#azula who’s a prodigy

[blluespirit]

there are so many amazing and powerful benders in atla but what i love about zuko is that whether or not he can use his bending in that moment has zero (0) bearing on how much he’s going to absolutely kick your ass. no bending? that’s fine - he’s got swords. no swords or bending? that’s fine - he’s literally just going to beat you up. if you’re REALLY unlucky then you get all three. as a treat.

[antispopausandstuff]

though i likely wouldn't de-age Adora to be in her teen years, personally, there is a lot of potential in a story like that.

a 16-17 year old child soldier who was held up to the standards of protector, healer, de-escalator, and overall a weapon meant to serve what she believes is the greater good, after being groomed by her mother and father // authorities and bullied // abused by her sister, only to discover not only that her entire future was a lie, but so were those she called family.

having to face the truth and undo the propaganda and brainwashing done to her all her life, she makes the choice to become She-Ra after taking the first step: realization.

( i feel like a lot of people hold the idea that 'choosing' to hold a title means that you 'chose' to suffer every single consequence that came after, thus the reboot stripping away Adora's autonomy in choosing the Sword of Protection, rather than it just being thrown into her hands without so much as a simple understanding. )

then, through her perfectionism, savior complex, and inability to change every single aspect of her worldview, out of a deep need to maintain some reason about her previous life, she gives her sister, Catra, a way out, in spite of all the pain she's suffered at her hands.

logically, Adora owes nothing to Catra. she could've walked away and no reasonable person would blame her ( though, that seems to be a stretch nowadays ), because there's only so much one can deal with before keeping yourself at a distance is all you can do.

it's difficult, to turn away from your home and become a 'traitor', when they had betrayed you first, for your entire life. but you don't even want to acknowledge that yet, because so much has happened in so little time, and you're not only a revered warrior goddess, but part of the people Etheria fears and hates.

it's difficult to undo the teachings of your mother and father, of not just staying still and passive when accused, yelled at, or intimidated.

it's difficult to not have a panic attack at the first sign of punishment. you had never been punished before. as far as you knew.

whether or not you know it, you begin to overcompensate. taking over any and all plans, struggling to hear the others out of fear of rejection or offense, having to hold your breath each and every time someone speaks, and trying to follow all directions down to the T.

you burn out.

Adora is not only a victim of propaganda // brainwashing, but severe psychological, emotional, mental, and physical abuse through the hands of those she loved and trusted with her whole heart, who she showed compassion, sympathy, and understanding without hesitation, even when she was afraid.

part of the reason why her story is tragic, in my eyes, is because she was a child that had to be an adult.

yet, the show // fandom only wants to acknowledge that if it's convenient or if Catra is involved and can be her 'savior'.

[muses-of-the-memory]

Happy 20th Anniversary, Avatar: The Last Airbender!

Today is the 20th anniversary of…

Avatar: The Last Airbender!

It has now been 20 years since we seen Aang, the Last Airbender and his Sky Bison, Appa come together with Katara, a South Pole Waterbender, and her paranoid brother, Sokka form Team Avatar to defeat the Fire Nation in the Hundred Year War, and bring peace back to the Four Nations.

Along the way, they made some friends such as Momo the Lemur Bat, Toph Beifong,

Suki and the Kyoshi Warriors,

Haru, the Freedom Fighters and others.

But they had also made enemies during their quest for balance,

such as Prince Zuko and Uncle Iroh,

Princess Azula, Mai and Ty Lee,

albeit Zuko and company later became allies during their quest War later on.

They manage to end the war with Aang Energybending Ozai’s power away, Zuko becoming the new Fire Lord, but their adventures weren’t over… in the comics. Especially when having to find Zuko’s mother, Ursa.

So, feel free to come into the inbox and roleplay with the characters of Aang’s timeline.

Tagged by: @hoshi-neko-hikari, @bluemajingirl, @astral-multiverse, @themultiverseheroines, @spirits-of-nature16, @aangtheairnomad, @tylee-lovely, @circusxxfreak, @aiirmaster

[the-genius-az]

do you have any thoughts or headcanons about Azulon's wife Firelady Ilah and their relationship?

Ilah loved to play the violin, Azulon was his first and biggest fan.

Azulon loves to show off his fire to Ilah just to impress her.

They both married very young, Azulon being the younger of the two.

Azulon adored his wife's body when they made love.

