#it’s true to the world and the characters for her to be treated this way

[rand0mfangurlstuff]

So many things to unpack here with these scenes...

People are giving out that the OBX gang shouldn't have buried JJ in Morocco but I think it shows the reality of the situation.

1st. It's a long journey home. With no way of preserving JJs body. He was going to start to decay, and smell.

2nd. They weren't going back to Obx straight away. They knew they were going to get revenge before it was even said out loud. Which means in season 5 they will probably go to Portugal as that's where Groff I'd headed. So there's no way they could bring JJs body to Portugal.

They had to bury him there. And JJ would have understood that.

But they couldn't do it.

Sarah's pregnant. Kiara is in a world of pain from losing her love, and Cleo had a bullet go through her arm. None of them are digging a grave.

And Pope and John B? They've just lost their brother. They are in shock, they are in pain. They are not physically or mentally fit to do this.

So Rafe steps in. And I think it's a true testament to his character. Rafe has always been soft on the inside, but as he always said in the earlier seasons, he's proactive. He will do what needs to be done.

He could have walked away. After the way he was treated he could have walked away but he buried JJ as best he could out of respect. I thought it was a great way to further show how complex the situation and Rafes character are

[ashack11]

Of course the moment it comes out that Shiv is pregnant, it immediately becomes the butt of the joke. She’s instantly cut out, made fun of, swept to the side, even moreso than before.

The most dangerous thing in this world is to remind them that you’re a woman, and therefore lesser and weaker. That’s why Shiv waited so long to tell anybody. It’s a terrifying act of vulnerability to be pregnant.

The misogyny runs DEEP and makes me so angry, Jesse Armstrong I am in your walls

[lovinnelily]

Y'all do know you can't make Jason be NOT white without changing his whole character, right?

For other characters, yes, because their physical appearance are not that influential in their story, on how they are viewed by people, on their personality formation — you can have a black/asian/indigenous/arab/brown/latino/etc Nico and yes, the hate he gets will have a undertone of racism but at the same time nothing significant on his story, motivation or personality will need to change. This is also true for other characters: Clarisse risks repeating the "aggressive WoC" stereotype but the character itself doesn't change.

This isn't true for Jason, whose main character trait is how he is perceived by others and how he showcases himself to others based on that perception. (specially with how little effort Riordan put on him besides making him perfect-er Percy who's somehow also weaker and less important than him).

Let's not pretend a black, Arab, indigenous, Asian, Latin man, etc, in the USA would ever be treated with the universal reverence Jason gets from New Roma, you can't have the illusion of perfection and most of all, of invincibility they have about him when you see him suffering racism or xenophobia in the middle of a mission. In theory, nothing in his life has ever gone wrong, that's his image, destined to be king, he is supposed to have no weakness on his peers eyes.

He is not trying to prove people wrong, he is trying to prove them right; he isn't worthy despite their prejudice, on the contrary, he only tried to make himself worthy to fulfill their expectations. He can't be a woman or an immigrant or have a visible disability or any other thing that strays him from a perfect ideal by western society standards, and be that same character.

[the-eclectic-wonderer]

Now that I've finished my Gravity Falls rewatch, all the Mabel hatred makes even less sense to me. Like, she's a kid. People on here were discussing her as if she committed actual war crimes, and instead she got manipulated into provoking the end of the world through no fault of her own (she didn't even know what the rift was or what it would do, because Dipper and Ford didn't tell her!). She's literally twelve guys what the hell

[unluckiestmember]

Baldur's Gate 3 X Innocent! Reader

Characters: Astarion Ancunin, Shadowheart, Gale Dekarios of Waterdeep, Lae'zel, Wyll Ravengard, Karlach and Halsin

Tags: friends to lovers, acquittances to lovers, in denial, overprotective, fluff, indirect kisses, Gale being Gale, fake love (until it's not), established relationship and innocence.

Warning: SFW. Light suggestive themes.

A/N: Yes, your eyes do not deceive you. No, I'm still in a chokehold-

Astarion Ancunin

“Well aren’t you just the cutest thing ever? I could just eat you right up, darling~.”

When he first met you, Astarion knew you were an easy target. A nice meal he could exploit, especially if you’re a virgin, and a great pawn for the road ahead. He would deliver sweet nothings to you in hopes of sleeping in your bed and drinking from the pure blood that coursed through your veins. But as time continued, as you showed how sweet you were, the pale elf found himself genuinely falling for you.

He wanted to protect you from the world around both of you and bite anyone who tried to hurt you. He’d even hesitate on feeding from you out of fear he’d hurt you or expose himself to your pained gasps. You were his precious jewel he couldn’t afford to be taken from him or tainted in any way. With everyone else, he’s still a flirtatious and snarky vampire spawn. But around you, he will always be a sweet man who wants to make sure you’re okay. His princess/prince… That being said, don’t expect him to stop flirting with you. He adores when you get flustered.

Shadowheart

“Stand behind me! I don’t want you to get hurt! Just do as I say, okay?!”

At first Shadowheart thought you weren’t real. That there was no way in the nine hells that there was someone as pure as you. She genuinely thought your personality was a charade. So she watched you carefully, waiting for you to show your true colors in the form of berating someone or betraying one of the campers. But you never did. You always stayed true to yourself.

When she realized that you were probably the most modest person in your motley crew, the Shar Worshipper became attracted to you. She spent more time with you and suddenly felt like she needed to take care of you along your adventure together. Similar to Astarion, Shadowheart tries to be ever so gentle with you, never using pain in bed and out of bed unless you approve of her actions when she asks for permission. It’s evident to everyone she cares deeply for you and wouldn’t mind spending her life with you.

Gale Dekarios

“It’s been such a long time since I’ve seen the embodiment of happiness. Who knew I would find that in you?”

You had Gale’s heart as soon as you said hi to him. It didn’t take long for this man to turn into putty around you nor to become friends with you. And he fell in love when you always gave him magical objects without hesitation. Asking him if he’s alright and stroking his head after he eats his weave? He was swooned. The closer you two became, the more the wizard would share his life with you like an open book and offer any kind of lesson in magic to you.

It didn’t take long for him to admit he had romantic feelings for you, leading to you to become a couple. At camp, he is a gentleman, always asking if you need anything in between kisses to your cheek and becoming bashful with you when you bless his ears with your giggles. Outside of camp, he’s focused on you, making sure no one lays a finger or spell on that cute head of yours. You bring the best out of Gale and make him the happiest man in all of the realms.

Lae’zel

“G’lyck. If you’re hurt, then go to the ghustil… Hurry up or I’ll drag you to her myself.”

You were a liability to Lae’zel. Always getting hurt? Never killing your enemies? Checking up on everyone over yourself? She wanted nothing more than to throw you to the wolves so you wouldn’t ruin the group’s odds of survival. She hated you with a flaming passion. She hated how you always asked if she was okay. How you always treated her wounds after a battle and dare to kiss her injuries better. How you cowered behind her during combat.. And especially how you made her heart flutter when you slept across from her by the campfire, watching your cute face in a state of peace…

If it was up to her, she’d kick you out of the camp for what you’ve done to her. She swears it. But for now? She guesses she’ll keep you around for a little longer. Besides, she knows without her you’d die out there. You need her and she needs you.

Wyll Ravengard

“Don’t fret now, I won’t let them lay a finger on you, not when the Blade of Frontiers is right by your side.”

Wyll always wanted to have a romance like fairy tales. Save a fair princess or prince from their troubles like a knight in shining armor while slaying dragons. To meet someone who was the sweetest thing alive and experience real happiness with them by his side. So when he met you, you can bet he felt like he won the jackpot! He found your bashful nature and careless personality to be a breath of fresh air, especially when he was punished by Mizora.

At first you were a great friend, but when you took care of him, polished his horns and always checked if he was alright after fights, true love sprung between you two. It didn’t take long for him to confess his feelings to you and take your hand as your boyfriend. From that day forward, he’s been your savior on and off the battlefield when he wasn’t your sweet lover that showered you in compliments and kisses. You are positive that with Wyll you are bound to have a happily ever after.

Karlach

“Aww, you’re so adorable I just wanna squish your cheeks and hug you forever!... I can?! Well, come here, you!”

It was love at first sight between you and Karlach. After you splashed her with water and made sure she was okay, the barbarian’s heart was in your hands. She was so used to meeting backstabbers, manipulators and liars that she wasn’t sure there were any good people left. But you proved her wrong and she was so happy you did. Because of you, she made it her sole mission to get infernal iron so she could touch you.

