#it's so cruel because they're so good at it

[xinganhao]

✏️ film major!mingyu x reader.

"the greatest films of all time were never made"? not if your ex, film student mingyu, can help it ✶ part of my svt university milestone event

⤿ college exes, exes to friends. more content under the cut. ♡⸝⸝ prompt from @taeraegyat & @gyubakeries!

DIR. BY KIM MINGYU

FADE IN INT. CINEMA '76, LOBBY - DAY

MINGYU enters with his DATE. MINGYU's eyes go wide when he notices YOU at the cinema's snack bar.

DATE Do you want some popcorn?

MINGYU (hesitant) Uh… Isn't it kind of expensive?

DATE shoots MINGYU a look. He heaves out a longsuffering sigh.

MINGYU Okay, I'll get us some.

MINGYU makes his way to the snack bar. YOU look up. His eyebrows furrow, because he can't read the look on your face as well as he used to.

MINGYU Hey, look—

YOU (interrupting) Welcome to Cinema '76. What can I get you?

MINGYU feels his heart drop in his stomach. He wants to explain, but then DATE comes up to him.

DATE Can you get us some soda, too?

MINGYU wishes he hadn't noticed the slight change in YOUR expression. But YOU keep YOUR cool as you go to punch in the order.

YOU A large popcorn and two sodas. Anything else?

MINGYU I—

DATE And a pack of M&Ms, please.

YOU Got it.

MINGYU watches helplessly as you go get their snacks. When YOU return, he wordlessly hands over the payment. The tips of your fingers brush.

MINGYU (softly) Thanks.

YOU only give MINGYU a nod in response. He winces slightly when DATE grabs him by the arm.

DATE We'll miss the previews!

MINGYU Right, right.

MUSIC UP: "You Were Beautiful" by DAY6

MINGYU lets DATE drag him off. He casts one glance over his shoulder at YOU, except YOU'RE not even looking at him. Somehow, that's even worse.

INT. CINEMA '76, CINEMA 1 - DAY

The film is one of those cheesy romcoms. MINGYU thinks about how YOU had introduced him to his favorite romcom; how the two of you used to spend hours and hours debating over which was best.

His DATE leans over a lot to comment on things, he notices.

DATE (pressing close to MINGYU) I think Glen Powell is severely underrated...

MINGYU laughs, just a bit, because in his mind's eye, he can see how YOU would react to that opinion. He's also imagining the look on YOUR face if YOU saw somebody talking during a film.

YOU only allowed movie commentary if it was in the comfort of YOUR home. Otherwise, in public places like cinemas? YOU would glare daggers at anybody who dared.

DATE (CONT'D) ... And that's kind of like Sydney Sweeney, isn't it?

Crap. MINGYU has no idea what DATE had just said.

MINGYU (whispering) Yeah, I agree.

DATE seems placated. Close call, thinks MINGYU. But he's also thinking about how the two of you would argue about everything. How YOU would never back down on YOUR opinion, and how he adored YOU for all YOUR convictions.

DATE goes to hold MINGYU's hand. He almost flinches away. But that would be rude, so he awkwardly lets them hold on.

It's cruel, but throughout the movie, MINGYU bears it by imagining that it's YOUR hand instead.

INT. CINEMA '76, LOBBY - EARLY EVENING

MINGYU emerges from the movie with DATE. He immediately drops their hand.

MINGYU Hey, uh, I think I was short on change from the cashier. Mind if I go check on that real quick?

DATE Oh, sure. I'll wait for you by the entrance.

MINGYU Thanks.

MINGYU rushes back to the snack bar. YOU'RE nowhere to be found. He checks his watch; YOUR shift has probably ended.

MINGYU (underneath his breath) Damn it.

MINGYU had wanted to explain. He does the next best thing. He fishes out his phone from his pocket and pulls up your contact, which is still your name with a heart emoji. He hasn't changed it after all this time.

He types and retypes several texts. When did you start working at Cinema '76? and You looked good and Can we talk, please? and I wished it was you during the entire two-hour runtime of the film.

In the end, he only sends out an I'm sorry.

MINGYU puts his phone away. He wanders back to DATE, who greets him with a helluva good question; they're looking at the posters for upcoming shows.

