#it's a fictional fantasy RPG do whatever you want have fun

[aaronsrpgs]

"Ancient World Fantasy" Reading List

(A little context to start. If you just want book recs, scroll on down to the first image.)

As I’ve been getting into RuneQuest (Wikipedia link), one striking component of the culture and community surrounding the game is that they’re very into the lore of its fictional world, Glorantha. I’m saying this as a comparison to a game like D&D, where the game is spread across tons of settings with no real sense of obligation to keep things in line with earlier editions.

Glorantha’s canon and worldbuilding has been going on since it was published in 1978 without, as far as I can tell, any big reboots. Which means that, unlike D&D, where people are bringing in all kinds of influences and doing direct adaptions of Jane Austen books and whatever, the RuneQuest game remains pretty tightly tied to the original setting. (There have been some exceptions. But not many!)

But since I run games for people who have ADHD or aren’t interested in studying up, I’ve been looking at all kinds of inspiration to drop into the game. Here are 20 novels that are roughly “ancient world” or “Bronze Age” like RuneQuest and deal with people interacting with strange gods, tight communities, and a world without fast overland travel or transferal of information.

I’m presenting them alphabetically by author’s last name.

The Brazen Gambit, Cinnabar Shadows, The Rise and Fall of a Dragon King by Lynn Abbey

I'm sorry for starting this post off with licensed RPG novels, but these are good! And I don't mean "good for licensed RPG novels." I've read tons of them, and most are so bad! But these are actually fun. Good character development in a sword-and-sorcery world. It's also an ecological apocalypse world, with godlike beings oppressing common folks, leading to a lack of technological advancement and knowledge of the past.

The Long Ships by Frans G. Bentsson

Written in the 1940s as a series of novellas, these stories take you on a tour of the Viking-era world, from Europe to the Middle East and beyond. Like a bunch of books on this list, this places them post-Bronze Age, so they're not officially "ancient world." But it gives a big spread of cultures, from the more clan-based Vikings to the bustling metropolises of Turkey. And it doesn't place any of them on any kind of linear advancement scale or whatever other gross way people "rate" cultures.

Tales of Nevèrÿon and Neveryóna by Samuel R. Delany

The master of weird sci-fi and gay historical novels, Chip Delany also wrote a fantasy epic. And it rules! Set on pre-historical(ish) Earth, these books describe the stories that maybe inform the myths we tell today? Dragons and slave revolts! A sort of "What if Game of Thrones was good?" series. Lots of good stuff about how people learn and how understanding expands.

I'm not listing the third book only because it's also a historical look at New York during the AIDS epidemic. It's an amazing book! But it strays from the "ancient world" aesthetic.

Baudolino by Umberto Eco

Another novel expressly set after the Bronze Age (this one starts in the 12th century). BUT it's about Medieval people's interaction with the knowledge they inherited from the past, specifically the myth of Prester John and the works of Herodotus.

I think I keep putting books like this on the list because roleplaying in a fantastical ancient world is not too far off from how Medieval people might have worshipped and referenced works from ancient Rome and non-European places.

Black Leopard, Red Wolf and Moon Witch, Spider King by Marlon James

One of our best living writers! These are fantasy novels expressly set in a fantastical version of ancient/Medieval Africa. The books explore the same events from multiple points of view and are full of cool magic, awesome spirit combat, and a vast number of places and cultures that actively deconstructs most games's portrayal of fantasy Africa as a homogeneous place.

The Wake by Paul Kingsnorth

I think Kingsnorth has been outted as a sort of eco-fascist? I totally believe it, so feel free to skip this one. It's a historical novel set in England in 1066, as the Normans invade from France. It's written in a faux Middle English language and focuses on the lower classes and how they try to resist the invasion. A good reminder that "Medieval culture" (and especially the Renaissance as a time that "culture advanced") is often based on certain classes of society, such as rich people and/or men.

Iceland's Bell by Halldór Laxness

Speaking of how class intersects with technological advancement, this book is set in the 18th century, but it focuses on Iceland at a time when it was ruled by Denmark, and the lower classes there were under an enforced poverty. It's a book about how a rich Icelander was trying to recover the stories of his people in order to create a sense of national identity and resistance. But it's also a story about how a destitute man acts like a total weirdo when he's not allowed to fish in his own waters and is cut off from understanding his place in history.

The Raven Tower by Anne Leckie

A big part of RuneQuest is people interacting with and enacting their gods. That's what this book is about! And it's about the strange vertigo that comes to people when they try to interact with the impossible timelines that gods exist on. Very good stuff.

Night's Master and Death's Master by Tanith Lee

Ostensibly set on Earth back when it was flat and demons roamed the world, which is basically RuneQuest. Sort of like a series of hornier, gay bibles? With lots of gender fuckery, fun sex, and cool monsters.

Circe by Madeline Miller

The story of the witch from The Odyssey, told from her point of view. Beautiful prose, tragic and beautiful characters, and a great share of mythical strangeness. Perfect if you want to learn how to run NPCs that are adversaries without being shallowly evil.

Ronia, the Robber's Daughter by Astrid Lindgren

Semi-Medieval again, but low class and vague enough that it could exist throughout ancient history. The daughter of a robber grows up in a tower full of robbers and generally has a wonderful time. Lots of weird monsters live in the woods, and there's a great starcrossed romance with someone from a rival robber gang. Perfect inspiration if you're running some cattle-raiding runs in RuneQuest; this is how to make robbers fun and sympathetic.

Read the book, watch the 1984 Swedish movie (which includes a great comedic scene of full-frontal dudity), and then watch the Studio Ghibli series.

A Stranger in Olondria and The Winged Histories by Sofia Samatar

Set in a world of pepper farmers and religious fanatics who worship a mysterious inscribed stone, these books do a great job of showing how people might interact with religion, rival cults, and mystery rites. It also portrays literacy and learning to read in places where it's gated behind social gatekeeping. And once again, the prose is beautiful.

The Palm-Wine Drinkard by Amos Tutuola

The first African novel published in English outside of Africa, The Palm-Wine Drinkard is a funny, hallucinogenic story about getting drunk, stumbling through weird landscapes, and encountering fantastical spirits and people.

Tutuola also wrote My Life in the Bush of Ghosts, the inspiration for the famous(?) David Byrne/Brian Eno album. I haven't read it yet, but I'm keeping an eye out!

The Green Pearl by Jack Vance

This is a sequel to Lyonesse, which I haven't read because I love staring in the middle of things. Set around a mythical British Isles when Atlantis was still above the sea and part of the group of islands. Some great wizard shit, warring clans, romance, and a wizard whose name is fucking Shimrod (in case you need more convincing).

Those are my 20 novel recommendations! I'm gonna come back to add some nonfiction, comics, and myth resources for running games in fantastical ancient worlds. You can read SpeedRune, my ancient fantasy game, here.

[wilwheaton]

You seem like a pretty good dude, Wil. Thanks for taking time to chat with your fans, and thanks for standing up for what is right. I love following you on social media. You've talked about D&D before, and I've been kind of curious about trying it out. I would be nervous though as I have no idea what to do. Any tips for 40-year-old beginners???

Thank you for your kind comments.

D&D! I love it. I love all RPG games (even the ones I don't like to play. I'm just glad they exist).

I've been playing since the early 80s, and I can confidently direct you to the 5e Starter Set. It is the best introduction to the hobby, to the system, to the experience of collaborative storytelling that makes RPGs so much fun and so special. It's a small investment, and a really easy way to find out if D&D is for you.

If you want to make an even smaller investment, this page has TONS of information and resources. You could start here and spend hours without noticing the time pass. Or, at least, I can. YMMV.

I want to share a few warnings with you.

Everyone has their definition of the "right" way to play D&D. You will find yours as you play. Don't let someone else's definition of "right" limit what yours may eventually be. We've worked real hard to kick out the gatekeepers, but they just keep spawning.

The D&D rules system is not the only RPG, or even the only popular one. Pathfinder is beloved by millions of people. FATE Core and GURPS have enormous player bases. Monte Cook's Cypher System is filled with gorgeous lore and character inspirations (but I've never played it, full disclosure). I chose the AGE system for our series Titansgrave, and used a lot of what I learned from running D&D for decades to customize the experience for me and the players. What I'm saying is, RPGs do not begin and end with D&D. It's as good a place as any to start, but it is only one of many systems.

You are going to hear hardcores make impassioned arguments that continue long after you have lost interest about all sort of rules and setting and system crap. Trust me: tune them out. Eventually, you'll know what you care to listen to.

All those non-D&D systems support and encourage playing in different settings, from Science Fiction to Horror to modern warfare combat. The thing that I believe makes D&D VERY special is its singular focus on high fantasy and everything that means in our culture. All those other systems do fantasy very well, but D&D is kind of the canonical "storm the dungeon, kill the monsters, take their stuff" experience.

That's a lot more information than I intended to deliver. I just get excited about this stuff because I love it so much. Whatever you choose, I hope you have fun!

And when it counts, may you roll high.

[rahkshirock]

Hypognosis RPG

Hey yall, Name’s Lynn and this is the start of a series of posts I’m going to be writing about the game I’ve been making for a while now. The current draft is one that I’ve been doodling around with for 2 years, and now that it’s looking like it might be playable in some capacity in the next few months, I figured I’d do my best to spread the word and see if I can’t get some eyes on this.

So what is Hypognosis? It’s a game about character's limitations, blind spots and frustrations. it's a role-playing game born out of my love for and frustration at a lot of other fantasy rpgs that I’ve seen and played. It’s a project to try to replicate the sorts of tense situations and decisions I see in other kinds of fiction, that I really want to bring to the table and play out with my friends, but just haven’t been able to.

Put another way, when I see a great sword fight in a show or movie, it rarely looks like one that I play in an rpg. The points at which tension is built are different, the stakes are different. I can’t play out the tension of fencer’s footwork, of the sting of sweat dripping into my eyes as I attempt to gauge when my foe’s attention wavers. Now I could *role-play* those things for sure. After all, it's collaborative storytelling! You can *say* whatever you want and it’ll be the case! However the *games* themselves rarely have rules that support those sorts of things. And I needed to try my hand at it to see if I could.

Now let me quickly say that I’m not putting down the thousands of excellent games that’ve been made over the last decades, both by big publishers and by small-time hobbyists like myself. I’m under no illusions that I’m putting forward something revolutionary or that any one piece of this project hasn’t been done before and perhaps better in a multitude of games. But there is a creative spark within me that If I don’t exercise, it will burn me up from within. I adore role-playing games! And when I love something I inevitably want to try making my own, whether it be painting, music, video game or tabletop rpg. What I want most of all is to create, and to let other folks have fun with what I create in turn.

So, let's ask that question again: what is Hypognosis? It’s a game set in a dangerous and fractious world where people have very recently been given access to miracles and elemental magics. Players pick from a wide array of heritages and motivations born out of the history of the world and the conflicts that arise from it. Factions within the setting move to unearth ancient secrets, expand their power, or to invent new technologies. The world is moving, and the players will drive it and be driven by it, forced to act on their limited perspectives and ability.

