#it's across the board and general

[reigningm4x]

you are always talking about how content looks 🤣🤣

it is my literal job so.

[bixels]

Top Rarity, top RD. you seem to like short top tall bottom dynamic…

Not sure where you got a headcanon of top RD from! I think she's a loser virgin!

[unproduciblesmackdown]

always enjoyed the Chess Set In The Foreground perspective framing used here

now also noting like, huh, a chess set in a general store just visited by marigold competitors who killed one of their guys and are now on the way back from their rendezvous point w/suppliers

[the-physicality]

thinking this labor day about all the athletes in women's sports who didn't have a stable league, who were only making decent money from a spot on their national team, who had to fight to get even a fraction of what they deserve. who spent their prime without a club league or the infrastructure to propel the sport. who came of age after title 9 in the usa [forcing schools to fund women/girls’ sports], the ones who fought for cbas and are only seeing big change at the end of their careers or after their careers concluded. who didn't have the media attention before, but are now showing just how much they can sell out stadiums and arenas. the players who played year round because overseas teams paid athletes what they were worth. athletes who endured and reported harassment but the league never took appropriate action. athletes who never had the media attention or ability to monetize their talent but who had careers that were just as impressive as the stars of today. who did it without the help of the science, technology, and medicine we have today. who set records with less support and fewer games in a season, which will be broken by kids who have had personal trainers since high school. athletes who played great games that are no long available to view, their talent no longer archived and accessible for young or new fans. athletes who still don't have a league or are just getting one in 2024. athletes who took it upon themselves to create change for which they will never reap the full rewards.

[bigskydreaming]

Imagine if you were a gay or bi man who tried a certain firefighter show because of all the attention it was getting for one of its mains having a later in life bi awakening.....and between seasons you ventured into its fandom in search of material to tide you over til the next one. And you're greeted by a deluge of posts and fics that are just cheerfully homophobic towards one half of the newly out bi character's canon relationship on the basis of 'well he's not the RIGHT gay guy' and pushing the idea that actually its fine to cheat on him because Reasons and he's sexually predacious based on......behind the scenes implications people have divined like they're reading fucking tea leaves.

But don't get it twisted....this fandom, like all fandoms, really cares about representation!

Sorry not sorry, but we really need to kill this idea that fandoms are welcoming and inviting and inherently progressive when they're frequently insular and reductive as fuck. Every single fandom I've been in has had major trends of people doubling down on their own headcanons and fanon interpretations of the characters and willfully enacting trends aimed at running off people who like the 'wrong' characters (usually characters marginalized along one or multiple axes), like the characters in the 'wrong ways' or other bullshit.

Scott is a Bad Friend fics overtaking Teen Wolf fandom was not incidental, it was a FEATURE of the fandom, because the vast majority of that fandom did not want to share its space with anyone who had the nerve to like its main character. Survivors complaining about or criticizing the prevalance of rape fics in a certain fandom has in my experience always led to a reactionary UPTICK in those fics, with gems like 'this character can, will, must be raped' in the tags making it crystal clear that some of these fics exist because how fucking DARE anyone try and push forth a narrative not agreed upon by Fandom Main.

I could cite examples for so many other fandoms, with the commonalities always being that vast majorities in these fandoms are explicitly reacting defensively to being asked to be more mindful of fandom trends revolving around or exacerbating racism, homophobia, transphobia, rape or abuse apologia, ableism, etc....

With the most prolific fucking rallying cry across countless fandoms being "No the fuck we will NOT be doing that," because lolololol.....

Fandom is an inherently progressive space, didn't you hear?

