#it's like somebody switched on a light
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lith-myathar · 2 years ago
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withoneheadlight · 5 months ago
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how come i only feel fully alive when i'm obsessing about something?
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richo1915 · 7 days ago
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yukinyaminyato · 2 years ago
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i tried to switch on the lights in the corridor and managed to accidentally ring my neighbour's doorbell :) living in this apartment building is going soooo well.
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jatlokgwo · 2 months ago
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i keep joking about my sona/true form being like a rat but rats are actually a really good real life equivalent me sized
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insanechayne · 11 months ago
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~ ~ ~
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physalian · 3 months ago
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How To Make Your Writing Less Stiff 5
Movement
Dredging this back up from way back.
Make sure your characters move, but not too much during heavy dialogue scenes. E.g. two characters sitting and talking—do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them…
Gesture
Wave
Frown
Laugh
Cross their legs/their arms
Shift around to get comfortable
Pound the table
Roll their eyes
Point
Shrug
Touch their face/their hair
Wring their hands
Pick at their nails
Yawn
Stretch
Sniff/sniffle
Tap their fingers/drum
Bounce their feet
Doodle
Fiddle with buttons or jewelry
Scratch an itch
Touch their weapons/gadgets/phones
Check the time
Get up and sit back down
Move from chair to tabletop
The list goes on.
Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t—what does that say about the both of them? This is where “show don’t tell” really comes into play.
As in, you could say “he’s nervous” or you could show, “He fidgets, constantly glancing at the clock as sweat beads at his temples.”
This site is full of discourse on telling vs showing so I’ll leave it at that.
Epithets
In the Sci-fi WIP that shall never see the light of day, I had a flashback arc for one male character and his relationship with another male character. On top of that, the flashback character was a nameless narrator for Reasons.
Enter the problem: How would you keep track of two male characters, one who you can't name, and the other who does have a name, but you can’t oversaturate the narrative with it? I did a few things.
Nameless Narrator (written in 3rd person limited POV) was the only narrator for the flashback arc. I never switched to the boyfriend’s POV.
Boyfriend had only a couple epithets that could only apply to him, and halfway through their relationship, NN went from describing him as “the other prisoner” to “his cellmate” to “his partner” (which was also a double entendre). NN also switched from using BF’s full name to a nickname both in narration and dialogue.
BF had a title for NN that he used exclusively in dialogue, since BF couldn’t use his given name and NN hadn’t picked a new one for himself.
Every time the subject of the narrative switched, I started a new paragraph so “he” never described either character ambiguously mid-paragraph.
Is this an extreme example? Absolutely, but I pulled it off according to my betas.
The point of all this is this: Epithets shouldn’t just exist to substitute an overused name. Epithets de-personalize the subject if you use them incorrectly. If your narrator is thinking of their lover and describing that person without their name, then the trait they pick to focus on should be something equally important to them. In contrast, if you want to drive home how little a narrator thinks of somebody, using depersonalizing epithets helps sell that disrespect.
Fanfic tends to be the most egregious with soulless epithets like "the black-haired boy" that tell the reader absolutely nothing about how the narrator feels about that black-haired boy, espeically if they're doing so during a highly-emotional moment.
As in, NN and BF had one implied sex scene. Had I said “the other prisoner” that would have completely ruined the mood. He’s so much more than “the other prisoner” at that point in the story. “His partner,” since they were both a combat team and romantically involved, encompassed their entire relationship.
The epithet also changed depending on what mood or how hopeless NN saw their situation. He’d wax and wane over how close he believed them to be for Reasons. NN was a very reserved character who kept BF at a distance, afraid to go “all in” because he knew there was a high chance of BF not surviving this campaign. So NN never used “his lover”.
All to say, epithets carried the subtext of that flashback arc, when I had a character who would not talk about his feelings. I could show you the progression of their relationship through how the epithets changed.
I could show you whenever NN was being a big fat liar about his feelings when he said he's not in love, but his narration gave him away. I could show you the exact moment their relationship shifted from comrades to something more when NN switched mid-paragraph from "his cellmate" to "his partner" and when he took up BF's nickame exclusively in the same scene.
I do the same thing in Eternal Night when Elias, my protagonist, stops referring to Dorian as "it" and "the vampire" instead of his name the moment they collide with a much more dangerous vampire, so jarringly that Elias notices in his own narration—the point of it being so explicit is that this degredation isn't automatic, it's something he has to conciously do, when everyone else in his clan wouldn't think twice about dehumanizing them.
Any literary device should be used with intent if you want those layers in your work. The curtains are rarely just blue. Whether it’s a simile with a deliberate comparison or an epithet with deliberate connotations, your readers will pick up on the subtext, I promise.
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frogmascquerade · 1 year ago
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Trying to turn on lights with an al*xa honestly might be my last straw like I'm about to go completely full joker on this house
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atittueball · 1 year ago
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literally could not sleep last night because while I was working at the office yesterday, I flicked off a lightswitch (got used to that after my boss started doing it), and my boss looked over at me and goes: “at least I know you’ve got something to remember me by.” in the most casual tone like she didn’t just drop the most devastating line because I’m leaving in a few weeks like??? HELLO???? THIS IS WHAT SOME TOPSELLING ROMANCE NOVEL PROTAGANIST SAYS??? NOT A FIFTY YEAR OLD WOMAN TO HER SECRETARY??????
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keferon · 16 days ago
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I want to discuss Prowl's fighting style in Earthspark. Because it's absolutely hilarious
Light spoilers below (no plot)
Okay. Whats with the way he plays possum? It's so fucking funny.
Somebody punches him and the guy just...falls down??? And lies there?? Like he just flat out died.
And when his opponent switches to something else, he just 👁👁 !caught you!! and attacks them in the back
And he does it consistently on a regular basis. It's such a ridiculous tactic ekhlhmtn
And I'm not implying that he "allows" his enemies to punch him as a part of his smart plan. He's genuinely just terrible at fighting with his fists. But he's like "You know what If I'm gonna be knocked off my feet anyway, I might as well benefit from it"
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elflutter · 11 days ago
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— she's your daddy
kinktober 04 → threesome & daddy kink
wade x logan x f!reader
wordcount: ~500
tags/warnings: explicit (18+ mdni), fluff, humor, established relationship, light daddy kink, she/her pronouns for reader, anal sex (m. recieving), mentions of p i v, dirty talk, pet names, they're all switches but logan is subby in this, dom!reader, dom!wade, sub-space, it's all very soft and cute and sweet
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Some bullshit is always spewing from Wade's mouth, whether he's buried in your cunt or balls deep in Logan. You're sprawled on one side of the bed, Logan's hand wrapped tight around one of yours. Your other plays at your clit as Wade pounds into him from behind. A scarred hand wraps around Logan's cock, tip angry and leaking. The words that come out of his mouth really shouldn't surprise you.
"Come on, peanut, wanna come for daddy?"
Your fingers stop swirling your swollen nub as you let Wade's words soak in. The thought of the word daddy falling from Logan's lips shouldn't have your cunt clenching like it does. But, then again, you've always been a bit depraved.
Logan's response comes valiantly as Wade pistons into him, balls slapping lewdly with every meeting of Wade's hips.
"Anyone—" Thrust. "Ever tell ya—" Thrust. "You're shit at dirty talk—" Thrust. "Red?" Logan's teeth are clenched, voice harsh.
"Yeah, Wade," you muse. "Don't be ridiculous."
You pause for a beat; a mischievous grin as you meat Wade's gaze. Your fingers begin to dip between your folds, gathering your slick before moving back to your aching clit. "We both know I'm his daddy."
Logan lets out a rough groan, at that, despite himself. And the confirmation sends lightning bolts shooting down your spine.
The hand holding Logan's squeezes a little tighter, as you coax him on. Your eyes meet his, gaze dripping with desire. Your voice a low whisper.
"Come on, Lo. Come for daddy."
Logan's breaths come in pants, now. "Yeah— fuck, I will," he babbles between breaths. "Gonna come for you, baby."
Wade slows his thrusts then, perfectly in-tune with your little game, though his own daddy-action may have been thwarted.
"Ah-ah, baby girl," the merc sing-songs. "That's not her name."
Logan growls, the sound a feral thing. He turns his head to the man behind him. "Fuck you, mouth."
Then, he turns back to face you. His cheeks are flushed crimson, eyes closed, as he addresses you.
"Gonna come for you— Daddy."
The three of you keep at it for hours that night, you and Wade taking care of Logan until he's floating in that hazy space you know so well. He always seems to be the one bringing you and Wade there. He deserves to feel it too, after all he's done for you. As hungry for control as he can be, Logan has never had somebody take care of him like this. You're just glad you can be the one to do it.
Finally, when it's closer to morning than it is to night, you're all fucked out and boneless, cuddling in a heap on your shared California king. Your hands tangle in Logan's hair, damp with sweat, as Wade traces little patterns on the bare skin of your thigh while he spoons you. Then, because of course he does, Wade breaks the silence. He heaves a dramatic sigh.
"I cant believe she's your daddy." He pouts, petulant. "Will these perverts ever let me have anything?!"
