#and she wants him to live more than anything else in the world. she would fight all who threatened him

[aurynsia]

what would be the life after hogwarts for james and reader? i can just imagine james thinking of the best ring he could give reader to ask her to marry him, or even like thinking of where they should live in.

Life After Hogwarts

James Potter x Reader

Summary: James won’t settle for anything less than perfect for his perfect girl...

Warnings: Intense fluff, Reader is referred to with she/her pronouns, James is just a good hearted rich boy who wants the best for his partner <3

Word Count: 1.1K

Masterlist

A/N: Thank you for the request! I wrote this as a sequel to this series, but it can just as easily be read as a stand alone oneshot. Enjoy!

——————— ⋆౨ৎ˚⟡˖ ࣪ ———————

“Pads, please focus here. This is serious!”

“No, I’m Sirius, born and raised! Are you sure you aren’t feeling lightheaded, Prongs?”

James and Sirius stood bent over the cabinet of delicate rings, the latter struggling to free himself from a ring size too small. James huffed in frustration, brows furrowed in contemplation as he glanced across the display one last time.

“None of them feel right, I’m telling you! We‘ll just have to find somewhere else, she won’t like how flashy all of these diamonds are,” James sulked and grumbled as Sirius finally eased the ring off of his nimble finger.

“Prongs, this is the fifth jeweller we’ve been to in the past four hours. Merlin, the sun is already setting and you haven’t even considered a single one of the more than acceptable rings we’ve looked at!”

Sirius scrambled to chase James out of the store, pace quickened along the damp concrete of the sidewalk.

“It needs to be perfect, she’s perfect. I will settle for no less.” James held his head high, nose turned upwards at the raven haired boy who grew visibly sluggish with every step.

Sirius groaned, only following his bespectacled friend for another quick moment before James stopped abruptly at a pawn shop window, eyes bursting wide with hope.

The ring in the window shone elegantly against the store’s harsh light. The metal twisted and turned in a smooth curve that was sure to make your skin glow radiantly in contrast. It was understated, with only the minor details in the engravings making a quiet display of the mountain of money James was about to spend.

“That’s the one. It’s perfect.”

——————— ⋆౨ৎ˚⟡˖ ࣪ ———————

The cool breeze wrapped around the Potter’s summer house with ease, pressing against your skin to form goosebumps along the soft surface.

James had been acting strangely all day, almost avoiding you at every turn of the house’s walls like his life depended on it. He fiddled with his fingers, stuttered out his words and blushed at every subtle sound of amusement you made.

Finally relaxing into your side, James sheltered you from the wind with his body on his family’s beach-side deck. Your evening beverage was pressed between your legs, freeing your hands to run soothing circles over your boyfriend’s back.

His eyes clenched shut, head growing wrinkles as he sought his trademark courage that seemed to all but disappear the moment you were near.

Slowly, tentatively, he lifted his body from your warmth, flashing you a sympathetic smile to compensate for the absolute fool he was about to make of himself.

“Love, I- you mean the world to me…” he turned to face you. “These past years with you have made for some of the happiest moments I’ve ever experienced…” he shifted to lift up onto his knees, gazing down at your curious expression.

“I love you so, so much. I loved you when I first met you, the shy girl on the Hogwarts express. I loved you when we started dating, all smiles over candle lit dinners, and…” He moved again, down on one knee. “I want to keep loving you when you marry me.”

You gasped at the genuine glaze of his soft brown eyes, his lean towards your stationary body, and the ring sat in his grasp, shrouded by a velvet box.

He coughed slightly at the awkward atmosphere, repeating himself with clarity. “Will you…marry me?”

“Godric, James- yes!”

——————— ⋆౨ৎ˚⟡˖ ࣪ ———————

Fleamont Potter was showering his son with engagement gifts. James never had any reason to complain about his family or economic situation, and to say he grew up comfortably would be a drastic understatement.

House hunting was James’ first protocol after his successful proposal. He had patiently listened to you ramble about your dream house for years, trying to stay focused under your captivating gaze and endearing energy. Big windows, lots of light, and a burning fireplace.

That’s exactly what James was searching for as he strolled down the streets of Godric’s Hollow. He had inspected every single house he could find, taken or not. The day was wearing out, washing lines already dried under the subtle summer heat.

His gaze fell in a wave of sluggish fatigue, only to be snapped open by the sight of a Southern-style mansion positioned right on the edge of Godric’s Hollow, towering over the sidewalk. The house was decorated with shutters and balconies, as well as a small red sign in the front yard.

FOR SALE.

He rushed to the front door, conveniently propped open. “It’s a beautiful place, really, but we’re after something a little more…modern.” A family glided past James in a pack, concluding what he could only assume to be a tour of the house.

The estate agent fixed his tie as he bid farewell to the family, promising something about searching closer to the city the following week. He spun around to find James gawking eagerly at the front door, before clearing his throat to gain the young Potter’s attention.

“Would you like a tour?”

——————— ⋆౨ৎ˚⟡˖ ࣪ ———————

James flashed you a smug smile as you gazed in awe at the intricate architecture of your new townhouse. You were perched on the front lawn, tucked into James’ side with his hand on the small of your back.

“It’s so beautiful…” you mused wistfully, gaze drawn to the rustic tiles on the roof like sunflowers to the sun. “You didn’t have to go through all this trouble, I mean- this must have been an absolute pain to buy…” you finally tilted your gaze to see James peering over you, a lovesick longing painted on his features.

“Love, my father knows people - too many to count - who were more than happy to help with this little engagement gift,” he chuckled, eyes still locked on yours. “When I saw this house for the first time…it was calling your name. Our names.”

The house was big enough to hold a few kids and some small pets - clearly too big for just you and James, but he hoped that your family would fill it out in the coming years. There needed to be room for at least one big black dog.

Still uncertain, you gave James a sceptical look. “It was no trouble, really.” He didn’t wait for a reply as he drove you through the open door by your shoulders.

You stumbled through each room, captivated by the warmth in every corner you turned to. James was hot on your heels, guiding you by your waist every now and then to show you specific features of the kitchen, the bathrooms and the already decorated master bedroom.

You jumped onto the bed with glee, warmth engulfing you under your body.

“Jamie…it’s perfect…” you mused, eyes shut as you felt the bed dip with your Fiancée’s weight, who shifted to kiss your forehead with care.

“You’re perfect, love.”

——————— ⋆౨ৎ˚⟡˖ ࣪ ———————

[pissgoblin973]

also;

these are my thoughts on the specific plot threads you feel were neglected — again, i’m not hating or anything. for the most part i agree with your stance on the pacing feeling off, i’m just putting in my two cents.

1. a lot came out of jinx being the face of the revolution actually..? i get the feeling of wanting more but it wasn’t a throwaway plot point for nothing. in times of crisis and oppression under the rule of the kirraman/noxus alliance jinxers looked to jinx as a symbol of hope. she was the image of their rebellion, the undercity was forming factions yes, but for a reason greater than themselves - no more petty squabbles, the enemy is topside. jinx whether intentional or not, made them realise that.

2. ekko needed to save his tree was the catalyst and a necessary step to him encountering the wild rune in order to save the world. if not for his tree dying, ekko would have no reason to step foot in piltover seeking help from jayce of all people. this decision is deliberate. ekko is as responsible for everything happening as jayce is, he is little man — he sent them on that job, he knew jayce as “the boy who didn’t haggle”. i don’t believe that decision was by mistake. this is further confirmed in the alternate reality where jayce and vi are dead, hextech ceases to exist, zaun appears to be independent or at the very least civil with piltover. to save his community he needed to take that leap, and leave a few people behind.

3. ehh, an exploration of vi’s trauma would be nice? but vi isn’t that kind of character. she’s closed off, a fighter, always on guard. not as weathered down as jinx who constantly expresses her internal battle with herself or caitlyn who masks her pain in the facade of control. there’s sprinkles of her trauma throughout the show in both seasons but an entire segment dedicated to it seems like a bold/risky decision from a writers perspective. her relationships with others is what makes her who she is, without them she is nothing/stagnant. she needs people to protect/keep alive or else she’s not living up to her promise — vander’s last wish.

^ also like, eldest daughter syndrome go brrr

4. caitlyn does realise the error of her ways, again it’s in small tidbits and hidden in the details. she doesn’t just “get with vi” because she wants to, there are moments where you see the gears in her brain turning and she looks uncomfortable or conflicted about what’s happening. sure it’s not explicit and doesn’t take up space in the grand scheme of things, which is what i think you wanted more of. but i promise you it’s there.

5. sevika got done dirty and also not at the same time? she was the character i wish we squeezed more out of. thematically speaking, her journey from henchman to a leader and the face of zaun makes sense and is absolutely perfect in every conceivable way. she evidence of the “old” zaun, one that relied on loyalty, she was there during the revolution, during silco’s takedown and his inevitable fall (sorta). i just wish she found out that jinx killed him so we could see how she would process that. but she deserves to be at that table. i wish we got to see more but i don’t think it’s by mistake either, there’s so much to explore with her, who knows?

Arcane Season 2 ‘s pacing is atrocious and nothing is ever properly followed up. Jinx being the face of Zaun’s revolution? Nothing comes out of it. Ekko trying to find a way to save his community from the Hextech infection and learn more about his efforts of saving Zaun? Dropped and he is absent from Act 2 until reappearing in Act 3. An exploration of Vi’s trauma? Unexplored to focus on her relationship with Caitlyn and Jinx. Caitlyn realizing the error of her ways? Skipped over so she can get with Vi. Viktor’s journey to becoming the Machine Herald out of his own choice? Sped over with Singed doing it for him. Sevika leading Zaun? Skipped over until the end where she is now a council member representing Zaun. Mel got a proper solo arc but her screentime was limited.

