#it's just an interesting character moment that clearly doesn't last

[brw]

The two most notable things that I've noticed that have changed about John Walker post 9/11 (other than the world famous 9/11 shield that I think about every day) is that he swears a lot more and he uses firearms far more despite in pre-9/11 comics being by and large anti-firearm on a personal level. I think this is mostly just because 9/11 was a radicalising event for many a conservative American, and the cultural idea of an American southern conservative became more extreme, so naturally John became this cussing, gun-toting red blooded American, while before John self-censored swears a lot, and as I said, didn't like guns! Oh, he certainly believed in every American's right to bare arms, but as a person, he seemed to think they made people weak and preferred to use fists or shield.

It's just curious to me, because in the grand scheme of the impact 9/11 had on American culture and American media, these are two relatively minor things. And if John was a bigger character with more consistent appearances, I'm sure we'd see a lot more greater changes, just in terms of how he's portrayed and the tone that his actions carry, but other than the 9/11 shield all the changes have been relatively subtle. If you weren't consistently reading all his comics and paying attention like I am, you probably wouldn't even notice that he never really swore. But they are still changes, and certainly the change in his attitudes towards guns are interesting representations of how the American popular conscious regards the white conservative. He is more of a parody of himself than he was in the 80s and even the 90s, and that's curious. Kind of an unwelcome one, because I always like nuance, but I do also understand the need to satirise what John represents, and it'll be interesting going forward into the Obama years and then obviously Trump to see how this parody of American conservatism progresses in the American cultural zeitgeist.

[jessmalia]

Mal's Avatar: The Last Airbender rewatch: The beach 3.05

[gu6chan]

thinking about making that lhc/isj rp multimuse again but the thought of having a zera without a jaibo or a jaibo without a zera is making me want to VOMIT‼️‼️‼️‼️

[ambrosiagourmet]

I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).

However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.

She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.

And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?

Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.

So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.

If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.

Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:

It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.

Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:

Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.

And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:

That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.

It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone

So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.

Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.

But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.

And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.

Izutsumi...

is a foil to Falin.

Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.

Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.

And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.

In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.

She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.

[shysuccubusstuff]

homicipher! men making it fit pt. 2:

Characters: Mr. Hood + Mr. Gap

Content: Size Difference + non-human anatomy + Foreplay + Female anatomy ; Somnophilia + Cunnilungus + Dubcon/Noncon + Female Anatomy + Dacryphilia

Note: Did you all read the tweet of the creator of Homicipher? I'm so sad about it, but I completely understand their decision, sometimes people get way too aggresive with their demands to creators :( I hope they're able to rest and recover. Also, sorry if my last content isn't as great, university is sucking me dry.

Note 2: I finally ended with uni for some time, sadly my brain was left dry.... Sorry if it's a bit slow!!

Mr. Hood:

Mr. Hood, who doesn't seem particularly interested in you at first. After all, his main goal has always been keeping you safe from any harm that comes around, not becoming attached to you, that is of course, until he finds you in the middle of the room, your body now much smaller than before.

Mr. Hood, who is unable to look away when you ask him to help you. Your eyes get locked on him, fluttering your eyelashes so prettily as you beg him to help you. So he does, easily lifting you up from the ground and easily carrying you with one of his arms wrapped around you.

Mr. Hood, who starts to find himself watching you a bit too much. It starts with small glances, telling himself that he's just making sure you're safe and sound. But this small interactions soon turn into physical contact, ranging from unaware rubs to even hugging, an action that was quite new for him.

Mr Hood, who starts to constantly worry about you, feeling anxious the moment he lets you out of his sight, his grip firmly wrapped around you even as he lets you speak with some of the other (more) non-violent ghosts around there.

Mr. Hood, who decides to leave you with them, slightly scared uncomfortable with those strange feelings that have been bubbling inside himself.

Mr. Hood, who goes back to you soon after leaving you, his heart thumping in his chest as the fear of you getting in danger rised.

Mr. Hood, who finds you injured under the boulders, rushing towards you and lifting the boulders with ease. Despite you are unable to see his face, you can clearly tell that he is worried to death, swiftly taking you in his arms and taking you to where the two of you said goodbye to each other. In contrast with last time, Mr. Hood stays there, sitting close to you and taking your hand until you are finally healed. Not like it mattered to him, as he started to carry you around unless it was dangerous.

Mr. Hood, who starts to fall for your little tricks, letting you run your hands all over his clothed body, even allowing you to snuggle against his chest while both of you laid down to rest a bit. These small portrayals of affection quickly leveled up, with him and you sleeping in the same bed and even letting you lay on top of him as he caressed your hair with his big hands.

Mr. Hood, who soon realises your intentions. It was quite obvious since the start, but his suspicions were confirmed when he noticed how you moved your butt against his groin while you pretended to be asleep. Of course, this little teasing game didn't stop, even as he tried the most subtle ways of avoiding your little tactics. If that was what you truly wanted, he would give it to you.

Finally, one night Mr. Hood stopped you, his hands gripping your waist as he stopped your indecent movements. "Can't sleep?" Despite his lack of face, you were perfectly able to tell that he was looking at you with a slightly concerned face.

"Can't." Suddenly, you were on top of him, his hands still secured on your hips, his gaze completely focused on you.

"I want help you." You looked at him with a mixture of confussion and excitement, which was easily caught on by Mr. Hood, his hands now going up tummy, the cold sending chills through your whole body, just as you had done a few times before.

"You... want me?" He nodded, his hands still making their way towards your upper body.

"Want you, you like me?" Mr. Hood stopped for a second, his hands massaging your soft body as he waited patiently for your consent.

"Like you, I like you." You slowly moved your head up and down, making sure to not break the visual contact with him.

"Good, me help you." Without saying much else, Mr. Hood lifted you up from the bed, allowing you to get on top of his lap, his hands steading on your hips as he started to grind himself against your bare pussy, his lips parting as soft moans left his mouth. At the same time, one of his hands pulled you closer to him, allowing his long tongue to enter your mouth, intertwining it with your own. Slowly warming you up as he kept grinding his clothed length against you.

He kept doing this until your slick had left a small stain on his robe, finally deciding to take your clothes off, helping you to get rid of your stained raincoat. Soon, his hands were massaging your breasts, his fingertips sometimes squeezing and pinching your nipples as he kept kissing your needy mouth. Despite the mood within the small room was just right, Mr. Hood kept on moving your hands away from his lower half each time you tried, bothered you finally spoke up.

"I need you now..." You looked at Mr. Hood with needy eyes, to what he simply responded with what sounded like a deep purr.

"Careful." Cautiously, Mr. Hood moved you down for a second, allowing his length to finally escape from his robe. The sight almost made you whine from just imagining it. What you found was similar to a human cock, well, ignoring the slime-like texture, together with the unnatural girth and length it had. You gulped, trying your best to prepare yourself for what was about to happen.

Mr. Hood looked at you, his tone letting you know he was quite concerned about your well-being. "Not need to, I help you." But before he was able to hide his length under his clothing, you had already started to enter his tip, the strech almost making you cry as you kept feeling yourself be split in half. "Wait!..." You ignored Mr. Hood warnings, slowly letting your weight down as you got accustomed to his whole width, a deep sight leaving your lips as you kept yourself steady on his lap. "Too dangerous, let me--." Once again, you refused to listen to Mr. Hood's suggestions, starting to move your hips up and down his length, slowly creating a rhythm that made your eyes roll each time his tip hit against your poor cervix.

"So good...! Your dick is so so good~... Give me more, please~...!" Despite his hesitance, Mr. Hood's hand held onto your waist, allowing your legs to give up as he began to set a ruthless pace. "Wait!... Too big! Give me a---" Just as you had done before, Mr. Hood stopped you before you could finish your sentence, lewd moans leaving your mouth as Mr. Hood started to hit that sweet place in deep and steady thrusts. As you tried to get him to slow down, you used your hands, pushing against his lap as you tried to get him to slow down a bit.

Sadly, this was no use, only causing Mr. Hood's to ram against your poor cunt, your eyes rolling back as he kept his steady pace, forcing you to takea each of his movements. Soon, your whole body went limp, your whole body shaking as he made you cum all over him over and over again.

By the time Mr. Hood's length started to quiver, you were already long far gone, your hands clenched around his clothes as you started to feel his thick liquid filling you up.

As you came down from your high, you were able to feel soft kisses against your skin, his calloused hands running up and down your back as he let you take a deep breath. "Will help you next, tell me."

Mr. Gap:

You and Mr. Gap had already been prowling together for quite some time, with him always trying to get your guard down so he could get you to ask him for help even for the smallest matters. You found this quite annoying at first, I mean, who would give their heart for things like turning the switch on...