You're not sure what he's talking about, but you're too fucked out to care. You twist around to press a chaste kiss to the mottled skin of Wade's head. "It's okay, princess. You can be my daddy."
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a/n: this one is short and sweet, but i thought it was fun! if you enjoyed it, i'd love to hear what you thought! reblogs are always appreciated 🤍
taglist: @squishyfrui @misscrissfemmefatale | and some beloveds (no pressure just thought you might enjoy this hehe) @eupheme @sceletaflores @avocado-writing
request to be added/removed from taglist in the replies
gif credit
dividers by @moosgraphics + @saradika-graphics
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transmunsons · 1 year ago
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Eddie doing a deal with Steve at that picnic table after school. Eddie’s on his second senior year and pissed off about it. He’s trying to be cordial to Harrington, but he keeps remembering how the basketball team messes with his Hellfire kids.
So he up charges him, gets a little petty revenge; he’s sure Harrington can afford it anyway. The extra money can go toward Eddie’s T payments.
Something rustles in the woods and Harrington freezes, listening. Some kind of wet, furless animal jumps out of the trees in a blur.
Before Eddie can react, Harrington grabs his hand and pulls him up, heading to the closest sanctuary, the high school. Eddie’s freaking out. They run into the building, and Harrington pulls them into the janitors closet. He lunges to the back, reaching for a mop, but Eddie hears a wet skittering in the hallway and slams the door shut. Harrington whips around at the noise and the sudden darkness. Eddie holds his breath until the creature passes.
“What the fuck is out there?” He hisses at Harrington. The closet is cramped and the floor is littered with cleaning supplies. They're right up on top of one another in the small space. “This is crazy, this is so fucking crazy—”
“Calm down!” Harrington hisses back, closer than he expects, breath brushing against Eddie's cheek.
“Calm? Why are you calm, what's wrong with you?” Eddie's heart is pounding so hard he thinks it might burst out of his chest. He can't breathe. “We just almost got attacked by some fuckin' thing!” He flutters his hands to emphasize 'thing' though Steve probably can't see it in the dark. He smacks a shelf.
“I've seen something like it before, it's some kind of demogorgon.” Harrington says. Eddie splutters. The king of Hawkins High just made a DnD reference.
“How do you—that is not a demogorgon, Harrington! Demogorgons don't exist and even if they did, they don't look like that!”
“Hey, you asked and I answered. And my name is Steve.” He reaches around Eddie and tries the door handle. He's practically hugging him.
Steve swears and flicks on the light switch, illuminating the closet. “It's stuck.”
Eddie can see Steve's face properly now in all its glory. The overhead bulb gleams off Steve's stupidly long eyelashes. He almost wants to turn the light back off. His breathing is still restricted.
“Guess we're trapped in here until somebody comes by.” Steve says.
Eddie balks at the thought of being stuck with Steve in close quarters for so long. “No we're not, just gimme a second.”
Eddie shoves a hand up under his Dio shirt so he can pull his bindings a little away from his chest.
“What are you doing?” Steve sounds alarmed. His eyes are wide.
“Don't get excited,” Eddie winks because apparently he has a death wish, “just need to breathe. Get me a flathead screwdriver. The door opens inward.”
Steve snaps his fingers and points at him, “Right, the hinges!” He turns around to rustle through the shelves, which Eddie, uh, doesn’t mind. Goddamn.
He faces Eddie again with a flathead in his hands and a triumphant look. Eddie grabs it with a ‘thanks’ and goes to work prying pins out of the hinges. He can feel Steve watching him. Eddie gets the door loose and shoves it open, catching it so it doesn’t make noise.
Steve stalks past him wielding a mop like a weapon.
“Where are you going?” Eddie stage whispers.
Steve looks over his shoulder at Eddie, hair artfully falling out of place. “I’ve gotta find that thing, I’m not gonna let it roam the school.”
Eddie looks at Steve, looks back at the exit, looks down at the tile floor.
“Shit.”
He follows.
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stariikis · 4 months ago
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trust myself
desc ; sitting in with riki as he films his en-note and accompanying him through the multitude of emotions that follow.
pairing ; idol!nishimura riki x gf!reader genre ; fluff, established rs wc ; 1228 notes ; understand that i love riki because i see a version of myself in him...
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When your boyfriend sits down at the hotel table, a singular lamp illuminating his screen with a yellow warmth, your heart aches at just the thought of what he might say next. Though Riki’s always been very skilled at switching between seriously honest and teasingly goofy, he becomes a completely different person when he’s filming en-notes. 
He becomes so vulnerable to the invisible crowd that it hurts you more than it irks you. And sometimes, when confesses struggles even you have never heard from his mouth before, you wonder if you’re not enough for him. Not good enough a listener. Not trustworthy enough for him to confide in. 
How come he only opens up under the pressure of the camera lens?
“Don’t stress out,” you mumble quickly before he presses the red record button on his phone screen. Three simple words and yet they have Riki pausing for a long moment, digesting your words. 
After a while, he nods curtly. “I won’t.” He’s lying through his teeth. But he beckons you closer and as you lean in, he kisses your eyelid. Pulling away, he seems to smile slightly in an effort to coax you into relaxing. As if he wants you to give it up. 
Though the tender action does send a wave of serenity through you, you can’t help but to feel a lingering sense of dread, with questions unanswered running through your mind. When will I get to find out something about him that the fans won’t? Or does he think he should just be honest with everyone at the same time? Is he not conscious of the world being familiar with the very depths of his soul?
Or are you just envious that somebody who isn’t exclusive to him is able to understand him like you do? 
“27 June 2024.” Before you can get lost in your thoughts, Riki starts speaking. You hate with all your heart and soul the exhausted, subdued shadow over his features. He starts talking about their recent concert in Hiroshima — how they hold their Japanese single, ‘Blossom’, close to their hearts; how he’s proud of Jay for pressing through their performance even with an injured knee. 
Then he gets to the hard stuff. 
It’s like he already has one foot out the door when you send him a glare and he ignores it out the corner of his eye. As soon as he opens his mouth again, gaze trailing off to the bottom of the screen, you know it’s coming. The same phrase he likes to repeat over and over again, and then cover up with a ‘but you know, I just love performing in front of you guys.’ 
“I do have some regrets.” 
You hope your glare is like a slap in the face to him. If it’s not, you don’t know what you’re going to do with him. All his following words just seep down the drain. Why does it pain you more than it pains him, to hear the words, ‘I need to work harder’ come out his mouth? Like he genuinely doesn’t see that he’s pushing himself to the limit already? This is exactly why you despise concert season. Coupled with jetlag, the mental form of fatigue seems to strike around these times as does physical, and it’s never good for Riki. 
His words fall on deaf ears. You’re boiling with an inexplicable rage, but it’s the most tame version of the concept of anger.
You just don’t understand, as he stops the recording and turns back to you. You can’t tell if he plain doesn’t get the weight of the situation, or is trying to avoid your gaze solely due to that reason. 
So before he returns to his usual playful self – you can see the light slowly returning to his eyes; he’s about to shove you to the other side of the bed with a snide quip – you grab his wrist and look at him scrutinisingly. 
“Do you mean all those things you said?” You stare at him imploringly in the dim lighting. “Every single one of them?” 
“Do you wish you could say more?” You say breathlessly, desperately looking from eye to eye like they’ll provide all the answers. 
Clearly taken aback, your boyfriend gently pulls his hand from your vice grip. “I mean it,” he murmurs sincerely. “I mean it all. How could I not?” 
Your gaze travels down his neck to the safety-pin necklace he refuses to take off. The meaning behind it is special to him, and likewise, he can’t be seen a day without it. His dedication and sincerity will never be deniable. So why do you feel as if there’s something he’s holding back, not telling you… a truth that he’s altered? 
“There’s nothing more to say?” You press, slightly disappointed because there’s two explanations for this. One, he’s really got nothing left in him to spill, especially not to you. Or two, he just doesn’t want you to know what more he has to say. You can’t decide which’d be worse. 
“...” 
“I’m sorry.” 
He reaches up to fiddle with his necklace as he climbs into bed beside you. “I know. You’re concerned because I hardly open up to you one-on-one. Rather, you have to hear it second-hand when I have ‘conversation’ with the fans.” 
Right. He’s extremely insightful too. How did I forget that about him? 
You just nod, taking care not to look too upset by the situation. 
“Would it be a lame excuse to say that it’s because I don’t trust myself enough?” He whispers as he unzips his patchy blue jacket and unclips his earrings. “To come clean to you, that is.” 
“Yes,” you say instantly, lightheartedly. ‘Okay but seriously, why don’t you trust yourself? Is that the truth, or do you not trust me enough? They’re different, you know.” 
“I know…” he scoots closer to you and lies down on his side, facing you. “To put it simply, I’m scared that what comes out is a sugarcoated version of the truth. When I face you, I don’t want to worry you with… everything. When I face the camera… it’s different. Because what are they going to do about it? There’s nothing they can do to help.” 
You make eye contact with him, and finally a sliver of anxiety crosses his orbs right before your eyes. 
