#it's so hard on her because he DOES want to save the world

[littlelamy]

Request: Maybe Rafe and Reader have been dating for awhile but his cocaine addiction is getting worse and he thinks she is to pure/good for him, so in order to ''save her'' knowing she won't just leave if he tries to break up, he says he does not love her.......cue to him saving her when she is about to get hit by a car (but happy ending)

a/n: thank you for requesting!!☺️💕 pngs from @saizun

the moon hung low in the dark sky, its silver glow painting the beach in a cool, otherworldly light. the stars above flickered like distant candles, barely visible against the ink-black horizon. you knelt in the damp sand, your breath clouding in the chilly night air as you carefully cupped a baby turtle in your hands.

the little creature’s legs flailed against your palms, desperate to reach the sea. its determination was a stark contrast to the ache in your chest that hadn’t dulled in the two weeks since rafe cameron had shattered your world.

“this way, little guy,” you whispered, placing the turtle closer to the waves lapping gently at the shore. you sat back on your heels, the water soaking into the hem of your pants, and watched as the tide carried the tiny creature away.

you felt at peace in moments like this—away from everything, especially the memories of rafe.

but peace never lasted long when it came to him.

rafe sat in his truck a short distance away, his fingers twitching against the steering wheel. he shouldn’t have come here. seeing you again, after what he’d done, was a mistake.

yet here he was.

from where he sat, he could see you crouched on the sand, your figure illuminated by the soft glow of the moon. you looked serene, your hair tumbling over your shoulders as you reached toward the water.

he clenched his jaw. he didn’t deserve to look at you, let alone love you.

but it didn’t stop him from being here.

two weeks had passed since he’d told you he didn’t love you anymore. two weeks of torturing himself with the memory of your face—hurt, confused, desperate to understand. he’d lied because he thought it would save you. because he thought pushing you away would keep you from sinking with him.

instead, it had only made him sink deeper.

on the seat next to him, a bag of cocaine lay unopened. for once, he didn’t even want it. what he wanted was impossible—to turn back time and undo the damage he’d done.

his stomach churned when he saw the headlights.

you heard the rumble of an engine before you saw the headlights sweeping across the sand. you turned your head, squinting against the glare as the vehicle sped closer.

it was a blue jeep, its music blaring loud enough to drown out the waves. your stomach twisted when you recognized it.

topper.

the bass from the speakers shook the air as the car barreled toward the shoreline, its tires kicking up clouds of sand.

“seriously?” you muttered under your breath, standing up. you waved your arms, your voice cutting through the night. “hey! slow down!”

the jeep didn’t stop. instead, it swerved closer, the headlights making it nearly impossible to see.

your heart hammered as the car bore down on you, its speed relentless.

rafe’s blood ran cold as he watched the jeep hurtling toward you.

it didn’t take much to guess who was behind the wheel. ruthie and topper had been drinking all night—it was obvious from the way the car swerved recklessly across the sand.

the jeep was getting closer, and you weren’t moving.

“goddammit,” rafe hissed, throwing his truck into drive and flooring the gas.

the sound of tires skidding on sand drowned out the crashing of waves.

the jeep’s headlights blinded you, freezing you in place like a deer caught in a trap. your legs refused to move, your breath caught in your throat as the car sped closer.

“y/n!”

the shout snapped you out of your trance, but it was too late. the car was almost on you.

suddenly, a solid force slammed into you, knocking you off your feet. you hit the ground hard, the wind knocked from your lungs as sand scraped against your skin.

the jeep swerved at the last second, speeding past with a deafening roar and disappearing down the beach.

you lay there, stunned, the world spinning around you.

“baby! are you okay?”

you turned your head and saw rafe kneeling beside you, his face pale and drawn, his chest heaving as if he’d just run a marathon.

“rafe?”

“you could’ve been killed!” his voice shook with anger and fear.

“i—what are you doing here?”

“are you serious right now?” he snapped. “i just saved your life, and you’re asking me that?”

his hands were all over you, checking for injuries. the touch was rough, desperate, and achingly familiar.

“i’m fine,” you muttered, sitting up slowly.

“you’re not fine,” he shot back, his voice cracking. “what the hell were you thinking, standing in the middle of the beach like that?”

“i was helping the turtles!” you exclaimed, frustration bubbling to the surface.

“turtles?” he stared at you like you’d grown a second head. “you almost died because of some turtles?”

“why do you even care?” the words spilled out before you could stop them, sharp and laced with bitterness. “you don’t love me, remember?”

rafe froze, his expression crumbling.

“y/n…”

“no, don’t. you don’t get to act like this after what you did.” tears burned your eyes, but you refused to let them fall. “you don’t get to pretend like you care.”

“i do care,” he said, his voice raw. “i never stopped caring.”

“then why did you say it?”

“because i thought i was protecting you!” his voice rose, echoing over the waves. “i thought if i let you go, you’d be safe from me. from all of this.”

“rafe—”

“no, listen to me.” his hands cupped your face, his blue eyes searching yours. “i didn’t mean it. any of it. i said it because i’m a coward. because i didn’t want you to see what i’ve become.”

tears spilled down your cheeks, blurring your vision. “you didn’t have to do this alone. i would’ve helped you.”

“i didn’t want you to.” his voice cracked, thick with emotion. “you’re too good, y/n. too good for someone like me.”

“that’s not your decision to make,” you said, your voice trembling. “you don’t get to decide what’s good for me. i do. and i chose you, rafe. i always chose you.”

his thumb brushed a tear from your cheek. “i don’t deserve you.”

“then be someone who does,” you whispered.

he closed his eyes, his forehead resting against yours. “i don’t know how.”

“we’ll figure it out. together.”

the words hung in the air between you, fragile but full of hope.

for the first time in weeks, rafe felt like he could breathe again.

“i love you,” he said, the words breaking free like a dam finally bursting. “i love you so much, and i’m so sorry i ever made you think i didn’t.”

you pulled him into a hug, your arms wrapping tightly around his neck. he held you like you were his lifeline, his anchor in the storm.

“i love you too,” you murmured against his shoulder.

the night stretched on, the waves crashing softly in the background as you clung to each other. the future was uncertain, but for now, you had each other.

and that was enough.

taglist: @namelesslosers @princessslutt @averyoceanblvd @iknowdatsrightbih @starkeysprincess @sixrosberg @anamiad00msday @ivysprophecy @wearemadeofstardust0 @kissrotten @rafesangelita @sstargirln @rafedaddy01 @soldesole @bakugouswaif @skywalker0809 @vanessa-rafesgirl l @evermorx89 @aariahnaa @outerhills @ditzyzombiesblog

[arceus-insanity]

Endeavor Deserves No Sympathy!

I don't understand how anyone can think Endeavor was ever a good dad. It also always comes off as incredibly victim blamie, especially towards Touya, and often Shoto too.

He literally only got married and had kids to use them. He never gave a shit about their well being, never even thought about it until he had the one thing he cared about and was still miserable. I've already gone over the math proving he gave up on achieving his dream himself at 21 at the absolute latest. (https://www.tumblr.com/arceus-insanity/763259515356512256/i-liked-endeavors-character-when-he-was?source=share)

And basic math will once again be used to prove just how little this waste of flesh actually tries.

This time the focus is on how quickly he abandoned Touya and immediately went to emotional abuse via neglect & literally replacing him, and once again risking that more children be born with self-destructive quirks.

For context we only see Endeavor doing anything with his kids that's not him literally walking through and ignoring them in two circumstances. Once when Fuyumi's a newborn and Touya is attempting to crawl (not walk) over to her. And training. Those are the only times he tries to spend with any of them, even after he starts his 'atonement'

Now comparing Touya in the scene of them training and himself as a toddler and all the child imagery this series loves to use instead of actually saving imperfect victims, Touya is at least 3 (probably closer to 4) when he's taken to the doctor and they are informed of his condition

Natsuo is 4 and a half years younger than him.

We know for a fact Natsuo (& Shoto) was conceived after they got the news, not willingly either. Pregnancy takes 40 weeks average, so Touya would still be 3 when Natsuo was conceived. So once again it took this 'man' less than a year to give up and have another child he hoped to use as a tool, and was explicitly making to hurt his existing son. And as I have said plenty of times before, risking that the new kids could be born with the same disorder, I hate how convenient it is that Shoto gets near zero negative quirk side effects.

Want to know what we never see, Endeavor doing something else with Touya and Touya demanding training, it's always him walking past/ away from Touya. Considering all of the shit they've pulled to soften Endeavor's abuse both in the manga and even more so in the anime, they wouldn't skip something like this. It's not hard to tell that Touya's 'obsession with training' is really about spending time with his dad, you know like a human child that literally needs love, proven by numerous studies and research in the real world.

He throws all parenting responsibilities onto Rei, adds more children to that load, and when Touya suffers for it (like everyone else) he does nothing, doesn't even hire a nanny

Another are you kidding me take I've seen is that somehow Touya's quirk issues are worse than Midoriya's and Yuga's. Touya managed to train his quirk to produce blue fire at 13 with zero equipment and less than no help, and only lost control of it, because of the mental abuse Endeavor had inflicted on him leading him to a mental breakdown. And/ or the theory I've only seen once of AFO using his ability to force quirk activation (seen with a passed out chapter 90 during his first confrontation with All Might)

Midoriya was breaking his bones all the way into the Shie Hassaikai arc and was only able to fight because Eri and was breaking support equipment in the following arc as well. Yuga had a support belt all the way back in the entrance exam and was still struggling with that.

Speaking of Yuga let's compare parental effort here, because as much as it backfired Yuga's parents tried a whole lot more. For starters they nearly bankrupted themselves to get him a quirk, so he could feel equal. All For One is a mythic man prior to his arrest, and those who knew of him were shown to be serious long-term villain groups, so they had gone to quite a bit of effort to find that he existed to begin with. They also got him support gear (the navel belt thing) as a kid to help him with said quirk, he literally had it in the entrance exam. Endeavor never looked into that, Endeavor is not only rich too but he's a top hero he would have direct access to support equipment companies that would jump at the opportunity and it never even occurred to him.

Endeavor's name is an irony as endeavour means to try hard to do or achieve something. He never tries hard he gives up incredibly quickly the second there's any road block, but instead of moving on he makes everyone suffer for it. He's a toxic pageant mom who'd rather force their child into a toxic world and a role they don't want than work on himself

And what finally makes him change? Getting exactly what he wanted and still being miserable, and he still expects through his actions his family to cater to him.

Not his son getting a major disability due to his actions, no, he decided to double down, mentally abusing and neglecting the son he supposedly loves, raping his wife who didn't want more kids or participate in this abuse, and again risking that Natsuo & later Shoto might have that same issue. Not when his wife breaks down and permanently scars his precious masterpiece, who proceeds to rightfully blame him, and he just thinks of it as a tantrum despite it lasting a fucking decade. Not when his eldest literally dies as the result of his selfishness. Not literally during any part of this entire process!

Dabi is 23 when Endeavor finally starts to 'try' to be better, that means that for at least 24 years he has only been caring about his fucking precious number one spot in a popularity contest that he couldn't even bother to try to be likeable for, this wasn't one bad decision, this was him constantly choosing to be so insanely selfish that he found ways that shouldn't even be possible for over two decades. And it was all him.

[hyperions-light]

hey I was planning another post today but instead let’s talk about how much I love that there’s not really a ‘good’ ending to the companion plotlines in Veilguard. It reminds me of Leliana and Alistair’s plotlines in DAO in that what you choose says more about the player/protagonist than anything

I just finished Isana Negat a second time, and I did the other ending and I thought it was just as good. Like, yeah, Harding does deserve to be angry! They did fucking get everything taken away from them! It’s so painful and horrific; yes you can, and should, be mad! But also Harding prioritizing her very real love for and compassion towards other people is not wrong. It’s just different! It’s just Rook’s friend/lover asking them for advice, and Rook giving it! You know, like in real life except with huge magical rock giants

And okay I’m never going to kill Illario because I think it would make Luca really sad and he has enough problems, Whoops I misremembered this, I don’t think you can kill Illario actually. I love that for Luca <3 But yk, I’m probably still not going to imprison him. but I can see it! Because the cycle has to end, right? The violence and infighting of the Crows endlessly attacking each other over power is part of what allowed the Antaam to get a foothold in Antiva, because there was like a double agent or something (if I’m remembering right from Tev Nights). Some kind of ending needs to be made to this endless violence. And I suppose it depends on how retributive Rook is, which is a great question to ask of the player (one that is asked repeatedly throughout the game). It’s not like Illario didn’t do anything, you know! He probably deserves punishment. But Rook, as they always can at various points, can be merciful, can choose absolution. Wow no, I’m glad I was wrong I love it more like this.

