#it's a strange experience

[revenantghost]

Just started the sub and my first thought is: it’s insane how well-synced that the mouths are to the Japanese audio. Obviously they’re imitating other anime face/lip movements, they’ve talked about as much, but it’s very precise with the original audio to the point that the dub stands out as a dub--which I’ve NEVER had happen to me with an anime before, no matter how many times I watched the original Japanese audio first.

(This isn’t a criticism btw; I’m only three minutes in and the actors are doing a fantastic job. This is just props to the insane detail Orange put into Stampede.)

[filmnoirsbian]

I find your lack of whimsy disturbing

[welcome-to-alice-in-helll]

[mutualcombat]

adriannu's inner monolgue probably: i hope i see a frog today

[skecherss]

them......

(Original panel from Robin (1993) #25)

[poorly-drawn-mdzs]

oh hey! i was reading a fic the other day where Wangji was once misspelled as Wangu. which leads me to: MDZS Pingu-style??? noot noot!

Do you think love can bloom on the sea ice?

[gabriel-thotterson]

being a years long jekyll & hyde fan means having several different people all separately show you the tweet that says "the opposite of formaldehyde is casualdejekyll"

[nonymous06]

A bunch of Aleheather stuff yipeee

I adore them far too much

Also a greyscale experiment with our boy :]

[illuteridae]

Can You Keep a Secret?

[doorknobhater]

i found the haiku bot thing now i have to try get on its radar

[visenyaism]

of course movies are supposed to make you feel something it’s just that greta gerwig’s filmography manages to somehow specifically activate the exact state of my brain in seventh grade when i realized that my cishet girl peers were having life experiences that i could not ever be included in or understand because they were cishet girls and i wasn’t. sad!

[kettlefire]

Age is but a Number (DPxDC)

Daniel Fenton was only thirteen months old when he took his first steps. Only fifteen months old when he said his first words. He was two years old when he uttered his first sentence.

Danny could walk back his whole timeline from the moment he opened his eyes into this world. Except, none of those moments counted. They held no true weight for Danny's life.

No, there were certain moments that mattered. That had a clear shift to his life. Not every moment, not every milestone mattered.

Danny was five years old when he first felt the sting of disappointment at his parents missing a school event. He was six years old when the lab door was closed in his face for the first time, but not the last time.

He was eight when his young mind realized who was the one raising him. The one feeding him, waking him up, getting him dressed, and dealing with his tantrums.

Danny was ten when he learned to love and hate his parents for the true first time. Seeing both the good and the bad in them, and still loving them despite it.

He was eleven when he watched his sister crack under the pressure. Stood teary-eyed in the doorframe of her bedroom as he watched her cry and sob. He was twelve when he got into his first real fight with his mother, hiding away at Tucker's place for a few nights.

Danny was fourteen years old when he stepped into his parents' portal. When he accidentally hit the on switch. When a combination of ectoplasm and electricity ruined his life.

He was only fourteen when he experienced death for himself. Felt his life force leave him, and flood him at the same time.

Danny was still only fourteen when his world changed. New powers and abilities appear out of thin air. When a crazed billionaire latched on to him. When Danny had taken the mantel of a hero without meaning to.

He was still just fourteen when his life was filled with constant fighting. Both ghostly and human. Things got more tense between Danny and his mother. School was a weight that Danny wasn't sure he could handle.

Danny was fifteen when he had an existential crisis. The weight of a looming crown he was meant to take on the moment he turned eighteen or died fully. Having witnessed timelines where his family was gone. Having recognized a pattern of repetition in a life that Danny didn't want.

He was still fifteen when he made an impulsive decision. It was stupid and rash. Something expected from an angsty teenage boy, and not from an heir to a throne and a town to protect.

There had been no big fight. No big showdown. His parents still didn't know his secret. Danny hadn't bothered telling Tucker, Sam, or Jazz about his great plan. One moment, Daniel Fenton was in Amity Park. The next moment, he was gone without a trace.

Danny is just a fifteen year old boy, perched on a hill miles away from home. He didn't know what he was doing or what he was going to do. He didn't even know what state he was in.

