#it's a really great story

[inkiedraws]

"LOL this flip-flop wearing loser thinks he's gonna kick my ass and destroy my whole kingdom in the span of an afternoon. What an idiot"

I didn't intend for this to be a full comic, which is why it just kinda ends. Sowwy

[contactlessdrivethru]

just finished opla mood

[lilybug-02]

City of Tears. But Mini.

I wanted to make an atmospheric art piece with Dewi. And the City of Tears is one of the most sorrowing, beautiful, and grand places to do that. This is a lot of firsts for me regarding the architecture and lighting. The shadows cover a lot, and it may have been too much. I'm happy with how it turned out tho.

No idea how Dewi found his way into the City. Probably magic. Probably plot too :) But oh boy, he is experiencing childlike wonder in his raincoat!

This is a better show of the line detail I needlessly covered up in the final lol

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[blluespirit]

there are so many amazing and powerful benders in atla but what i love about zuko is that whether or not he can use his bending in that moment has zero (0) bearing on how much he’s going to absolutely kick your ass. no bending? that’s fine - he’s got swords. no swords or bending? that’s fine - he’s literally just going to beat you up. if you’re REALLY unlucky then you get all three. as a treat.

[pilferingapples]

the-constellation-collective

I don’t go here yet, what did happen to her?

omg you've gone this long without being spoilered for Les Miserables

at this point I would feel bad taking that away from you if you aren't sure you wanna know so I'm gonna put this under a cut, which is why I'm making this a reblog and not a reply; read on if you want but feel free to just come back to this post some time when you've read or watched it! (also , warning for child abuse mention)

Cosette is left with the Thenardier family when she's about three years old, so her mom, Fantine, can go and find work and send money for her support (utterly common procedure at the time and even now, depending on where you are! Fantine's not being neglectful). Only it turns out the Thenardiars are awful, and immediately start abusing Cosette--starving her, beating her , and making her do more and more of the housework as she gets older, all while writing to tell Fantine how she's doing great, or that she needs money for school, etc.

Four years after leaving Cosette with the Thenardiers, Fantine dies, in very upsetting circumstances ; Jean Valjean comes and gets Cosette from the Thenardiers a year later (he tried to be there sooner but there were unavoidable delays). He adopts her (informally, formal adoption at the time was not really a thing even for people who WEREN'T wanted criminals) , and raises her , with help of a convent school...

and they just NEVER EVER talk about the Thenardiers, and by the time she's a teenager she's sort of ...repressed it? Lost the sense of how to talk about it? Forgotten it trauma-style? Unclear but Hugo says she doesn't think about it or talk about it

So Marius can't know what happened! Because Cosette doesn't know what happened! There's just five years of her early life that are ??? for her.

Absolutely wild to think about how Marius' idea of Cosette's childhood is, like

=> her mom died when she was young => her dad came and got her => she went to a good convent school =>after her uncle died, she and her dad moved to the Rue Plumet house :D

THAT'S IT

it's not WRONG but there is a fairly significant chunk missing!! and he doesn't know! he will probably never know! Because Cosette doesn't either! and in the times when Thenardier is dropping anvil-size hints, Marius is NOT picking those up!

Marius and Cosette both about Cosette's younger childhood years like

[scaredii-cat]

My beautiful wife!! REAL!!!!

[fascinationstreetmp3]

found and read this interview again... he just gets it

[beaulesbian]

One Piece Live action season 1 + hints or similarities to future One Piece moments (specifically after East Blue saga) - part 1: episodes 1-3

This wasn't meant to be a comparison between the live action and the animanga, but more so seeing these added/modified scenes that differ from the manga, yet with some of the acting/writing includes clues and hints to different and future canon material, or even characterization that necessary doesn't fit East Blue yet, but fits well enough into later arcs.

Luffy not knowing his world directions both in Opla (ep 1) /// Skypiea arc, in anime ep 168. But it could be for honestly any other arc (Funny thing is, in Opla he rang the bell that unfortunately alerted Alvida's crew, and only when I was rewatching that scene it made me connect it with the great Luffy moment at the end of Skypiea.)