On a more immediate level, this is a game about rolling dice. The GM sets the stakes and situation, and the players assemble a pool of dice of various shapes to try to affect it. Their characters’ skills and the circumstances of the action determine the size of the dice used, from the D4s used as penalties to D20s used for wildly powerful but unpredictable forces. Once the dice are cast, the players barter for re-rolls and trigger abilities until the effect resolves. Some players might add two dice together to count as one larger number, others tally up the numbers of doubles and triples to contribute to the number of successful dice. The act of rolling dice is shared among all players no matter the role they play, but the outcome of the same roll can vary dramatically depending on who rolls it according to their Fate, the closest thing in this game to a character class. 

Teamwork is not just encouraged with a simple bonus to rolls, but with the overlap of abilities between characters applying to the same roll, letting them debate and cooperate exactly how to finesse a bad roll into a narrow success. Simultaneously, drama between characters in the group intentionally drives wedges in carefully laid plans, causing strife in crucial moments… or in what should be simple tasks.

This brings us to combat, a (very fun and engaging) tragedy when groups clash over failed communication or clashing goals, and tension is at maximum. Movement and Positioning plays a crucial role, with characters dancing in and out of each other’s range. But this game doesn’t ask for a carefully drawn grid or measuring tape. Instead distance is measured in whether characters are Pressed against each other, Close within each other’s reach, circling each other’s Orbit, or Far enough that they aren’t concerned with each other at the moment. Moving away from an opponent is the most sure-fire way to protect yourself from harm, but also removes your ability to harm them in turn.

Focus is the main resource a character tracks, a measure of their all-too-finite attention in battle. Trying to get a grip on the flow of the battle farther than one’s own hands is a herculean task when you see a big guy in heavy armor bearing down with a hammer. Rather than simply bludgeoning your way past the opponent’s defense to drain their Life Force, instead leverage the time available to force the opponent to react to your tempo, wearing them down through a brutal flurry of well-practiced and efficient swings to deliver a mortal blow when their focus wavers and they’re too dazed to stop you.

Whether attacking one opponent or an absolute horde, whether working alone or as an entire group, dice rolls are quick and singular. The same roll that determines if a character’s blade strikes true will also determine the amount of strain it inflicts on the enemy and the wounds which may result. In the same way, a GM will make one collective roll for an entire army of opponent units attacking, assuming they’re all in the same group. Hopefully this will help to pare down on the length of combat in what is objectively a pretty complicated system.

All in all, this is a massive project with a broad scope and a broader fictional world that i want to breathe life into. It’s going to be a long time before it’s done, but I want to play it sooner than later, and maybe make enough money to feed myself while doing so. As such, while I’m writing more posts like this in the next few days, I’ll be working on my main focus this last year: a playable dungeon crawl in the universe with a prototype of my game’s engine. If you’d like to help me make this a reality, please donate even a tiny bit to my Ko-fi at https://ko-fi.com/rocketdog96. every little bit helps!

[saff-rons]

thank you so much for the tag @3ncr1pted! completely forgot that this had been sitting in my drafts till now:,)

15 Questions

Are you named after anyone? i was named after my great-grandmother.

When was the last you cried? yesterday! i cry easily, it's cathartic.

Do you have kids? nope

What sports do you play/have you played? i used to fence semi-competitively. but yeah I'm rubbish at everything else - badminton is pretty big in my country and i'm embarrassingly bad at it. also, i started running last summer and it's been great, but i haven't really had the time to do it regularly anymore.

Do you use sarcasm? occasionally? i wouldn't say i use it more than the average person, though

What is the first thing you notice about people? their demeanour and the way they speak.

What is your eye color? brown

Scary movies or happy endings? i love both but probably happy endings. I sometimes get tired of watching shows where the main message is that humanity sucks and we are all selfish creatures doomed for misery. I just would prefer to believe that we are all meant to experience happiness!

Where were you born? in a hospital in singapore.

Any talents? singing maybe? i did the whole ABRSM grading thing and i used to perform in a choir so i think that counts. not sure if fermenting things is a talent but i used to brew kombucha myself. now that i'm in uni, i had to give away my SCOBY because no one at home was willing to take care of it:,) it was so fun experimenting with different flavours though! when uni's over, i'll start on that again. I've also been meaning to learn how to make my own kimchi and maybe sauerkraut?

What are your hobbies? i read (less than i probably should). i usually gravitate towards sci-fi and fantasy but i read a ton of fiction in general. i'd say neil gaiman is my favourite author if i had to pick and i've been waiting for seven sisters to come out for years at this point. boo. i also watch a lot of shows! when i was younger that was mainly anime, but now I'll watch whatever if it seems interesting. i occasionally play some video games, but those are usually visual novels and point-and-click RPGs. outside of general media consumption, i really like hiking, crocheting and writing.

Do you have any pets? i have two back in singapore:) a dog and a cat. i love them sm <3

How tall are you? 159 cm. there was a time when i was pissed that i'd never reach the 160s but then i realised it Did Not Matter.

Favorite subject at school? English Literature, Chemistry.

Dream job? to own a tiny cafe or book store where i'd have a slightly overweight cat to keep me company. realistically though, i think i'd get bored and more practically, we live in a capitalist hellscape and i need to make money to support my family, so i just hope the corporate law job i sold my soul for is interesting enough for me to enjoy it.

tagging whoever reads this and wants to do it!!

[pixelgrotto]

Adventure Paths & Strategy Guides

Those of you who keep track of this blog may have noticed that my updates have dried up since September. I have a good reason for this, because I got a new fulltime job writing for Rock Paper Shotgun. Yep, that's right - after originally starting Pixel Grotto back in 2013 because I couldn't get a job working at a video game media outlet, finally my path has come full circle. It only took a decade!

This turn of events coincides with a lot of other stuff in my life. In the past year, I've gotten married, moved from the US to the UK with my wife, and been freelancing in the tabletop RPG space all the while. In fact, my first published TTRPG work is now out in the wild in the form of Pathfinder Adventure Path #198 - With No Breath To Cry. Go grab a PDF (or physical copy) if you can, since I wrote some creepy lore about a new demon vaguely influenced by Chinese yaoguai and Japanese yokai, not to mention all sorts of Asian horror movies. I'm actually more pleased with my contributions to Pathfinder Adventure Path #199, but that doesn't come out until January. Keep your eyes peeled for it though!

Needless to say, this has probably been the most hectic and life-changing year I've gone through since 2018, when I moved from Hong Kong back to the US. And as 2023 comes to a close, I'm feeling reflective. I compare myself with others a lot, and much of my life has been spent looking at the accomplishments of people around me and feeling like I don't measure up. While I still do this to varying degrees, I suppose I can finally acknowledge that two of the goals I've always had - 1) to work in the gaming industry to some capacity, and 2) to see my writing published - have manifested in 2023. If I could venture back to 2013 when I started this blog (with a post about eating dumplings while playing Final Fantasy XII, no less) and tell my old self what he'd be up to a decade later, younger Jeremy would be chuffed.

That's another thing of note: as of this past October, Pixel Grotto turned a decade old. Technically, the site is even older than that, since prior to Pixel Grotto, I used this Tumblr for a blog dubbed Aqua Headphones that was sort of a mixture of personal ramblings combined with reblogs of whatever I found cool on the internet at the time. Since then, I've written an awful lot about video games, which led to writing about tabletop games, which led to working in both fields in a professional capacity.

It's surreal to examine my goals and observe how they unfolded in unusual ways. My original desire to work in games media came from the childhood magazines that I loved - Computer Gaming World and Electronic Gaming Monthly - and when those went the way of the dodo, I became a journalist with the sly hope that maybe one day I'd get a job working at Kotaku or something. But I finally got my gaming gig not at an American site, but a British one. And I'm writing guides, which is not something I initially envisioned myself doing. It's tricky work where we often have the chase the reins of the most popular franchises (I now know more about Modern Warfare 3 guns than I ever imagined I would), but it's also fun, since it reminds me of days spent perusing GameFAQs and leafing through physical strategy guides, several of which I still own. Versus Books' Final Fantasy VII and Ocarina of Time Perfect Guides remain on my shelf alongside Prima's Quest for Glory guides and Peter Spear's The King's Quest Companion...and while I can't do my current work in the same format of these gems (many of which were "novelizations," a style of guide writing I really miss), it does feel trippy to be following in their footsteps.

I could say the same thing about getting my words published. As a kid, I forever wanted to pen the next great fantasy novel. And while I've got more than a few discarded novel drafts sitting on my hard drive, the field of fantasy fiction isn't the one that's bearing my first printed work. Instead, it's modules and supplementary books in the fantasy tabletop gaming space - a space that has let me develop and externalize some of the plots and characters that have been gestating in my head since childhood. To a certain extent, that childhood desire to be the next great Tolkien has lessened as a result of this, and I can't say I'm displeased. I'm also happy that my first published work has been in a Pathfinder Adventure Path, because once again thinking about magazines, Adventure Paths remain one of the few remaining publications in the TTRPG space that bear some resemblance to old issues of Dragon magazine, and the nostalgia makes me happy.

I don't like to spend much time on this blog talking about myself, because there are always new ways to incite comparison to others and activate the inferiority complex in my brain. But at the end of a very long 2023 and on the tenth anniversary of the name "Pixel Grotto," I feel like it's necessary. As we move on to year eleven, I'll continue to make posts as long as my schedule permits it - after all, I can't let this blog fall to the wayside seeing as how its existence contributed a great deal to the opportunities that I now enjoy!

[oblivious-aro]

Do you have any fun facts you'd like to share about yourself? (if that's a bit too broad, perhaps about your taste in media?) :o

Oh boy, time to ramble about my taste in media! Even I don't know where this will go!

With fiction, I'm open to all mediums (books, comics, shows, movies, theatre), and I tend to go for stuff worth a more overall upbeat tone. Life can already be depressing enough, I don't care to extend that to my media.

If you have something interesting to say, either about the subject matter itself or an aspect of the characters, then yes I'm down, but if you're just trying to prove you can talk about darker subjects, your story's just going to feel empty. Edge needs a point.

With video games, the game's gotta have a good hook (typically the primary game play loop, but sometimes a good story hook can draw me in), preferrably one that it gets right into. That's probably why i got so into rouguelikes a few years back.

(Dicey Dungeons in particular stands out from the typical generic-fantasy-action-oriented roguelike with it's unique puzzle/deck mechanic. Not to mention it's popping visual design and strong narrative. All while still keeping that get-to-the-satisfying-action-super-quick qualitly that makes rougelikes so attractive.)

Conversely, I find it hard to get into games that have too many controls (most mmo's. I tried Maple story once and got so overwhelmed), or are too open-world (Sorry Minecraft, I get desicion paralysis so bad. Do whatever I want to? I don't know what I want to do 😥).