[pixeltwix]

⚠️Emma May & Ciphertology⚠️

-Backpacking off of my theory from yesterday!! Very long text post incoming-

I’m of the mind where not only do I believe Emma May’s family was in a cult, but that they continued to practice its teachings after being disbanded. From here this is just my own personal ramblings as I have a very long and personal take on Emma May and Fiddleford’s lives and history as a whole and separately. Today will be dedicated to Em’s side (ft her families designs as well :3 )

Emma May’s father, Dale Dixon, is the older brother of Madeline Dixon- the teenage girl who was one of the first to be swayed by this Silas Birchtree. It’s implied she fell for him in place of her boyfriend at the time, but I choose to believe this was a lingering affection she’d keep for life in her worship.

Being a young man at the birth, peak, and end of Ciphertology already with a wife and children, Dale was too closely wooed by the teachings of Silas and the inter-dimensional being that was Bill Cipher. He was a bit of a cult kiss ass, if you will. He’d be the first to do whatever Silas would suggest or order of the cults people and the man was happy to do it. Be it shaving his head and painting on an eye or attempting to build the portal he had zero qualifications for alongside everyone else.

Naturally after the cult was disbanded and everyone was put into witness protection, while Dale accepted the state relocation for his family (to Virginia) he refused any government aid beyond that. Instead dragging his young family and sister into the woods where he constructed a shabby little home for them. A home where no one would contradict his word and he could continue the teachings of Ciphertology.

Emma May was born only a few short years later. And while her father had already named one of her older brothers as a namesake to his idol, Silas, her mother named her in turn for her secret idol, Emmaline Butternubbins. She knew Dale would never accept the original name, so she did what she could to compromise- it was a cope of sorts. Thelma Lou, Em’s mother, unfortunately has no say in her husbands madness and is slowly being broken down to the cult. While she had some resistance when Em was born it wouldn’t last too terribly long as soon every adult figure in the family believed in Ciphertology.

Growing up in the middle of nowhere Appalachia’s, Emma May didn’t have much outside influence other than the mini cult community her father had created over the years within neighboring people. She knew no different than the madness and basic cult ideas of ‘have as many kids and wives as you want just so we can create more followers’ sort of mindset. The only hiccup was that Emma May was never dumb, she wasn’t so easily swayed by the triangles teachings, she always internally questioned everything- no matter what adult was telling her things she always was left with a feeling of ‘is that really true though?’

She kept such thoughts to herself, assuming she wouldn’t have to actually do anything notable within the cult, she was shocked and horrified when at the age of 15 her father was bringing her before an older man to marry. An older man who already had a handful of wives. She knew even if she was older she wouldn’t want this life, seeing upfront her mothers decay in the cult and the mass of siblings that she had..she didn’t want that. She wanted an education, basic rights, and just? Freedom from this. She didn’t know if the outside world would be different, but at that point she didn’t much care. She wanted out and she needed out fast.

Running away from home before the official marriage ceremony she remains on the run until she makes it to Fredericksburg, VA. A bustling friendly town that otherwise left her feeling like she was in an alien world. She looked straight out of the early 1900s in a wave of hip and groovy late 1960’s styles. While she couldn’t read anymore than simple words she skimmed through the phone book of a nearby cafe, and while unable to find any Dixon outside of her indoctrinated family she found hope in searching for names under her mothers maiden name, ���Finch’. 

Discovering a man in Glass Shard Beach, New Jersey, by the name of Benjamin Finch she manages to find her mothers estranged brother. A man her mother was forced to shun and block out the second he expressed concern over her involvement in a cult. Thankfully upon learning who she was he was more than happy to shelter her, albeit he only lived in a trailer as he practically lived in the museum he worked at. Making her way up the East coast, Emma May finds herself in Jersey, her uncle slowly acclimating her to modern life. Teaching her how to read, to write, and most importantly teaching her the reality of the world. Luckily he wasn’t a religious man of any sorts and rooted her in modern thoughts of science, feminism, and other new age ideas of the time.

Once he felt she was ready he let her attend Glass Shard High, getting the education she always wanted despite struggling to understand the basics. This didn’t get her down though as she was determined to graduate someday. Instead she tracks down local nerd and idea enthusiast, Stanford Pines, someone she hardly finds to be ‘a freak’ considering her cultish upbringing was beyond bizarre (plus she learned from an early age to find beauty in the ‘odd’ or ‘weird’) Befriending a young Ford and learning from him she also befriends Stan, someone who was more than willing to help her break out of her docile and dainty shell. Stan’s girlfriend at the time, Carla McCorkle was equally happy to teach her the modern idea of feminine rather than beaten to death old book concepts. Living in Jersey, in short, was slowly thawing her from the confines of her upbringing- developing into the life she always wanted and frankly? She was thriving!

She was also gaining her own beliefs in this time. Such as ‘marriage is stupid’ and ‘having kids is stupid, I’m never going to have them’ sort of mindset. Thanks to her upbringing she swore then and there that she would never have a family of her own. So, that’s what makes her next phase of life particularly ironic.

After the science project incident in senior year between the Pines brothers the friend circle would face a brutal falling out, the only one keeping in touch with everyone being Emma May herself. Stan is kicked out and the brothers aren’t talking, Carla breaks up with Stan and refuses any more connection to the Pines, and Em is left in limbo to comfort and appease everyone whilst ignoring her own feelings about it all. Between the late night girl talks with Carla, keeping Ford off the edge, and letting Stan stay with her in the trailer it was only a matter of time before her juggling attempts would fall.

And that’s exactly what happened- after Ford discovers she’s been harboring Stan he can’t help the rush of anger, insecurity, and betrayal that someone he considered his only friend left to hide that from him. Also afraid of losing a friend who’s done so much for her in her cult unlearning she’s quick to prove her loyalty. Packing her bags after graduation she joins Ford to Backupsmore to continue supporting him, taking up a diner job beside campus and shacking up in a cheap apartment. She continues secretly offering Stan money when she can as she still feels guilt for her decision, but it becomes less frequent as she’s now supporting herself financially on her own.

But of course her sole company of Ford wouldn’t last forever. Especially when all she tends to hear from him is how cool his roommate is and how’s he’s thrilled to be around another intellectual mind for once. And while he was hesitant to introduce his two friends to one another it was quick history after that-

Em absolutely deals with a lot of survivors guilt and general fear (lots of ‘I can’t believe I left my younger siblings behind, what if thEY were forced to marry that man in my place?!’ and ‘what if the cult tracks me down and forces me back home?!’) and on top of that I already feel she’s got some religious based ptsd and some bpd in there as well, but I think that would make her more endeared to Fiddleford when they first meet. A man who was pretty open about his own anxiety and ocd (idk if that’s a popular hc, but him having ocd makes so much sense to me) definitely helped her understand herself better and the two of them absolutely developed ways to help one another with it. They become each other’s safe spaces essentially <3

I feel like all of this is something I could talk about for hOURS, but I feel I’ve already typed up enough for today. So take this all as you will :) it’s just been super fun rewriting the story I had for her. I always envisioned her to be a teen runaway and living with her estranged uncle in Jersey, but now it makes even more sense plugging in my cult theory. But anywho, I hope this was an enjoyable for y’all to read as it was for me to type

[encircledbythorns]

This scene is so interesting to me because there's more than one reason why Hope said this:

like I think part of it is that Hope is still protecting them even with her humanity off. She's pushing MG, trying to get him to actually fight her so that she knows he'll be 'strong' enough to do whatever he needs to do to protect them while she's gone.

But the other part of it is almost a cry for help. Hope put that sword through Landon because she didn't want anyone else to die, including their friends. She has crippling abandonment issues and has always struggled with feeling alone, so killing Landon is even harder for her than it would be for the average person. And that's already pretty hard as is, because someone killing their boyfriend is insane, so. That would actually break people and traumatize them beyond repair, but she did it to save everyone else. This is the big issue that's always talked about in superhero genres-- do you save the lives of many, or the life of one (the person you love)?

She even has regrets and guilt about doing it, which haunts her when she's struggling with her humanity. But more than anything, she felt alone when she did it. No one was there to support her while she was killing Landon. People around her don't seem to acknowledge how specifically difficult it was for her to kill Landon and what that pain is like, so she's pointing it out right now to MG by reminding him that that's why she's here. That's why her humanity is off. She couldn't take it anymore when she had to do that. It was the final straw on the camel's back when she'd had the weight of the world on her shoulders for her entire life already.

[albinokittens300]

!Spoilers Under The Cut!

Last critical leaning post, but warning I am gonna boarderline vent here. Hopefully after this I can take up enjoying the vagueness the ending left us with but. Still gotta get this out.

Gonna say it: I swear they just were to scared to give Jinx a positive ending. Like they had such a perfect set up for it and plain and simple the writers were not brave enough to give her the ending she should have gotten.

I wholeheartedly disagree with this idea of her running away is a good ending. It's a terrible one, because it doesn't allow her to heal anything. It allows her to run away from what she needs to heal. It's avoidance not growth. Guess I can be happy she wasn't really dead but that's kinda the most positive thing I can say about her exiling herself by leaving. And this being what is probably a sacrifice for Vi's happyness when it also takes her away from whatever is very clearly being built between her and Ekko? Again. That's not good in my opinion. It's going backwards for her. Chooseing things based on what someone else wants, not herself.

And let me be clear: leaving behind the two people she loves and has a connection with? Is completely out of character for her.

So unless it is intentionally meant to be a short lived absence, which we have nothing inplying that to be the case, I think her leaving is only a few points better than her actually dieing.