“I don’t like it when you put up a front with me though,” you say. “It worries me even more than you think.” 
“Well, I know now,” he scoffs, moving the hair out your face and looking at you with such a tender look of love that the surroundings all fade away to dust. “I’m sorry. I’ll confide in you better next time… wow that sounds so…” 
He cringes and buries his head into the pillows cutely. A mixture of affection and relief floods over you at this, and you touch his hands in silence. 
When he lifts his face from the pillow, he pouts endearingly and intertwines your fingers together. “Seriously, there’s nobody I trust more than you, okay? Sorry if it didn’t feel that way.” 
So, even though he’s supposed to be getting rest for their upcoming activities, he spends the rest of the night telling you the full, honest truth — and of course he pairs this with a bunch of kisses, teasing remarks and cuddles.
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more of my works >
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cameronluvr · 5 months ago
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BRUISES — toxic!rafe cameron x routledge!reader ; john b x sister!reader
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summary: your brother sees a bruise on your neck, but it isn’t a hickey. he questions you about it, but it quickly turns into an argument when he discovers exactly who hurt you.
warnings: mostly john b x reader, mentions of choking, DV, toxic/abusive relationship, not much rafe x reader directly, angst, reader and john b arguing, name calling, mentions of jealous!rafe, toxic!rafe — lmk if i missed any! ✮
: ̗̀➛ 𝓶𝔂 𝓶𝓪𝓼𝓽𝓮𝓻𝓵𝓲𝓼𝓽 ⋆.ೃ࿔*:・
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you sneak into the chateau at 10 minutes past midnight, only to be greeted by your brother who had turned the light on which made you jump. “where have you been?” john b asks, crossing his arms over his chest.
“out.” you say, looking down to hide your face from him. you had been crying, but he’d already noticed your red-stained eyes. “what’s wrong?” he asks, frowning with concern.
“nothing, just don’t worry about it.” you answer with your head still down as you attempt to walk straight past him, but he stops you, lightly grabbing your forearm to turn you back around.
“what, john b?!” you snap at him, yanking your arm out of his grip. you don’t mean to be mad at him, but you just want to be left alone after a stressful day. “what’s the matter with you? why are you acting like this?” he raises his voice at you, wanting to know why you’ve turned into a bitch all of a sudden.
“i’m not!— oh my god. just leave me alone!” you yell at him, turning around to rush to your room, slamming the door shut after you. john b stands in the same spot as before, loudly sighing at you.
he decided to leave you alone for the night. even though you’re older than him, he still liked to look out for you ever since your dad went missing. he went to his room to go to sleep, hopefully you’ll talk to him in the morning.
༉‧₊˚. the next morning arrived faster than you’d hoped for. you cried all night feeling guilty for the way you spoke to your little brother, but he really has no idea of the situation you’re in.
you got out of bed and slowly exited your room, seeing john b up and awake already, sitting on the couch and watching tv. “hey…” you say, walking past to head to the kitchen. “hey…” he responds, just as awkwardly as you did.
you open the fridge and grab a snack, before turning to look at your brother. “uh— i’m sorry for last night. i didn’t mean to act like that… i just…” you explain, closing the fridge door and sighing. “you’re good. it’s fine. y’wanna talk about it?” he asks, switching the tv off to divert his full attention to you.
“uh, i don’t know…” you hesitate, knowing you’re hiding a kind of huge secret from him. you had been secretly seeing his biggest enemy, rafe cameron, behind his back. you knew how badly he tormented your brother and his friends, but for some reason, he was different around you.
you hadn’t personally dealt with rafe for yourself, until now. he saw you at the beach a few weeks ago, and thought to himself about how pretty you looked in your bikini, how tanned you were, how contagious your laugh was… and that was it. he introduced himself to you as a completely different person, despite having heard all the stories about him from your brother and the rest of the pogues, including rafe’s own sister.
rafe was kind, sweet and funny at first. ever since you saw him after that, your heart skipped a beat. he was so handsome, you liked him so much, but you couldn’t do this to your little brother. your brother who had been threatened by rafe, bullied, tormented, fought with…
you knew you had to keep it a secret, because once rafe cameron claims somebody, he really claims them. and this time around, it’s you. a pogue, a routledge, someone nobody would ever expect to be rafe’s.
— “cmon, i’m here for you. you know that, sis. what’s goin’ on?” he asks, patting the space on the couch next to him, motioning for you to come sit. you sigh, knowing you won’t be able to tell him without him getting upset that you’re dating rafe.
you know that no matter how or when you tell him, he’ll be angry. after thinking for a second, you walk over to him and sit down. he frowns at you as you sit down, noticing something on your neck. “what’s that?” he asks, putting his hand on your face to look, but you push him away. “nothing” you shake your head, trying to brush it off.
“is that?— that’s not a hickey,” he looks into your eyes with nothing but concern. “just— leave it.” you look at him with widened eyes to show that you were serious. “y/n, what the hell happened? who did that?” he asks, raising his voice in frustration now.
“nobody, john b, god!” you yell as you stand up again, “don’t walk away from me, and don’t tell me to leave you alone either like you did last night. you’re acting weird lately, what are you hiding?” john b stands up too, trying to get an answer out of you. your brother is genuinely concerned for you.
you sigh, turning around to face him head on. “john b, i— ugh.” you begin to say, but cut yourself off, not knowing where to even start. “what?” he asks in annoyance, needing to know who hurt his sister.
“who?” he asks one last time.
“… rafe,” you hesitate, looking around the room to avoid seeing your brother’s reaction. “rafe?” he asks, not sure if he heard you correctly. “…yes” you nod, looking at him now with teary eyes.
“rafe did that?” he asks, getting visibly mad now. he reaches his hand over, forcing your head up by your jaw but not enough to hurt you. he looks at your neck again, before you push him away, again.
“why the fuck did he do that?” he asks, huffing through his nose with anger, looking back and forth into both of your eyes, trying not to go insane. “it’s, uh— we were… having an argument last night.” you slowly explain the story. “an argument? about what?” he asks, not seeing a reason for you to even speak to rafe in the first place, let alone fight with him…
.𖥔 ݁ ˖ ᴸᴬˢᵀ ᴺᴵᴳᴴᵀ .𖥔 ݁ ˖
“i saw the way you were laughing and giggling with topper, don’t lie to me!” rafe argued, turning around to point in your face. he had walked away from you and the rest of the kooks, causing you to follow him.
“i wasn’t flirting with him, oh my god!” you argue back. rafe had somehow come to the conclusion that you were flirting with his best friend, even though you were just having a conversation. yeah, maybe you did laugh once or twice, but since when aren’t you allowed to laugh?
“yeah, sure, whatever you say.” he scrunches his face up, sarcastically nodding at you. “you are so strange, rafe. now you’re insecure about me talking to your friends? what, do you want me to just sit in the corner by myself?” you raise your voice, however he doesn’t like your attitude.
“don’t raise your voice at me.” he demands with a threatening look on his face. “jesus, rafe, we aren’t even together! who cares if i was talking to other guys, it’s not like you want me to be your girlfriend” you shrug, trying to act smart but he reached over and grabbed you by your throat, shoving you into the wall.
“oh, so you were flirting with him?” he asks, choking you to the point where you can’t breathe. you try to say no, but nothing comes out, so you shake your head drastically.
“you sure? cause i’m almost certain you just admitted you were.” he tuts, acting so casual whilst he’s got you pinned against the wall. his grip on your neck was intense, it felt like all of his fingers were slowly digging into your neck.
“nothing. i just… i don’t even remember.” you lie to your brother, shaking your head. “y/n, don’t play games with me. why did rafe choke you? those are clearly finger—” john b says, leaning down to look at your neck again, “stop!” you cut him off. “look. i don’t wanna’ talk about it. we were just fighting over something petty. it doesn’t even matter.” you shake your head.
“it does matter when it’s turned you into a whole different person,” john b sighs, making you sigh too. “are you seeing him?” the dreaded question comes. “what? no…” you give him a look of disgust. “are you sure? because pope told me he saw you with rafe at the golf course like… what, 2 days ago?” your brother catches you out.
“… i wasn’t with him. i just— saw him there.” you try to make an excuse.
“oh really? since when do you normally decide to hang out at the golf course, where all the kooks are?” he asks, raising his eyebrows at the word kooks, reminding you of where you came from, and that you were a pogue. not a kook.
“does this whole kook vs pogue shit even matter? i mean, seriously, how long is it gonna’ last?” you raise your voice, making him shake his head at how much you truly have changed.
“y/n, you were the one who always hated the kooks. you hated rafe, topper, kelce… and now you’re on their side? now you suddenly wanna drop the whole kook vs pogues thing, too? you are definitely fucking rafe. no wonder you’ve turned into such a miserable bitch lately.” your brothers words hurt you deeply, but he was right.
he shakes his head at you, giving you a look of betrayal. he was upset, and it was all your fault. “where are you going?” you ask as he walks away, grabbing the keys to the twinkie.