[averlym]

ghost story premiere day! check @melliotwrites for more info

[biracy]

Besides the whole idea that Bad People make Bad Art while Good People make Good Art in and of itself allows so much space for abuse apologia and victim blaming/shaming. If your dark empath super senses or whatever "can always tell," how are you going to react when some shit comes out about Your favorite musician/actor/writer/YouTuber/etc. man? Well you can finally divorce yourself completely from the culture of celebrity worship and develop a better relationship to art Or you can continue to do abuse apologia because "well they made a thing I like so clearly they're a good person", while at the same time calling Steven Universe or whatever Irredeemable Media because "well they made a thing I don't like so clearly they're a bad person."

[bestworstcase]

Anything from Volumes 1-3 that is setup that you don't think is given enough attention or respect for good setup?

Sidenote to this:

Open seat with no person in it + Salem having someone looking for the Choice Relic was hinting at Summer Rose. Did we have anything hinting at her pre Beacon's Fall or just things that she fits given additional context?

regarding summer specifically, while i wouldn’t call them hints per se, there are a handful of beats in v1-3 that smell like foreshadowing to me:

the first is “she was right about you; such arrogance.” – cinder might well be referring to salem here, of course. however. what strikes me about this remark is that arrogance is not a characteristic that salem seems to perceive in ozma; rather she describes him, in her soliloquies and songs, as a self-destructive, deceitful, manipulative fool blinded and trapped by his faith in the old gods. cowardly. fallen from grace. think of what she says to oz in 8.9—look how you’ve diminished, how you’ve lessened yourself—she sees him groveling at the feet of tyrannical monsters and sees debasement.

does it follow for salem to characterize ozpin to cinder as, primarily, arrogant? i’m not convinced it does. but summer rose? well… hm. consider, also, that the full line is “this whole time, right beneath our feet… she was right about you; such arrogance…” <- i think it is more likely than not that “she” is someone inside the brackets of “our,” and in context “our” is either [cinder + ozpin] or [cinder + her associates physically present at beacon].

in the event that “she” is not part of “our” the more naturalistic phrasing is “beneath our feet… salem was right about you” – because “she” otherwise has no antecedent. of course, some allowance here for this to be a narrative choice not to name salem yet, but we’re one (1) episode off from revealing her face and by this point we’ve known for a while that cinder works for someone else, so the choice to drop the name here or in the volume credits is of fairly trivial importance. unless of course cinder isn’t talking about salem.

second: “Oh! We've also stopped some bad guys, too! I guess it's like they say: "like mother, like daughter"! I still wonder why Ozpin let me into the school early…” [laugh track] – obv this part of ruby’s address to summer’s memorial headstone foreshadows ozpin’s conspiracy and team strq’s involvement therein. but it also foreshadows this exchange:

RUBY: We don’t have to kill you to stop you, and we will stop you. SALEM: Your mother said those words to me… she was wrong, too.

and i think it bears pointing out that ruby is wrong here, and later in the volume qrow specifically calls attention to this and lays out why she’s wrong. team rwby didn’t stop the bad guys; they cut off one avenue of attack and cinder circled around from a new direction that took advantage of torchwick’s imprisonment, and this also resulted in the public break between ozpin and ironwood which eroded the cohesion of the inner circle. ergo, ruby thinks she stopped the bad guys but in the long run the consequences of the breach all benefited salem.

looks into the camera like im on the office.

like mother, like daughter!!!

further, that sequence of events ultimately leads to the final confrontation between her and torchwick – wherein he declares “if you can’t beat them, join ’em,” and shortly gets eaten by a grimm right after making it clear that he intends to kill her. torchwick’s death is thematically motivated – a narrative rejection of his cynical every-man-for-himself, dog-eats-dog outlook – but consider that:

summer rose, if she is indeed salem’s willing agent, is certainly at beacon tonight – because she’d be the one who stayed behind to hold the fort.

summer is thus the one salem instructs to “reinforce our numbers at beacon,” meaning the grimm; that instruction only makes sense if the person receiving it can communicate with or command grimm. ergo, summer must have some degree of control over grimm.