Ilah is a dominant woman, she loves having her husband at her feet as he is the Lord of fire.

Azulon loves having his beloved on his lap while he rubs his face on her neck.

Ilah liked to play with Azulon's jewels when she was distracted.

The two were captivated by Azula when she showed qualities of them, they thought they would never have someone equal to them.

Ilah taught Azula how she could play the violin, and the little Princess began to learn for her.

Azulon taught Azula how to make mochis so she could enjoy with her girls.

[gh0st-city]

Thinking about Azula again...

[surgepricing]

I think about Azula shooters often and their common refrain of "if Azula hadn't had a mental breakdown, she would've won" and I'm here to tell you that no, she wouldn't have.

There is no universe in which Azula was winning that fight with Zuko (or Katara, for that matter).

Azula spent so much of Book 2 being built up as this deadly terrifying force against whom the heroes are badly outmatched that it can be difficult to catch exactly how quickly Zuko is advancing.

Back up a bit to Book One. For the fearsome exiled crown prince of the Fire Nation, Zuko's not that impressive a firebender. He's not bad by any stretch, and he's able to lay the untrained Sokka and Katara flat pretty easily. Then he gets in the ring with Aang, who is an airbending master, and the difference between a regular bender and a master becomes apparent when Aang literally puts his ass to bed:

People have attributed this to the fact that no one's fought an airbender in 100 years, but I think it's also worth noting that Aang (a 12 year old from a pacifist nation) has probably never fought anyone before. Like, ever. And yet the second Aang thinks "okay, I'll attack back", the fight's over.

Zuko's got the same genetic predisposition for firebending talent that Azula does, yet it never seems to manifest because of his mental blocks. At the beginning of the series, he's already so beat down that all he really has is conviction, pride, and anger, so even with training from Iroh (the firebending master, thank you very much), he struggles. Yet throughout Book 2, when he has no time to train because he's on the run, he actually seems to advance faster. The fact that his bending is literally tied to his character arc (as his morals become tangled and he has to fight off aforementioned mental blocks) is pretty brilliant. Like, by the time of the Crossroads of Destiny, Zuko getting his ass handed to him by Aang is a pretty consistent feature of the show--he just can't match wits with him.

Hell, at the beginning of the series, he and Iroh (again: the actual firebending master) launch a combined power surface-to-air attack...which Aang casually swats away into a nearby ice wall. Come the Crossroads of Destiny, however, and Zuko by himself launches this bigass fireball that blows through Aang's defenses.

Zuko advances so quickly that it's scary. That prodigious talent is in him even if it doesn't come through as cleanly as with Azula. Who, by the way, was busy about to get flattened by Katara some few dozen feet away, until Zuko took over and then effectively stalemated her himself.

All of this in retrospect makes it abundantly clear why Zuko's firebending seemed to skyrocket so much when he learned true firebending from the Sun Warriors: it was really the only thing left. He's hard a hard road learning how to fight waterbenders, earthbenders, and airbenders, and even if unconsciously, he's applying the philosophy Iroh taught him about augmenting his bending style with aspects of other styles (see also, the waterbending-like fire whips he uses in the above gif). Once he actually understands fire and how it works, he's got it mastered. Hence why any gap between him and Azula effectively disappears as soon as their next fight--before her friends have betrayed her and her stability goes out the window. There's no real sense of urgency to their fight at the Boiling Rock prison. True, Sokka's presence with the sword helps, but Zuko doesn't look remotely worried and he counters Azula's every attack perfectly.

All her life, Azula only ever learned fire. She was taught by the best people the fire nation can employ, so she knows all the cool tricks, but she's still poisoned by the corrupted firebending practiced in the modern ATLA timeline. Unlike Zuko, who managed to get the basics if nothing else from Iroh (fire comes from the breath, and can be used to survive as much as to kill), Azula has always used fire as a weapon and a means to hurt others. She has no true knowledge of the craft, meaning she's got the same weaknesses as Zhao, she's just better disciplined to the point she can make up for it.

Zuko's victory was a given considering Azula's complete loss of control by the time of Sozin's comet, but even had she been in a perfect mental state, she'd have lost, because in many ways Zuko is simply the better firebender.

And that's the truth of it.

