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#it's the last song they finish before ..
quirkle2 · 1 year
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it's nice to feel childlike wonder again
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celestialowlryx · 2 months
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"Light the night up, you’re my dark star. And now you’re falling away." (insp. Starset - Dark On Me)
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caelanglang · 2 years
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Sour Drink
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close up of Chuuya being taller than Dazai
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lexosaurus · 3 months
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I think, genuinely, the coolest part about being in this phandom for so long and semi-consistently putting creative projects out there is that I can look back over the years and see how much growth I've made in all areas of my creativity.
Like, I'm writing things now I wouldn't have even dreamed of years ago, and I'm composing music that past me would have been shell-shocked to hear. And I can see with each new fic I put out, each new song I make, how much better I'm getting. And it's not to say that I've mastered the art of writing and composition, but I've certainly improved a fuckton since like 2017 or whenever the hell I made this account.
Damn, y'all. It turns out that all the experts were right and skill is just a LOT of practice over a long period of time.
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hools · 2 years
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A little cats club animatic [-:
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neoyi · 1 month
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[PREVIOUS]
☀️I was used to my safety and peace I mistook all this tedium with being at ease But then you came around, said "it's time to let go" And you took me to a place I don't know 🌙
SUMMARY: Resh'an travels to the end of the universe to unwind and meets an interesting individual who finds the very notion of a self-proclaimed God amusing. Lots of life lessons, self-discovery, and homoerotic touching occurs.
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Annnnnd the last pages.
I almost, almost considered Specter kissing Resh'an in page 12 as an act of comfort, but ultimately decided against it.
In my headcanon, the Specter Knight here is the Specter Knight who has fully developed: once gloomy and depressed, he has since embraced the friends and lover(s) in his life that has molded him to be a loving and kind Death (a lot of his confidence and eccentricity can also be owed to his aforementioned lover, the most exuberantly queer french man that ever existed.) What can I say, I like my grim reapers to be gentle and appreciative of the lives he cradles. Specter Knight here, at least my stories about him anyway, is the ultimate version of himself.
Resh'an? ...He still has ways to go, but he's trying. Regardless, it must have been a relief that he could fully let his guard down and be vulnerable with someone who knows every aspect of his life and doesn't judge him for it.
Thank you for reading.
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⭐Prince Marine: The Dandy Robot / Ko-Fi / Itch.io / Bluesky⭐
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b4kuch1n · 2 years
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and the storm he was driving/washed it away/in the eye there was a silence
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hawkinslibrary · 1 year
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The Weirdo on Maple Street Soundtrack (1/2)
01. Bad Girls | Peter Howarth 02. Go Nowhere | Reagan Youth 03. Should I Stay or Should I Go | The Clash 04. Deck the Halls | Chicks With Hits 05. Jingle Bells | The Canterbury Choir 06. Dark Stars | Mark Glass 07. I'm Taking Off (Shield Your Eyes) | Space Knife
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volatile-shorty · 1 year
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if all our love's now memories then was it meant to be if it leaves our hearts so instantly then was it make believe?
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copia · 4 months
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(provided they keep it on the setlist)
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emily-mooon · 6 months
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✨Sparks in the Club✨
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ryuseitai · 3 months
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idontwanna play enstars aevent i dont wanna Yes i do yes i do yes i do yes i
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manitapaleta · 2 years
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bad religion by frank ocean playing the entire time while drawing this
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sysig · 5 months
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I hope you blink before I do (Patreon)
#Doodles#SCII#Helix#ZEX#DAX#Blood#Fuck you *reinjects romance into your song about love-lost*#It's the ''I want to be the one to lay you to rest'' of it all#Or if not that then at least to be the last one suffering#See him off - make sure he goes knowing that he's not alone#I'm Fine just Don't Look at me and I'll Be Fine#Schrödinger's Fine lol - I am simultaneously Fine and Not Fine until I am observed#I simply subsist largely off of angst and then whatever small scrap of comfort that can be coaxed from there hehe#I am very mean to them considering how much I want them to be happy lol#Honestly I think what would be meaner is seeing ZEX off and then somehow DAX survives alone#Night ends just as he's about to blink out and oops you're still stuck here sorry about that <3#But I wouldn't do that to them would I?#:3c#I also think it's interesting that I started doodling this before I actually read ZEX's death - I finished it after but still!#Does he just give off gutted vibes? Canonically he's eviscerated so#And not just in the eye way - in this case it's enucleation#Did you come here for eye removal surgery puns? I don't see why you'd expect anything different *b'dm tss*#I've done way more research on eye removal than I ever expected to but now those two terms will be forever seared into my mind haha#Hhh ZEX's death was very affecting to me ;; I'll talk about it more with its accompanying doodle but really 💔#I wanted an honourable death for him - and if not that then a death where he wasn't alone - and if not that then to rest#He got one of the three ;;
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i started a supercorp portrait of a lady on fire au like three years ago. i'm never going to finish it, but the writing style is pretty cool, so i want to share it. so um enjoy the prologue and a bit of chapter one?