ruby is disarmed and on the ground getting beaten by a man who fully intends to kill her, and a grimm swoops down out of nowhere to eliminate him faster than he can blinks. and then… the grimm rears up, roaring at her, and comes down with a sweep of its wings that creates a blast of air that pushes her away. that isn’t aggression!! that’s a defensive threat display!! (the feilong in v4 does the exact same thing – trying to push the boat away). it’s ruby who charges the gryphon, and while it lunges forward in reaction to her charge, all that happens is she gets her feet on its head and pushes off to leap over it, and the grimm goes fucking flying so hard it crashes into the ship’s interior and never emerges. the point being,

math.

it’s plausible that the grimm was drawn to torchwick’s murderous rage. but the way it behaves immediately after it swallows him – that very clear “get away from me please” body language, and ruby -apparently- kicking a grimm the size of a goddamned clydesdale dozens of feet and then through the hull of a literal warship? ruby is strong, but she’s not… that strong. but if the grimm didn’t want to engage her and propelled itself under and past her at the same time as she vaulted off its head? that would explain what happens perfectly – ruby’s kick altered its launch trajectory just enough that it crashed.

minutes later, someone loyal to salem scraped a very badly injured cinder off the top of beacon tower and left ruby alive where qrow would find her. salem’s vested interest in keeping ruby alive is VISIBLE throughout the battle for beacon, and notably include a perfect opportunity to capture her while she’s in a coma atop beacon tower that isn’t taken – suggesting that salem makes her singular attempt to capture ruby solely to reassure cinder that Something is being Done.

and if summer rose has command over grimm and was at beacon that night… the gryphon’s behavior is exactly what i’d expect if all the grimm had marching orders to insure this one girl in particular – the spitting image of their commander – doesn’t come to serious harm. there’s a nonzero chance that gryphon did in fact save ruby On Purpose!

…and that happens in the context of a fight between ruby and the bad guy she thought she stopped (but she was wrong), who joined salem because “if you can’t beat em, join em.” (salem voice) she was wrong, too…

also

<- like mother like daughter. summer had a nevermore’s eye view of the battle for beacon, in this essay i will –

third: this one is something i didn’t really Think About until v9 and specifically the v9 ost dropping, but some of the things cinder says in v2-3 strike me as like – she got that from summer im sure of it. for example, in midnight, cinder’s view of huntsmen is that they’re free, they have power, they can go anywhere and do whatever they want, and rhodes never contradicts this. where did she get “huntsmen and huntresses should conduct themselves with honor and mercy”? who taught her the aspirational moral ideal?

summer rose, maybe.

but in the deeper sense,

where did cinder get the ‘destiny’ conceit? her underlying beliefs about how the world is are a product of her childhood, but the overt framing of fate/destiny isn’t present in midnight; nor has salem ever spoken of destiny and her philosophical views are in many ways a rejection of destiny – salem does not believe in fate, she is the woman who dedicated her life to toppling the gods.

and on close examination this looks like yet another suspiciously summer rose shaped hole!! “you’re special, ruby […] special the way your mom was special […] it was said that those born with silver eyes were destined to lead the life of a warrior.” – in after the fall, ozpin gives coco an entire pep talk whose central conceit is embracing and submitting to the turns of fate – sacrifice “show them gods and deities/blind and keep the people on their knees” & guide my way “you were born to hypnotize them all/they all said their prayers/can you hear me up there?”

cinder, of pyrrha: “people assume she’s fated for victory, when she's really taking fate into her own hands. interesting. add her to the list.” & “it’s not about overpowering the enemy; it’s about taking away what power they have.”