[evilkitten3]

well the second expression is definitely confused but the first one seems pretty scared to me. the only other times i think we see her at all scared are during her argument with ozai when she talks back to him and then immediately remembers that she's talking to her pos mutilation-happy dad, and when she realizes katara is about to beat her (both are a mix of scared and angry, with the former leaning more towards scared and the latter leaning more towards angry imo)

but i think this is the first and possible only time she really looks like she's afraid of specifically her opponent

was fucking around on google images and i ended up stumbling on a reddit post from three yrs ago with a picture of iroh grabbing azula during a fight scene...

this is the only time i can think of when azula seems completely terrified.

he grabs her and she's scared shitless

but he just redirects her lightning and she's just bewildered.

i wonder what she was thinking there

[paishowhitelotus]

Rewatched book 1 after watching the live action and here is a list of everything that wasn’t in the live action that I think should have been :

Sokkas war paint

Saying the words “hair loopies”

Barely seeing the boomerang

Katara being able to calm down aang during the avatar state

The comet

Importance of mastering all 4 elements

Sokka dressing in kyoshi warrior clothing and learning the strength of women (removing and growing from his sexist beliefs)

Zukos honor /destiny (think it’s mentioned once?)

Mouthfoaming guy

Aang water bending

Roku manifesting and telling jeong jeong to teach aang firebending

Aang trying fire bending too soon and burning katara which leads to him being hesitant on learning firebending in book 3

Katara finding out about her healing abilities

Aang being selfish by keeping location of Sokka and kataras father from them

Aangs crush on katara

Aang doing everything he Can to heal his friends in the swamp

"Miyuki, did you get in trouble with Fire Nation again?”

Rokus dragon

Aang dealing with the guilt of leaving the southern air temple and all his people getting killed and not accepting his role as avatar

Sokkas intuition for recognizing Jets deceit

Sokka being a natural inventor (it’s barely even touched in the live action) Sokka is smart and creative

Katara’s dedication to learning water bending by stealing the scroll

Katara’s jealousy of aang being able to bend and learn faster than her

Kataras fierce determination and her take no shit personality

The cruelty of the fire nation by imprisoning earth benders into work camps (this is just one example)

Katara’s selflessness and bravery by getting herself imprisoned in the war camp and saving all the prisoners shows how much empathy Katara feels for people and always wanting to help those who can’t help themselves

Showing how master jeong jeong and others left the fire nations army because of its cruelty (fire nation people can be good and recognize the evil in their own ranks)

How aang feels upset about the disrespect and condition of the northern air temple/legacy of his people but accepts it in the end knowing they need this temple as their home

Using the fallen war balloon to create a fleet of airships in the final battle with Ozai

Appa being a badass and also fighting to protect aang multiple times

Iroh and his white lotus tile (this is important foreshadowing for later seasons)

The healer in the northern water tribe recognizing the betrothal necklace and realizing it belonged to her friend and kataras grandmother, kanna, who was engaged to master pakku of the northern tribe but left to live in the South Pole

Katara confronting pakku and telling him “I’ll be outside if you’re man enough to fight me” ( the challenge is off screen in live action, dumb choice tbh just glad we got to see the physical fight at least)

Pakku finding the betrothal necklace and talking about kanna and katara saying her gran left because “she wouldn’t let your stupid tribes customs control her life” which in turn makes pakku reconsider and start teaching katara waterbending

Pakku complementing kataras skill saying she’s has advanced faster than any other student he has trained (this shows how great and powerful of a water bender she truly is)

How strong the water benders are at night especially during the full moon

How the moon was the first water bender

Zuko kidnapping aangs body while he is in the spirit world

“You rise with the moon, I rise with the sun”

Not showing emotion to koh cause he’ll steal your face

Zuko talking to unconscious aang telling him how everything always came easy to his sister, she’s a firebending prodigy. Ozai telling Zuko that azula was “born lucky while Zuko was lucky to be born” (another instance of ozai’s cruelty as a father)

Talking about how iroh has been to the Spirit world

Zuko trying to challenge katara during a FULL MOON” “Here for a rematch?” “Trust me Zuko it’s not going to be much of a match” and then her kicking his ass in 5 seconds

Aang showing compassion to Zuko by saving him again despite Zuko kidnapping his body

Iroh staying with katara Sokka and yue after the moon spirit is killed (this shows his heart)

Yues body disappearing and her spirit kissing Sokka and her saying “I’ll always be with you”

The ocean spirit grabbing zhao and dragging him into the sea

Pakku wanting to help rebuild the southern water tribe

Pakku Calling her Master katara and saying she’ll train aang from now on

Azula appearing at the end and Ozai sending her on a task because Zuko is a failure and iroh is a traitor

[hadesisqueer]

Looking back, people who think Korra is weak because she lost fights or got captured a few times or often needed help are funny because

1) Have you even watched ATLA? Aang got literally killed, and captured and needed help too. Or the Kyoshi novels? Kyoshi needed help to beat Yun. You complain that Korra is a Mary Sue but you want a character that's unbeatable? Make up your mind.