But soon, your relationship began to change. Mr. Gap started to ask for less dangerous things in exchange, it began with a whole arm or leg, but then it moved to things like, one eyelash. Then, the things he asked in exchange moved into a more... physical territory. Mr. Gap started to ask for pets, as he had seen you giving them to Mr. Crawling. Then, he took one step further, asking for a kiss on the cheek or the forehead. Soon enough, his advances became much bolder, now asking you to let him sleep with you the whole night. To be honest, he had already appeared once in there, but this time, you could clearly notice he was asking for something... else. His eyes glistening with an amused expression, waiting eagerly for you to allow him.

In the end, you nodded, allowing him from then on to sleep with you, even if this meant that he would sometimes start to touch your skin under the sheets, his cold hands sending shivers through your whole body as you tried to calm yourself. Little did you know what Mr. Gap was about to do as time went on...

You were about to fall asleep, attempting to ignore Mr. Gap's hands as best as possible as he kept running his hands around your legs, sometimes even allowing his hands to move abit too close to your lower half. You bit your lip, forcing yourself to calm down as you kept forcing yourself to ignore his touch.

"Asleep?" Mr. Gap's voice whispered, his voice making you shiver as his fingertips started to rub against your clothed cunt. Seeing that you didn't answer, he decided to take it even further, carefully removing your underwear and throwing it out of the bed. Despite that, you kept your eyes shut and your lips closed by digging your own nails into your hand. Before you were able to stop him, Mr. Gap's mouth was already against your pussy, leaving soft kisses all over your inner thighs. Soon, his tongue started to lick all over your cunt, entering your cunt as his hands started to massage your lower stomach. "Warm... like." He smiled at you, noticing how you were actually awake, maybe even noticing that you had been awake since the beginning. "Want it." Just as you were about to reply to him, his warm mouth was already against your lower half, his breath hitting against your entrance as he started to suck on your clit.

"Wait! Just--" Mr' Gap ignored your complaints, one of his hands starting to caress your entrance, almost as if he was enjoying the yearning in your eyes. Without much delay, he introduced one of his fingers, his tongue still playing with your clit, using the tip of his tongue to leave soft touches on it, sometimes making you lose your breath as he suddenly sucked on it without a warning.

This little game kept going for over fifteen minutes, with you cumming on his mouth as his left hand kept you still on the bed, his tongue still torturing your sorry cunt, ignoring the tears that were rolling down your face because of the overstimulation. By then, his hand was already completely soaked in a mixture between your slick and his saliva, the lewd wet sound filling the empty room. Mr. Gap's left hand was still massaging your lower stomach, making each orgasm even more intense as he forced your sore body to endure all of his little games. Sometimes, he changed to a painfully slow rhythm, making your grasp his hair as you tried to get him to move faster. Then, he suddenly changed, his fingers and tongue moving at a rapid pace, not stopping even as you grabbed his hair and pulled, much less when you squeezed his face with your thigs as an attempt to slow him down.

Sudenly, Mr. Gap finally stopped, not like you had enough time to take a deep breath, as his face was soon against yours. As the rest of his upper body was revealed you soon felt something hard poking against your overstimulated clit. Mr. Gap's hands caressed your face, his face showing a twisted smile of pleasure as he saw the tears that had been falling from your eyes as a result of his sweet torture. "Cute."

[santacoppelia]

Aziraphale's voice - Michael Sheen's voice

I know we all have talked a lot about Michael Sheen's ability to manage microexpressions with his face, but this post is to mark another really interesting character crafting decision: his voice.

I believe that, If you are a hearing person and you watch Good Omens in its original language, identifying Aziraphale's pitch, tone and timbre is really easy. That's because it is slightly higher and more of a dulcet tone than the usual Michael Sheen voice (which usually is more deep and lower).

However, there are three times when Aziraphale uses the "Michael Sheen voice" in season 2 (I'm not sold on having heard it during season 1). All of them are on point for the character and I love the acting choice, so I came here to share:

I have already seen this one discussed, so it goes first: the "Azirapalala- Aziraphale" moment, when correcting Furfur in the e04 minisode. It is made even funnier because we have already seen him being so happily flamboyant... And his voice going lower with the annoyance of correcting his name is precious.

When he vows to protect Gabriel, during the final defense of the bookshop, in e06. “You came to me, I said I would protect you And I will”. His voice shifts as he makes that last point clear, and suddenly his Sheen voice becomes the sign of his commitment to keep his word. He doesn't use that voice when menacing the demons; he goes with a more "Aziraphale tone", while having his face do the "fierce" work.

My personal favorite: during e01, when Crowley comes back after their fight, trying to keep his cool, and Aziraphale is so not having it. He uses his natural register when he says he wants "a proper apology, actually". And he practically keeps that tone until the apology is finished.

@susanwhynow noticed (and I had absolutely MISSED) that when he answers the "Smitten. I believe." he is using his Michael voice. I was fooled by the "You're being silly!" being delivered in a tender, usual Aziraphale manner... But yeah, one of the best lines of these two being sweet is in "Michael tone". Do with this what you want :D

That is quite an acting choice! When a character is built around choices that separate them so clearly from the person who performs them, deciding to use the "natural" repertoire is really meant to make an impact. It is a really subtle voice work, but goes a long way to convey the seriousness of those moments for Aziraphale.

And I brought this here just to present my respects to Michael Sheen for those choices!!

[nqmonarch]

Self Aware HSR But...

But only the characters you own are self aware AND you're a no wishing account. I tried a no wish account, lasted a week ended up getting two ILs in one ten pull.

Bonus: based on the number of eidolons you have of the character the more aware of you, and more knowledge they have.

Like

E0 Know of your existence, probably would assume you're just some aeon.

E1 Feeling the warm presence always guiding them, they're stronger even when you're not by their side.

E3 Hearing you while playing the game.

E4 Seeing you while playing the game.

E6 Knowing that this is a game.

And then if they're someone more intelligent, like Herta, then maybe they can skip an eidolon and also find little ways to work around them. At E5 she's already found a way to hack into your electronics to observe this absurd being (you) some more. Then at E6 she's already planning on a way to make you come to their world, she has so many questions after all!

Of course there's Trailblazer, the first character you get whose eidolons you get without even spending money, and as their journey continues in Belobog and they find themselves becoming stronger all of a sudden they're aware of this strange Aeon? Except you're helping them. Then they start to hear you, then see you, and then everything becomes clear. And terribly more confusing. ...Nothing was real? The confusing part is the moment they accept the power of the preservation it's all gone. Like it was a hallucination. But they remember everything and it ends up coming back slowly step by step, your voice, the sight of you, that's what they really wanted. None of the knowledge left them, and game or not they want you by their side. And all of the Astral Express is left confused by their strange fanaticism about some being called Y/N.

Then there's Dan Heng and March 7th who you also got for free. Who feel your warm presence and strength whenever they're on your team but the moment you leave it's all gone. Dan Heng is skeptical, it must be an Aeon but why would an Aeon be gazing at them so often? March 7th is excited, for an Aeon to look at them that must mean something, right? Maybe they're heroes on an amazing quest! Or the Aeon is trying to help her get her memories back. They all feel a strange sense of familiarity when after the trip to the Xianzhou the trailblazer tells them about a person called Y/N. But they're left even more speechless when they're told this is all just a game. That can't be true, right?

Herta can also be obtained at E6 for free and with every eidolon unlocked she just gets more curious. She knows this person can control and buff them, so what else can they do? And what exactly are they? Similar to an Aeon in terms of overall power but in individual power clearly weaker but able to actually control the movements of others? Simply fascinating. It's even more interesting that they're doing all of this for the good will of others. Of course, you should come here. Even if you end up being a weak human she's sure there's loads of information in your brain, and you may end up holding the purpose to the universe in it. Not to mention the Aeons, of course, they'd be curious of this unknown creature. She hates to admit, she's grown quite fond of you as well.

The rest of the characters can only be obtained at E0 and are randomly dispersed out.

Natasha jumps to defend herself when she suddenly feels eyes watching her when no one is around. Then occasionally when the eyes gaze upon her she finds herself stronger than before. She knows there's something at work here, helping her out, and she can't help but feel thankful she's just hoping this help doesn't come at a price.

Asta feels as if she must've gazed upon something she shouldn't have when she was looking at the stars through her telescope. That pair of eyes makes her both paranoid and curious. It didn't have the strength or choking feeling that the Aeons would give off with their sheer power. But when you look at her instead she feels empowered, as if she can research faster (because she buffs speed). Her conclusions come to her quicker, and she doesn't feel herself getting stuck on the same things. Now, the eyes fluster her, and she feels the strange need to prove herself. To tell the eyes that it was a good decision to trust and help her. She does find it a bit strange at how Herta is suddenly spending all of this money in technological research but decides not to question it.