When she couldn’t, she would share indirect kisses with you using rocks and even gift you her teddy bear Clive when you couldn’t hold her. And when she finally was able to touch you, she held you as if her life depended on it. There isn’t a moment where you two are not touching in and out of camp. You make her feel alive again in more ways than one and to her you are her soulmate. She loves you so much and will do anything to make sure you know that.

Halsin

“If you were a part of nature’s divine design, then you are a pure ray of sunshine given by the Oak Father.”

Halsin immediately gave you his trust and respect when you saved him without a reason to. It didn’t help that he also found you to be adorable with how nervous you got around him and how you stuttered a bit. With how you were, the druid quickly grew an interest in you, wanting to be beside you and feel your skin against his. He loved how you were so considerate when he wild shaped, petting his head and playing with him effortlessly.

In the wilderness, you were something like his mate, always protected by foes and checked for injuries. If there were any, he would bandage them as quickly as he could and carry you the rest of the way back to camp. When everything was settled, he’d immediately cuddle you as himself or as a bear. You were perfect in every way to him and for that, he would be your sole protector no matter what.

If you got any requests for Baldur's Gate 3, send them my way!

Likes and retweets are always appreciated! I love you all, stay hydrated and have a good day! <3

[writingwithfolklore]

5 Tips for Creating Intimidating Antagonists

Antagonists, whether people, the world, an object, or something else are integral to giving your story stakes and enough conflict to challenge your character enough to change them. Today I’m just going to focus on people antagonists because they are the easiest to do this with!

1. Your antagonist is still a character

While sure, antagonists exist in the story to combat your MC and make their lives and quest difficult, they are still characters in the story—they are still people in the world.

Antagonists lacking in this humanity may land flat or uninteresting, and it’s more likely they’ll fall into trope territory.

You should treat your antagonists like any other character. They should have goals, objectives, flaws, backstories, etc. (check out my character creation stuff here). They may even go through their own character arc, even if that doesn’t necessarily lead them to the ‘good’ side.

Really effective antagonists are human enough for us to see ourselves in them—in another universe, we could even be them.

2. They’re… antagonistic

There’s two types of antagonist. Type A and Type B. Type A antagonist’s have a goal that is opposite the MC’s. Type B’s goal is the same as the MC’s, but their objectives contradict each other.

For example, in Type A, your MC wants to win the contest, your antagonist wants them to lose.

In Type B, your MC wants to win the contest, and your antagonist wants to win the same contest. They can’t both win, so the way they get to their goal goes against each other.

A is where you get your Draco Malfoy’s, other school bullies, or President Snow’s (they don’t necessarily want what the MC does, they just don’t want them to have it.)

B is where you get the other Hunger Games contestants, or any adventure movie where the villain wants the secret treasure that the MCs are also hunting down. They want the same thing.

3. They have well-formed motivations

While we as the writers know that your antagonist was conceptualized to get in the way of the MC, they don’t know that. To them, they exist separate from the MC, and have their own reasons for doing what they do.

In Type A antagonists, whatever the MC wants would be bad for them in some way—so they can’t let them have it. For example, your MC wants to destroy Amazon, Jeff Bezos wants them not to do that. Why not? He wants to continue making money. To him, the MC getting what they want would take away something he has.

Other motivations could be: MC’s success would take away an opportunity they want, lose them power or fame or money or love, it could reveal something harmful about them—harming their reputation. It could even, in some cases, cause them physical harm.

This doesn’t necessarily have to be true, but the antagonist has to believe it’s true. Such as, if MC wins the competition, my wife will leave me for them. Maybe she absolutely wouldn’t, but your antagonist isn’t going to take that chance anyway.

In Type B antagonists, they want the same thing as the MC. In this case, their motivations could be literally anything. They want to win the competition to have enough money to save their family farm, or to prove to their family that they can succeed at something, or to bring them fame so that they won’t die a ‘nobody’.

They have a motivation separate from the MC, but that pesky protagonist keeps getting in their way.

4. They have power over the MC

Antagonists that aren’t able to combat the MC very well aren’t very interesting. Their job is to set the MC back, so they should be able to impact their journey and lives. They need some sort of advantage, privilege, or power over the MC.

President Snow has armies and the force of his system to squash Katniss. She’s able to survive through political tension and her own army of rebels, but he looms an incredibly formidable foe.

Your antagonist may be more wealthy, powerful, influential, intelligent, or skilled. They may have more people on their side. They are superior in some way to the protagonist.

5. And sometimes they win

Leading from the last point, your antagonists need wins. They need to get their way sometimes, which means your protagonist has to lose. You can do a bit of a trade off that allows your protagonist to lose enough to make a formidable foe out of their antagonist, but still allows them some progress using Fortunately, Unfortunately.

It goes like… Fortunately, MC gets accepted into the competition. Unfortunately, the antagonist convinces the rest of the competitors to hate them. Fortunately, they make one friend. Unfortunately, their first entry into the competition gets sabotaged. Fortunately, they make it through the first round anyway, etc. etc.

An antagonist that doesn’t do any antagonizing isn’t very interesting, and is completely pointless in their purpose to heighten stakes and create conflict for your protagonist to overcome. We’ll probably be talking about antagonists more soon!

Anything I missed?

[lost-time-memery]

I really don't wanna see anyone talking about Betty as if she was a "poor little misguided girl" that had to sacrifice her whole life for a man.

She was her own character and made her own decisions during the whole show! Yes, jumping through the portal basically doomed her life, but it was HER DECISION.

I'm not saying it was a good thing for her, being impulsive and reckless is a very consistent flaw to her character, as well as being passive and inattentive to her self destructive behavior was a flaw to Simon! Their relationship had flaws like any other would, but they loved and admired each other the exact same amount! (Simon went back in time to apologize and say goodbye to her, while Betty refused to accept his loss and tried to go back in time to change the future, he was more willing to let her go AT FIRST)

I'm also devastated that Betty got such a tragic ending, but the important thing is that SHE ACTIVELY CHOSE HER FATE. And she did not regret it.

SHE CHOSE TO STAY WITH SIMON AND NOT GO ON THAT TRIP

SHE CHOSE TO JUMP THROUGH THAT PORTAL

SHE CHOSE TO TRY TO FIX THE CROWN EVEN WHEN SIMON BEGGED HER TO STOP

SHE CHOSE TO STAY BEHIND AND MAKE HER LAST WISH

(I'm also a little bit disappointed with the fionna and cake finale, the way they handled Simon's character development was kinda underwhelming, but seeing people treat Betty like the ultimate victim makes me a lil bit upset... SHE WAS SUPER PROACTIVE)

I'm not trying to romanticize her toxic traits, being this obsessed with someone is not healthy, but at the same time... In a show with world ending monsters and interdimentional beings and telepathic war elephants, the fate of the world in both AT and FaC depending on a normal human woman that just loved someone SO MUCH is so beautiful...

It's PAINFULLY bittersweet but also immensely true to the nature of human beings. 🥲

[0luv9]

forlorn || mattheo riddle

Summary: based on this request.

Beware: angst, fluff, slightly aged-up characters, Hufflepuff reader, sweet reader, she/her pronouns used, mostly in second person, jealousy, mistreatment, a little bit of blood, slightly commanding(?) and intimidating Mattheo.

Words: 7.8k (not beta read)

Note: I am sorry luv, I don't think I did justice to the request. I also apologize for taking so long. I still hope you like it, even if it's just a bit. @cat-loves-music

Mattheo Riddle, son of Voldemort, or Tom Riddle if you will—for a more humane approach. But then, there's no humanity in the way he's treated. Always an outsider, always a monster.

There is wealth to his name; after all, he is the only living heir of Salazar Slytherin. However, his blood is corrupt, shunned by the very people who kissed the steps his baby feet took. Looked down on by the blood supremacists and not accepted by the other side, the "good side."

Even he was tired of the same sob story. He doesn't even need to introduce himself; they already have a preconceived image of him in their minds. He could try to fix his image in an ideal world, but even then, what would he say?

'Hello, everyone, I'm Mattheo Riddle, son of the man who once threatened your lives. Please welcome me with warm hands.'

Too cliché? Yes, but it's true and the only truth he knew.

Riddle didn't even know why the name Riddle was cursed and didn't know what his father did that made everyone's hate transcend generations. What made their hatred justified and his hate a crime? He didn't know until it was too late.

Mattheo was raised by the only living relative of his, his mother's aunt—the one who died recently. The one who kept all this hidden away from him hid all the Hogwarts' letters, raised him like her own, and protected him until her last breath. She loved him but all within the vicinity of the manor. He didn't know the world that existed beyond those walls.

He knew about the world outside only through the books she'd let him read. He thought it would feel liberating to step off the lavish floors onto the rich earth. It was everything but that.