I've grown to appreciate rpg's more as I got older, but as a kid I hated random chance encounters with a passion (stop interrupting me!), and was also terrified of running out of mana or wasting powerful items (wHaT iF I NeEd iT LAteR??? I'm now over this mentality. Mostly...). That being said, Paper Mario and the Thousand Year Door has been a favourite since childhood (probably styod out to me a a kid for its unique design and characters, and the action command aspect making it a bit more engaging than most rpgs I'd played), and I very much enjoyed Earthbound and Mother 3 when I played them in high school (hot take, Earthbound's better than Mother 3).

Another hot take is that this is peak controller design:

I don't know why Nintendo messed with perfection.

Bonus fun fact: I can lick my elbow :)

[ricochetwriting]

Character Writing Commissions

Character creation

I create you a one-of-a-kind bespoke character for use in RPGs, fiction, etc. You will own this character and can do with them what you will, including using them in published works. I retain the rights to my own writing (as in backstories), but you may use and share my words in not-for-profit capacities, and you may use the details I invent in for-profit capacities, just not my actual words.

I prefer to communicate via email about commissions, since I work full time, but if you would like to brainstorm in real time (via Discord), we can schedule something. I will just need to charge $20/hour (prorated) for my time if brainstorming takes longer than 30 minutes.

Random Character: $40

I create you a completely random character of my choice for whatever kind of setting you prefer (outer space, high fantasy, coffee shop, D&D settings, etc.)

I will include their species (if non-human), age, gender, race, occupation or class, background, talents and skills, significant equipment, physical description, core beliefs and values, goals and motivations, flaws, a “relationship web”, and a short (1-2 paragraphs) backstory. I’ll also throw in five “fun facts” about your character!

Custom Character: $60 I create you a custom character for whatever kind of setting you prefer (outer space, high fantasy, coffee shop, D&D settings, etc.) You can provide as many details as you want for me to incorporate into their creation and backstory, and I will do my best to turn them into a believable character.

I will include their species (if non-human), age, gender, race, occupation or class, background, talents and skills, significant equipment, physical description, core beliefs and values, goals and motivations, flaws, a “relationship web”, and a short (1-2 paragraphs) backstory. I’ll also throw in five “fun facts” about your character!

Backstory Writing: $20+ You tell me about your character, and I take your bulleted list of ideas for their backstory (if you don’t have any ideas yet that’s fine too), and write out a cohesive, lore-friendly character backstory. I will charge $.04 per word (about $20/page). You can let me know how long you want the story to be and which aspect(s) of the character’s backstory you want me to focus on.

As a reminder, I retain the rights to my own writing, but you may use and share my words in not-for-profit capacities, and you may use the details I invent in for-profit capacities, just not my actual words.

Just to be very clear, this is NOT an art commission.

I have no talent in visual art, but I am a talented writer with an active imagination and a knack for organizing that information on the page.

Please feel free to message me with any questions!

[interact-if]

Day 3 of A/PI Heritage Month featured authors interview! Please perceive... Jess!

Jess, author of A Bard's Tale

A/PI Heritage Month Featured Author

It takes place on the fictional continent of Amaran, a high fantasy setting based on Asian and Pacific Islander cultures as opposed to traditional Eurocentric high fantasy.

In the wake of a terrible war, you are a young bard just starting your journey. Will you answer the call to adventure and embark to rouse the sleeping gods?

(INTERVIEW TRANSCRIPT UNDER THE CUT!)

Q1: First of all, introduce us to your project! What is it about?

A Bard’s Tale is a story about a bard, and about a few more bards, and a world that is still living in the wake of war and occupation.

More specifically, it is the story of a bard (you!) and your quest to wake Amaran’s sleeping gods. The Bard has been experiencing recurring dreams prior to the start of the story, calling them to the capital city of Mahar��il – where they meet a colorful cast of companions and take the first steps of their journey.

A Bard’s Tale mixes old faithful D&D/RPG elements with dating sim-esque romance, and doesn’t take itself too seriously. The result is some good, clean fun. (Or dirty, depending on your choices.)

Q2: If it’s not too spoilery, what are you most excited about your project?

(Future scenes, can’t wait for readers to get to xyz place in the plot, etc.etc.)

I am most excited for readers to take their first steps onto the road. Mahar’il is meant to be a “home,” of sorts, and so these first chapters are adamant about familiarizing the reader with the city and the people they can expect to find here. But Amaran is so much bigger. I’m excited for people to see some of the other cities and regions that they’ve been only briefly introduced to so far, and also to get cracking on the complicated dynamics of Aspen and Tempest.

Q3: What inspired the current project you’re working on?

I’ve been working and playing in the larger world of Valia for a long time – through homebrewing D&D campaigns, and through the novel I am also working on, which takes place a continent away and a few hundred years in the past.

A Bard’s Tale sprung from the thought of “What will this world look like when this is all over?” “How will these people start to heal?” And, of course, “If I wrote a dating sim, who are Amaran’s most eligible bachelor(ette)s?”

Q4: Do you pull from your own identity for inspiration? How has that been reflected in your work?

I do! I am a biracial Korean-American, and both my parents were also born in America. It comes with a lot of diaspora blues, which I try not to project onto my characters that live in a fictional high fantasy world where racism and borders don’t have to exist. I admit that it tends to project pretty heavily anyway on the half-elves, Edin and Han.

The influence from my cultural background will become more evident the farther from Mahar’il that we get – particularly in the Jinju and Kujaku regions, which are inspired by Joseon-era Korea. (Loosely, in Kujaku’s case.)

Mahar’il is a cultural melting pot, and my inspiration for it is actually, largely, San Francisco. I’ve always admired the architecture of SF, and how the juxtaposition of antique and modern, ethnic (particularly Asian) and American, creates a sort of chaotic harmony.

However, I feel that it is important to note that the perspective from which I write is that of an Asian-American, and not just an Asian. My story is not rooted in Asian mythology, nor does its structure reflect Asian media and literature, because my foundation is largely Western.

Q5: What’s been your experience so far? With writing, with the if community...

Writing has always been second nature to me. Translating that to game code has been a bit tricky but I manage. And if I get stuck, I’ve made plenty of friends in the IF community, both authors and readers, who are more than willing to lend a hand.

In terms of my readers, I feel so, so blessed by you guys. I started this for fun, truly, thinking no one would be willing to read such a niche story and certainly not clamor for more than a demo. The support I’ve gotten from the community has been astounding, and I’m truly grateful for it.

Q6: Finally, what piece of advice would you give to fellow authors?

My biggest advice is do what makes you happy, and write from your heart. Inspiration will not always be there when you want it to be, and that’s okay. Set out a pot of coffee and a nice inviting blanket for when that fickle mistress decides to appear. Don’t shy away from projects that aren’t capturing your attention, but don’t devote more time to them than you want to. No one is judging your pile of half-finished drafts, except yourself.

Go where the wind takes you, even if it’s not “profitable” or even “good,” because every minute that you spend writing makes you a better writer. And on that note, write write write. I don’t think you need to set a daily timer, or whatever Stephen King said in his self-help book, but if you make a habit of it you will see progress. And read read read. You can’t pour from an empty cup, so read voraciously – and take a scalpel to your favorite books. Learn from them, dissect them, understand what makes them tick and then sprinkle a little of that in your own work.

And finally, fix your sleep schedule. I know you need to.

[keeningvoid]

I guess I should have a WIPs post if I'm going to be tagging things

Or an intro or whatever idk, so.

I'm [unpronouncable sounds that equivocate in English to "Keening Void"], I'm a 30 yo crazy person who works at Coffee Shop Chain in the US. I came back to tungle dot hell just as a way to get away from my other social media presences but I slipped into writeblr territory and I'm gonna stay here, y'all are lovely.

Anywho I [think very hard about] writing things. Here are some of the things:

Original Works

Laughing Into the Darkness is an urban fantasy / supernatural romance about a biroace goth not-quite-boy (Adrian) who falls in love with the prince of Hell (Karavox aka Kenney).

Encroaching Lacuna is a (technically furry) space fantasy / light sci-fi superpowers drama about twins, Taliander and Orian, who get kidnapped from their home planet by an imperial war machine.

Urasdia is an epic high fantasy drama that can't figure out if it wants to be a revenge story or a revolution story. Prince Damian of Vemba, his ex Trinh, and his brothers Viktor and Adrien are major characters.

Salvation is a queer cyberpunk story about unexpected allies. Chaz, a nonbinary cyborg sex worker, has saved up enough to get a bigger apartment - with a stranger for a roommate. But Kevin's pretty quiet, and not a bad roommate... He might be a corpo contract killer, though.

Skyward Force is a video game idea I'm tossing around. It's a Shining Force like turn based tactical RPG about time and immortality.

I have a nameless collection of drabbles and concepts surrounding a fursona of mine, Tara; she's a catgirl sex worker & bartender who lives with her werewolf friend Cormac, who she's in love with. Pretty much anything NSFW I write is probably gonna be in Tara's world, and pretty much anything I write in Tara's world is gonna be NSFW.

I also think about drabbling stuff about my tabletop rpg characters: Mitchell, the tiefling warlock; Djarra, the halfling werebear druid; and Torra, the heretic Mechanicus enginseer.

Fanfiction

I don't have a published fanfic presence but I am working on a few things in the Netflix Castlevania, Magnus Archives, and Warhammer 40k fandoms, so I might talk about those from time to time. If I ever actually work on them. You know.

Other Fandoms

These are stuff I'm into but don't necessarily have planned works for.

Books:

Brandon Sanderson's Stormlight Archives (I'm not okay, please write quickly Mister Brandon)

Richard Kadrey's Sandman Slim series

Rodger Zelazny's Chronicles of Amber (fun fact: Urasdia started out as an Amber fanvessel eons ago)

Tolkien's works, of course

Stephen King's Dark Tower books

probably more! I got bad brains

Movies & TV:

Our Flag Means Death

What We Do in the Shadows (both)

Vikings

JJBA

Archer

Cobra Kai

definitely more but again, the bad brains

Other Media Types:

I'm pretty into Magic the Gathering and goth & metal music and sometimes that stuff has story pieces to play with so :) maybe one day.

Probably going to update this later with appropriate tags and anything else that changes. <3

Socializing with my weird ass:

I'm not very good at socializing beyond either pleasantries or infodumping tbh (it's the autismos) but I do like people and I do like what you're working on!

I'm explicitly avoiding Reality here so please don't try to talk to me about politics, current events, etc. - they upset me too much and I have other avenues for dealing with all that. This space, for me, is just about fiction! (I have already broken this for myself but shh we'll just move on.)

Please avoid asking me how I'm doing, if you can. The answer, though impolite, is "bad, but there's nothing much anybody can do about it, so let's not talk about it". I don't want to make anyone feel bad for me, but I also don't want to lie. Better to just avoid the situation altogether.

I'm not great at responding to tag games or the like; on top of the autism, I got them anxiety and overthinkin' problems, ya dig? I also don't have a lot of words actually drafted for any of my WIPs yet [or, don't have a lot that I still have saved, for some] so games like word finds or last lines etc. are really hard haha. I might be better about this in the future.

[scottymcgeesterwrites]

ScottyMcGeester Plays Every Final Fantasy Game*

*Okay, all the main games except 11 and 14 since they are online only, and also no spinoffs or sequels.