Qingque doesn't really notice the eyes on her at first. Just all of a sudden she feels more confident in her game of Celestial Jade and-- HAH! That's some insane luck! Another win for her! Then she ends up finding the phenomena happening again, every once in a while a sudden burst of confidence fills her up and she's able to escape the Master Diviner's watchful eyes more easily and win in her games! Her only possible conclusion is she has a natural luck indicator! But when she overhears three of the members of the Astral Express talk about a possible new Aeon she questions if they've perhaps taken an interest in her as well. Maybe it's an Aeon that loves Celestial Jade!

Yukong is wary of the eyes even though warmth comes with them. She's wary because she knows how much power they hold, how they could lead to her death in a moment. But they don't. Instead they help her strategize, every once in a while a pen, when the eyes are watching her, will fall astray onto her desk-- an event that would never happen normally. She tries to keep it organized and tidy. But it strangely opens up a new position, a new idea, a new way to fight back the mara stricken soldiers. The eyes are weak for now they can't do much. But even if they could Yukong decides she'll trust them.

Serval felt a sudden burst of inspiration, a way to make her new invention more efficient, when she first felt the eyes. For some reason she didn't feel any malice in them instead curiosity, and a strange form of love. She was used to dealing with strange fans so she decided to treat this like another form of that, although she does prefer you to the ones that watch outside her window. Whenever she's in your party she feels more unstoppable as if she could continue inventing no matter what. If you ended up getting her E1 in the Aetherium Wars event then that feeling follows her everywhere, she's a bit sad about since she can no longer tell as easily when you're watching her. But she feels honored that, what seems to be an Aeon, is blessing her.

Lynx felt warmth even as snow surrounded her tent. It didn't make sense why she suddenly felt a pair of eyes looking at her but they weren't looking at her as if she were prey, and she had bigger things to worry about, like finding her way home in the morning it was always more difficult after snowfall. She ended up mentioning the eyes to Serval and the two came to the conclusion together that you must be some kind of Aeon, maybe a weakened one? Lynx dedicated a bit of extra time in her explorations to trying to find some information about it, but even in all the abandoned buildings there wasn't much. At least you were still on her side, helping her move quick and heal up from minor scrapes faster than she normally would. Sometimes she felt a bit lonely when your eyes drifted off her.

Sushang felt honored. She was sure this must be an Aeon's gaze for an Aeon to gaze upon her that must be a sign that she's strong and should go out and fight! Not to mention when the Aeon was looking at her she felt stronger and her strikes were more precise! It's a large confidence boost, and she doesn't think too deeply into it to realize you're not an Aeon. She feels greatly honored by your help, when you have time to spare though :).

Then for the Aetherium Wars Event you could get Serval, Pela, Luka, or Hook so Pela, Luka, and Hook will also each get a section.

Pela felt skeptical. She wasn't used to just accepting that good things happen, not after all the war she's had to toughen herself up for. But it's interesting. Her mind is swifter while you're looking at her and she feels herself able to plan out battles more easily. She ends up confiding in Lynx and is shocked to find not only has Lynx experienced the same feeling, but Serval. An Aeon, their gaze was said to be suffocating. But yours felt the opposite, warm. Pela takes a few extra hours after work each day to do some research and try to figure out who you are but time after time nothing turns up, that is until the Astral Express comes back.

Luka feels his blood roaring in his body when you look at him. He's ready to fight anything and anyone, and in the ring he decimates. He normally destroys whoever he's against but this time he couldn't keep his strength in check and... that's a broken arm on the other guy one punch in. And that wasn't even with his robot arm! Every once in a while he'll feel a gaze sweep over him, filling him with the exhilaration and adrenaline needed for a fight. It's a bit annoying because sometimes he'll be about to go to sleep and it happens. But he understands, you're an Aeon with no concerns for anything like that, instead you're just looking to see a good fight! And apparently have deemed him as a good source for that. He feels honored as well, and a bit flustered. If only you were someone he could meet in person, then you'd be even more impressed when you can see his ring fights up close! He can give you an autograph too, if you really want one.

Of course Pitch Dark Hook the Great caught the attention of an Aeon! For all she boasts she's a little scared, she's heard stories of Aeons of the great feats they accomplish (she'll one day accomplish those feats too she's just biding her time!) and it's a teensy bit intimidating. But you must see great potential in her! After all Pitch Dark Hook the Great will be the greatest of all time! This is just further confirmation of that. Over time she begins to become more comfortable with your presence taking the opportunity to show off and challenge the other members of The Moles to a game of hide and seek when your gaze is on her, proving how she is the greatest of them all!

So for reader's eyes to be on them they have to be in party. And they don't really know when they're in party, they're still doing basic daily stuff rather than fighting as we have them running relic domains. Otherwise they'd probably be like why does this asshole want me to fight an ape 7 times in a row?! (me farming for Lynx and Fu Xuan)

[essycogany]

Sonic And Amy Are A Unique Couple

This is a quick Sonamy rant /ramble session. With a few added clarifications too. Enjoy!

This couple is more unique than you’d think. It’s cool if anyone disagrees. I'm all for a polite debate and respect your opinion. But if you're willing to hear me out, I'll be willing to explain myself as clearly as possible. Great? Awesome! Let’s get started!

Amy doesn't want to change Sonic. I will scream this until I'm not able to speak any more that Amy loves Sonic for who he is. She always has but it wasn't until IDW that she expressed it out loud. Still one of my favorite moments between them.

Does that make their relationship unique? Not really. What makes their relationship unique is what Amy loves about Sonic is kind of the reason they're not a couple yet. Sonic is an ongoing force that can’t be stopped or changed. Of course, he’ll allow someone to join him on a race, but he still keeps going. Not to say Sonic won’t stop to smell the roses (pun not intended) but he’ll do it on his own time. Amy always likes to take advantage of those moments and best of all, Sonic doesn’t mind. Even during their old chases, he’d slow down for her. Says a lot about the connection they have but there’s more

Their chemistry is…something for lack of a better term. Their back and forth is so interesting to me. Sonic does like Amy back. Notable examples here but to put it shortly, Sonic doesn’t know what he’s doing when it comes to romance. Sometimes he’s not into it and other times he’s chill. Sometimes Amy is ecstatic and other times she's bashful. I'm looking at you Sonic X.

Every time Amy’s occupied, is when Sonic wants her the most. Amy on the other hand wants Sonic to enjoy his freedom. Neither of them stops to think about how maybe they can have it both ways.

I'll also mention romance isn’t about “being tied down.” That paints romance as if it’s some kind of chain being rapt around your neck or being forced to be with the person. That is not romance. It’s keeping someone hostage. Something Amy would not do. Every time she’d joke around about marrying him Sonic didn’t take it seriously. Heroes included.

Sonic’s line in Heros: “Amy, knock it off. There's no time to play!” Dude knows Amy was messing with him. She was written to be girly, childish, adventurous, and cartoony. No, it wasn’t always executed well. Hello, Sonic Freeriders Amy! But I think this scene summons it up the best.

Important thing to mention as well is Sonic is an outspoken and honest character who rarely lies. It’s either you get the truth or you get nothing. He’s not the type to spare people’s feelings either, so if he had a problem with Amy in the past, he’d tell her directly. I do think she'd also stop if he genuinely told her to. The last thing Amy would want is to tarnish their friendship because of her actions. This loyal girl is so sweet.

Not to mention this is a popular trope in Japan too. The trope was what their relationship was based on.

Back to my original point Sonic and Amy aren’t a traditional couple. That’s a good thing. If they became canon their relationship wouldn’t change if they got together, but also they don’t need labels either. Romance isn’t or shouldn’t be a burden on you. That’s not how love works and that’s not what Sonic believes Amy to be. If that’s the case he wouldn’t be friends with her. Whether you ship Sonic with Amy, someone else, or no one, there should be no doubt Sonic values her friendship.

I’ll also add that Amy is just as up for an adventure as Sonic is. It’s why she loves him so much. They’re a power couple and love going out to travel, so there’s no staying in one place for these two.

In Sonic Adventure 2 you can tell Amy’s intuition when it comes to Sonic. Close to the end, she saw him looking a bit down and noticed his mood shifting a bit. “What’s the matter, Sonic?” “Oh, it’s nothing.” She knows him so well. I don't know what connection they run on but it’s inspiring.

These two don’t have a typical girl/boy relationship. I know some people say, “Well, why can't Sonic and Amy stay friends? Not every male and female relationship needs to be romantic.” You're 100% correct. Here are some examples.

The difference between other relationships is that Amy was created to be a Minnie to Sonic’s Mickey. Which is why these two are treated differently compared to others. Including in merch. There are more examples but I digress. The point is this specific pair is always going to have nuance even if they’re only friends. It doesn’t stop until Amy doesn’t love Sonic and even if it shouldn’t define her, it should still be a part of her. She might work without romance, but we already have other amazing female characters for that.