And oh boy, I LOVED the ending of Emmrich’s quest, don’t even get me started! Like!! I thought it was going to be ‘well obviously we HAVE to save Manfred’, but how Emmrich talks about accepting his death and his sacrifice convinced me! I was like alright man, this is a real choice! I actually did make him a lich last time (made a lot of sense from a Watcher perspective, imo) and not only was the cutscene sick as hell, but the follow-up was so funny and I got some really sad Spite dialogue which fucking wrecked me. It was great— seriously, his plotline is one of my favorites in the whole game.

And Davrin’s! I’ve already expounded at length about how much I like his quest line and how it ties into the Grey Wardens, but I really think both of his options for the griffons are so workable, because you know the Grey Wardens, especially under Antione and Evka, aren’t going to hurt those little guys again! But also the scenes with Eldrin are so endearing, and Davrin’s hope for a brighter future for them is so sweet and genuine. It’s hard to pick! It’s about Rook's perspective!

Neve's I'll admit I don't vibe with as much just because of the like 'trust the authorities' angle, but i haven't tried saving Minrathous yet and I think it would be sooooo involving as a Shadow Dragon especially. Because that's what they're fighting for, right? That better Minrathous where they CAN be sure that if they send the insane cultist lady to prison she’s going to stay there? But there’s always the practical consideration of people’s lives being at stake NOW, of Neve needing her friends safe NOW. And just killing Aelia ensures she will never be an issue again. So I can see both angles for sure

And Taash ;-; oh, Taash. I haven’t posted about them that much yet because they make me very emotional and it’s hard to organize thoughts like that. But I really love their quest, and their struggle to define themselves. And look, I know people wanted the option to tell them they could be both, but like as a person who has lived a similar experience, it really feels sometimes like the world is making you choose. It can feel like you’re not enough of either thing for anyone. And there are parts of your identity that you will have to make a choice on, and I think it’s trying to speak to that. I did the Rivaini one, and it’s like… well, they’re embracing the culture of Rivain, but it’s not like anyone is ever going to look at them and NOT see a Qunari. You can’t get away from that. What you choose to do in response is a real dilemma and I think that if you engage with the text genuinely you can see what Trick was doing. Also, there is a really great dialogue from Rook that I think gives more context to the discussion; they can say that they have been many things, and it’s important to take what works from each experience and make it part of yourself. So I don’t think Taash’s plot is trying to make them throw away any of themselves, just defining priorities. (Sorry, that got long. Feelings, opinions about that one)

And I don’t think Bellara’s is obvious, either, especially with how they involve the Nadas Dirthalen in her personal plot. This is a thing that is really emotionally and culturally significant to her, but at the same time it is part of what hurt her brother and ultimately took him away from her. She’s really preoccupied with not causing harm by her actions; she spends the whole game worried about it! And even though Rook doesn’t see the dangerous elements of the repository, that doesn’t mean they’re not there. The puzzle quest you can find in Arlathan proves that other people besides Cyrian were taken in by Anaris. And also, there’s the plot thread they briefly touched on in the last game which is that the culture the Dalish have built, that they have RIGHT NOW, is not wrong. But it’s also important to remember history, even if it’s unpleasant or could be dangerous, which is another thing you can discuss with Bellara during the game. So there’s no wrong choice! It’s just about Rook and Bellara and what’s important from their perspectives.

Anyway it was super refreshing to have these kinds of choices! It reminds me of the best character choices in DAI and DAO, especially, and I’m so happy they carried those things forward and improved on them.

[bloodnikki]

Do you think Ekko was ready to have a full on confession on his feelings but was going to say it after the battle? Like he tell Jinx that he'll see her after and she finger guns him with a 'yea, sure. of course'

Do you think he rests at night thinking about how he turned back time to save the world but he broke it saving the world and now he can't use it to save her?

Do you think that Jinx, still alive, hides a note for him about how she's leaving because she needs to heal and that paper he burns has Powder's name on it? That he finally accepts that he needs to let go of who she used to be. He accepts that she's Jinx and she is perfect. It's the only time he agrees with Silco and he doesn't even know it.

Do you think that if Jinx does leave him a note, there's clues on where she's going? Like, he sets out to follow her trail and it's a cute game of follow the leader. She leaves him notes and writes to him long passages as though she fully believes he's going to read them.

Sometimes, it's really lonely and she's tired. It's been so hard and there's tears stains on the pages. She speaks honestly and says 'I doubt you'd ever read these. I don't even know why I bother. I do miss you. Maybe I should go home but it hurts to know you never saw a single letter or even got the first note. You'd be so mad to see me alive and well feed and my hair. I do miss you so much. What should I do Ekko? What should I do?'

Do you think Jinx gets tired of traveling? She wants to set up roots but worries he's really following her notes. She isn't sure what she'd do if he reaches her. Does she even want him to?

Do you think Jinx finally wills herself to go? She realizes it's been too long. If she doesn't go on, she may never leave or worse Ekko may finally reach her. She's setting up the next clue when she hears someone call out to her.

"Jinx?"

"Ekko?"

"I..."

"Wow, you look good." Jinx is holding a bag. It's clear he just caught her.

"You do too."

"I- you've been traveling."

"I... I have. I wrote notes on it. Thoughts I'd like to share with you."

Jinx feels stupid. She can't recall everything she wrote but she knows some of it was insane. He read them. He read them all! Her face flushes and it clicks. He's here for her. He followed all her notes and thoughts. He came all this way to see her.

"I... cool. Cool. Do you have a place you're staying?" Jinx glances around. "I kinda just gave up my place and now I'm kinda no place or anything."

It's been a long time, but they settle in awkwardly and quickly. Two years playing follow the leader. Jinx asks Ekko where she should go next. He seems pleased to share his thoughts and shocked when she says that's where they'll go. For that moment on, they travel together.

They share rooms. Two beds that some times is only one because it's cheaper then it's just one bed. Do you think they remember where they were when she kisses him and he kisses her? Do you think he remembers if it's on a boat or airship that he realizes she's in love with him just as much as he's in love with her?

Do you think it's Ekko's or Jinx's idea to finally go home?

[hayateart]

'Labyrinth' inspired Moshang&Bingqiu AU idea

So, while driving home from work I had this thought that SY would absolutely swore off Airplane to the Goblin King and then regret it immediately. And here we are.

In this AU Airplane is a fairly successful author of multiple most clichéd online novels you can imagine. Since they are fairly well written and full of fan service, he managed to secure a faithful audience. He's not especially famous but he earns enough to pay the bills.

Shen Yuan again is one of his readers. He finds the characters very compelling and though he hates the clichés, he can admit Airplane has a talent to combine them in an interesring, even if predictable, way. He will never admit to liking the fanservice and copious papapa under the threat of torture.

In this AU they know each other irl. SY still pays to read Airplane's novels because 'they are not friends and he will not accept them for free'. Airplane is happy with that because SY should 'obviously pay for his hard work, it is a sign of appreciation.' They both know that if SY only asked, Airplane would let him read everything, even the drafts for free.

The newest novel that Airplane writes is the Labyrinth rip off with the demon Ice King, Mobei Jun, who kidnaps a princess after she is rejected by her own father. MBJ imprisons her in his castle in the middle the labyrinth full of monsters, and traps, and riddles. A valiant, dashing hero sets to her rescue. On his way he is joined by a young fellow with a heart of gold. They soon become blood brothers, and while the novel is not yet finished it is clear they will rescue the princess.

'And let me guess,' Shen Yuan says, 'the young fellow turns out to be the real heir to the throne in the Labyrinth castle.' He keans it as a joke. Airplane's face clearly says it is exactly so.

Which prompts SY to reject Airplane and angrily disown him the same way the princess' father did in the story. Cue MBJ stepping through a portal and tossing Airplane back to his castle.

SY:

Of course, he needs to go and rescue his stupid not-friend. The police will never believe him he did not kill the idiot out of frustration!

Fortunately, the portal that leads to the Labyrinth in Airplane's novel was inspired by two twisted trees that grew with joined branches in the park they both like to visit. SY recites the incantation and the portal impossibly works! He is in the Labyrinth!

SY meets Luo Binghe, the young fellow/true heir to the throne and hopes he will help him save Airplane.

Here's the catch. The world was created from Airplane's story and follows the rules the story does. And that means both Airplane and SY must follow them as well if they want the story to progress and save the princess. As hopefully informed by their new systems.

SY needs to play the part of the hero. He is cool, collected and should not be gushing over interesting monsters and intricate riddles.

Airplane is the princess, damsel in distress. And he is distressed, alright! He has been kidnapped, hit and locked in an inescapable labyrinth. He cries a lot and is scared shitless. But also pretty horny cuz, you know, MBJ. That man is walking perfection.

Airplane can't help it. He is also pretty annoyed because while all his ideas about the castle and the labyrinth sounded good on paper in practice they simply... aren't? S0 he makes adjustments. In real time, without realising it he orders both the staff and MBJ around to make everything better.

Back to the systems - there is no punishment if our boys don't comply and play their roles, but the 'plot' systems require simply does not progress. What does change is the environment and the characters they interact with - especially MBJ and LBH. They are developing more and more, the more time they spend with their humans. Instead of being cookie cut villain and hero, they become complex, emotional, unpredictable, and by the time SY finally reaches the castle, undeniably real people.

Both Airplane and SY know that the moment SY 'rescues' the princess and LBH takes over the throne, the story will end. That's what the sytem says. And when the story ends, characters and their entire world will have no reason to exist any more. They can't allow this to happen to people they grew to care for and even love!

So, there is no rescuing, they decide. Whatever created this world clearly likes Airplane's story telling enough to have them to role play it. They can make new plays if it means they can stay with their partners. And so, Airplane marries MBJ and they both rule the Labyrinth together while SY and LBH play the role of heroes and try to stop them. Sometimes they lose. Sometimes they win but get overthrown again. Sometimes, they win and become the villains themselves, and ot is MBJ, and his husband that need to defeat the evil. Sometimes they have a beach episode.

The possibilities are endless and Airplane has planty of stories to tell. Maybe not all clichés are bad after all.

[stillness-in-green]

why do you think Deku never tried to talk to Shigaraki? doylist reason is obvious but what's the watsonian reason?

Honestly, this one’s pretty tricky to answer.  It’s very hard to get myself into the headspace of Deku (and the people in his own headspace!)—mainly because I get extremely uncharitable, extremely quickly.  Mainly about Horikoshi, yes, but that does extend to Deku, too, as well as the broader world he lives in.

The brain goes immediately to answers like, “His world is so incredibly slanted towards retributive models of justice that the fact that he even thinks about wanting to know Shigaraki’s motivations makes him a candidate for mad sainthood to the people around him.  The fact that he doesn’t follow that impulse through all the way to actually asking is immaterial; while Villains have to be punished for their actions, for Heroes, it’s the thought that counts.”

See how I’m already drifting back towards meta-narrative analysis at the end there?  Deku brings a lot of that out in me, especially from Villain Hunt onwards.  Like the wooden doll he’s named for, he comes off to me as a vessel for the plot to happen through more than he does a consistently written, well-thought-out character.  Trying to think of him through a purely Watsonian lens—no refences made at all, period, to what I think the story was trying to express or what Horikoshi’s intentions towards that story were—I almost immediately jump the tracks into territory that is all but certainly incompatible with what I was “supposed” to take away from MHA as a story.

But, you did ask, so I’ll follow the thought experiment through.  If I were to try and set down to paper an explanation for Deku’s actions from a purely in-universe stance—say, for writing canon compliant post-series fanfic—what would be my explanation?

(Hit the jump.)

Right off the bat, from a cultural perspective, I think Deku is afraid that if he tries to make excuses for Shigaraki, it would be disrespectful to Shigaraki’s victims.  That’s why you get the heroic characters constant harping on about how they can’t forgive the Villains, even though, as adjuncts to the police, “forgiveness” is utterly immaterial to them doing their jobs.  Too much sympathy for criminals, in some peoples’ eyes, becomes indicative of a lack of proper regard for the victims of crime; this is very much a dynamic in play in Japan’s legal system.[1]  Ochaco initially has the same impulse, where she’s terrified that even thinking about Toga Himiko’s human circumstances puts her in danger of forgetting the suffering Toga and the League brought about.

