy boy persona, perhaps a few acting courses wouldn’t do him bad, “You’re on the baseball team and I have gone to almost every game of yours, so I think it’s only natural I know everyone’s name on the team, no?” I didn’t let him answer me as I gave him a scrutinizing look, “Besides, you’re quite famous for breaking the hearts of the girls you go out with, right?”

Now, I could tell he was actually flustered as he averted his eyes, biting his bottom lip as the flush from his cheeks spread to his ears too. Yunho’s dark hair was messy and wavy, and he wore his glasses now. The black turtleneck made him look comfy and safe, his dark jeans complementing his long legs nicely.

“Ah, those are just rumours, you shouldn’t believe everything you hear.” He rubbed his nape and looked back at me, “I’m sorry, I never caught your name.”

I sighed and thought about whether I should tell him, but it was only right since I knew his name and didn’t want to look like a prick, “It’s Y/N.”

“Nice to meet you, Y/N.” He grinned widely and extended his hand to shake, “I’m Yunho, but you know that already.”

I hummed and took his hand, a little surprised by how long his fingers were and how much bigger his palm was, it made me blush as I carefully pulled my hand out of his, busying myself with my marker, “So, what are you doing here? It’s a bit weird seeing a sports major here, you know.”

Yunho groaned and I glanced at him to see him rubbing his forehead, “Don’t even tell me about it, it’s completely against my will, if I’m being honest. Not that I hate the theatre or anything, but I’d be much rather doing something else.”

“Well, you can just get up and walk out before the professor comes, you know,” I suggested, nodding my head towards the exit, but Yunho had a solemn look on his face. He let his hands fall in his lap as he intertwined his fingers.

“Actually, I can’t.” He pouted, and I tried not to think of him as a manchild, it wasn’t very appealing, “You see, I might have done something that was against the rules, and this is basically my punishment if I don’t want to lose my scholarship, or worse, get kicked out. I mean, my career would be ruined before I even had the chance to start it, you know?”

I nodded, pretty much on board with what he was saying, “Yeah, that makes sense. Well, it sucks but I still don’t understand why drama class out of all classes they could’ve punished you with.”

“Ugh, right?! Don’t even get me started on it,” Yunho rolled his eyes and adjusted his glasses as he licked his lips, turning his body to face mine, “Like, the principal is totally crazy for placing me in this class! I don’t know why she thought a little play-pretending would fix my attitude—her words, not mine—but it certainly won’t. Like, whatever I did wasn’t even that serious, it’s the fact that the stupid professor can’t take a joke, I didn’t even sleep with his daughter!”

So, this is who the real Jeong Yunho was, unfiltered, and apparently, not as perfect and charming as everyone thought him to be. I chuckled, amused that he’d have to suffer through our drama classes because I knew the outsiders always viewed us as crazy whenever they stumbled through the doors of the theatre, “And how long until your punishment is over?”

“This whole semester, can you believe it?” Yunho sounded annoyed, but his face remained void of any annoyance as he slumped in his chair, looking defeated, “I swear to God, the principal was high on some shit when she threatened to throw me out if I didn’t heed her orders. It’s like—I know she’s my mother but we’re at school, for fuck’s sake! Like—this is university, she can’t punish me like I’m some sort of five-year-old, no?!”

I covered my mouth to try and hide my amusement at his outburst, which got other students chuckling. I meant to answer him, but a rather loud scoff coming from the first row caught everyone’s attention as suddenly they stood, whirling around, hands on their hips. My amusement died down as my eyes widened, staring at Mrs. Jeong in surprise, I didn’t know she was there, I thought she was running late.

“Oh, really, young man?” Her sharp eyes narrowed, and I watched from the corner of my eyes as Yunho’s own widened, mouth falling open, “You think you’re here because I believed whatever that professor accused you of? No, you’re here because you promised me you’d stop fooling around, yet here we are!”

“Mom?” Yunho seemed pale as Mrs. Jeong glared him down, he turned to me with a desperate look on his face, “What’s she doing here?!”

He whisper-shouted as Mrs. Jeong scoffed and crossed her arms in front of her chest. I felt a bit awkward and put on the spot as I nodded in acknowledgement at her, then faced her son, “Mrs. Jeong is the head of our department.”

Yunho’s eyes widened comically and I chuckled as I bit my lower lip, “Uhm, did you not know that your mother is the head of the drama club and department?”

“No!” Yunho whisper-shouted and eyed his mother, who had started to grin in contentment. I could see the resemblance in the two as I looked between the mother and son, their smiles were the same and their cheeks were puffy and almost always rosy. Mrs. Jeong was a lovely and compassionate woman, it sometimes made me wonder why Yunho had such little respect for women when his mother must’ve raised him right.

“If you’re done parading yourself, son, I’d like to start my class, thank you very much.” Mrs. Jeong raised her eyebrows and Yunho grumbled something under his breath as he slipped lower in his chair.

“Sorry, Mrs. Jeong.” He avoided eye contact with his mother and Mrs. Jeong smiled in victory, eyes taking in the place as she counted how many there were of us. I smiled at her when her eyes fell on me and she returned it, clapping her hands once she was done.

“Good, I see more of you joined us—I didn’t count my son in—I hope you’re all ready to rehearse for the play before the auditions, and I’m more than eager to help you all out. Today, I’d like to highlight some of the culminant points of the play and discuss the acting techniques they should be delivered with.” Mrs. Jeong intertwined her hands behind her back and nodded before she went to grab her own copy of the play. Yunho looked helpless as he glanced around the room, sighing long as he peered down at my lap over my shoulder.

“Uh, can you share yours with me?” He grumbled, not so smiley anymore, “I didn’t know what we’d be doing today, I’ll bring my play for the next class.”

“Just this once,” I said with a pointed look and put my copy of the play between us, “I don’t like to share and I like to sit alone, just so you know in the future.”

“All alone?” Yunho asked curiously, “Don’t you like sharing?”

“I like my peace of mind and quiet.” I answered, raising my eyebrows at him, “And I really like to be left alone, Yunho, so don’t try to distract me.”

“Okay,” He whispered as he flipped through the pages, making me give him a small glare, “I’ll be silent, but don’t expect me to survive this whole semester if you ignore me the whole time.”

“Go make friends, I’m sure the girls behind us are more than eager to sit with you,” I muttered with a roll of my eyes, and Yunho grinned as he leaned slightly closer.

“Is that a hint of jealousy—”

“Mr. Jeong,” Mrs. Jeong snapped and we both looked at her alarmed, she was frowning at her son, “Leave Miss Lee alone, yes? Or I’ll make sure to fail you in this class—”

“But mom!” Yunho whined, sitting up straight as he leaned forward, “You can’t do that, I’m not even registered for this class!”

“Really?” Mrs. Jeong chuckled, “Aren’t you?”

“You did not.”

“Oh, trust me, I did.”

Yunho’s mouth fell open in shock, and I had to turn my head to hide my silent laugh as Yunho turned into a whining manchild once again, “You will behave in my class, young man, and you’ll let Miss Lee be, understood?”

“Understood, Mrs. Jeong.” Yunho grumbled under his breath and looked down, a grimace on his face as he muttered something to himself, “I can’t even skip class now, for fuck’s sake.”

A laugh slipped through as I gave Yunho another amused smile and then grabbed my marker, way too amused by how things were turning out to be. Yunho didn’t look too amused but Mrs. Jeong did, and she spoke up with a smile on her face, asking us to flip to the thirteenth page of our play.

I could only hope Jeong Yunho, the Casanova, wouldn’t ruin one of my favourite classes for me.

❱❱ Next act

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[imustspeakmyheart]

Here's my Earthsea tattoo I got as a little birthday present to myself. This illustration comes from the Bantam paperback editions; it's the little icon above the very first chapter of A Wizard of Earthsea, depicting the island of Gont.

Ramble about my FAVOURITE Earthsea passage below :)

So I've been obsessed with this quote ever since I first read it a couple years ago. The full thing goes as follows:

"As their eyes met, a bird sang aloud in the branches of the tree. In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves: it seemed to him that he himself was a word spoken by the sunlight" (35).

This happens in Roke's courtyard, the first time Ged enters the school and meets the Archmage. Objectively, it's just a lovely passage in a book series full of beautiful prose. It exemplifies exactly what Roke is: a place where magic coalesces and an understanding of the world can be reached. This knowledge is the very thing Ged has been wanting throughout the book so far, what has driven away from Ogion where the learning was too slow. And look here! He steps foot in the school and at an instant, this moment of transcendence. Lovely stuff in a small atmospheric scene.

But it does another thing I find way more interesting in that last phrase I put in bold. See, Wizard is a book very preoccupied with mastery over the world, in particular Ged's continuous longing for power, for overpowering others. That's, you know, his whole arc in this thing. Learning that power means knowing when or even whether to use it, and that magic (which in Earthsea means change, even the tiniest change, that ripples and ripples onward) takes consideration, time, patience.

So how wondrous is it that we get this phrase still at the very beginning of Ged's inner journey, still in his full hubris mode, that shows the world's influence over him. And look, I know this is a tiny itty bitty sentence right and it might not seem all that, but I don't think anything like this happens anywhere else in the books either? In a series where words are power and influence and change, literal magic, I think it really does mean something here that Ged feels like "he himself is a word spoken by the sunlight".

What does this mean? What does it mean to be spoken by the sunlight? That he feels made, created by the sunlight? Changed? Held in place? Either way, some influence is held over him by the very powers that wizards usually command themselves. The landscape is speaking him, the sunlight is commanding him, subsuming him, he's part of the world in the realest most primal way you can be in Earthsea. He's a word.

And another thing! Ged's entire struggle in this book is with what? His shadow. Yet this phrase reminds us that even at a moment where Ged has not learned his lesson yet, when he is yet to commit that terrible act, he has light in him. He's changed by that sunlight all the same. Light and shadow both; there can't be one without the other.

(Also this fountain Ged's at in the courtyard in this scene is the very same place Nemmerle dies after saving Ged from the shadow. Very important place, this.)

ANYWAY suffice to say I love this passage and I will never stop thinking about it.