"But Nona, why can't I go outside?" he remembers asking that silly question when he was about nine. What he wouldn't do to get that naivety back.

"Because, my dear, there are people out there who wouldn't like you. There are bad people outside ready to punish you," he also remembers crying when she told him that. He didn't understand why people would hate him. He just wanted to try the chocolate frogs he read about.

He just wanted to talk to all the different animals out there, the same way he could talk to the garden snakes.

"But I didn't do anything wrong, Nona. Tell them that I'm a good boy. I can even give them some of my toys. Will they like me then?" If only it were that easy. His Nona cried for the first time in front of him then, looking at all the toys he had set onto her lap, looking at her with teary eyes, pleading, "I didn't do anything wrong, Nona, I promise."

Mattheo didn't understand her tears back then, but now as he stands all alone, those same tears fall out his eyes. It's useless. "They'll know that someday, moon pie. You aren't wrong. They'll know." They'll know? What a fucking joke.

Mattheo tries to enjoy the view in front of him, you know. But how can he? When his batchmates are out there partying and enjoying life, he's been a lone wolf all his life. Yet in moments like this, he seems to forget his old ways of existing.

There's not much he can do anyway; he's not needed anywhere. In fact, they all want him gone. Finding beauty in small things is hard when misery clings to him. There's self-loathing in the way he thinks about the night and himself. There's nothing positive he can say.

You'd think that he must've gotten used to it all by now. No, he hasn't; it only got worse. At least little Mattheo held hope that people would understand someday or the other. Every bit of hope was destroyed by the very people who would've feared him had his father been alive. In moments like this, he wished he could see the man, live as the son they paint him as.

He'd have someone to lean onto then, someone to call his own. At least his father would've loved him. But this last bit of consolidation too was stolen away from him when he got to know that he was a backup plan for his father. Mattheo Riddle was not supposed to exist. His father wanted to live on forever; he was the last option the so-called Dark Lord had, to produce an heir and have them further his cause, and control his life as Tom lived on his last lifeline.

But all of it died with him. Mattheo promised himself that he would never be the man they all expected him to be, the man they wanted to point fingers at. So, he stayed in line. But then he thinks, sometimes, maybe, what if—you know?

He simply stares up at the brightly lit sky, it's a shame that he's the only one out there to appreciate the scenic beauty because he's physically and mentally incapable of appreciating anything, you can't blame him now, can you?

Cold breeze in mid-August, how fucking ridiculous just like this life of his, so unlike his peers, who were out there partying and having the time of their lives, the music vibrating through the walls was like salt on wounds. He'd like to drink a few and chat with his friends but then again, he hasn't got any. And it's the bitter truth that he's not welcome there, he'd be greeted with nasty looks if he tried to enter any such party, they'd all glance his way like the ominous thing he is. It's times like this when he really contemplates it.

Mattheo looks down from the height he's on, no one would care anyway, the fall will kill him, might just give it an actual try unlike those previous attempts- he's been a coward all his life, never ready to face the extremes of life but he has nothing to protect at the moment, he's come far too long, life was never going to be worth it.

He climbs over the railing onto the brick ledge, sitting down for a moment, to take it all in for the last time ever. Mattheo remembers all the whispers that followed him, the suspicious looks passed along the way, those words of disdain- at the same time the thoughts of a happy life enter his mind, it all feels unattainable, in fact, he's so far gone he can't even picture joy, all he sees is bright colours when he thinks of a happy life.

Mattheo had desperately sought relief all his life, but the pain only worsened with time, it's only reasonable to want to end this feeling of hopelessness. The weight of his family's legacy feels heavy on his shoulders. He slouches over and looks down once again, sighing as his eyes shift to the ring on his finger, the other Gaunt ring, he slowly removes it- a pathetic heir he is, he doesn't deserve it, couldn't live up to the name, disappointing both sides of the world.

Maybe they should have destroyed this along with his father's ring but apparently, his dear sweet Nona thought he could change their fate, change the course of history, change the Gaunt legacy for the better, fuck- he couldn't even try and change people's perception about him. Even in this sense, he's nothing like his predecessors, incapable of leaving a mark, of changing the world, be it for the better or the worse. He's just fucking worthless- he fiddles with the ring as he shifts a bit closer to the edge, ready to let go of it.

"Nice ring," he turns around startled, "Mattheo, isn't it?" not Riddle? He hadn't heard his own name in a long time, no one had directly addressed him in years let alone called him by his first name. It all feels foreign, he simply nods not knowing what to say. "Do you mind if I join you?" you don't wait for a response though and carefully bend and climb through the gaps between the two rails, settling down beside him. "Hi, I'm-" he doesn't hear it, he's too focused on your face, you were dolled up, for the party he thinks, but then why are you here of all places? Was this some kind of prank? He steals a glance back at the entrance and the seemingly empty hallway, to see if anyone is waiting for a reaction.

"You know you shouldn't sit so close to the edge, you might fall down," you grab his forearm urging him to move back, your hand feels warm on his skin, it feels unnatural, his hands are always cold. Even though it's on him for a couple of seconds he can't help the multiple emotions going on about in his mind and before he can sort them out, his mouth decides to act on its own, "Why aren't you at the party?" "Oh-" you look disappointed, and he apologises right away, not wanting to upset the only person who had the decency to talk to him, "Sorry, I shouldn't have asked," he's quick to defend himself, it's a natural response after all but you only seemed amused, "No, it quite alright, I was just surprised by your voice-" "Is it that bad?" "Gosh no! It's just not what I expected, quite rough, it's nice," you are quick to shut him up, "And about your question, I am annoyed at my friends forcing me to try more drinks and all, I just came up here to relax."

"I can leave if you'd like," you add on as an afterthought, but you really didn't want to go, it was the only place with some peace, unlike the loud corridors and dorms, where you were mad at your friends and were in no mood for a party. "No, it's quite alright, I was just surprised," he tries to lighten the mood, repeating your words jokingly, it works, you laugh and properly look at him instead of the waters ahead.

"Haha so funny," you say in a monotonous voice, trying to act like you didn't just laugh but you can't contain your smile, and he finds it quite beautiful. You look down at the ring between the two of you, "it's a beautiful ring I must say," You compliment it again since he hadn't acknowledged it before. Mattheo thanked you quietly trying to think of a response that might not make you run away from him.

It's been only a few minutes and you've said more nice things to him than he has ever heard in his whole life, it's quite ridiculous when he thinks about it, seemingly you find it quite easy to compliment him. He stays quiet not knowing how to take a compliment, but you don't let the silence continue, you look around trying to find something to talk about and soon enough you start talking and he's glad, "You know about those plants right there?" you point to the shrubs at some distance from the castle walls. Mattheo shakes his head unable to recall if he had seen them before. "It's alright but now that you know, you have something to look forward to this upcoming month!" you smile yet again, cheerful that you have something to share.

"What's special about them?" "It's not the plant itself but the fireflies that live there!" Mattheo tries hard to keep up with your energy and pace, "Why aren't they out now? They aren't migratory, are they?" "That's what makes it special unlike fireflies that are present throughout the summer, these ones light up only for the last week of August," "I'll look forward to it," "You should! I missed it last year and then everyone thought I was lying when I mentioned it." Mattheo frowns, "No one knows about them? Not even the professors?" "The professors would know but it wasn't that serious that I'd take it up to them," Mattheo finds it difficult to relate, he always would let everyone know that he was in the right if the facts favour him because no way in hell would he let anyone see him in the wrong light, he couldn't bear to be in the wrong.

And it slips out his mouth, "I would've argued till they knew I was right," "I don't like arguing though, reminds me of my parents, they parted ways because they argued a lot, so I try to avoid it myself," his lips purse trying to think of an appropriate response, "Anyway, you are in Slytherin right?" it wasn't a question, you just knew, "I'm in Hufflepuff, nice to meet you!" you turn towards him and extend your hand with a smile, he can't help but mirror your smile, "Nice to meet you indeed." Your hand feels soft in his, he was finding it hard to let go but you pull your hand back almost instantly- remembering something, "OH right I forgot, do you like chocolates?" Mattheo was quite taken aback by your energetic self, it was infectious, "Of course you do, it's a silly question, I mean who doesn't like chocolate-" you stop midway and fix him with a scrutinising look, "Unless you are some heartless monster-" "Nah I like chocolate alright," "Good good."

You fish through your jacket's pocket and pull out two chocolate bars, "It's muggle chocolate," you place one in his hand, "Muggle? I've never had muggle candy," Mattheo inspects the small sweet in his hand, "You are missing out then!" you chuckle as you take the wrapper off yours, "I'll eat it tomorrow, thank you," He pockets it and looks ahead with a small smile, tonight's beautiful now that he looks at it.