<- that second statement is salem’s strategic doctrine, through and through. but the ‘power’ cinder is talking about here is derived through manipulating the perception of destiny; the self-fulfilling prophecy. the invincible girl cannot be touched because she makes subtle adjustments to insure that no one is able to try. it is pyrrha’s belief in destiny that destroys her, as it destroys ozma. ozpin invokes fate to justify and explain his choices. those born with silver eyes are destined to lead the lives of warriors.

summer rose was destined to live and die fighting the grimm – so the world promised her. maybe she believed, maybe she felt like she had no choice but to accept her prescribed fate. until she met salem, and took fate into her own hands. made a choice. broke the chains. it’s about taking away what power they have, like salem did when she tore the scales from summer’s eyes, like summer did when she refused her destiny and joined hands with the grimm instead.

what does summer rose look like through cinder’s eyes? she was a huntress. she was literally destined to be one of the greatest huntresses in history, a hero, the shining pillar upholding the world order that chose the enslavement of children as a fair price for peace. fate dictated that she be the icon, the idol, the embodiment of the system that brutalized and subjugated cinder – she had every privilege cinder could ever dream of, freedom and security and a home, a loving family – and she chose to walk away.

and if they talked about that like, ever, and specifically if summer talked about that warrior’s destiny as a cage, a curse she had to escape – is it any wonder that cinder would adopt that framing to make sense of what happened to her? if summer rose was fated to stand at the pinnacle, then does it not follow that cinder fall was fated to be ground into the foundations? and likewise, if summer rose can shatter her pedestal and fall from grace, then cinder fall can shatter her chains and rise. summer proves that the idea of destiny is powerful but not inviolate. and it is hollow, it is a lie, a fiction, and that means it can be taken away. revealed as a deception. destroyed.

anyway

to the broader question

i think people really, really do not give the jaundice arc enough credit for the long-term set up it’s doing.

(or the very overt textual statement from THE HISTORY PROFESSOR! placing the blame for the violent radicalization of the white fang squarely on human bigotry and persecution of faunus in general; the white fang arc is clunky and hamstrung by the inadequacy of its vocabulary, but the fandom talking point that the narrative perspective on this subject has “evolved” or “improved” is just. not true. v1 is very emphatically clear that 1. terroristic violence is not activism, 2. ascribing the terroristic violence of a few to an entire minority group to rationalize bigotry is bigoted in and of itself and completely unacceptable, and 3. violent radicalization is created through relentless discrimination and hate, which creates a self-reinforcing circle wherein the justifiable outrage of the persecuted outgroup and the extreme violent reactions provoked by the persecution are distorted into a justification for further persecution by those of the in-group who materially benefit from perpetuating this cycle!!! all of this is explained in an almost afterschool special manner by the main character faunus rights activist and the history professor!!! in volume one!!! what changed is that the writers developed the skill and vocabulary necessary to weave these ideas into their storytelling in a more effective and more cogent way!!! literally begging the rwby fandom to start listening to the actual words the characters say)

ahem. the jaundice arc lays so much of the groundwork for jaune’s and ruby’s character arcs reaching all the way to v9 and undoubtedly beyond; it sets up the first pieces of the ozlem fractal; it foreshadows the white fang arc and sets up blake’s character arc of self-reclamation and figuring out how she wants to use her voice as an activist; it draws attention to the misogynistic cultural norms that define and are defined by the history between ozma and salem; it lays the foundation for the scene in v2 where ozpin questions blake, which hits the way it does because we have the context of anti-faunus harassment occurring openly at ozpin’s school and nobody doing anything about it, and by extension is the first stroke of the salem-faunus connection that is almost certainly the keystone holding the entire narrative together because it is her relation to the faunus that provides the key to decipher the lost fable.

the jaundice arc is a crucial load-bearing pillar that supports the entire narrative and people revile it because nobody in this fandom can be fucking normal about jaune. lmao

[nabaath-areng]

Perhaps this is common knowledge and I'm just speaking into the void here, but thought it couldn't hurt to share this trick just in case it might benefit someone else. This applies for Anamnesis on PC.

If you want to use the emotes of another race/gender than that of your character, you can do so by pausing and register the emotes you'd like to use and then apply it to your desired character.