1: That’s a meta consideration, yes, but one that I think the target audience would understand to be implicit in the canon as written, so I’m treating it as a Watsonian detail.

Ochaco and Deku commiserate and ultimately encourage each other to embrace their desire to understand their respective Villains, which leads to Ochaco talking to Toga at some length!  Ochaco must do this because asking Toga these questions if the only way she has to reach that understanding.  Deku does not have to ask, however, because he has a cheatmode to fall back on: the mindscape shared between All For One and One For All.  If Deku thinks too much open communication with Villains risks dishonoring Shigaraki’s victims, well, he doesn’t have to openly communicate.  He doesn’t have to talk to Shigaraki the person at all.  He just has to find that crying little boy in the mindscape again.

I also think it’s notable that Deku very much does stop talking about wanting to save Shigaraki after he talks to Gran Torino.  From that point on, everything he says about Shigaraki becomes about wanting to understand him instead.  Coupled with the idea that he insists upon not forgiving Shigaraki, I get the sense that what Deku wants is not to help Shigaraki at all, but rather to simply bear witness to his truth.  And even that much feels self-serving to me—as if Deku doesn’t care so much that Shigaraki is in pain, but rather that Shigaraki might have a point, that Shigaraki’s pain might be valid.  Shigaraki having a valid point would destabilize everything Deku believes about Heroes and Hero Society, and Deku has, by that point, seen enough that he’s too upright to look away, to “sweep things back under the rug,” so he has to find out Shigaraki’s story to judge it for himself.

The fact that he feels he has the right to judge Shigaraki’s story speaks to the arrogance of Heroes—the same arrogance that leads them to declare their lack of forgiveness as if it’s in some way relevant to doing the job in front of them—as well as a deeply rooted defensiveness: that they must have, and be perceived as having, the moral high ground over those evil Villains.  I think, for example, of the Flamin’ Sidekickers and their cringingly awkward self-justifications to Dabi about their continued association with Todoroki Enji.  Their reasoning has zero bearing on either Dabi’s pain or their own heroic responsibilities to assist in the arrest of a known murderer/terrorist/arsonist, but they feel the need to spell that reasoning out to the child abuse victim/volatile Villain anyway, seemingly for no in-character reason save to rationalize the deep discomfort that Dabi’s video accusations provoked in them.

Heroes must be seen as morally just—this is the whole basis for the authority they’ve been granted to wield their powers against other people.  Best Jeanist talks about this idea explicitly, as does Police Chief Tsuragamae.  Far more damningly, it’s what led to the HPSC using agents like Lady Nagant and Hawks to quietly dispose of anyone that would present a threat to the public image of Heroes and, by extension, the fragile peace that rests on that public image.

Heroes must be pure and righteous, and Deku is just as apt to believe that as any other Hero—maybe even more apt, given that he’s also had All Might leaning on him about the bearer of One For All being the Pillar and the Symbol of Peace.  All this baggage winds up conflicting, however, with the horror and reflexive need to help Deku feels upon seeing the small, crying child within Shigaraki.

Saving small crying children is the absolute, innermost core of Deku’s personal framing of Heroism—seriously, he says this nearly word-for-word in Chapter 1!—and so, like Shouji says of the heteromorph riot, it isn’t something he can ignore and still call himself a Hero.  He’s unprepared for that personal brand of Heroism to conflict with the demands of professional Heroism, because he never expected to face someone who was both Evil Villain and Crying Child at the same time.  This is what he wrestles with over the course of his time away from UA and why, ultimately, he decides to use the mindscape as a way of resolving the conflict.

(Note again that I'm talking about my fanfic explanation here. Deku's reasoning is much murkier in the canon because of the canon's late turn towards locking us hard out of Deku's personal feelings and thoughts when they're about anything more complex than chain OFA combo moves.)

Remember that Deku begins the Villain Hunt Arc with a tentative desire to “understand Villains” so that he can perhaps use that understanding to avert or at least deescalate conflicts with them—and then the very first Villain he falteringly tries to understand is fucking Muscular, who shuts him down cold.  Deku never tries that hard[2] to understand a Villain again—Lady Nagant dumps her backstory on him with very little prompting from him, he has nothing but ultimatums for Overhaul, he doesn’t seem to ask any of AFO’s other minions any personal questions whatsoever, and with Shigaraki, he goes straight to the mindscape instead of even attempting a dialogue.

2: Insomuch as you could call asking three invasive, judgy questions in the middle of combat and then throwing in the towel “trying hard”.

My take is that Muscular scared him off of trying to verbally uncover the backstories of Villains—even though Shigaraki is ready to all but hand the first Hero to ask an illustrated history of his grievances with Hero Society, Deku can’t trust that anything Shigaraki tells him will be the unvarnished truth.  Unlike Shouto, he has no one to corroborate the truth with, but unlike Uraraka, he doesn’t just have to make the best of it, either.  He can instead utilize the mindscape, an approach that sidesteps all of the issues that a spoken dialogue would entail:

Getting Shigaraki’s truth via the mindscape means he can trust the answers he gets, rather than having to filter those answers through Shigaraki’s warped worldview.  This allows him to honestly evaluate Shigaraki’s perspective, gauging whether Shigaraki has a real point that Deku has any responsibility to address, some injustice that needs to be corrected independently of Shigaraki being held accountable for his crimes.    

Having decided that—for reasons of justice, All Might’s Pillar mentality, and his own peace of mind—he has to know Shigaraki’s truth, Deku comes to feel self-righteously entitled to that truth.  Thus, even though Shigaraki always seemed perfectly willing to share his thoughts in their previous encounters, Deku can’t take the chance that he’ll change his mind and rebuff Deku like Muscular did.  Using the mindscape takes that agency away from Shigaraki, rendering his willingness to share moot.    

No one other than people with access to the shared mindscape can perceive the interactions happening within it.  This means that, no matter what Deku learns or how he reacts to it in the moment, he doesn’t risk being seen as disrespecting Shigaraki’s victims by prioritizing the feelings and perspective of a vicious terrorist.    

Finally, on a tactical note, the encounter Deku has with Shigaraki in the mindscape during the Jakku battle seems to happen nigh instantaneously.  If he can get his answers at the speed of thought, that means he doesn’t have to specifically draw out his battle with Shigaraki until he’s resolved things to his personal satisfaction.  This is ideal, since Shigaraki presents an incredibly dangerous threat to everything and everyone around him, and Deku’s Hero education has repeatedly emphasized the importance of ending battles quickly.

There's just one problem with all this: Deku is assuming access to Shigaraki’s mind.  And why wouldn’t he?  He got in there without even trying last time, after all!  I assume that’s also why he rolls up to the battle with zero plans of any kind: he doesn’t understand how the mechanics of the shared mindscape work and none of the prior bearers can advise him because it’s a brand-new phenomenon for him as the ninth bearer, so they’re just as clueless about it as he is. 

Lacking that knowledge, he opts to simply take it on faith that he’ll be able to access that mental space again, find the crying child in it, and uncover enough about Shigaraki’s history to render his own judgement of it.  He's the Deku who does his best, after all; if it doesn't work, at least he'll know he tried. The good faith attempt, however it turns out, will allow him to satisfy his own sense of justice while not interfering with whatever temporal justice the adult Heroes are planning for Shigaraki—to which Deku fully believes he must be subjected as punishment for his crimes!—be it arrest or an execution broadcast to the entire world.

Unfortunately for Deku, thanks to his being waylaid by Toga, he turns up late to the battle only to find Shigaraki’s psyche sealed up tighter than an All Might-themed wall safe.  Then, since he never had any kind of plan for talking to Shigaraki, and his own ability to plan things is strictly limited to combining quirk abilities on the fly, he has to wing it until Kudou is able to come up with a plan for him.  Naturally, because Kudou is Kudou, and Heroes’ solutions are tailored to Heroes’ strengths, this involves violent psychic assault.  And why not?  It’s not like Deku believes Shigaraki deserves the mercy of a gentler approach.  Just think of all those people he hurt!

Now, is this all heckin’ uncharitable?  Does it paint Deku as well-intended but blindly self-righteous and ethically timid? Oh, for sure.  And I do think there was a point at which Deku wanted to save Shigaraki in a truer sense—indeed, he’s quite plain-spoken about it in the OFA Mental Conference in the aftermath of the first war!  However, it’s absolutely within his established characterization to run into things that make him uneasy and take the first out an authority figure offers him that spares him the work of demolishing and rebuilding his entire world view.  Look no further than the aftermath of the mall scene. You can draw a straight line from Deku taking Tsukauchi's out (that Shigaraki is just a sore loser) to him also taking Gran's (that killing Shigaraki could be a way of saving him).

That’s the mentality I would lean on to explain Deku’s anemic efforts to truly save Shigaraki in the end: an inherent desire to help people that has been hamstrung by a learned dehumanization of Villains, a repeated emphasis on swift, unthinking action as a Heroic virtue, a culture that regards sympathy for those involved in a crime as a zero sum game, and, last but not least, a psychological complex about the basic nature of Heroism rooted in his fraught childhood.

Deku says he’ll “never forget” Shigaraki. If it were me writing the sequel, “never forgetting” would look an awful lot like, “Following a particularly frustrating day of the Pro Hero grind, Midoriya Izuku opens his eyes at 4AM one cold winter night in his early-40s with the horrible, inescapable realization that what he did as a teenager to a deeply victimized young man barely older than he was himself back then was fucked up in ways he can never repair or take back.  And further that now, not only is he going to have to spend the rest of his life trying to make up for that act, it’s going to be much, much harder than it would have been back then, specifically because he did what he did back then and let the world get away with calling it heroism.”

Thanks for the ask, anon! I hope you find the answer interesting and at least somewhat believable, for all that it certainly isn't tonally in-line with the story's portrayal of its much-lauded protagonist.

   

(P.S. On top of convincing both All Might and Deku to not pursue saving Shigaraki in any concrete sense, Gran Torino also takes partial credit for Nana's decision to abandon Kotarou. Torino Sorahiko might actually be the all-time world champion of convincing OFA bearers that preserving One For All is worth abandoning children to their grim fates. Give him a hand, everyone. What a great and admirable Hero who absolutely deserved to survive all the way to the end of the story and who definitely is not a symbol of all the most jaded and cynical priorities of the old order.)

[carefulfears]

we've talked a bit before about how obsessive scully is, that she's a zealot. and i was thinking about this when i posted about signs & wonders. it's how i think about her with mulder — specifically the idea that mulder is a (her) prophet, the way her faith shifts to him. she follows him, protects him, believes (in) him. the way that, in the show, he's objectively right so she's right to take his side. it's reinforced even as they're "punished" for it. is this what you mean or maybe something else i haven't really considered?? what scenes/episodes do you think this plays out most? (as always, love anything you have to say especially about scully <3)

yeah that's basically what i've been thinking about...but like, when you posted about signs & wonders, this was the ending dialogue that you shared:

Mulder: If this was some sort of test looks like I failed. Scully: I'd say if it was, you passed with flying colors. You're alive, aren't you?

and i think it gets bypassed a lot of the time how reductive "believer/skeptic" is, in that these are roles that they play but often not really who they are. mulder isn't actually a believer, per se. he's trying to be, and it's extremely fragile and difficult ("you think believing is easy?"). scully is a natural devotee. she's catholic, born and bred, and feels most defined in faith. not just a belief: a completeness, a trust, a reliance. "based on spiritual apprehension rather than proof." (dictionary definition)

it's been addressed throughout the series, that despite her job as the skeptic, the one demanding evidence, she does not feel the need to prove what she believes in. she tells him that she believes in miracles, even if they can't be witnessed. when he asks what she would do to prove the existence of god, she says that she doesn't think about it. she doesn't think it can be proven. believing isn't difficult for her, isn't fragile, isn't frantic.

but "zealot" means "uncompromising," someone who fanatically pursues their beliefs and convictions. and it isn't belief in god, or dedication to the mission, that scully is violently committed to. signs & wonders is a religion-based episode, where they don't catch the killer. he safely moves to a new city to continue his work. but scully sits in “blessing, tennessee” and calls it a win, simply because she can say anything to him at all.