"You are a muggle born then?" Mattheo can't help but want to know more, because how dare his fucking father go after your lot, "Yep, I was surprised you know? To receive the letter, I thought it was some prank but of course, after a few days I realised how real it was, couldn't have been happier, to be away from home." It's funny because all Mattheo wants to do is go back to the gloomy old mansion and here you were saying the opposite, the stark difference between the two of you was obvious to him.

You ramble on and he listens, it's nothing but enjoyable to listen to mundane stories being narrated with such interest, he finds himself smiling a bit too much, to the point where his face hurts but he doesn't care because you are quite the lovely company to be around.

Muggle-born, the same year as him, Hufflepuff, living with your mom- it's not the best back home he gathers that much. You were angry at your friends and were going to hold a grudge if they didn't apologise. He learned a lot about you in that one hour and learned a few things about him as well, he didn't know he had jokes like that OR you were just too kind to laugh at his bad quips, whatever it was he was grateful because you didn't make him feel bad or like a burden. Mattheo was glad that you were the talkative one and that you didn't expect him to share anything if he wasn't comfortable, also the fact that he didn't want to send you running away by talking more about himself.

He admires the fond smile you wear when you talk, the stars reflect a bit too brightly in your eyes, and he inhales breathing in your scent, it's surreal, the moment. Mattheo didn't quite think properly until you left, wishing him a good night, "it was nice spending time with you, Mattheo!" He wonders if you knew how much it meant to him.

...

He finds out your name the next day and sees you everywhere, it's annoying because he was tired since he couldn't sleep thinking all night about you and now he has to see your face again. Now that he knows you, he can't seem to avoid you, earlier it was easy to be blind but now, everything else seems like a blind spot but you. Or maybe it's that his head is not hanging low, avoiding looking up at people.

Mattheo got over the irritation rather quickly, discreetly looking at you, eyes following every movement of yours. But you don't look at him once, he was just like any other guy to you, the realisation both hurts and feels nice, knowing that you don't demonise him but also the fact that he's no one special either. And maybe, he can live with that.

He notices the large number of people you keep around, you are never alone, always surrounded by a group and you are always the one talking, you are clearly popular. How had he not noticed you before? But then again he knew no one in the school apart from the professors, he never tried to get to know anyone because of course his fate wouldn't allow that.

Mattheo seeks out the solace of the library to keep you out of his mind for a while but the plan doesn't seem to work when he finds the chocolate you gave him in his bag. He simply sighs, knowing that there is no escape, unwarps the sweet and pops it into his mouth, shutting his eyes, and recalls your sweet smile. Warmth takes over his body, it feels nice like this, he has to talk to you once again because that can't be the only interaction he has with you, not when it's all he can think about. He breathes out slowly, staring down at the wrapper and mindlessly reading the information on the back, his jaw tightens as he realizes his stupid pathetic feelings. Mattheo puts the wrapper in his quill case and tries to study with a head full of you.

...

Okay, now it was really starting to bother him, he practically couldn't keep his eyes off you, it's like a spell had charmed him in. He wasn't even trying to be discreet at this point, he downright stared at you from a distance, it was creepy, he was aware of that but he couldn't bring himself to give a damn. Mattheo doesn't like this new feeling you've instilled in him, it's sweet and it's fucking uncomfortable. He finds it extremely difficult to get rid of you from his thoughts, so he gives up on trying and lets his mind go on autopilot.

The way you talked to him without any judgement in your eyes that day, the images of you repeated over and over again in his mind. Even when he sees you with someone else he can't help but think you are in front of him telling him a story, with those animated expressions of yours, but then seconds later he comes to his senses and sees the smile that's not directed at him, the one you gave to everyone, him too. He thinks it was your pity, that made you talk to him. He didn't feel like he was burdening you then but now when he thinks of approaching you, he knows he'd be burdening you. Your life looks no different, every day is full of joy, and you aren't smiling any less.

Why would you talk to him of all people? Perhaps, you only talked to him that day because you needed a change of scenery and not because you wanted to, he's wrong in thinking that but he's also deluded. It's the only way he keeps himself at peace, to not see meaning in your words, to not long for your company.

But he's a Riddle after all, some things just run in your blood, he has his eyes set on you and he finds it difficult to look away. New dream of his, and he'd like to have it, no matter how unattainable it feels. Yet he hasn't got a clue, it's all too new, and he doesn't know what to do, he'd like to have a plan but what would the plan even say? Go and talk to her? Yeah, like he's about to embarrass himself in front of her.

...

Your eyes stretch at the sight of him sitting in the library, alone but not in some deserted corner, he had claimed the whole couch in the centre of the room, sitting right in the middle, reading a book leaning back, a frown on his face. He looked intimidating, and to be honest, you were scared of him, the little beer in you that night had given you the courage to approach him, maybe your fate was too kind to let you find him that night but now your nerves were on fire.

It was no secret to you that he had been staring at you the past couple of weeks, but you couldn't understand the look on his face, his jaw was always clenched, eyes narrowed, and not a hint of emotion on his face. Was he mad at you? Was he the planning on-

No. You didn't like to think about it, you didn't want him to be the man they paint him as, he's just a boy, your age, maybe that's another reason why you hadn't approached him. Staying away because you were scared that they'd be right, you'd rather delve into what ifs than actually be heartbroken, your imagination brought you bliss.

But would it really be your mind if it would let you just forget it? You think and think, getting worked up over every little interaction you've had with him. How could he be evil? He talked to you so nicely the other day, even- even though you were a muggle-born, a mud blood. But when you see how he looks at you, you can't help but feel scared.

It really was an intimidating sight, your courage wore thin but you had made up your mind. You approach him cautiously, as you greet him, you start feeling jittery and flushed, "Hey Mattheo."

Mattheo jerked his head up as he heard your voice, surprised, caught off guard in fact, he didn't trust his words just yet so he simply nodded at you, acknowledging your presence, closing the book and setting it aside, all his attention on you. "I came here to study and noticed you," you look around bashfully before continuing, "I just wanted to ask you if you liked the chocolate I gave you the other day, you know the one with dark brown wrapper-" "Yeah I did," He stops you from rambling on, not that he had any problem with it but you clearly seemed nervous, he just wanted to ease your nerves, "Right so-" you quickly pull out a small pack of the chocolate from your sling bag placing it beside him, straightening up, "I'll go then, enjoy-" you are quick to turn away from him, cursing yourself in your mind, blaming yourself for making things more awkward than they already were.

Mattheo stops you in your tracks as he calls you by your name, you turn around, and he speaks in that cold voice of his, "You said you were here to study right?" you nod timidly, clutching onto the straps of your bag, he leans back and with a flick of his wrist, a table and chair are summoned in front of him, "then study," he motions to the chair opposite of him.

You were quite taken aback, you stood there for a bit before actually registering his words, and you quietly sat down, you didn't have it in you to disobey him, he was Mattheo Riddle for fucks sake, he looked and sounded like someone who doesn't take no for an answer.

A small smile tugged at his lips as he watched you carefully sit down, looking down, not meeting his gaze, he couldn't believe it, you obliged his wishes? Mattheo leaned back fully, arms folding as he watched you, brown eyes capturing each detail, amusement crawled over his face as he watched you pull out multiple books all at once, various colourful stationery items sprawled out all over the table. You looked pretty like this, stray strands of hair framing your face, lips pursed in concentration. He knew how creepy he was being, so he opened his book again and tried to read but he simply couldn't not when you were sitting in front of him, he relished your presence and this was so unlike the others, every time he had looked at you- you had been surrounded by people, so it was a sight to behold, only for him to admire. So he did, in secret, glancing up at you, every few seconds.

It's been two hours and not once did he get bored of looking at you, a small smile lingered on his face as you closed your books and looked up at him, "How's that book?" you nod towards the book in his hand- the one he was supposed to be reading, "Good, good" he bites the inside of cheek as he lies through his teeth, "Got everything done?" he sets his book aside, fixing you with a soft stare, "Yes, I just wanted to revise a bit, I forget stuff easily if I don't revise regularly," you tilt your head a bit, his eyes were much softer now, and it made your heart flutter a bit, feeling a lot more comfortable than before, so you do what you usually do when you are comfortable- talk.

"By the way, did you study for the upcoming herbology test?" And before he could answer, you pulled out a piece of paper from your bag, "This is like the holy grail, a senior gave it to me last year, it has all the specifics, of recognising plants and how to make generalised guesses about their uses-" you speak in a hushed voice, slightly leaning over the table, eyes wide as you shared your little secret, "you can have it, I have it memorised haha" You bless him with that pretty smile of yours, pushing the paper towards him, you don't let him refuse the offer and start talking about something else, he gives you a small smile, and it makes your insides turn into mush, you bite your lip trying to contain your smile, eyes shy as you start fiddling with your hands on your lap.