“to find rafe” he says, before walking out and slamming the door shut after him. you sit and sob for a minute, realizing you might have just ruined your entire relationship with your brother. as his big sister, he trusted you, but for you to go behind his back and chase the one person he despised, it hurt his feelings. but you are still his sister, and nobody hurts his sister.
“J. HUNTING DOWN RAFE. U COMING WITH?„
john b sent a text to jj, who answered almost immediately.
“HELL YEA MAN„
jj doesn’t even know what rafe did this time, but he’s always down to beat him up.
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this was angstyyyyyy 😩 as u can see, i love to write arguments and toxic stuff lol. hope ya enjoy pretties ᥫ᭡ ᥫ᭡ WILL DEF BE WRITING A PART 2 TO THIS ; )))
@cameronluvr
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ckret2 · 9 months ago
Text
Chapter 39 of human Bill Cipher is SURE he's about to escape being the Mystery Shack's prisoner:
Ford's confronted with the possibility that maybe, just maybe, he's a little bit too obsessed with Bill.
And meanwhile, Bill has found a way to reach his loyal cultists... if he can find somebody willing to help him make contact.
He thinks Ford is the perfect target.
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Maybe, just maybe, the obsession goes both ways.
(warning for an incident of self-harm via burning, and depersonalization and/or dysphoria (depending on how you interpret it) re: Bill feeling even worse about his body than usual.)
####
Soos, Stan, and Ford had stayed up half the night trying to generate enough NowUSeeitNowUDontium to prevent it from vanishing the moment one of them lost (or gained) focus. They'd eventually given up and stayed the night in Northwest Manor. Soos had texted Melody around midnight, and she'd immediately replied (which alarmed Ford, but Soos assured him she was used to those hours) and agreed, with some trepidation, to spend the night by herself in the shack so that the kids wouldn't be alone all night with Bill. She'd texted a half hour later to report that the bathroom was a disaster, but the kids had reassured her it was just some werewolf thing, so, not a big deal.
Ford had thought getting to spend a night without Bill under the same roof would be a relief. Instead, he found his sleep was even worse. He kept worrying about what Bill might get up to so far away and out of sight, where Ford couldn't do anything to stop him. Surely, by nighttime, Bill had to have noticed that the only humans he'd seen all day were the kids? Would he consider Melody any kind of threat, no veteran to combating Gravity Falls' weirdness?
It figured that the dream demon would find a way to disrupt Ford's sleep when he wasn't even there.
####
Ford had given up on sleep around two in the morning and gone wandering until he stumbled across a den with walls covered in bookcases, massive windows overlooking the forest below, and a pair of richly upholstered armchairs turned to gaze out the windows. He drifted between the chairs to one of the windows. It was the kind of personal library he'd dreamed of accepting esteemed guests in, back when he'd fantasized about one day being rich and famous. He suspected the Northwests had never read a book in this room.
Ford had been staring out at the still night and the dark pines for several minutes when he heard the creak of a door and soft footsteps behind him. He whirled around, raising a weapon. "Back, you spectral fiend!"
"Whoa! Easy, Sixer!" Stan held up a hand defensively. "It's just me!" He lowered his hand. "Why are you holding up a dinner plate?"
"Er—sorry." Ford sheepishly tucked the silver dish under his arm again. "I'm sure I saw a ghost earlier. I thought it prudent to arm myself."
Stan muttered, "This place sure is creepy enough for it."
"Mm. It's built on more than its fair share of bones." Ford returned to gazing out the window, hands clasped behind his back. "I'm sorry today was a failure. When I'm staring right at an experiment on which the fate of the entire universe depends, it's hard not to think about it."
"Eh, I wasn't doing too hot either," Stan admitted, joining Ford at the window. "There's only so many times you can hear Soos whisper 'Think about the miniature particle accelerator' in your ears on a loop before you zone out and start thinking about fishing season."
Ford huffed. "Maybe we should have switched places."
"Yeah, probably. I retired from thinking about science after I got your dumb portal running, and once you get your head stuck on something you can't stop thinking about it."
Ford laughed wryly. "Unfortunately accurate."
There was a moment of silence; and then Stan said cautiously, "Speaking of you getting your head stuck on something..."
Ford didn't like that tone. "Hm?"
"I was, uh... doing some light reading..." He held up Ford's journal.
A jolt of anger and fear shot through Ford. "Give me—" He snatched the journal back.
It wasn't until it was in his hands that he registered the absurdity of his own action; for the past year, he'd given Stan free access to Journal 5. He'd used it to document their travels and discoveries as a reference for them both; he'd even asked Stan to contribute a couple of entries. Based on a prior precedent of seven months, Stan had every right to look at Journal 5. Revoking that access now was... Well, it didn't look good.
Stan didn't immediately say anything. Ford supposed his own actions said enough. He tucked the journal under his arm with the silver dish.
Stan cleared his throat. "I think we're a little past the 'superhero nemesis' thing."
"It's not a problem," Ford said tersely.
"Not a prob—? Ford, you're letting him consume your life."
"He's consumed all our lives. The kids haven't been able to invite anyone over, Melody all but runs to her car after work, you ended up in a showdown with fae nobility—"
"It was just the tooth fairy!"
"Do you know how important a fairy has to be to claim dominion over all teeth?"
"Forget about the fairy!" Stan waved off the whole fairy topic with one hand. "Look, I'm not the one who's dedicated half a journal to talking about him!"
"You don't keep a journal, Stanley—"
"That's not the point!"
"—I'm just saying, if you did keep a journal, I think he'd have come up on more than a few pages—"
"But like this?" Stan gestured toward Ford's journal. "This is turning into an obsession. And not one of your normal obsessions."
The back of Ford's neck heated up. He wanted to argue that he had to obsess over Bill if he hoped to find a way to kill him—but Stan already knew that Ford had passed off that project to Fiddleford weeks ago. "How can I be 'obsessed' with somebody I barely even see? I'm avoiding Bill like my life depends on it! I talk to him less than Mrs. Ramirez does!"
"And you're using avoiding him as an excuse to obsess over him even more in private!" Stan gestured again, angrily, at Ford's journal. (Ford defensively tucked it further under his arm.) "You're acting like a stalker, Sixer. Not that I care about him, but, I'm starting to worry about your head."
"A st—?! I'm a scientist, he's a scientific curiosity! I'm documenting him! I document plenty of things!"
"Not like this, you don't."
"There's a lot to document!"
"Including spending a whole page trying to figure out—how to draw his—?!" Stan gestured furiously toward his boxers.
Ford pointed at him severely. "You were just as curious as I was to find out how a giant eyeball and a sentient triangle make that work, don't pretend you weren't."
Stan grimaced. "Okay, fine, I'll give you that one. But writing a full entry about his posture?"
"He's not only an alien being in a human body but a two-dimensional creature in a three-dimensional body, how he moves and gestures could tell us about how an utterly unfamiliar species perceived space! Nearly all his gestures adhere to an invisible coronal plane, that betrays worlds of information about his original anatomy. Do you know that elbow thing he does when he walks—"
"Ford. You're using your great-niece to get drawings of his childhood bedroom."
Ford raised a finger. "That's—" Ford lowered his finger. Ford sat in a nearby armchair, put his chin in his hands, and stared into space. "What am I doing."
Stan patted his shoulder.
Ford slid his journal and the dish out from under his arm and settled them in his lap. He stared at the cover, then thumbed through the pages. It was obvious when they'd returned to Gravity Falls; the drawings of Atlanteans, were-rats, shorelines, and boats immediately gave way to page after page of staring slit-pupiled eyes.
"It's just... Bill is an ancient being, many times older than our universe, and the last surviving specimen of his own bizarre species. As both an anomaly and a source of esoteric knowledge, he's an invaluable subject of study. He's going to die soon, and he should die, but... between now and then, I don't want to pass up the last ever opportunity to study him."
Stan sank down into the chair opposite Ford. "You're listening to yourself, right?" He didn't sound angry anymore, just worried. "This is a guy who tried to kill us. He isn't a 'specimen' you can add to your collection of weird stuff, you know that, right?"
"I know, I know." That was exactly why it was so important—why it seemed so important—to capture Bill in words and pictures before it was too late. (It was funny, Ford thought, how Stan's very first conversation with Bill had been a murder, and yet he was the one who talked about Bill like he was just some guy; while Ford had spent so many years obsessively trying to find out who Bill was that he'd almost forgotten he was a person instead of a terrible idea.)
"When execution day comes and you think you haven't dug up enough of his history, what'll you do? Give him a stay of execution until he's dictated his memoirs to you?"
"No," Ford said immediately. "No, of course not. I'm just taking advantage of the opportunity to learn what I can, while I can. It's no different from your 'shopping trip' at the mall—"
"Hey!" Stan pointed a finger at Ford. "Watch it! That was strictly business! It's not like I'm attached to the guy—"
"I didn't mean anything by it! I just meant—as long as we're stuck with Bill, make him useful, and—and to heck with him after that. Right?" Like Stan had said about the scratch cards: why throw away free money just because of the source? "He'd do the same to us."
Stan hesitated. "And you're sure that when the time comes, you'll be ready to pull the trigger?"
"I know I will. It won't be the first time. I'm just glad that this time I'll be able to aim at his own head."