2) Korra didn't have actual fair 1v1 bending fights against her villains. Amon bloodbent her and never actually fought her. Unalaq was the Dark Avatar and starting pulling Raava out of Korra rather than beating her. The Red Lotus either shot her with tranq darts, or caught her when she was unconscious, and only fought her when she was chained up or literally dying from poison. The times she got actual 1v1 bending fights were against Tarrlok —she beat his ass before he pulled the bloodbending thing— and Kuvira; first time with Kuvira she was suffering from severe PTSD, which was why she lost. Second time, though? She won. She actually fought quite well. She actually held back because she only wanted to get Kuvira to yield and capture her, not kill her. Had she wanted to end things quickly, she could have lmao, and Kuvira herself thought so.

Korra is stronger than any of her villains. In fair fights, she could beat all of them. The villains were smart and knew that. That's why they made sure there weren't fair fights lmao; Korra's issues were more political, diplomatic and spiritual. Actually, as most of us have realized, if you switch Aang and Korra, both of them would have been way more comfortable; Aang, originally more spiritual and diplomatic than she was, could have done better with her villains and issues from the start. Korra, more of a warrior and even more of a bending prodigy than Aang himself was, could have dealt with Ozai or Azula more easily than him. But that's the point of the shows tbh they have to grow and face challenges. And again neither of them are perfect.

[graceshouldwrite]

Writing Compelling Side Characters

**NOTE: Some of these tips don't really apply to ensemble casts, where there are multiple Main Characters (plural).

1) Agency - motivations, actions, effects

Technically, they ARE side characters in your MC's story, but don't base your writing on that fact.

Side characters need:

Their own REASONS for joining the story (because they want to, not because the PLOT wanted them to) Example: In Arcane, Caitlyn inadvertently gets involved with Vi due to her compassion and desire to help the undercity, not because the plot needs a love interest

A GOAL, on which they act INDEPENDENT of the plot, and actually affects your MC/the main plot (not the other way around) Example: In Loki, Sylvie's independent goal is to take down the TVA, and her actions reveal the TVA's corruption to Loki, influencing him to join her in fighting against the TVA instead of working for them

A STAKE in how things end (e.g. someone getting paid after agreeing to join a heist); they aren't just in it to be a "comic relief" or a "damsel in distress" Example: In Breaking Bad, Jesse joins Walt in cooking meth because he makes BANK from selling drugs, not because Walt needed a funny and traumatized sidekick

Their own RELATIONSHIPS with other characters, aside from the MC—they have their own friends, enemies, love interests, etc., and these relationships can completely change the plot Example: In the original Percy Jackson series, all of the side characters (e.g. Annabeth, Nico, Thalia, Luke, etc.) have their own relationships with each other that greatly affect the plot. Check it out: Annabeth's attachment to Luke, even after he became evil, completely changed the plot in several ways: kickstarting a journey to save her from Luke in The Titan's Curse, revealing his true evil identity as a vessel for Kronos (big bad!) in The Battle of the Labyrinth, and mainly contributing towards Luke's reversion away from evil in the last book due to him remembering his promise to take care of her a long time ago, etc.

Their own PAST that affects how they act, move forward, and how they treat the MC Example: In Avatar: The Last Airbender, Azula's pressure on herself and desire for perfection is greatly driven by her father's expectations of her as the fire-bending prodigy, resulting in a childhood of earning parental love and care AFTER she proves her worth to him. This created a mentality ceaselessly focused on her goals—which are usually her father's missions—causing her to be deadly, manipulative, and constantly causing problems for the main character.

The side character is not an extension or byproduct of the MC's plot; their own story happens to collide and intertwine with your MC's plot, but is ultimately independently driven.

2) Affecting the ending

The story can't have reached the same ending regardless of the side characters' existence. They must be necessary to the MC in helping them reach their goal faster, more prepared, etc. For example, in Avatar, Aang would not have been able to reach his goal of defeating the fire lord without the help of his friends, who each taught him valuable life lessons as well as combat skills.