It would have made so much more sense to show her coming back and joinning the Firelights and the others who were fighting with them. Her sacrifice, than her walking in amongst a group of Zaunites and Ekko noticing her and a laugh as she plays with him for a minute. It's an open ended thing- we don't know if she really is fully joinning them, how she feels about the new situation between the cities, or Vi- but she is there and faceing the new.

THAT would be so many worlds better than her just being assumed dead and leaving her life completely behind. Because doing that doesn't break the cycle of killing the way Silco was encourageing her to do- it just prevents her from having to make any changes.

Whew. Okay. There, off my chest.

I do have a whole post like this about Episode 7 that I might get the heart up to actually post. Though, I almost refuse just on grounds so many Timebomb fans are loving and enjoying it. The last thing I want to do is tear it down, even if I haveing a harder time of it.

But hopefully with this out I can play with some of the freedom this ending did bless us with. If nothing else, I can have any ending I want because they just let Jinx fly off.

[user2718273]

Terrorheads r always dunking on goodsir for the moral absolutism & then having absolutely no nuance in their own conceptions of good & evil. Like when goodsir finally snaps & poisons the mutineers ppl are like "oh see hes a bad person cus he couldnt forgive them cus he only thinks in black & white!!!!" but like bro. If somebody kidnapped u and forced u to carve up your coworkers' bodies for consumption u would not feel too friendly toward them i think. Or just how ppl talk abt goodsir in general. Like yeah he believes in colonizer shit, he was raised by colonizers. Every1 on the ships believes in colonizer shit i fear. But he gets more shit abt it than anyone else bc theres this weird conception that its worse to try and do good and get it wrong than to just straight up act out of vanity or greed. Not that goodsir should be absolved of anything, but its weird how ppl have so little empathy for characters whose desire to do good is tainted by ideological conditioning. Like bro i hate to break it to u. We all have ideological conditioning. If u act like thats some inherent moral flaw and not the inevitable product of living in a society and absorbing that society's beliefs, u will have a very hard time recognizing it outside of tv shows where people are just characters.

Also theres a difference between having no empathy for franklins men bc ur pissed at them and having no empathy out of principle. I feel like theres some recognition of personhood that comes w putting someone on the receiving end of a human emotion like anger, whereas if ur just like "logically i know colonizer bad, so empathy for colonizer = bad," ur putting them on a subhuman level out of the reach of emotion. U dont feel anger or empathy for them. U never find out what u feel toward them bc without accepting the possibility that u might reach muddy, nuanced, morally frustrating conclusions, theres no wiggle room to feel what u feel. But then u never get to feel the anger either. U cant understand things from either side bc once u start trying to sort everything into concrete moral categories, then ur not understanding individuals, ur defining variables, and everything becomes theoretical. I feel like thats part of the reason why when ppl put the expedition on the level of the subhuman, they often elevate the netsilik to the superhuman. Like ppl have a weirdly hard time conceptualizing that silna has complex motivations & is capable of developing complex relationships w other characters? Theyre just like "oh wow shes being so nice to goodsir, she must have stockholm syndrome or be wayyy too forgiving." Cus if u imagine franklins men as having one pure and self-contained nature that opposes the pure and self-contained nature of the netsilik, then theres no way they can genuinely interact. They can only touch each other under the guise of something else. Silna must not adequately understand goodsir's role in the fuckery ripping up her world. Which is ridonkulous to me bc her first interaction w him was when his party shot her father & then goodsir prevented him from dying on the ice. Like. She is not under any illusions that this man isnt part of the hurt and destruction. She just finds a way to care abt him anyway. Not bc she's some fountain of forgiveness, but bc despite the things she must hate about him, there are also things she loves. Same w crozier. Idk if she feels affection for him in the same way she does goodsir, but she def doesnt just save him bc shes a saint. She feels anger and bitterness just like any other person, and if she wanted to, she couldve left crozier to die like des voeux. Personally i think she saved him bc he was the only one left who had seen what she'd seen and she didnt wanna have to bear it alone but idk. She had her reasons. Anyway goodsir is literally a butch buttom so the wokes cant even get her. #She positionality on my moral puritanism til i absolve

[medicinemane]

There's honestly... just so many people, just so so so so so many people in this world where I'm like... aren't you people tired of this fucking... you know, I was going to call them clowns but that's really disrespectful to clowns, these people could never get their face on an egg...

Anyway, aren't you tired of this childish jackass? Don't you just want to ignore them and never have to hear about them again? If we just ignored them they legitimately would go away... don't you want that?

And this applies to... just ungodly amounts of people, from jake paul to even elon musk (just... don't touch his shit, he'll run out of money eventually with how bad he is with it), to just... name an annoying famous person and you'll name someone I've literally forgotten right now that I could never have to hear about again if people would just ignore them (unless they committed crimes, investigators are welcome to pay attention while gathering a case)

Yet the answer's always "no, we're paying so much attention to them!" and I'm just like... why? Why would you watch jake paul box? I heard about that and was like "he's still doing that shit?", and yet I guess it made a lot of money yet again and it's just like... ignore him

These people could go away, and yet

[numbaoneflaya]

@summer-solemnly-swears sometimes yeah :/ I’ll imagine or write cute little scenes and shit but eventually again I’m like hmm.. well what if she was going through the horrors again . Anime monologue in the tags as usual

[lgbtlunaverse]

I've seen a good number of people ask a question along the lines of "why do characters like Falin and hate Laios when they're so similar?" and i've also seen good analysis on the differences in how the touden siblings carry themselves that would, despite their shared traits, make a person gravitate to one more than the other.

But i feel like we've overseen one very central thing here.

People don't like Falin

Like... the average person in dungeon meshi doesn't like Falin. She was deeply ostrasized by her home village, in magic school she had zero friends before Marcille and the others generally saw her as strange and a bit offputting.

Characters like Namari and Chilchuck like her well enough but not necessarily more than any other member of their party, including Laios. Neither Kabru nor his party think much of her. The canaries don't give a fuck about her. Toshiro's retainers don't see her as anything else than the weird foreign girl their boss has a crush on.

The reason we think everyone loves Falin is because, despite all the indifferent side characters, the 2 most important and central characters of the story are Laios and Marcille. Who are NOT representative of the average attitudes to Falin! But necromancy georg number 1 and 2 are our main eyes into the story and they love Falin so much that it colours our perspective of the whole world.

The only side character who qualifies as liking Falin and not Laios is Toshiro (at least at first, as he ends the story on much better terms with Laios) and that says a lot about his character, with him drifting to the quiet Falin precisely because of her oddness but being both uncomfortable with and deeply jealous of Laios' much more open expression of that oddness. Because he's a repressed guy from a culture where etiquette is incredibly important.

But like I said, that's a specific aspect of him, not to the world at large.

Because there's also people that click more with laios than with Falin.

Kabru, for one, who is initially distrustful of laios but clearly also deeply fascinated by him and drawn to him.

Minor spoilers, and you don't have to read too deeply into this, because I don't think Kabru particularly dislikes Falin or anything. But it's interesting that when he talks about his distrust of the toudens in ch.32 he's talking about them both. But his big friendship declaration in chapter 76 is aimed squarely at Laios, he doesn't say "you and your sister" he says "you"

And Senshi!! He instantly clicks with Laios, well before he does so with anyone else in the party– who he also becomes friends with, it just takes a bit longer– specifically because they bond over their shared special interest in monsters!! Senshi is kind towards Falin and cares for her wellbeing, but he also... doesn't know her. The reason he is even here, helping to save her, is because he and Laios bonded over monsters and he wants to help his new friends out!

Of course, the theme of neurodivergent isolation is very present in Laios' story. I'm not denying that. He does turn people off, without meaning to and unable to fully understand why! But so does Falin. And just like there are people who like her despite of or even because of those traits, there are people who do the same with him.

In conclusion: "Average person loves Falin and hates Laios" factoid actually statistical error. Average person is neutral on both Falin and Laios. Georcille, Laiorg and Geoshiro, who live in the dungeon and think over 10,000 Falin-loving thoughts a day, are statistical outliers adn should not have been counted.

[onskepa]

Hi how are you? If you want, could you tell us what your headcanons would be for what the Sully children's relationship would be like with a human/avatar mother who was mated with Jake and Neytiri? Thank you very much, have a great day!

I can see a lot of possible outcomes for this one! So here ya go! Enjoy!

P.S: Reader will not be given a name in this one, instead she will be called "small mama"

Pinnacle protection

-------------------------------

Pinnacle motherhood

Right off the bat, the whole family loves their third mother, second mate. Jake sully couldn't ask for a better family, and better mates. Especially his little human mate. Neytiri will agree with him, while yes she has her children to hug, her little mate is just what she needs. Something small yet full of love just for her. 

Now like any trio, there is a balance between the parents. Jake is the head of the family, the brains with his clever ideas. Neytiri at times can be the brains but most muscle due to her skills in fighting and hunting. And their beloved human is the heart of the family. Keeping everyone together. 

And like any child, the sully kids will have favorites. And their favorite is their amazing human mother. She is the most fun, loving parent any child could ever ask for. Are they not getting their way with Jake or neytiri? To mama it is! And mama will always fold by the simple look of her kids. 

Another thing about their favorite mama, they all believe she has the power to read their minds. How else would it explain she knows their next move? 

Lo’ak and tuk can recall so many instances where they were barely forming an idea only for their mama to say “dont even think about it” or “it is not worth the trouble”. 

For neteyam, as he is the oldest he does try to be a good example for his mischievous siblings, along with holding so many responsibilities, but he can always count on his small mama for anything. Small mama consoles him, talking about anything neteyam has his mind about. 

Unlike Jake or neytiri who neteyam has to put up a strong warrior face, with a small mama he can revert back to being a baby with her. He feels safe and be a kid again with her. And small mama always called him her “little baby boy”. Neteyam won't admit it but he likes it when she calls him that. 