THE INTRODUCTION

Years ago, I had a goal to finish every Final Fantasy game. As of December 30, 2020, I finally reached that goal. I originally started posting these reviews way back in 2017 on VGF(VIdeo Game Forums), and posted one review after another as I completed each game. I had already finished a few before I started reviewing the series, such as Final Fantasy I, II, VI, IX, and X.

Final Fantasy X was my very first Final Fantasy game, way back when it first came out on the PS2. It took me years to finish that game, mostly because I was still a novice at RPGs and I didn’t quite know what I was doing. Still, the world and concepts of Final Fantasy gripped me. As a sci-fi/fantasy writer, they inspired tons of elements in my stories. The series spans a multitude of genre-bending stories – sci-fi, fantasy, some steampunk, modern fantasy, space, traditional fantasy with knights in armor – and a whole lot of crystals. I wrote these reviews as if you have no idea what Final Fantasy is – whether you are a gamer or non-gamer. This first post is a general introduction to the series as a whole, but even if you are a die-hard fan already, there are some things that I explore that I hope you'll find interesting. What is Final Fantasy? Final Fantasy is a roleplay video game series that started back in 1987. The first game was reminiscent of Dungeons and Dragons, where you could choose one of six roles for a team of four: White Mage, Black Mage, Red Mage, Thief, Monk and Warrior. Square, now known as Square Enix, developed the game. A legendary rumor about the title “Final Fantasy” comes from the story that they were on the verge of bankruptcy. They only had money for one more game, a fantasy game. They dubbed it “Final Fantasy.” This apocryphal story is nowhere near true. Square had made video games before and they didn’t do well, but the company itself wasn’t on the verge of bankruptcy. What happened was that the developer, Hironobu Sakaguchi, had planned to retire. He didn’t see any foreseeable future in video gaming with Square’s mediocre performance. He wanted to make a fantasy game and dubbed it “Final Fantasy”, since it was to be his personal last work. He also wanted the game to be abbreviated as “FF” – they originally had “Fighting Fantasy” in mind but that name was already trademarked by a board game. Final Fantasy initially sold 400,000 copies in Japan and became and instant hit. Nintendo of America approached Square to release a localized version for the states. Final Fantasy became far from Sakaguchi’s last game. What’s Final Fantasy about? Every main Final Fantasy game has a new story with new characters and even new gameplay. Some games have direct sequels and are recognizable with a subtitle, or an additional number following a dash. For example, there is Final Fantasy VII, and the direct sequel to that Dirge of Cerberus: Final Fantasy VII. There's a direct sequel to Final Fantasy X titled Final Fantasy X-2. But even though each Final Fantasy game is different, there are still central elements that make them a Final Fantasy game. You can’t just write up a random fantasy story and slap the Final Fantasy name on it. The following elements are what make a Final Fantasy game. Some are obvious while others not so much. Chocobos:

Chocobos were first introduced in Final Fantasy II, but have been present ever since. They are cute, large birds that the characters often ride across fields or sometimes call into battle. They have practically become the mascot of the series. Moogles, Cactuars and Tonberries – oh my!

Moogles (pictured above) are telepathic creatures that help the players, or sometimes they can be a playable character. They debuted in Final Fantasy III.

Cactuars (right) and Tonberries (left) are cute, unassuming enemies that are actually highly dangerous, killing you in one shot if you are not careful or fast enough. The former debuted in Final Fantasy VI while the latter debuted in Final Fantasy V. Summons:

Sometimes they go by different names, like eidolons or espers. Summons are massive, fantastic beasts that you can call upon to aide you in battle to fight the enemy. Summons became a staple ever since Final Fantasy III. In some games, they are merely there to call into battle, while in other games they are central to the story. Airships:

Airships have been present since the first game. They are massive boat-looking airplanes. In the more recent games, airships look almost like spaceships.

Cid:

With the exception of the original Final Fantasy (except in later remakes), every game has a character named Cid. Cid is typically the character who owns an airship.

Items and Magic Spells:

Each game shares virtually all the same items and magic spells. Antidotes. Eye drops. Maiden's kiss. Holy water. Phoenix Down is well-known for reviving knocked-out characters in battle. The spells follow a hierarchy of levels. For example, Cure is the basic spell to heal somebody. The second level spell for healing is Cura. Then Curaga. Then finally Curaja. Most other spells follow the same format. The same high-level spells also frequently appear throughout the games, such as Holy and Flare.

Crystals:

With a few exceptions, crystals appear in nearly every game. They often serve as plot devices, whether they be the force that protects the planet or powerful objects coveted by the enemy. They also oftentimes have a consciousness of their own, communicating with the characters and calling them to their destiny.

Mythological References:

Final Fantasy is riddled with mythological references. Many summons and creatures take the names of mythological creatures or deities, such as Shiva, Bahamut, Leviathan, Behemoth, Odin, and Ifrit. Certain villains share the names of mythological figures or they are derived from certain mythological concepts, such as Gilgamesh and Sephiroth. Many of the games have legendary weapons you can find near the end of the journey. These are typically named after legendary Japanese figures, such as Masamune and Yoichi, or other world mythologies, such as Thor’s hammer Mjolnir. Saving the World:

Final Fantasy isn’t about saving a particular princess, or person for that matter. The ultimate goal is to save the entire world, or even the very fabric of reality. Evil spreads in many ways, such as a sealed darkness trying to break free, empires with ambitious goals, villainous subordinates who pull the strings of politics, or empires destroying the environment. Typically, the main cast consists of characters from all walks of life. They all have to learn to work together and get through their personal struggles to save the world. Existential Crisis (or Startling Revelation):

By the time you reach the third act of a Final Fantasy game, some startling revelation forces the characters to question their very existence. A villain is revealed to be a hero’s family member, a main character realizes they're a clone, another realizes that they cannot live without magic, etc. Typically, the main character questions the nature of their soul, if they die like regular beings and become part of some greater life force, or blink out into oblivion. Whatever the revelation may be – it serves as a final crisis that the characters have to overcome. The Descent into Hell:

Every third act of a Final Fantasy game ends with what I like to call a “descent into hell”. The final dungeon is always some kind of bizarre world. In Final Fantasy II, you literally descend into hell to fight the Emperor. Throughout the series, hell is more metaphorical. The final dungeons can be a massive, sprawling tower or dreadnought, or a strange dimension that appears to have no rhyme or reason. Sometimes I'm reminded of M.C. Escher’s work, “Relativity”, or sometimes it reminds me of some cosmic horror featured in the Cthulhu Mythos. These final dungeons can be inter-dimensional rifts between space and times, pockets in reality, subterranean depths, insane worlds that the villain created, and worlds of darkness. (Final Fantasy IX's Memoria)

(M.C. Escher's “Relativity”)

These stylistic approaches for the final dungeon represent the oncoming battle with the forces of chaos. Fighting God:

After venturing through the surreal and hellish final dungeon, you face the main villain. The main villain always achieves godlike status or the characters actually have to defeat a god in order to save the world from its oppressive reign. Many stories appear to throw in a last minute ultimate god who was pulling the strings of the plot the entire time. The purpose of dealing with gods and goddesses represents the characters’ desire to control their own fate and alter their destiny. Most of these bosses are strange and grotesque, definitely getting a Cthulhu vibe from them. I looked at them and thought, "Christ, what the hell is THAT supposed to be?"

It always feels like THE final fantasy:

Each game, no matter what happens or how it happens, feels like the be-all-end-all of its story – its fictional universe. Direct sequels were unheard of until Final Fantasy X-2, which while fun, was wildly different in tone from the original game, and critics pointed out that it ruined the finality of Final Fantasy X. This is one reason why I think direct sequels to Final Fantasy games fail – what else could the main characters possibly face that is more dangerous than the one they just encountered? Anything else would feel like child’s play to them. NOTABLE PEOPLE Aside from the characters, stories and games themselves, the people behind the series have achieved legendary status. Nobuo Uematsu:

The original composer of Final Fantasy. Uematsu single-handedly scored the first 9 Final Fantasy games. Uematsu surprisingly never had any formal training in music – a trait that would ostracize any composer, such as Danny Elfman. I find that the those who haven't had any formal training usually break the mold with music. Uematsu started working for Square at around 25 for the first Final Fantasy game, starting out with nothing and never suspecting his job would lead him where he is now. His music is unique for incorporating elements of classic and progressive rock, specifically in the battle themes. Uematsu’s themes for each game have achieved instant recognition in the gaming world, as recognizable as the theme to Star Wars or James Bond. Tetsuya Nomura:

Tetsuya Nomura is a video game designer and director who started at Square in 1990. He rose to prominence when he was given full control of designing the characters for Final Fantasy VII – arguably the most popular Final Fantasy game to date because of its characters: Cloud Strife, Tifa Lockhart, Vincent Valentine and Sephiroth. Nomura went on to create more legendary characters for Final Fantasy VIII, X and XIII. Yoshitaka Amano:

Amano is the artist whose work is most known now in Final Fantasy. He has done concept art and design for every game in the series. His style is instantly recognizable. He has also drawn for many anime shows, comics and mangas, such as Vampire Hunter D and Sandman: The Dream Hunters.

And last but certainly not least - THE MUSIC Final Fantasy has left its mark in the musical soundtrack of video games. Each game more or less shares three of the same memorable tracks.

The Prelude:

The Victory Fanfare:

The Final Fantasy Main Theme:

THE REVIEWS

Each review I post will critique major aspects of each Final Fantasy game, such as its gameplay, graphics, story, and music. Today is currently January 3, 2020 (technically the 4th when I post this because it’s past midnight), and I will be posting one review per day so as to not lose my sanity editing and formatting everything at once here. So look forward to the very first review tomorrow starting with the very first Final Fantasy game.