"Hm." Stan didn't look convinced.
Ford sighed. "But, if I think I'll waver—I'll hand you the gun."
"Is that a promise?"
"Yes, yes, of course. I promise."
But he knew he didn't need to.
####
Soos drove the tired gang home just past dawn, early enough for him to open the Mystery Shack on schedule.
"Soon as we get home, I'm going back to sleep," Stan muttered crankily. Ford—eyes shut, leaning against the window—nodded in agreement. Stan yawned, "And there'd better not be any nasty surprises at the shack."
####
Bill sat sleeping in his attic window seat, knees to his chest, leaning against the window, ear pressed to the glass.
Outside, Stan wailed, "My car!"
Bill's eyes snapped open. He smiled.
He ran to the kids' room, knocked on the door—"Hey, the bigger Pines are back!"—and bolted for the stairs.
####
Soos got the door open at the exact same time Bill stumbled off the stairs and collided with the living room doorframe. Bill grabbed the doorframe just long enough to steady himself, and then bounded over to the door, shoved Soos and Ford aside, and leaned out onto the porch. "HIYA, STAN!"
Stan whipped around to face Bill. "YOU!" He gestured furiously at the wizard graffiti on his car. "WHAT did you DO to my CAR!"
"Do you like it?"
Stan let out an inarticulate scream of rage.
"Oh, you love it!"
"You massacred it! I've had this car forty-five years! I've done things in this car I can't say! And it's never, never been so—so—violated!"
Grinning ear to ear, Bill said, "What do you think of the girl wizard?"
"The what?!" Stan circled the car. He screamed again.
"Uh-huh?"
"Why does she have a beard!"
"Go on," Bill said gleefully, "tell me what you think! I want the full review!"
"This," Stan said, "is the most ugly, hideous, terrible—"
Bill glanced back at a sound on the stairs. "Oh, hey Mabel! Get over here!" He gestured proudly as Mabel joined him in the doorway. "And here's the artistic mastermind herself!"
Stan choked on his words. "—b... beautiful, stunning, museum-worthy work of art I've ever seen."
Mabel beamed. "It's not finished yet, we ran out of some colors! I was going to add a dragon on the hood!"
Stan's face went white. "No no, it's... perfect the way it is. Don't—don't change a thing."
"Really? You're sure? I don't mind!"
"Really." Looking slightly nauseous, Stan said, "I love it just like this, pumpkin."
Mabel squealed and ran outside to give him a big hug.
Bill was fighting back silent laughter so hard he almost fell down.
####
"...And I still haven't found any sign of the Nightwigglers," Dipper said, sighing dejectedly and dropping his journal on the counter next to the cash register. "So, I dunno, maybe I should give up on this one and move on."
Wendy was sitting back with her feet kicked up on the counter, but she straightened a bit to look at Dipper's journal. She skimmed the news article he'd paperclipped to one page. "Oh, I heard about this," she said. "The cops talked to me about the first burglary. I was in the thrift shop that day."
"Oh, yeah?" Dipper pointed at the picture next to the article. "Did you see anything like this?"
Wendy's eyes widened. "No—but I think one of my brothers did."
"Wait, really?"
"Yeah, he was talking about it a couple nights ago. He said it was like an armless white thing wearing pants that went up to its face. We all thought he got spooked by a deer butt or something and made up the whole story. Then dad said we should drop it and told us we should stay in at night."
"That's when they come out! At night!" Dipper laughed excitedly. "Do you think your dad knows something?"
"Pfff, not if he can help it." Wendy pulled her feet off the counter and checked the clock. "I could show you the start of the trail my brother was on. It's like ten minutes by bike and the next big tour bus isn't getting here for half an hour, wanna sneak out?"
"Are you serious?! Of course!"
"Just promise you won't tell Gus if we find something. We've been making fun of him for days and I don't want to  admit he was right." Wendy laughed. "Let me grab somebody to cover."
"I'll get my bike!" Dipper was already headed out the door. "I've been looking for a lead for days! I dug through half the dumpsters in town searching for their nests..." The door swung shut behind him.
Wendy ducked into the living room. "Hey Goldie."
"Yello?" He was sitting cross legged on the couch watching TV.
"I've gotta do something with Dipper, do you mind covering for a little bit? Just twenty, thirty minutes."
His gaze flickered to the TV, then back to Wendy's face. "Sure! Anything for you, cool girl."
Wendy had a brief, eerie sense of déjà vu. She shook it off. "I'm not interrupting anything good, am I?" She nodded at the TV.
"Naaah, it's one of those terrible specials about pyramid conspiracies." He shook a cider can, "I'm taking a sip every time they mention Fishmasons or 'ancient dinosaur-worshiping civilization.'"
"Dude. You'll be wasted before the first commercial break."
"Really, you're saving me from myself." He set the can on the TV and followed Wendy into the gift shop. (As he did, Bill checked to see if he had anything on under his hoodie. No? The Pines didn't want him to be seen in public in his hoodie; they thought it would make him "too obvious." He rolled up the sleeves to hide some of the brick pattern and surreptitiously tucked the hood and the bow tie drawstrings into the collar.)
As she headed out the door, Wendy repeated, "Just twenty minutes! Thirty tops. I'll get back before the next tour bus, promise."
"No problem!" He waved her off.
"I owe you one!"
Bill made a note of that.
He looked around the gift shop—any readily-obvious mischief he could get up to? He grabbed an 8-ball cane and took it to the counter. And then he took the stool behind the register, propped his chin in his hand, gazed toward the living room, and resumed watching TV through the wall and backwards. He didn't miss hearing the conspiracy talk—he was sure it was actively making him stupider—but credit where credit was due; they made those CGI pyramid models really hot.
A cutaway of one pyramid showed its internal tunnels and chambers. Bill bit his lower lip. Oh yeah. That's what he came here for.
Several minutes went by. The door opened and a lone tourist crept in, a middle-aged woman with a sun-damaged tan. Bill straightened up and switched his eye patch over to hide his bleeding eye. "Heya! Next tour's in..." He checked the clock, how long until the next bus? "About fifteen minutes."
The woman nodded and quietly started circling the gift shop.
Bill glanced toward the living room, decided he'd better not start damaging his other eye too, mentally cursed the tourist, and pulled out one of Wendy's magazines to read. "Let me know if you need anything."
The tourist spent several minutes making a slow circuit of the room, and then crept up to the cash register. Bill looked up with a smile, didn't see any souvenirs in her hands, and asked, "Can I help you?"
Hesitantly, the woman said, "The sun sets a deep blood red."
Bill's eye flew wide open, his heart leaped into his throat, and his breath hitched. His gaze roved over her exposed skin until he spied a tattoo on her right arm: four triangles stacked atop each other, starting with an equilateral and each getting shorter and more obtuse as they descended, until they'd reduced completely and a single horizontal line underlined all four triangles. This wasn't quite the happiest he'd ever been to see the symbol of a devastatingly self-destructive high-control cult, but it was close. "Oh! Oh, this is—" He rubbed his temples, squeezing his eye shut. "I know this. I rhymed 'red' with 'pyramid.' Why do I give everyone a different code. 'But rises gold over the pyramid'—something like that, right?" Bill gave the woman a pleading look. "I'm close enough that you can tell I know what you're talking about!"
A look of relief washed over her face. "You know him." Voice low, she asked, "Is it safe to talk?"
Knew him? He was him. But he couldn't claim that without proving it—what would convince her?—telling her something that only he knew?—great, but what? Her face was vaguely familiar—he thought he might've given her a visionary dream once—but he had so many little worshipers and they were so unimportant, most of them blurred together.
So all he could do was say, "It's not safe. Everyone here is an enemy."
She nodded sharply. "Where can we meet?"
Bill paused. "We can't. I'm... trapped."
Her brows creased with worry. "They're keeping you prisoner?"
"Afraid so."
"I could get the police—"
"Everyone," Bill repeated, "is an enemy."
She paused, processing that. Bill's gaze flickered to the clock. Wendy said twenty minutes, thirty tops. She'd been gone twenty-two minutes. "Someone's coming any minute."
"Right." The cultist grabbed Wendy's magazine, tore a corner off a page, and grabbed a pen.
"How did you find me?" Bill asked. Of all the tourist traps in all the tiny towns in all the world, how had she come in hereand walked right up to him? 
"We were told a devotee was here," she said. "Someone sent the address and phone number to the Bahamian art studio."
Bill's mind spun. How? Who the heck would know to do that? The only person who knew he was here who'd come anywhere close to any of Bill's other worshipers was...
Ford? No. Did he?
The cultist shoved the paper in his hand and turned to leave.
Bill grabbed her arm. "Stay out of Gravity Falls," he commanded. "But stay close. Don't go back to Death Valley." Between the sun damage and the tattoo, she had to be one of his Death Valley girls. She looked like their usual prey: disaffected middle class white woman, probably had a dead end job and a mediocre husband and a useless degree from a liberal arts college. Maybe being able to guess where she came from would impress her.