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Prologue. Bonnelles, France. 1786.
“First, my contours,” Kara said, her voice soft and level. She looked out upon the dozen or so young women, their eyes darting back and forth from their papers to Kara herself. “The outline,” she continued. The increasingly swift sound of scratching charcoal prompted Kara to further instruct, “Not too fast. Take time to look at me.” She paused. “See how my arms are placed.”
At that moment, Kara saw the painting.
She swallowed and took in a breath; she schooled her expression before letting out the air with a pathetically soft “My hands.” Her students’ gaze followed her verbal direction, now observing as Kara’s fingers curled with remembrance. Their own hands now began to sketch the slope of hers—the slope that had once coaxed breathy moans from a lover, the slope that had once created that very painting in all of its hollow longing.
Kara felt her heart rate accelerating, and her attempts at calming deep breaths only made her shoulders shake unsteadily. “Who brought that painting out?” Her eyes darted around, landing on each possible offender, as she tensed her core and adopted a stern countenance.
Every student dutifully turned to look at the work.
It was an especially young girl who finally lifted her hand. “I brought it. From the stock room. Should I have not?”
Kara’s “no” felt like a brick, its weight threatening to pry tears from her reddening eyes. So Kara took another swallow, a handful of blinks, a few more steadying breaths.
“Did you paint it?” the girl asked innocently. Nia, her name was? She stared at Kara, oblivious to the flood of sound overwhelming Kara’s mind and echoing in the cavern of her heart.
“Yes,” Kara uttered softly, the word barely audible as they fell from her lips. “A long time ago.”
Nia’s head snapped back to examine the painting once more. It stood on an old but sturdy easel, tattooed and scarred but still standing. The artwork itself was brooding, with a white sun bleeding into a dark vignette. Heavy clumps of clouds occupied the sky and caged some of the sun’s rays, so the fire burning behind the woman was bright enough in comparison to create a dragging shadow of her figure. The flames crawled up the back of her windswept dress, bringing sharp tension to an otherwise lulling, melancholy landscape.
“What’s the title?”
The sound of the sea began to swell in Kara’s head. Her lips trembled. Her body unwittingly swayed slightly. “Portrait of a Lady on Fire.”
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Chapter I. The island of Brittany, France, and the surrounding sea. 1779.
Kara squinted into the distance, her face scrunching up a bit as she desperately tried to shield her eyes from the harsh glare of the sun on the water. For all its gorgeous teals and sparkling peaks, it certainly did make her wish for one of those brimmed hats the rowers were all wearing. With every one of their paced paddles, the cork-like little canoe bobbed haphazardly. Kara rather felt as if she were in the wine glass of a thoroughly drunken Marie Antoinette.
At least she wasn’t prone to seasickness.
She still felt quite unsteady, though, being thrown about and forced to pathetically grab onto the boat’s low walls. She leaned forward, trying to regain her balance and ground herself despite the absence of ground.
The wooden pallet holding her canvas was, apparently, as unstable as she was, and the next thing Kara knew, it had been lurched off of the boat like vomit from a drunkard. Kara watched helplessly as it thrashed among the choppy waves, the sea carrying it a few feet from the boat.
The chief rower met her desperate look with exhausted resignation; he ceased his paddling as Kara shed her overcoat and placed a precarious foot on the edge of the canoe.