(collateral damage by audries: "he tells her he loves her, and she thinks someday she’ll tell him that the rest of the world is collateral damage. she’ll tell him that her prayers are selfish and that she is not the saint he thought, the savior he expected. she thinks she’d destroy the world for him, rather than save it, if it came to that...they’d wanted her to love the whole damn world, but she won’t. she wants it all narrowed down to one man in a dim basement and the way he falls asleep with his head in her lap, his restless hands and warm insistence and the way his coat gets darker and darker as he leaves her behind.")

it isn't steady, rational, commitment to her god or her family or her country ("i left behind a career in medicine to become an FBI agent four years ago because I believed in this country"), that she gives her last rights to on her deathbed. that she froze for in the artic, that she inked into her skin. it isn't to save the world that she gives up her child. her job. her home. her identity. and runs.

people tend to think of mulder as obsessive and myopic and that's true, it's hard to always be seeking. to always be following is terrifying.

[dykedvonte]

Ty for answering my asks! Recently, I saw some fanart of the gender bendered crew and it got me curios, how much would the plot change if Jimmy was a woman. I mean, she would still be emotionally abusive (esp to Fem!Curly), but at lest, I guess, the crash would've never happened (?)

Also, her relationship w/ Anya: if she was assulted still, it prolly would've been dissmissed, since it's between 2 women. Or, if Anya is male in this scenario, he couldn't really be able to talk abt it, since society decided that "women can't r*pe men", so it's not serious and he should suck it up. Man, it's just sucks to be Anya in any scenario my poor girl 😭

What do you think? If you have an opinion on that at all, that is

-💀

I think the scenario's where the gender was flipped or any level of gender based intersectionality is expanded makes it so much more complex.

If this is the scenario with fem!Jimmy, it comes with the territory of questionable internalized homophobia. Does Jimmy brush it off in this scenario because she doesn't think lesbian encounters are real ones? Is she struggling with her identity and taking it out on Anya who may be openly queer compared a fem!Curly who is either straight or just not interested in Jimmy? Perhaps it's a sort of weird entitled that can occur in female dominated spaces "We're both girls, I know what you have, it won't matter." It's still is something I don't see Jimmy denying in this scenario, he never really denies it in canon just talks around it with Curly. Here I can see it's less about the pregnancy and more so about the internalized homophobia. Not seeing Anya as anything but an unwanted aspect of her femineity and the allure of it, there's a lot more objectification of both Curly and Anya in this alteration as I would believe feels better thinking of them in that light if they are just fodder in her mind. Guilty pleasures that no longer bring her such. It's a careful situation because I don't want this to fall into predatory lesbian stereotyping, Jimmy is just a person who does not respect other people or their choice, if it conflict with what he wants or perceived is owed.

The idea of Curly having to report it and outing her not only as a rapist but queer and the denial, especially in the case Anya and Curly are both out as she feels a sort of resentment she can't be secure with herself that way. If it is masc!Curly, there could be the jealousy of him being able to actively pursue relationships he wants while she feels she can't, Anya and Curly playfully flirt, its casual but it's something she longs for in the same way she doesn't. She obsesses over Curly because she wishes she could be Curly in a social sense in both aspect male or female Curly.

If it's fem!Jimmy and masc!Anya? It's a much more delicate situation. In this scenario Jimmy gets pregnant. Maybe Anya does a blood test after the incident and finds out Jimmy is pregnant. It's a very sensitive matter because if it's fem!Curly her first assumption is Anya may have done something. That is just the immediate assumptions in cases like this. I think the fact that Anya is telling her would make Curly think it's not that simple, especially since Jimmy isn't brining it up or really caring but everyone reacts differently. Jimmy is pregnant however, and that's a big deal, she'll figure that out eventually on her own but how will she react? Curly knows it won't be good, Anya knows too.

I think the crash is instigated in this scenerio by fem!Curly actually doing more, refusing to sweep it under the rug because she can conceptualize that fear, likely she and Jimmy are the only girls on board. She trusts everyone, well did trust everyone, but it's just something you live with. She can't just live with that double standard but I feel like she really doesn't know how to address it. How does she bring it up to superiors without implicating Anya? What does she do with Jimmy, it still feels like she's catering to Jimmy but now the concern is primarily focused on the life this baby will be born into. If it is born at all. I don't think Jimmy would try to kill Anya in this concept but try to spin the narrative it was mutual up until she got pregnant. Curly doesn't really buy it but it's a lot of processing, a lot more he said she said but what Jimmy is saying just doesn't make sense. It gives Jimmy too much time to really settle with the fact she's pregnant and likely can't support a kid nor wants to give birth out in space. Jimmy feeling like she's being othered from the only other woman could also be a factor, maybe even starting into her thinking Curly is behaving like a "pick-me" for siding with a guy over her. The crash is more spiteful in terms of having to protect herself alone, due to Curly not outright supporting her delusions.

It really adds a certain horror to Jimmy's pregnancy hallucinations because after the crash they are about her, her symptoms the sign of showing. She doesn't want the child either and considering what being pregnant can do to your mental/physical state, especially some of the more negative symptoms, I doubt she is handling it well. A lot of Anya's struggles are with the stigmas around male victims. His body reacted so did he want it? He's gonna be a father and courts likely will make him pay or care for the baby even if they take Anya's side, their world is just like that. Would the other's blame him for not doing more, he is a man after all? Should he be considered lucky a woman was that into him? It's eating away at him because not only does he not feel safe, he actively blames himself.

In the case Curly is still a cis guy, its that weird feeling guys often get when talking about male victims of assault. I don't think he'd victim blame but he likely asks or thinks about how it could've happened, why wouldn't Anya just overpower Jimmy? Maybe he couldn't? Maybe Anya didn't have it in him to strike a woman. He wouldn't. Now he thinks of what he would have done if Jimmy did something like that to him. SImilary to my trans!Curly post, he's wondering if it could've been him. It's likely one of the first times in his life he has to think of that type of vulnerability in terms of himself and other men and against likely his girl best friend. I think that arm pat right before Jimmy crashes the ship would really make him feel weird, not like he'd have the time to really dig into those feeling but y'know WERE GONNA CRASH!!!.

In terms of Jimmy and Curly's specific relationship, it just gets messier if they aren't both guys or girls. There's a lot of misogny on Jimmy's side with fem!Curly. He often points out she's a woman captain or makes a point of her being one of the few independent woman in her field and how certain men hate that. It's insidious but Curly doesn't think about or like to cause she likes to believe Jimmy isn't one of those guys. He can be a bit antiquated, maybe a bit of a pig but no ones perfect! Here a lot of his resentment is more gear toward a woman having that power over him as Captain/filling the typical male roles he fails at. He can't stand that she's above him in almost aspect and he likely takes it out on other women. Similarly, fem!Jimmy and cis Curly is just as bad. It's a fact of not knowing if she wants to be him, wants him or wants to destroy him. It's obsession without anything positive. She feels entitled to his space and life and time and he has a hard time setting up boundaries cause, well, Jimmy's a girl, his bestfriend and it comes with all the stigmas around boygirl best friends. To him it's a sort of oppressive doting, he feels wrong telling her not to pick and like he's being controlling. That's how she'd spin it whenever he'd try to make boundaries with her.

They are still just friends but most people can't tell even if they can tell it's not healthy, in both cases. Either way I feel like if they were opposite genders to each other there would a specific infatuation Jimmy would have with Curly that would be less hidden but sort of unaddressed because the idea of Curly rejecting them would make them lash out in a way Curly may just leave for their safety. It's also Jimmy wouldn't want to be with Curly specifically but just want what would consistently provide/available.

If they are both girls, its envy. It's that sort of hate that someone fits the standards you don't, wanting them to be picked second or crack. She likes to get into Curly's head, point out flaws and act like it's just her being helpful. She wants Curly to be a girls girl but only for her. There's a sort of possessiveness like purposely jeopardizing relationships because why would a man come first? That girl hates me and is a pick me, why are you friends with her still, Curly? Like this is silly but think about how Regina George treats Gretchen Wieners and that's effectively how fem!Curly and fem!Jimmy would work but technically Curly has the sway of Regina.

I believe the crash would always happen. Jimmy would try to escape responsibility or really thinking about what they did in any world, any gender. It's about facing the consequences, losing things he refuses to let go of or having to deal with responsibilities he's not ready for. The switching of sex or gender really doesn't change those core aspects.

[capricornsicle]

"I'm going to tell you a story. Maybe it will sound familiar." Visionary x Insatiable x Status Asthmaticus x The Wolves of War

[acid-ixx]

ch.2: again &. again (platonic! yandere batfam x neglected! gn reader)

directory: preq, chapter one, chapter two, chapter three, chapter four

read until the end for an author's note.

*"XX/XX/XXXX, entry no. 13.

i hate everything. i hate my family. i hate my father, i hate my brothers, i hate my classmates, i hate alfred, i hate this place, i hate my mom, i hate everyone.

why can't i ever get what i wanted? what do i have to do? i tried so hard to be everything for them, but why do i only amount to nothing? it's been a year, or two, i don't know. it hurts trying to remember when was the last time i saw him. saw, not talk, because he never talks to me, bruce never even looks at me. and i hate myself for trying to get him to look at me.

is he disgusted at me? does he see my mother in me? does he hate me that much? i don't know, i don't want to know, it hurts to know. i don't know why i'm trying anymore, i don't know how longer i can last in this hell. i can feel it, the longer i stay here, the more i lose a part of myself. i don't want to be here.

i don't want to pray anymore.

so if there's any god out there watching over me, then i wish for you to burn, to suffer, to go through the same thing i have been experiencing for years— all for putting me in this place. i would've been fine living in the streets with my mother. i would've been alright providing for our small family, i would've known to never get my hopes high, but you took her away from me!—

i hate you."

"master (name), are you awake? dinner is ready."

you had to shut your diary at the sound of the knock and alfred's voice.

"alfr-"

a cough, hoarse and croaky, cuts you out from calling his name. it was accompanied by uncontrollable sniffles, mucus blocking your nose from breathing properly. your room was dark, save for the lamp that lights up your bedside, where you currently were seated on your bed to write another entry, grip on your pen unknowingly harsh. you didn't even have to look at your reflection from your phone laying beside the diary to know that hiding your tears were fruitless.

salty were the crystalline droplets that streaks your face, but bitter were the emotions that had your heart ache.

you hear a sigh from the other room. before he could muster a reply, you beat him to it.

"i'm not eating dinner, alfred," you hate hearing your voice, sounding so obviously scrathy from the hours of wailing. "at least not with them. i don't want to get out at all."

"then may i at least bring them over to you, master (name)?"

his answer was final, you have no choice on retaliating and starving yourself like you did for the past few days. but it wasn't your fault that you had forgotten your body's needs. it wasn't your fault that your mind blanks itself out on the dinner table. it wasn't your fault that bile quickly crawls up your throat at hearing their voices.

you simply lost your appetite seeing them happy without you.

alfred pennyworth would never play favorite.

it was drilled into his head ever since he had sworn to serve the wayne family and its extended members— he is to serve anyone and everyone, regardless if they respect him or they do not; as long as they do not pose any danger within the manor, then he is to attend to them.

you'd think that in his decades of service for the wayne's - with all the contrasting personalities he had to deal with - he would maintain professional standards and tell everybody in the world, "i, of course, do not favor anyone within the family, i live to serve and that is truth." when in fact, he wouldn't hesistate to admit that he does, in actuality, have a favorite.

and no, it wouldn't be the eldest child, dick grayson, as much as he is alfred's pride and joy, nor would it be the youngest, damian wayne, who had been slowly correcting his mistakes. it wouldn't even be the head of the house, master bruce.

it would be you, (name) wayne, the infamous, yet forgetten child of the wayne family.

it wouldn't be a far fetch for alfred to admit that you weren't like the others. in all of the years that he served the wayne's, you were a contrast of the family.

the first few hours that he had picked you up from the police department upon the news of bruce's secret child, he knew you were more than just a child raised by the brutal streets of gotham.

you pose secrets that speak of the underground.

he remembers your seated form on the stiff chair of the interrogation room, pose unnervingly straight, as if you had solidified yourself against the metal seat. your fingers were the only signs that showed life, twiddling with each other as if it's some form of distraction.

you stared at nothing.

not even at the police as your name was called for pick up.

it took merely a signature of confirmation to dictate the future years of your life.

what's left of your belongings were given to alfred. the police officer, a woman with a kind smile then had to walk across the interrogation table to pat your back, gesturing for you to stand up and follow her and alfred on the way outside of the station, where the car was parked.

you hadn't uttered a word nor snapped out of your dreamlike gaze. not even when you were greeted with a thousand clicks of the cameras, the buzzing crowd that drowns the police station, or the hundreds of voices that yell at you to look at them.