It did. She stopped and turned back and looked at him in amazement—and then looked at him, staring hard at his eye. "You're... hosting him, aren't you?" Her voice fell to a whisper. "No. Are you...?"
"You got me." He smiled wryly—behold him, electric god bound in flesh, how low he's fallen, but at least he still has his good humor, doesn't he? "I always said you had great intuition." (It was a safe bet. He usually told the ladies that they had great intuition. Most of them ate that up, and the ones that didn't were often a little too savvy to sucker.)
It worked. She inhaled sharply. "You are," she breathed. "I knew you'd be a woman. Oh, Mary's a fool." She said this like she'd just won some years-old argument Bill had missed.
Mary, as in Mary-whom-Bill-had-put-in-charge-of-the-Death-Valley-compound Mary? Ha. She was getting on in years; maybe Bill could start a schism, that sounded fun. He opened his mouth to say something about Mary having great leadership but waning clarity of vision—
—when the cultist leaned across the counter, grabbed his collar, and pulled him into a kiss.
Okay. All right. She was one of those cultists. Got it. Got it got it got it. Wow. Definitely a "mediocre husband" convert, those were easy to seduce away with a little warmth and affection—nothing obvious, but get them infatuated with the idea of an unattainable incorporeal ideal lover and they'd chase him to the ends of the earth. Maybe a lesbian in denial that Bill had decided to push further into denial, if her assumption about Bill's gender was anything to go by. He tried to remember what he'd told this one.
He leaned into the kiss.
He'd done this before—in dreams, in puppets—he didn't prefer humans, but he could handle them well enough and earthlings had such pretty eyes. And this body he was stuck in made such insistent demands; a surge of human hormones washed over his brain so powerfully it made him dizzy. She broke the kiss to murmur, "Cipher, my lord—" and he took the opportunity to kiss her eyelid and lie, "I knew if anyone could find me, it would be you." He wished he remembered her name. She tugged his face back down to her lips. She was so eager. Cipher, my lord. Oh, it felt good to be revered again—
The door opened. "Um?"
If Bill had had one ounce of his power, he would have killed Wendy on the spot.
Instead, he seized his cultist's hands, ripped them off his hoodie, and shoved her away. "Whoa, lady! What do you think this is, a kissing booth?!" He laughed angrily. "We don't offer that kind of service here! Either get out, or—or buy a souvenir already!" He pointed at Wendy. "From her. Not from me."
Shocked, the cultist turned toward where Bill was pointing; and then turned back, understanding in her eyes.
Wendy raised her hands defensively, grimacing. "Yeah, no, I'm not serving you either. Just... get outta here."
The cultist met Bill's gaze for just a moment, then walked quickly out the door without a word.
Bill shouted after her, "And do not come back!" and quietly mourned as, for the second time in as many weeks, he had to watch helplessly as he sent away his only hope of getting any action/rescue.
"I am so, so sorry," Wendy said. "I leave for like ten minutes and you get one of the nightmare customers."
How Bill loved nightmares. "Twenty-five minutes, but who's counting."
"Psh, shut up." Wendy reclaimed her post behind the counter. "I think she's been here before, she looks kinda familiar. You okay?"
Bill hoped nobody else in town would recognize her. "I think I'll live after some mouthwash. Terrible breath." He wiped his mouth on his sleeve. "Hey, remember when you said you owe me one? You really owe me."
####
All his cultist had written for him was a phone number. Bill slid his stolen journal from its window hiding spot and copied the number down in two-tone dots and dashes. Plaintext transcriptions were usually tricky, given the vast difference between the language Bill wrote in and the languages humans used—but numbers, at least, were easy. Everyone had numbers.
And then he stared at the scrap of paper, reading the numbers over and over, until he was sure he'd memorized them, just in case he ever lost the journal.
And then he ate the paper.
And then he stacked the two cushions of his makeshift bed on top of each other, planted his face in them, and screamed.
Cipher, my lord. It had felt so, so, so good to be revered again.
His organs twisted with touch-hunger and loneliness.
####
Out in the Bahamas, along the southwest edge of the Bermuda Triangle, were two nut job hermits from Miami. Bill had convinced them that the only way they could purge their sins and purify their souls was by sculpting and selling golden avatars of God into which they could pour their guilt, and they had to keep doing it until they no longer felt guilty (and they would never not feel guilty; they needed so much therapy that Bill had ensured they'd never get). And then he'd convinced them that God's true face was an Eye of Providence in a top hat and bow tie.
Over the years he'd lost a little control over those two—in their desperation to be free of sin, they'd also started sculpting avatars to as many gods as they could find and selling them en masse to afford more art supplies—but hey, as long as his face was still mixed in with the rest, fine. Honestly, he was surprised those nuts weren't dead yet.
Somebody in this house had sent his location to them. And in a moment of what Bill imagined was stunning mental clarity, they had passed on that information to the single least dysfunctional pocket of Bill's top cult in the continental United States. Maybe when Bill was back at full power, he'd drop by the hermits' dreams to tell them they'd finally achieved absolution and could rest. Their decades of out-of-control scrupulosity would probably prevent them from believing him, but hey, he could say he'd tried. He washed his hands of all responsibility over them and their mental illnesses that he'd knowingly deliberately exacerbated for his own benefit. Not his problem.
But the question he came back to, over and over, was who had talked to them.
Bill needed to reach his Death Valley cultist. He needed a phone. Every phone in this house was well-guarded. No one would let him touch one... except, perhaps, whoever had sent the SOS on his behalf.
The only person who made sense was Stanford. Bill didn't think he'd ever told Ford about the nutty sculptors; but in the eighties he had given him the mailing addresses of some niche art dealers who would sell tapestries and statues of an obscure one-eyed god to collectors who could appreciate what they were looking at. Maybe Ford had gotten back in contact with them? Maybe he'd told them where Bill was, and they'd passed the information to the Bahamas?
Maybe Ford's feelings weren't quite so cold toward Bill as he'd been pretending.
Bill liked that idea a lot.
Maybe Bill's birthday gift had swung Ford back around to the side of reason—reminded him just how good he'd had it under a muse and mentor willing to teach him anything his nerdy little heart desired. Or maybe he'd always wanted to come back, and had just needed Bill to say it first.
He probably only pretended he hated Bill because they were surrounded by enemies—everyone in the house thought Ford was looking for a way to destroy Bill, what would happen if they knew the truth?
But the truth was there. Bill could almost seize it in his hands. All those moments where they almost talked like they were friends again, before Ford had to stop himself and leave. That one beautiful little word: jealous. And of course, there was the whole thing with the glass pyramid and the "Mysteries" that Ford had passed on—
—to Mabel.
There was another possibility.
As much as Bill would love if it was Ford, Mabel was the only person in the house who acted like she actually wanted Bill alive. Whatever "Mysteries" Ford was teaching her had something to do with Bill, the pyramid made that obvious. Maybe his lessons included the contact information of everyone else Ford knew who knew Bill? Maybe she'd taken it upon herself to call for help?
It was thin. And it was still dependent upon Ford harboring a secret loyalty to Bill that he was passing on to his great-niece. But that was where things stood: Ford was the only person in the house who definitely knew how to reach Bill's followers, but Mabel was the only person in the house who definitely might want to.
And he had to make completely sure of which one of them it was before he asked for a favor.
####
Ford had missed dinner again.
Fiddleford had sent Ford home with a pile of math. All the calculations he'd done to get the miniature particle accelerator to produce Dontium. By his reckoning, that there jar should've filled with Dontium faster than greased lightning; he just plumb can't understand why it trickled in like cold molasses. (His words.) He'd asked Ford to check his work, see if he'd missed something.
Ford was more than happy to help. It was a much-needed intellectual challenge that didn't involve Bill's underhanded birthday gift. Something that would let him feel like he was making progress. And it was comfortingly familiar. He and Fiddleford had spent weeks checking and re-checking each other's math in the lead up to the portal test, before they knew what a horror they were building.
As soon as Ford had gotten home, he'd put Fiddleford's papers in his underground study before going back to bed. Bill had already admitted he could glimpse the future, although Ford wasn't sure how far; and Ford was growing convinced that Bill's ability to perceive "higher dimensions" let him see through walls like they weren't there. He'd begun keeping Journal 5 and other sensitive materials down in his study at all times, hoping that the distance and layers of dirt and rock would keep Bill from peering in.
And when he'd dragged himself out of bed around noon—an embarrassingly late hour to get up, but he had been awake most of the night—he'd grabbed a quick breakfast/lunch, brewed a pot of coffee to take with him, and gone below to get to work.
He'd only worked seven or eight hours with a couple of reluctant breaks in the middle before his head began pounding too hard for him to ignore. He'd been neglecting his exercise regimen the past few weeks, and his back and neck were letting him know. In his thirties, he'd been able to work fourteen hours days and still want to keep going—and that was even before he'd handed his body over to Bill so he could keep working around the clock. He wasn't as young as he used to be.
He dragged himself upstairs after sunset, when the last ambient light from the sky still faintly glowed through the windows. He could make something quick and simple for dinner, go to bed early, and get up early to continue working. He pushed through the door to the dark living room—
"Hello!"