Each character must have an independent impact on the MC—don't treat them like a group (e.g. "the side characters," who are one individual collective). Arcane does a great job with this, as each side character has a completely different impact on the MCs (e.g. Silco, Ekko, Caitlyn, and Vi—not a side character but for the purpose of this analysis, bear with me—all have a different impact on Jinx). It isn't just a literal impact. It's what the MC learns, and the theme of the story. They should help the MC realize things about themselves, and contextualize the MC by showing them in different situations with different people.

3) Avoid stereotypes Don't create characters from moulds and conform 100% to the trope: e.g. the "comic relief" can also be "the outlaw/rebel" or the "love interest," the "brooding antihero" can also be the "caregiver" or the "wise one," the "seductive girl" can also be the "science nerd" or the "broken optimist," etc. Mix and match. Everyone has more than 1 personality trait in real life, and probably fulfils more than 1 role to the other people in their lives. Give them intersecting personality traits to flesh them out.

4) Theme and Arc Especially compelling side characters have their own arc and embody their own theme.

Example 1: Mr. Darcy in Pride and Prejudice is more than the brooding love interest—he develops by being less arrogant and learning to see people beyond their social status, and opens up to new ideas, people, and situations.

Example 2: Nico di Angelo from the Percy Jackson series goes on a journey of self-acceptance and embracing his identity, instead of just being the stereotypical emo kid who is constantly in a state of angst.

Example 3: In Arcane, Silco goes from a ruthless crime lord who believes that attachment is weakness, to someone who genuinely cares about his adoptive daughter, so much so that he can't give her up even in exchange for his lifelong dream.

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated :)

Happy writing, and have a great day!

- grace <3

[snek-king]

i personally think he’d be a no bender- much like ty lee! but i can also see him being a fire bender who uses lightning

The Batfam as benders:

[pandaofsecrets]

This convo got me thinking about how Ozai being a good parent and husband would actually be like (and how little that would actually change things), so here's the basics of the AU. It follows comics continuity because I think it's more impactful that way, and also because I really don't want to write two AUs for the price of one.

Okay, so first of all, how do we get here? Let's say that instead of Ozai becoming narcissistic as a coping mechanism (unlikely, but bear with me), he just kinda gives up trying to "prove his worth" and distances himself from his father and brother, distrusting them and trying to avoid their attention as much as he can.

Anyway, Azulon hears about the prophecy and wants Ozai married to Ursa, which. So much for not attracting attention. Azulon's logic here is that while he does want those strong firebenders, he doesn't want any of Roku's line to actually inherit the throne. So, marrying Ursa to his out-of-favor second son it is.

Needless to say, neither Ozai nor Ursa are exactly jazzed about the marriage. They're both essentially forced into it, and Ursa was already seeing someone, thank you very much. But they both figure that it's for the good of their country and that they can't really leave anyway, so they might as well try to make it work. Ozai works to make Ursa as comfortable as possible, and she cooperates with him as much as she can. A few months or so into the marriage, Ursa is pregnant with Zuko.

This is when Ursa notices that no one is replying to her letters. No one at all. Not Ikem, not her friends, and not even her parents. Like, she knows mail is slow, but it's been almost half a year at this point. Her parents at least should've written back by now. So, she does a little detective work, and puts together that Ozai is intercepting her letters.

Unsurprisingly, Ursa is pissed. She'd just begun to like Ozai, and he went and tore her heart into confetti. Incredibly betrayed (and also hormonal as all fuck), Ursa comes up with the very smart idea of writing a letter to Ikem in which she pretty much confesses to cheating on Ozai, reasoning that would hurt him pretty bad.

As Ursa expected, Ozai gets the letter and barges into the room, demanding to know what the hell she was thinking. "I knew it!" she goes. "I knew you've been intercepting my letters!" Ozai is like "Count yourself lucky it was me. What if it was my father? How would you have even begun to explain this to him?" He goes on to remind her that she was to give up contact with everyone outside of court, including her parents. He doesn't like his father's orders any more than she does, but he has to enforce them. He then burns the letter, telling Ursa that she can see whoever she wants, do whatever she wants, but she had better not let Zuko get caught up in any of it. Ozai makes a point to call Zuko his child, both because Ursa's letter did hurt him, and as a way to imply he cares about Zuko and Ursa doesn't.