You talked for hours, he was much more open this time, and the conversation flowed smoothly between the two of you, it was you who mostly did the talking but he didn't seem to mind he looked more than pleased, he didn't like talking much, it seemed, so you filled in the gaps, made it look so effortless like it was easy talking to him, maybe it was easy for you but to him, it made him feel warm and fuzzy inside. You two stopped only when the librarian came in and told you it was curfew time, your eyes widened as you turned to look back at him, an amused smile on your face, both of you got up, walking beside each other, not uttering a word till you were out of the librarian's stern gaze.

"I made you miss dinner-" your eyes widened further as soon as the two of you got out, stepping into the empty hallway, "it's alright, I don't mind," you playfully rolled your eyes at him, he chuckled at your antics, "yeah sure, but your stomach would, but- we can sneak into the kitchens, you know, sneak some food out," you wiggle your eyebrows at him with a sheepish grin on your face, he scoffs in disbelief, a fond smile gracing his face, "something tells me, this isn't your first time sneaking around."

"No, it's not," you chuckle a bit before continuing, "So, are you coming or not?" you purse your lips, looking up at him with doe eyes and he questions your motives right then because there's no way you didn't have a clue about what you were doing, "would be an idiot to say no," he muttered under his breath shaking his head, "I didn't catch that-", "Yes, I am."

You give him a pleased smile, you looked so happy at that moment, he was rooted in his position as you started walking ahead of him, he had to look away to catch his breath, "Merlin" he exhaled, a hand reaching over to his chest to soothe his loud thumping heart, and in that moment he knew he was a goner.

"Mattheo-?" you turned around since you didn't hear him walk with you but soon he rushed to your side the moment you looked back, you gave him another smile as he walked beside you, he looked straight ahead then, you needed to stop doing that because no fucking way- would he be able to let go of you.

You lead him to the kitchen, both of you cautious, well just you- he was having the time of his life, getting a detention would be worth it, just a small price to pay. Mattheo repeatedly stole glances here and there, the moment you entered the kitchen, you grabbed his arm and pulled his painfully slow self in, "gosh- you sure do walk slow," you glare at him, but there's no malice in your eyes, instead they are just amused, you roll your eyes when he just shrugs in response, moving over to the tables. Mattheo just looked at you with fond eyes, he was just trying to buy more time with you by walking slowly and he didn't feel one bit guilty about it, he felt a bit too proud. 

You sigh dramatically before returning to him with a small tray in your hands, "I didn't find anything else, apart from these blueberry muffins," your eyes wander around once more trying to see if you missed something, "usually there's still stuff left, that's weird- oh well, at least we have these," you give him a small defeated smile, setting the tray on the table, shrugging as you felt that muffins weren't worth the effort of sneaking around and that you only troubled him further. Mattheo saw through you and he hated that you were feeling that way, "didn't I mention this to you? I love muffins, especially the blueberry ones." he gave you a small smile, picking up the muffin, taking a bite, "yeah, that's good, way better than the dry vegetable and chicken pies they make." He didn't look at you as he said that, but you smiled, realising what he was trying to do, you wanted to cry, why was he being so considerate? You were now beginning to go down a spiral, of all the times you thought of him in the wrong light, how dare you even think like that? 

Mattheo caught you staring and it was hard for him to control the heat that rose to his cheeks, he cleared his throat, "What? You don't like these? Well, guess they are all for me-" he teased, taking the tray in his hand and started walking away, "Hey! No-" you rushed after him with an amused smile, "I want one too," and the tray was shoved back into your hands, "better not eat all of them, yeah?" he gave you a small cheeky wink, leaning against the table, finishing the muffin in his hand. 

Mattheo offered to walk you back to your dorm, he didn't have to insist much, after all, you wanted to spend time with him too, you easily agreed after a couple of tries. You two walked in comfortable silence, as you neared the Hufflepuff dormitory, you were thinking about how you'd part ways, overthinking about what would be appropriate and in the mix of it, you just gave him an awkward side hug, squeezing his arm a bit before mumbling a quick "goodnight" and rushing in. 

He couldn't believe his eyes, were you blushing? No way, he must be imagining things. Mattheo could still feel your warm touch lingering on his side, the scene playing over and over again in his mind, he wanted to scream out of excitement- he was getting cuteness aggression, had to be it, his fists clenched at his side as he stared at the door, for god knows how long, if he could- he would've squeezed you into a bone-crushing hug, but you were quick, left him speechless. 

He walked back to the Slytherin dorm without any trouble, he closed the door behind himself and leaned back against it, he was pretty sure his skin was burning with all the warmth that was flowing through his veins. Merlin, he was embarrassing! Mattheo sighed contently, a big smile on his face as he replayed the whole day, your smile- 

...

The next few days, you guys didn't talk at all, he was back to staring and this time, when you did catch him in the act, instead of pretending you didn't see him, you gave him a knowing smile and a wave. Lingering looks, and subtle greetings, were sweet, Mattheo was now on a new high, he couldn't get enough. But for some reason, he maintained his distance, he stuck to looking at you from afar, it felt comfortable this way, not wanting to taint your reputation by talking to you in front of others, he'd talk to you if it was only you but you were never alone. 

Mattheo starts seeing life for what it is, when he looks at the trees outside, the castle in its entirety, he feels like he is seeing it for the first time. How had he missed this? He finds himself back at the astronomy tower, he looks at the lake ahead, it was a sight to behold, and he is starting to appreciate the view, these days he didn't care about much, you were all he could think about and you were more than pleasant, it was as if the grey lens of his life was replaced with a coloured one, and it would be foolish to credit anyone else but you for it, and he was fucking grateful for it. The reason he was here was, that it was the end of August, and the fireflies you so damn wished to see would be out tonight, he came here just in the hope that he'll get to see you alone. 

He was zoning out when some movement near the edge of the lake caught his eye, it was you- with a few of your friends, his smile faltered the moment he saw some blonde Hufflepuff dude pull you to his side, slinging a hand over your shoulder, you all walked towards the shrubs and didn't have to wait long before the fireflies lit up and started raising above the shrubs. He was about to leave, he was mad for some reason, really pissed- but then he took another look at you. You were standing a bit behind your friends, who had all their attention on the flies ahead, you seemed sad, looking down, messing with the soil beneath your shoe, hands in your jacket. Mattheo could make out the pout on your face, the deflated shoulders, you then turned to look right where he was, and he felt his breath catch in his throat.

Your posture straightened immediately, the pretty smile returning to your face as you looked up at the astronomy tower balcony, having spotted him, you waved at him. Mattheo nodded, forearms on the railing as he leaned forward, a smile gracing his features, the anger leaving him. You excitedly pointed at the sky, and he nodded, you turned back around when your friend called you and he couldn't look away, he was staring at you till you left, Mattheo started feeling the warmth creep up to him when he saw you making an effort to steal back glances at him. He felt seen, fucking special- 

...

Mattheo still hadn't talked to you, he couldn't catch you alone really, it was starting to get to him, he longed to hear your voice, hear you talk to him- and yet, he didn't have it in him to approach you in front of others, it would ruin you, you thrived in the company of others, he couldn't snatch that away from you. Maybe if he was a bit more selfish, he'd do it, snatch you away from others, have you all to himself but he wasn't about that life, it was something his father would do, he's sure of it, go after what he wants, not caring what others would think- 

Mattheo feels like passing out when you deliberately look at him just to give him a shy smile, a flushed look on your face. He walks away because he cannot handle looking at you, the urge is too strong, to just take you into his arms, he walks out to the empty hallway, a hand over his chest- it had become a subconscious habit of his, whenever you gave him that smile, the one that felt like it was just reserved for him, yeah that one, he felt like he was in heaven, you sent his heart rate through the roof when you did that, it borderline hurt him since he couldn't do much to satiate this feeling. 

The longing was etched into his eyes when he looked at you, one thing he realised was, that when he had his head up, no one dared to look his way, he was enjoying that power for some reason, it filled his veins with something dark, he liked seeing people look down instead of him looking down, it felt fucking nice, and it felt even better when the only person that did look at him, was you. People averted their eyes when he entered the room, choosing to ignore his presence but the fear was very much evident, so he knew they didn't see him staring at you but at this point, he really couldn't bring himself to make an active effort to look away even if someone noticed. 