The matches that Zoro has on the Island of Sixis in Opla ep 1, possibly manufactured on Baldimore (?), with a name Beast of Baldimore. /// After Sabaody Archipelago Franky was sent to Baldimore by Kuma, finding Vegapunk's homeland and laboratory, and also developing more of his science projects, as well as causing funny incidents, such as the Burning Beast. (It has probably nothing to do with the matches, except for the 'tiger on fire' motif and the name of Baldimore, but the details of Opla are just so fun!)

Zoro's first meeting with Luffy in Opla episode 1 is really different but fun nonetheless, especially with wording of the line that he doesn't want to 'play pirates' with Luffy. It's such a great setup line for his development to truly be one of the very first to understand how much Luffy means everything he's doing /// Zoro in ep. 323 Post Enies Lobby arc, making sure both his crew and the audience know how seriously he takes being part of Luffy's crew and what it means for future arcs.

Opla ep 2, Luffy mentioning Shanks' way of thinking about fighting (or not fighting someone who's not worth it) /// ep. 146 Jaya arc, Luffy saying to Zoro not to fight Bellamy's crew, which was direct influence from Shanks not fighting the Mountain bandits in the first chapters of the manga. It's interesting that for both of these scenes both Zoro and Nami are there to hear this.

This is just a fun bit, but seeing Nami excited about having a bath was cute. Opla ep 3 /// anime ep. 326, just after they get Sunny and everyone was finding out what space there is for them.

Garp and Koby playing the game of Go, Opla ep 3 /// CP0 agents playing Go while discussing the outcome of Strawhats & Oden's crew's raid on Onigashima against Kaido. It seems like a game that maybe Marines play more/enjoy (?) & above, up to CP ranks.

Usopp 'retelling' a story about eating a dragon, Opla ep 3 /// Punk Hazard ep 580, Zoro killing the dragon and planning with Luffy what's the best way to cook and eat it. Lol. In next chapters Luffy was carrying a big chunk of it, seemingly ate a bit part of the dragon already.

This one is self explanatory. Zoro is so gone for Luffy in Opla it's insane. Every time I remember that I get emo. ep 3. /// One of the first really fond smiles that Zoro keeps smiling at Luffy, a mixture of proud and understanding how Luffy works. ep 63, but it's just so much better in the manga, just look at it. Smitten™ (ch. 104)

[forgettable-au]

Does Flowey exist in this au?

Yes, he does.

Everything's pretty much the same when it comes to the regular story in this AU. It's just the past, especifically Papyrus' past (wich we don't know much about to begin with) that changes

Actually Flowey is one of the main characters in the story! (the main story of this au is divided between the past before the game and a post-pacifist timeline:D)

He and Papyrus will have a fun dynamic

-some thought I had in tags behind the keep reading

Srry for the spelling mistakes in here but I can't go and fix tags because I would end up erasing everything😭tumblr struggles

[tisorridalamor]

Recently I’ve been reading Kui Ryoko’s fantasy short stories, and they’re all fantastic! Highly recommend that all Dungeon Meshi fans (and fantasy fans in general) check out her other works:

Terrarium in a Drawer

The Dragon’s School is on Top of the Mountain

The Works of Ryoko Kui: Seven Little Sons of the Dragon

[egophiliac]

LEON

LEON YOUR EYEBALLS

[wishfulsketching]

I got lost while I was on my way to rewatch Granada Holmes

Now I know about Jooster

[elvyn]

Anyway, I finished Baldur's Gate 3

[amphibianaday]

day 1821 - half a decade!

redraw of day 1, 364, and 1000, but with a twist - now it's also my frogsona :D

for now i'll be taking a (maybe permanent) break for at least the rest of the year! see you in 2025!

previous versions for comparison below!

[novelconcepts]

I really think we as a society don't give enough credit to performers who thrive in an ensemble situation. It's always obvious when an actor is excellent front and center, and we're constantly rewarding that skill set with awards, but god, there's something to be said for the power of a true ensemble piece. People who are so good at reading one another and playing off what they're given, tossing the ball and knowing when to turn it into a grenade. As much fun as it is to watch a solid monologue or a solo show, I always find it so much more thrilling--and so much more authentically lived-in--when there's an ensemble just feeding one another in every single scene. Who do I look at? What is everyone else learning and deciding even from the background? This is what life looks like, and actors who really shine in that environment have really become my favorite to follow.