[angel-fruitcake]

SPN S16 DESTIEL THEORY 🏳️‍🌈

ok please here me out- IF the spn revival is in the works, i believe it will include fully canon, romantically requited destiel. here's why:

the supernatural finale was fucked up, for many reasons. they know that. Misha knows it, Jensen knows it. everyone knows it. if they get the chance to redo the ending and fix things--a real shot at redemption--they won't make the same mistakes again.

yes, i'm fully aware that destiel is not the only thing that spn is about, not even the main storyline. but the moment they decided to let Cas confess his romantic love for Dean, they made it clear that that was a huge piece of the whole story. so if they write a revival that either doesn't acknowledge Cas' feelings (like with the finale), or worse, has Dean reject Cas' confession under the guise of being straight or only viewing Cas as family, they would be officially crowning themselves as The Most Homophobic and Most Hated Series To Ever Exist.

knowing Misha, if he's involved in the revival at all, he will make damn sure Cas gets justice. he wasn't satisfied with the way things ended either, and there is zero possibility that he will allow a revival to include Cas without going all the way with destiel this time. Castiel's love for Dean is apart of his story now, full stop. if they can't give him the ending he deserves, then there is absolutely no point in him even being in the revival.

and if for some godforsaken reason we learn that Cas isn't apart of it, it'll be obvious that Misha couldn't get destiel to happen, so he stepped back (at that point they will likely lose so much fandom interest in it that it'll be questionable if it's even worth making).

but i have a very hard time believing that Jensen would allow a rebirth to happen without Castiel/Misha being in it. he just wouldn't do that, it's too important for the story.

lastly, they won't be restricted by any network that's too cowardly or bigoted to allow the lead characters to be in a queer-presenting relationship. Jensen (or whoever buys/bought the rights to supernatural from WB) has the freedom to choose the company that picks up this project, because there is no actual pressure to make it. they don't have to do a revival; the show is over. if they give spn a rebirth, it will be a labor of love, created with the sole purpose of doing right by the fanbase and by the series itself. so if certain networks shoot down their ideas, they can find one that will be on board.

this is ofc just a theory and i know i shouldn't get my hopes up, but in my mind this is pretty solid.

if you read all that, thank you and i love you 💙💚💙💚

[neptuneiris]

sparks (04/04)

But I promise you this I'll always look out for you

pairing: business-boyfriend!aemond x fem!reader

summary: at the beginning your relationship with aemond is perfect and there were no worries. until he becomes the Heir of his father's company, the most important in the whole country and certain events and certain people start to interfere in the relationship.

word count: 9.0k

previous part • next part • series masterlist

now yes, the epilogue is officially coming soon haha

hello loves! hope you are having a wonderful day!

I made an announcement about the change in the story so if for some reason you didn't read it, don't worry, here I will explain again what happened:)

the reason why I decided to add a part 4 to the fic is very simple: the chapter was too long for the epilogue and when I say too long I mean really long. and I didn't want to bore you or fill you with too much, believe me that the epilogue was exaggeratedly long:(

I'm sorry if it wasn't what you expected, but I decided the best and I really hope you like it a lot, after all it's not the end yet😚

that's all, I won't keep you any longer, enjoy!

Aemond Targaryen had never felt so miserable in his life.

The trip to Casterly Rock was one of the most important in his entire working career and yet it was the worst trip he had ever attended in his life.

His mind would not leave him alone and the urge to cry along with the anxiety and desperation he felt was too much. And it was so much that he couldn't control it.

But outside of that, he didn't care too much about the event, socializing and having conversations with other important businessmen, as if it wasn't something he did every day, nor did he attend to the press which was what he avoided the most nor did he care about Larys Strong and Alys Rivers.

He honestly didn't care about anything.

At least nothing outside of the important thing that was his meeting with his partner Jason Lannister and attending his conference with the board of directors.

He didn't care that this would later lead to 'serious consequences,' if you could call it that, with his grandsire.

Even after he caught up again with Jason Lannister and properly attended the conference with the board of directors, as soon as it was all over, he took his flight back to King's Landing in a needy and desperate manner.

And the first thing he did after landing was to look for you and try to talk to you. Although he must have known that you would not let him find you.

Your university is extremely large and although he tried to find you by asking the administration and coordination of your university for your varied schedule, they did not give him anything, as they cannot give out their students' personal and private information so openly to strangers.

They only do so on occasions that require it and are extremely necessary with hard evidence, such as to a family member of the student for an emergency or something like that.

And Aemond honestly didn't blame them, as he looked extremely desperate and like a madman, especially when they told him they couldn't give him that information.

So he went to your work, where he knew it would be easier to find you, but again… he was unsuccessful because you wouldn't let him.

"Uhm… I'm sorry, but she's not here."

Your coworker told him and judging by her face, he knew instantly that she was lying, especially by the pitiful face she was giving him amidst the assurance she wants to create by saying her words.

"Please, just tell her I need to talk to her," he tells her pleadingly, feeling like he will burst into tears at any second.

She lets out a long breath, as she looks away from his gaze for a moment, looking hesitant, nervous and even watching him with pity.

"I'm really sorry but… she hasn't presented for days now and I haven't really seen her."

"But I need to talk to her as soon as possible," he insists, sad and still with a hint of hope that he can fix this, "Do you know where I could find her after her classes and work?"

"I-I…" she starts to say nervously, biting her lips, then completely avoiding eye contact with him "I'm sorry but I don't know. Like I said, I haven't seen her, so I'm not aware of her plans after work."

He takes a deep breath, as he runs a hand through his hair and also over his face, feeling his heart beating too fast, losing patience, losing hope, feeling completely desperate and frustrated.

"Please," he begs, not knowing what else to do, "Please tell me. I really need to see her and talk to her. I'm worried."

Sophia, not knowing what else to say, can't help but feel uncomfortable and again averts her gaze from his.

"I'm sorry but I haven't seen her and I really don't know where she might be."

Aemond watches her for a few seconds without saying anything else even with his sad and desperate face, understanding perfectly that he wouldn't get anything from her about you.

He sees how she is more than willing to keep lying for you and even though he feels completely desperate and frustrated, he knows it's not her fault, so he decides not to push her too hard.

So he took a deep breath and tried to sound calmer.

"Okay, I understand, thank you," he says resignedly, "But if you see her, please tell her that I came looking for her and needed to talk to her," he tells her one last time, "Tell her to please consider it."

And Sophie nods with a sympathetic nod, still watching him with that pity.

"Sure, I will."

And he nods back.

"Thank you."

That time Aemond came out of the coffee shop completely disappointed, having the foolish hope that you would come out of hiding and stop him after the little show he gave to your coworker completely sad and desperate.

But of course, that didn't happen.

Upon returning to the apartment, nothing felt the same anymore. Aemond now all he feels now is a deep loneliness and sadness that eats him alive inside as he finds himself alone in that place, a place that was once home to him and you, where you both started a little life together as a couple.

With loneliness in his chest and in the middle of the apartment, he sees everything around him with his melancholic eye and face.

Everything now felt like a painful reminder of what he had lost.

The place is completely permeated with memories where every room and corner tells a story of his relationship with you.

The cushions on the couch where you used to cuddle and watch movies together, the kitchen island where you shared with each other your day to day separately and the kitchen where you made food or washed dishes together, laughing and talking about anything.

Aemond then goes to the bedroom, where he now sees your empty desk where there is no longer your laptop, your lamp and all those pens and markers with which you used to make notes for your classes, nor the various sheets and folders with which you used to do your projects and research.

So he understands why you decided to leave him, because even though it was never intentional and the least he wanted to do was hurt you, he still did.

Your vanity is also completely empty, where so many times you spent hours doing your makeup happy and energetic singing your favorite songs.

And other nights you would remove your makeup crying for him and because he never put a serious stop to his work by standing you up.

And as he looks at the bed, only the memories invade him more, beginning to feel his eye watering.

The two of you cuddling, him taking refuge in your arms after a stressful day at his job or you taking refuge in his arms after a stressful day at college. Also before bedtime, the two of you would talk about anything silly until you fell asleep, where the moment felt more intimate than anywhere else.

And Aemond loved those moments, as did you, where you both shared space on the comfort of your bed.

Aemond then wanting to return to the living room, he stops in the middle of the hallway looking at the door with a serious and at the same time pained expression, where he also remembers that day when you were here and he was at the entrance waiting for Cole, where everything happened.

But it's also where you both made love and showed that love to each other with that passion, with that affection and with that deep intimacy of just the two of you that was nothing ordinary or common.

You were just two people in love loving and enjoying each other with that complicity and that unique union that characterized them.

Letting out a huge breath, he then plops down on the couch, staring at a spot in the living room in silence, feeling completely alone and hopeless.

And he hates it.

He absolutely hates the feeling.

Just as he hates the feeling of emptiness in his heart that seems impossible to fill. Because he knows it can never be filled by anyone else. Only you.

And that's when Aemond starts to really break down, realization and acceptance slowly creeping into his mind, eating him alive, destroying him, leaving him with nothing.

Until it happens and in the midst of his silence and loneliness, he starts to cry without being able to help it anymore.

He hates everything, his job, his grandsire, the association with Alys Rivers, the press, absolutely everything and also himself, for letting you slip through his fingers and not doing anything more efficient from the beginning to avoid the breakup.

Because if he had, you would still be with him.

It's only until Aemond really feels miserable and like he can't breathe that he decides to call the only person who can get to him sooner, really not wanting to be alone, needing someone to be able to reassure him.

So he calls the one person he thinks might be able to help him and reassure him.

He would have called you, of that there is no doubt, you would be his first choice, but you have blocked him from everywhere, from every social media, calls and messages.

He would have called Hel too, but she's in Highgarden, Hells, he would have even called Aegon, but he's in Storm Ends.

"Yes, Aemond?"

Rhaenyra Targaryen answers on the other end of the call, and Aemond really can't formulate coherent sentences for every sob.

He tells her your name, that he can't find you, that you've blocked him from everywhere, he mentions his grandsire, the company, loneliness, sadness and that it all happened too fast, that he needs her and doesn't know what to do.

And soon after that Aemond says he doesn't want to be there anymore, so they both leave the apartment and with every step he takes away from the place that used to be a home for him, he feels an increasingly heavier weight than before in his heart.

Soon Rhaenyra arrives at the apartment to help her half brother, not asking him anything about what has him like this while he continues to cry and holds her hand tightly.

Rather Rhaenyra tries to reassure him by telling him that she is there for him.

It is only a matter of time before his entire family knows of his breakup with you, instantly Hel calling him, as does Aegon, Hel being the more surprised and incredulous of the two, wanting to know what has happened.

Since Aemond has no vacation and can't afford to miss work with a few extremely important and one hundred percent justifiable exceptions, he soon finds himself setting foot inside the building.

Though they both know, as does their whole family, that it was because of their grandsire and everything to do with the company, also because of Alys Rivers.

And they are not surprised when Aemond implies he had something to do with it, not saying anything else, clearly because he doesn't want to talk about it.

All his workers notice the down and serious mood of the next boss, as it is also noticeable that he doesn't want to talk to anyone and doesn't want anyone to talk to him more than necessary, so he just locks himself in his office to continue with his work.

But as soon as he starts his work day, inevitably having that hope by looking at his phone screen from time to time that you will call or text him, Eleanor calls him and warns him that he has a meeting in ten minutes with his grandsire.

This makes his mood worse, even though he knew it would only be a matter of time, but he reluctantly gets up and heads for the conference room.

And the moment Otto enters the room, clearly with his annoyed and frustrated face, the whole place fills with tension. And when Otto makes it clear to him that he is not happy at all, still Aemond maintains an emotionless and indifferent face.

"I can't believe how irresponsible you're being, truly."