(name) (last name), now formally adopted by bruce wayne, would be (name) wayne. it wouldn't be a shock that your sudden appearance as the child of a scandalous relationship between a prostitute and a billionaire would cause immense reactions. news would be spreading left and right, most of which were negative on your side.

he had to shield you from the crowd of photographers and journalists itching their way to the crowd to get a glance on you.

yet you didn't display any discomfort. you had only sat on the car obediently, fastening your seatbelts robotically and ignoring the lenses that unsettlingly tried to poke through the car windows to take pictures of you.

you were more like batman than you were bruce.

alfred had tried to get you communicate with questions like, "how are you over there, master (name)?" yet you would only mumble unintelligible responses to his questions without any ounce of emotion. he had to look at the rear view mirror to take in your stiff form. again, your eyes were set on nothing, even if they were casted down on the carpeted floorboards of the car.

when he had first met bruce, that child was overflowing with anger and vengeance for his parent's killer, yet you, who refused to explain your mother's disappearance, are devoid of anything.

the silence was defeaning throughout the ride. the only comfort that was provided was the rain that began to patter against the glass windows.

alfred throught you would retain the same behavior the entire day.

yet it was only when you first walked up the steps of the manor did your demeanor change, fingers immediately reaching up to hold the cuffs of his sleeves, pulling it as if you were hesitant to step in.

the first emotion you had shown him was concern, like a switch had flickered you out of your trance. it was the first time in a while that alfred had to do a double take to check if what was happening was real.

"can you... hold my hand?" and it was the first time he had heard you speak, voice unnaturally scratchy from the lack of water. you stared at him with wide, doe eyes that refused to blink, waiting for answers. alfred had to gaze at your entire body to finally notice that you were covered head to toe in sloppy bandages with blood seeping through the grime-filled gauze. your shoes were worn, your clothes were ripped, and other uncovered scars littered your body.

the most conspicuous color on your shirt was crimson red.

yet you do not display pain.

a child, five years of age, had been through more than enough anguish to know how to block their pain out.

you were unlike the rest, truly, you were unwavering of the world's cruelty.

the world does not deserve someone like you.

alfred takes it in himself to always hold your hand after that.

through the mansion doors, inside the kitchen, on your way to school; whenever and wherever, as long as he had time.

even if it were filled with scars and bruises, dirt and grime, he will always hold your hand if it meant guiding you through the darkness of the manor.

you may not consider yourself bruce's child, but you will always be alfred's.

another knock on your door had you snapping out of your trance. time passed by so quickly in the manor. well, it does when you have nothing to do but stare at your diary, draw on your sketchbook or scroll through your phone. yet time would always be the quickest whenever you drown in your own misery.

"come in," you croak out, aware that it would only be alfred who would come by your room. it was long ago since you had given up on awaiting for dick's visits.

a turn of the knob, then the door swings quietly; the hinges creak, you need them oiled sooner. alfred walks in, you notice he holds a tray that contains two cupcakes and a plate of your favorite dish, but you don't notice the small box with a bow hidden skillfully from the back of the tray. from over your seat, you could already smell the aromatic herbs that flutter in the room and see the colorful frosting from both cupcakes; an already lit candle sticking in from one.

the candle at least provides just a split second of light inside your dim room; the moonlight just like your family, absent.

alfred graciously places the tray on your nightstand, on the left of your diary. your room was still too silent.

you could only hear yourself.

"master (name), are you simply going to sit there and stare? or would you rather i spoonfeed you like i had when you had broken your wrist?"

you blink it out again, oblivious to your very own hyperawareness. alfred's still here. you hope that, in the presence of darkness, he wouldn't see just how much of a mess you are. how your hands could barely grip onto anything, hair unwashed, face stained with tears, difficulty breathing through the buildup of mucus, foot tapping up and down erratically— you wished he would pretend to be blind about your suffering for just this once.

"no—" came your sudden reply, "i can- yeah, i can eat by myself."

it's harder to lie to yourself than it is to others.

he looks at you with doubt, it makes you shiver.

despite you wishing for company inside the manor, you could never be used to attention. it would never be normal for someone like you. though, you wish it was. you wish you never hesitated when someone gives you attention.

you hear your mattress creak, there's a dip on your bed. alfred sits beside you, only then did you realize just how quickly you lean into his side, craving for warmth in the solace of your empty room.

everything hurts, it truly does.

you wish you were strong enough to cease the sudden burst of tears when his one hand circles your shoulder and the other holds the cupcake with a candle near your face. and you wish that you weren't so weak in the presence of another, trying to find a semblance of your worth in their attention.

you at least try to stifle your sobs—

"happy birthday, master (name)."

— but you were always weak, yet alfred never seems to mind, patting your back to console you from your wailing.

you blow the fire out with a single promise to yourself, crying a bit more when alfred had given you a gift box, laced with a ribbon of your favorite color.

it was one of the few gifts you would cherish, fondness seeping into the cracks of your heart.

though it wouldn't erase the bitterness that fills your being either way, knowing your family is still downstairs, unaware of the anguish the torment that they have put you through— it's still enough to let you hate alfred a little less.

"alfred?"

it was your meek voice, one that was always drowned out by the sound of the dishes clanking.

"yes, master (name)?" yet alfred could always strain out the sound of anything just to hear your talk. after all, you were a silent kid throughout your childhood.

"—if i move out of this place; would promise you wouldn't forget about me?"

... (name) wayne was full of surpises.

even at the ripe age of seventeen, and in the near fourteen years of raising you, alfred could never predict your words nor your actions.

you had always said things spontaneously, carrying an aura of awkwardness in your tone, reminiscent of someone who had their personal growth (moreover their social life) stunted.

but now, with the way you had said your resolve so confidently, it felt like he was looking at a different version of you; all the more confident and resilient.

except... you were behind him when you had said that - so he wasn't really looking at you - eating the first batch of his cookies whilst he was polishing the dishes with a cloth.

when he had turned around to look at you, though, you were still the socially inept child he knows and love, sitting on the breakfast bar and twirling around the stool as you attempt to not get crumbs everywhere. you were still so young in his eyes.

it's just, the way you had looked at him expectedly like you needed his approval that shocked him. it was always your eyes that had expressed the most emotions, glazing with anticipation for his response.

he knows it when you lie, and right now, you were dead serious in your resolve.

alfred had to relax the crease on his brows before he ages faster than he already is.

"well, master (name)," he continues, turning back to wiping the dishes clean before he could fully face you. "i would fully support you in your... journey, but what warranted you to be suddenly motivated on moving out?"

alfred had finished setting aside the dishes, but he still doesn't look back.

"i mean, i thought i already told you? i have a scholarship for college but it's on the other side of gotham and...

— i kind of don't want to be chauffeured by a limo around the campus everyday, you know? so the next best thing is to get a dorm."

alfred knows it when you lie. and right now, your hesitance tells him everything he needs to know.

you may have proved a point, but that point was an entire lie. with a person name wayne flaunting across a city whilst riding a limousine, you might find yourself into more trouble than anything else.

but he had always been the one to pick you up and drop you off from elementary and halfway through your highschool life— and you never seemed to mind until now.

it doesn't take a genius to know that you had already deviced a full plan of moving out and taken it into action; all you had to do was confront the only man in the manor who had cared about you enough to raise you about your worries.

it wasn't enough to convince him to let you go, though, especially not right after an incident that had occured prior to you highschool life. if he allows you to gain independence in gotham, he wouldn't know how long you would last.

but when he looks back at you again, he couldn't bring it in himself to oppose to your whims. you need a new environment; one that provides you a way to gain independence and, most preferably, social skills. staying cooped up in a manor with barely anybody talking to you does more harm than good.

and being ignored by your own family for almost fourteen years wouldn't be a great way to celebrate your already nearing eighteenth birthday.

alfred doesn't want to admit it, but if he keeps you here any longer, you would never grow up. one person could only do so much.

he whips out a sigh, looking at you with resignation in his eyes. but you know it in yourself that he swears his life on the promise.

"master (name)," he walks over to you, eyes darting at the cookie crumbs that litter around your mouth making a note to scold you on your manner later. he sits directly in front of you, hand patting your head as you merely stare at him expectedly.

"i have raised you for almost fourteen years, it's like you are my very own child. i would never forget you." he takes your hands in his. "but you have to also promise me to stay safe out there, master (name). call me once you're there."

alfred would find a way to get you to come back eventually, even if it meant utilizing your family's neglect, which was primarily the reason why you had moved out on the first place.

he just hopes you wouldn't connect the dots and pin the blame on him once you're back and safe in the manor.

and now, it had only been months since you had gotten away from the manor. he was proud of your development, of your choice and overall, you, but he wouldn't lie and say he doesn't miss you.

he misses hearing your voice directly, the line on the phone being too blotchy to properly hear you. he misses it when he would sit on your bed as your only audience whilst he watches you paint on your canvases, drawling on and on about highschool's latest drama. he misses it when you would always be the first to taste his dishes, face lighting up whenever the food was seasoned up; now he has to constantly remind you to eat a nutritious diet, even offering to send you money whenever you mention you were short on it.

in the good of your heart, you would always decline, even going as far to deny him of any liberty to track you down and bring you a meal himself.

alfred misses you.

does he regret allowing you your freedom? not really, no. but he knows it in himself that a greedy part of him prefers it if you were would visit the manor occasionally during your vacations, at least to bond with him. but you simply chose not to, even going as far to legally change your name once you had become eighteen so you wouldn't be associated with your father's last name.

but that wouldn't erase the past you had tried to meticulously cover.

(name) wayne may have been a name forcefully deleted off of the face of the internet, but that doesn't mean it doesn't have its conspiracies of its own. nobody knows who you are beyond the blurry, unsolicited pictures of you. it may have been a photograph of your back, or articles published in unknown websites and buried at the far end about a kid leaving a police station and entering through the fancy gates of the wayne manor.

and most importantly, you are a product of a one-night-stand.

but they don't know who the mother is, don't know your age, or where you come from, and what business bruce has with the woman to guarantee your adoption at the instance she had disappeared without warning.

your existence was a mystery most would like to solve. after all, it was your picture that was plastered all over the newspapers and articles, it was your name that journalists whisper and it was a silhouette of your face that the underground knows by heart. every known information about you was shared discretely yet efficiently like some sort of virus.

you were a target for interest, a large sum of money if they will. and alfred had taken it in his hands to make sure there would never be a repeat of what had happened before.

it was a clumsy mistake, one that cost you your memories, and one he swears on his life he'll never make again.

the first course of action he needs to arrange, which may seem difficult for most; he needs to confront bruce.

after all, your freedom is your doom.

the wayne manor, in all its glory, could only be described as this palace overflowing his its abundant history and fame.

it was a castle that houses a boy who had lost his parents and became gotham's very own vigilante who stalks through the night to lessen the very evil that devours its citizens. it was the training grounds where the robins, sidekicks dressed in colorful attire, opposite to batman, were raised to be worthy enough to stand by the dark knight's side. but most importantly, it was a home for troubled children who were in their journey of their very own personal struggles.

yet even in its exterior splendour, it would always be innately overcome with loneliness.

for someone like bruce wayne, he embraces this desolation just as he embraces his alter-ego, batman, who wears a suit of black and dons an aura that demanded fear.

even if he carries the persona of 'brucie wayne' a ditsy, playboy who enjoys galas and sleeping with women every other night, he prefers solitude over the sea of interviewers who throng around him like he was a piece of meat.

it would be the only time he could focus on his countless of stacked paperworks to sign and his plans to ransack another criminal's master plan.

before winter could cover gotham in its sheet of pure, white coldness, rain would always terrorize the skies. he finds this the perfect atmosphere; dark grey clouds prevent the sun from peaking through, droplets of rain would pelt against the vast windows that surrounds his study, and there was enough background noise to block out any sounds that would pass through the door.

bruce wayne was focused on his work, and that meant disturbance wasn't allowed inside the manor. thankfully, it was a quiet, uneventful afternoon today.

in fact, it was all too abnormally quiet.

his scarred hands work through signing papers effiently and effortlessly, practiced fingers signing papers after he would meticulously scan over the paragraphs of texts that scale from business deals to partnerships to buying a piece of land. then later, once the moon rises, he would have to patrol with damian and disrupt another drug trade that had been recently dealing with children on the alleys of gotham.

that means he has to sign or reject at least half of the papers before evening falls through, so he could have alfred send them over through the post office tomorrow morning.

he was at least a quarter way through his work, though, when his flow was disrupted by a courteous knock by the mahogany doors.

he didn't have to look up or ask who it was, knowing it was alfred, his butler.