[iampikachuhearmeroar]

y’know something that’s bothered me for a couple of weeks now is how the other week, someone told me that the fact that you get nook miles for changing your character’s outfit in animal crossing made AC a “childish” game to play above, like, strategy games or whatever else.

like okay yeah. it’s a little redundant, i guess, to get nook miles points for changing my character’s outfit in the game….. but like…. that’s what makes it fun??? and there is some strategy, for me at least, in playing animal crossing…. mostly to make money and purchasing items for my island or rearranging my house or updating bridges/inclines on my island etc etc.

but just because one of the ways to make points is something as simple and frivolous as changing an outfit, doesn’t mean that there’s some type of strategy or some type of other thing about higher order thinking skills.

and plus. games don’t have to be that fucking deep all the time. because although i play ac every day mostly to keep my island going and for my mental health…. at least it’s keeping me busy and getting me to use my brain (from time to time lmao). like i practice planning on it and stuff. i practice financial management (lmao) on some level too…. with saving money in the bank to upgrade my house…. or when i do upgrades on stairs/bridges, i pay the loan in full??? all which are things in the real world/irl that many millennials (both younger and elder)/early gen z can’t actually fucking do. how is this not good??? i actually having spending power!! and that’s powerful! lmao. even if it’s fictional.

but just because i’m not playing god knows what strategy game (or even something like COD or whatever) to flex my strategy skills and whatever not…. it doesnt mean you dismiss or diminish it as “childish”. like y’all. after the hell i had in hospital from nov 2020 til jan this year, and coming out of hospital…. animal crossing has helped my mental health by giving me something to focus on and giving me tasks to do….. albeit in a fun way. but just because one of the menial tasks on it to get points is “changing your characters clothes” it doesn’t mean that it’s pointless or some other negative word. just because i’m not carrying out some idek fucking reconnaissance mission in fuck knows what army type shooter game like COD or halo or idek something similar in assassins creed type or borderlands type rpg’s, it doesn’t mean i’m not using the “strategic thinking” part of my brain.

anyway my point is that video games dont have to be fucking deep and flex your critical thinking and strategic thinking skills all the fucking time to be deemed “real gaming” when people play them. sometimes the most strategic thing is placing a bridge next to the able sisters clothes shop right next to your house or idek putting some mario teleporting tubes in your front yard and by nook’s cranny so that you can make bank quickly on your old stuff in storage and making the hot buy items lmao.

and the best part is, for me anyway, it’s actually fucking relaxing instead of having like 10 dudes in your team (if you play halo/COD multiplayer online) screaming at you all at once to do shit. or you’re not having to complete missions on a time limit all the time in some solo hero game. instead you’re building a community (an imaginary one, but still) slowly, and planning (ok not fully, my island decoration is haphazard…. but at least i’m at a 4 star rating now lmao) and designing an island to live on. again, it reminds me of when i told a guy in my homeroom back in year 9/2010 that i was still playing neopets and moshi monsters and he scowled at me saying that “those are for babies, not like COD. grow up!” although i did play my fair amount of single player shooter games on neopets anyway 🙄🙄 (that on top of everything, i was actually pretty good at lmao).

but i guess it’s that the building a community and a home etc thing is seen as “girly” and “babyish”/“childish” whereas being a lone hero in every shooter game or other RPG game is seen as “manly” or “adult”. because again, you have to actually have “plans” (apparently) whether you play with a team or not…. all bc you’re using your strategy skills to “survive” in the game…. while earning points for things like changing your clothes or talking to your neighbours or “improving island life” and everything else that you get nook miles points for on animal crossing…… is seen as “too easy” and again “girly” or “childish” because you have to actually CARE about the thing and almost “raise” it like a kid…. and not usually just mindlessly shoot at shit or fight/kill people or idk magical beasts or be the hero of some type of quest or mission like many (i assume on large scale) of the typical “manly” strategic games are like.

like sorry i like caring for my villagers even though they’re fictional, fred. sorry that i like easy points and casual games over some overly intense team game play games like COD or halo… or sorry that i don’t like overly intricate quests to do constantly that “save the land and yourself” or whatever fuck in like final fantasy or skyrim or assassins creed (although i do want to eventually buy those games and play them casually). let people have easy games and find pleasure in them. just let people chill the fuck out and not have to really think about shit all the time.

and plus, i bet many people let their young kids (like 6 to 10 year olds) play animal crossing; which i think they’d much rather have them play than COD or whatever other shooter game tbh. because i know i would rather a kid that young to play AC over something like halo. let kids have more kid friendly games as well. because even for them, not everything has to be a way to build their strategic thinking/critical thinking skills, imo. let them have fun chopping wood down or diving for sea critters. or, hell. some kids might even like changing their parents character’s clothes to the outfit that they like their parent’s character (or even their own character’s) to wear lmao.

like for fucks sake. let everyone from kids to adults have some time to chill/relax and have fun. why does everything have to be competitive (which is what many of the big shooter games really are, when they’re played online multiplayer mode in teams…. imo anyway) and tactical/planned??? let people, no matter their age, have their unrestrained play/fun and rest…. when so many things that are hobbies nowadays are basically being forced into being “side hustles” or “something to learn from” etc etc. because sometimes you just need to fucking switch your brain off by talking to a raccoon who sold you an island and his 10yo sons who run the island corner shop; and other various fictitious anthropomorphic animals.

anyway here’s a fun rant for july.

[ilikedetectives]

Hi, did you play every AC game? If yes, in term of game plays which are the easiest? For someone without much experience in games, ty!

Not every AC game, because I can handle only so much of cookie cutter games at a time. Before I say more, lemme get this out of the way first: I played the Ezio trilogy back in 2018 because Da Vinci’s Demons was cancelled and I wanted more Da Vinci content and the white and red hoodie looks cool. In other words, I didn’t play the game because it’s called Assassin’s Creed.

The AC games I played so far, by the order of which one I play first. I’ll rate gameplay by my personal preferences (because it’s the only way I know how).

Ezio’s trilogy (AC2, AC Brotherhood, AC Revelations, played in 2018): decent parkour, minimal grind (just invest in the villa and you’re a millionaire in a day or two), very story focused (perfect balance of historical and modern plots). Decent combat. The golden years of AC and I agree.

Unity (played a few months after Ezio): good parkour, medium grind (bigger map and more items to upgrade, you still get to invest in properties so it helps). Time-saver items are on sale for real money aka MTX (ew). Combat is ok, not much difference since Ezio. Historical story is meh (I don’t care for Arnold because Elise’s story is more interesting) and they completely ditched the modern plot (you think Odyssey has little modern day plot, try Unity). Buggiest AC game I encountered and I played this game 4+ yrs after launch (hold on to that thought, keep reading). Ubi spent all of their time and budget doing the interior design (which is gorgeous btw) that they have none left to fix the bugs.

Black Flag (a few months after): chasing flying papers is my favorite activity to NOT do. Grindy af (no property investment). I can’t tolerate the controls for the ship so I hate everything that involves ship in this pirate game, except for sea shanties. You’ll have more fun playing this game as a pirate than an assassin. Combat feels the same since Ezio. Other mechanics are like Unity (understandable). Modern plot is minimal, but it makes bloodline irrelevant and there’s a....soul inside a computer server that wants to possess a human body, meanwhile said soul’s husband is a maniac who has unlimited reincarnations (realism, I know). Black Flag is the gateway game that convinces me that I should stop wasting my brain cells in “what kinda bs realism is dis?”

Odyssey (a month after launch, bought solely because of Kassandra also when I heard Odyssey is set before the creed, oh fuck yea I don’t need to sit through another rehash of Creed crap or at least minimal anyway): oh gods a breath of fresh air from the old controls where you have to hold R2 whenever you want to run and my fingers hurt sfm. Climbing is the best because the protag actually moves where you want them to move. MTX (ew). Grindy but because the combat and movements are smooth, best combat so far; I don’t see Odyssey as grindy because I enjoy my time playing (also Kassandra); I platinum the game on PS4 at around 130 hrs I think, could’ve been earlier but photomode. Fun quests that I giggle whenever thinking about them (I don’t remember shit about any quests in any other AC game, but then again Kassandra). People bitch about no parkour but who parkour in the 450BCE?!?!? Full disclosure: I never cared for parkour and never will. I stop caring for modern plot after how Unity and Black Flag handled it. Playing Odyssey makes me realize that I enjoy AC games more if idgaf for the AC aspect, rather, I play for the fictional historical tourism aspect. Just ditch the AC and voila, blue sky and fresh air. Playing Odyssey also makes me realize that I want a spin-off IP that focus on the Isu so we can go full fantasy. Do I need to say how pretty Odyssey is? lol

Origins (planned to play Origins first, but Kassandra. Also, I remember Amunet from AC2, but somehow we play as a dude in Ancient Egypt, I’m not too eager to find out, despite I prefer Egyptian mythology over Greek and I’d like to thank Yu-gi-oh for that): combat is clunky, heavy, and slow, though no need to hold R2 to run so phew. Grindy af. The bow mechanics is a decade outdated (Horizon Zero Dawn came out the same year and oh boi the difference is night and day, oh yea I played HZD before Origins. I get it the bow isn’t the focus but does it have to feel like Skyrim in 2017?). I’m glad I play this game for the Ancient Egypt (which is beautifully designed *chef kiss*) aspect and no more. 

Syndicate (I play this along side of Origins, still haven’t finished it though. Literally bought the game for Evie and I nut over Victorian fashion): combat is no different from Unity. Grindy like Black Flag and Unity. Story is meh in both historical and modern plot so far. Evie is the only reason I’m still trying to play this game. At least the Helix outfits are included in the Gold edition of the game. Victorian London is gorgeous tho.

Valhalla (only care for this game because Eivor. Tbh after God of War and Hellblade, idc for another Viking game): game is buggy af, buggiest AC game I’ve played. Combat is like Origins but worse: the only saving grace is the finishing move & the bow mechanic hasn’t been improved since Origin; I honestly would rather have combat from the Ezio games over whatever-this-is. You have to toggle a button to run now, which is dumb af because I miss Origins and Odyssey automatic run. They bring parkour back (because Vikings totally dig parkour back in the Dark Ages) as well as the-character-doesn’t-move-where-you want-them-to from the older games. Chasing flying papers from black flag is back, no thx. Looting enemies is useless, but hey you get to run around to look for a key or two or THREE to get some minimal amount of materials; so imagine if 2/3 of every chest in Origins and Odyssey are locked. Oh! You have manually pick berries/food to heal, no healing potion, wtf is this half-ass RPG shit? Side quests, oh sorry World Events, aren’t tracked in an open-world game (guess who hasn’t been doing these bitches?). Grindy af. I’m wasting my time looking at the skill points interface (you have 99 lv in Odyssey, 55 in Origins, 403 power in Valhalla. A game doesn’t feel like grindy if you level up every 2 quests for 403 times, does it? lololol). The useless SP tree is so massive that I just don’t use the skills I acquire because it takes too much time to find out which buttons to push to locate the 10 skills in this 403-dot clusterfuck, but the astronomy design is beautiful (gotta give credit when it’s due). Scummy practice from Ubi: releasing “time-saver” pack AFTER reviews are published. Also, who wanna bet there will be more mtx outfits than in-game outfits? Don’t worry, Ubi makes inventory management cLEaNeR for you *hands over 8 outfits for an RPG game*. The free event bugs tf out of your already buggy event, but hey, you’ll get a free outfit that’s a reskin of what you already have, teeheee be grateful. Eivor is amazing but by the gods playing this game is a chore. Tbh I only play Valhalla if I don’t feel like playing Ghost of Tsushima that day. Lastly, why is England so yellow like it’s Ancient Egypt?!?!? And why the sunlight moves faster than Eivor’s running at full speed? Which parts of this game does realism count?!?!?!?

Unsolicited opinion: GoT is an example of how an AC game should be and how DLCs should be handled, but with Ubisoft it will never be and I’m so fucking glad that it is Sucker Punch Prod which handles feudal Japan with utmost respect and realism. See how “honor” is handled in both games and compare the writing. Ubisoft should have announced ding dong AC is dead and create a new IP, but AC is their most financially successful franchise so expect more of this MTX, I mean, grindy RPG approach with minimal narrative. 

[probablyottrpgideas]

Tabletop Asks

In reference to the previous post: 1.) Game Master, Player or both? Why? 