Otto begins to say with incredulous surprise and a frown on his face, watching him completely annoyed.

"I asked you for one, just one thing on your trip to Casterly Rock."

"The only important thing on that trip was to attend my meeting with Jason Lannister and also the conference with the board of directors, in both of which I did perfectly well," Aemond says still completely indifferent.

"Don't you want to play dumb with me, Aemond," he warns him through his teeth, "You know perfectly well what I'm talking about."

"Look, I'm not in the mood for this right now—

"And you think I am?" he inquires instantly, "You think I'm not tired of telling you the same old thing over and over again?" he says annoyed, "Wasn't I clear with you when I told you I didn't want Rivers to cause a scene for me again because of you and what's the first thing she does when she comes back from that trip?"

"For fuck's sake, you close your fucking contract with her!"

Explodes Aemond annoyed against him without being able to control himself anymore, tired and annoyed of him, but of course Otto also responds in the same way.

"No, this is your job! She wants you, not me! And now that you're finally done with Y/N, you can do something about it, something more than necessary, but you do nothing!"

Then again something inside Aemond snaps at the mention of your name and the breakup, leaving him completely silent and watching his grandsire with his parted lips.

Everything in his mind is still fresh, his emotions are still running high and that he has mentioned the breakup as a good thing so that he can finally whore himself out to Alys without any guilt and restraint, as his grandsire has asked him to do, only makes his gaze turn dark and one of complete anger towards him.

And Otto, as he is looking him straight in the eye, notices that change within him and in his gaze, but he doesn't move, doesn't flinch, and continues firm.

"So you know."

Aemond says in a low but firm tone, watching him intently and without even blinking, even with that dark and determined look, making Otto watch him silently for a moment, then swallowing hard and finally speaking.

"Of course I know. Just because I'm not home much, doesn't mean I'm not informed of what's going on with my family."

"And you're happy now?"

He inquires him really without much emotion, with an incredibly calm and soft tone of voice that surprises Otto, while now Aemond's gaze reflects the slight pain, watching him completely attentively, being strong and as much as he can in front of him, clenching his jaw.

And Otto says nothing, just watches him, which Aemond considers him a coward, as what he wanted so badly has finally happened and he says nothing.

"I bet you do," he answers her question for him, watching him bitterly.

Otto lets out a long breath.

"Look, I know you cared about her, and I feel sorry for you, but the company—

"No, that's not true, you don't feel the slightest bit sorry for me," he interrupts him with a disinterested tone, "She broke up with me because of you, but also because of me. And I'm sure when you found out, you were so pleased and had more hope that I would finally do something about Rivers and the association," he says dispassionately.

"Aemond, I'm just asking you to be professional and fulfill your obligations as heir to this company. I'm asking you because I care about you and because you can't get stuck thinking about a girl, instead of your job, your company."

"Don't mention her," he tells her instantly serious and with a threatening tone and look, "I don't want you to talk about her, ever again."

Otto lets out a long breath.

"Rivers has given us a warning and a deadline for you to convince her to sign those papers. She's already upset and unpleasant enough thanks to you," he tells him seriously, "This whole process has gone on long enough, so either you act now or we lose her forever. And we're not going to have the conversation again about why it's important to partner with her company, are we?"

Aemond looks away from him, completely pissed off and annoyed, and then gets up from the swivel chair, intending to finally get the fuck out of here.

"I'm talking to you."

Otto tells him in a higher tone of voice, watching him seriously.

"Yes and I've heard enough."

"You will do as I have told you and you will do it now," he warns him.

Aemond scowls at him, then puts on an annoyed and more threatening face than before, placing his hands on the very expensive refined wooden table then leaning towards him as well with his threatening posture.

"You're not going to order me around anymore."

"Aemond, do you really want to force me to do something I don't really want to?"

"Don't worry, I know you really do want to and I honestly don't care. But believe me it wouldn't be good for you, after all… I remind you that you're forgetting your place."

The fight and silence builds the tension further, as Otto and Aemond stare menacingly and defiantly at each other, each with their differences being more than clear, when suddenly the door to the conferences bursts open.

This breaks all the tension and also draws the attention of both of them, who look towards the door and under the doorway stands Rhaenyra, whom Otto observes slightly surprised and completely confused.

"Sorry to interrupt," she says as she places a soft smile, "I hope it's not something important."

Aemond turns his gaze back to his grandsire for a moment with his jaw clenched, who continues to stare at Rhaenyra confused and this time with a questioning look, showing his annoyance at the sight of her.

"No, we were done," Aemond makes clear, his voice in a serious and low tone, to turn his gaze back to her.

"And what are you doing here?"

Otto inquires Rhaenyra, who is not surprised by his attitude towards her, as she is used to it and doesn't really care.

"I came to speak with Aemond," she says then turns her gaze to her half-brother, "Your secretary told me you were here and I thought maybe you could talk to me, if you're not busy."

He nods in her direction.

"Sure," and she nods back, waiting for him as well.

But Aemond turns his gaze to his grandsire, who also looks back at him, confused and questioning to see that in his gaze he still intends to fight him with his threatening posture.

Again they both stare at each other, where Otto stares at him completely serious without saying anything and Aemond continues threatening, completely serious.

"If you pay someone to notify all the press and all the media anonymously of my breakup with Y/N or tell only Rivers to take advantage of me, believe me I will publicly announce and tarnish your image about how you tried to whore me out to Rivers with proof."

He threatens and Otto gasps for a moment.

"And i will tell worse, that she was also seeking an intimate relationship with me, a woman who has almost my twenty years on me."

And without saying anything else, Aemond leaves the room together with Rhaenyra without waiting and without hearing any answer back from his grandsire, for the first time in a long time having won the fight and leaving him completely speechless.

"What? You thought I didn't know?" he asks, "She doesn't say her age and she doesn't look nearly forty, but she is, so we don't want any of that, do we?"

He observes him expectantly,

"It will be a disastrous scandal. And it won't be good for her, nor for you and the company. I also know it won't be good for me, my mother, my siblings or my entire family. But I will do it if you leave me no choice and I won't give a fuck, because it will all have been your fault," he makes it clear.

At that moment he feels liberated and empowered, as he has finally left him in his place and has not done what he always ordered her to do, while he experiences a sense of relief and renewed self-confidence.

But unfortunately, that feeling doesn't last forever. Or at least it doesn't last once he's outside the company walls.

And that's because he's still thinking and longing for you.

He tried a few more times to try to find you, asking all the people he and you have in common where you might be or where you live now saying he needed to talk to you, but no one would give him an answer, making him miserable.

Even at work, he couldn't concentrate, because all the time he was thinking about you and if he could do his work, it was all thanks to Eleonor, who would notice his tired face and the bags under his eyes, as well as notice how hard he was trying.

She would see him drinking coffee more than usual and it worried her, but knowing how stubborn he is, she knew there was nothing she could do.

And once he got home, no one knew the sadness and loneliness that consumed him completely.

Even sometimes when he couldn't sleep, he kept looking at the selfie of you and him on his phone screen that he hasn't taken down, both of you smiling and more than happy, instantly feeling the pain in his chest and the tears about to run down his cheek.

It's going on a month since you decided to end the relationship but Aemond is still haunted by the moments you both shared and the 'what ifs' that haunt his mind.

Every day, the pain of the breakup seems to increase rather than decrease. At every moment of distraction, also at work or doing the most ordinary thing in life, like making a coffee, Aemond gets lost in his thoughts, remembering you.

And in every memory, he blames himself for what had gone wrong, thinking of all the ways he could have acted differently and done more for both of you, for you.

And he couldn't accept that he would simply never see you again, that it was all over, he needs you and he needs you so badly every time he starts crying and blaming himself at the same time.

He feels completely trapped in the memory of what the relationship was and feels unable to get over you, the woman who had and still means everything to him.

It is not until Rhaenyra and her mother began to notice Aemond's instability and begin to worry about him that even Helaena decides to fly to King's Landing to be there for him, reporting everything to Aegon.

And fortunately Aemond doesn't push her away when she visits him by surprise, telling him that she has come to stay with him as long as necessary.

And he hugs her tightly and cries on her shoulder, asking her not to leave him alone, to please help him recover you, that he needs you, that he understands that everything was his fault but that he deserves at least one more conversation with you.

The people Aemond cares about are there for him, even Rhaenyra, but Helaena is the one who is almost all the time with him at home and also at the company, running the Highgarden company from there, helping him heal at the same time.

Unfortunately you never responded to Helaena's messages, neither to Baela's.

So even though it hurts Helaena to see her brother like this, she knows that you are hurt too, she knows your reasons why you did what you did and she doesn't blame you for it.

But Aemond can't.

And though he doesn't know it and doesn't even think about it, you are just as or worse off than he is, trying just as hard as he is to cope with the breakup, barely being functional in your day to day life and in having enough energy, being completely broken inside.

He is still immensely in love with you and every day that goes by and he doesn't see you or hear from you, it's complete torture.

He even stopped being seen in public and stopped attending events, focusing entirely on the company and nothing else.

It's not until another full month passes that one day, when Aemond wakes up to find Helaena in the kitchen with her face completely pale, her eyes wide open and her lips parted with her phone in hand, she gives him the news that he knew would happen someday but still takes him by surprise.

His father has died.

And he knows what that means, everyone knows.

He is the successor and literally overnight, he is now the boss, officially. And with that begins the real chaos for Aemond Targaryen.

It was a moment he was looking forward to but at the same time not because of the great responsibility that would fall on him, all the great weight.

But first of all, the whole Targaryen family is busy with a funeral and taking an indefinite rest, all of them and him especially hiding from the press and everyone.

1 month later

"So…

Speaks the calculated voice of Alys Rivers with a condescending tone, looking expectantly at Otto Hightower in front of her as she slowly turns in the swivel chair she is sitting in, having her uncle Larys Strong next to her, who in comparison to her is calmer.

"He won't show up?"

She inquires as she fiddles with the pen in her hand, twirling it between her fingers with her perfectly painted dark scarlet fingernails, raising an eyebrow in Otto's direction.

"Of course he will, he knows how important this is to us," he tells her immediately, "It's just that with the death of his father, he and his siblings still need a little more time. It's been very recent still."

"We still mourn the death of Viserys Targaryen," Larys Strong says in a soft tone and Otto nods in his direction.

But Alys is not at all pleased, for months now.

"We've been waiting for almost fifteen minutes."

"Yes, I know, I'm sorry, honestly—

The door suddenly opens, interrupting Otto and drawing the attention of the three in the conference room who turn their heads and see Aemond entering the room unhurriedly and calmly.

"Sorry for the delay," he says as he approaches his place, "I was taking an important call."

Rivers instantly looks at him in a penetrating manner as she continues to fiddle with the pen in her fingers, while his grandsire watches him seriously.

"More important than this?" hisses Otto quietly through his teeth.