DATE (absentmindedly) How do you feel about sequels?

And, again, MINGYU is thinking of YOU.

MINGYU I think they're always worth a shot.

FIN.

[scholarlyhobbit]

Eugenics and Social Darwinism are fantasies of population purification invented by Victorians who were certain they could breed a master race. I cannot stress that enough. They're ideas with identifiable origin points, not long-standing truths about human nature and society. Francis Galton was a statician who mathematically determined the way to make the perfect cup of tea and the way to breed for "genius" in the population, and published his ideas about heredity starting in 1869.

Eugenics as a movement explicitly endorsed purifying the population of a nation and also argued that improving social and material conditions for people was ineffective compared to ensuring good breeding stock. They believed that any improvement in housing or food or poverty was wasted on the unfit, as they could never appreciate them and it's just a waste of money on an undeserving natural underclass.

So when you hear shit about the cost of caring for the undeserving, for welfare queens (also an anti-Black racist stereotype) and benefits scroungers, when you hear people complaining about the burden of disabled people or people who fake disabilities for benefits, you're explicitly hearing eugenics. You're hearing Nazi bullshit that some people need to be executed by the state so that they stop draining resources and birthing defective, parasitic children. I cannot emphasize this enough.

Do not accept Nazi arguments because they seem like "common sense." They never are. They're just asking you to pretend that all humans everywhere are inherently cruel and that your cruelty is justified and sensible. Cruelty is not either of those things. Do not let Nazis seduce you into thinking the cruelty will only benefit you. It can and will always come home to roost and soon you're the undesirable who just needs to be eliminated for the greater good. Never lose sight of that.

DID YOU HEAR ABOUT THE NEANDERTHAL CHILD WITH DOWN'S SYNDROME? Because they're all I've been thinking about when I'm sad for the past few days. Their existence makes me less sad.

[hotvintagepoll]

Vintage movie recommendations for getting through these dark times? 🙏 Looking specifically for anything joyous, especially if it's queer/progressive for its time. Thanks!!

ooh ok! that's a big ask, because queer/progressive doesn't always show in the ways we expect in older movies. still, joyous i can do, and as poly as I can I'll try for:

the talk of the town (you knew i would say this). jean arthur, cary grant, ronald colman are all tangled up in all sorts of ways, legally but also including in each other's pajamas. it's free on youtube and tubi last time i checked!

singin' in the rain (you also knew i would say this). cosmo brown, weird little third wheeling queerplatonic ideal that you are. gene kelly, debbie reynolds, and donald o'connor have fire chemistry and all three of their characters love the other ones so truly and with such joy they break all of hollywood with the power of song. (it is gorgeous and sublime that the story is built so only these three ever actually engage with the musical format—the format that is, in universe, the way of the future—structurally equating music and musicals with love. no one else gets a song or a villain number or a little ditty that's not a literal musical number. only these three break the story and heal it at the same time.)

the adventures of robin hood—i swear to god will scarlett is good for nothing else besides being robin's hot little friend. will alone makes this movie queer for me. also, watching a movie about a socialist uprising against a cruel and unjust government sure feels apt! for no particular reason! (this one is also on tubi.)

the philadelphia story—jimmy katharine and cary are absolutely a threesome in this movie and it's a crime they didn't just make more of this movie, again and again, forever. is there a plot? they're all by a swimming pool, it's hot, there's champagne. what else do you need for a film. oh yeah there's some discussion of autonomy and women's rights and wealth and class and marriage, some of which i disagree with, but i think mostly it's katharine hepburn in an evening gown and jimmy stewart in a white terry cloth robe and cary grant standing there not minding in the least. (content warning: there is one instance of a racial slur [not directed at anyone but still there], and one shove. also on tubi.)

the lady vanishes—i love this movie, so much, couldn't tell you why (i can: michael redgrave is here being hot). there are two bit characters who read as queer coded (they are also obsessed with cricket and are mocked for being english by the narrative, which is nice), and there's a weird plucky joy in michael redgrave's performance that feels like a departure from your usual Solid Very Serious Male Heroic Main Character. this movie does trend mildly xenophobic in a very England-in-the-30s type of way—there are shady "foreign" characters and other batshit stereotypes—but nothing I think that would cause direct offense. (let me know if I'm wrong on this though and I'll tag accordingly). this one is free anywhere and can be watched on youtube.

the wizard of oz—i know you've probably seen this before but it's worth seeing again. yes you're allowed to cry at the end i always do

[rootspiral]

WANDAVISION DEEP DIVE part 2

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2])

In which I continue looking through Agatha scenes in Wandavision, I want to get to AAA nowwwwww but I can't stop taking screenshots. I forgot how good this show is

We are on episode 6 and it's naughty couture time! (so much for less screenshotting)

Oh wow, these three together, very cute and not painful in any way! Also not foreshadowing or anything.