I am currently lucky enough to be player in one game and DM in another (both 5e D&D), however ordinarily I am overwhelmingly the DM/GM. 

2.) When did you start role playing? How old were you? 

My first start with published tabletop adventures was actually quite late, in my second year of university when I was about 19, so 11 years ago now, with D&D 4e. However, I think my first freeform roleplaying experiences were with a mate of mine all the way back in primary school, where we had this quite extensive worldbuilding and characters. It was my first introduction to the idea that I wanted to be a writer.

3.) What was the first role playing book you ever owned? 

The 4e PHB, DMG and MM all at the same time. I had a job then, missed playing, decided “fuck it, I’ll start my own” and dived in.

4.) Describe the first game you ever ran or played in. 

A 4e Starters Box run on Keep on the Borderlands. I played a Dwarf Fighter out of the box, which I named Xzienne (which some of you know is my regular online handle). He was fun; in my oh-so-extra way, I kept my game notes as In-Character journal entries.

5.) Which system did you grow up with? 

D&D, all the way. Fourth edition and then Fifth, with a look at Third in between. But I’ve played about a dozen or two different systems all up.

6.) Which system do you play now? 

Predominantly 5e

7.) Longest campaign you’ve run or played in? 

My D&D “Empires Intelligence Services” campaign ran from 2016-2020.

8.) Where did you meet your current gaming group? 

I tend to throw my groups together from among various people I know from all over. My favourite group ever was the one formed entirely of cast members from our local theatre company production of Wicked.

9.) Strategic combat or dramatic plotlines? 

Does it need to be either/or? I feel like good drama gets you invested in the character’s outcomes, good combat (or puzzles or traps or whatever) gets you invested in the character’s actions. You want people to achieve their goals with emotional satisfaction but without just narrating to them; they need to feel involved in the process of making those goals come about. Challenges are not just there for the Power Gamers and the Slayers, they make the plotlines feel satisfying for everyone.

10.) Favorite RPG genre?

I love Science Fiction and I love Fantasy, and my own work so often smashes the two together. I write a lot of Contemporary/Urban Fantasy, and my D&D world is a magepunk magitech setting with spacefaring aircraft and so forth.

PLAYER CHARACTERS - Describe:

11.) Your first character. 

Xzienne the Dwarven Fighter, mentioned above. My first character I made though, on the other hand, not including NPCs, was much later. I think it was probably Tetsuo, my Shin-jin from a Dragonball RPG

12.) Your favorite character. 

Definitely Ortlinde. An Aasimar Witch who was the granddaughter of a Valkyrie, and was mad that the gods would be so callous as to bar her mother from Valhalla just because she wasn’t a warrior, and so tried to stage a coup against Asgard. Fuck she was cool.

13.) Your most ridiculous character. 

If not Ortlinde, then possibly Parian, my 13th Age Bard whose “One Unique Thing” (a 13th Age mechanic that I love) was that he could modify his spells on the fly by casting the verbal components as full poems, which I would write and perform in-session. I once got to add a Fear effect to a Thunderwave because I made it sound like the trumpets of judgement day, and I managed to cast Charm Person but with an allied player as the focus of the target’s charm by making the poem about their character.

14.) The best in-character line you’ve ever had. 

Not a lot of what other players have said have stuck with me, really. Possibly my favourite was Alice’s ranger in Castles and Crusades who said a whole lot of buckwild shit until my halfling begged her not to talk. 

Whereupon she shortly thereafter discovered a secret Dryad home inside a tree, and didn’t mention it to the party. When asked why?

“You told me not to talk.”

15.) Your most epic death. 

I haven’t died that often, to be honest. Probably the most memorable death was Parian, who got crushed in a moving wall trap and had to be scooped up in a bag and carried around as “bard soup” until a True Resurrection could be cast.

16.) Your most disappointing death. 

See above.

17.) Something that shouldn’t have worked, but did. 

Meliorn Metcalfe, Tiefling Spellbinder, orchestrating an ambush in a town square against the people who had been sending thugs to attack the party in their beds and stealing shit from the townsfolk. I set up traps (clay pots filled with caltrops and poison), used sunrods to blind the attackers while we had our backs to the light, and we greased the buildings around the area so that they couldn’t climb to safety. It went perfectly, even after they rocked up with a gargoyle.

18.) Something that went hilariously awry. 

Just recently I was playing in a Wildemount game which saw the party running Benny Hill style around an ancient lab from a Wight. In the process I got nearly killed by both flying knives and a very angry carpet.

19.) Your most memorable in-character moment. 

Ortlinde’s speech to Frigg, lambasting the Gods for their mistreatment of mortals. 

20.) The coolest item you ever got and how you came to possess it.

The Masque of Clavicus Vile, from the Elder Scrolls games, pulled from Niddhogr’s treasure hoard and buffing my Spell Save DC to 27 (including other stuff like class features for the Witch and another item which synergised with those). 

GAME MASTERS - Describe:

21.) Your favorite NPC and how the party reacted to him/her 

By far Celia Sapienza, Eladrin Kensai, who became the party Mum even though she was younger than a few of them. She’s now the head of the Empires Intelligence Services Northern Branch.

22.) A game you wish you could run or want to run someday. 

I’ve been eyeing off Dread, Skullduggery and Leverage for years, but I also recently got the Dishonoured game which looks sick as, and Blades in the Dark, and...

23.) Something you made up on the spot. 

So so much, but most recently I had a Marid sailor NPC who I had to improvise and entire story of his previous voyages. I did it in a Brian Blessed voice and the players, no shit, fucking applauded. 

24.) Your most successful game. 

The Wild Huntresses, finally figuring out who had killed the town alchemist and facing off against her and her pet Water Elemental in the caves beneath the hills. Such an epic game. God I miss that group.

25.) Your least successful game. 

Paranoia, but that’s just built into the premise.

26.) The craziest thing your players have ever done, and how it affected your plans. 

I had a player walk straight out the front doors of a castle under siege. I hit him with 2 dozen crossbow bolts. That guy was an asshole.

27.) Your favorite setting or game location. 

I massively love the idea of Eberron, and I love the MTG crossover settings like Ravnica and Theros. 

28.) Your creative process when you plan a game. 

Typically write about a page of notes for every 2-10 hours of gameplay, depending on the amount of combat expected. Things like important NPCs and what they want, where the party are expected to go in general terms and some ideas for things to throw at them when they inevitably wander off the path, that sort of thing. If it’s really plot important, though, I’ve been known to write pages and pages of lore and character info to hopefully seed into conversations. I also once wrote a full script that we did as a table read for a big conversation between a bunch of NPCs that the party were there to listen to but not be involved in. 

29.) The best / worst character concept you’ve ever heard. 

No character concept that fits within the rules is ever really bad, although sometimes the execution isn’t great. Some are very, very dumb, like say every character ever built or played by the asshole player I mentioned a few entries back.

30.) What makes GMing fun for you.

Players getting invested in the world and in each other’s stories. Nothing makes me feel better as a GM than being able to sit back while the players have a full in-character conversation with each other.

[rahkshirock]

Hypognosis character building, and Lynn's thoughts on role-playing

(If you don't know what this is, I'm writing about a game I'm making! you can read the introduction to it here!)

Alright so, when making a game, I think it’s important to establish your intentions. For one, when you do, you can write your drafts, step back, and compare your intention to the product, and see if you got lost down a rabbit hole along the way and missed the mark overall. 

Second, since I'm going to be doing this planning process semi-publicly and giving updates along the way, it’s more important to show my thought process than it is to give you a few paragraphs of finished semi-technical info before it’s fully cooked. I want to get yall *excited* for this project, not tell you exactly how to play it at home, for the time being.

With that in mind, the goal is to make a speculative fantasy role-playing game where a group of strange and varied people ally together to go on quests. *groundbreaking,* right? So… what makes Hypognosis something that I’ve wanted to play for a few years now as I’ve been trying to write it? Let me try to show you by walking you through how I *want to* make Estver, the guy from the last post, into a playable character.

When I make a character in an RPG, i usually look to the classes (whatever form they take) as inspiration for what *sort* of character to make. It’s rare that I get completely taken by the lore of a setting enough to make a character completely seamless with it. Instead if I see that there are Holy Knights, it follows that there’s probably some sort of feudal system with a church. Since I have some experience with churches in my life and have read a lot of fantasy about holy knights, i get the idea of character’s I am *encouraged* to make. It’s like the game is giving me permission.

Now, you don’t need permission from a game system to make the sort of character you want of course. If the mechanics of said holy knight class would let me make a pretty good cowboy marshall type, I might find value in re-flavoring an existing thing to form my character, while making no mechanical changes. It’s fun to think about this sort of thing to me: if the mechanics in front of me were stripped of their flavor text, would I be able to tell what the class was supposed to be? Something to keep in mind.

Now, Estvar as I’ve written him is devout and traveling on a pilgrimage. He has training as a city guard, so he has some skill with weapons and armor, and he is faithful to his god. His character motivation is that he is devoted to a cause: that of the friend he made once years ago, thinking every day about the life he could live on the other side of the gate, eventually swearing to travel all that way. Is he a paladin in the making? Uh… No, actually. I don’t think so.

Do you see how, if I were playing 5E, all these little character details in the fluff of Estvar’s backstory would lead you toward making him a paladin? It would be a natural fit within that system and yet if I did, I would be dissatisfied because a paladin fights with a specific set of mechanics that *do not fit* in what I have in mind. I don’t think Estvar would ever cast a spell, even if it was a “holy” one. and his home city isnt really feudal, he's a soldier not a knight...

So since I’m making my own game, do I simply eliminate all the mechanics that might interfere with the story? I certainly could. Fiction-first games are popular for a reason. I’ve played and GMed for a few and they were great fun! But I think mechanics are great tools for telling stories when you the storyteller aren't too experienced with what *should* happen. What if I’m asked to describe exactly what my character does and im a bit exhausted that day? I want to play and be helpful but im just not up to being a *storyteller* atm. Well, a rule that lets me swing a sword with such-and-such dice to resolve what happens is useful.

Complicating that, I like rolling dice as more than a *resolution* mechanic. All too often when you ask an interesting question and roll a die, that die roll is the *end of play.* It is the deciding factor that resolves the tension so you can continue with the scene. I much prefer them to be a *complicating* factor in a compelling way, where my carefully planned ideal solution breaks and I have to scramble on the fly for a new plan. That’s what I find fun!

All this coming to the point: Hypognosis is my attempt to have a crunchy game that is crafted in such a way that someone who doesn’t have the same mental image of combat that I do going in, will *fall into a natural pattern* that the game describes that looks like that cool fight that I the author have in mind. That isn’t an uncommon goal for games. It really comes down to execution.  

Getting back to Estvar, his cultural background is very textbook for the people of his home city of Buldren. He has a strict set of rules he’ll have to follow, notably a prohibition on spilling blood, and he’ll want to seek absolution in some way if he breaks them. His faith is a *morale* concern rather than a *magic powers* concern for him. If he comes into a situation where he’s forced to kill someone with a sword and comes out covered in their blood, he will suffer a mental wound. (distinct from just usual trauma) He’ll take that wound and either treat it after the battle with appropriate penance, or else will fester into a scar over time. 