And still not caring, he takes a seat to adopt an equally nonchalant posture, looking even annoyed that he has to be in this room with these people, causing Rivers stress and frustration, as well as his grandsire for his attitude and lack of interest.

"Yes."

Aemond replies to him without dissimulation and without caring.

"I don't think you have understood the gravity of the matter, Mrs. Targaryen," Alys Rivers speaks, catching the attention of the three, looking directly at him, "I gave you a deadline to sign the association papers and you still haven't given me one good reason why my company should be associated with yours."

Aemond shrugs, observing her indifferently.

"That my company is the most important, innovative and efficient in the entire country is not reason enough for you?"

"That's not what I meant."

"We're talking about business and what's in the best interest of our companies, aren't we?"

Rivers clenches her jaw.

"I think you know perfectly well that a partnership requires more than that, it's also about building interpersonal relationships."

"As far as I know, you are a co-owner of Riverlands Group and the one who actually founded the company was you, Larys Strong," he observes the man, "You shouldn't decide if you want to sign these papers or not?"

Otto throws daggers at him with his eyes and an utterly deadly stare, but Aemond doesn't even notice, as well as Rivers starts to get annoyed. So before Larys Strong can speak, she speaks first.

"We both work as a team and make decisions together," she tells him instantly, wanting to make it clear.

"You seem to make all the decisions."

"Aemond—

"As far as I know, it's not in your best interest to lose this opportunity to be able to partner with my company," Rivers speaks with a firmer, more serious and determined tone, "And I've been very patient and accessible for months now."

"Also as far as I know, months ago we attended an event together and it was you who announced how proud you were to have a partnership between us in process to everyone, yet you are the one who hasn't signed the papers, so what exactly is it that you need or want from me or the company for you to sign them?"

He dares in asking with a challenging tone and look, watching her completely intently, wanting to know how bold she is, pushing her a little to say or not to say what she really wants from him.

As Otto hides in his chair and holds a hand to his face, not being able to believe this is really happening.

And Rivers looks completely serious and annoyed at Aemond, who starts to look amused by his lack of response. So the next thing he does is point to the contracts on the table in front of him, extending them to both of them.

"So… do we have a deal or not?"

He inquires, not wanting to waste any more time and wanting to get this over with once and for all, watching them expectantly.

Strong and Rivers exchange a glance, where Rivers still has his serious and annoyed look, but also has something else on his mind after fully analyzing this new Aemond now that he is he boss.

So he silently nods in his uncle's direction, making Strong extend his hand to place the papers in front of him to sign them.

But just as his fingertips touch the paper, Aemond abruptly puts them back in front of him, leaving them out of his reach, drawing the attention of all three instantly and more so of his grandsire who already feels completely relieved after so much.

But Aemond's attitude is alarming just then.

"Before you sign, I need to tell you something important."

All three of them frown, especially his grandsire.

"And it can't be after the two finally sign?" he inquires without having the patience for any more of this.

Aemond lets out a long breath, looking at his grandfather and then Rivers directly, wanting to be completely clear with his words.

"I want you to know that in another occasion I would have really appreciated having the opportunity to work with you and partner with your company, I really would," he tells her honestly, "But you never acted the right way, neither did you," he turns to his grandsire to focus back on Rivers, pausing slightly, "So I don't need this association anymore."

Surprise and disbelief completely takes over the three of them, but more so on Rivers and Otto, who exchange confused and puzzled looks.

"Aemond, what are you saying?" his grandsire inquires.

"I'm saying that I don't care and I'm not going to do what you tell me anymore nor am I going to let people like you intrude into my personal life," he then tells Rivers with determination.

Rivers looks at him completely offended.

"Me intruding in your personal life? What are you talking about?"

"I think you know perfectly well what i'm talking about, so since you have nothing more to do here, I'm sorry for wasting too much of your time, but you can go now."

His grandsire looks at him in complete surprise and disbelief.

"Aemond—

"If you think I'm going to sit here and allow this treatment of me by you, you are very wrong, I will not tolerate it for another second," Rivers says, getting up from her chair, annoyed and offended, "You need me but this is your loss. Let's see how long it takes before your company goes bankrupt and you lose everything."

Aemond lets out a bitter laugh.

"No, in fact I don't need you," he makes it clear, amused, "And if I needed you, believe me I wouldn't have partnered with you even as my last option," he tells him decisively, "Do you think you're the only company that has partnerships with Essos? Not only you, but also Rodrik Greyjoy, the owner of the Pike company in the Iron Islands, my new partner".

He says and Otto Hightower looks on in complete surprise, not expecting that at all. And this only causes more anger and indignation in Alys Rivers.

"You're going to regret this," Rivers tells him humiliated and annoyed as she grabs her purse and then heads for the exit with big strides, "And my company is never going to be associated with yours, ever!"

"Have a nice day."

Aemond tells her not forgetting his manners and the doors slam shut with a loud slam that still doesn't completely flinch, then looks at his grandfather who looks like he's going to explode at any moment.

"You can leave too," he tells her nonchalantly, rising from his seat, "I've had enough of this shit. I expect your resignation by tomorrow at the latest."

"My resignation?" he repeats, completely bewildered and surprised.

"Yes, your resignation," he affirms him" "Rhaenyra will now take your place while Daemon is left running Dragonstone."

"W-what…? Aemond, you can't do this! I helped you, I supported you, I broke my back for you, I made you what you are now and I put you where you are!"

"Actually yes I can and in fact I already have," he says dispassionately, heading for the exit, "I'm the boss now."

And even hearing their protests and shouts, he leaves the room with him following, causing a huge scene, but once he makes his way to his office, he slams the door in his face and asks Cole to take him out of here immediately and he instantly complies with his order.

And when Aemond sits in his chair, he lets out a long sigh and closes his eye as he drops his head completely on the backrest, no longer feeling that weight on his shoulders and that tension he felt every day all over his body, finally feeling free, relieved and at peace.

It honestly feels good, after so long.

And he sees the positives of him finally being the boss, as he can now do these kinds of things, things he couldn't do before and finally give him that needed balance to his life and work.

But as soon as he leaves his work space and gets home, he again feels that emptiness in his chest and that sadness, not feeling full and like him, knowing full well that you are missing for his life to finally be perfect.

He wishes he could have done all this with you by his side. He still wants to fix everything between him and you, but you being off his radar, it's just impossible.

And he still loves you too much to use money to try to find out where you are, knowing he couldn't do that to you, the woman he still loves with every fiber of his body and heart.

He still misses you, very much. He wants to have one more reason to be this new person he has become, a better person really.

But he respects your decision, even though he still thinks he deserved more.

That same day he sends a message to Helaena asking her when she will come to King's Landing and if she wants to stay with him at his house and that same day at night he receives a message from Floris Baratheon, a friend he and you have in common, finally things being in his favor.

The moment he so deserved arrives when Floris invites him to a pub in the center of the city to celebrate his birthday. And since he knows you and Floris are close friends, he knows you'll be there.

You thank the driver for dropping you off at your destination after paying him, then you get out of the car, close the door and head towards the entrance of the pub that Floris has chosen to celebrate his birthday.

Today you don't know what's wrong with you, as you suddenly have a very positive mood and attitude that hasn't been seen in you for months, clearly since what happened that day.

But today you have all the willingness to have fun, celebrate with Floris, have a couple of drinks and see what else the night takes you to, you really need it.

So you open the door of the pub to enter, instantly ringing that typical bell that announces a new customer, which draws the attention of some people already inside the place, but you focus on finding Floris and his friends at all the scattered tables.

"Y/N!"

Suddenly someone shouts your name and you turn your head, seeing that it's Floris, calling you from the table they are at and you start to smile, about to head towards all of them, when suddenly, your gaze crosses with a blue eye that you know all too well among all the people at the table.

A blue eye you haven't seen for months.

And your whole world around you fades away.

You freeze completely and a shiver runs down your entire back as you stare at him in shock, attentively and with your lips parted, definitely not expecting to see him, at all.

Your heart starts pounding, your legs turn to jelly and your throat goes dry. You don't know what to do, let alone what to say, you just can't speak or react, nothing.

You don't feel any more that mood of before, that disposition and that attitude, you simply feel like a little girl who wants to hide behind her mother's legs.

The memories of the relationship, the happy moments, the painful moments, everything you went through together comes back to you in an instant. Just as you remember that day, when it all ended, feeling sick to your stomach, suddenly no longer feeling strength in your whole body.

You feel completely trapped in a sea of emotions flooding your mind. The feelings that you had tried to suppress for months, now overwhelm you.

But not only does your whole history with him come back to you, you are also affected by seeing him again physically after so many months because you had not even seen him through a photo on the social media after the breakup.

And to see him now after the passing of his father and that he is now the owner of the most important company in the country, is just more of a surprise for you.

You try not to let the surprise be so noticeable on your face, although you probably already failed at it, seeing now his gorgeous short platinum hair, giving him a completely different air and look, although not in a bad way.

So you assume that those are the reasons why now he has changed. You can't say the same for yourself as he has really changed, physically.

You had never imagined an Aemond with his hair cut short, you never thought about it and now seeing it… it makes you feel a sensation all over your body that you really can't explain.

He looks more… mature and like… an expert in business, which is what he really is. He looks even younger for his age, also more handsome. He looks like a big businessman.

Unable to help yourself, you still can't move, just standing there, clearly affected after seeing your ex-boyfriend again, who Floris immediately jumps to your rescue, while at the same time you see how Aemond says something under his breath to Liam, a friend of his and also yours, to then get up and head towards the bathroom without looking any further in your direction.

You follow him with your gaze, swallowing hard and starting to tremble, while Floris stops in front of you with a small reassuring smile.

"Hey, I'm so happy you came."

She hugs you and you let her, as you really need it and she knows you need it too.

"Easy," she murmurs comfortingly in your ear, "You've got this, take a deep breath."

You blink, as if to clear your thoughts that way, then drop your head defeatedly on her shoulder, inhaling deeply, as she has told you to.

"I'm sorry," she tells you with some pity, feeling your body tense, "The guys mentioned it to him but he said I still wouldn't tell him anything, so in order not to make him feel bad, I decided to invite him too," she tells you sadly.

"No, no, it's okay."

You tell her instantly, turning away to watch her, seeing Floris as your eyes are full of emotions and with effort, you try to nod and understand her, although you really do, since after all, Floris is not only your friend, she is also his friend and you can't blame her, you would never do that.

"I-I… I… I know, I just… I didn't expect it," you confess, trying to compose yourself.

At least he's out of your sight now and that helps a little but still, you know he'll be back soon.

Floris takes your hands gently, offering you his physical support that she hoped would be enough for you in comforting you.

"I know it's all still very fresh in your mind, so if you need to leave, that's fine with me, I'll understand perfectly, don't worry."

"No, no, I mean, yes, it all still feels very fresh but…" you let out a long breath, "Sooner or later it was bound to happen, you know? And it's your birthday!" you exclaim out of nerves, "I-I can't just leave, I-I…" you bite your lips, "Happy birthday, by the way."