For kiri, she definitely adores her small mama. She is closer to her third parent than she is with neytiri. Not to be mean or anything. But with Jake, Kiri can talk about what odd things happen around her, ask her about her mother and stuff but with her small mama. Well, she can express far more with her, be free to say anything not be judged upon. Kiri can dare say small mama understands her more than anyone in the world.

With tuk, the baby of the family. Why, she loves to be the taller one, it makes her happy. Of course she would never tease her small mama that she is taller, but small mama would call her “tiny tuk”. A name tuk loves and will glady flex it for some reason. 

If tuk can't go somewhere with her older siblings, small mama would personally take her anywhere she wants to go. As long as it is safe. With small mama, everything is fun and never boring. Tuk loves the times where her hair is braided or she braids small mama’s hair. 

Now, if small mama would use her avatar, nothing much would change. Except that now the kids will demand piggy back rides. Tuk or lo’ak would be front of the line for that.  

Hunting would be easier and much more fun with jake and neytiri, running, riding their ikrans, less risk overall. 

Even with her avatar, she is still short compared to her two mates. She is smaller than Neytiri by 9 ½ inches. Not something she is super thrilled about. No matter what body, she is still small mama through and through. 

Small mama is forever grateful to live her best life with her family, loving them and saying her thanks to Eywa for blessing her to be the best of her two worlds. Through hardships, through trials, small mama has a mighty heart and a roar of an ikran. Yes sometimes she might be stressed or frustrated but life is not perfect. Small mama knows that all too well. But there is nothing better than what she has. 

[mxdotpng]

i know if i just started drawing them elio mavis and atlas would take the world by storm (unrealistic) but that would require drawing them regularly.

[zillychu]

I’ve gotten a WAVE of asks about this AU, so I decided to flesh it out some more and answer some of those questions!

I’ll probably polish this extended summary up at some point and submit it to AO3. But for now, here’s a rundown of my thoughts–please feel free to send more questions! I’ll update this post if I get any more. But if you’re someone who wanted to write fic for it, don’t worry, you don’t need to take my headcanons as gospel. It’s a pretty basic AU honestly lol

Summary:

The portal accident results in a violent explosion that wipes out the whole block, and condemns all of Amity Park. Danny haunts the city for 100 years, before Sam and Tucker find him. 

Setup:

In the 1920’s, 19-year-old Danny went into the incomplete portal on his own, hoping to help out his parents. Ripping the portal open through unnatural means created a huge burst of energy that resulted in a massive explosion. A good portion of the Amity Park population died, many were injured, and the ones on the fringes relocated–Amity was quickly deemed too dangerous due to the excess ectoplasm in the area that attracted ghosts. 

While the disaster was in Amity, the fallout was seen around the globe. Before, natural portals were rare, short-lived, and rarely allowed ghosts to fully slip into our realm (the most severe cases being on par with poltergeists that most people didn’t believe in). Now, natural portals pop open frequently around the world, large enough to allow the entirety of a ghost into the physical plane. They’re more common the closer you get to Amity, but they happen enough elsewhere that this change was something of a small apocalypse before people settled back down and found out how to combat at least some of their new, permanent neighbors. 

Danny is unaware that he’s only half-dead, believing he’s a full ghost. He ends up sticking around Amity, unintentionally making it his haunt. His grief and guilt over causing the death of his loved ones (and many others) makes him isolate and avoid human contact. Though he has, at times, scared nosy people away from the city in a mix of territorial instinct–and to get them to leave before a less friendly ghost finds them. 

Ghosts are much more of an uncontested danger in this AU. Lesser ghosts are practically mindless, and while stronger ghosts are capable of reason, their interests are limited. They’re highly territorial, possessive, and often destructive. Most worrisome is that they also like to snack on the life force of anything alive. No one is sure what dictates a ghost’s propensity to attack or hunt the living for their life force since ghosts don’t exactly experience hunger. At least, not the way we do. If a human is rescued before their life force is fully drained, they can make a full recovery–though humanity has still not yet found what this “life force" is. 

And since the Fentons’ research died along with them, there aren’t many tools available to the public to protect them from ghosts. Most homes have standard ghost shields and some weapons are available on the market, but certified ghost hunters are required to take care of anything more powerful than your average spook. 

Sam and Tucker met in high school, and are now rooming together for college very close to the Amity border. Rent is surprisingly cheap when you’re a stone’s throw away from a condemned area crawling with ghosts. Sam is the one who drags Tucker along with her fascination over finding out more about the city, and its largely mysterious demise. Sam is aware of the danger, but feels ghosts have a place in this world just like everything else, and does exercise caution–like one would while foraging in the woods with a known tiger population. 

What she and Tucker weren’t expecting was to run into a ghost that felt almost human. One that hasn't hurt them, not for lack of trying–while being powerful enough to walk past ghost shields without so much as a flinch. The long white hair is familiar in the whispers of the ectobiologist community, but there’s no way it could be the rumored ghost king Phantom, right?

About Danny:

He has very long hair, claws, and black sclera. His hazmat suit is more torn and ragged, with exposed hands and feet that fade into a burnt black.

His hair tends to float a lot on its own. It can start morphing into fire under duress. 

He does still technically have gloves and boots, they've just charred and melted into his skin towards the ends. He can't take them off in his ghost form. His hands and feet have a leathery texture that's tougher than the rest of his skin.

The white of his hazmat suit is both supposed to look like flames, and also a battered look representing his more violent, explosive death.

Overall, he appears rather listless and sad, with an unnerving air of danger around him–even for a ghost. 

Danny’s “ghost sense” comes out as white smoke.

He does breathe black smoke at times, usually when agitated. 

He's already fought and defeated Pariah Dark by the time Sam and Tucker find him, technically making him the Ghost King. This is heavily speculated by ghost experts, despite there being no real proof beyond a massive battle that scarred Illinois. He has not donned the Ring or the Crown, and captured sentient ghosts are hesitant to answer questions surrounding him. Danny basically has the throne but doesn’t do anything with it, and finds it meaningless enough to routinely forget he has the title. He only fought Pariah because he knew otherwise, humanity would have perished. A lot of ghosts are scared of him because he's so hard to figure out, and he's strong. 

Danny is usually very quiet and speaks softly, because his lungs were damaged in the blaze that half-killed him. He's technically healed since becoming a ghost, so it's more of a compulsion due to the traumatic memory. That, and he’s just… very forlorn and distant, shy around humans who don’t seem to understand how dangerous it is to keep hanging around him.

His memories pre-accident are extremely fuzzy. He knows the very basics of who he was, but specifics have been muffled due to trauma and isolation. He routinely forgets human habits, etiquette, etc. and tends to act more like a full ghost with some odd quirks. 

He does try to scare Sam and Tucker off numerous times. Unfortunately for him, they realized they shouldn't have been able to escape a ghost that strong–but they did, because he let them. 

Sam and Tucker think he's mute at first! He doesn't speak a word to them until several encounters later, when he fumbles his whole scary act and saves them from another ghost. 

He’s still half-ghost, though he doesn’t figure this out until Sam and Tucker come along trying to unravel the mysteries behind the Amity catastrophe. Physically and emotionally, he’s been stuck for 100 years–so his human form is still 19. It’s unclear at this point if he can age normally like a human as long as he stays in human form, or if he’s immortal. 

Danny's family did not turn into ghosts, though he sometimes worries he'll find them in the afterlife as shells of their former selves. He doesn't know if it's better or worse that he's not sure he'd recognize them. 

(Danny also still has some living family. Take a guess.)

Yes, he knows how to Wail. Understandably, he very rarely uses it. You do not want to witness this.

Danny :) is not immune :) from the allure of eating a human's life force :)))

[dunmeshistash]

Okay I think I'm ready to write the second part of this post about Milsiril

To make it easier for me I'll just divide this into her relationship with Kabru, Mithrun and Helki (her ex-canary prisoner teammate)

First about Kabru

This is an extra from the daydream hour 5. The caption says "Something like this might as well have happened" so its probably not canon but could be. I honestly think his reaction to Milsiril visiting and being overbearing says a lot about the type of relantionship they have. This is the fakest bitch in the whole of dungeon meshi, he never says what he trully thinks unless there's an advantage to doing so, he's a people pleaser that does and says anything to make people like/trust him. And yet he immediatly converts into "Mooooooom you're embarassing meeeeee" when he sees it's Milsiril.

This translation used "Mom" but as I understand the original he uses the more formal version so I think it would be closer to "Mother" but still he acknowleges her as his Mother, and he acts like her kid in every interaction we see between them.

I really don't understand where the idea that he learned to be fake from being "forced" to be her adoptive son comes from.

(Continuing under a cut)

The other interaction we see between them is the Kabru extra from the Adventurer's Bible

Kabru comes to her with a deep fear he clearly has had even before she adopted him, he trusted her with this fear and she did not disappoint him, she comforted him and then gave him the information he needed to believe what she was saying

I'd also like to point out in no moment she discouraged him from calling his his bio-mom "Mom". He also says she taught her children everything they asked

I doubt this would only be true for him, it also mirrors something she said in the manga

"You can go ahead and learn all you want about something else." I believe it when Kabru says she made every effort to answer her children's questions. I think this is also the way she expresses the love she has for them. Plus I love the thought bubble with Kabru mirroring what he learned from her. I also love this daydream hour, she sacrifices her own comfort to do something for Kabru.