No one’s obligated to ship them because of this of course. Again, your opinion is still valid, and I will always stick to that point.

Last but not least is their friendship (or situationship) as a whole.

The funny thing is their friendship is what makes their romance the most compelling. The appeal to Sonic and Amy’s dynamic is how much platonic energy they have. Romance doesn’t always mean you need to be lovey-dovey. With Sonamy it’s their powerful friendship that makes the (somewhat not platonic) interactions memorable. You don’t have to choose romantic or platonic. It can be both. I wouldn't be a Sonamy fan if I thought their relationship was plain. I'm here because of how different they are.

And I love them to bits. Look at this panel and tell me it isn't running with situationship fuel.

Another fun detail is in recent years despite knowing Amy still loves him, Sonic hugs her back. Even the moments in Sonic X he carries her are moments he offers to. Even when it wasn't necessary.

Can’t forget about the recent asking Amy out to a dinner panel in IDW. He's never done that before. There's a familiarity between the two of them however you look at it. I LOVE them for it.

His moments of genuinely being excited to see her are not due to some development but because Sonic’s passion for Amy has noticeably increased. Why am I bringing these up? It’s because one thing that hasn’t been talked about when it comes to romance is actions. Sure, Sonic doesn't fully confess his feelings to her outwardly. But why do you have to be obvious and in people’s face when it comes to loving someone? In Japan, love is mostly shown through what you do more than what you say. That stuff can happen there but it doesn't always have to. The “Sharing an Umbrella, Amy,” line in Frontiers carries a lot more weight when you think about the implications.

Please read this post by @egalitarian-tomboy if you're interested in the implications of Sonamy in Frontiers.

The up-to-interpretation view of whatever they have together is the main reason I and so many people ship them. It’s not the fact that they are close, but the progression of their closeness. To make a long story short, the appeal of Sonamy is the fact that they don’t have to be traditionally romantic to be an interesting couple. Amy represents expressive love and Sonic represents emotional love.

Stay creative! 💜

[cece693]

Replacement (Enoch O'Connor x M! Reader)

I wanted to add something to the relatively small pool of fics for this fandom. All characters are of age and can be envisioned as their book or movie counterparts.

Summary: As a healer, you naturally seek to care for those around you. So it was easy to befriend Jake when he first entered Miss Peregrine's loop, confused and hurt by his grandfather's passing. However, your best friend doesn't see it that way.

It was official. Enoch hated Jake. Not that the other children noticed, or if they did, they were smart enough to not mention it. Maybe it was jealousy. Perhaps he was bothered by how Emma's eyes sparkled with interest whenever the American boy was around. Or maybe, it was the disruption to their routine, as Jake's presence always seemed to stir the loop like a stone tossed into a still pond.

But Olive knew the truth, for she had quickly discerned Enoch's emotions behind the venomous words he threw at Jake whenever he came near. It wasn't about Emma or their routine being disrupted. It was all because of you.

From the moment Jake first stumbled into their world, he latched onto you—an oddball healer with a gentle touch and ability to mend the deepest cuts, both physical and emotional. So when Jake arrived, it was natural for you to be his guide, explaining things in a way that made the strange world of peculiars feel less threatening.

Naturally, Enoch hated it.

Before Jake arrived, you’d spend every minute by his side—looking over his shoulder, letting out a bright smile whenever his creations came alive. Enoch secretly treasured these moments, feeling comfortable in your presence and falling for you more each day. But now? Now it was Jake this and Jake that.

No space was safe from Jake's influence, nor did the American make it easy to escape his presence. It seemed like whenever Enoch and you were together, he appeared from thin air, begging you to help him with something. It was as if the American knew of Enoch's feelings and acted to rile him up, whisking the attention of the only person he actually liked. It's not as if there weren't any other children who would be happy to spend time with the American, why did he seek you out specifically?

Every time he saw you two together, a storm brewed inside him, and a tight knot formed in his chest. Enoch wasn’t stupid. He understood what jealousy was, but this wasn’t just jealousy. This was fear. Fear that you were slipping away from him. Fear that Jake was replacing him.

One day, it all became too much.

Enoch was sitting at the table in the library, flipping through one of his old, tattered books on embalming techniques, though his focus had long since disappeared. His mind, as usual, was on you. He had tried to pretend like nothing was wrong, but the bitter feeling gnawed at him constantly. And then, as if the universe was mocking him, you and Jake walked into the room together.

Jake was talking about something, gesturing wildly with his hands, and you were laughing—a bright, carefree laugh that Enoch hadn’t heard in days.

That was the last straw.

"Seriously?" Enoch snapped, slamming his book shut, startling you both. Jake stopped mid-sentence, blinking in confusion, but Enoch didn’t care. His gaze was fixed on you, his voice sharp and biting. “Do you really have to follow him around all the time?”

Your smile faltered, a confused frown replacing it as you looked at him. “What are you talking about?”

“You know exactly what I’m talking about.” Enoch’s voice grew colder, harsher. His jealousy had festered too long, and now it spilled like poison. “Ever since he got here, it’s like you’ve forgotten everyone else exists.”

Jake shifted awkwardly beside you, clearly unsure of what to say, but Enoch didn’t give him a chance. “You’re spending so much time with him, acting like he needs you for everything. It's pathetic."

Your eyes narrowed, a flash of anger crossing your face. “He’s new here, Enoch! He does need help adjusting. And I’m not just going to ignore him because you—”

“Because I what?” Enoch cut you off, his eyes blazing. “Because I’m not needy enough for you? Because I don't fawn over you like a mutt every second like he does?””

Your mouth opened slightly, stunned by his words. Enoch could see the hurt forming in your eyes, but he was too wound up to stop now.

“Face it,” Enoch continued, his voice colder now, “you just want to feel like you matter to someone, right? Like you have some purpose. Well, here’s the truth—you’re not needed here. Jake can deal just fine on his own and I don’t need a dessolent friend.”

Your face twisted in hurt, and that twisted something deep inside Enoch. You stared at him, your hands trembling slightly at your sides. “You’re wrong,” you finally said, voice breaking. “But I guess I was wrong too, thinking you were my best friend.”

Before Enoch could respond, you turned and stormed out of the room, leaving him and Jake alone. The American looked like he was about to say something, but Enoch shot him a cold glare, daring him to speak.

Days passed. Days where Enoch didn’t see you, didn’t hear from you, and the space you used to fill in his life became an empty void he couldn’t bear to acknowledge. You weren't just avoiding him, you had begun to spend even more time with Jake, much to Enoch's dismay.

He tried to act like it didn’t bother him. He pretended he didn’t care when he saw you laughing as if his absence meant nothing to you. But it did. It hurt more than Enoch was willing to admit. It was only when Olive pushed him to accept his mistake that led him to stand at your door, long after the other house's inhabitants had gone to bed.

Enoch stood there for a long moment, his hand raised to knock, but his usual stubbornness kept holding him back. What if you didn’t forgive him? What if you’d already moved on and replaced him for good?

Taking a deep breath, Enoch knocked.

After a few agonizing moments, the door creaked open, and you stood there, blinking groggily at him in the dim light. You looked surprised to see him, and Enoch couldn’t blame you.

“What do you want, Enoch?” you asked, your voice flat, distant.

“I…” Enoch faltered for a moment, struggling to find the right words. His usual snark and bravado were gone, replaced with something more vulnerable, more uncertain. “I came to…apologize.”

You crossed your arms, leaning against the doorframe, clearly not ready to let him off the hook so easily. “For what?”

“For what I said,” Enoch muttered, not meeting your eyes. “For being a complete prat.”

Your expression softened, but you didn’t say anything, waiting for him to continue. Enoch sighed, rubbing the back of his neck awkwardly. “Look, I didn’t mean it. Any of it,” he admitted, his voice quieter now. “I was just…jealous. Of Jake. Of the time you’ve been spending with him.”

You raised an eyebrow, clearly surprised. “Jealous? Why?”

Enoch hesitated, his heart pounding in his chest. This was it. He could either admit the truth or lose you for good. Taking a deep breath, he finally met your gaze. “Because I like you,” he confessed in a whisper. “I’ve liked you for a long time, and seeing you with him made me feel like I was losing you. Like I wasn’t needed anymore. Like I was being replaced.”

The weight of his confession hung in the air, and Enoch braced himself for your response. He had no idea how you would react, but he had to say it. He couldn’t keep pretending like it didn’t matter anymore. You stood there for a long moment, staring at him, processing everything. Then, slowly, you stepped aside, opening the door wider.

“Come inside, Enoch,” you said quietly. “Let’s talk.”

And for the first time in days, Enoch felt a small glimmer of hope. Maybe, just maybe, things could be fixed after all.