Floris smiles.

"Thank you bestie."

You smile back as best you can, still feeling your mind working at full speed, your body feels it more tense than usual and you unconsciously keep on the lookout for him, because he might come back at any second.

You give her the gift you bought for her, then she gives a few words of motivation and finally she leads you with almost everyone to the table.

You greet old friends and also meet other friends of Floris, trying to look calm and relaxed at all times, when in reality, inside you are a bundle of nerves and not calm at all, not at all.

You can see that all your friends… and Aemond's friends too, know that he and you are no longer together, which causes you some discomfort, but for Floris, you decide to face it, him too.

"At any point in the evening you can leave if you need to, really," she reassures you again before you take a seat and you nod in her direction, understanding.

Meanwhile Aemond in the bathroom leans fully into the sink as he breathes through his mouth and closes his eye for a moment, trying to calm himself, letting a sigh escape his lips.

He honestly doesn't understand what has happened to him.

He thought he could, that this is all he's ever wanted so he could have you back with him, but… when he barely laid his eye on you the moment you walked into the place with five meters in front of him, he felt like he was going back to the past.

For all these months, even yesterday, I was waiting for this moment. He was waiting to see you again, to try to talk to you, to try to get you back and now?

He just felt like a scared little boy.

His heart broke into pieces again as he remembered that day, when you decided to break up with him.

And how he felt at that moment, besides the weeks after when he tried to look for you and you wouldn't let him and blocked him from everywhere, he relived it again, feeling every emotion, remembering every tear he shed and all the other pressures he had on him because of his grandsire.

Not to mention the death of his father and his promotion in the company, all in a matter of days, making everything worse.

And although everything is totally different now, he still recognizes that he did not prepare for this moment.

Everything still hurts him, he no longer feels capable, he feels that you will break his heart again, although no more than he broke yours, where he did nothing about it, he only asked for forgiveness, as if that was enough.

Aemond looks at his reflection and tells himself that he must keep calm, keep his posture and not make this any more uncomfortable than it already will be.

But at all times he has this longing in his heart to be able to get you back.

While you now find yourself sitting, having a place at the big table, basically at the other end, away from where he is sitting, trying to calm yourself down from now on, although it is costing you a lot.

And not a moment too soon, Floris places a beer in your hand, murmuring in your ear that your mind needs to stop thinking and worrying too much.

And just as you take a sip, Aemond returns.

You try not to look at him too much, just the same way he tries not to look at you too much as he takes a seat next to Liam again, but unconsciously it's impossible.

The table by the others is full of laughter, while the pub is full of music, with a party atmosphere that really contrasts with your whirlwind of emotions and also with his.

Even though you don't want to, yet when he doesn't notice, you watch him. And this frustrates you. You want to enjoy Floris' birthday, but you can't help the tension you emanate along with him even though they are extreme to extreme.

Every time his gaze meets yours, you avert yours to the other side, nervous and alert, telling yourself that you can't let this disturb you for the entire time you'll be here.

"We're just here to celebrate Floris."

You repeat to yourself in your mind constantly.

On the other side, Aemond's mind doesn't stop spinning. Every time his eye meets yours, he feels a knot in his stomach and in order not to feel too much, he takes a sip of his beer as well and tries to appear unconcerned.

You both feel completely vulnerable, you don't want to make the atmosphere more tense and uncomfortable, so you make an effort to think about Floris and his friends.

You try to distract yourself by talking to other friends, talking to Floris and observing the whole place, but Aemond is always on your mind.

And even though you shouldn't, you ask yourself inevitable questions, unable to control it.

How is he doing?

How is he coping with the fact that he is now the boss?

Did he suffer a lot because of his father's death?

Must he hate me for ending things with him like that?

Did the association with Alys Rivers' company happen?

You let out a long breath, hating your mind at that moment, but you also inevitably begin to answer those questions with assumptions.

You assume he must be fine, since he's here, which surprises you since he didn't have time for almost anything before, so his new position at the company must give him a little more free time, although you don't really know.

You think about whether he must hate you for breaking his heart in such a cruel way, taking advantage of the fact that he had to leave to get on his plane and you guess he must still be seeing Rivers, even the breakup probably made things easier.

You bite the inside of your cheek and scold yourself, since you don't really know anything and take a long swig from your beer bottle, having had enough of you.

Aemond, on his own, in his mind was trying to find a reason or a good excuse to approach you, but he couldn't find the right moment. He wished the words would flow naturally, but every time he imagined a conversation, he felt blocked and unable to utter a word.

As the night progresses, the tension between the two persists, but fortunately it also becomes a little more bearable.

Although you have not spoken and have only exchanged glances, you had taken an important step in facing the past in that same place. But although the purpose was to have fun, neither he nor you did, it was impossible and you just sat in your places for Floris, nothing else.

Luckily everyone else didn't feel uncomfortable or tense because of you two, as little by little the table fills up with more drinks, the guys and he also smoke, the music helps and most of them are getting drunk, except him and you.

Until the hours go by, it's a little past midnight and already some people are starting to leave, Floris' night of celebration slowly coming to an end.

When only Floris, Liam, Sarah, Jenna, him and you are left, therefore, Floris considers the night over. And that's your cue to leave, so you say goodbye to her and everyone except him, taking the opportunity to leave the pub as you see him busy asking for a cigarette.

As you leave the pub, you lean against the wall with your phone in hand and the Uber app on the screen, waiting for a driver to accept your ride, but it keeps asking you to wait every long minute, making you feel desperate and worried.

You know it's only a matter of time before they and he come out and see you here and that's what you don't want.

But luck in that regard is not in your favor.

After continuing to wait for five more long minutes, you grunt under your breath in frustration as the application doesn't tell you anything, besides it's too much to ask for but you don't blame that either as you recognize that your dorm is far from here and you also take the time into consideration.

When then, Floris and all of them leave the pub, instantly her and also him noticing you.

Floris instantly turns to you and you give her a tired and distressed look.

"What's wrong?" she asks you in a low voice.

You bite your lips as you stare at your phone in frustration and answer her in a low voice as well.

"No driver accepts my ride. I don't know what to do."

"Well, Aemond has offered to drive us," she tells you with some caution and even in a low voice, "I'm sure he'll have no problem driving you too."

And here's just what you didn't want.

"No, I-I…" you let out a long breath, "Maybe I should try another app or walk a little further."

"Have you lost your mind?" she reproaches you in a whisper.

"I'm not going to ask him to drive me too," you clarify, frustrated and sad, "I've had enough."

"Come on, Y/N. I'll ask him."

Aemond, actually hears everything from a distance and realizes the situation, so he notices how Floris watches him and also how you try to watch him from the corner of your eye, noticing how you move your fingers across the screen of your phone in a desperate way.

And just then Liam speaks in his direction.

"I don't think we're all going to fit," he tells him as he points to his car.

He lets out a long breath as he pulls his keys out of his pocket, unlocking the doors.

"Get in, everyone."

He says in his voice loud enough for everyone and especially you to hear, without even looking at you, he also says it with a nonchalant tone, then starts across the street, heading to his car, which is big and spacious enough for everyone.

He listens as you and Floris speak again, but it's not so audible to him anymore, with the others following him to the car as well.

Tonight hasn't been the best, neither was the way you both ended it, but he still cares about you and your well-being, as there was no way he was going to leave you here alone, at almost two in the morning.

And when he gets in the car, he thought he would have to stand still, waiting for you, to the point of having to tell you himself that he will drop you off at home, but in the end he sees you following Floris with a look that he can't really describe.

Liam gets in as co-pilot and all the girls settle in the back seats, you too.

And pretty soon he's driving through the city, watching you in the rearview mirror from time to time, unable to help himself, while you watch him too when he doesn't notice, biting the inside of your cheek and feeling completely nervous.

And you don't know if it was intentional, but it really wasn't, Aemond just started asking for directions and those who had their houses closest to them spoke, leaving Sarah first, then Floris, Liam and at the end there's Jenna and you.

"My dorm is in Walden Residence, it's on the first block of the university," she indicates to Aemond and then she looks at you, "You live in a dorm too?"

You nod, feeling unable to speak.

"In which residence?"

You swallow hard, as you lick your lips.

"Westbridge."

"Oh! Then you'll drop me off first, her dorm is further in the back," she says to Aemond, who starts the car again.

Oh fuck.

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The Fragrance You Inherit Remained Gentle and Kind

The Fragrance You Inherit was such a gentle and kind show. I loved so many things about it: The performances, the music, the colouring, the pining, and above all, the kindness. I've said before and I will repeat: this is a show about good people who love each other doing their best to be kind to one another, and it was a pleasure to watch. Run don't walk to Siiri's blog @isaksbestpillow to download the show with her subs. Spoilers for the finale to follow.

The interpersonal relationships were the star of this show: The mother/son relationship between Toki and Sakura, Sakura's friendship with On-chan, Toki and Kanae's budding romance and learning what it means to be in a relationship together, Sakura and Mone as reunited old friends and how they immediately regress into giggle-fits in each other's presence, Kanae and her father and how Hoshii-sempai remained a lovable and supportive dork through the whole series, Sakura and her own mother, and even Toki and On-chan and the loving uncle/nephew-like relationship they build...all of them were perfect, loving, and sweet. And the relationship parallels were used well to move things forward--Mone sees the parallel between herself and Sakura in the past with Toki and Kanae in the present; Mone draws from her relationship with Toki to understand her relationship with her own mother better; and Toki draws from his experience with Kanae to understand his mother better (and vice versa, he draws from his mother's relationship to understand his own better too).

I said after ep 1 that my expectations for this show were that we would get closure for Sakura and we did, in a series of beautiful scenes. I love how the series is bookended by two very different weddings that Sakura attends with very different emotions, and how much support Sakura has around moving on and seeking happiness for herself. Though we didn't see the scene, we got enough of Toki and Kanae's relationship that I believe that Kanae also knows about Sakura by the end of ep8, and her giving Sakura the flowers is tacit approval for Sakura to go out and date (a woman).

In addition to the confession scene, I absolutely loved Sakura's coming out scene with her mother; the way this was done to underscore the importance of a child's happiness to their parent was well done and was a good message to send. Generally the message about coming out in this show was that it is not something you owe anyone but is a gift you give the people you love so that they know you better and as a benefit, by knowing more about you, their world expands. I liked this message.

I had also said in the same post-ep1 post that this show seemed gearing up for a teenage boy meltdown, but I did not predict how sweet and loving this meltdown would be. Toki is the most thoughtful and caring teenage boy of all time. The scene with him and his mother on the phone in episode 7 made me cry so much! I really appreciated that the show was clear that Toki had absolutely no reason to ever doubt that he was loved by his mother, but that the evidence of his life and their history was not enough to break through the teenage melodrama when it hit, and he needed to hear it from her directly. I have to stop and give kudos to Sakura's actor Hoshino Mari, who did a phenomenal job. I felt her desperation and concern for her child so strongly, as well as her relief.