A couple of hours later, both are feeling bad about the whole debacle. Ursa goes to see Ozai, who's in the middle of his usual "dealing with his angst by training until he straight-up collapses" routine, and they have a chat. Ozai apologizes for trying to imply she doesn't care about Zuko and for putting her in this position in the first place, and admits that he should've talked to her instead of going behind her back like that. Ursa swears she wasn't trying to get them in trouble, she was just so hurt by his actions that she wasn't thinking straight. Ozai promises her he'll find a way for her to contact and maybe even see her parents, so long as she promises to try and be less reckless. She agrees.

I'm skipping around a lot over things I haven't thought of in detail, so cut to a few years later. Zuko is around 7 and has just started his firebending lessons, Azula is around 5, and everything seems to be going pretty good. And then Azula starts firebending as well. Not only that, but she turns out to be a prodigy. Oops.

Ozai being Ozai, he immediately goes for damage control. He holds back Azula's progress under the pretext that it's going to be better for her in the long run, discourages her from attracting attention, and is generally very cagey whenever the subject of her bending is brought up. This is in sharp contrast to Azulon and to her teachers, who praise her for her talents and encourage her to develop her skills. So, naturally, Azula is really confused. If she's so great, why doesn't her father ever acknowledge it? This is made worse by the fact that Ozai can't really explain to Azula why he does things the way he does. So he just comes off as an unreasonable tyrant, which is. You know. Not at all the impression he wanted Azula to have of him. He knows what it's like to be the secondborn who is disliked by their parent, he never wanted to do that to his own child. It honestly feels like the universe is out to get him at this point.

So Azula becomes increasingly recalcitrant, and Ozai resolves to just give her space for the time being, spending more time with the one child who isn't fighting him at every turn. Seeing this as a rejection, Azula takes whatever pent-up rage she can't direct at Ozai and starts directing it at Zuko, meaning Ozai is put in a position where he has to protect one of his children from the other. Ursa tries her hardest to pick up the pieces, but that just ends with Azula writing her off as well. Azula also becomes aware of the fact that Ozai and Ursa are both pretty much powerless against Azulon, and that's where the fun begins.

It's a crappy situation all around, but it's about to get worse. Lu Ten dies and Iroh is about to return home from the Siege of Ba Sing Se, so Azulon tells Ozai that he has to give Azula to Iroh. Ozai is like, yep, there it is. There's the moment I've been dreading ever since I got married. Because due to the way this whole eugenics experiment worked, his children were never truly his. Azulon's vested interest in them meant Ozai never had any control over his own family, and Zuko and Azula were always going to be taken away from him sooner or later. But before Ozai can say anything, Azulon drops the bombshell on him. He has to kill Zuko, too. Ozai is like, fuck this. He doesn't care that Zuko was a failed experiment or whatever, that's his son. But he knows by now that his father cannot be reasoned with, so he asks Azulon to wait until Iroh comes home, buying himself time to figure out what to do. Surprisingly, Azulon agrees.

Ozai then goes to Ursa and tells her the tale of what just happened. Ursa goes, yeah, no, we can't afford to wait until Iroh comes back. Because even if they did, Zuko would still die. Ozai is like, well, there's gotta be something we can do. And that's when Ursa gets an idea. She briefly considers telling Ozai, but quickly thinks better of it. Patricide is a strong word. She knows Ozai wouldn't approve, so if she wants something done, she's gotta do it herself. Instead, she just says she knows a way, and leaves Ozai to mope.

Next morning, the palace is in chaos. Azulon just kicked the bucket, Iroh is away, and everyone is looking to Ozai for leadership. Ozai has a chat with Ursa and is like "You did this, didn't you?" Ursa is all "I don't know what you're talking about", and Ozai asks her if she really thinks he's that stupid. He then encourages her to get the heck out of Dodge, because someone is definitely going to trace this back to her and then they'll all be in big trouble, her especially. Ursa counters that she's not the same reckless woman she was 8 years ago, and that she made sure to cover all her bases this time, pinning the blame on supposed Earth Kingdom assassins. They sit in silence for a bit, and then Ozai confesses he can't believe Azulon is dead, and that he doesn't know whether to be relieved or to hate Ursa for murdering him. Ursa says that everything she's done, she's done to protect her family.