It works pretty well across the board regardless of height or proportions, and the tweaking required is minimal (mostly for facial expressions and general hand/limb placement).

Again, maybe this is common knowledge, but this is my personal go-to screenshot trick nowadays so thought maybe it might be beneficial for someone else.

[lemongogo]

just thought of stamps treatment of elendira again ..no .. NOO

[chaotic-kitty]

SPOILERS FOR BB 3X08

I've been seeing people talk about the new episode, when it comes to Phee and her line about Tech.....I feel some people are misinterpreting it a bit? Or at least singling her out.

Yes, sure, the name drop was a bit weird. But it was no more weird than the other tech name drops.

The air surrounding Techs death has been weird and dismissive in some ways by the show as a whole. All of the characters have been acting like it didn't happen, until they drop a line and give a pout and then carry on with the conversation. That's been something that *all* the characters have done, not just Phee. Singling her out feels unfair.

And when it comes to what her line was, the context. I don't think she was acting like she was all of a sudden incapable without Tech. I think it was more acknowledging the fact that they probably wouldn't have had to turn to Phee to find that information if Tech was still alive. Tech was well versed in these subjects, I half expected him to pop out with the answer when they first asked about the M-count. So I don't think she was doing anything other than acknowledging Techs abilities. Because they don't have that anymore. They don't have someone with a well of knowledge that can give them an answer then and there or with a couple of taps on his data pad. They have to go to other people, use other resources.

With her tone about the whole thing though? We don't know much about Phee. Different people grieve in different ways. I'm sure if she had shown more sadness at it people would've also had something to say. And it's not necessarily like she lost a long term lover, so, while there was chemistry, the reaction may not be what you might expect from her. And I mean....they were in the middle of an important conversation and she was clearly pressed for time anyways.

[omensofatimelord]

everytime I go to renew my t prescription it's a a whole palava. My doctor seems to decide to hold it hostage and threaten to have it removed and. i dont think she realises??? It's exhasting everytime. Anyway, this time it seems to have magically become non repeatable so I'll have to see her irl before i get anymore. Only problem is. Im going to run out before I see her (since our health care system is. breaking). So yeah. hopefully I can get a prescription without having to have a nurses appointment.

(for the record going cold turkey on hormones is Very Bad for you and more likely to be worse for me than whatever shes decide is maybe an issue. Even putting aside that skipping even a day fucks up my mood dramatically.)

Every single time it needs to be renewed its a god damn fight, and I need to prove that I should be aloud to take the amount that was recommended to me by an actual trained specialist. There's this attitude that my natural state is off it and therefore I need to consistently show it's universally beneficial. And if anything potentially wrong that could be remotely linked to t (like say. high blood pressure with a family history and STARTING A MASTERS) then I need to be off it. Without any consideration for other causes or just that. I have no control over whether I can continue taking it she decides she doesnt want me on it anymore.

[euthymiya]

I change my vision depending on the selfship tbh

[sydmarch]

one of the funniest things I've had happen in therapy was my therapist's failed technique that banked on me being idk like. nice. "ik people probably think I'm annoying/stupid/crazy when I'm forced to express a need that most normal people don't seem to have" "well would you feel that way about other people who have similar needs to you or other uncommon needs?" "I mean I wouldn't like, say it to them, but yeah probably" & she just didn't know how to respond lmao

[lunanoc]

first tentative meta post about wu xie my beloved, more specifically about his characterization in his less than stellar moments, sparked by a discussion with @thelaithlyworm about whether or not the lost tomb 2.5 is in character for wu xie according to the books. i figured i'd take the rest of my thoughts to a separate post since our exchange was clogging up poor OP’s replies, and because i feel like a difference in opinion like this is worth being made public if only so people can get both sides of a rare discussion about the books and reach their own conclusions, so for those who are interested here’s a link to the original post where this discussion takes place in the replies if you'd like the full context. sorry in advance for how long this will likely be, and i hope there's no problem with me directly tackling some of the arguments that were made in favor of lost tomb 2.5 being an accurate adaptation of book wu xie's characterization, which is a take i strongly disagree with