While I'm giving shout-outs, I also need to shout out Takeda Kouhei, who was perfect as the sardonic and empathetic gay bestie On-chan. I was so happy to see him every time he appeared, he always gave excellent advice, and his presence was so soothing.

And while Toki and Sakura were the core of the show, I really appreciated that all of the characters felt like they had their own motivations and drivers. It would have been easy to have made Kanae one-dimensional or without agency, or to have made Hoshii-sempai a distant or unsupportive father, or Mone the passive recipient of Sakura's feelings. But the show balanced all of these characters as distinct people who each had their own perspective.

Thank you again to Siiri for subbing this series and making it available for all of us to watch; this was another gift of a show. And thanks to the giffers who giffed this show, especially @easterndelights !

[kooldewd123]

in the midst of all the mrbeast drama, the part of his history I find myself drawn the most back to is, of all things, the pewdiepie vs t-series rivalry. that was such a pivotal moment to youtube culture. there was something there that truly felt important to a lot of people. pewds was just a Guy. a creator, like so many others from his generation of youtubers, who simply put a camera in his bedroom one day and decided to upload it onto the internet. when he became the most-subscribed youtuber, he won that title from people like smosh, ray william johnson, nigahiga, and others who, like him, were in it for fun, not fame. despite his many flaws and controversies, he became a symbol of what youtube (or even online content in general) meant for a lot people. and so to see his five-year reign as king finally threatened not by a fellow Guy in a Bedroom, but by a Company??? that was an affront to the soul of youtube, the soul of the internet.

unfortunately, the writing was on the wall as soon as t-series landed on people's radars. with the rapid growth t-series was showing and the ever-changing landscape of online video as a whole, it was clear there was no stopping them from surpassing pewdiepie eventually. the opposition that arose from their arrival was never a true attempt at holding the crown, but rather a rallying cry of the creator-driven internet showing that they still mattered, that they would still push back against these companies invading their space. and out of this pushback, perhaps the strongest voice was mrbeast. while the other big names gave shoutouts to pewdiepie and maybe made a video or two about their thoughts, mrbeast made it a core part of his identity for a while. he would plug pewdiepie at every opportunity, funnel as many of his viewers towards pewds as he could, and even brought it into the real world by putting up billboards promoting him. i think it's probably fair to say that he was the single most vocal supporter of pewds.

which makes it weird to say that in the battle between pewdiepie and t-series, mrbeast came out as the ultimate winner. sure, t-series reached that holy 100 million subscriber milestone before pewdiepie did, but pewdiepie's hype man somehow managed to catapult himself ahead of both of them and reach the top with 328 million subscribers at time of writing. which, okay, maybe seems like a happy ending on the surface? one Guy in a Bedroom reaches the top, gets overthrown by a Company, and then a different Guy in a Bedroom makes it back on top. all's well that ends well. except the mrbeast making waves today isn't exactly a Guy in a Bedroom anymore. mrbeast is a chocolate company, a burger chain, an entire media enterprise. the mrbeast channel itself has become almost secondary, merely an advertisement to bring kids into the mrbeast brand. the mrbeast that dominates the youtube home page today has become an unholy conglomeration of what both pewdiepie and t-series represented: a Company wearing a Guy's face, something that presents itself with a friendly, familiar persona while using that perception to influence consumers into feeding into it. the mrbeast of 2024 is an even more insidious version of the sort of channel that the mrbeast of 2018 was fighting against.

and it makes me wonder: did mrbeast ever truly believe in the message of the pewdiepie/t-series rivalry, or was his goal simply to ride pewds's coattails into fame? it's clear looking back that unlike most of pewds's other cohorts, fame has always been mrbeast's ultimate goal. he's been chasing trends and doing stunt videos for basically as long as his channel has existed, and for years before he actually began to gain traction. was his "subscribe to pewdiepie" campaign just another wave of trendy views for him to ride? i couldn't tell you. personally, i want to believe that he did value the spirit of creation at at least some point in his career. i don't think you can post videos online for twelve whole years without finding at least some satisfaction in the creation process. but that just makes the current state of his channel even sadder. truthfully, even despite all the exploitation, the disregard for others' wellbeing, the covering up of shady behavior, and whatever other horrible things he's done, i pity him. when pewdiepie was king of youtube, so was felix kjellberg. pewdiepie the persona and felix the man had a mutualistic relationship. each one built the other up. but jimmy donaldson? jimmy donaldson is a sacrificial lamb laid at the altar of mrbeast. it's easy to make fun of his dead smile and overly forced enthusiasm, but when you hear him talk about his life behind the scenes, it's no wonder he turned into this. he's constantly forcing himself into work. he barely allows himself any downtime. he scraps entire highly-expensive videos because he doesn't think they're good enough. jimmy is destroying himself to keep mrbeast alive. he needs to keep up this persona day in and day out, never settling for anything less than perfection lest the fickle gods of SEO cause one of his videos to underperform by even a hair. in a time of heightened mental health awareness, we are watching the biggest online influencer ever reach record levels of burnout in real time. he is a living monument to both the personal dangers of online influencers and the societal dangers of capitalism. and all we can do is watch as the hole he's dug himself into grows deeper and deeper.

[adarkrainbow]

Why was Hansel the meal of the witch?

This is a question I was aked recently, and I thought it would make a good subject for a post. "Why did the witch only try to fatten up and eat Hansel? Why didn't she imprison and fattened up Gretel too? Why did she choose to make Gretel her slave instead of Hansel?"

Which is actually a fascinating question. Now, I do not promise that there is some grand truth or secret meaning behind this. It is just a little detail and some technical workings of fairytales. But it is a point that many authors and rewriters have taken an interest upon, and that if a true well of reinterpretations.

So let's go... Why was Hansel the meal, and Gretel the slave?

If we go by the "canon" of the text (of course "canonical" fairytales do not exist, this is just an expression) - if we go by the Brothers Grimm's text, we... well we do not know. It is not specified anywhere why the witch decides to lock up and fatten up Hansel out of the siblings, and to not do the same thing for Gretel. There is no reason explicitely spelled out or given. Maybe she simply prefers the meat of boys over the one of girls? This absence of justification, and the apparent "randomness" of the choice opens a door for authors who would like to change things: for example in "A Tale Dark and Grimm" (the book, not the Netflix series), it is both Hansel and Gretel that are fattened up by the witch, and she only picks Hansel as the first one to be roasted. The Looney Tunes Hansel and Gretel also were both in the cooking pot of the witch Hazel...

The text only leaves implications for the reader. For example, the need for the witch to have a slave/assistant to help her with the chores is implied by the facts that she is 1) elderly 2) has a very bad sight and 3) walks with crutches (a very important point). So it is understandable she would require a slave to help her - but then why pick Gretel, and not Hansel? Again, the text does not answer. Many people like to portray Hansel as the oldest child of the duo, and Gretel as a younger sister - this is because Hansel seems to be the strongest, bravest and most intelligent one, as well as with how his name always comes first in the text, Gretel being after him. Maybe the witch chose to eat him first because he was precisely older, and thus there was a more developed body to eat? Even if the siblings are of the same age, we can always imagine the very old and present male/female dichotomy that claims that men's body are naturaly stronger, larger and meatier than women's, who have graceful, slender, lighter bodies. Maybe such a concept is at work, putting forward a mindset where a cannibal witch will always go for boys first as a main course, and girls next as an appetizer...

One possible reading of the story is that the witch only had enough place to lock up ONE child and thus had to make a choice. Maybe there wasn't enough room for two kids in her prison for future meals? This interpretation is supported by the ORIGINAL text of the Grimm's fairytale. In the first edition of the brothers Grimm's fairytales (provided by Jack Zipes), there is an explicit mention of the place Hansel is locked in: it isn't some sort of stable or cage as it would later be described, oh no! It is a chicken coop so small Hansel can BARELY MOVE. It is a really tiny prison, in which he barely fits. Of course, on a practical side, it can help with the whole fattening process since having a child eat rich meals without ever moving is certain to make him plump in no time (just look at these horrible industrial farms and how they lock up animals in tiny cages) ; but this detail actually explained why the witch only placed her efforts on one child, and not two: she obviously had only enough to place to lock up one kid, and had to deal with the other in a different way.

But even if we admit all those implications - that the elderly, handicaped witch needed a help, that she had only enough room to lock up one child, that maybe Hansel as an older boy makes a better meal than Gretel - there are still some strange and bizarre logical holes. For example, the witch beats up and starves and exhausts Gretel. This is the complete opposite of what she does to Hansel, who is pampered and fattened up - does this imply the witch maybe does NOT want to eat Gretel? Or does she really have only enough resources to fatten up one child, and can only afford making Gretel more edible once she is done with Hansel?

Again, mysteries upon mysteries. Fairytales are not created to work on practical details or actual psychological processes - they are stories relying on powerful visuals and ancient motifs and a dream-logic-structure. When we are told that the witch locks up Hansel to fatten him up and eat him, and that Gretel is becoming an abused slave, we just accept it, because it works on a set of powerful visuals, such as the malnurished slave sister cooking and feeding her imprisoned and soon-to-be-killed brother. The idea of the sister being reduced to a tool in the process of killing her own brother is a very powerful one, never explicitly stated, but still present and sometimes used by adaptations. There was this German Hansel and Gretel movie released in 2005 that explicitly played on this: the children were never told by the witch her intentions when she locked up Hansel, and for the first week or so of Gretel being a slave and Hansel fattened up, they were left in the dark concerning the real intentions of their mysterious jailers. This was a stark contrast with many Americanized adaptations that have the witch gloating and explaining her cannibalistic desires to her victims, and which opened the door for some interesting plot points - in this movie's case, Gretel being quite jealous and envious of Hansel's new life of feasting and being kindly treated by the witch when she got all the insults and chores. Of course, when they discover the truth, their mutual feelings reverse as Hansel realizes his seemingly "easier" fate is actually the worst of the two.

Still, the text is left ambiguous and open-ended enough for us to imagine TONS of things. There could be a rewrite of the tale where the witch exclusively eats little boys, and hates little girls. One nterpretation of dark poetry of the tale can be found in Znescope's Gretel mini-series. Despite this mini-series having BIG flaws (the choice of the witch's true identity was... quite bad to be honest), it does have a very interestng and morbid answer to the "Why was Hansel the only one fattened up?" question. It chooses to depict this difference of treatment as a sick and cruel game the witch plays with her preys: Hansel and Gretel are both her prisoners, but she fattens up Hansel while she starves Gretel, to make a contrast between the two, simply out of a perverse amusement. There is one particularly striking image of the two children locked in two cages arranged like a weighing scale, with Hansel's cage going lower as he grows fatter and Gretel's going up as she becomes skeletal... It is a nice visual contrast that has been reused by various artists.