Milsiril isn't a perfect mother tho, besides the fact she is overprotective she comes from a very different culture from her children. I like to call her Kabru's white mom cause I think that would be the real world equivalent. This extra is the one I think the most about showing this context perfectly

Kabru wants to share Utaya sweets but looks at his mom looking gloomy/rejected so he talks about fruitcake instead. This very rude for Milsiril to do since she's kinda trying to overwrite his actual cultural background, but I think its done more as a "I want you to like the things I like" rather than something nefarious, and once again Kabru doesn't hide at all his distaste for it, he does the bare minimum to please his mom since she's being dramatic but he doesn't lie to her, he shows how displeased he is about fruitcake, something he refuses to do when eating the harpy omelette that is way worse, because he must make a good impression for Laios. Kabru is honest with his overbearing white mom once again.

Now a little about Rin, from Kabru's context, this is her extra in the Adventurer's Bible

(look at Helki he's such a gremlin i love him) anyway, Rin has a trauma about elves, they really mistreated her so she hates them, but when they notice she isn't thriving they go to Milsiril for help (Helki specifically I'll talk more about him next). I think this indicates she really has a better understanding of short lived kids, her kids are thriving differently from the ones the other elves try to care for. I'd also like to remember she lives secluded from other elves so while Kabru probably had lots of interactions with elves during his life, most of it was probably spent with Milsiril and her other adoptive kids. She also asks Kabru if he would do this to help Rin, he isn't being forced or anything, I also think it's good that Milsiril knows she cant take in any more kids, this to me shows she's worried about the quality of life her kids have. That is all to say, Rin is the one with elf trauma, not Kabru, because Kabru had Milsiril to shelter him from them.

Helki

This will be short and sweet since there's barely anything about Helki, he's her prisioner companion from her time in the canaries, but he was pardoned after Utaya, it says so in the Canarie's Structure page in the new adventurer's guide but I cant really find it translated again... so here's google's machine translation (I remember it saying "Retired and pardoned as a reward after Utaya", something like that)

so officially he isn't a prisoner anymore, but I think he still works as a canary, even so he and Milsiril seem quite close, he is the one to go talk to her about Rin, He is there when she's training Kabru (both laughing at Kabru and then participating). I saw people theorizing she stays close to him because he is also someone who she can feel superior to, but I don't believe it at all, he's STILL in contact with her even after they have nothing to with each other, I think they really have a friendship, and there's no point where it seems like she feels like she's better than him or that he's less than her, people seem to interpret Milsiril and her relationships in the worst possible ways every time and I don't understand why.

This segways into Mithrun

I've also seen people assuming she only got close to Mithrun because now he needs her and has no power over her, once again with the theory that Milsiril surrounds herself with people she can feel superior to. But once again, Milsiril had a change of perspective about Mithrun after seeing his Dungeon

Rather than she feeling superior to him I think rather she realized he was just like her. (And I think she's friends with Helki for a similar reason, it's probably easier to see him as an equal than other nobles)

I've also seen this part used as proof of that. "He said that you've got suspicious ulterior motives and that I shouldn't listen to you" as if that's true, but this is past Mithrun, the one that didn't trust anyone and thought ill of all his teammates, ofc he doesn't believe someone would help him without an ulterior motive. This doesn't prove much about her real motivations.

Also before she showed up, Mithrun was being cared for by servants hired by his brother, he isn't someone helpless she has power over, he is still a member of an important Noble family that has a caring brother providing for him, he can do without Milsiril, he had done without her for 20 years before Utaya happened and she quit the Canaries.

This is all to say I think Milsiril is just a white(elf) adoptive mom doing her best, I don't see much of anything nefarious about her or her motivations, she is flawed as all the dunmeshi characters are, she isn't a perfect mom, she isn't an evil mom, she's just a person.

Elves in general also see short lived species as "children" so I imagine this makes her "You'll always be my baby" attitude way worse, she really treats pre-teen/teen Kabru like he's a toddler sometimes. But she also respected him enough to go all out in training him. I think they're a family with everything that entails.

PS: I didn't get much into Interracial adoption since this is something that happens irl too and I don't know much about all the issues that entails, but in the end, in this case, it seems like a net positive for the kids she adopts considering all we see about how she raised Kabru.

[joelscruff]

imperfect for you (joel miller x f!reader)

masterlist | a/n written for @janaispunk's 1500 kisses challenge! i got joel + nose kisses with this lovely moodboard and actually managed to write something!!! believe it or not this started out as a drabble lmao. i hope you like it jana - sorry it's a bit late, and congrats again on your milestone 🤍 summary: you never thought joel miller would accidentally call you baby. warnings: age gap (joel is mid 40s, reader is 23), fluff, very brief instance of blood, tending to a wound, joel is eepy, soft kisses, cuddles word count: 5.5k ao3 dividers by @saradika-graphics

"When's the last time you slept?"

He doesn't bother to grace you with an answer, hands clenched on the steering wheel as you barrel down the vacant stretch of highway back to Lincoln. He's been ignoring you for the past fifteen minutes now, eyes straight ahead, brow furrowed, jaw clenched. But he looks pale, almost sickly, the whites of his knuckles stark against the sudden greenish hue of his skin. The last thing you need is for him to pass out and for the two of you to crash into a damn ditch.

"I'm just saying," you continue with an exasperated sigh, "I could drive the rest of the way, we're almost there."

No reply. You roll your eyes and cross your arms indignantly in the passenger seat, returning his icy demeanor. He's in one of his moods again, the ones only Tess really knows how to handle, but you'd volunteered to try your hand at a supply run in her stead which means she's not here to mediate. You should've known some issue would arise, stubborn Joel inventing problems in typical Joel fashion.

"You could've tried to last at least one more hour pretending to like me," you mutter, loud enough for him to hear. He doesn't say anything.

Almost a year of working with them now, and you still don't understand him. You're not sure you ever will. Tess, she's much easier to understand, much more open to being understood. She'd seen your potential and taken you under her wing, brought you in to help, taught you everything you needed to know about smuggling. And Joel... well, he's a different story.

"You know, Tess thinks I have promise," you continue anyway, expression crumpling into a scowl, "She thinks I can do this. I don't get why you don't."

No answer.

"And don't say it's 'cause I'm a kid, because I'm not. I'm twenty three now, I'm past the point of being called a fucking kid. The shit I've seen in that QZ-" you cut yourself off, shaking your head, "I'm not a kid."

His lack of response is beginning to hurt deeper than you'd really like to admit. You glance over at him again; he's still staring straight ahead, still ignoring your presence. It makes unwanted tears prick in your eyes, nose stinging a little as you peer down at your lap and fold your hands together.

You'd been excited for this supply run, probably against your better judgement. You'd wanted to show him how much you know and understand, how hard you've been working, how you're up to the task. Hoped maybe he'd give you a smile - rare, but not impossible - and tell you that you did good, that he sees potential in you too.

You care what he thinks, almost more than what Tess thinks. And you know why, can sense it deep in the pit of your stomach and in the way your heart stutters when he looks at you, but you're clearly living in a fantasy world if you think he's ever gonna get past whatever this stigma is that he has against your age. She's too young, Tess. She'll get hurt, Tess. She shouldn't be doin' this, Tess. You've heard it all, muffled through closed doors in a dark and damp hallway.

He doesn't want you, and you're not sure how much longer you can go on like this. If he's not willing to change his stance, view you as anything other than an inconvenience...maybe Tess will have to find somebody else to help out.

"I know what I'm doing," you mumble, a tear dribbling down your left cheek, "I just wanna help."

You spare him one more look, fruitlessly hoping that maybe he'll feel bad now that he's made you cry - a childish thought, considering you're trying to make a case for being mature, but you can't help it. You know he's capable of being gentle, of being kind. You've experienced it with him before, quiet moments between the two of you in his apartment while waiting for Tess to return, making small talk, him peering at you with a softness in those brown eyes that have since made frequent appearances in your dreams. Moments where you swear you felt wanted under that gaze, but it must've been in your head, because you certainly don't feel wanted right now.

He doesn't look well, you have to admit. His skin is covered in a sheen of sweat, getting paler by the second, turning an unnatural grey color akin to some of the hair on his head. His eyes are glassy, dark bags settled beneath them that you've noticed getting worse and worse over the past few weeks. You shoot a glance at his hands again and are surprised to see that he's loosened his grip, that his fingers seem to be trembling against the rubber.

"Joel," you say, raising your voice a bit, "Joel, are you okay?"

His lack of response no longer angers you - it worries you. Carefully, you reach over and slowly wrap your hand around his right wrist, eyes trained on his face. At your touch, he finally turns to look at you, almost like he's only just noticed you're even there.

"You say somethin'?" he asks, voice raspy, a bit slurred.

Your grip tightens on his wrist, "I think you should stop the car."

He looks at you curiously, dazedly. It's the expression of a man who's running on two, maybe three hours of sleep in the last few days. You choose your next words carefully, eyes flickering back and forth toward his face and the road that he's suddenly no longer watching.

"Let's slow down a bit," you murmur, thumb stroking gently along his skin - he's warm, warmer than normal - "I'm gonna drive the rest of the way, okay?"

You expect some pushback, an attempt at an argument, but the tiredness is setting in quickly. Without any hesitation he eases his foot off the gas and you hurriedly reach your own leg over into his space to push down on the brake. He doesn't seem to notice the way your bare leg brushes his jeans, the crease in your knee bending over the warmth of his thigh.

"There we go," you say softly, bringing the car to a slow stop. He's still looking at you, eyes unfocused as you carefully lean over a little more to unbuckle his seatbelt. You try to ignore how good he smells, how big he is compared to you, putting all your attention on getting him out of the front seat. You unlock his door and then unbuckle your own belt, hurrying out of the car to his side.

"M'okay," he mumbles as soon as you open his door. You start to help him out, and you think he's becoming a little more aware of the situation now, allowing you to pull him to his feet as you tug open the back door. "What's happenin'?"