"master bruce, i have your tea ready, along with news to bare," bruce could hear the tone of urgency and a tinge of sullenness in alfred's voice. it was rare for alfred to be emotionally distressed, as he was typically the most composed out of everyone in the family.

"come on in, alfred," bruce's vocal chords were gruff, raspy whenever he's too engrossed in whatever he was doing.

but he was piqued at the news alfred was eager to share, the butler expertly turning the knob and entering with a tray that holds a hot serving of tea.

bruce stopped signing the papers, putting down his pen as he watches alfred, composed as always, place the tray down on his desk, not a single clank that was produced from the metal sheets. he watches as alfred reflexively pours him a cup of tea.

it was only after that action that the two share eye contact, alfred stationing himself to the right of bruce's desk.

if he wasn't a detective, he wouldn't have noticed the furrow of alfred's brows, which was uncharacteristic of the composed butler.

he reckons he should address the elephant in the room.

"what is it that you want to tell me, alfred?" bruce swivels his chair to face alfred, fingers tapping the mahogany desk rhythmically.

"master bruce, i figured you should have known this for quite a long time ago, but your third child had moved out on their own and now lives at the opposite side of gotham. right now, they may have been struggling to make ends meet."

huh?

"what do you mean, alfred? you're aware that tim is currently living in the manor—"

"no, master, i am talking about your third, not fourth child; master (name)."

... (name)?

ah, his... other child.

alfred looks at his seated form, expecting the befuddled reaction from bruce.

it doesn't take long for bruce to recover from his thoughts, eyebrows furrowed the same way as alfred as he leans against his chair.

"and what of (name)? why was i not updated about them?"

alfred had to stifle a groan as he then glares at bruce with what he could suppose was exasperation.

"i had already told you about their leave months ago, master bruce. you had simply waved me off whenever the topic is of master (name)." the butler's glare hardened, reminiscent of the times where bruce was scolded as a child. and like a child, he doesn't know what he had done wrong.

"i feel it is time for you to take it into your hands to deal with master (name)'s situation right now. i do not have access to their location and just like you, they are stubborn and refuse to accept any financial aid that comes to them in any form—"

to make matters worse, alfred had the gall to stop midway into his explanation, sighing and blinking unnervingly which catches more than bruce's attention.

"they would rather not admit it, but if they were to fail to pay for this month's rent of their apartment, they would get evicted from their very own living space."

at pretty much the last sentence, bruce's gaze hardened. not at alfred, no, but at the thought of you; his... forgotten child. if it was money that you need, why had you not ask for any allowance in the first place? bruce would admit that, well, it had been too long since he had last seen your face, nor even... remember it—

but you were still a child of his and he wouldn't deny you of an allowance if it meant persuing your... highschool or college dreams...?

shit, what grade are you in?

why didn't he know you moved out in the first place? wait—

"alfred, how long has it been since they had last moved out?"

"roughly six or seven months ago, master."

"ah, but having a place of your own as a minor would be prohibited by law."

"master bruce, they're eighteen. they're old enough to live in their own apartment."

eighteen years old...? how long had it been since he had last seen or heard of you? if what alfred had said was true, that the butler had attempted to reach out to him about you, then why had he not remember in the first place? you were a quiet kid, sure, but for someone like bruce, people would always not be overlooked.

it wasn't in him to easily forget, but he hates how he couldn't muster up a single memory of your face— not even your hair color nor your eyes. did you even... exist in his eyes? there was not a single memory of you that he could come up in his head.

his child was eighteen now, how could he not have known in the first place? how could he not recollect a single birthday of yours? or any celebration or gala that had you in it?

alfred's sigh snapped him out of his trance once more.

bruce looked up, seeing resignation upon alfred's face. he simply stood there, posture straight as always, but bruce couldn't wash away the shame that cages his heart when there was not a single image of you that pops up in his mind— alfred's disappointment merely worsened

the tea in his desk had long since gone untouched, but bruce couldn't bring it in himself to drink a single drop of it, even if his lips were dried and his throat was begging for even a single droplet of water.

he denies himself of any relief.

"i figure i should leave you in your own, master bruce, to at least compose yourself before nightfall. please do take your child into consideration, though, enough time has passed since you have last seen them." alfred states, as if it was a matter of fact. and it was, bruce should've known about your leave, as your father and as the man who took you in, he should've.

so before the butler could even take a step, bruce hastily stands up from his seat, pen long since discarded on his desk and a quarter of the papers are now messily stacked upon each other, but bruce pays them no mind.

"take me to (name)'s room right now, i need to see things for myself."

if bruce couldn't even remember a single instance of you, then maybe a trip to your room would be enough for him to remember.

but if that doesn't work then... bruce would a find a way, he always would.

and as your father, he needs to at least support you, even financial no matter your stubbornness? even if the shame he feels right now is so immensely disturbing, and the migraine is quickly finding its way into his head— he needs to know more about you, his actual third child.

bruce wayne needs to see your face just once.

reblogs and interactions are encouraged and appreciated.

a/n: 5k+ words. no beta, we die like jason todd with a crowbar. my least favorite part of writing the chapter is literally starting it. i had at least 5 drafts all lined up and it took me an hour in the bed to think about how should i start it. i literally hope you guys enjoy the chapter hehe, and start to yk, notice the patterns and the parallels between your perspective and bruce's perspective bec ur literally his child, u guys share some habits even if u never once talked to him lmao. the most emotionally draining scene was writing the birthday scene, i had to take breaks from typing it out hehe. bruce's descent to yandere-ism isn't as quick as dick's but it would be worst in the next chapter.

also, i hope you guys are able to notice the bad habits that the reader eventually collects because it's important for the next chapters. it would be better if anyone of u could... point them out in my asks or comments, i love rambling about it yk, and a lot of you are absolutely brilliant in making theories that are absolutely right. anyways, i hope u enjoy this chapter because this was one hell of a ride for me and i appreciate all the reblogs and comments despite me not replying to a lot of yall but u guys truly are my motivation so thank u lots :(((<33!

taglist: @lilyalone, @secretomelettetroops, @earlqurl, @simpingfor-wakasa, @amber-content, @ruiroku, @okaybutfullhomo, @trasshy-artist, @obsessedwithromance, @jjsmeowthie, @fairy-lenaa, @maicenitas, @ilovvmyhusband, @6uuyuuhgy, @plsfckmedxddy, @lavender-moony, @sweetheart-era, @chemicalsandghosts, @darling006, @starringyau, @rosecentury, @jaythes1mp, @pi1nkl0ver, @i-thirsty-boi, @sharks-r-cool-l, @silverklaus, @samanthathanes, @traumaramacenter, @maddimoon, @anxrq, @thedarknesslord, @h0rr0r-10ver-69, @lazy-idate, @googeecat44, @simpingfor-wakasa, @zvghfgn, @0patito0 (if i had forgotten to put any of u in a taglist please forgive me, it's hard to keep track !!)

[mxdotpng]

i know if i just started drawing them elio mavis and atlas would take the world by storm (unrealistic) but that would require drawing them regularly.

[rambling-at-midnight]

Don't Go Disappearing On Me Again

Pairing: Jason Todd x Reader

Summary: Jason's lost too much to lose you, too. (We stan healthy communication in this house)

Word count: 2.3k

Ow.

You've never worked Friday nights before at the restaurant, and you never want to again. And you'd thought Saturday mornings were bad.

But one of your favorite coworkers had called you in a panic early this morning, begging you to take her shift, because her lab group's department at GCU was going out to bowling and it would be a great networking opportunity. You were the last person she called, but everyone else before you had declined because they were either scheduled or determined to avoid the shitshow.

And because you were weak, you gave in and said you would cover her Friday night shift as long as she covered your Friday morning shift.

So you two swapped shifts, and you went into your library internship in the morning instead of the evening. It wasn't a particularly hard job, but end-of-week returns had you dashing all over the three floors, so your feet already hurt before you walked into the restaurant.

Right before coming in, you'd texted Jason that you'd gotten held up, and it was a good thing you did, because you haven't had a single break to look at your phone the whole shift. He likely wasn't even awake yet—last night's patrol had been tough on the both of you, him because he came home half beaten to death, and you because you'd had a heart attack waking up in the middle of the night to your bloody boyfriend passing out on top of you in bed. But you usually got home around six from the library, and it was looking like you wouldn't be back until ten at the earliest, so you wanted to let him know. It was going on hour seven after starting at two p.m., when the restaurant switched from its brunch to dinner menu. Personally, you think two p.m. is obscenely early to eat dinner, but apparently rich people loved eating at weird hours, because you had had nonstop tables the entire night.

But the good thing is that the restaurant closes at nine, so you’re almost there. After your last three tables eat and leave, all you have to do is clean your section, close your checks, and clock out.

In the kitchen, you lean against the fridge, rubbing your hips and knees. You’re a little too young to feel so creaky after seven hours on your feet. After all, Jason works all night, doing athletic feats you could never dream of.

You can't really complain, though. You'd gotten lucky with your tables; they'd all tipped well. Maybe you could even add a little bit to your savings account instead of shoving every paycheck right at your student loans, which just keep growing, no matter how much you pay.

“Oh, no,” says Charlotte, one of the other veteran servers at the restaurant. She’s staring at the camera feed display, which is tuned to a livestream of the restaurant’s entranceway. “Don’t you dare seat me now, Ashley, I swear to God.”

“What time is it?” your head jerks up. “We’re about to close, right? Is someone looking for a table?”

“Yeah,” she says, pointing to the screen. “The hottest man in the world just walked in our front door.”

You just hum, not bothering to look in favor of pulling out your phone. You know for a fact that the hottest man in the world is actually at home in your bed right now. “The kitchen’s stopped receiving tickets. No way Ashley seats someone right now.” The screen doesn't light up when you click the power button. Well, shit. It's dead.

“I can’t tell what he’s saying.” Charlotte squints at the screen. “He’s, like, huge. Does Ashley look a little scared to you?”

You’re out of the kitchen without even looking at the screen. You speedmarch right past your tables, ignoring one man’s halfhearted attempts to flag you down for more ketchup. A righteous fire is boiling in your gut. You’ve been here long enough that the managers won’t fire you for telling off any customers that harass the younger workers that are more scared to stand up for yourself.

Your mouth is already open, ready to spew forth the beginning of your tirade, when you recognize the man in front of Ashley at the host stand.

Dressed in gray sweats and a dark T-shirt, slouching slightly, he looks even worse than when you kissed his forehead goodbye that morning. The bruise on Jason's face has properly colored now, purple and blue along his jawline. His hair looks a little flat, like he's been wearing his helmet, which is strange.

Jason's eyes snap onto you the second you appear, and you falter at the intensity there. Something has happened, but you're not sure what.

"Hey," you say, a little hesitant. "What's up?"

Ashley exhales with relief. "So you do know him."

"Yeah," you say without breaking eye contact with Jason, who's staring at you with the same expression you think a wolf would wear when stalking a hare. "He's my boyfriend."

You expect Jason to tell you that someone was in an accident. Someone's in the hospital. Something terrible happened to your apartment while you were gone.

He says none of those things. Instead, Jason says, "I didn't know you picked up a Friday shift."

Ashley's face goes blank.

"I told you I would be home late."

“No,” he corrects. “You texted me that you were being held up.”

“Yeah, at work.”

“And then you disappeared.” Jason’s jaw clenched. “Did you know that a bank was held up this afternoon? Your bank?”

“Oh, shit,” your hand flies up to cover your mouth. “My phone died, I don’t know when. You couldn’t check my location and see I was here?”

He just shakes his head, stiff and wordless.

“Hey, Y/N.” It’s your manager approaching the host stand now, customer service smile on and eyes taking in Jason’s appearance. “What’s going on up here?”

“Hey, Steve,” you say. “Sorry, this is my boyfriend Jason—Jay, this is my manager, Steve—”

Jason gets the hint and smiles close-lipped, reaching to shake Steve’s hand.