Now, I spoke mainly here of the content of the story and of the text itself. However, as I stated before, we must look beyond the story itself to understand why Hansel was to be the meal, and not Gretel. Or rather we need to look at the fairy tale's structure, on a meta-level.

As I said before, the fairy tale works here on a system of duality. Hansel and Gretel are meant to be a yin and a yang, complementary reflections. The boy and the girl, the brave and the coward, the cunning older brother and the crying little sister. The idea that their fates are "split" into the house of the witch not only furthers the anguish of the characters, who at this point were always together but now find themselves separated, unable to face together the same trials, but also keeps on playing on these visuals and motifs. As I said, there is something that many artists read in the tale, in the opposition between a malnourished Gretel and a feasting Hansel. This is part of the same duality of food and famine present all throughout the tale, such as the woodcutter's famished and poor household, opposed to the witch's house made of sweets and with chests full of pearls. The siblings represent two forms of abuse and evilness enacted by the witch, but in complementary forms: with Gretel the witch becomes a domestic abuser and an enslaver, with Hansel she becomes a jailer and an ogress.

One can also read in this an extension of the typical sexist duality between men and women in these old centuries: the fates the witch forces upon the two children can be caricatures of what each gender is supposed to "do" in such a society. Gretel, like women, is expected to do household chores and to cook for her "man" - here it is caricatured into her becoming a slave, and only helping fattening up her brother like some cattle. In return, Hansel, like a man, is supposed to be well-treated and well-fed, but here the caring wife/mother figure is a monstrous hag who only makes him feast so she could eat him later. In fact, it is quite interesting to see how both siblings are dehumanized and reduced to the status of animals - from Hansel being fattened up in the stables like some pig or chicken, to Gretel being fed leftovers like a dog.

All of that being said, there is another much needed argument that must be made: the answer fo thte question can be easily found in the story's structure. This is the most obvious solving of the problem when you consider it all: the story of Hansel and Gretel relies on the idea that the two children must save each other in turn. There is a balance in the tale, which bears the name of the two protagonists as heroes, but one before the other. During the first part of the tale, it is Hansel who takes the lead and the decisions. He is the cunning hero who tricks his parents, saves his sister from the woods, returns home thanks to his plan. Gretel is only seen being scared, and crying, and not doing anything except follow her brother around. In the second part of the tale, within the witch's house, it is Gretel who becomes the hero. Her brother is "out of the race", locked up away and unable to do anything, and it is Gretel who this time has to trick the deadly parental figure, come up with a clever ruse, and ultimately save her brother from death. This creates a perfect balance between the two characters: Hansel starts out as the hero protecting his useless sister, and then it is Gretel who vanquishes her uselessness to become the hero saving her own, impotent brother. The siblings need each other to survive, and thus save each other in turn. This is how the story works. And this is why Hansel must be the locked-up, fattened-up victim, so that his sister can save him. Else it would have been the story of "Hansel", and not "Hansel and Gretel".

All of that being said, a last point must be made about a final theory. A theory and reading of the tale that has been very prevalent and prominent in recent adaptations of the story.

The recent "Gretel and Hansel" horror movie did it. Before the (X horror movie) also did it. Neil Gaiman's Hansel and Gretel also used this idea. The comics Fables toyed with it in a side-way. And this idea is simple: the witch did not want to eat Gretel, but rather wanted to make her a witch like herself. Gretel wasn't the witch's slave, but unwilling apprentice.

This idea is born of course from a reconsideration of what a "witch" is, and the gender questions attached with the figure of the witch. In the original story, the witch is not a witch in the modern sense of the term, in fact she is a monster that is very clearly an ogress by another name. There is no question of learning how to be a witch, or making deal with dark powers, or anything like that. But when you read the tale with the modern sense of "witch", as a symbol of dark and hostile feminity, as a woman of power, who works against the domination of men, or the tyranny of patriarchy - when you consider all the gender questions surrounding real-life witches and the witch hunts, you see the witch's actions under a different eye. Her not wanting to eat Gretel at first, and making her do her chores, and forcing her to live with her, might hint at the fact she still considers her more "human" or more valuable than her brother, who is nothing but food, a mere cattle. Several of the modern reinventions of the tale, such as those stated above, decide to add the twist that the witch actually wants to shape or make the little girl into her image: from a slave doing the witch's chores, she becomes the witch apprentice, who is by her side in everything she does. Some of those readngs remove the elements of abuse towards Gretel, while others do not forget them. Neil Gaiman's take on the story is especially fascinating as the witch is explicitely described as oscillating between periods of sweetness and kidndness, promising Gretel all of her secrets and great powers, and periods of pure hatred and violence where she just insults and beats up the girl - all of it highlighting either the witch's madness, or a form of senility due to her old age.

But this theme of "Gretel as a future witch" or "Gretel as the witch's apprentice" ties in with another subtext well-hidden in the original text, but that many like to weave upon: Gretel as the "daughter" of the witch. In many of those rewrites and reinterpretations, the witch doesn't just treat Gretel as an apprentice, but as an heir or a replacement daughter. This is no surprise since it is very clear that in the original tale, the witch is the dark side of the mother figure, and an evil doppelganger of the wicked stepmother/mother of the siblings. As such, it makes sense for her to impose an abusive and unconsented motherhood upon Gretel - doesn't her forcing the girl to do all the chores not reminiscent of how famous fairytales stepmothers treat heroines like Cinderella? Such a perverse motherhood was already explicit and obvious in her treatment of Hansel: like a mother she nourishes and feeds Hansel (in fact she succeeds where the wicked stepmother failed), but this is all to devour him, in a ritual of "un-birth", she becomes a death-givers who doesn't expel a child out of her womb, but has it return to her stomach. [This is a very common and usual motif among ogres of fairytales, who are all caricatures of parenthood].

More generally, to have the witch act in such a way actually makes the fairytale more "feminist" somehow, but in a quite perverse way. Because in such a reading, we have a women-dominated world. The true active and powerful characters of the story are beings such as the wicked stepmother and the witch, who command, control and influence the other characters - especially the male ones. The father is a weak puppet who can't stand up to his wife, Hansel is reduced to a fat pig in a cage. Hansel did try to escape the tyranny of the wicked woman, but all he could do was push back his doom, and his plans ultimately failed. Gretel, as a woman herself, is given a special treatment - and in the "apprentice/daughter" interpretation, is "absorbed" by this world of wicked, dominating women. But she actually breaks from it, and kills the one that would have "turned" her - and it is telling and interesting that the only one who can have a true an full success, a definitive victory in this tale is Gretel. Hansel's plans work and save them, but only for a brief time, and his last plan fails dramaticaly, before he gets locked up and "out of the story". Gretel meanwhile, when she gets the courage and intelligence to act, proves herself much more efficient and definitive than her brother, as she puts a true end to the threat other them by killing the witch (and by extension killing the wicked stepmother/mother). This is something Hansel couldn't do - all he could was trck the wicked woman, and nullify her plans, but he could not remove the threat of the death and the hunger.

Anyway, as you can see, despite being a quite superficial and silly question, this fact (or rather absence of facts) opens up a whole jar of various interpretations, readings and themes, and proves the hidden complexity of these apparently "simple" stories.

[waffowo]

The take that Moffat had to make every companion important or make the Doctor the most important person ever is extremely funny to me. It’s definitely true that for Amy and Clara, they are presented originally as “important” but their later appearances always focus on dismantling the notion of being simply “important.”

S6 and 7 for Amy begun to progressively unravel things like her marriage to Rory and the “girl who waited” concept is sidelined aside for moments where its plot convenient (Wedding Of River Song) while Clara originally begins similarly, her actions of recklessly jumping into the time stream and her own interior life is put under scrutiny in S8 and 9. Plus Bill and Rory are just some girl and guy respectively 😭

The whole point of The Pandorica Opens and A Good Man Goes To War literally is an attack of the notion of the Doctor’s own personal importance and how it has grown to the point of undermining what it actually means to be The Doctor. The Pandorica Opens is literally so funny because the entire basis HINGES on undermining his grand monologue. Series 8-10 is an exploration of what it means to rise to the occasion of being “The Doctor” and concludes that anyone, as long as they are kind, has the right to embody the mantle. The Doctor Falls is arguably the most least-stakes finale of all of NuWho, the entire thesis being, “Without hope. Without virtue. Without reward” to illustrate that very point.

Moffat is unable to catch a break and that’s so funny, he can go, “The Hybrid is a metaphor” and he is still misunderstood 😭

[talonabraxas]

Odin Riding Sleipnir Talon Abraxas Hávamál – “Words of the High One” Hávamál is one of the most important, and surely most quoted of all the ancient Norse poems. The only surviving full version of the Hávamál is from the Poetic Edda found in the Codex Regius, written down sometime around 1270. The Five Parts of the Hávamál

The first part is The Gestabáttr, covering verses 1 to 83. This is like a handbook for travelers and those who are visiting others. Look here to find simple wisdom for your safe passage in the world beyond the threshold of your home.

The second part is a bit more jumbled, but covers verses 84 to 110. This part deals with various advice Odin has about matters of the heart, and women.

Following this section is part three, called the Loddfáfnismá, covering verses 111 to 137. It is structured as a series of moral codes addressed to one Loddfáfnir who Odin deemed in need of instruction.

The fourth part is Rúnatal, it covers verses 138 to 145. This poem relates how Odin hung himself on the Yggdrasil in order to gain the knowledge of the runes.

Finally, the last part is the Ljódatal, covering verses 146 to 164. In this part Odin lists a number of spells he knows covering everything from love spells to raising the dead.

Together, these parts constitutes the Hávamál as we know it today. It’s nearly impossible though to know if it was ever presented like this back in the Viking Age proper, or if the collection of these parts into a whole was created only after the end of the Viking Age. Part four – The Rúnatal

140. I know that I hung, on a wind-rocked tree, nine whole nights, with a spear wounded, and to Odin offered, myself to myself; on that tree, of which no one knows from what root it springs.

141. Bread no one gave me, nor a horn of drink, downward I peered, to runes applied myself, wailing learnt them, then fell down thence.

142. Potent songs nine from the famed son I learned of Bolthorn, Bestla’s sire, and a draught obtained of the precious mead, drawn from Odhrærir.

143. Then I began to bear fruit, and to know many things, to grow and well thrive: word by word I sought out words, fact by fact I sought out facts.

144. Runes thou wilt find, and explained characters, very large characters, very potent characters, which the great speaker depicted, and the high powers formed, and the powers’ prince graved:

145. Odin among the Æsir, but among the Alfar, Dain, and Dvalin for the dwarfs, Asvid for the Jotuns: some I myself graved.

146. Knowest thou how to grave them? knowest thou how to expound them? knowest thou how to depict them? knowest thou how to prove them? knowest thou how to pray? knowest thou how to offer? knowest thou how to send? knowest thou how to consume?