"Gah!" Ford jumped. "You. What are you doing here?"
Bill was leaning next to the door, a dim silhouette with his elbow on the wall and cheek in his hand. Even in the dark, Ford was sure he could see Bill's wicked grin at his reaction. "I happen to live here."
Ford let out an irritated huff. "Whatever you're up to, I don't have time to deal with it. Find someone else to bother." He pushed past Bill and headed toward the kitchen.
It would have been too much to expect Bill not to follow him, wouldn't it? "Aw, c'mon, don't be like that! Would it kill you to act like you're happy to see me?"
"Probably."
Bill's laugh made Ford's shoulders raise up around his ears. Maybe that was the source of his neck pain.
Bill shadowed him into the kitchen and leaned on the table, watching while Ford rummaged through the fridge. "But seriously, Sixer—who are you trying to impress by giving me the cold shoulder? I'm the only one here. You could afford to treat me like a person for two minutes." When Ford slammed the fridge door, Bill smacked it with the tip of an 8-ball cane. "Hey, have my food privileges been revoked? Give me a turn."
How long had Bill had a weapon? Ford snatched the cane from him, but opened the fridge and left it. "I don't consider you a person. I consider you an incalculably destructive force of pure, brutal chaos." He cracked three eggs in a skillet and opened a cabinet for one of the stove knobs they kept stored where Bill couldn't reach them.
"Flattering!" Bill started pulling out his usual nauseating array of condiments: today was sauerkraut, maraschino cherries, mustard, ranch dressing, and barbecue sauce. (Why did he eat like that? Did his species usually subsist on a mostly liquid diet? Was it the flavors—?) "Hey, make me mac 'n' cheese, wouldja?"
"No."
"Fine. Leave the burner on when you're done, I'll make it myself."
"You're not allowed to use the stove."
"Then how about I sit here drinking mustard while you enjoy a hot meal." Bill waved three eggs at Ford. "At least make me eggs too. Zero extra effort on your part. I'll even crack them for you if you want."
Ford gave Bill a dark look; but he supposed, as one of the people who had agreed that Bill wasn't allowed to cook, he was in no position to complain about Bill begging him to cook on his behalf. He snatched the eggs out of Bill's hand. "How do you want them."
"I haven't eaten enough chicken eggs to have a preference. Whatever you'll complain least about doing."
Poorly scrambled eggs it was. Ford shut the fridge and returned to the stove.
Bill sat on the table and crossed his legs in lotus position while he waited. "But really, what do you get out of pretending you can't stand me! We both know it's an act."
Ford gave him a tired, sour look. "Even for you, you sound delusional."
"I know you don't really hate me."
"I could write an entire dissertation and earn another Ph.D. on the topic of how much I hate you."
Ford hated how excited Bill looked by that. "Would you?"
"No! Why would I waste that much time thinking about you?"
"It seems to me like you're already doing that."
The hair on the back of Ford's neck prickled. Surely Bill just meant Ford's research into how to kill him; but his mind flashed to the miniature grimoire he'd spent all his time poring over—the blueprints of Bill's childhood home—the face he'd absent-mindedly drawn in his journal in the middle of the night and quickly scribbled out. Could Bill still see through that face? Had Ford remembered to blind Bill's eye on the blueprints? What about the eyes drawn in his human faces? Did Bill know about Ford's other studies? What did it matter—nothing Ford was doing was wrong. "I don't know what you're talking about."
Bill's smile slowly widened. "Sure you don't. You might hate me to my face, but behind my back you're as obsessed with me as ever. You might as well lean into it."
You're using avoiding him as an excuse to obsess over him even more in private. "I am not..." Wasn't he? You're acting like a stalker, Sixer.
"Oh, Fordsy, come on." Bill uncrossed his legs, slid off the table, and was across the room faster than Ford had expected. Ford instinctively took a step back and bumped into the oven; Bill reached past him to lean a hand against the edge of the stove, inches from touching him. "You're not hiding it half as well as you think you are. Did you think I wouldn't notice?" He smirked up at Ford, exposed eye wide and eager, utterly fascinated with him. "And bringing Mabel in on it? I'll have to admit, that surprised me. Can't say I disapprove, though."
Ford couldn't tell if the heat on the back of his neck was from Bill's accusations or the stove. "I beg your pardon?" What was he talking about—their conversation in Portland? The blueprints of Bill's home? (Using his great-niece to spy on Bill, lord, what was Ford doing?)
"Quit messing around! The Mysteries, Stanford. You think I don't know I'm the star of that show?" He poked the center of Ford's chest, "There's no way you joined a cult, you're not enough of a team player! What'd you do? Invent your own cult of one? Mixed a little of what I taught you, a little of whatever you learned out in the multiverse? I know you were asking around about me." Bill chuckled. "You want to keep your little rituals private, fine—I think it's cute, really—just tell me one thing I've been dying to know: how much have you told the kid?"
Ford stared at Bill.
Then he laughed in his face. "You really bought that?"
Bill's smile immediately vanished. "What?"
Ford shoved Bill's hands away. "There are no 'Mysteries.' It was a joke."
Bill stepped back, staring at Ford, brows furrowed. "A...? No," he said. "She's got that glass pyramid—"
"She wanted it because it was pretty," Ford said. "I gave her one since I was throwing them all out."
"That's the stupidest story I've ever heard. Then why would she have brought up the Mysteries!"
"Because," Ford said, "I told her, if you asked about the pyramid, she should make up something to confuse you."
Bill's mouth was open, but no words came out. His face had rapidly turned red. Several emotions flashed across his face in quick succession, from shock to confusion to humiliation to a rage so deep it almost looked like disgust. For a moment, from how Bill's fingers were curling like claws, Ford was sure Bill was about to attack him.
But then he clenched his jaw, backed off, leaned on the table, jammed his fists down against the tabletop, and glared at the floor.
Ford turned back to the stove, grinning to himself. Some of the eggs had burned slightly. Those were Bill's now. "What's the matter? Did you forget that humans can lie?"
Bill didn't reply.
"I'm surprised you didn't expect it. I seem to remember we got you with an impressive whopper last year—"
"Shut up."
"Now you don't want to talk?"
"Now you do?"
Good point; he didn't. If he'd finally rendered Bill speechless, he should enjoy it while he could.
He'd have to thank Mabel later for inventing the Mysteries. Sometimes that girl could be genius.
Ford turned off the burner, put the stove knob away, and dumped the eggs onto two plates. He didn't even bother to keep track of which plate had the burned eggs.
He shot a quick, exasperated look at Bill—he'd sat on top of the table again—and dropped a plate next to him. "Here." He grabbed a bag of bread and looked around for the toaster.
Behind him, voice trembling but low and dangerous, Bill said, "Don't look at me like that."
Ford glanced back warily. "Like what?"
Bill violently shoved off the table. There was an awful squeal of sliding furniture. Before Ford could react, Bill was in his face, grabbing him by his turtleneck, dragging him in, forcing him to look up at Bill.
Ford's peripheral vision was filled with gold. They were so close their noses nearly touched.
"Like you don't remember who I am!" Bill stared down with wide-eyed seething rage. "Your muse!" His voice cracked, "Your god!"
Ford stared up at Bill, speechless.
Then he looked down.
Bill was standing on a chair to make himself taller than Ford.
Ford ripped Bill's hands off his sweater. "You were never, ever my god."
Bill stumbled off the chair, catching himself hard on the edge of the table to keep from falling completely. "That's not true!" He heaved himself back onto his feet with a wince. "You worshiped me—"
"I admired you!" Ford jabbed a finger at Bill's chest. "I respected you! I—I even idolized you, but I never worshiped you!"
Bill jabbed a finger back, "You're splitting hairs! You practically turned your study into a temple to me—tapestries, rugs, statues—"
"Because you said it would help me reach you!"
"And it did! That's what shrines are for, genius!"
"It wasn't a shrine! Not to me."
"You're kidding me! All the money you dropped on that gold-plated statue and you expect me to believe that wasn't an act of worship—"
"Do not. Remind me. How much. That stupid statue cost."
"If you didn't build a shrine for worship then what in the world did you build it for!"
"Friendship!" Ford took a shaky breath in. "I thought... I honestly thought you—you—were my best friend." The air in the room trembled with heat. They were standing too close to each other. Ford refused to be the one to back up.
"I was," Bill said. "I still could be if you'd stop being a moron."
Ford laughed in disbelief. "Which is it, were you my god or my friend?!"
"They're not mutually exclusive—!"
"You can't keep your story straight for THIRTY SECONDS!"
"Don't you call me a LIAR, after EVERYTHING I taught you—!"
"In all the years I've known you I don't think you've told me the truth ONCE—!"
Stan flipped on the lights.
They froze and stared at him. They had their hands around each other's throats. Bill had a foot planted on Ford's stomach like he was trying to get a foothold to climb him. They were both covered in egg.
Stan said, "Could you do this in the morning?"
Ford said, "Sure."
Bill said, "He started it."
"I st—?! You started all of this thirty years ago—"
"Guys," Stan said tiredly.
With some effort, Ford unpeeled his hands from Bill's neck.