[bug-slappy]

sharing my opinion here about serizawas design inconsistencies over time (spoilers for mp100 ending) i feel like in each new rendition of serizawa weve seen in official art ever since the start of S3 something feels off in a different way with every new merch release

lets start here ⬇ serizawa looks like,, himself. accurate to how hes drawn since his first anime appearance

⬇⬇⬇ and then slowly,,, things start to look off. his jawline is slowly getting slimmer, his eyes look wider (same with mobs too)

AND DONT EVEN GET ME STARTED ON THESE. especially the one on the right my god. who is that

every new promo art that comes out just feels very careless. I think you could say so for all the characters (mobs giant eyes, reigens waist getting skinnier/pointier features. the PROMO art of dimple that was literally FULLY TRACED OFF OF A TEMU PIRATE HALLOWEEN COSTUME. they all look bad here)

it just feels a little depressing how little they seem to care anymore, like theyre just trying to pump out merch without bothering to use a character reference.

i notice the changes the most with serizawa. every promo art looks like theyre playing a game of telephone. each version of him is based on the last, instead of his initial design (shown below)

at the end of S2, when reigen cuts serizawas hair, he still looks like himself. they did a great job of showing "how serizawa would look underneath his moustache and big hair". In S3 it feels like they've lost that mentality completely. like he's no longer based off of his original design, but an entirely new reference of his salary man look. some comparisons between S3 vs S2 and OVA down below

I find that the line weight in S3 is much heavier and unfocused. but what bothers me most of all is that... Serizawa looks different in nearly every scene... as if they're undecided on what he should look like. the shape of his nose and jaw, his hair all change depending on the episode entirely.

The art style change for S3 was meant to be "more accurate to the manga", but I find that it had the opposite effect. especially how serizawas and ritsus eye shapes changed. ritsus large pupils and serizawas more almond shaped eyes were more reflective of their manga designs there are plenty of inconsistences in S1 and 2, but they're clearly done with purpose to reflect on ONEs art style (my beloved). I feel like the thinner lines allow more room for detail and extreme facial expressions that truly hold a candle to ONEs insane talent for capturing emotions.

these ^^^ compared to..

erm.. this.. ⬇

just felt very underwhelming... and serizawa certainly does mellow out once he starts working at S&S, but that doesn't mean that there's less opportunity for detailed expressions !!

the yokai fight scene was beautifully made i have no qualms.. but the amount of serizawa lore and dialogue in the manga that got cut from the anime just made him look like a cardboard cut out standing behind everyone. lots of funny and interesting moments cut to make room for the moefication of serizawa katsuya..

I feel like there's a lot of important moments that were cut, (reigen "i hope i can become a partner like that" arataka, serizawa "ive had a similar experience myself" katsuya )

or sad, intense scenes that were made lighthearted (the body improvement club trying to help mob, mob and ??? dialogue being cut, reigen removing his shoes in the final arc made to be meant for better grip rather than... his passively suicidal tendencies )

i think the people at bones are very talented dont get me wrong, i just felt like S3 could have been adapted better. this keeps me up at night its like 1am :) anywhosies thank you for listening to my ted talk i love you

[brw]

Small compilation of Charles looking kind of cunty in X-Men: Children of the Atom

[love-byers]

we all know about the parallel of mike hugging karen when he feels like he's lost will, but i've never seen anyone talk about the other parallels in the s1 and s3 heroes scenes. there are more than you think!

will's fake body being pulled out of the quarry VS will (+ the others) pulling out of the driveway for california

a close up of mike looking at both

mike leaving the scene on his bike after 'losing' will

in one, he has no hesitation. he gets his bike and doesn't look back. not at wills fake dead body, not at el (which would be odd if he knew he was in love with her then...), not at dustin and lucas, not at anyone. he keeps moving forward.

in the other, he is full of hesitation as the other bike away, not looking back. mike stays back and takes one last look at will's house, looking nervous, before hesitantly tearing his eyes away and biking off, trailing behind dustin lucas and max.

do i really need to explain the implications of that....

mike entering the wheeler house visibly upset after losing will, and karen immediately noticing

mike seeking out a hug from karen, something he rarely does

mike hugging karen

note how both clips end with mike moving/sinking deeper into the moment. i'm not sure what the best way to describe this is, but im talking about mike shoving his face into karen's shoulder in the s1 scene and his eyes flicking down in the s3 scene. i know it seems like it doesn't matter, but it does. sprinkling things like that in as a director is purposeful! it's showing how mike is processing the events. in s1 he sinks deeper into karen's comfort, further breaking down because he thinks will is dead. in s3 he doesn't do that. he is extremely still, eyes not moving as he is in shock. then his eyes do move at the last moment, showing he is further processing whatever event has occurred, transitioning from shock to really processing whatever happened.

raw emotion vs icy shock.

and oomf @reo-bylerwagon who is a film major told me that the way the camera tilts upward in the s3 clip is used to show that a realization has occurred, or that something new is being revealed. does that not PERFECTLY line up with:

1. the way mike seems extremely shocked as though he has realized something huge

2. the fact that LITERALLY over that moment is a hopper voice over where he says "to turn back the clock, to make things go back to how they were"

and 3. the way he behaves in s4 (being weird about touching will, rink o mania, etc.)

so yeah, these are definitely parallels through and through and it's really interesting. mike has lost will in both, but in different ways. his reactions say a lot about how he's processing the events and how he views them/his relationships.

also reminder that this is not delusional in the slightest because heroes has only played twice and it's in these two sequences.

and to anyone thinking "well they're just trying to show that mike deeply cares for will, just not in a romantic way!"

......

why in the fresh FUCK would they eat up SO MUCH screen time to show that mike platonically cares about will, rather than use that time to develop his relationship with el and, i don't know, show that he loves her??? why would they feed into will's unrequited love like this??? spoiler alert: THEY AREN'T.

that would be doing WAY too much for a relationship that will end in an amicable split so one can get married and one can get over his deep seeded love for the other and navigate the (extremely homophobic) world alone.

like yall are very clearly not writers or creatives in the slightest 💀💀💀 any writer (or anyone with the faintest creative/analytical bone in their body) will immediately understand why that's fucking dumb and makes no sense. yall are just heteronormative af and instead of admitting that it's greatly affecting your perception of the characters you double and TRIPLE down until you sound like a homophobic disaster

also

season 1 - heroes plays (when mike feels like he lost will)

season 2 - heroes does not play

season 3 - heroes plays (when mike feels like he lost will)

seasons 4 - heroes does not play

season 5 - heroes will play...? perhaps the original david bowie version? and byler will finally kiss as though nothing could fall and the shame will be on the other side? and they can be heroes? just for one day?

so yeah anyways byler endgame

[whatdidtheydotomygirljinx]

Why Episode 7 is the worst episode in all of Season 2.

This fuckass Timebomb ship is the worst thing to ever happen to Jinx's character.

Ok so finally we're gonna talk about Boy Savior Complex and AU Girl Next Door Powder

This is gonna be long. Also, we're not only talking about Episode 7 and Timebomb, we're also discussing Jinx's suicide attempt and how her character's resolution is actually really sad.

First of all, Jinx never liked Ekko back. Season 1 makes it pretty clear that they're friends, and that Ekko has an unrequited crush on her. His feelings are clear, but she never shows any reciprocation. And, no, the art book that came out after season 2 concluded doesn't count. You can't just put "the boy with the unrequited crush" trope in your story and then retract it.

And now to get to the serious part... who the fuck is AU Powder?

Ekko gets transported into this alternate timeline where we the audience soon realize everyone is happy and none of the conflicts that plague the original story exist and everything is perfect and "as it should be". So this is the ideal world and the one where all these characters reach their highest form of happiness. Even Silco is back with Vander.

And in this ideal world Powder is... a waitress at The Last Drop? I rewatched this episode and I genuinely tried to pay attention to see what does she actually DO. Like what occupies her time in this universe. And between Vander's line about how she's "too smart to be spending her life in a bar" and the fact that she is at one point behind the counter (while Ekko is studying his books... imma get back to that) and the fact that we never see her in any other places besides the bar and her hideout and that one time Ekko takes her out... this seems to be it.

So in the perfect timeline, Powder has decided to stay back with her family once she's grown up, to remain with Vander and help him run his bar, and implicitly has no big ambitions of her own, and definitely no ideas that she would sacrifice her family life for.

Now... Powder/Jinx as a family person is not actually wrong characterization. This is pretty congruent with her character in season 1. Her entire story and literally everything revolves around her family and not much else. When she's Powder she's attached at the hip to Vi and when she's Jinx she doesn't seem too interested in the world outside of her hideout and Silco's office. So considering all we know, yes, Jinx does place family first.