On the flip side, his home city has more modern technology and medical knowledge than their neighbors. He’ll have learned martial arts leveraging blunt weapons to crush an enemy rather than hacking them to pieces. In addition, with his soldier background, he’ll have moves that synergize well with allies standing shoulder-to-shoulder with him. He’s efficient and effective, not flashy. 

In game terms, how do I select those options for Estvar? Each region in the world has specific traits you can select which make up your character’s Heritage. These are a wide-ranging suite of powerful options that come bundled with Complications. Not necessarily negative qualities, but consequences which are designed to conflict in interesting ways with other characters’ concerns in the party. His concerns are born from his home culture, and that culture will continue to be a part of him as he travels abroad.

From there, a character spends Time in order to select what their skills are. A character learns by doing. Since Estvar has his military background, he’s skilled in the sorts of things his home would find useful and spent years training him in. However because he is a member of a religious sect that is more strict than his home as a whole, he won’t wield the more technologically advanced weapons his home can field, as they are far too much like magic. 

His is a pretty sparse background, the sort of life lived without much self-direction. Estvar is dutiful, but has not *pursued* a goal of his own. As such, he will fall behind a character built from the ground up to be the user of some powerful and arcane type of technology or the heir of some destiny.

So how to represent his actual *character?* there comes in the closest thing to a character class that this game has. A character’s Fate is a representation of their personal drive and the arc of their story. If a character’s skills tell you what number you have to roll on your dice to perform an action, a character’s *Fate* will let you manipulate the dice themselves in your favor. A Fate is a quality that can’t be quite defined in the fiction of the world itself. It’s a tilt to the world that makes unlikely happenstance occur suspiciously often.

Estvar’s Fate might be called that of The Pilgrim. He is just a traveller, stepping temporarily into the stories of others along the way, with a city in the far distance, so far away that he feels he might never reach it in his lifetime. It’s the journey that matters.

His journey is one of discovery, and as such he starts a little less capable than others. But his ears are open to other’s stories. When he eventually finds himself at the end of the road, he will look back on his journey as the same man who started, and yet profoundly changed.

Many of those changes will be in the form of new skills or in connections to other characters. He’ll build a web of relationships and pick up new goals, whether his own or shared with new companions. Perhaps he will even turn his back on his path, inverting his Fate and defying it, becoming a Wanderer, aimless. But there is no dual-classing in this game. If a character rejects their path, it will continue to loom over them as that inversion. A man avoiding the inevitable end of the road, but the city will ever be on the horizon, waiting.

But the other side of time passing is injury and hardship. Wounds tell a character’s story as much as the character’s goals do. Estvar starts with a mental scar that is difficult for him to recognize or overcome: a paranoia that if he does not undertake certain rituals, that bad things will happen as a result, an illogical fixation he can't overcome by fighting it. There’s no great reason behind it, he simply has this scar and will carry it for his journey. 

As odd as it is to say anything can synergize with a mental illness, his faith gives him a way to mediate this problem by being Absolved when he feels that he has sinned in some way. Many of the sins he holds against himself are not ones that anyone else would worry about, but they weigh on him. And this is one way he can be free of them.

Physical injuries are handled the same way. If he breaks an arm, Estvar will need to get medical treatment for it and rest enough to recover. Should everything go well, the wound may heal without a trace. But equally, he might carry a scar for the rest of his life. Scars are permanent, and vary in severity. They tell a character’s story, and inform their future actions. They can be dramatic to roleplay, and sometimes they’re cool to look at.

And with that, without getting too far into any specifics, is Estvar. I’ll be talking about his home city and its allies next, but this is the end of this blog post. It’s an *intention.* calling my shot. These are the types of things I want a player to be thinking about when they make a character or try to bring a character over to this system.

and as for something a little further in the future... I never said Estvar was *human* now did I?

If you’re interested in hearing more, I’m aiming to make a post like this every week. If you’d like to contribute to this endeavor and help me pay rent, i have a Ko-fi! you can find it here, and every bit is appreciated:

[hglog]

PBTA Spelljammer GLOG Thing?

Recently, my father dug up his old Traveller and MegaTraveller books for me, and after having a lot of fun reading through them, I can definitively say I don’t ever want to GM the system. But it got me in a space-gaming mood and my mind turned to two things. First, the Uncharted Worlds game I was once a player in, which seems to have borrowed a lot of the good aspects of Traveller and put them into a PBTA system, which I love very much. Second, the AD&D setting Spelljammer which is an amazing science-fantasy fever dream that I’ve unfortunately never gotten to experience firsthand. Naturally, I decided I’d make an RPG. And, ever since I discovered it, GLOG has basically consumed a large part of my mindspace whenever I think about RPGs.

Now it’s about a month later, and I have a lot written, but even more still to write. My biggest issue is getting my thoughts organized. I’m always a lot neater when I know other people are going to see my work. So, in a hope to make things more coherent for myself, I’m going to let you in on what I have to far.

What I like about Spelljammer

Science fiction minus the science

Practically any science fiction trope you can think of fits into the setting, but when it comes to the actual science, it’s this weird-ass mix of a classical Greek and medieval alchemist understanding of the cosmos.

You don’t have to worry about players “um, actually”-ing you about what happens in the vacuum of space, because it’s actually not even a vacuum!

Magic = FTL

Despite the previous point, its science is actually still relatively “hard” when it comes to internal consistency and logical consequences to its different laws of reality than our own. The magic, on the other hand, is magic. My headcanon is that the speed of light imposes a hard limit, but magic is the one thing able to ignore it.

While people could theoretically pull off a no-magic spacecraft launch (if they had a few thousand more years of technological development), for the most part, if something is in space, it’s probably because a wizard decided they wanted it to be in space.

Weird-ass spaceships

Since a spaceship is “anything you can put a spelljamming throne in,” you get a delightful mix of regular boats, classic pulp sci-fi or space opera spaceships, weird organic tentacled things, and whatever else strikes your fancy.

What if a dragon died and all the kobolds that worshipped it somehow got enough spell slots to just pilot its corpse into space and start fucking shit up?

Sadly, Spelljammer doesn’t offer a lot of customization, instead just relying on a wide catalogue of weird ships used by different aliens.

Wizards

What I like about PBTA

Adaptable to basically any setting

There is a great wealth of hacks I can draw from

These two points go hand in hand. I haven’t, however, been able to find a specifically spelljammer-inspired PBTA hack, so that’s why I’m doing this.

The PBTA games I’ve read through in creating this (so far) are  Uncharted Worlds, Dungeon World, and the original Apocalypse World.

Encourages little preparation

My biggest challenge in running a game that’s interstellar in scope is my instinct to pre-prepare everything, which is already problem if I think I need to make an entire country, let alone an entire planet. But now we’re talking not only a planet but every planet.

While you can do worldbuilding as the GM for a PBTA game, you can also not do any, and let the players do all the work for you upon character creation. Dungeon World is especially good at this.

It’s fun

I’ve enjoyed every PBTA game I’ve been a player or a GM for, no exceptions (so far).

It’s extremely easy to teach people

Most of my friends are not as into learning new systems as I am. But most of them have already played at least one PBTA system, and if they haven’t, it wouldn’t be as much of a hassle as say, AD&D or Traveller.

What I like about GLOG

The four-template class blueprint

If PBTA character sheets are streamlined, I don’t even know what I’d call GLOG character sheets.

I don’t know if I’d shave my classes down quite as much, but I’m definitely taking notes from GLOG’s designs.

GLOG spellcasting

This is one of the things I like most about GLOG.

Spell dice to power FTL? Maybe 1 die per 30 light years or whatever, and the sum determines how fast the trip can be made? Doubles and triples can be malfunctions or space pirate attacks or something.

A shit ton of classes

I think I’d like to limit it to 10 or so classes, but I’m definitely going to get inspiration from some of the weirder GLOG classes along with the classes fighters/wizards/rogues.

An emphasis on interesting problem-solving

I think this is more just good game design than GLOG itself.

Encourages taking a weirder spin on fantasy lore that’s often taken for granted

Again, this seems like it’s just good worldbuilding, but a lot of GLOGgish writings do this, and I’d like to follow in their footsteps.

What I like (and dislike) about Traveller

I don’t like how obtuse it is

Reading the book sort of overwhelms me. It’s like they didn’t even try to make it accessible. It’s just endless black text on a white background, tables and diagrams strewn about haphazardly, and no art, not even just at the beginnings and ends of sections. The cover is a black void to symbolize the state of my mind after reading three pages.

When it comes to spaceships, I like a lot of crunch and granularity in their design

Something I found myself wishing for when playing Uncharted Worlds was a more involved ship design process. While they did clearly take notes from Traveller, it’s nothing like the original.

I don’t know what it is about spaceships. Characters I like simple and streamlined, but I guess reading through power plant matrices and choosing software and balancing it all on a budget gets me into the headspace I actually believe a spaceship creator would be in, whereas I don’t think the creation of a person usually involves that sort of design process.

I'm neutral on the crunch for everything else, but I think it's at odds with PBTA sensibilities

Plus, as I sort of mentioned in the PBTA section, I want my mostly 5e-playing friends to be willing to test this with me.

I like the psionics

I really like psionics, and I think Traveller properly captures the feel that I like for them.

However, I’m not a fan of “anyone can test their psionic abilities and then roll to maybe get powers.” I’m going to have a psionic class, which a character can start in if they want to have psionic powers, or they can multiclass into later if they want to discover their psionic potential later on. If they don’t want their character to have latent potential, they can just never take any levels in the class.

I dislike the highly-defined setting

I know it’s supposed to be adaptable to most sci-fi settings, but the books reference their own universe and history so much that it doesn’t really feel that way.

How do I synthesize this all into one game?

Setting-wise, I’m mostly drawing from Spelljammer, as well as Star Wars, Numenera, and my own imagination. I don’t want to define many specific planets or empires or sectors or whatever since I prefer most of the worldbuilding work be done by players during character creation. Also, if you know of any very low-science space fantasy fiction that I should read, please send it my way.

I do have very specific ideas about how I want spaceships and space travel to work, which I think need their own post later. You might get a pretty good sense of what I’m going for from the Spelljammer and Traveller sections, though. My plan is to take advantage of something like Traveller’s very granular and in-depth ship creation to let players make their own completely batshit Spelljammer-style spaceships. I think a ship needs its own character sheet.

I’m doing the PBTA thing where each class has a character sheet. I haven’t decided whether I’m doing the standard 6 stats or making up some weird ones. The former is definitely easier to sell to people but I think the latter is cooler.  Also, since you need a spellcasting class to have FTL what do you do if nobody picks one? I don’t want to get in a situation where I have to tell them “one of you needs to switch classes,” that just feels bad and could create animosity. A solution I’m slightly leaning towards is having only one of each character sheet, then making sure there’s always one fewer non-spellcasting class option than there are players, so by pure mathematics someone will end up able to power the ship, and I don’t need to force anyone to change on my own. The issue there is then I can’t have more than 3-5 non-spellcasting class options depending on party size, and I’d prefer a larger and more varied class pool. Another option would be to have magic hirelings available, but I want spellcasters with the ability to do FTL to feel like these big, weird, and powerful personalities, so having them just available as hirelings sort of it cheapens that in my opinion.  Maybe it’s not actually important that the party always have access to their own interstellar travel? I could see the PCs being like a bunch of interstellar hitchhikers. Very Douglas Adams. 