He had just flown through the sky, a bag of emergency supplies slung over his shoulder. Danny had no intentions of stopping. That was until he stumbled cross a state line, and felt it.

A strong sense of caring and love. A feeling that Danny could only compare to the love he felt from Jazz. There was a strangeness in the air, but also a feeling of home. It drew Danny in like a moth to a flame.

Danny was just fifteen, curled up on a damp hill. Staring up into the night sky, and wishing for things to be different.

Not completely different. He didn't want to get rid of Phantom. Didn't want his life to go back to how it had been. Danny wanted things to get better. He wanted to feel like a kid again, something he realized he hadn't felt in a long time. Despite Jazz's best efforts to shield him.

The first tear had left Danny before he even realized it. A shaking hand wiped the tear away, silently cursing at himself for being such a baby.

Except that wasn't the only tear. It was like a dam, he never knew was there, had broken. Tears streaked down Danny's cheeks faster than he could wipe them away. Choked muffled sounds quickly turned to harsh gasping sobs.

Danny was only fifteen when he finally broke. Curled up on a random hill in a random state in the middle of nowhere. A glowing young teenager whose glow only seemed to dull with each gut-wrenching sob. Yet the stars seemed to twinkle even brighter than ever on this countryside.

So lost in the whirlwind of emotions that Danny was too young to fully decipher, he never noticed the approaching vehicle. Didn't so much as flinch when it came to a stop near him.

Danny's pain radiated with each sound he made. With each tear that left his toxic eyes. There was seemingly no end to it all. Until a single voice managed to pierce through Danny's bubble.

"Oh, dear... It's just a boy. Quick, grab a blanket!"

A small, frail voice was all it took. A voice weathered with age, and a tremble to it. Danny's whole body froze, head lifting to look at the speaker.

Except his vision had been quickly covered for a brief moment as an old flannel blanket was suddenly wrapped around Danny's shoulders. It smelt of dirt, hay, and warmth.

A kind old woman quickly followed to take a seat beside the glowing teenager. A warm, loving smile on her lips as she brought a thermos to Danny. An equally old and warm man seemed to follow behind her.

Danny's sobbing had quieted as quickly as it had started. The teen was completely bewildered, stunned to silence. This old couple, the embodiment of the American dream, didn't so much as blink at the sight a glowing boy crying on their land.

She had called him a boy. She had called him a boy. Danny was just a boy to her. His hands trembled as he accepted the thermos, taking a drink from the still hot coco inside.

Danny's stunned silence must have spoken volumes. The old man had given out a chuckle, moving to stand beside his wife.

"Don't worry, bud. Our son is just as strange as you."

Danny was just fifteen years old when he stumbled onto the Kent farm. When John and Martha Kent stumbled upon a crying glowing boy. When a sweet old couple hadn't cowered in fear but instead embraced Danny. Offering kindness and comfort with no strings attached.

He was only fifteen when he found himself a new home. A new life. One where he didn't have to be anything more than a teenage trying his best. When his powers weren't needed, only appreciated. Never expected.

A life where a warm home-cooked meal and a mother's kiss seemed to greet him every morning and night. Where a father's touch seemed to linger in every tractor lesson, every game of catch, and every time Danny learned more about the farmer lifestyle.

Danny was fifteen when he found his family. When he met the equally kind son of an amazing couple. When he had someone willing to teach him how to handle his powers, but never expected him to.

But Danny was seventeen when his past came back. When a town and people he cared about, all came flooding back in. When the guilt and shame of abandoning them came flooding back in.

When his new picture, perfect life started to crumble around the edges. When he realized life never went well for a Fenton and Fenton-adjacent. The perfect safe bubble had to burst eventual.

And well, that's a story for another day.