And this is pretty assumed by the show. Now, I also characterized her like this in season 1! She is a family girl. And Jinx happens to have all these people with big revolutionary ideas around her, be it Vander or Vi or Silco or Sevika, but she herself never actually seems much interested in that. She has a small moment in arc 1 of season 1, which i think it's significant to mention comes right after Vi plants the idea in her head. It would've been one thing if these ideas stayed with her, but post time-skip she doesn't bring anything like that up again. She mostly acts like a bored teenager whenever Silco drags her to the river to tell her all about his tragic past that radicalized him. Overall, any time she exhibits any revolutionary spirit, it seems to actually be more of a personal vendetta for her.

So, okay, Jinx is a family girl and she's never really actually been about all these big ideas, I can agree with the writers that this represents her character.

It's just that... this much?

Man, COME ON. There were people making "Everything's Perfect" AUs since season 1, and they almost all had Powder be a student at the Academy. This girl was clearly passionate about her little inventions, her bombs didn't work but she kept and kept trying. You're telling me she would be completely uninterested in learning more about engineering, in getting a formal education in that, in doing anything with it? Since in this world, there's peace between Piltover and Zaun, we can't talk about any barriers to her becoming a student. And, for that matter, in League lore there's an academy in Zaun, too, that she could have attended.

Even Ekko points it out, man. Now, to the writers' credit, the story acknowledges quite clearly that Powder choosing to stay with Vander and help him run the bar is weird. It just... never explains it. Like why is she like this, though? Let's throw out some possibilies:

(1) in some scenes, there seems to be a little "jinxiness" in this Powder, too. maybe she's aware of that side of her, and doesn't like it, and fears that if she went off and did what she wanted, and was truly herself, it would ruin what she has, "things are good now" (in this case, this Powder is actually a tragic character. nowhere near ideal timeline stuff.)

(2) in act 1 of season 1, the reason Vi makes Powder stay back is because she fears losing her, after Vander tells her that she might lose Powder in a confrontation with Piltover. since Vi dies in this universe, on a job, maybe in that moment Powder internalizes that rocking the boat in any way is bad. Vi was spirited and had big ideas and wanted to be someone and it led to her death. so maybe this Powder gave up on all of that then. Vander seems like the type to give her a "look what happens" speech, too.

But these are just my theories. This doesn't ever get properly explained in the show. So then maybe Powder is actually content like this and likes this and maybe these people constantly pestering her that she could do and be more are just annoying nuisances to her, same as Sevika is an annoying nuisance to Jinx in the original timeline (although there it makes significantly more sense).

(Also, why is Vi even dead in this universe? They could've easily found another way for Piltover and Zaun to make peace. Guess Jinx doesn't even get to be happy in the Perfect Timeline, goddamn, girl really is cursed after all.)

If you're gonna spend an entire episode on fix-it fanfiction that is supposed to pander to fans and give them, on screen, what they always wanted to see, why didn't we get grown up Powder in a cute academy uniform, being a top student and working on school projects and being loved by her professors cause girl was a prodigy.

Instead... this is Ekko in this universe, actually.

Ekko is the "big idea guy" and he's working on an entry to the innovations fair and he gets to be Heimerdinger's pupil. To her credit, this Powder still seems to be very smart, Ekko comes to her for help cause he can't actually build his invention alone. But she only uses her intellect to help Ekko. I always thought it would be Powder who would be Heimerdinger's pupil. Instead, here, she's hanging off Ekko's arm, and being all cute, as he discusses Important Stuff with Heimerdinger, stuff that she doesn't get to be privy to, but that she is expected to help them with anyway.

So AU Powder is this very smart girl who is helping her boyfriend build his entry for a contest because he can't actually do it himself but it's okay she'll help him of course and no he can take all the credit she doesn't want to be recognized or anything or to go to like University that would be crazy she's doing it cause she loves him and she's sweet like that and she likes to help others and she doesn't have any character traits that make her difficult she's just a cute funny and relatable down-to-earth girl and she pokes fun at Ekko but like in a loving way and she likes being a waitress and she'd rather be recognized for her dancing skills and................ I'm sorry.....................

So you're telling me Ekko gets transported into an alternate timeline in which his childhood crush who never liked him back is stripped of all her personality, has no goals or ambitions of her own and has no interests besides being his supportive girlfriend, is devoid of all the traits that might have made a relationship with her difficult, and despite the fact that she never showed interest in him in the original world, here she is head over heels for him, always acting all lovey-dovey with him and being nothing but a cute and affectionate puppy.

This is every little boy's with an unrequited crush dream right here. Man, Ekko won more than any other character in this show. And she's mentally ill, too! He's hit the jackpot. Y'all what the fuck am I watching.

I'm sorry but literally ALL I COULD FUCKING SEE WHEN I WAS WATCHING THIS STUPID DANCE SCENE was that in this universe Powder is a good christian girl who stays home with her dad and loves her boyfriend and is always happy to help WHAT THE FUCK IS THIS GOOD GIRL PROPAGANDA get this bullshit OFF my fucking screen I cannot fucking believe what I'm watching here

Moving on.

Ekko has hurt Jinx more than any other character in the show.

Physically speaking.

Ekko is the one who does this.

Which leads to this.

Which ultimately leads to this.

It has always confused me and it continues to confuse me why no one in this fandom treats Jinx being injected with shimmer as a big deal, when this is the worst thing that happens to her post episode 3. And it's a point of no return for her character, she can't undo this. And yeah I know everyone thought Shimmer Jinx was cool in season 2, but her being turned into a half-dead monster is not a good progression for her character. She also goes through agonizing pain in the process.

Singed agrees.

It's Ekko who forces Jinx between death and being turned into a half-dead corpse. It's actually insane to me that no one in the fandom considers this and that this is never brought up in the show. If they wanted Jinx and Ekko to be a thing, you'd think this would be a big deal in their relationship. Ekko has changed her irreparably, for the worse.

Idk, is the guy who beat you up and left you for dead really boyfriend material?

This is the first moment Jinx shows any interest in Ekko. Interesting timing.

I'm pretty sure she doesn't even mention his name post act 3 of season 1. She doesn't wonder about whether he's alright after the bridge fight (for that matter, neither does he). The first time when Jinx looks at him with any hint of affection is when she's standing on a ledge, ready to throw herself off.

Jinx has no one anymore at this point. Her old family is long gone. Silco is dead. Isha is dead. Vi has decided having a good time with Caitlyn is more important than her. This is Jinx at her lowest moment. Does she like him back or is he just the only one who showed up?

Ekko is a winner once again. His crush has been abandoned by everyone, and he is the only one left to comfort her. Luck like this is hard to come by. And of course, she's gonna be super impressed and touched by any sliver of affection now. Probably gonna look at him with big, grateful eyes, and see him as her savior. I'm disgusted.

By the way, this should have never been Ekko. If Vi was too busy with fucking Caitlyn, this should have been Sevika. Sevika is the only character who has known Jinx since she was a child, and who has been with her through every iteration. And she's the only character who has never cared whether she's Jinx or Powder or any other persona she decides to take up, to her she'll always just be an annoying kid. And to Jinx this might actually be comforting. Sevika is the only one who has a realistic perspective on Jinx, and recognizes her flaws, so her talking her down might have actually been very touching, and there are things she could tell her that neither Vi nor Silco could.

(The fuck could Ekko tell her, honestly? That he went off to an alternate universe where she was his perfect girlfriend, so she shouldn't kill herself actually? What the fuck.)

I also wanna talk a bit about Jinx's resolution as a character. Not her fake-out death, but her in the last episode. I think it's interesting that everyone who had a connection to Jinx is gone, namely Silco and Isha. Silco and Isha are both people she chooses, actively, and she is herself around. Instead, now, she's back to Vi and Ekko, the same people that were with her in her childhood. This is a full circle moment for her.

This is Powder right here, guys. Powder was a little girl who made a mistake and then she went off on this journey where she met new people and she was someone else and it was fun for a while but ultimately she realized what she was doing was bad and she came back to her family and is ready to be that little, sweet girl again. The problem with the Powder-Jinx dichotomy is that Jinx, as much as she represents all this bad stuff that the show has made clear, also represents Freedom and Power, two things that Powder definitively lacked. Her coming full circle, coming back to Powder, is not actually a good resolution for her. She's right back where she started, with Vi and Ekko. Her venturing off on her own and making her own decisions was ultimately a mistake that only lead to her suffering. We can take this all the way back to when she decides to venture off on her own with that bomb, despite Vi's disagreement, and the consequences plague her for the rest of the story.

I know everyone thought it looked super cool when she lifted off that hood, but I could only think it was tragic.

[candychocolate]

The thing I've always loved most about aa4 is how much darker the tone is than the rest of the series in a way that isn't just edgy for the sake of it, but subverts your expectations from the original 3 games in a really interesting way. The trilogy was built upon the trust Phoenix had in others, and it was something we as players could almost always feel certain in. AA4 flips this on its head and makes it so Apollo effectively can't trust anyone but himself.