It was no lie, that Mattheo wasn't up to date with all the gossip and news, he just lived life passively but now that he was out there more, he couldn't help but hear the words that fell onto his ears, Yule Ball, huh. WAIT- ball dance? That meant having a date, who were you going with? Fuck his mind was rambling shit to him, he could not let someone else take you to a fucking dance as their date, no, he wouldn't let that happen. He had to get to you before someone else did, it was nighttime, and tomorrow's the weekend, approaching you will be the first thing he'll do after he wakes up, he has to plan shit out, you know, make it special and heartfelt, you deserved nothing less.

But his heart nearly broke when he overheard two Slytherin guys talking about you. The way one of them talked about you made his blood boil, his jaw clenched tight, nails drawing blood from his palms as they dug into his coarse skin, "I told you not to ask her out, plenty of guys tried and guess what? She rejected them all." the guy who was being talked to only scoffed angrily, "She's a fucking slut, that's what she is, leading people on-" the other boy just stopped him and Mattheo exhaled, a bit relieved because if it wasn't for him, Mattheo would've smacked the guy and pushed him to the fucking wall, "dude, come on, that's not true, all she did was smile at you when you gave her your seat, she's a nice girl," these guys were in the fifth year, he recognised that much, "sure, whatever," the guy walked away to his room, making sure to loudly slam the door behind him. 

Mattheo then gets up and walks towards the guy left behind, the one who stood up for you, when he stands in front of him, he sees the dude cower into the seat, Mattheo tries to speak in a polite voice but the anger is still radiating off him, his irritated stare didn't help either, "she doesn't have a date, yeah?" his hands were behind his back, over one another, the blood still fresh, "who-o?" the guy stutters out, looking around for help but no one was there- "You know who," he fixes him with a glare, before uttering your name out loud, "no no, she doesn't, rejected them all." Mattheo then nods at him and leans back, then finally he walks back to his room, allowing the guy to catch his breath. 

Mattheo feels relief wash over him as he lets the information sink in, okay good, you didn't have a date but then again, why were you rejecting them all? What if you reject him as well? Yeah, he couldn't handle that wound, he'd fucking die, he contemplates whether he should ask you or not but he's done fucking waiting, waiting for his fate to fuck things over, if things are going to be fucked, he'll be the one to do it. 

...

Mattheo puts on a black shirt and black pants, not caring to tuck his shirt in, the cold metal ring stings him as he puts it on, the feeling is grounding, he's doing something his dad would've done and for some reason that doesn't feel half as bad, he feels like himself, it was like something had possessed him, the confidence was unwavering, even as he stepped out into the crowded hallway, hands in his pockets, looking ahead, people parted, giving him space and Merlin, did that feel fucking powerful. He rolled his sleeves up to his elbows as he approached the room you'd be in, you always were there on the weekends, with your friends and he didn't think before he stepped into the room, heads turning towards him in shock, even yours but the shock on your face was soon replaced with a smile, quietly waving at him and that right there, fed right into his ego.

He walked over to you in a few quick strides, eyes zeroed in on you, nothing else mattered at that moment, "Can I talk to you?" To say you were surprised would be an understatement, you were ecstatic, you've wanted this for so long, to talk to him in front of others, you never knew if you should because he might've felt uncomfortable, "Yes ofcourse, what is it?" you nod, a smile still on your face, "Alone," his voice was cold, "oh yeah, sure-" you step towards him, thinking he'd lead you somewhere private but he stayed rooted in his place, eyes never leaving yours, he stayed quiet for a bit, taking in your whole self, the bright clothes you were dressed in, the equally bright smile on your face. Then he looked over your head, to the shocked faces of your friends, "Alone." It came out as an order, he couldn't care less. 

Mattheo liked this newfound authority, he also relished in the fact that you were being so compliant as if you wanted this to happen and he couldn't be more glad, "Guys, I'll be back, you can go ahead, don't worry," you explained, seeing their hesitance, his unwavering gaze was back on you, brown eyes were intense. The apprehensive group slowly emptied the room and just went the last person was out, Mattheo muttered something under his breath, and the door slammed shut, locking itself. 

Mattheo cursed that pretty smile of yours before smiling back, "You have a date? For the ball?" you lowered your eyes to the ground at the question, a shy look grazing your features as you shook your head, the more he looked at you, the more positive he got. "Good."  He finally pulled his hands out of his pocket and suddenly there was a bouquet of your favourite flowers in his hand and a velvet box, he wordlessly handed them to you, your eyes were wide, full of amusement, face warm, you noticed how the lights around you got dimmer, the small mock firefly charms that floated in the air, you didn't have a clue on how he was doing all this without his wand but you couldn't bring yourself to think of it, not when you had him standing in front you, in all his glory, about to ask you to the ball, gosh you felt like you were on cloud nine, the guy you were waiting for had actually approached you? You had to be dreaming. 

Then out of nowhere, you hear your favourite song but on strings, you look down at the box curiously- "It's the muggle chocolate you were talking about, the one you said was hard to get your hands on," he shrugged nonchalantly, as if it was no big deal but in reality, he was finding the courage to finally tell you what he was feeling, ask you out. Your brows pinched together, as you noticed that all of it was a muggle, even the flower arrangement- the song, how did he do all of this? You looked up at him with an amused look. "No questions please," he breathed out like he was out of breath, you then smiled at him gratefully, and he quickly averted his eyes, his hand subconsciously reaching over to his chest, "Oh Merlin," he exhaled quietly, not being able to look back at you. 

He then slowly gathered the courage to look back at you, you were just looking at him patiently, the smile still on your face, Mattheo cleared his throat before opening up, "I have never been the one to be graceful but I want to do this properly." he inhaled sharply before continuing, "Ever since that night, I haven't been able to stop thinking about you, I think I've gone mad honestly," He lets out a dry chuckle shaking his head, looking into your eyes, "I think I've taken a liking to you, your voice, your smile-" and then he interrupts himself, forgetting the little speech he prepared as he watches your smile widen at his words, "yeah that, more of that please," and that makes you blush, the genuine interest in his eyes, the way admiration shines in his eyes, you are so close to him, that you can hear his heart thumping loudly, "I'd like to have the honour of taking you to the ball," then he says your name quietly, "would you like be my date?" 

"Yes yes!" you couldn't be more excited, you are quick to throw your arms around him, and all the worries leave his body as soon as he is subjected to your embrace, he closes his eyes, pulling you closer, finding everything comfortable in your grip. His heartstrings thrum at the moment, it was embarrassing how quickly you got him flustered but he didn't seem to mind it. He whispered a small "thank you," before hugging you tighter, you just giggled into his chest and Merlin, did he feel like he had just won the lottery.

...

<<prev work: this love || mattheo riddle

[vasquez-rocks]

i know most ppl haven’t seen it yet but wanted to write something abt how annoyed some of the critical discourse abt I Saw the TV Glow is making me. MAJOR SPOILERS below the break, be warned!!

so idk i’ve seen so many reviews of the film positing that it’s about the dangers of obsessive fandom and overidentification with fictional characters, esp vis a vis real life self-actualization/coming out. (like, essentially every review has some of this in it, from what i’ve seen.) and, like: i don’t think that’s wrong, but i also think it’s massively underselling what schoenbrun is doing here. the metaphor of the show’s bleed-over is so smart because works in both directions at once.

like, in one direction: when maddy asks owen to come into the show by burying himself alive, you can read it as her asking him to abandon his real-life responsibilities, and the material facts of his real life body, in favor of a fantasy life where everything is already fixed. she’s inviting him to skip over the hard, messy work of transitioning and to sink even deeper into the analgesic obsessions he uses to numb his dysphoria. in this interpretation, it’s, like, the equivalent of overprioritizing “transition goals” instead of actually medically/legally/socially transitioning if that’s what you want, living forever in the ideal instead of taking difficult steps to change the material. (also, uh, if you don’t think she’s literally correct about the nature of reality, she is in fact asking him to kill himself. there’s that.)