"You're just tired," you tell him softly, "It's okay, you can sleep in the back, I'll drive."

"Bill n' Frank's," he says as you lead him the right way, pushing him a little and helping him place his knee down on the seat, "Y'know where it is? You remember?"

"I do," you tell him confidently, your hand coming down to press flat against his back - he's so solid, heat radiating against your palm, "Only twenty minutes away now, I got it. You just sleep."

He doesn't argue; in fact, he makes your job easier by crawling onto the seat and settling down with a low groan, rolling onto his back and breathing deeply. You can't help but let a small smile cross your features, watching as one of his hands comes up to rest atop his belly, the other dangling onto the floor. His eyelashes flutter a little, lips parting, and you're about to shut the door when he speaks again.

"I know you jus' wanna help, baby."

You stand there for a moment just staring at him, confusion racing through your thoughts. Goosebumps rise on your flesh as the last word repeats like a mantra in your head, steady and slow as Joel drifts off. It's only when the door is shut and you're in the front seat that you're able to put some meaning to the words, eyes wide as you stare at the faded lines on the road.

I know what I'm doing, you'd said, I just wanna help.

You leave him in the car when you get to Bill and Frank's, typing in the gate code with a backward glance at his loose form in the backseat. They must see him on one of the security monitors, because as soon as the doors open you spot them sprinting out of the house toward you, a scanner gripped in Bill's hand. Typical.

"He's okay," you tell them as soon as you're out of the car, instantly alleviating their stress, "He's just exhausted, I think he needs to sleep for a little while."

"Understatement of the century," Frank replies with a relieved laugh, eyeing the backseat, "Think we can get him in the house?"

"Just leave him in the car," Bill says with a wave of his hand, already turning to head back towards the house with the scanner hanging out of his pocket, "He'll be fine."

Your gaze meets Frank's and he rolls his eyes, "Come on, baby, let's get him upstairs." Your brows go up at the pet name, the same word that had fallen from Joel's lips only twenty minutes ago, but then Bill is shuffling back over with an annoyed look on his face and you quickly realize he's not talking to you.

Getting Joel out of the car proves to be a lot more difficult than getting him in. You try a gentle approach at first, brushing his arm and stroking his skin with your thumb again like you'd done earlier. You can feel Frank's eyes on you as you squeeze Joel's bicep, his wrist, his thigh, and you pretend you don't see the look that passes between him and Bill as you step out to let them take a turn.

Bill goes for a much more aggressive approach, shaking Joel's shoulders wildly and practically yanking him out of the car. Understandably, Joel wakes with a gasp and kicks his legs out, hand reaching for his pistol as he frantically tries to escape Bill's grasp. Before he can grab it though, he's suddenly falling forward, knees buckling as he faceplants onto the pavement beside the car.

Well, that certainly wakes him up. His hands press into the gravel and his head shoots up, blood trickling down his nose as he peers up at the three of you, stunned.

"Oh, for fuck's sake, Bill," Frank groans.

"That was not my fault."

Ignoring them, you kneel down and gently touch Joel's shoulder, a concerned look on your face as you eye the splattered blood on the ground, "Fuck, are you okay?"

"What in the hell is goin' on?" he groans, turning to look at you, "Did Bill just break my fuckin' nose?"

"Don't be dramatic," Bill barks, spinning on the spot and heading into the house, "Shoulda just left you in the car."

Joel starts scrambling after him, rising up and standing on wobbly legs, hand reaching for his pistol once again. You and Frank grab him before he can do anything, both of you taking an arm and holding him back.

"Joel, you're exhausted," you tell him quickly, utilizing all your strength, "You just need to lay down. Please."

He turns his face to look at you and something flutters in your chest when you catch the way his eyes soften, the anger in his expression fading as he acknowledges your presence. You can vaguely make out Frank watching the two of you in your periphery, but you try your best to ignore it, instead opting to give Joel a reassuring smile.

"Let's just get you cleaned up, okay?"

You're grateful that Frank leaves you alone with Joel to tend to his nose. You've only met him a handful of times, but each time he'd somehow been able to clock the way you interact with Joel, the way you look at him. The last time you'd been here he'd subtly pulled you aside to give you a few words of wisdom.

"You do realize he's extremely unavailable, right?"

"I- I don't know what you're talking about."

He'd smiled, tapped his nose and given you a knowing look, "And I don't just mean because of Tess. That man is emotionally constipated, kiddo. He's an island." He'd laughed then at your confused expression, shaking his head, "Just be careful, s'all I'm saying."

You'd gone to walk away, forget the conversation even happened, when he'd softly called after you:

"And I'm pretty sure Tess would hang your head on her wall."

You think of those words now as you stand in front of Joel in the small bathroom off the landing, lip between your teeth as you eye the cut on his nose. It isn't broken, thank fuck, but you can see some dirt and gravel in there that you need to clean out.

"It's not broken," you tell him softly. He's sitting on the edge of the bath tub, peering up at you with a much more alert expression. The fall definitely woke him up, not to mention the choice words he and Bill had thrown at each other as you and Frank helped him up the stairs. He's still exhausted though, and he needs to rest.

"I know it's not," he grumbles, "Just wanted to give Bill a piece of my mind for once."

You laugh softly as you reach for the damp cloth beside you, bringing it up to carefully pat it against the gash on the bridge of his nose. You can feel his eyes on you, watching and assessing as you do your best to wipe the area clean.

"I can do that myself," he murmurs.

"I just wanna help," you say quietly, and your eyes fall to his in a knowing glance. He doesn't seem to remember though, just nods and lets you carry on.

It's rare for you to be this alone with him. And by that, you mean this far from Tess. You're painfully aware that it would be impossible for her to walk in at any moment, to see the way you're standing over him, touching him. Frank's words from last time echo in your head but you're not quite sure you believe them; would she really be that angry if she knew how you felt about Joel? It's not like he'd return it, right? The man is twenty years your senior and, as Frank said, extremely unavailable. Not to mention Tess and Joel's relationship has been a point of confusion to you for a year now, still unsure exactly what they are to each other - would she really care?

You reach for the antiseptic - one of the many perks of having an injury in a supply house - and carefully dab some onto the cloth. Your hand trembles a bit as you reach up to carefully hold Joel's chin, your thumb getting lost in his greying beard.

"You haven't shaved in a while," you breathe, your eyes meeting his, and you wonder if you've already crossed a line by even noticing.

He doesn't seem to mind though, sighing deeply, "I haven't slept in a while, so let's hurry this up," he eyes the cloth, "Don't gotta warn me, just do it."

His words bring you back to the present, and you slowly ease the cloth down onto his cut. He hisses a bit, a normal reaction, but it only takes a few seconds to clean and then you're already reaching for a bandage, reluctantly letting go of his chin.

"I was worried about you, before. In the car," you tell him softly, unpeeling the adhesive, "Why haven't you been sleeping?"

His eyes fall to the floor, "I just don't sleep good. Never have."

"Is there anything I can do?"

He shrugs, gives you a humorless laugh, "Handful o' pills and a couple sips o' whiskey usually does the trick."

It makes sense, then, why these past few weeks he's seemed worse. It's been longer than usual since your last supply run and the three of you had started running out of vital supplies over a week ago now, not only for buyers but for yourselves. Joel had written whiskey near the top of the latter list, along with hydromorphone which he'd underlined several times.

"You should've told me you weren't feeling well," you murmur, applying the bandage carefully, "I could've driven the whole way."

"Could've, should've," he dismisses you with a grunt, "Doesn't matter now, does it? We got here, that's what counts."

You linger a little longer than you should on the bandage, thumb falling to gently trace the crease of his nose as you assess your work. It might scar, but it feels pointless to voice this - he already has so many, scattered across his face and neck like confetti. It hurts a little, knowing he's been through so much, seeing the evidence written all over him.

"My mom had this superstition," you tell him softly, a smile playing at your lips as you trace one of the scars under his eye, soft and delicate, "Whenever I got hurt, skinned my knee or busted my elbow playing, she'd bandage me up and then kiss it. She said a kiss would seal her love in there, keep me safe and protected. And if it scarred, that meant it worked."

He blinks at you, expression faltering a bit, "That's...that's a nice thought."

You shake your head, "It's silly, and not true. But... but I still do it anyway, even though she's gone. Just in case," you bite your lip, "I mean, who doesn't wanna feel a little more safe? A little more protected?"

Your gazes lock, and neither of you seem to move, caught in the stillness of the moment and the way your thumb is still stroking his face. You know you have limited time, maybe a few seconds before he breaks it, so without much thought at all you lean down and lightly press your lips to the bandage, eyes closed.

He inhales sharply, a sound that triggers butterflies in your tummy as you hold your mouth against his nose, soft and sweet. It's the closest you've ever been to him, even if you're kissing gauze and not skin - you can still feel the warmth radiating from him, sense the way he freezes below you. A squeaking sound pierces the silence, his hand squeezing the edge of the bath tub tightly. It startles you, your eyes blinking open as you pull back to look at him.

His cheeks are tinged pink, eyelids heavy as he peers up at you with slow blinks.

"You're tired," you breathe, unable to stop your hand from flitting to his hair, pushing a little behind his ear, "Let's get you to bed."

The Joel Miller in Bill and Frank's guest room is not the Joel Miller you thought you knew.

This Joel is loose, pliant. He lets you lead him into the bedroom with a hand on his back, lets you carefully turn him on the spot to reach up and undo the buttons on his flannel. Frank had told you on your way up to make sure Joel didn't get blood on the sheets, so you're only following orders, only doing what you were told.

"Sorry," you murmur softly, fingers shaking every so often as they toy with the buttons, sticky with his blood. Joel doesn't seem to notice though, retreating more and more into the sleepy state he'd been in earlier.