With a strained creak from the boat’s wood, she jumped into the water, dress billowing behind her. Her first gasp for air upon emerging from the water was audible; she could feel the effort in her throat. Her arms moved in laborious little arcs as she slowly made her way towards the floating pallet and finally made a desperate reach for it. Kara’s fingers grasped onto a wooden board, and she pulled herself up onto it with a grunt.
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The incessant wind upon the sea was certainly not helping Kara. Dripping wet, she wrapped herself up in her overcoat in a pitiful plea for warmth. She held the edges of the garment up to her lips, the sensation of the dry fabric bringing her some comfort as she closed her eyes and left herself to the mercy of the mighty sea.
But the interminable rocking of the feeble boat wouldn’t allow her any rest.
Kara wasn’t very religious, not anymore. Yet, the sight of the cliffs and coast of Brittany moved her to relieved prayer.
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The sun had already begun to set as Kara trekked up the sandy coast. Her legs ached with every stumbling, unsure step—maybe she was a bit seasick after all—and her hands were tired of having to grip her full skirt to keep it out of her way.
She paused on the rocks, taking a moment to manually wring some of the water out of her skirt. She filled her lungs with an arduous breath before slinging the rope holding the pallet over her shoulder. Next came the fabric sling, which housed her trunk of personal items—she positioned it on her back with careful poise.
The journey up the cliffs and towards the trees was exhausting. Kara’s skirt required repositioning every few seconds, the rope was digging into her shoulder, and the pallet and trunk slammed into her back with each wobbling step. By the time she reached the straight path up to the residence, her breaths were heavy and pained, and the sun was nearly fully hidden beneath the horizon.
A soft light emanated from the windows above the mansion’s door, helping Kara feel a bit more secure as she knocked. A short blonde woman answered her summon and introduced herself with a flat “I’m Eve.” She opened the door a bit wider and gestured with her body for Kara to come in.
Eve held a small candle as she guided Kara up the stairs, the sounds of their shoes echoing through the grand yet starkly undecorated hallway. The walls of the stairwell were cement bricks, and the wrought iron bannister was rather plain and geometric.
They came to a stop in front of a similarly void room, bare save a few heavy curtains and a daybed. The raised panels along these walls matched the white-painted wood of the window frames, and they gave the chamber some elegant character.
While Eve entered the comparatively less intimidating room, Kara stayed back a moment, taking in the shafts of muted blue light from the windows and the contrasting warm glow of leaping flames from the central fireplace.
Eve crouched down to poke at the fire as Kara set down her belongings. “It was a reception room,” Eve explained. “Though I’ve never seen it used.”
The fire crackled pleasantly. “Have you been here long?” Kara inquired.
“Three years,” Eve answered, directing her attention back to the fire.
Kara peeled off her overcoat and draped it along the wainscoting. “Do you like it here?”
“Yes,” Eve said simply as she stood up. She turned to Kara, meeting her eyes now as her hands smoothed over her skirt. “I’ll let you get dry.” And with a nod, she was on her way.
Kara watched her every step.
Once the door closed, she hastily began removing her overskirt. It fell to the dark herringbone floor with an unglamorous thud.
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There was no method or grace to the way Kara wrapped her hand around the rusting crowbar, but with a few jerks, she’d managed to successfully pry the top off of the pallet.
After setting down the wood cover, Kara extended her hand, letting it fall clumsily onto the slick canvas in front of her. It was still wet, and her hand’s small circular movement caused moisture to pool at her fingertips, as if her touch had beckoned the water. So her hand withdrew, and Kara slid the canvas out from its container. Her eyes danced over the surface as she considered how to dry it, holding it in front of herself like the Communion host of an evening Mass.
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Kara decided to accompany her drying canvas, which was now positioned next to the fireplace. Stripped naked, she sat in front of the fire and pulled her legs towards herself—she was vulnerable, sitting there bare and in a new environment, and the action made her feel a bit more small, compact, and safe.
Kara set down her candle so she could light her tobacco pipe with the flames. Her large, smoky exhales grounded her, in a way, with the familiar sight and smell acting as a sort of sedative. And she stared forward, expression blank but unmistakably worn.
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Kara walked barefoot along the cement floor, making her way through the hall and to the pantry room wrapped in nothing but her robe-like smock.
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lopsidedtreetrunks · 1 year
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Happy 10th birthday to The Song Ever
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