Your mentor, who the in the trilogy was a paragon of wisdom you could always turn to no matter what, gets revealed to be the culprit and sent to jail in the first trial and by the end of the game his list of crimes has stacked high but you still have so few answers on why he did any of it.

Your boss, the goofy protagonist of the trilogy, is now inexplicably a washed-up, disgraced, cheating poker player with an implied drinking problem who seemingly found a new hobby in evidence forgery and jury rigging.

He has a codependent relationship with his daughter, your assistant, who usually is a completely innocent and hapless victim of circumstance. She sees herself as the provider for the house and will help her father cheat at poker, or forge evidence, or guilt trip the poor attorney they knowingly screwed of out of a job into working for them for dirt cheap.

The detective, the only other returning main character, a previous assistant, is completely changed since we last saw her. In the trilogy she was chipper and bright despite the hardships she faced, and now she's unfriendly and burned out, turned bitter by the world. The scene we're first properly introduced to her in Apollo genuinely spends several minutes thinking his boss is making him bribe her with cocaine.

Every single defendant is a criminal guilty of something other than what they're charged for. Each case centers around an underground black-market poker ring, a mafia family and medical malpractice, a smuggling ring, and a family of forgers and an incredibly shady troupe of magicians. The one thing all of these people have in common is that none of them will tell you literally anything about what's happening, half of them clearly reveling in being as big of cryptic assholes as possible.

The only person who doesn't fit this description is, for once, the prosecutor. Usually your biggest obstacle and the most morally corrupt of the main cast, he's the only person who's both 100% on the side of truth and on the same page as you for the entire game. He's just as clueless as you, being used nothing more than a chess piece just like you are.

But the truly masterful thing about AA4 is how morally grey it is. These characters aren't just one note villains. They're not even villains at all. Most of them aren't even malicious.

Your boss, for all the low levels he stoops to, is underneath it all the same guy he's always been, doing everything he can to bring a criminal to justice and protect his family. Your assistant is a sweet girl who truly cares about you, she's just prioritizing herself and her fathers safety before anything else. The detective is the same passionate and kind woman under everything else. The rest of the defendants are genuinely well-meaning young people who got involved in shady stuff they didn't fully understand.

The game is filled with good people trying to make the best of bad circumstances. The game has just as many fun moments as the original trilogy. For all it's rough appearance, the game has a similar heart. For every unanswered question or unrighted wrong, there's a smile or a hope for a better future. For every bad action, there's usually someone trying their best behind it. The game is melancholic and dark, but isn't afraid to let good shine through. It knows there's no shadows without the light.

[hollowed-theory-hall]

hello! i was wondering whether or not you can envision someone as better suited for tom/voldemort since i remember you saying neither harry nor hermione would be a match — them being the most popular two characters shipped with tom. and on that note, what do you think about bellatrix and voldemort? pro/against?

i tend to get a bit blindsided by the sheer obsession she has for him, honestly. i mean… i feel like she would be willing to shape herself down to the last atom to what appeals to him, if he ever were to show any true interest, and that’s very… sad.

Hello 👋

Thank you for the ask and as with all ship asks, ship what you ship, these are just my subjective opinions.

Now, what I said about Tomarrymort is that I don't think they would realistically get together and have a functioning relationship, I didn't say it wasn't fun. Like, I love Tomarrymort, but only if the relationship is a messy push and pull that makes everyone (both involved and uninvolved) miserable.

Now, as for Bellamort...

Do I think they had sex at some point in canon? Maybe. Like, that's not the most absurd thing about CC for me, so I consider it plausible.

Do I think Voldemort actually likes Bella romantically? Not really.

Do I think their relationship works like an actual equal functional relationship? Not one bit.

Do I think their relationship is entertaining and interesting? I mean, clearly, many people do, but I don't like Bellamort.

Like, it really doesn't interest me. There's a reason I only like Tomarrymort when there's a push and pull and Harry and Tom are portrayed as the equals they are. Like, I don't like Tomarrymort where Harry is completely submissive to Voldemort and Bellamort for the same reason — these aren't the kind of relationships that make Tom interesting.

I like both Tom and Bellatrix a lot as individuals, but I don't think a romantic and/or sexual relationship between them pushes their characters to interesting places. They are both stagnate in this relationship and, for me personally, that just doesn't interest me.

Like, Bellatrix is completely submissive to Voldemort nodding her head excitedly and panting after him: "Yes my lord! Whatever you say, my lord!" And this is not the type of dynamic that'd push either character towards growth. They don't push each other into a character arc, which is what I usually like my ships to do.

Additionally, this dynamic basically means Voldemort always gets what he wants, and Bellatrix is happy with it, as you said, she'd shape herself for his every whim. This isn't a relationship between equals. It's a relationship where she worships him and he doesn't respect her or care about her as a person. Like, at all.

The dynamic we see from them in the books gave me the impression Voldemort cares about Bellatrix. He doesn't want her to be hurt or to die:

Bellatrix’s gloating smile froze, her eyes began to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.

(DH)

But he cares about her like how you care about your favorite pet. He relished in giving her orders and having her submit completely:

“Master, I am sorry, I knew not, I was fighting the Animagus Black!” sobbed Bellatrix, flinging herself down at Voldemort’s feet as he paced slowly nearer. “Master, you should know —” “Be quiet, Bella,” said Voldemort dangerously. “I shall deal with you in a moment. Do you think I have entered the Ministry of Magic to hear your sniveling apologies?” “But Master — he is here — he is below —” Voldemort paid no attention.

(OotP)

He doesn't actually care about her being hurt if it's not too bad, he doesn't care about her feelings or apologies, especially not when Harry is right in front of him — his obsession, his one failure. Bellatrix takes a backseat, basically always. He doesn't care about her all that much. He cares and respects her like a loyal dog, not like a person he has a relationship with.

He also relished in humiliating and embarrassing her. He likes making fun of her in ways Bella clearly does not enjoy, which isn't something you'd do to someone you love:

“I’m talking about your niece, Bellatrix. And your, Lucius and Narcissa. She has just married the werewolf, Remus Lupin. You must be so proud.” There was an eruption of jeering laughter from around the table. Many leaned forward to exchange gleeful looks, a few thumped the table with their fists. The great snake, disliking the disturbance, opened its mouth and hissed angrily, but the Death Eaters did not hear it, so jubilant where that at Bellatrix and the Malfoys’ humiliation. Bellatrix’s face, so recently flushed with happiness, had turned an ugly, blotchy red.

(DH)

she's desperate to please him, to tell him everything she thinks he wants to hear and she happily lets him treat her like fucking dirt. I don't find a relationship like that compelling, as I said, Voldemort would never change for Bellatrix and Bellatrix honestly deserves better than this. He even lets other Death Eaters jeer and laugh at her, this is not a romantic relationship.

Like even if he had sex with her, it was purely physical as he just doesn't care about her as a person like this. As more than a faithful servant (which he enjoys making fun of, as he does so for many of them).

And he is unwilling to show her real, unintentional weakness or ask her for help:

“My Lord, let me—” “I do not require assistance,” said Voldemort coldly, and though he could not see it, Harry pictured Bellatrix withdrawing a helpful hand.

(DH)

He does trust her with one of his Horcrux as the cup is kept in her vault and she seems to know what it is:

“Be quiet! The situation is graver than you can possibly imagine, Cissy! We have a very serious problem!” She stood, panting slightly, looking down at the sword, examining its hilt. Then she turned to look at the silent prisoners. “If it is indeed Potter, he must not be harmed,” she muttered, more to herself than to the others. “The Dark Lord wishes to dispose of Potter himself. . . . But if he finds out . . . I must . . . I must know. . . .”

(DH)

He trusts her loyalty, and she is one of his preferred Death Eaters (he doesn't hate her like he does Wormtail, Tom appreciates courage and loyalty, which are both traits Bellatrix possesses) but he clearly doesn't trust her with his backstory in the first war:

“Shut your mouth!” Bellatrix shrieked. “You dare speak his name with your unworthy lips, you dare besmirch it with your half-blood’s tongue, you dare —” “Did you know he’s a half-blood too?” said Harry recklessly. Hermione gave a little moan in his ear. “Voldemort? Yeah, his mother was a witch but his dad was a Muggle — or has he been telling you lot he’s pureblood?” “STUPEF —” “NO!” A jet of red light had shot from the end of Bellatrix Lestrange’s wand, but Malfoy had deflected it. His spell caused hers to hit the shelf a foot to the left of Harry and several of the glass orbs there shattered. [...] “He dared — he dares —” shrieked Bellatrix incoherently. “— He stands there — filthy half-blood —”

(OotP)

She doesn't really know who Voldemort is. She worships the persona of Voldemort. She loves his lies and masks. She doesn't actually know Tom Riddle. And I don't think she could accept and love the real Tom Riddle behind the title of Voldemort — the poor but brilliant nerdy half-blood who craves recognition. She would find him pathetic.