I'm not clear on this point, did Ralph have ANY free will or was Agatha just puppeteering him at all times? Because he totally sounds like Agatha doing a half-assed Quicksilver impression. You want to know about Wanda's trauma, don't you Fietro???

Bit much there, buddy. That's right. Too much ham. Off you go.

yep, that's Agatha's manipulative ass alright. and she almost got away with it too.

Episode 7, where Agatha can't wait to get her paws on those little boys and do horrible villainous things to them (like making them snacks and watch cartoons. And some light trauma)

That's why Billy's her favorite, he's such a mama's boy.

the exact faces the three of them will make when auntie Agatha tries to ghost-mom the twins

babies are delicious

why is she being such an ASSHOLE TO WANDA OH MY GOD. psychological torture for days and days and days

IMMEDIATELY tries to bond with Billy. she's also prodding for his powers but there's genuine kindness there too

Billy genuinely likes Agatha though, that's the thing. despite everything, even in the future he instinctively trusts her and seeks her out. in a way they kind of adopt each other

why does her voice get so tender goddamnit Hahn. you know Agatha is thinking about Nicky and having so many feels

this whole dynamic really hits differently now, doesn't it?

her body language with Monica is so threatening, she's containing herself but you can see she wants to KILL

At this point Monica and SWORD are approaching and there's no much time left, so Agatha takes another big risk and openly approaches Wanda - or actually, not *much* more openly. She goes from over-the-top neighbor to over-the-top witch, the same trick she always uses, except she never went against someone as scary powerful as Wanda. She is truly gambling here, and you can tell by how rigid her body language is. She's projecting strength more than feeling it, and I think she's using señor Scratchy both as a prop for her villain persona (hilarious. that's a cuddly bunny, you idiot!) and also as moral strength, she's holding him like a shield.

^^Agatha when she's purposely being a clown and fucking with people

^^the real Agatha, razor-focused, serious, and, more often than not, cruel.

Episode 8. We now know that Evanora hates Agatha because she was born with succubus powers - born different, born evil, queer analogies abound. Jac Schaeffer says that Agatha has never been loved by her mother or really by anyone before she met Rio, so let's just sit on that.

Here we have a very young Agatha, still a teenager, already up to mischief. Interesting that Evanora does not mention her killing anyone quite yet, Agatha's crimes are about seeking knowledge, something she'll keep doing all her life. She's already a self-fulfilled prophecy, she's being bad and going against her coven because her coven calls her bad and pushes her away. This is supposedly her family, her sisters, her community. She committed a bloodless crime, and they're about to execute her for it.

She denies, Evanora calls her out. Agatha is already refining her greatest skill: deception.

Can she control it? Did they ever try to teach her? And why is she talking about her powers now? She is not being executed for stealing at all, is she? And she knows it. (Also I LOVE that when Agatha is at her lowest she resorts to beg. Her survival instincts are stronger than anything, even her pride, she is self-centered to her very core. That's the only way she could ever survive.)

Evanora starts chanting "mors monstrum innaturale", death to the unnatural monster. And, I'm sorry, that's incredibly fucked up. It gets more fucked up the more I think about it.

"Watch this, Lisa. You can actually pinpoint the second when her heart rips in half."

The coven in an excess of prudence must have decided to kill Agatha in a joint effort, just in case her powers are too much for one witch or two. They thought they would destroy the so called evil with their moral superiority, they actually had no idea of what Agatha was capable of, and by her shocked expression, neither did she - she was never allowed to explore her abilities, not to such an extent anyway.

That's the same expression again, completely focused and merciless. I know I'm repeating myself but the real Agatha is anything but bombastic. Her emotions are subtle but formidable.