So Ozai basically becomes interim Fire Lord while waiting for Iroh to come back, and he does a pretty good job, having basically been acting Crown Prince ever since he came of age (with all of the responsibility and none of the credit, because Azulon was a dick like that). From here the AU can go any number of ways, from Iroh immediately taking over as Fire Lord, to him giving up his claim to the title, to Iroh trying to give up his claim and Ozai refusing.

I don't know if I'm ever going to actually write this AU, so I'm leaving this here, I guess? Lmk what you think.

[unholy-virtue]

Here's a hot take:

I know that Azula losing her bending (I mean Avatar taking it from her as punishment) is commonly used to redeem her, but I honestly feel that it would make her worse instead of better.

Aside from the fact that Aang, who typically refuses to mess with spirit and energy bending stuff and only uses it as a last resort, would not do that to her if he didn't see any other option, Azula losing something so integral to her identity would push her further into her beliefs. Remember, she's the prodigy. That's the main reason she had Ozai's approval in the first place. It's all she has.

Losing something so integral to her identity would make her double down on her desire for vengeance. She already wants revenge for her loss of the Fire Lord position, which was the goal she had been striving for all her life. Losing her bending, which to her is even more important than the position of the Fire Lord, would validate her belief that the world is against her even further. Consequently fueling her desire for revenge.

In addition, it would be an attempt to fix the problem without addressing it from its cause. And this is the difference between Azula and Ozai. Ozai wants power. Azula wants to be loved. He's a wielder, she's a weapon. Taking Ozai's bending worked because to him it was a tool for power. But the root of Azula's problem is the reason she uses her bending. It will be properly solved when the motive changes, which can only be achieved if she manages to trust somebody enough to let them love her. Which is the hard part, but that's for another time.

[beifong-brainrot]

in your opinion, why do you believe Ozai hated Zuko so much? He physically scarred him, while he mentally scarred Azula

Honestly, this is a very layered question, because the life of the Fire Nation royal family seems to be very much filled with intrigue, subterfuge and spite. So much spite. It also depends on how much grace we want to give Ozai, whether we want to percieve him as a character with potential redeeming qualities. Don't get me wrong, all versions of canon compliant Ozai are morally deplorable, but it is possible to interpret him as a character more fleshed out than the cartoon villain he is on the surface level.

The reasoning for Ozai's treatment of Zuko can be traced back to Ozai and Ursa's very volatile relationship. It is plain to see that Ozai was an abusive husband, from the coercion of marriage and sexual relations, holding the abuse of their children over her head to physically grabbing and yanking Ursa.

It's hard to say whether Ozai just got off on the control he had over Ursa, or whether he genuinely wanted some kind of relationship with her. It seems like the family was at least comfortable for some time, and Ozai did appear to want to at least 'act out' romance with Ursa, kissing her on the cheek, and wanting her to call him 'my love'. Whether that be another level of control, or genuine, I can't really tell.

Whatver he wants from this relationship, all that is effectively shattered when Ursa begins sending letters to Ikem. Ozai seems so insecure due to this that he hires an elite assassin just to try and take down his wife's peasant ex boyfriend.

When Ursa lies in her letter, claiming Zuko as Ikem's son, Ozai confronts her. And he seems genuinely hurt, or at least distraught that Ursa wishes Zuko weren't his son. And so it appears he became especially cruel to Zuko to spite Ursa.

I want to highlight that it is difficult to blame Ursa for her actions, as she clearly isn't in a good place mentally due to what is happening to her

Another reason could be Ozai seeing Ursa favour Zuko over Azula. I go into this more here so I don't want to repeat myself. But I believe Ursa, unintentionally, isolated Azula. Now, whether or not Ozai saw this and reacted by favouring Azula and bullying Zuko. Or he saw his daughter was in a vulnerable position, prime for manipulation and control. Again, it depends on how nice we're being to Ozai here.

Azula really is just a more convenient child for Ozai. One of the reasons Ozai cites for perfering Azula is that she is a more talented firebender.

Zuko: You're like my sister. Everything always came easy to her. She's a firebending prodigy, and everyone adores her. My father says she was born lucky. He says I was lucky to be born.

Azula is also, for all her cunning and glib, more susceptible to manipulation. Unlike Zuko, who has Ursa and Iroh, Azula lacked supportive adults in her life. I talk about how important support systems are in redemption arcs here.

I think Ozais displeasure with Zuko was that, he wasn't as easy to control as Azula. He spoke out of turn and had ideals that went against Ozai. I believe that this is why Ozai became so enraged by Zuko's behaviour and actions. Zuko unintentionally undermined him.