i think much of the problem in the discussion simply lies in the fact that we seem to have fundamentally different interpretations of wu xie’s character in the books, because as i see it, none of the insistences that were quoted prove that wu xie has ever acted the way he does in 2.5 in the books—if anything, they disprove it. the quote from ch. 92 of sand sea that was brought up goes as follows:

this is where i believe the problem of different interpretations is at play, and to be fair some of it is ambiguous so there is some leeway, but i read this recollection very differently from how @thelaithlyworm seems to. as i see it, wu xie is recalling a time where pangzi, understandably concerned about his friend because he sees the toll the sha hai plan is taking on wu xie, and the lengths he’s having to go to in order to set it in motion, tells him it’s not too late to stop and turn back. to which wu xie replies that even if he had decided to stop and live his life blissfully unaware of the extent of the wangs' reach and their machinations, things would have caught up to him eventually given they’d infiltrated the jiumen to the extent they had.

“and at that time you’ll have already left me one by one, leaving me to foolishly face those fists” is the most ambiguous as to what exactly it's referring to, but i personally see it as referencing either the fact wu xie and his friends would have by then eventually drifted apart or they'd have stopped giving him their support should he have decided to ignore the truth and sit around doing nothing, or more sinisterly, would have potentially all been replaced by then if there hadn't been a plan in motion. it's likely a little bit of both. to which pangzi replies that he’s right, conceding and agreeing that wu xie never truly had a choice about his involvement to begin with, which is more or less the entire point of sand sea and the wider narrative of the main story.

no part of this conversation is reminiscent of the open conflict between them in 2.5 in that neither of them here are angry, and neither of them are even aggressive or antagonistic towards each other or in general. this is quite a calm if resigned conversation wu xie is recalling that also fits the overall cynical tone of the chapter itself, and wu xie’s certainly not acting out and pushing his friends away in a bid to deal with everything himself. if anything the entire point of sand sea is to show that despite each character acting independently, the sha hai plan only succeeded because they worked together and not alone, and that wu xie needed his support system to create an invisible yet tangilble network that could take down the wangs. so no part of this particular passage reads as though pangzi is saying he ever considered bailing on wu xie because of his behavior, and even if that were the case, it would still be referring to a hypothetical situation and not their current one.

wang meng's behavior in ten years later is also not the greatest example to use as an argument to prove 2.5 wu xie’s characterization is present in the books, mostly because it's actually wang meng himself who's more so the one acting like that than wu xie himself. wang meng, in his concern for wu xie, tries to guilt trip him into letting go of his obsession with xiaoge, and he is the one who instigates a conflict with wu xie that culminates in him staging xiaoge's "death" as a last ditch effort once spewing bottled up vitriol at wu xie and threatening to take over wushanju don't work.

it's however misguided at best given that not only did all of wu xie's close friends who participated in the sha hai plan agree to do so willingly (i’m of course not talking about li cu and co among others who very much did not consent) and so accusing wu xie of having coerced them takes away from their own agency, but the sha hai plan was a necessity beyond freeing xiaoge, which is something wang meng fails to understand. wang meng makes the mistake many people in the fandom do of pinning wu xie’s determination to see that plan through solely on his desire to free xiaoge, and of course that’s an important part of it, but the narrative makes a point of building up over the course of the main books and tibetan sea flower that wu xie’s entire family was at stake as well, and had been for several generations, so on a personal level it went beyond xiaoge alone. but again, whatever truth there is to wang meng’s words (which is an interesting but entirely different topic) still doesn’t make it true that wu xie was either actively petty or vitriolic towards his friends as a way to vent his own frustrations.