[queruloustea]

why hello there, 'tis me back with more brain-rot sketches :)

[centaurianthropology]

One thing that I think a lot of Disco Elysium meta misses (likely because a lot of it is very clearly written by young Americans writing from an intensely American-centric cultural perspective without even really realizing it) is that one of the singular and central themes of the game is massive-scale generational trauma in a home that is economically collapsing as its resources and people are being drained by an occupation.  People have noted that no one tries to help Harry, despite the fact his mental illness is incredibly obvious to everyone around him.  He tells Kim that he completely lost his memory, and Kim politely asks him to focus on the work.  He tells Gottlieb that he had a heart attack, and Gottlieb tells him that if he’s still alive it couldn’t have been that bad.  That he’ll drop dead sooner or later, but then so does everyone.

And that’s the most important thing: so does everyone.  Look at Martinaise.  Look at the world in which Harry lives.  It is not our own, but it is adjacent to ours.  More specifically, it is clearly adjacent to the states of the Eastern Bloc: overtaken and occupied by a faraway government that clearly doesn’t care about Revachol or its people.  And that is obvious in every tired face, every defeated citizen, everyone trying to eke out a little happiness or meaning in spite of the overwhelming trauma and damage around them.  The buildings are still half-destroyed.  The bullet holes are still in the walls.  The revolution was decades before, but it still feels to the people there like a fresh wound.  The number of men of Harry’s generation who are not alcoholic or otherwise deeply fucked up are very few.  Some, like Kim, hide it better, but the deeper you dig into his history, the more you realize how damaged Kim is.  He’s more than a little trigger happy, and hates that about himself, but he is a product of his environment: Kim’s entire life is seeing people he cared about shot and killed, so his instinct now is to shoot first himself, to protect those few people left who still matter to him.

Harry is not unique in his trauma.  He is a distillation of an entire culture of people who tried to rise up and make something beautiful, and were instead routed and occupied.  He is trapped between the occupation and the people on the ground, along with all the rest of the RCM.  Their authority comes from the occupying government, but it is implied that they were formed out of the remnants of the citizens militia which sprung up from Revachol itself as a way to try to mitigate some of the horrors being committed on its streets.  The Moralintern sure as hell wasn’t going to get their hands dirty, so they happily conscripted (and therefore could better control) this group, who are only recognized in certain places, and whose authority mostly amounts to giving out fines.  The RCM is corrupt, but it is corrupt in the same way its culture is.  Bribes are considered standard with them, not a moral failing, but a necessity, so long as those bribes are correctly logged as ‘donations’.  It’s how the RCM stays afloat, and the rest of Revachol completely understands that.  Everyone would take a bribe if it meant they kept eating.  Everyone would take a little under-the-table money if it meant keeping a roof over their heads.  The officersof the RCM certainly don’t make enough to see a doctor.  They have an in-house lazarus, and if he can’t fix them they just die.  Mental health care?  What mental health care?  Harry doesn’t get it for the same reason no one else does: it doesn’t really seem to exist.  There are no counselors, no psychologists, no psychiatrists.  How would they even start?  If the world is what is broken, if everyone is suffering a similar catastrophic amount, it makes sense that Harry’s trauma would simply get rolled up with all the rest.  Kim asks him to get on with the job because Harry’s suffering is not remarkable in Revachol.  He is one of an entire generation who have an astronomical number of orphans from the revolution, and so many younger people are left more or less orphans as their parents drink themselves into oblivion like Cuno’s father.  So Harry’s truly unique attribute is embodying all that trauma, having it all inside of him, filling him to bursting.

To really engage with the themes of the game, engaging first and foremost with the reality of Revachol is imperative.  Imposing our own reality onto Revachol, particularly if coming from an American perspective (which tend to have the habit of both viewing the world through an American lens and not realizing they’re doing it because they’ve never experienced a different lens), will always feel shallow to me because of this.

All that is to say, I would love to hear some more explicitly European meta about this game, and especially Eastern European meta.  If anyone can point me to some good, juicy essays from that perspective, I would be grateful!

[friends-call-me-snow-miser]

ok i’ve seen people talk about why house needs wilson but haven’t seen much about why wilson needs house, other than maybe a single sentence or “because gay”. so who would like me to elaborate on why house is so fucking important to wilson?

[fatedroses]

More than just the Demon.