When I first watched this scene 3 years ago I came to the conclusion that Agatha was conning the Salemites in order to kill them. She was absolutely not. She is shell-shocked at what happened.

Hahn is very deliberately making understated choices here. No evil cackling, no gloating, just contempt and bitterness.

And I'm running out of space again but it was worth it, this scene was so interesting to analyze. Hopefully part 3 will be the last one for Wandavision

go to part 3

[authoratmidnight]

Unfortunately I have robots on the brain + a love for a good heel face turn.

So fuck it, Knock Out/Break Down defection.

It starts with Breakdown getting abducted by M.E.C.H. and Megatron writing him off as dead/not worth saving. After all, he let *humans8 get the drop on him, whatever happens is his own fault.

Knock Out is appalled and rightly so. They're just, gonna abandon one of their own? He's not a flier tho so going to rescue Breakdown himself is not going to be fast.

Which means that when the Autobots end up rescuing him, there is no Decepticons to show up. No one ever arrives to save him. Only his enemies.

And by the time Knock Out *does* show up, there's no one there. No Breakdown, no Autobots, no M.E.C.H. and he has to return dejected and empty handed. And worse, no one seems to care. (this also means he has no idea of Breakdown's fate, is he alive? dead?)

So they drag him back to the base so Ratchet can patch him up cause he is in rough shape mind you. And it is just, weird all around.

On the Autobots' side of things is the glaring fact that there is a Decepticon in their base. He's not trying to kill them but like, he IS there. It's so weird.

On Breakdown's side it's the fact that his enemy is helping him, providing him aid. That his enemy seems to care more about him than his own comrades. And of course, watching how they interact with each other, with Optimus is eye opening. The differences between them is startling.

The rest of the Autobots do respect Optimus but they don't live in fear of him, not how they do around Megatron. He's not scary, he doesn't yell lose his temper at them, he doesn't strike them and break things. He's, nice.

And while they banter with each other and sometimes argue, it's never mean spirited or cruel.

He stays there for a bit to recover and he starts to wonder, what he should do? He can't possibly go back to the Decepticons, they'd never take him back, especially after this. But, it's clearly not safe to be out on his own given that M.E.C.H. is out there and what they did to him.

So he does the almost unthinkable. Asks if he would be allowed to stay with them for now. Just while he decides what he wants to do. If he has to stay in the base then he will. They decide to allow it because well, he hasn't really done anything to them thus far.

Trying to interact with them is so awkward though, and he spends most of his time doing essentially grunt work around the base. The first one to speak to him and extend a hand is Bulkhead. They are rivals after all and Bulkhead is the only one he has a prior history with. It's so weird not trying to punch each other out, even if Bulkhead says they can go for another round at a later time and he will kick his tailpipe.

(the whole time Knock Out is moping and feeling disheartened cause he just wants his guy back)

Eventually, the Autobots do sort of warm up to Breakdown. When he's not punching them out he's not really so bad.

At some point, he goes out on a mission with Bulkhead (listen, he's recovered and he can't stay inside all the time, he's going stir crazy, and if anyone can handle him it's Bulkhead). And leaving the shielded protection of the base alerts the Decepticons that he is alive, cause they have his life signal again.

And Knock Out is not taking no for an answer on going to find him. He'll piggy back on Starscream or the Seekers if he must.

Cue a VERY dramatic meeting of Knock Out and Breakdown, made all the more tense and dramatic given that he's in the company of an Autobot and NOT trying to fight him. Naturally, Knock Out tries to convince him to go back, and it IS tempting, if only cause going back means Knock Out is there. But he can't exactly guarantee that Breakdown won't be punished for, all this, so he has to decline.

Insert a moment of him really showing which side he's on (perhaps not even consciously) when he protects Bulkhead from another Vehicon or something. Bulkhead is shook cause a part of him was expecting Breakdown to go with Knock Out. this doe sin fact help endear him a bit more to the Autobots.

But now, Knock Out knows that Breakdown is alive. And by the Allspark he WILL be reunited with his partner one way or another. Of course, he can't contact him, he's shielded by the autobot base. But he does leave it from time to time, and then he can pick up his signal. Ofc he keeps this a secret b/c once it came to light that Breakdown was siding with the autobots he was marked as a traitor. No one talks about him anymore, and they certainly aren't gonna try and bring him back.