Once his flannel is off you assess his t-shirt and jeans, and you're not sure how to feel about the fact that they didn't get dirty in the fall. On the other hand, though, you're not sure you'd have been brave enough to take them off. Instead you help him toward the bed, pull back the sheets and carefully push him ahead.

"There you go," you whisper, helping him under the covers and pulling the blankets back over him. The sun is streaming through the window, casting the golden light of early evening across the bed, and while it's quite beautiful you shut the curtains anyway, knowing he'll sleep better in darkness. When you turn back around, he's already fallen asleep, lips parted, face peaceful. A different man.

You don't linger, even though you want to.

It's around ten o'clock when you decide to check on him again. You'd watched a movie with Bill and Frank, feeling more than a little unwelcome as Bill tossed you a few dirty looks every so often, though Frank repeatedly told you to ignore him. Now they're in bed downstairs while you pad from your own room across the hall to Joel's, turning the knob carefully. The hinges squeak a little as you open it and you wince.

"Who's there?" you hear Joel grumble from the bed. So much for just taking a peek.

"Me, just me." You push the door wider and walk inside, eyebrows going up when Joel turns on the bedside lamp. He seems a little more rested, although you know he still needs a full night's sleep. "I sent a message to Tess through the radio to let her know we're not coming back tonight - well, Frank did. Picked a song called Tomorrow or something like that."

"Hope it was the Johnny Mathis version," he mumbles, and you watch as he brings his hands up to rub across his face. He accidentally dismantles the bandage and you step forward without really thinking, hurrying to his side and reaching down to fix it.

His hand comes up to grab yours and you freeze in place.

"I can do it," he says, giving you a curt look and then releasing your hand to adjust the gauze himself.

Well, you suppose lax and sleepy Joel couldn't stick around forever. You stand awkwardly by the side of the bed, toying with the edge of the blanket as he rubs his eyes and sits up a little, leaning back against the headboard. He looks so much older in this light; you can see the little flecks of grey in his beard and hair that have been starting to get more noticeable lately, the crows feet, the wrinkles.

He's so handsome.

He turns to look at you with a frown, as if he's only just realizing what you said, "We can go back tonight, I'm fine."

"You're not and you know it. Besides, it's already past ten and now I'm tired, I won't be able to drive."

"I can drive."

"Joel," you surprise yourself by sitting down on the edge of the bed, narrowing your brow as you give him a serious look, "You can't drive. You almost fucking killed us both."

"No I-"

"Yes you did," your tone is firm, suddenly angry - are you angry? - "If I hadn't been talking to you, if I hadn't noticed something was wrong, you would've driven us off the damn road."

He goes quiet at that, frown deepening, the lines on his face more prominent in the low lamplight. You sigh, eyes falling to rest on where your hand is settled on the bed, only inches from his. Part of you wants to reach out and touch, feel the warmth of his skin, the rough of his palm - the other part decides to do something even more stupid.

"You called me baby."

It's out of your mouth before you've even really acknowledged it, and once the words have tumbled out you know there's no taking them back. Your gaze snaps back up to his, slightly surprised to see that he doesn't seem very shocked by your admission.

He clears his throat a little, averting his gaze and shuffling a bit under the covers, "Did I?"

"...Yeah."

You think maybe he'll say something else - anything else - but he doesn't. God, it really is like pulling teeth with him; he's so fucking beautiful but so impossible, never being able to expand on something unless prompted, never being able to answer a single question without jerking you around first. How the fuck has Tess managed to deal with it for so long?

The thought of Tess sends a wave of guilt through your body, Frank's words echoing in your head, but you shove it down.

"What made you... I mean why..." your voice is soft, apprehensive and shy in the quiet of the bedroom, "why'd you call me baby?"

A beat of silence. Then-

"Don't ask me that."

The mood has shifted, your sudden anger ebbing and his annoyance fading into something else, something on the brink of being real. He's avoiding your eyes, peering at the window with the curtains drawn and tapping his fingers anxiously against the mattress, so close to your hand. He's nervous; you're making him nervous.

You stay silent, hoping he'll speak again, hoping maybe just this one time he'll tell you what he's thinking.

"I don't know why."

The words are barely a whisper, almost like he's telling you a secret, and he leaves them hanging in the air briefly before amending - "Well," he sighs and finally looks at you, an emotion you can't place crossing his features, "that's not true. But... I didn't mean - fuck, I was passin' out, for Christ's sake, I didn't realize-"

He cuts himself off again, raising his hand up to press his fingers to the bridge of his nose, briefly forgetting the bandage. He winces when he comes in contact with the gauze, "Can I take this off? It's drivin' me fuckin' crazy."

"Let me do it," you say quietly, inching forward on the bed and reaching for his face. He flinches when you go to touch him, and your hand freezes mid-air.

"Sorry," he mutters, shaking his head like he's shaking off a sensation, a chill, "Go ahead."

With careful - and slightly trembling - fingers, you remove the bandage from his nose. It looks much better than before, no fresh blood in sight, and you suppose it's okay for him to keep it uncovered for the night. Without really thinking about it you gently thumb the side of his nose just shy of the cut, the tips of your other fingers brushing against his cheek.

"It's not too bad," you murmur, and before you know it you're suddenly cupping his jaw, feeling the weight of it in your palm. Your gaze falls to his lips, your thoughts going a mile a minute.

You realize you're close enough that you could kiss him, if you really wanted to. If he really wanted to. All it would take is one small movement, one little push from the both of you, one leap of faith...

And then he whispers your name, almost a warning, and it's like his thoughts are mirroring yours - like he can see exactly what you're picturing, wishing for. Your eyes meet his and you feel a flutter in your stomach when you see the way he's looking at you, a quiet hunger hidden in the deep brown.

You decide to test the waters. You lean in and softly press another kiss to his nose, this time without the gauze in the way. Just like you'd thought, his skin is hot under your lips, soft but scarred, and his smell - god, he smells so masculine and safe, invading your senses as your lips trail downwards to press a small kiss to his cupid's bow, then another to the corner of his mouth. It's sharp, prickly from his scruff, but it doesn't bother you in the slightest - in fact, you kind of like the dull pain, the way it grounds you, keeps you in the moment.

"Baby," he whispers, and a soft little whine falls from your lips without meaning to as your lips move to ghost across his mouth, going for another kiss - a real kiss.

He pulls away before you get there, but then his hand comes up to touch your face, big and wide. He holds you like you're precious, small. His baby.

"S'not right," he whispers, though his thumb strokes your cheek soothingly, "S'not okay for me to want you like that."

You close your eyes at his touch, breathing deeply, "But you do."

"Yeah, I do," you hear him murmur, "You know I do."

"For how long?"

He doesn't respond right away, just continues to stroke your cheek, hold what feels like all of you in his warm palm. You tilt your head a bit to the side, eyes fluttering open to look at him again. You catch the way his lips turn up a little at the movement.

"Too damn long," he sighs, "But that don't... that's not..." he brings his other hand up to cup the other side of your face, holding you still as he peers at you in earnest, brow furrowed, "Point is, we shouldn't... you shouldn't be out here alone with me. Tess knows how I-" he cuts himself off again, and you can see now how difficult it is for him to communicate like this, to be open and honest, "I told her it wasn't a good idea."

"Why?"

He laughs lightly, thumbs circling the apples of your cheeks, "'Cause look where we ended up." He swallows, eyes falling to your lips, "Look where you are right now, baby. Look where my damn hands are for cryin' out loud."

"Keep calling me baby," you breathe, a desperation in your voice that betrays your emotions, tears pricking in your eyes as the weight of this conversation comes crashing down around you. He wants you - he's always wanted you. His words to Tess about not wanting to put you in danger, wanting you to stay away, those soft looks you've shared in his apartment, the small talk, all of it - it's because he wants you.

"We can't do this," he murmurs, leaning in to press his forehead to yours, eyes closing, "I can't do this, you're so- you're too-" he groans, fingers digging into your hair, "You're so young, baby."

"I don't care," you whine, butting your head forward to chase his lips, suddenly yearning to be kissed and held and protected by him, be wrapped in his embrace.

But he pulls away, removing his hands from your face and shuffling back a bit on the bed, away from you. Your hand drops but you reach out pathetically for him anyway, moving closer, attempting to pull the covers back. His hands capture yours and he squeezes them firmly, shaking his head.

"You need to go back to your room," he tells you, and his tone has changed from soft to serious, "It's late and I'm... well, you know I'm fuckin' exhausted. And you've had a long day." He looks at you with pleading eyes, like he's silently begging for you not to put him in this situation, "Let's just call it a night, okay?"

"But-" you start, tears shining in your eyes.

"Please," he breathes, "Please don't make this harder than it needs to be."

You do not want to get up from his bed. But you do.

You do not want to leave his room. But you do.

You do not want to lie awake in your own bed, staring at the ceiling, thinking about how his hands felt on your face, the way his eyes searched yours, the way his skin felt under your lips.

But you do.

You lie there for hours, thumbs twiddling against your belly, tears trickling down your cheeks every so often. All you can hear in your mind over and over again is the word Baby, punctuated by that soft groan he'd made, the way his thumbs had stroked your cheeks, how large and warm and safe he'd seemed in that bed.

All you want to do is be in that bed with him.

So it's no surprise when, as the sun is beginning to rise and that warm golden light starts to stream through your window, you crawl out from under your blankets and cross the hall one more time.

"We shouldn't" he murmurs when you climb into bed with him, when you tuck yourself into his side and bury your face in his shoulder, but his hands are already in your hair, fingers stroking along the back of your head.

Your bodies mold together like they've always been meant to fit that way, your legs tangled with his, arms trapped under big biceps and hairy forearms, breasts flush with his suddenly bare chest.