It's basically Hinny, isn't it?

She adores his persona and fame and what people think he is without actually knowing or understanding him. She changes her personality to fit what she thinks his girl needs to be because she is so focused on being with him. And He likes that she doesn't get in his way and lets him do and say whatever without crying about it but doesn't care about her or her feelings nearly as much as people think.

Bellamort is just Hinny with a different skin, and I never liked Hinny.

Like Hinny, they don't know or understand each other, and it's clear Bella and Ginny care about Voldemort and Harry more than the boys care about them. Like, yes, Harry would be devastated if Ginny died, but he'd get over it way faster than he did about Sirius. Same for Voldemort, he cares about Bella, but not as an equal he understands and cares for the feelings of. Voldemort got over Bella's death fairly quickly as well, he's way more focused on Harry.

So, with all of this, who do I think is the best pairing for Voldemort?

If we're talking about canon characters who are actually characters in the books? Then Harry is my top choice. Harry is the only one Voldemort would see as an equal and can actually push and change Voldemort as much as Voldemort changes him. There is no other character in canon, I believe, who would be able to do this to the level Harry could. Their dynamic is just so mutually obsessive and tense that a relationship like that can't not change both of them in a myriad of interesting ways.

Though, I was thinking about it, and Severus/Voldemort have potential. Voldemort clearly respects Sev and his opinions more than the average Death Eater:

Snape did not speak. “Perhaps you already know it? You are a clever man, after all, Severus. You have been a good and faithful servant, and I regret what must happen.” “My Lord—”

(DH)

He cares about him and regrets having to kill him:

Harry saw Snape’s face losing the little color it had left; it whitened as his black eyes widened, as the snake’s fangs pierced his neck, as he failed to push the enchanted cage off himself, as his knees gave way and he fell to the floor. “I regret it,” said Voldemort coldly

(DH)

Voldy is willing to forgive Sev for things he'd kill most for. They have so much shared experience (poor, muggle childhood in incredibly abusive environments) that would allow them to understand each other. They probably both get frustrated over pureblood idiocy. Both are intelligent and share many interests, like they're both magic nerds who'd talk all night about magical theory...

So, I think, under the right circumstances, Severus is a pretty good pairing for Voldemort.

The only real downside is that depending on when they get together, they'd push each other to be more extremist and overall worse. Like, they'd push each other to have less empathy for other people if they get together, say, during the first war. Well, it might not be a downside. It really depends on how you look at it.

If they get together in the second war, it's different, and in my opinion, more compelling and interesting for both of them. Like, pairing them up after Voldemort's return and after Sev already turned traitor opens so many interesting avenues. I mean, Sev was someone Voldemort actually regretted killing, that was remorse there, wasn't it? It means Severus could push Voldemort to change in a way Bellatrix doesn't. Because Voldemort respects Snape in a way he doesn't respect Bella. I mean, think about how many times Voldemort shut Bella down when she kept insisting Snape is a traitor — it's clear he values Snape more than he values her.

If we're also looking at side characters we don't know as much about, then we have some more options.

@iamnmbr3 has convinced me that Alphard Black/Tom Riddle is an option, and I have been very compelled by it. We don't know much about Alphard, but that never really stopped me because what we do know is interesting.

We know he is Sirius' uncle. He was born after Walburga but before Cygnus, probably closer in age to Walburga. So, I headcanon he was born in 1927 and was in the same year as Tom Riddle.

We know Alphard was a Slytherin since Sirius mentions all his family was in Slytherin, which would include his uncle. And we know Alphard was burned off the family tapestry when he gave Sirius money when Sirius ran away from home.

This leaves us with a character, who's cunning, capable of listening to his older sister Walburga go off about whatever without making the fight worse but has a spine to stand up to her bullshit when it's actually important. This gives him the right characteristics to be able to wrangle a character arc out of a romance with a younger Tom Riddle (and perhaps the older one, too).

He's a pureblood who's open-minded enough to support Sirius and not hate muggleborns (probably). He likely has the subtlety necessary to fix Tom without Tom feeling like he's being fixed. Alphard, used to his very eventful family, is an expert in dealing with dramatic people (like his siblings) and how to undercut their drama instead of pushing them further into their position (which is what Harry would do, for example. Harry and Tom would keep pushing at each other while someone like Alphard would be able to just remove the heat from the argument and allow it to not get as extreme).

Again, it's not much to go on, but it has so much potential.

(Also, @iamnmbr3 has this post about how Voldemort’s violence became worse in 1979, which happens to be the same year Alphard Black died, and while I don't agree with all the points made there, I find it to be a super fun concept)

Voldemort/Lily also has potential. She's smart, stubborn, academically inclined, and has the right rough edges to have the kind of push-and-pull dynamic with Voldemort that I like with Tomarrymort. Lily is probably the kind of witch Voldemort could grow to respect as well. I don't think he would've agreed to spare her for Snape if he didn't respect both of them. JKR also said he tried to recruit James and Lily, so, he was aware that she was talented.

I think, though, Lily/Voldemort would be slightly better than Harry/Voldemort in some aspects. Lily isn't as hot-headed as Harry. Lily's anger is usually much colder, which I feel would work better with Tom just because she wouldn't push all his buttons (just most of them). She would still push him into a character arc, but it would be a gentler nudge than if Harry did it.

My only real rule when shipping Tommy Boy is that he can't be shipped with someone mediocre, he'll just steamroll over them completely, and that's not as fun, in my opinion. He needs a partner he can grow to respect and see as an equal (or close to it) and that has the spine to stand up to him, otherwise, he'd just keep getting what he wants, and I think that's the opposite of what Voldemort needs in a relationship.

[descendant-of-truth]

That said, I do think that Shadow Generations being such a more carefully cultivated exploration of Shadow's past compared to what the original Generations was for Sonic is... not doing Sonic himself any favors

General audiences are already kind of under the impression that Sonic as a character is fundamentally not that deep or interesting, and Generations was written during a time that really, really wanted to prove that notion right. Sonic "being deep" was what, seemingly, caused so much critical backlash, so to counteract that, they gave us the blandest cutscenes Sonic has ever had the displeasure of being in.

But that's not really what Sega is trying to push for, now. Frontiers wanted to be more serious, with a mature, down-to-earth Sonic. The movies gave him an origin story that inherently makes him a lot more complicated than usual. Prime put the focus on his emotions and gave him a character arc that lasted the whole show. The IDW comics can get extremely serious, and we're treated to Sonic's inner monologue as he wrestles with difficult choices. They clearly want Sonic as a character to be interesting to people, not just a vehicle for action and quips.

But putting the old Sonic Generations in the same package as the new Shadow Generations is inherently portraying them as equivalent experiences. When Sonic explores his past, it's no big deal - just another day on the hero job! Absolutely nothing worth exploring on his end when it comes to meeting his past self and revisiting his memories! Nope! No need to use time travel as a way to explore his core values as a person who prefers to live in the moment and not be bound by his past, no siree!

Oh, but Shadow? Now that's the actually interesting character! Revisiting Shadow's past is such an exciting event that it requires the whole year to hype up, and Sonic's just so boring in comparison, isn't he? Who really cares about Sonic beyond his surface-level characteristics anyway, right? The Sonic Generations remaster is more of an accessory to what's essentially Shadow the Hedgehog 2 at this point, and that bothers me.

Sure, Sonic doesn't have "a backstory" like Shadow does. But the past that we explore in Sonic Generations isn't his literal origins, but all the adventures we went on with him. Imagine how much depth you could wring out of him if you just took those events as being legitimate parts of his life that he has feelings on! Feelings we could explore!

But because it's a remaster instead of a full-blown remake, all of this effort they're putting into Shadow's campaign is nowhere to be seen in Sonic's. Can you imagine how good of a package deal this would be if Sonic's character was given this much care and respect, too? Like, we have two Sonics, but Shadow is getting more than double the favoritism.

And the fact that this is only going to continue to push the idea that Sonic is just. incapable of being interesting, or even really affected by what happens around him is really frustrating. We already have the movies and Prime drastically changing his demeanor and core traits for the sake of making him "able" to have character development, and as much as I love those versions as characters, it's really doing a disservice to who Sonic is supposed to be.

The last thing we need is for Generations to come out again and make the Sonic from the games seem like the least interesting version of him. Bringing Shadow up should not involve dragging Sonic down - they're supposed to be equals. But this game doesn't seem to be showcasing that very well, on account of essentially being two games written by different people haphazardly mashed together.

People being introduced to the series through this game are going to have such a skewed perception of what Sonic is like as a person, as well as what he's like compared to Shadow, and that just. makes me kinda upset not gonna lie