He absolutely is plotting ways to get out and meet with him/contact him, to at the very least just talk with him. And eventually somehow he does. Catches Breakdown when he's out alone (or at least, the bot he went out with is not in the immediate vicinity to be seen). And it's tense and emotional. Cause Breakdown is still deeply hurt that no one but his (former) enemies came to save him. Makes a bot think. Knock Out swears he did try to come, he was the only one that wanted to.

The conversation is interrupted when whichever Autobot was with him comes back and Knock Out books it. Even if he wanted to leave with Breakdown, there's some thing he needs to take care of on The Nemesis (basically purging any files regarding either of them/deleting them from the database so they can't be tracked anymore).

Which he does do and has to beat one hell of a hasty retreat when Soundwave catches on and alerts the others as to what he's doing. This is effectively his point of no return. He ground bridges out, with Cons on his tail. And calls to Breakdown for a rescue (I'm thinking, before they parted on their last meeting he gave him some kind of communicator or something).

Breakdown is quite surprised when he does get a distress call from Knock Out, who is currently running for his damn life cause if they catch him they will kill him. And frankly he does like living.

Breakdown DOES end up going to get him, by plugging the coordinates he got into the ground bridge and bridging out (he's watched Ratchet AND Knock Out do this, he knows how to do it). Which also means the Autobots are chasing after him cause dude what the hell??

They do manage to find Knock Out, still running for his life. And Breakdown is gonna bring him back even if they complain (also he may or may not be wounded, I haven't decided yet, tho wounded would be some fun :p)

So now the Autobots have TWO Decepticons in their base and boy is it weird. Also now they gotta explain this to Optimus (who more just wants to know why Breakdown went behind his back, you could have asked bro. (Better to beg for forgiveness than ask permission I suppose).

Also explaining this to the humans. Breakdown was one thing but Knock Out? oof.

(Knock Out has some second thought upon meeting the humans b/c oh NO they're everywhere and gonna get their grimey weird hands all over him and yes ok he knows his alt mode is sick as hell but NO they can't go for a spin in him! Someone help!)

It would, imo, be a really funny dynamic. Also Knock Out has dirt on the Cons I'm sure. He is a petty bitch

(The second amusing option I had for getting Knock Out there was finding him while out on a mission, maybe after he sneakily purged what needed to be purged, and he just goes 'well, if I'm not being invited back, I guess you'll have to take me prisoner?' and Breakdown just rolls his eyes and "apprehends" him and brings him back. Literally no one is buying this at all lol)

Part fix it fic, part heel face turn, all totally shameless KOBD lol

[caught-tumbling]

I've been hospitalized and I've worked in mental health so I have some suggestions

1) You will see things that you don't understand. That's ok. As long as the behavior isn't harmful its fine. Unusual sentence structure, unusual requests, unusual movements, unusual associations, etc are just how some people function. So if you don't understand why someone is doing something try to just take it in stride, try not to laugh, stare, or look disgusted. When I was hospitalized a patient had a compulsion (I think) to shout their full name whenever someone said their first name, then they always looked embarrassed. So the best staff members just pretended it didn't happen which didn't stop the behavior but at least the patient was more at ease because they weren't being shamed.

2) People in psych wards often have a very dark sense of humor. Gallows humor gets us through. People will casually throw out the most upsetting and traumatic anecdotes as "funny" stories. You don't have to laugh along, just don't be too surprised. One benefit to being in a psych ward is a level of understanding most people don't have outside. People can drop a joke about the most horrifying shit they've survived and no one freaks out, they just laugh and share something equally messed up. That dark comradery was a weirdly healing part of my recovery. Sometimes as a staff member you'll have to intervene if people start looking uncomfortable but in general you just gotta shrug and move on.

3) Compassion, compassion, compassion. The difference between a good stay and a bad stay is compassion. Treat every patient as if they were a loved one. My worst stay the staff treated us like dangerous cattle. They didn't speak to us except to give orders, they ignored people in pain and distress, they refused every request just because they could. My best stay the staff ate with us, they played card games with us, they offered a hand to hold when someone was scared, they treated us like human beings. Just sitting with someone for a while can be huge.