That’s just about everything that I don’t think needs a separate post. I hope you enjoyed it, and if you have any thoughts about this potential horrible chimera of a system I’d love to hear them! You can reach me here through Tumblr or at Robot_Face#7919 on the OSR discord server.

[djmunden]

Thousand Scars Author Interview

Hey guys, back with a new isolation interview! I’ll have an SPFBO author interview ready for the weekend, but I’d like to bring back an old survivor of the Scar den in Deston Munden. Hope you guys enjoy! 

First of all, tell me about yourself! What do you write?

Hello again! I’m Deston J. Munden, former SPFBO writer and now resident stuck in the house author. I’m a science fiction and fantasy author who is surviving all this craziness by stuffing his head full on Dungeons and Dragons characters and learning how to cook neat food. I’m the author of two series, Dargath Chronicles and Dusk Orbit Blues, both which are getting an audiobook real soon. It’s a pleasure to be back.

How do you develop your plots and characters?

I’ve been asked this quite a few times and I never feel like my answers are satisfactory, but nevertheless true. They just kinda come to me. There are small inciting events that makes me want to develop a character or a plot. It could just be me sitting and reading. It could just me be playing a game or roleplaying a completely unrelated character.  From there, I put them on what I called the simmer mode. I slowly develop them in my head until they are ready for the drafting phase.

Tell the world about your current project!

Dargath is a fun, high fantasy world that I created a while back. It’s a world where everyone has magic and no one is truly human. I wanted to create a world where magic was a common stance and everyone has a degree of it that is unique to them. Also, I wanted a world where the reader doesn’t go in with the natural biasness of starting with a human. Yes, there are human-like races, but I wanted to have this mystical feeling to everything. The world is split into two continents, eight races, and plenty of subraces. It’s rich in history, politics, and turmoil while also having that classic dungeons and dragons type of feeling to the world. If that seems like your type of thing, try me out!

Who would you say is the main character of your latest novel? And tell me a little bit about them!

Ser Torlyek is the main character of the novel that is coming out later this year. I’ve been marketing him as Neville Longbottom meets Thor from the MCU and Steven Universe. He’s my first autistic main character who adores knights and honor beyond anything else. He’s also a complex character who has a deep backstory with his family. Duke’s Brand follows him as he comes to terms with who he is now as well as him making friends along the way. I hope that you guys enjoy him as much as I enjoyed writing him.

Have you been to any conventions? If so, tell me a little about them!

I’ve been to so many conventions! They are some of my favorite places to go for vacations. They are so lively and powerful, and you get to meet so many fellow nerds. My goal this year was to finally sell my books at a convention. Sadly, that didn’t happen. Now, I’m going through convention withdrawal. If you never gone to a convention before, I’ll honestly suggest that you try it out. There are so many cool things that you can find and you’ll meet so many cool people.

When did you first realize you wanted to be a writer?

I realized that I wanted to be a writer when I was young. Luckily, none of my teachers tried to squash that love. Instead, they tried their hardest to cultivate the talent that they saw. I always wrote fan fictions and loved the creative writing assignments given to me. But, it wasn’t until after college where I realized this was a career I could do. Self-publishing opened an entirely new opportunity for me and ever since I’ve been pushing myself more and more to expand my dream into a reality.

If you had the opportunity to live anywhere in the world for a year while writing a book that took place in that same setting, where would you choose?

Rome, hands down. There’s so much history there that I would love to explore and set a story within. I think it would be fun to explore the mythology and the people of rome and wrapping that up in a story that I would write.

What advice would you give new writers?

Finish. That. First. Draft. I’ve seen so many new writers get into what I call the world building loop or worse the first chapter loop. Its when a new writer keeps world building or writing the first chapter endlessly until the end of time. That is not how you’re going to improve. You’re going to have to finish that first draft at one point or another. Not to say pre-writing is not important, however, if you’re stuck on it you need to start on the first draft. As a new writer, learning how to finish a project is key.

What real-life inspirations did you draw from for the worldbuilding?

Too many. I usually get inspiration from history, cultures, food, architecture, generally whatever that I think would make my world feel richer and livelier. Each of the races are inspired somewhat after certain regions of our world albeit blended in such a way to better fit the region I’m going for. I’ve used things from Africa, the Middle East, Medieval Europe, Egypt, etc to make my world feel stronger and cohesive. It’s a fun experience as a history and culture nerd.

What inspires you to write?

I enjoy it. That’s the long and short of it all. Writing is a passion of mine. I love sitting down at the computer and letting my imagination go wild. There’s a magic to it all. I used to write after I finished my schoolwork in class just for fun. I didn’t realize that was weird until my teacher saw me doing it while everyone else was playing games on the computer. Writing is my creative outlet and without it I might burst.

What is the hardest part of writing for you?

The hardest part for me is keeping the pace with everything. There’s a lot that goes into be an author. Some days I just want to sit down and write, but I know I can’t do that all the time. There are days where I’m going to have to research, do my social media, and market the books I already have released. Managing my time has become quite difficult.

What is your routine when writing, if any? If you don’t follow a routine, why not?

My routine is usually 8-4 every weekday. If I don’t follow this schedule, I will and can work myself to death.

What was your favorite chapter (or part) to write in any of your books, and why?

This is spoiler territory. There’s a certain scene in Tavern that I really enjoy that has made people lose their marbles and I always laugh manically about when I get a message about it. Recently though, I’ve been getting a lot of “OMG” about a certain scene in the middle of Dusk Mountain Blues. It makes me giggle. I might be evil.

What these two scenes have in common is that I throw the reader for a loop. I love doing that.  

Did you learn anything from writing your latest book? If so, what was it?

Writing Duke’s Brand and Dusk Ocean Blues taught me a lot how to condense my writing style a bit. Lately, I’ve been trying to hone my writing style a bit. I feel like writing these two books has helped that a lot going forward.

Are you a plotter or a pantser? A gardener or an architect?

I am definitely a pantser. I’m all about writing it and winging it until I get to the second draft.

If you had to give up either snacks and drinks during writing sessions, or music, which would you find more difficult to say goodbye to?

Definitely snacks. I can give up music if I had to, but snacks I need to survive. I can’t imagine how I’ll get through certain parts of my novel without snacking on some chips or some other ungodly unhealthy food or beverage.

Which is your favorite season to write in, and why?

Spring. There is something about the temperature and the outside environment that brings out the power in me.

It’s sometimes difficult to get into understanding the characters we write. How do you go about it?

It’s all about learning how that character ticks. The big thing I’ve realized about getting in the mindset of a character is knowing their motivation. A person drive and ambition tell a lot about the character as a whole and getting into the mindset of them. You gotta realize what they want to realize who they are. From there, I think, their personalities, dreams, relationships, etc becomes more apparent the more you write it.

What are your future project(s)?

Dusk Ocean Blues (Book 2 of Dusk Orbit Blues)

Undergrove (Book 3 of Dargath Chronicles)

Dusk Country Blues (Book 3 of Dusk Orbit Blues)

What is your favorite book ever written?

I’m pleading the fifth here. I enjoy all the books that I’ve written so far. There are parts where I feel like I’ve done better in this book while others in that one. So at the end the day, I can’t choose.

Who are your favorite authors?

Traditionally Published: Brandon Sanderson, Patrick Rothfuss, Michael J. Sullivan, Robert Jordan, Scott Lynch, Jonathan French, Brent Weeks, Sean Grisby, and Gareth L. Powell, Renee April.

Self Published: James Jakins, Emmet Moss, Deck Matthews, Andy Peloquin, Bernard Bertram, Garrett B. Robinson.

There’s probably a million more.

What makes a good villain?

A good motivation and a strong personality. I’m the type of person that enjoys a big personality in my villain over sheer fear and power they may possess. The villains that have a good time while also having depth speak out to me. Yes, I do enjoy the looming dark lord type villain as well, but if I can somehow get both I’m a happy camper.

What do you like to do in your spare time?

Cooking! It’s my favorite past time other than video games and tabletop RPGs. I’m not as good as it as other people, but I’m trying my best and I’m learning every day!

If you couldn’t be an author, what ideal job would you like to do?

A chef! Like I said before, cooking is a fun hobby and being a chef/cook would be a fun job for me. I also like to bake, so a baker would be not too far behind. I just like working with food.

Coffee or Tea? Or (exult deep breath) what other drink do you prefer, if you like neither?

Tea! There are so many different types of teas and most which I can drink (because I can’t have a lot of caffeinated beverages). I prefer fruity teas, but I’m willing to try any of it.

You can travel to anywhere in the universe. Where would you go, and why?

Whew. I don’t know. I’ll probably want to try to find new planets to explore, specifically with new life.

Do you have any writing blogs you recommend?

No. I don’t have any writer blogs that I’ll recommend but check out the #writerblr tag on tumblr if you need any inspiration!

Do you have any writer friends you’d like to give a shoutout to?

Nicky Ball, Kathryn York, Hallie Fleischmann, Chris Barber, Dave Deickman, Emmet Moss, Bernard Bertram, and Deck Matthews to name a few!

Pick any three fiction characters. These are now your roadtrip crew. Where do you go and what do you do?

Clay Cooper from Kings of the Wyld, Matrim Couthon from Wheel of Time, and Wayne from The Alloy of Law.  

We’re gonna go on a rock-star tour and we’re gonna cause some trouble.

What superpower would you most like?

Super Strength. I know that’s a simple power to want to have but it would just make my life a whole lot easier. Being able to pick up a lot of things would be amazing.

What are two of your favorite covers of all time? (Not your own.)

Kings of the Wyld by Nicholas Eames

Eye of the World by Robert Jordan

It’s a very difficult time right now for the world. When quarantine and pandemic comes to an end, what is the first thing you would like to do?

Travel more and meet some of my online friends. My goal this year was to travel more, get out there, and meet some of the people that I’ve been talking to for ages. The quarantine and pandemic put that to a screeching halt. I want to go to more conventions, I want to see more places, and I want just enjoy life more. This whole situation made me realize that I haven’t been out nearly as much as I want to be.

Finally, what is your preferred method to have readers get in touch with or follow you (i.e., website, personal blog, Facebook page, here on Goodreads, etc.) and link(s)?

Remember to follow me everywhere below and it was great coming back!

Website: www.djmunden.com

Amazon: https://www.amazon.com/Deston-J-Munden/e/B07Q2D6948/

Twitter: https://twitter.com/SrBuffaloKnight

Instagram: https://www.instagram.com/authordjmunden/

Facebook: https://www.facebook.com/D.J.Munden/

Goodreads:

https://www.goodreads.com/author/show/18874896.Deston_J_Munden If you have Kindle Unlimited, both of my books are available there too!