several moments in which wu xie objectively does terrible things or acts horribly were listed as a way of justifying that his behavior in 2.5 is in character and in line with how he acts in the books. and of course these moments do happen, and it's very true in sand sea especially that wu xie does terrible things (it's part of what makes him such an interesting character). but again, this argument feels somewhat in bad faith in that it conflates all negative behavior and traits together regardless of what specific shape those negative behaviors take in order to justify that his portrayal in 2.5 is faithful to the books simply because he displays negative behavior in that adaptation, completely disregarding that his less than stellar actions and emotions aren't expressed in the same ways in the books and in 2.5. my dislike of wu xie in 2.5 doesn't stem from him doing unlikeable things, otherwise i wouldn't like wu xie as a character in general. wu xie absolutely does do a lot of terrible things in sand sea especially, but the inherent problem with 2.5 is that none of the things he does or the way he acts in the books ever lines up with the specific way he acts in 2.5. 

in the books, even before sand sea, yes wu xie is manipulative (re: threatening bodily harm to himself to force wu erbai into sharing information with him), yes he cut up bodies and sent them to li cu among other extremely morally questionable things, yes he kidnapped li cu and made him go through literal hell, and likely did much the same to other people before him (hence the seventeen scars on his arm). he has and continues to have even in recent book canon re: yucun biji the ability and will to inflict permanent psychic damage on people he deems to be deserving of it or a threat. he’s by no means perfect or even overly kind, and if someone were to say that a number of the earlier drama adaptations especially soften his character and make him much more wide-eyed and innocent than he actually is in the books, i would absolutely agree with them. i would also agree if someone said that gap in characterization is why some people don’t like him much in the sand sea drama. but the fact is for all the negative traits and behavior he displays at varying points in the books, none of them are ever expressed in the very specific way they are in 2.5.

@thelaithlyworm rightfully mentions wu xie's ptsd as justification for much of his more "toxic" reactions to things, and his ptsd is incredibly important in understanding how wu xie works as a character and what his experiences have forged him into, to the point it's a topic that deserves its own in-depth post. but saying we have different definitions of what ptsd is is both accurate to the complex nature of ptsd, and a bit disingenious because of the complex nature of ptsd, because the emotional dysregulation and impaired decision-making it entails won’t necessarily manifest in the same ways in different people.

in 2.5 wu xie, ptsd manifests in the form of vitriol and anger he directs at pretty much everyone in his immediate vicinity, more especially pangzi, because it has no other outlet in that situation than outwards. and i’m not saying ptsd expressing itself like that never happens, because it very much does. what i'm saying is that book wu xie's ptsd, while very real, doesn't manifest in the way it does in 2.5 wu xie.

in book wu xie, ptsd manifests in much more internalized ways, and so he’s far more prone to directing the anger and pent-up emotions inwards through self-harm, both mental and physical (i.e. the scars on his arm, his persistent self-hatred, etc.), and the emotional dysregulation very often comes not in the form of chaotically expressed emotions, but rather abnormal lack of them, as arguably wu xie's bad coping mechanism is emotional dissociation, and when the emotions are truly too strong to be distanced from, they come out in the form of panic attacks he often doesn’t recognize as such (i.e. when he finds xiaoge and believes he’s dead in book 8, or when he has flashbacks on their way to motuo in yucun traveling notes) or of general breakdowns (i.e. wu xie stays numb once xiaoge disappears behind the gate up until he starts crying in the street once he returns to hangzhou).