“My phone died so he came to see if I needed a ride home.”

“As soon as your tables leave and your section’s clean, you’re good to go. Oh, and you have to roll silverware.”

“It’ll be at least another hour,” you say apologetically to Jason.

“Okay.” His eyes keep boring into you like he’s trying to send you a telepathic message. He’s mad, you get it, but it makes you a little mad, too. You’re a grown adult. Yeah, the miscommunication was your fault, and it’s fine for him to be worried, but he looks close to Red Hood levels of anger, which is totally unwarranted for this situation. “Is it cool if I wait at the bar for you, then?”

“Of course!” Steve answers for you. "Our bartender, Lacy, will be happy to serve you while you wait." He checks his watch. "Until last call, that is."

"He didn't scare you, did he?" you ask Ashley as soon as Steve leaves. You smile at Jason, trying to tease him, but his expression doesn't twitch. "He looks mean, but I promise he's a big ol' softie."

Jason just grunts, but on his way to the bar, he doesn't forget to drop a kiss to your forehead. It warms you from the inside out.

As soon as he's gone, Ashley blurts out, "What happened to his face?"

"Motorcycle accident," you fib. "Oh, my table's calling me."

You rush over to take care of the poor man's ketchup—he's been waiting almost five whole minutes—and check out another party. The back of your neck prickles as you do. Every time you glance at the bar, Jason's green eyes are locked on your every move. It flusters you so much that when your table leaves, they say thanks, and you respond with, "Good morning!"

"What?"

"Thanks, you too!"

You run back to the kitchen, and everyone immediately starts interrogating you about your 'huge hunky boyfriend' (Charlotte's words, not yours).

By some miracle, all your tables clear out by closing time, and you’re out by 9:20. There are still a couple people at the bar, but Jason’s up immediately to walk out with you, leaving his water glass on the counter.

He doesn’t say anything, though you can feel his eyes on you whenever you aren’t looking. You won’t fight in public, so you follow his lead and stay quiet.

He drove your car to pick you up, and even though he’s obviously mad, he holds the passenger door open for you before getting into the driver’s seat.

The drive home is silent. He parks in the spot for your shared apartment, then immediately, quietly, asks, “Why’d you pick up a shift without telling me?”

"It was super last-minute," you say. He's still facing forward, so you do the same, eyeing his profile out of the corner of your eyes. "Like, it happened this morning. I thought you were sleeping, so I didn't want to blow up your phone with texts. I thought you'd just check my location and see where I was when you woke up."

Jason's hand clenches on the center console. "I woke up and I was terrified."

"I'm sorry—"

"And the bank, and your wording, and your phone was off—"

"I know," you say, putting your hand over his fist. He unclenches immediately to lace his fingers with yours. "I'll make sure I tell you next time."

Jason takes a deep breath in, then lets it out. In a rush, he finally turns to face you and says, "I don't mean to be controlling."

You blink. "I don't think you're being controlling."

"You don't?" Jason frowns. "Then why were you so mad when I walked into your work?"

"Mad? I'm not mad—you're mad at me."

"I'm not mad at you, what are you talking about?"

"You've been glaring this whole time! And you didn't say a word this entire car ride."

"Because I thought you were angry. I wanted to give you space."

"Okay, wait, wait, wait." You hold up a hand. "Let me get this straight. You're not mad at me?"

"No," he says earnestly. "I was worried and scared, but you're an adult. You don't have to ask for permission if you want to pick up a shift at work." He makes a face like the thought disgusts him.

"Okay," you say. "Okay, well if you're not mad at me, I'm not mad at you, either."

"Then why did you look so pissed when I walked in?"

You press your lips together to keep from smiling. "Well, we have cameras that show us up front while we're in the kitchen, right? One of my coworkers was watching and said 'the hottest man in the world' walked in and I didn't look because I thought the hottest guy in the world was still asleep in my bed—"

Jason covers his face with his hands. You can't stop your smile now, and you pull them away so you can look at said handsome face. "And I didn't even look because I'm such a loyal, awesome partner—"

"You are pretty awesome," he agrees, trying to sound serious, but he's grinning like an idiot, too. His cheeks are flushed pink.

"I know I am. But then Charlotte said that the hostess, Ashley, looked a little intimidated by him, so I walked out to see if she needed help."

"Aw," Jason says. He lowers his chin to look at you from underneath his lashes, pretty as a picture. "Were you going to give me a stern talking-to?"

"I can still give you one," you offer.

"Maybe later."

He's still grinning, and you're still grinning, so the both of you are grinning at each other like idiots in the car.

You want to kiss him, and he's your boyfriend. You're allowed to do that whenever the two of you want, so you take Jason by the chin and pull his mouth to yours.

Jason sighs against you, and it's like all the tension in his body melts away. One hand comes up to cradle your jaw, the other on the back of your head.

You break away to murmur, "Are you patrolling tonight?" He's still so beaten up.

"No," he whispers, voice low and gravelly in a way that has butterflies whipping around like a tornado in your stomach.

"Good. Wanna go up and be the hottest patient in the world while I look at your wounds?"

"Only if you're the hottest nurse in the world."

"Oh, but then who will be the hottest chef in the world who makes dinner?"

"The hot chef is on vacation right now," Jason joked. "But I can be a really hot food-orderer. What takeout are you in the mood for?"

"You're the injured one. What do you want?"

"I want whatever you want."

You narrow your eyes in a glare. "Well, I want whatever you want."

"You gotta make a decision," he says, already on his phone. "You're the hottest decision-maker in the world, I'm the hottest food-orderer."

"Chinese?"

"You got it."

Right before he dials the number, you grab him and kiss him again. When you pull back, he chases after your lips. It's so tempting that you give him another firm peck before you pat his chest once.

Jason blinks twice, looking dazed. "What was that for?"

You shrug. "I just wanted to kiss the hottest man in the world."

"Oh, my God." He groans and covers his face again, but you can see his red ears. "You're never gonna let that go?"

"Mmm." You pretend to consider it. "No."

DC taglist:

@evalynanne @mismatchsposts

Forever taglist:

@lemirabitur @annymcervantes @queenmissfit  @iksey @thehyperactiveteen @luxmoonlight @andreasworlsboring101

[povlnfour]

ੈ✩‧₊˚ CONTENT CREATION (CL16)

pairing: charles leclerc x f!reader

summary: when ferrari hire a new content creator to help their social media presence, fans start noticing a certain friendship developing between her and their star driver.

*face claim: dina denoire (but please imagine her as you see fit)

scuderiaferrari just posted a photo ੈ✩‧₊˚

liked by 209,885 people

scuderiaferrari we’re all smiling and relaxing on media days📸

view all comments

user who is taking such good photos when did ferrari care about their social media

user okay loving all this content we are getting lately but what changed admin

user charles wearing white jeans gives me anxiety

user ferrari cooking something

ferrari just posted a reel ੈ✩‧₊˚

liked by 451,209 people

scuderiaferrari charles’ comments after the race have left us craving something 🍕

view all comments

user SO THAT WAS A GIRL’S VOICE RIGHT.

user IS THE NEW HIRE A GIRL

user so you DID hire a new media person… i knew all this content was too good to be true

ferrari just posted a tiktok ੈ✩‧₊˚

84k likes, 1.2k comments, 1k shares

video captions:

[carlos: is my person attractive?

charles *laughing*

carlos: that tells me everything!

charles: yes she is!

carlos: is it y/n then?

charles: i’m saying nothing]

ferrari charles and carlos play who am i featuring the members of our ferrari team!👀

top comments

user CHARLES WHAT DO U MEAN UR SAYING NOTHING.

user WHO IS Y/N AND WHY DOES SHE HAVE CHARLES LAUGHING LIKE THAT

user okay but carlos knowing he was immediately y/n from the way charles blushed👀 what does he know that we don’t she must be hot

user admin give us a y/n reveal💳💳💳

ferrari just posted a tiktok ੈ✩‧₊˚

39.8k likes, 415 comments, 890 saves

ferrari what time do our team arrive for our meeting?

top comments

user THIS IS THE FAMOUS Y/N???? SUDDENLY I UNDERSTAND CHARLES

user UMMM WHO IS THE GIRL

user double checking their team on the website it would appear she’s the content creator👀

user the one charles keeps mentioning???

user wait what time did the meeting start😭

yourusername 5… some of us were late

user IS THIS HER ACCOUNT BC IF SO…???? IM PANICKING SHES SO HOT

yourusername hi😭😭 yes this is me!!!

user oh my god she’s so hot

yourusername just posted a photo ੈ✩‧₊˚

liked by charles_leclerc and 56,408 others

yourusername first few months of many travelling the world have been a dream. grazi ferrari❤️

view all comments

user FINALLY FOUND UR ACCOUNT IVE BEEN WANTING TO SCREAM ABOUT HOW HOT YOU ARE FOR AGES

user was so focused on you i didn’t even notice the photo of charles

charles_leclerc no photo credits?

yourusername WAH WAH WAH

user how does it feel to liVE MY DREAM

yourusername pretty incredible tbh

ferrari just posted a video ੈ✩‧₊˚

[video captions:

CARLOS: who is most likely to be late because they overslept?

CHARLES: *laughing* probably y/n. she’s always late. i don’t think i’ve seen her be on time to a single meeting yet. she’s also notoriously hard to wake up and sleeps through her alarms and being shaken!

CARLOS: *teasing* you speak from experience, no?

CHARLES: *laughing* i’ve definitely struggled to wake her up a few times!]

twitter reacts ੈ✩‧₊˚

charles_leclerc just posted a photo ੈ✩‧₊˚

liked by landonorris, carlossainz55 and 561,356 others

charles_leclerc enjoying the summer break

view all comments

user IS THAT Y/N?

user so ferraris content creator gets to see charles shirtless ? where do i apply

yourusername nO pHoTo CrEdItS?!😤😤😤

user GET HIM

user not to be that person but if they went on holiday together that means they probably shared a hotel room right…

user oh they’re totally doing it

user can’t blame her at all i would too

yourusername just posted a photo ੈ✩‧₊˚

liked by charles_leclerc and 98,406 others

yourusername some well deserved time off🫶

view all comments

user UMMM THE SECOND PHOTO??? ITS GIVING BOYFRIEND

user BESTIE WE ALL KNOW UR TOGETHER JUST MAKE IT OFFICIAL‼️

user this is confirmation in my head

formula1 just posted a video ੈ✩‧₊˚

[video captions:

CHARLES: y/n how do i look?

Y/N: you look alright.

CHARLES: just alright? oh my god my heart is broken.]

top comments

user WHAT DO YOU MEAN YOUR HEART IS BROKEN CHARLES WHY IS HER OPINION SO IMPORTANT TO YOU👀

user oh so they spend the whole summer break together and now they’re in love????

user charles and y/n just announce you’re dating already i beg

user a whole formula 1 video and the first thing charles thinks of is to ask for y/n’s opinion… yeah we’ve lost him guys

user fr and i can’t even blame him have you SEEN her

yourusername just posted a photo ੈ✩‧₊˚

liked by charles_leclerc and 98,406 others

yourusername thanks idiot for mentioning my name constantly on the internet. glad to know i’m always on your mind (you’re on mine too)

view all comments

user OH MY GOD I KNEW IT

user TEARS THEYRE SO CUTE

user not ferrari playing matchmaker😭

charles_leclerc i love you. sorry i had to scream about it, glad i can do it double time now

charles_leclerc just posted a photo ੈ✩‧₊˚

liked by landonorris, carlossainz55 and 561,356 others

charles_leclerc shout out to ferrari for introducing me to the girl of my dreams and only being minorly annoyed when i decided to make her mine

view all comments

user SO REALLLL

user MOTHER AND FATHER!!! ITS OFFICIAL

user when will I have my fanfic worthy love story

carlossainz55 i can’t wait to third wheel for the rest of our career together

yourusername you love us really

carlossainz55 i do. i really do

—————

taglist (found here): @sunflower-golden-vol6 @six-call @skatingiswalkingincursive @peqch-pie @m0cha-bunny @ironmaiden1313 @champagnelovers101 @alessioayla @hobiismyhopeu @mingkyungseokie @woozarts @he6rtshaker @iluvvmeeee @goldenalbon @lucyysthings

as always, comments, likes, reblogs asks etc etc etc always greatly appreciated🫶 had a lot of fun w this one hehe

- giselle xx

[eupheme]

Not to be the little gremlin obsessed with Chappell Roan BUT… reader thinking Logan is too cool to want a proper relationship with them, so when things get physical they insist things are just “casual” in order to protect themselves from getting hurt. But secretly you’re in love with each other, so honestly, neither of you want things to be casual at all… (mutual pining my beloved) please & thank you!! Love you!

ahh hi hi avo I LOVE this song, and this request, and you - I could so see this being a situation that Logan and reader find themselves in. I had so much fun writing this, I hope you like it! (I added a couple winks to the lyrics as well.) 💖 thank you so much for sending this to me!!!

casual | variant!logan howlett x f!reader

1.2k | posessive!logan, fwb(???), use of alcohol, mutual pining, references to oral sex and PiV.