4) Please report things. PLEASE REPORT THINGS. If a patient is harassing another patient, report it. If a patient is harassing an employee, report it. If a coworker is being cruel or neglectful towards patients, report it. If your reports do nothing then escalate it. I've reported patients, nurses, doctors, teams, even organizations both as a patient and as a professional. I've called the police. I've gotten people fired. You will need to do that sometimes. It sucks and is a little nerve wracking but you need to advocate for people's safety. The reports I made as a professional were taken way more seriously than the reports I made as a patient. The system is set up to dismiss patients so employees need to be more proactive. Please be an advocate. Some of the people you'll work with don't have any support outside the hospital, those are the most vulnerable people you'll probably ever meet and you won't always know who's in that group.

5) Talk to the patients. Avoid phrases like "I understand what you're going through" and use phrases like "I know this is hard" or "I'm here to help." If someone is having a hallucination or delusion that's upsetting sometimes it's better to work with the delusion than to deny it completely. If someone is worried there's bugs in their food just saying "no, that's ridiculous" won't help. But saying "I'll check to make sure there's no bugs" can help immensely. Some people will be scared of you due to anxiety, medical trauma, other trauma, or paranoia. You can't always change their mind. But you can show signs that you are a safe person. Little stuff like getting them an extra blanket, asking how they're doing, including them in their treatment plans, etc are vital but overlooked.

Help Me Train Nurses About Psych Stuff

I do a presentation at our hospital aimed demystifying mental illness and the people who live with it. The talk is for medical-surgical nurses, so specifically staff that does NOT work psych who feel ignorant about treating that population. A lot of the people I'm talking to are also young and still developing the foundation of their nursing practice.

If you've ever been in the hospital as a psych patient (or a psych patient navigating the medical system in general), what would you want the hospital staff to know based on your experiences? What advice or insight would you give?

I'd especially love anything about positive experiences, things that helped you, what someone did that improved the situation, stuff like that. In addition to saying what not to do, I'd love to give staff actionable things they CAN do instead.

[frownyalfred]

thinking about how despite how he must feel so terrible with how all his family is in such a bad place, eye in the sky!jason still cares so much about the people below him.. like his battalion has the lowest casualty rates, how rad is that? thats so fucking impressive. he's from the worst part of the town, he's used to looking out for each other. no matter how bleak his life is he still CARES. oh jason... (sorry for my english)

He does!! I'm so glad people caught that small detail about his battalion. For your commander to have gotten a nasty facial scar means he was right in the thick of it with his soldiers, and probably against orders. He's used to being, as someone on here put it the other day, a mercenary. Vigilantes are essentially mercenaries who work together, right? There's no chain of command, no real orders, and yet here Jason is, forced into that kind of rigid structure. He has to learn to be a different type of hero, in order to survive.

And yeah, he still cares even after ten years of this. Enough to push a baby recruit out of the way, enough to protect his men even though they're not his family, not Bruce. And he's angry, above it all. Angry, staring straight back into his official Regime headshot to ensure there is no doubt about that fact. jason

[thegreatyin]

giggling kicking my feet blushing madly

[shannonsketches]

He said "Fuck this shit, I'm out" I'm crying. Toriyama's Vegeta was so top shelf 🤌

(From Neko Majin Z Chapter 5!)

[zukkaoru]

sorry i'm thinking abt megumi's incessant desire to be the first to die vs. the narrative keeping him alive despite and how the most tragic ending for him is not actually dying, but being left behind. for megumi, the worst fate is living a long life

[bloodanddiscoballs]

God sometimes I'm shocked I was raised by my parents

[discar]

I think the fact that the most dangerous demons in Frieren's world are the ones who want to coexist with humans says something. I'm not sure what PRECISELY it says, but the idea of a hawk trying to coexist with rabbits and just constantly killing them because it can't figure out how else to interact with them is very definitely SOMETHING.

Demons in Frieren don't really come across as evil. That's why I'm not sure the bully metaphor works. They're not being pointless dicks. They're not in the slightest bit cruel. They're just aping human behavior because it helps them survive--except in this case, "survive" means "trick humans and eat them." The scene where a demon girl begs for her mother and later admits she literally doesn't know what that word means is quite poignant. To her, it's a magic word that makes humans hesitate to kill her.