BUT! it also works the other way. when maddy tells owen that the show is real, that their lives are just the buried dreams of dying girls in another life, she terrifies him by confronting him with something he’s always known about himself: he was supposed to be a girl. what she proposes is radical, dangerous, seemingly unhinged, and based on a childish fixation: all the things scared closeted trans people worry transition is, basically. on a more figurative level, too, the feeling she’s telling owen is real – that his real life is just a dream within a dream, that his home is not his home, that he belongs somewhere else, that he is supposed to be SOMEONE else – is something so, so, so many closeted trans people have felt before, myself so much included. when he sobs in the shower, yelling “this isn’t my home!” at his dad, i felt a sense of identification stronger than i’ve almost ever gotten from art before. when maddy finally calls him isabel, it’s the gentlest thing i can imagine.

in this read – which i do love, while thinking the other one is simultaneously true – it’s less “come sink deeper into delusion with me instead of dealing with your own life” and more “it’s going to be terrifying, but that childish dream of being a girl you once held wasn’t childish, and it can be real if you’re courageous enough.” he says he runs away from the football field because he thinks maddy’s not mentally well; it takes very little analysis of subtext to figure out he’s running away because he’s afraid of how much he wants what she’s offering. and, of course, the idea of the visible world being an illusion laid atop the world in which one is one’s truest self is a classic trope of trans cinema going all the way back to the matrix. (also: while i’m pretty death-of-the-author-pilled in most media analysis, it kinda seems like schoenbrun themself has interpreted the film in this way, as they’ve spoken at length in interviews about how, to them, transition felt like asking to be buried alive.)

all of which is to say: i think the film IS commenting on fandom, obsession, overidentification, and the ease with which queer people can sink into art as a way to dissociate from real life. but i think it makes the film so much more cynical and so much less tender to treat it as the ONLY read of the film’s relationship with the pink opaque. art, especially the sort of slow, metaphor-laden art schoenbrun makes, is best when it is complex and productively contradictory. the pink opaque is a problem, and an escape, and a fantasy, and it’s real, and one day isabel is going to wake up.

[innerfare]

Flowers

Summary: what sort of flowers (or alternatives) they give you

Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, Kid, Usopp, Robin, Nami

Genre: fluff

——— 

Luffy: Not one to buy you flowers. Instead, he picks them. Sometimes they’re weeds he thought looked pretty, other times, he presents you with a lush bundle of pink carnations you think he must have picked from a commercial flower field (this man has no concept of private property). He’s always very proud to present them because he worked hard to secure them; you'd better give him a kiss for his effort. Has, on occasion, accidentally brought you some that are poisonous. Also once brought you a bundle of radishes because he thought you would like the color. Receiving flowers from Luffy can be a bit like receiving a lizard from your pet cat.

Zoro: He won’t really think to buy you flowers until one day you mention that camellias are pretty. He takes that to mean you like camellias, specifically, and not that you’d like to receive flowers in general, so he always buys you camellias, and you think it’s so sweet that you never correct him. He’s not actually a proponent of apology flowers because he thinks a ‘bribe’ cheapens it, but he will bring you flowers when he knows you’re having a hard day. He might also buy you a small bamboo plant that you two end up treating a bit like a pet, giving it a name and everything. 

Sanji: Classic red roses, at least a dozen at a time. He’ll buy you roses in shades of white and pink, as well as the occasional yellow, but a dozen red roses is his go to. He also makes very good use of the petals. Doesn’t need a special occasion to present you with a bouquet. In fact, he always makes sure you have fresh flowers on your nightstand. Additionally, he’s learned to cook a few dishes with edible flowers in them for you, presenting you with all manner of chamomile, chive blossom, and pansy dishes. 

Usopp: Will buy you cheap supermarket flowers on his way to come visit you and will regale you with a long, fanciful tale of crossing oceans and deserts to secure them from the only spot in the world those particular flowers grow, a tale filled with sweet and funny anecdotes that makes you giggle as you trim the stems and place them in a vase of water. He’ll tell you that the flowers have special powers and properties, such as bringing you luck or living forever so long as you smile every day. 

Robin: Is an expert on hanakotoba, the language of flowers; she read a book on it once and thought it was so sweet and beautiful that she read it cover to cover several more times. She always buys you flowers with a specific meaning and then happily explains that meaning to you. Giving you flowers brightens her day as much as it brightens yours. White anemones (sincerity), daffodils (respect), and forget-me-nots (true love) are some of her favorites to give you. 

Nami: Not a traditional kind of girl. She won’t hesitate to buy you roses if you like them, but she gravitates more toward violets, daisies, and the like, smaller flowers that speak to both of you. She’s also a proponent of buying you a single flower that you can put in your hair, and she has bought you a selection of floral hair accessories so you always have flowers for your hair on hand; her favorite is the primrose crown she bought you. 

Ace: He’ll bring you bouquets with a lot of variety that the nice lady at the flower shop helped him put together. He usually builds these bouquets around sunflowers or orange lilies, and he gets very smug when his flowers brighten your day. He’ll also pick flowers for you, but he’s very conscious to only pick the ones that are not weeds. If he finds a field of sunflowers, you will be getting as many as he can carry. Never, ever visits you empty-handed, always brings at least a bouquet of flowers with him. Treats securing flowers for you like hunting for dinner and is always so proud of his bounty.

Law: Gravitates toward orchids, especially in darker shades of pink, purple, and blue; they feel a little moodier and less kitschy than the red roses Bepo tells him he’s supposed to buy to woo you (side note: imagine Law getting relationship advice from Bepo). One night folded an origami flower for you, and you liked it so much that he spent the rest of the night folding an entire bouquet, though he pretends it only took him five minutes. He doesn’t actually give the origami bouquet to you so much as he just sets it on your nightstand one day and mutters something about how the flowers won’t need water. He gets kind of annoyed if you make a big deal out of it. 

Sabo: He’s gone for very long periods of time, so when he returns, he’ll bring you a bundle of peonies or calla lilies, but he also bought you a cherry blossom bonsai tree so you can have flowers even when he’s away. The bonsai tree ends up becoming his baby, and when he is home, he spends quite a bit of time tending to it, to the point you get a little jealous. But it brings you lots of comfort when he’s away, a symbol of your love that’s firmly rooted and eternal. Side note, he will most definitely use flowers to seduce you. 

Kid: If it’s at the point where he’s buying flowers, this man is so far beyond pride he won’t flinch at purchasing a bundle of pink tulips, even if they clash with his outfit/aesthetic. He also presents you one night with a bouquet of metal flowers he made himself. He spent ages on it, but he really didn’t mean to. He intended to make one but got absorbed in his work and made an entire bundle of dainty little metal flowers. He’s oddly proud of himself for making something so delicate and would be crushed if you ever got rid of them. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[docholligay]

Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?

Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.

Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!

But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"

Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.

I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.

Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.

But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.

Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.

Also, we don't censor words here.

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[triptychgardener]

What does becoming a furry in Homestuck mean? (In reference to your recent Nepeta post)

Okay so the thing is the way that Homestuck treats furries is honestly kind of equivalent to how it treats queerness. As in, Homestuck initially treats it like a joke or a thing to mostly sneer at. Homestuck was very much part of the wave of disaffected ironic assholes of the Newgrounds and Something Awful type, especially to start with, and that sort of relied on shitting on demographics that were seen as weird and permissible to find cringe and make fun of.

Jade comes onto the scene, and a lot of people sort of groan at her whole furry shtick. Jade is largely, however, just a pretty sincere character, and even though she feels some embarassment over the idea of BEING a furry (i.e. her distaste for the idea of actually wearing a fursuit) she nonetheless begins the admirable refrain of combining the finest qualities of humanity with the elegance and nobility of the animal kingdom.

Her earnest affection for all things anthropomorphic sets up more than just her excellent taste. And as much as she is a bit of a pattern-breaker, one pattern she doesn't break is that of having a Signature Animal.

The four beta kids have a bunch of different things associated with them: the four elements, four items, four musical instruments. But the animals are practically integral to who they are as people and characters.

John's attachment to the bunny is obvious, and helps to spur on one of the most emotional scenes in the comic. (For him. Him specifically.)

It's also something deeply precious to him, as it's a gift from every single one of his friends in a very roundabout fashion!

For Rose, Jaspers is half the reason she decided to play the game in the first place. She missed her dead cat so dearly she was willing to play a game that might end the world for it.

(Pictured above, Rose lying about her feelings, water is wet.)

Dave seems to at least feel some affection for crows, or at least shame when he kills them.

And his fusing to become Davesprite is what allows him to survive as a "copy" of the original Dave. Once again, Dave's disaffected irony giving way to the necessity of becoming a furry to save the world.

And for Jade, of course, Bec.

And it's notable that, by the end of the comic, at least THREE of our main beta kids have merged with their animals, and, in a way, become the best versions of themselves.

Jade obviously gets to achieve her dream of becoming a furry, and in doing so gaining power and agency that she was always denied due to her position in the story.

Davepeta, as I stated in a previous post, is the true Final Form of Dave, the pawn that made it to the end of the board, the only surviving character from Homestuck's "original" timeline, and is truly happy with themselves.

And Jasprose appears to have fully hurled herself through the walls Rose put up around herself to protect her image, and thus absolutely mortifies Rose. She just seems to be having a great time.

Homestuck evolved from a story that was deeply cynical and mean-spirited about furrydom, to a story where three of our four starting protagonists, in their truest most powerful forms, combine the qualities of man and beast to achieve self-actualization. And to bring this back around to queerness, these three characters also happen to be canonically queer. So there's that.