Iroh: Zuko had spoken out against the general's plan, but by doing so in the Fire Lord's war room, it was the Fire Lord whom he had disrespected.

Ozai, at his core, seems like a deeply insecure man. Most of his acomplishments aren't his own. His wife (who was secured for him by his father btw) is the one who masterminded the assassination of Azulon and Ozai's subsequent coronation. And while Iroh, the one whose titile Ozai essentially stole, was in disfavour for abandoning Ba Sing Se, he is still a decorated war general.

And Ozai isn't stupid, he probably knows he is pathetic. There's a reason he didn't want to share his glory on Sozin's comet with Azula. He's fucken insecure and makes it everyone else's problem.

And to some extent, I don't think Ozai really hates Zuko, at least not pre- Black Sun Day. Zuko tells us that his family was "happy once" and it's implied Ozai had been an at least passable father a t some time.

I simply think Ozai's pride, insecurity and spite towards Ursa took priority over whatever affection he had for his son.

I don't want this to seem like I'm making any excuses for Ozai, his actions towards Zuko and his entire family were deplorable. Him having his own rationale and reasonings doesn't moralise his behaviors. However, I do like to think that he isn't just a one note cartoonish villain and has his own motivations other than being a dick.

[the-badger-mole]

I don't understand people who say that Zuko was a bad firebender. He's demonstrably not, even before he meets the dragons, he's shown to be a very good firebender. HE thinks he's not good enough, and sure, he's not a prodigy like Azula, but that doesn't mean he's a bad firebender. He clearly knows his stuff, and the implication is that he's only not as strong as he could be in the first couple of seasons because he's relying on anger and hatred to fuel his inner fire (man, that sounds cheesy!). Once he figures out a better, more sustainable source, he's a match for Azula. That means at his "weakest", he was still able to go toe-to-toe with a military trained, fully grown man and win. Zuko was never a bad firebender, he just didn't believe in himself (again...cheesy).

[starlight-bread-blog]

My Interpretation of The Last Agni Kai

(Disclaimer: This isn't critisism of Zuko as much as it a small breakdown of the tragedy of the royal family. This post was also editted and it may not appear in reblogs).

Do you hear this language? "The showdown that was always meant to be". It's somewhat true, but I'd argue that it's not because of who they are as people. It's because of Ozai.

It's because they're the golden child and the scapegoat. It's because they've been put against each other by their abuser.

I would argue that she is sorry. She does love her brother, and she didn't want it to end this way. Zuko cannot see that, and he isn't sorry.

In The Beach, Zuko burns a picture of them, as a family.

To him, the picture resresents the perfect past. Before everything went to shit. But he no longer fits there. Even though he's back. He's frustrated, he hates the world, and wants to burn it all.

Especially after he has redeemed himself, he is sure there is nothing for him. His mother is gone, his father is abusive, and Azula: the prodigy, the favored one, who belittled him from the day Ozai began to favor her. She left him in the dust while making it extra dirty. She's barely his sister anymore, she's the untouchable force making his life worse.

In Zuko Alone, Azula practically taunts him over his planned murder.

This is what Zuko sees. Not a human, not a sister, but a boogeyman. After all, Azula always lies. What he doesn't see is Azula's reaction when she realizes the situation is serious. She'll never let him see that.

Azula could have burned the bridge all those years ago, when he was banished. But she didn't. She is the reason he's back home, on that beach. Ozai was her God, she was disciplined to him and only him, even more than herself. And she lied to his face so Zuko could come back home. She's cunning, manipulative and dangerous, but she loved her brother.

Zuko can't see that. Even when "she's slipping", he can't see that. Of course he wouldn't, her love for him is overshadowed by the damage she caused him, and his envy of her. She's above him, the demon haunting him. As Ozai and their history led him to believe. And he sticks to this belief, until it's disproven.

(Author's note: Azula's face here makes me want to cry, props to the animator)

She's human, his sister. And she's trurly sorry it had to come to this.

The Last Agni Kai is a tragedy. It's the story of two siblings who grew up in an abusive household, with a dad who played favorites. One made all the wrong choices, while the other could not fathom the other's humanity. They don't reconcile, they put themselves against each other. Because it's the showdown that was always meant to be. And he only recognizes it wasn't, after it's over. Now, he too, is sorry.