it’s incredibly rare that wu xie’s trauma directs itself outwards towards his loved ones, and while he might do so in his head quite frequently (which we the readers see since most of the books are from wu xie's point of view), it's rare he actually externalizes it, and since his comments can only lead to conflict if they're extrernalized, there's rarely ever genuine conflict between him and his friends. one of the only times it happens with pangzi specifically is in tibetan sea flower were he makes an honestly cruel dig at pangzi about yuncai because pangzi’s withheld information about xiaoge from him:

but even this scene, which is the closest to anything that's portrayed in 2.5 between them, plays out differently, not only because wu xie knows very well he’s going too far, his mention of yuncai isn't solely an outlet for his anger. he’s very consciously trying to bait pangzi into telling him what he knows, and so aims at where he knows will hurt most. it's targeted and mean because it's meant to be, but it's also not a gratuitious outlet either unlike his comments are more often than not in 2.5. it's manipulation, and he's certainly not trying to push pangzi away, nor is it driving a wedge between them despite how uncalled for his comment it. and more importantly, pangzi once again proves himself to be the most emotionally stable of the iron triangle by not stooping to that level or making light of the conversation. he knows perfectly well what wu xie is doing, so any conflict is diffused before it can even take root, and stays an isolated incident, whereas in 2.5, conflict is an underlying theme.

ironically there are more examples of this type directed at xiaoge, but even those don't showcase the same blind anger or gratuitous meanness that 2.5 wu xie consistently displays, and it's that specifically that's out of character. while wu xie vents his frustrations at xiaoge in book 4 over being kept in the dark, he's more serious about it than angry, and very quickly realizes his foot-in-mouth comment and backtracks accordingly:

he's at his most openly angry with xiaoge at the end of book 8 when xiaoge leaves them all in banai, and even goes as far as trying to have xiaoge detained by qiu dekao in a last ditch effort to force him to stay (which in itself is the real manifestation of him not being able to control his emotions correctly and reason going out the window where xiaoge is concerned, and it only ever really happens in relation to xiaoge, but that's also a topic for another post):

but again, while he's visibly angry and upset, and is looking for support from others around him to validate his upset at xiaoge leaving, he never actually spews any vitriol at xiaoge himself despite his anger being obvious, never actually calls him names outside of his own head despite the rare quality of his anger, never tries to instigate conflict for the sake of venting his overflowing emotions, nor does he ultimately stop xiaoge from leaving. even later as he follows xiaoge up changbai mountain, his desperation eventually turns into resignation and acceptance, not venting.

this post is way too long, but my entire point here as it has been from the start of this discussion is that while wu xie in the books does get angry, he does have ptsd, it does manifest in the ugliest ways and he's certainly not an angel, his anger in general never veers into extended open conflict or gratuitous vitriol thrown at his loved ones as a misguided form of venting his own emotions like it does throughout the vast majority of lost tomb 2.5, just like a number of the conflicts he gets into with other characters stem from out of character reactions from those characters to begin with (i.e. xiao hua absolutely losing it over wu xie hiding wu sanxing's betrayal of xie lianhuan in 2.5 vs. this information being very casually received in book 7). and that's where my point of contention with that adaptation lies.

i feel as though this is a case of agreeing to disagree as far as interpretation of wu xie's character goes, and that's absolutely fine, but in the same way that it's alright to dislike things simply because, it's equally as alright to like things for the same reasons. it's fine to like lost tomb 2.5, and my opinion of it is purely my own, but liking it doesn't necessarily have to be rooted in whether it's adapting the books correctly, even if it can be.

my dislike of 2.5 stems from how i consider it to be out of character by comparison to the books, and my entire point here has been to explain that different interpretations of any particular source material can exist, and therefore yes, it's entirely possible to view 2.5 wu xie as out of character, just as it's entirely possible to dislike that adaptation for the same reason. and i'm far from the only person to have this interpretation. so no, my dislike of 2.5 doesn't come from not liking it when wu xie’s doing unlikeable things, or else i wouldn't like wu xie as a character, nor is it because i don’t understand what ptsd is given the particular ways in which it can manifest from one specific person to another

[captainjonnitkessler]

Texas Republicans banned local governments from mandating water breaks for workers, Florida Republicans are trying to ban local governments from mandating heat protection for workers, and Kentucky Republicans are trying to repeal the state's mandated lunch and rest breaks for workers, and somehow Republicans are still getting away with presenting themselves as "the party of the working class"