To his surprise, Bill voluntarily let go as well. Ford snatched up what was left of his plate of eggs, took the loaf of bread—he had lighters, he could toast it downstairs—and left the kitchen, turning the light off as he went.
Stan was waiting out in the entryway. "Heading to bed?"
"No." Ford shoveled a forkful of eggs in his mouth. "Going to be up late." He was too angry to sleep. He could eat, take a painkiller for his headache, and keep working.
"More research?"
"No. Calculations."
Stan's shoulders slumped; but all he said was, "Suit yourself. Don't stay up too late."
Ford glanced back once into the kitchen. Bill wasn't moving. He sat slumped in a chair, elbows on his knees. He'd pulled on his hood. Its eye stared at Ford.
Ford wasn't about to pity Bill over a performative display of angst. He'd fallen for that already.
He returned to his study and mathematics.
####
Bill stared at his plate of eggs. He mechanically pushed them around on the plate until they formed a perfect equilateral triangle. He scooped out an empty white eye in the middle.
He stood, snatched up the plate, and smashed it on the floor.
They thought he was stupid. They thought he couldn't use a stove if it didn't have knobs, as if he was a child! The humans made it easy for themselves to think of him as a child when they treated him like one, "baby-proof the doors" and "no sharp objects" and "don't talk to strangers." He could show them.
He grabbed the stem where one of the knobs had been removed, and twisted. He heard the hiss of gas under the burner. Everyone was asleep. He could fill the house with gas. It would only take a little push to make a spark and set the entire shack ablaze. In the dark room, he could see the first glimpse of future flames flickering yellow-orange in the periphery of his foresight. No one would survive. Who's your god now, smart guy? He'd rise like a phoenix from his own corpse and he'd tear this town apart.
Where was Mabel?
Was she home tonight?
Bill turned off the gas.
He pushed up his sleeve and pressed the fleshy part of his forearm onto the still-hot burner. The pain burned away his jumbled anger so he could think clearly.
Who cared how the nutty sculptors had gotten Bill's address? He was making good progress on lucid dreaming; maybe he'd astral projected across the country to call for help and forgotten it when he woke up. He'd probably saved himself without even remembering it. It didn't matter. The important thing was that they'd received the message; and now, Bill had friends on the outside. Friends who were on his side.
If he could ever contact them again.
Bill would find a way. He didn't need Ford's help. "Never worshiped you." Ha.
He needed fresh air. Even if it wasn't safe to escape yet, he needed to breathe. He carried himself backward through doorway into the gift shop, pulled aside the curtain hiding the ladder to the roof—
The trap door was shut. He stared up in despair.
He shot a glare toward the vending machine, and angrily crossed back into the living room.
The air was so stuffy inside the shack. "Never worshiped you." Liar. If it wasn't worship then what was it?
Bill took himself upstairs. Hunger gnawed at his stomach. He lay on his makeshift bed curled up around himself, arms wrapped tight across his stomach, his burn pressed hard against a layer of knit yarn, thighs pulled up against his arms. It was a wholly alien position. It felt unnatural and bizarre. This body had curled like this of its own volition. It seemed like the only thing that briefly smothered the ache of emptiness and the hormonal inferno screaming loneliness through every vein. The loneliness wasn't his. He wasn't lonely. This body was. 
Cipher, my lord.
He hated this body.
He ached to be revered again.
####
It was two in the morning. Ford sat at his desk, pages and pages of math scattered before him, glasses off, hand rubbing his eyes.
He didn't want to be checking a mountain of math like a human calculator. He wanted to be studying strange magic and researching new anomalies. He wanted to be digging through Bill's grimoire.
He wanted to be awed again.
####
(I've been waiting to write/draw Bill screaming his grief over not being worshiped since literally April. I hope y'all enjoyed! This is one of my favorite chapters so far, I'd love to hear what y'all think!!)
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wesstars · 7 months ago
Text
love, at second glance
tara carpenter x fem!reader (no pronouns)
summary: that’s what you do when you love somebody else… wc: 1k tags: all characters 18+; no ghostface au. angst, horribly excessive use of italics (seriously, everything in italics is either a quote, a thought, or actual emphasis. it’s terrible) a/n: what’s up y’all (title from 715 - CR∑∑KS by bon iver)
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Tara wondered when it all began.
You and me, me and you.
A mantra that used to be comforting, it now left her mouth dry, mind frantic. 
Sometimes, when it got real bad like it did today, she’d drive out to your—our—deserted garage, and look up into a pitch black night, blinking away tears. It was easy to scream at the sky: how could you forget about me about us about milkshakes shared about distances closed about how I love you and love you and love you—but to you, she’d say nothing.
She couldn’t say anything, while you basked in the glow of a new hand to hold. It was all over in a helpless shrug. That was it, and really, it wasn’t your fault. Nobody’s fault. You couldn’t help it, Tara reasoned, you weren’t cruel. Even at the very end, you were endlessly kind. Commitment was a choice, but love, love happened to you away from Tara and she couldn’t do anything but watch.
Tara switched the engine off, leaning back in her seat. The stars shone barely brighter than the city lights. It was strange, the way that when she was on the brink of losing everything, the world looked that much more beautiful. Every breath in that particularly cold winter felt like it was being swallowed up by the vastness of air itself, precious in its scarcity. 
“But I love you.”
You said nothing for a moment, a troubled little frown twisting on your lips. “Tara, I—”
“I love you.” She heard, rather than felt, herself repeating it. As if stopping you from speaking would make that cold reality any less crushing. “That’s all.”
It was odd, Tara decided, to go online and see your life in the pictures she used to be part of. She put her phone down. From tide pulls to seasons changing, there wasn’t exactly a world where she envisioned herself going on without you. There was something in that sinking feeling, like you were holding her down with a hand on her chest, when she saw you laughing with your friends, with anyone, a smile so brilliant it couldn’t possibly have Tara as the cause. 
You’d always wanted a little cabin in the woods (“not in a creepy way,” you’d insist) surrounded by mist, and it would always be raining. “You’re the only sunshine I need, Tara Carpenter.” She could still hear the way you’d tease her, lying on your side next to her, tracing the bridge of her nose with your fingertip. So easy it was, to tumble back into those shining memories where absolutely nothing would go wrong, you wouldn't let it, because she was yours.
The top floor of the lot was empty, and the moon spilled onto the windshield, into the empty passenger seat. She was lucky, you both were lucky, to have even come as close to the sun as the two of you did. Tara knew, deep inside herself, that if she just let it all go, she would be okay. The blood would rush back into her fingertips—you wouldn’t be there to massage the feeling back into them, the way you often did on winter nights like this—and then she would be okay.
Tara thought that she remembered too much for someone so hurt. Your hand on her thigh while you drove, wiping her lipstick off your cheek, the way you seemed so so so unhappy when you sat her down for one last time. You didn’t even look the same then, like you were somebody else, you weren’t hers anymore. It was getting colder in the car, but Tara didn’t feel anything but the searing coil of shame. 
Sunkissed March found you and Tara lying side by side on a picnic blanket, sodas losing their fizz as time forgot to move the two of you. A breeze ruffled the leaves, and if she really listened, Tara could hear the frogs in the nearby pond. You loved it here—you said it reminded you of hot summers spent in the countryside, the days as long as wildflowers. Not half an hour ago, you were braiding together the stems of daisies into a lush crown. 
“For you, Queen Carpenter,” you said in a posh accent. “A gift from your humble knight—each braid represents a ‘forever,’ and each flower is an ‘always.’” You set the crown atop Tara’s head, kissing the tip of her nose as she rolled her eyes.
“And what has compelled my knight to bring me such a gift?”
“Only all of the love I carry for you, your majesty.” You scooped her up in your arms, smiling as she giggled, rolling the two of you over to settle into the knolls of grass.
There was a certain bravery in the way your fingers wrapped loosely around hers, the way the heels of both your shoes made indents in the dirt—proclaiming, we were here. Even in her doze, Tara could feel you there, each moment stretching on like strings of eternity, unfailingly. 
The moment did end, as moments do. The crown, dried and shrunk, still hung from the rear view mirror in the car. The daisies themselves were long gone, but the dried stems had somehow stayed bound together. Tara’s head dropped into her hands, eyes sore and red. She’d thought so much and so often about where the two of you went wrong, she felt like she had turned over every stone in your path, ones that didn’t carry with them the weight of a goodbye. Tara would give anything to even know what it would take for you to stand in the sun with her one more time.
The abrupt knock on the window should’ve startled Tara more than it did, given that it was four in the morning in an empty parking lot, and she was supposed to be all alone. But all she could do was watch with wide eyes as the knock came from you, at your tight lipped smile. She rolled down the window, unable to feel anything but shock as she took in your mismatched shoes with untied laces, your shirt way too thin for the cold night. You weren’t looking at her, guilt evident in the hunch of your shoulders. Your voice comes out exactly as she remembered it. 
“Hey… can we talk?”
--
a/n cont'd: don't super feel like i like this but writing it came naturally so
please do not repost, reproduce, copy, translate, or take from my work in any way. thank you!
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