Again, I'm not sure how exactly to map that onto real-world issues. Are the demons autistic-coded due to their inability to understand emotions? Or are they more supposed to represent some sort of dangerous AI, something that really is not human but gets close enough to sometimes trick people?

The series is good about discussing multiple viewpoints and behaviors, so I'd lean more towards the latter interpretation. But I'm still not sure.

Regarding Freiren: Beyond Journey's End and the idea used there that the demons are a predator species that evolved speech in order to lie, and can never be trusted...

A lot of people have been quick on the draw with the take, "It is... how you say... le fascisme. C'est problematique."

Others have said, "Well it's fake, so it doesn't count."

I'd like to throw out an alternative. What if the author was socially bullied in their youth to off-the-charts levels?

You can get the idea of a creature that speaks solely to prey on humans from imagining a sapient human-hunting predator and adding a dash of evolution... but you can also get that idea by watching a particularly nasty human and then working backwards.

[sskk-manifesto]

What a good episode. Maaaaaan

[piplupod]

sometimes i think maybe it's a good thing i'm so traumatized and fucked up mentally and emotionally bc then i never expect ppl to be kind or even just plain old nice to me, so when they ARE kind or nice i feel overwhelming gratitude and almost a sense of awe HFDSJKL like... i dont know if i would have had this appreciation for each little piece of kindness if i wasn't the way that i am. but also i know thats kind of an absolutely wild way of thinking about this LMAO

[8lah8lah]

"both sides of shipcourse are wrong" says person about to not bat a fucking eye when someone on one side gets chased off the fucking internet and doxxed and told they deserve assault for liking ships that are abusive in a way they dont immediately understand/relate to. "shipping discourse is just sooo dumb and immature" says person about to fucking gasp and scream and tell all their mutuals and post "STOP putting ***** on my dash in 202_" vagues like A Gross Drawing Existing In The World is going to singlehandedly groom and traumatize and enable and Normalize everything for everyone on the planet simultaneously for simply being put out there and it being out there is a category 10000 mental safety hazard that they must bravely defend people from. "youre stupid if you care about ship discourse lmao" posts brave tumblr user about to get really upset publically over One person they saw shipping a like, 4-year age gap between two fictional chars that's there if you Squint, an opinion that Clearly has NOTHING to do with very specifically one side of the discourse

[espectres]

Shou's selflessness issues got to be his fatal flaw and it's literally so funny to me cuz it's not the stereotypical "I'm a hero i should die for all the strangers i dont even know" or smthing so noble and beautiful like that nooooo. It's the way he's so content with all the shit he's been thru, the way he just rolls with the punches, makes peace with the difficulties, and even if he ever decides to make a change it's never really "this is bad for me so it must change" it's just the " im responsible for this this is something i should do", his standards for what he deserves and what he doesn't has long since been kind of fucked up by how little anyone made effort to keep his best interests in mind, he has been bossed around and pushed into corners and limits over and over without a choice, he has never been truly seen and understood and taken seriously, and he ended up ignoring his own feelings for the sake of doing things he believed he had to do even if he never wanted to.

Shou never wanted to fight his father, he neved wanted to face that fear, he never wanted his father to be taken away from him in any way, but he believed that he had to fight because he has powers, he has to do things this way because it's what his father deserves, because Shou has this brilliant disfigured sense of morality that only he can understand where hurting everyone and himself to a degree is excused as long as his father gets what he deserves, it's a duty! a responsibility! and the only way he knew how to do things, because no one has ever told him that it's ok to not face all of this, it's ok to escape when it gets bad, to think of yourself, to run away.

And it's the same sense of selflessness that doesn't allow him to think too hardly of something he has with someone, he's so ready to look past red flags as long as he's content, and he's so .. easily contented ... he is genuinely so forgiving and rarely holds grudges, it's not something he works on, it's something that comes naturally, especially when he really loves, but also in general regards to almost anyone and everything. He may get hurt but he forgets, let him love and he'll forgive, he's just simple like that, there is not much more to it. And it only gets worse when his sharp senses of intuition and perception and survival instinct just get yeeted outta the window when he gets attached.