"I wanna be your baby," you whisper.

The nose you'd kissed brushes slowly up and down the side of your face, and he doesn't hesitate this time. He reaches up to turn your head, presses his lips against yours and lets you melt into him. Lets you trail your hand downward to unbutton his jeans in the silence of the early morning.

"You already are."

[louebel]

[ " 𝐋𝐎𝐎𝐊 𝐇𝐎𝐖 𝐂𝐔𝐓𝐄 𝐘𝐎𝐔 𝐀𝐑𝐄 𝐒𝐌𝐈𝐋𝐈𝐍𝐆! " ] — 𝐡𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬

𝐩𝐚𝐢𝐫𝐢𝐧𝐠(𝐬): luffy, robin, law, sanji, kidd × gn!reader 𝐢𝐧𝐟𝐨/𝐭𝐚𝐠𝐬: not proofread 'n quick, lots of fluff! they are all babies. (i KNOW kidd's crew raid fashion stores and complain about them if they're lackin. if. if there's a fic like that pls share in the comments. i BEG you.) also some swearing with kidd!! dripping divider by @ benkeibear like always,, i live for these dividers damn.

𝐌𝐎𝐍𝐊𝐄𝐘 𝐃. 𝐋𝐔𝐅𝐅𝐘

"you too!!"

you swear his smile widens so much his face is stuck that way.

he is adorable. he smiles every day but hearing you say that? it's exactly what he wants!! he wants people to look at him smiling AND wants them smiling in the process (continuous cycle,,)

it's so easy to notice just how much he loves you saying that. round cheeks tinted pink, eyes shut, and set of teeth shared to the world. he is always so animated with everything he does, and this is no exception.

this little rubber man is immediately engulfing you in his arms!! you are not allowed to leave until he says so.

"i'm gonna make you smile too! forever! that way, we'll both look cute when we smile! shishishi!"

scratch protecting him at all costs. he's gonna protect you at all costs.

if you tell him again, grab his cheeks and shake him as if he were a pupper. if he had a tail it'd be wagging 'till he flies. will probably make all types of noises while you do it.

pat the boi.

𝐍𝐈𝐂𝐎 𝐑𝐎𝐁𝐈𝐍

her smile might be tender but she's giggling internally,, she's flattered!!

"is that so? i'm glad to hear that."

robin gained confidence growing up and she knew she was a gorgeous woman — but hearing it from your lips is still a surprise. sure, she gets compliments on the daily, especially by sanji, but... yours felt much more intimate. she's not blushing because she's flustered or anything, it's just because she loves you. and that comforting warmth in her chest propagated to her neck and face.

it's small moments such as this that remind her of saul's words. each day on the sunny is a reminder, but the little things reinforce those feelings. it was such a wonderful sentiment.

you had no idea what she was thinking about, but the way the corners of her lips eased, your heart jumped too.

she really did look cute while smiling.

"you look pretty, too. smile more often, dear."

she's so lucky to have you. and you're so lucky to have her.

𝐓𝐑𝐀𝐅𝐀𝐋𝐆𝐀𝐑 𝐃. 𝐖𝐀𝐓𝐄𝐑 𝐋𝐀𝐖

dies

you think he looks... cute?

his eyes widen and he just. stops functioning for a moment. his heart feels lighter and funnier than normal, and his smile returns, a bit more timid than before.

"... really?"

"of course!"

he doesn't even believe it— he did notice from time to time how you suddenly just,, softened when he did it but he didn't think you'd like it that much. he doesn't smile a lot, sure there are definitely various moments where he feels at peace with the crew, but they come easier with you

when he showed you his coin collection, when you both took a stroll or when you simply cuddled. law might look scary to those outside — but inside, he is still the small boy whose curiosity shined above all. he is very fond of those he cares about, even if he has trouble expressing his emotions and thoughts to others. the confidence he wore doubled for you and his loyal crewmates, but he deserved rest every once in a while. years of trauma dulled him, however, when he felt something, it was strong; almost as if breaking out of a cage. he kept them deep inside, only to burst and even tremble when he was pampered. he didn't know how to react, and only with time would he grow used to it.

so,, please be patient and take care of him,, he looks after himself with everything else, but he's a lost puppy with love and physical affection. if it doesn't show on his face, his heart definitely speeds up at every small thing you tell him, casual or not.

"thank you."

you see him smile a bit more now. give him any type of compliment, affection, or anything,, and the "cold" surgeon of death will be nothing but putty in your hands.

"and... you too."

he really does love you.

𝐕𝐈𝐍𝐒𝐌𝐎𝐊𝐄 𝐒𝐀𝐍𝐉𝐈

dies 2.0

"o- oh... my love! you look adorable smiling, too!"

never-ending swarm of compliments. oh and he's hugging you as if his life depends on it.

he's not really used to the sweet words and might think he's undeserving of them. sure, it's a simple smile... but that's exactly why it gets him so much. something so mundane and common yet you see a unique beauty in his and his alone. others can warm your heart too, but he does it in a different way — in a special way.

if you tell him this in the middle of the night and you're both having a calm and peaceful moment he might cry. (if it's daytime and he's feeling a lil sensitive it's tears of joy mixed with laughter,, please hold him)

he's so happy. he'll smile as much as you want him too. if that gets you to do so too, it's a win-win for everyone!

it's usually clear when he feels affectionate,, he is most of the time. but now it DOUBLES. that comment made his day.

he's so giddy and adorable.

"you light my world up, mon rayon de soleil. if i can do so too with a simple smile... then i shall every day."

𝐄𝐔𝐒𝐓𝐀𝐒𝐒 𝐊𝐈𝐃𝐃

mf's smile never dropped so fast.

"the fuck do you mean CUTE??"

was about to throw a fit but then he just. stares at you. so genuine...

"why you lookin' at me like that?? stop. 'm not fuckin' cute."

staaaare...

"... zero point one percent cute. happy? now stop looking like a goddamn puppy."

but you end up smiling even more. and no matter what he thought, his heart still beat a little faster. you looked pretty cute, too.

yes. he's a bit mean sometimes but you know he means well. he's your little man. like, he made you a tiny metal butterfly once so that even if he was busy with designing and crafting you had something to remind you of him. (he sputtered profanities and became as red as his hair before storming off walking in a wall but he still peeked from a corner to see if you liked it. when he saw your pleased expression, he smirked like the lil shit he is.)

plus... deep inside, he appreciated it. you and killer always managed to calm him down.

he truly is grateful.

"urgh. c'mere. let's go get killer 'n the others to raid a store."

...

bonus after the raid: he does your makeup and uses a great lipstick he stole found to really make you pop with the looted new clothes he got for you. hyped you up and grinned like an idiot. he's doing your nails next. killer gave you a thumbs up before finding more products himself,, raiding stores sure is fun!

[undiscovered-horizon]

[It’s considered good etiquette to ask a man about his wife’s wellbeing. Except if the man in question is Dracule Mihawk.]

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Garp hates having to call Mihawk, mainly because of the warlord's attitude. Used to the usual "yes, sir!" of the Marines, a man with his own will and agenda is not something he entirely knows how to navigate. Especially since both of them know that the World Government needs the warlords more than they need the bureaucracy. And that doesn't exactly help in exercising power.

His attempts at diplomacy have burst into flames each time and today isn't going to be much different:

"How’s the missus?" Garp asks in the nicest tone he can force although he's aware that Mihawk knows how much the vice admiral hates asking for Dracule's assistance.

Mihawk only scoffs. "Are you calling just to spoil my mood or is there another reason for your impertinence?"

"I was just trying to-"

"Don't," he cuts him off in a stern voice. "If you have business with me, speak fast. If you're interested in my wife, I know where you live, Garp. I'd suggest losing your unwelcome nosiness before you lose something else."

Little did Garp know at the time but his little question was possibly the worst strategy he could think of. Dracule Mihawk is not like most men and the mere mention of his wife by acquaintances only enrages him. Work and private life do not ever mix. And he'll be damned if someone tries to breach that, even in the form of a courtesy. Therefore, the rest of the call was filled with openly insulting answers that were bold even for Mihawk. A veiled threat or two also found their way into their rather tense conversation.

You know he's done with Garp when he lets out a frustrated grunt. Sometimes you wonder if this grumpy, forever dissatisfied version of him is the only side of Mihawk his acquaintances know. Maybe he really is two men in the form of one.

He's sitting at his desk, thinking about something and not bothering to get up for now. Considering the fact that his hat is lying on the table and not on his head, Mihawk is probably not planning on going out anytime soon. Then again, judging by his spoiled mood, his homestay is a blessing for the first poor sods that would cross his path.

In slow steps, you stroll to his side, letting your hand brush through his hair. He doesn't say anything, only leans his head further towards you. The thing about Mihawk is that he loved to reject and decline but he never does so to you. No, in your case it's the opposite - he revels in allowing you whatever you want.

So intimidating and combative, yet soft and looking for intimacy. Truly, two men with the face of one.

"My mother used to say that each grey hair is one thing we worry about," you say quietly. "At this rate, love, your whole head will be white by noon."

"Your mother also says that milk goes sour because gnomes piss in it," he retorts. Yes, your mother and her strange folk beliefs... She's probably the only person Mihawk can force himself to be nice to despite his dislike.

His response earns a hearty laugh from you. Clear as day, you can see his posture relax as he listens to the music of your happiness. If he even thinks about the possibility of Garp or any other of his acquaintances hearing it, he might just get furious again.

"Well, nobody's perfect," you say between chuckles.

Then, Mihawk gently grabs your hand and lowers it to his face. With softness and passion that hardly befits a man of his infamy, he kisses the inside of your hand. "You seem to be doing so effortlessly."