[haleingstorm]

Actually you know what I'm still not over the Seven not being found family in HOO. We were robbed. However canon is my bitch now so I present to you my the-7-actually-become-friends-and-family-and-have-meaningful-relationships-instead-of-just-vaguely-existing-near-each-other AU (Name subject to change).

The first disaster we have to tackle is fucking TLH It had so much potential and it just never followed through. First off I would like to mention that I would personally have SON be first in the series because then you could subtle drop hints about Jason and then learn about him in the next book. However I can be persuaded otherwise. So TLH it is. Let's set the scene.

First off Piper is not just a not-like-other-girls doesn't want to pretty because she finds it shallow. She grew. up. in Hollywood. Hollywood. That's going to fuck with anybodies sense of self worth and body imagine. As well as make it real clear what happens to young pretty girls/women. Add on to that a dash of Aphrodite kid powers. Namely subtle shape shifting. Canon by the way Silena is described 3 different ways in different books. (Am I aware this is probably Rick being terrible at remembering descriptions. Of course, do I care? Oh hell no.)

Anyway we'll keep her complicated relationship with her dad.(I have no authority on how to write her being Cherokee so I'm not touching that with a 10 foot poll. If others who know more would like to. Feel Free!). And Jane being kind of evil. Bonus points if she really wants to get in Piper's dad's pants but Piper keeps cockblocking her either accidentally but on Purpose. Piper is fighting the gender binary. It started out as a bid for attention but turns into hey-actually-this-is-making-me-feel-things. Dealers choice on what actually those things are. She's at the wilderness school because her dad doesn't know what to do with her. She has ADHD obviously but most of it is internal rather than external

Leo Valdez is a foster kid that has run away a gran total of seven times and is at the Wildness school as a Last Restort. He has undiagonzied ADHD because he was 'preforming too well in school' to fit the criteria. As well as fairly mild Dyslexia. He's terrified of fire and doesn't actually want to be a mechanic because that was what his mom was. And he could never be half the person she was. He's much too stupid for that. He is resistant to high temperatures but can not stand lower ones. Chalks this up to being from Houston. (spoiler alert it's not).

Now on to the star of the show Jason Grace. Love him, amazing. But actually the whole point is we don't know anything about him because he doesn't know anything about himself. However. One important detail is that he is the most feral motherfucker you will ever have the pleasure of meeting. When he had his memories he kept most of it hidden away because that's not how a Praetor is supposed to act. But now that his memories are gone all bets are off. He's there because a goddess is messing with fate.

[soracities]

how do you know when you're getting good at poetry? everybody dunks on halsey and rupi kaur's poetry, and i never really got why and idk if that's what i sound like

Honestly, I don't think there's ever a point at which you "know" you're getting good at poetry--I think "good" and "bad" are kind of vague and amorphous (and distracting) categories that don't do much in helping us understand the feel and impact of certain writing, chiefly because they can also be deeply subjective. How a poet views a particular work and how a reader views it will be very, very different because their relationship to the work is different. I also think "good" is a sort of external category that does not (or should not) carry into the act of writing itself--when you make "is this good?" the chief consideration as you write, you're not actually present in the writing: you're focused on the finished product, not the process, but the process is the most important thing: that's where the poem actually meets you. I think growth, in writing, is less about knowing if you're "good" in this regard, and more about being able to have confidence, or simply just trust, in the writing as it happens.

There's a famous saying somewhere that a work of literature is never "finished"--it just stops. I think skill, when it comes to writing, lies in recognising where this point is, in learning and developing how you navigate what it is you want to say, and how you say it. Some poems, eventually, reach a point where you can take them no further and you know there is nothing more to be said in them or through them. Some poems reach a point where you can take them no further, but there is still something left to be said in them. Those poems get revisited, worked, and reworked again, until they (maybe) get close to the first category: this may mean you work on them for a few weeks, or for years--but either way you are prioritizing the process of making the poem, not how it will be received. "Is this a good poem?" in my view at least, is not really the relevant question--what's relevant is "is this true to what I wanted to say?" Leonard Cohen famously wrote over 100 drafts of "Hallelujah"--I don't know if the central question for him here was just a matter of his skills as a songwriter.

Regarding Halsey and Rupi Kaur, I've only been able to read Halsey's poems through previews on Google Books so I don't know what other people's critiques are--based on what I saw, though, I don't know if it makes sense to criticize their quality as "poems" when she is primarily a songwriter and a lot of those poems wound up as songs. I'm more familiar with Rupi Kaur's writing, though, and others like her (Atticus, Michael Faudet etc), and while I have a personal policy of not getting into Kaur online (there's an ask here which is about as much as I'm willing to say regarding my feelings on her writing)--I can get into this trend or poetry "style" as a whole. And to be honest I think the chief issue here with poetry like this is that poetry, by definition, involves a deep and intimate relationship with language: this holds true regardless of whether the poem is simple, or complex, whether it's 5 lines long or goes on for 50 pages. As I said in that previous ask, it's not something you can reduce to a formula, nor is it a matter of mere reportage or a collection of statements: what makes a poem has nothing to do with line breaks (prose poems exist), but everything to do with how the language moves, how the language of a poem engages with its own content, with itself, and, as a result, with the reader.

The kind of work that proliferates on Instagram does not have that kind of engagement with language--they are, to me, pieces of information more than anything else. They reduce language to a series of stock phrases that act, not as actual words, but as images (and I don't mean this in a visually evocative way). It tries to evoke something that requires a thoughtful and sustained examination in order to be expressed, by surpassing the reality of what that examination actually requires. It tries to ape the effect of a powerful poem without the work that goes into actually being able to make that kind of a poem in the first place: and that work is a sustained encounter and confrontation with the language used and its relationship to what it tries to convey, in understanding that words are not interchangeable blocks you move around willy-nilly but that they have weight and intention, that they interact with each other to build up an idea or a feeling or a landscape in the most accessible way (insofar as language can make anything accessible, at least). But this is rarely, if ever, felt in IG poetry because it refuses to recognize or respect the demands and requirements of the medium it uses.

And because it is lacking in this engagement and recognition, these poems are also, for the most part, lacking sincerity--and this, to me, is one of the most crucial things when it comes to writing. I recall one IG poet whose work was in the same class as someone like Atticus, but I also recall one of his poems which genuinely moved me--and it moved me because, unlike everything else on his account, that poem felt sincere: the structure and the language wasn't any different to anything else he wrote, but in reading it, it was not a question for me of whether it was "bad" or "good"--what made the impact was that it was honest: and the difference showed. You can't come into a poem with ulterior motives. You can't come into it without an understanding, or respect, for the language you use. I'm absolutely not policing what people should or shouldn't read, and I'm not saying people are wrong for liking these poems, either, or that Halsey, Kaur, Atticus et al., are wrong for writing them. Expression is expression, and what speaks to you speaks to you. And to be honest, it is a different kettle of fish when you are writing something purely for yourself (and I think allowing yourself to partake in any kind of artform, without worrying about needing to be good at it, is deeply important for the human spirit)--but because they are putting their work out publicly, if we are going to be evaluating what they write and how they write it, that evaluation has to be rooted in an understanding of the art form they intend their work to be a part of.

For me, these are the main issues I have with these writers and their work and why I just do not like them. But I also want to stress that, ultimately, what you sound like in your own poems, anon, does not matter as much as being sincere to yourself does. As I said, I don' like using terms like "good" and "bad" and I think that often they're fairly reductive (and sometimes outright pointless) categories to use when we talk about and assess poetry--more than anything else, the key to building a robust and informed discernment when it comes to poems is to simply just read--read a lot of it and read widely. The broader and richer your repository of poetry (and literature in general) is, the more informed you are when it comes to all the different ways language can move through a poem, and all the different impacts it can have as a result. It deepens and enriches your understanding of all the different ways of looking at something, questioning something, expressing something. Your vocabularly grows and deepens; your net of associations--visual, linguistic etc--strengthens. And when this understanding grows you are able to place the things you read into a much wider and far more informed context. And this in turn allows you to grow as a reader and a writer. I hope this helps you a little, anon 💕

[sailor-crusader]

Imagine. You do a full watch through of a huge franchise of multiple shows. 600+ episodes in total. In the very first episode, you latch on to one specific character. She is your favorite. She's a minor character, only truly relevant to about 12 episodes. Even then, she's not super important. Still, you love her design, her personality, her mannerisms, and she still periodically appears in short bursts. It's like a little gift. She even returns near the very end of the original series. It's like a lovely goodbye gift.

Then, in the next series, she isn't there at all. Gone. Figures, a lot of characters were dropped in favor of new ones. It's understandable that this quaint character would be dropped when the series was getting more bombastic than ever.

Then, the next series, she's back! As this is a long time after the first one, she's old now. A geriatric grandma. But, she's just as good as before! Everything you love about her is still there, plus what's not to love about elderly women? She's still not very present and makes her last appearance about halfway through, but it was still very nice to see her again after so long.

Then the next series. She's back! Your favorite character is back and with more screen time than ever! Perhaps even more than the original! This is amazing!

Or so you'd think.

The last series was retconnned and made not canon. Your precious blorbo is no longer an old timer. No. She's young. Very, very young. Through some sort of twisted OFF SCREEN shenanigans, she has been magically transformed into a goddamn toddler. A baby. She was always silly. That was one of the reasons you loved her so much. But now she's a 5 year old whose character consists of wanting ice cream.

She was once a character who would point a gun at a child but then sleep with a teddy bear. A charming dichotomy. Now she's an abomination. A sick dysfigurment. Your blorbo matters so little. She's a joke. She goes on cocomelon baby adventures now.

But it's ok. The plot has just entered a time travel storyline, the protagonists are going to an alternate future, and what is there? Your beloved! Finally, an adult again! Surely you'll get your sweet blorbo back again, right? She'll return to her former glory, right?

No.

She doesn't point guns at children. She doesn't sleep with a teddy bear. She doesn't eat ice cream or do baby adventures either. Shes nothing.

Your blorbo is. Nothing. She is nothing. She has no personality traits. Every single thing she has ever had up to this point is just. Gone. She's not villainous, she's not funny, she's not even annoying. This is not the character you love. This is some random person.

Whatever, you'll just look for fandom stuff for her. Sure she's not very popular or important but the fandom is still huge. There will certainly be atleast a few fics and fan art. You'll just take what little you can get.

No.

Your blorbo has a new boyfriend. And this guy? He's popular. Really. Really popular. One of the most popular. Your favorite girl is a very minor character. And she's dating one of the most popular characters in the whole franchise. You know what that means?

Every fanfic. Her and him. Every fan art. Her and him. Every tumblr, Twitter, and reddit post. Her and him. 90% of all talk about your beloved girl is just a trashy ship between a worse version of her and some guy you also don't care for.

All is lost. No one gives a crap about her unless it's to ship her. No one gets her appeal. You are the only person in the world who chooses her as your favorite. You are alone. All you have is the sweet memory of that girl you loved.

That is the story of Mai from Dragon Ball.