It doesn’t matter that your heart flips when you look at him. It’s Logan. It’s just casual.

It certainly feels like a dream, watching your worlds collide.

The heft of Logan’s palm fitting into your friends as he shakes their hand - the five of you squeezed into your usual booth in the corner of the bar.

You’d say the past couple weeks had seemed that way, as well. A late-night dose of bravery spiraling into something so raw and intense and real, that you feel like you could choke on it.

Even now, there’s heat in your cheeks as your eyes flick his way. Something stirring in your chest at the way his other arm slings across the back of the booth almost possessively.

But like all dreams, there comes a moment where you have to wake up.

Because you know it’s not.

Because you know your feelings aren’t requited. How could they be, when it’s Logan you’re talking about?

A legend.

A lone wolf.

Someone important, someone whose name carries a weight. Who saved the world, from what Wade tells you.

And you’re - you.

So even if you know what he looks like beneath that flannel, know what his mouth feels like when it presses against yours - what he sounds like, when he comes - you know that this is nothing.

It’s casual. A distraction, for both of you.

And if that’s how it has to be, then you’ll do your best to show him you’re cool with it.

You just hadn’t expected this moment to come so soon. It had been a genuine offer, your “you wanna come with?” when the hour rolled around for your weekly trivia night.

Not thinking his head would cock to the side. The look he’d give you - that arched brow, as his fingers splayed out across your bare hip. Still crowded together on your couch, sweat-dewed.

The “sure, sweetheart” that slipped out.

And now you’re introducing him as your friend - that quick history you’ve perfected - rattling off the “you know, Wade from work’s roommate” even though Wade didn’t work at the dealership anymore.

He had made enough of an impression that none of your friends had forgotten.

And you ignore the bitter jolt in your stomach, when all Logan does is hum.

You think you must have assumed right.

He doesn’t correct you.

Logan quickly solidifies himself as an asset to the team. He gets a lot of the history questions that you’ve always struggled with. A shy quirk of his lips when your friends cheer, and you get swept along with it.

His hand ending up on your thigh along the way. Squeezing, when you chime in. Almost as if forgetting - it’s easy to, when you’re having fun like this.

A low rasp in your ear, when the host takes a break.

“Lemme get you another.”

You can only nod, as he eases out - taking your glass with him.

It only takes a second, before MJ’s hand slaps down on yours.

“That’s Logan?” She hisses - leaning forward, “The one who-”

“Yes.” You cut her off, ignoring the sideways glance her boyfriend gives you.

You never should have told her about that.

Had a hard enough time climbing into your car without thinking about it, yourself - the way he had man-handled you in the passenger seat. Thighs thrown over broad shoulders.

Fingers twined in his hair, as he made you moan in the dark parking garage. Too eager to make it up to your apartment.

She frowns, the words petering out, “But I thought-”

Your teeth worry at your lower lip.

“Yeah. Me too.” You sigh.

MJ knows how much you like him.

Really like him - butterflies, and everything. How it’s been years since you felt this way - slipping from you during that rushed phone call at 6 am the morning after your first night together.

Her eyebrows raise, and it’s a look you know well.

“It’s, you know.” Your hand waves, “It’s casual. It’s-”

It’s easier, this way.

Maybe if you keep repeating it, it won’t hurt as much when he moves on.

The look she shoots you is one of pity, just as a drink is set down in front of you.

Your teeth clicking against each other as the words are swallowed. Forcing a smile as Logan slips back in the booth next to you.

The next round starts a moment after, and it’s a welcome reprieve.

You miss the way his eyes narrow, as yours fix firmly on scorecard in front of you.

But you don’t miss the way his hands stay folded on top of the table, for the rest of the night.

You suppose he must have remembered where he was.

“You wanna come up?”

He lingers outside your apartment door, hands jammed into his pockets. That look from the bar is back - all dark, narrowed eyes.

A low sound in his throat, close to a scoff.

“That what you want, sweetheart?”

Your eyebrows raise, “Yeah. I do, I mean-, that’s what we usually do, right?”

He’s spent just about every night at your apartment. His things still scattered across your room. A leather jacket slung across the chair that’s tucked against your vanity.

Logan’s lips twist at the edges, eyes dropping.

“Suppose we do.” Those hands slip from his pocket, crossing over his chest, “Back when I thought we knew what we were doing. But now…”

His head shakes. A tick in his jaw.

Your stomach drops.

“What do you mean?”

Logan huffs, “The bar, baby. Is that how you really feel?”

A step closer, until he’s caging you in. Voice dropping, rough and low - near gritted out.

“Does this,” His fingers flick between your chest and his, “feel casual to you?”

Your heartbeat gallops behind your ribs.

“I thought-,” You manage, “Thought that’s what you wanted.”

He’s too close, now. The dip of his head, those eyes burning in their shades of brown and gold.

“Now, why would you think that?”

You swallow, “Because you’re you, and I’m-”

“You’re?” He prompts, but you go silent.

A sigh, when your head dips.

Unable to say it out loud.

“Driving me crazy all night, you know that?” He rasps, “Giving me those looks. Calling me your friend, when we both know your mouth was around my cock this morning.”

A low rumble in his throat, “When I still taste like you.”

Your breath hitches, as his hand thumbs at your jaw, tilting it up.

“Lemme ask you again.” His mouth is close enough now to ghost against yours, “Is that how you really feel?”

Your head shakes.

“Wanna be yours.”

It’s breathed out, just as he kisses you.

His body pressing flush, as your hands twine around his neck. A palm around the back of his neck, pulling him closer as he deepens it.

Desire thrumming to life inside you, washing out the dregs of insecurity that you’ve been carrying this whole time. Melting them away completely with the hungry sweep of his tongue, the way he swallows your soft moan.

There’s a flash of white when he finally leans back, with the curve of his lips.

“Good.”

His hand closes around the knob. A rough twist, as his another arm wraps around your waist.

Walking you backwards, into the dark.

“The let me show you exactly how I feel.”

thank you so much, again!! 💖

[vidavalor]

The pub scene is even funnier when you consider that poor Mr. Brown of Brown's World of Carpets has likely had this longtime pash on Aziraphale and, like everyone on Whickber Street, he has no idea who exactly The Ginger Goth With The Old Car is. He knows the prevailing theory is mafia but Mr. Brown of Brown's World of Carpets has seen Ginger Goth hanging around Mrs. Sandwich and her "Sandwich Shop" and also around the bookshop a bit and also some naked guy was also at the bookshop recently, so... what's the likeliest conclusion drawn by Mr. Brown of Brown's World of Carpets? That the old bookseller's lonely and paying for it.

He sees them come into the pub and thinks Aziraphale is classy like that and is taking the sex worker for a drink first or maybe that's part of it-- he's gone the whole 'boyfriend experience' route. Mr. Brown of Brown's World of Carpets sees Aziraphale with that chest stroke of that Thin Dark Duke he's paying and while Mr. Brown (of Brown's World of Carpets, just FYI) isn't here to judge and gets it as he's lonely, too... and while he does think the bookseller picks some hot ones... he wants to give Mr. Fell the real thing. The kind of love you can only get between two middle-aged, still-sorta-closeted queers like they are. He'll be someone the bookseller can talk to and find some genuine chemistry with, Mr. Brown of Brown's World of Carpets will be, so he decides to shoot his shot and knows the bookseller is skittish from their past interactions, so he goes for the meeting option. He'll have to come over to drop off the chairs, of course. Give them an excuse to talk more, alone, when Mr. Fell is not, erm, entertaining.

And poor Mr. Brown--President of the Whickber Street Shopkeepers and Traders Association, Mr. Brown of Brown's World of Carpets is-- fine, upstanding, boring as all holy fuck fella... He's met by Crowley coming over with drinks and a greeting that says this is neither the first time, nor, he doubts, will it be the last that he's had to Husband the bookseller but again, Mr. Brown of Oh, You Know By Now thinks this is a bit, so he's not intimidated.

"I was just absolutely hitting on him for real, unlike you," is what he basically told Crowley when explaining what they were chatting about.

And Crowley's like lol you got him flustered enough to host this meeting. Good on you, Mr. Whoever the Fuck You Are from Whatever Shop You Run. Look at you *go*. 😍 I've got a new favorite human, Aziraphale.

He's all "you astonish me" to Aziraphale, teasing him like you're leading the poor, balding bastard on, angel. I know it's hard for you to reign in your divine sex appeal but you should maybe try. His heart is only human, after all.

Mr. Brown still thinks Crowley's a sex worker though so he doesn't give up and is all like remember, Mr. Fell, our date is right after work on Thursday in a group setting to set you at ease but I'll see you first to set it all up because I want you and I want to make sure you know I'm not just here for the business meeting.

Crowley: That's it-- I'm adopting you, Ballsy Mr. Carpet. I like your style. But you'll never wear my angel down. We've been married for 6,000 years. I am definitely up for saving you from some demons on Thursday though and making it rain on you and literally any fruity, single shop owner in the greater metro area next season. You're on the deck after my shop lesbians. Now piss off, Mr. Barnes. We haven't been to the pub in ages and you're in my seat.

[impactrueno]

it helps me to remember when i get sad about how annoyed lydia gets in s4 is that she’s fourteen at that point so she is ACTIVELY going through puberty. and we’re all kind of annoyed with the world at that point, even the people we love.

that's very true. she's also known him for years at that point, and he can be uhh a lot. he can't get away with displaying his huge flaws as often as he used to, lydia doesn't allow it, and when he DOES get away with it, the episode ends with lydia disappointed and even outright mad at him. Midnight Scum in particular is so hard to watch, you can see her losing respect for him as the episode progresses and...then it ends. episode over. beetlejuice is horrible, what did we expect?

but yeah season 4 is. whoof man.

sure, you can chalk up part of it to teenage hormones making her more irritable, but i really do think she's just like, at her limit sometimes. i can't blame her, i too want to strangle him a lot of the time and i'm not even the one putting up with his shit, babysitting him or having to deal with the consequences of HIS actions.

this isn't Critter Sitters anymore, she is simply not having it and she won't make a cute little excuse for him "oh he makes me laugh and eats bugs hee hee"

season 4 lydia reacting at his jokes like 😒🙄

she's probably heard that one a thousand times by now. beetlejuice is a static character; he doesn't change, he doesn't go through character development, he doesn't learn his lesson (outright refuses to) but lydia DOES change. and she will continue to change as she grows older. and i KNOW this is a sad theory but i can't help but think that, as she grows and moves forward, she's just...gonna leave him behind.

it'll be hard for her not to. not only is she starting to make her own life and will continue to get busier and busier and not having time to hang out with her ghoulish best friend...she's also maturing. something beetlejuice has never done, and seemingly never will. and as she grows more mature, those puns and pranks and hijinks will become less funny, and his lying, clinginess and refusal to grow will become more evident. season 4 has lydia expecting better of him and being let down, constantly. if it's exasperating for us imagine how it must be for her.

at what point does it become too much? how often has lydia sat and thought about this kind of thing? considering how intelligent and sensible she is for her age, probably more than a few times. this dead guy inadvertently saved this depressed little girl by becoming friends with her and giving her the confidence to be herself and make her own friends. does she know that though? beetlejuice does, he saw it when they showed him the reality in which lydia never meets him. but lydia has no idea (and he will never tell her) so sometimes i wonder if she's missing that key aspect of why he's so important in her life. it's possible she might've come to the same conclusion herself; but even then, these things can be hard to remember when you're having to, once more, clean up after him and the messes he gets them into because his chaotic impulses are always stronger than him. you can tell she's very tired of this. and she will become even more so as time passes.

best friends forever though.

...

...right?