This isn't even to get into how this might relate to Troll Lusii and the concept of "growing up" to be more like one's parent on a planet raised by animals, but that's for another day.

[bitterrobin]

the thing about Damian, especially pre-Robin, is that you have to straddle a line between child and cult assassin. He’s a nuanced character, you can’t dumb him down or simplify him. (On that note: PLEASE stop calling him feral! It’s pretty racist!)

You cannot make other characters be nice and understanding to him from the start like Dick or Tim or Jason. You cannot make them treat him like a toddler below his actual age.

You also cannot make him a irredeemable psychopath who exists only to hurt Tim and sow conflict. Because that’s just straight up not true. Fanon.

Writing Damian needs to be a balance between these, and he needs this nuance to be interesting.

If everyone treats him softly, then there’s no point for Damian’s personality as it is. He is rude and arrogant and abrasive for a reason. You could argue that he’s spoiled, but he’s also a child who was ripped from a culture he knew and thrust into the arms of a white family who don’t understand him and don’t make the effort to actually teach him their views. He’s rude and angry because there is no place for him there, not until Robin, and even then he is still subject to their judgements. If everyone treats him with kid gloves, then his attitude comes without justification and doesn’t make sense.

Please remember that when Damian first appeared in comics, everyone except Talia disliked him. Bruce wasn’t sure what to do with him, but he also was quick to scream obedience. From Dick’s inner monologue in Resurrection of Ras al Ghul and his very early interactions in Batman and Robin, he didn’t like the kid and thought him a burden to bear in the place of Bruce. Tim never once gave him mercy after the first meeting. His inner monologue and actions all speak of hate and teenage angst - some justified, some way out of line.

Damian’s anger is then reasonably apparent. He doesn’t fit in. He can’t. But he doesn’t seek violence. He doesn’t try to murder everyone in their sleep like some people think. It’s shocking that fanon’s interpretation of him is a boy who goes for the throat in every interaction. He’s snippy, but in every single comic I’ve read he’s never tried to fight someone without a justification. If he was an X-Men level telepath, then I’d argue that his actions would become worse if he really knew what people thought of him at first glance.

If you’re a child that knows he is hated, then you lash out. You test boundaries. You see what will make them exile you, hurt you. You are a brown boy surrounded by a white city in a culture that you don’t understand. You cannot see your mother again. They hate her. You cannot express yourself in a world that expects the worst. You are shackled by expectation and judgement. They won’t let you be, but they won’t let you go.

You are stuck.

And in this, you will always be.

[inbarfink]

Any analysis of how Undertale deals with Pacifism and how it tries to guide the Player towards it has to take a deep look at Papyrus. Because Papyrus is the one character in the game who will never kill, the one actual ‘True Pacifist’ in the game’s main cast. 

I mean, the Player can be an even bigger Pacifist. Papyrus does still FIGHT, and the Player can get through an entire run without draining a single sliver of HP. But… they can also be the world’s biggest murderbastard and literally stab reality to death. 

Toriel would very much like to not kill, but she is also fully capable of doing so.

Same with Asgore, but he has a lot more actual blood on his hands. Undyne and Mettaton are both fully 100% willing to kill to accomplish their goals. Sans is non-violent in most runs because he’s too lazy and depressed to do anything, and when he is motivated into actions - it is in the form of a FIGHT to the death. Alphys… the timeline is a bit fuzzy cause both she and Mettaton love lying so much, but it seems like she did sincerely add deadly weapons to Mettaton cause killing humans would make him more 'useful' and then had second thoughts once she developed a parasocial relationship with the Human Child and THEN she and Mettaton started hatching their little play-acting plan. I think??

With Papyrus there is NONE of this ambiguity, we know for sure - no matter what timeline or what may come - The Great Papyrus will always choose MERCY.

And the interesting thing about that is on a Meta-Sense, Papyrus is a very rare example of the game giving MERCY towards the Player. 

Because the game starts out being really obtuse with the Sparing mechanic and how it works. If you want to be a Pacifist in Undertale from the get-go, you’re gonna have to work for it. You're gonna have to figure it out on your own and commit to it and believe that it's possible. It's basically a test of your own belief in non-violence and your moral integrity. Then, the RUINS end with the Toriel boss battle - in a way, that’s probably the hardest Sparing puzzle in the whole game. And it’s very very easy to accidentally kill her. (I’d almost say that’s the intention of the battle, to try to goad the Player into Resetting so they can see how the game remembers across RESETs)

And then we have Papyrus, and it’s not just that his ‘Sparing Puzzle’ is something as simple as outlasting him and letting him run out of dialogue - and it’s not just that he’s the only boss that will just give up and let you continue if you lose to him enough times. it’s also that, just as Papyrus is the only boss incapable of accidentally killing the Player - he’s also the only boss that the player is incapable of accidentally killing.

(Okay, fine, to be pedantic, there’s also Asgore)

I mean, the Player can certainly kill him if they want to - but draining Papyrus’s HP just makes him skip through his battle dialogue right to the end of it. It’s designed in such a way that, no matter what Route you're on and no matter what approach you take with Papyrus - you will always end up on this screen.

Unlike basically any other Monster in this game, including the major boss battle just before him - you can’t kill Papyrus accidently. You can't kill him without also having Sparing him as an option. The game kinda treats killing Papyrus as one of the Worst Things You Can Do because killing Papyrus will always be a deliberate, considered action done to a person who will not kill you and who has stopped wanting to FIGHT and has extended a hand of Mercy. With the game clearly communicating what you need to do to Spare him at that moment.

And that means that - even if you killed before, even if you don’t have the patience of a True Pacifist, even if you spent all this time in the game without even trying to engage with the Sparing mechanic… as long as you don’t want to be a Huge Rat Bastard, the game is basically gifting you with the very very easy option to not be. Being a Pacifist in Undertale is usually a challenge - a puzzle to be solved, a test to pass. But as long as you aren’t intentionally trying to be the Worst Person - the game is basically giving you Papyrus. 

If you accept his Mercy, you are accepting the game’s Mercy. That sort of benefit-of-the-doubt assumption that maybe all of the LOVE you might have accumulated so far was all due to honest mistakes or panic or an attempt in self-defense. That you still deserve this one chance to prove that you are not intentionally, maliciously cruel - or at least not like the Worst Person in the World. Even if you did kill before, you still deserve at least one friend.

And Sparing Papyrus leads you to his wonderful Hangout/Dating Sequence and to his Phone Calls and they all add so much wholesome charm to the Undertale experience and no matter what happens Papyrus will always think the best of the Player and he will always trust them and it also makes Sans also kinda your buddy by default. And more than just adding a little bit of wholesome charm into even the more LOVE-filled Playthroughs, I think this is meant to try and incentivize these players into trying out the Mercy mechanic a bit more.

Whatever it’s, like, for future playthroughs or Resetting the game right there to try a True Pacifist Run right there and then or just trying to be a little kinder for the rest of this current playthrough - especially since there’s an emphasis about the close friendship Papyrus has with the upcoming boss Undyne, and to a lesser extent with his idol and next-next boss battle Mettaton. It’s like “well, if you didn’t figure out how to spare before, this is how you do it? And isn’t it nice to have a friend? Isn’t it nice to not have to kill this lovable skeleton man? You should do this more often wink wink nudge nudge!”

And it’s like… all of Papyrus’ loved ones care about him so much but they also look down on his pacifism. They see his inability to kill and desire to make friends as simple naivete and that’s why all tend to hide the truth from him all the time. About what will happen to the Human he will capture, about what his new Human friend might’ve done, about the fact that they view him as so naïve. 

They admire it on some level, that’s why they want to protect it, but they also see it as a weakness which is why they want to protect it by lying to him all the time. But, you know, Undyne says that if Papyrus goes into battle he’ll be ‘ripped into little smiling shreds’ and that is certainly what happens every time a Player chooses to refuse Papyrus’ Mercy and the game’s Mercy and press that FIGHT button…

But have you thought about all the times that doesn’t happen? All the careless or violent players who were offered that skeletal hand of friendship, accepted it and then carried that offered kindness forward for the rest of the game? All the players motivated to do good for the sake of their buddy Papyrus? All the Murder Routes stopped because the player just didn’t have it in them to kill someone who believes in them so earnestly?

Like, no, it’s not a surefire thing - especially since Papyrus has so much less narrative power than the Actual Unkillable Time God that is the Player. But it happened, and it happened many many times to many players. Papyrus offered Mercy, the game offered Mercy. And much like Frisk’s Pacifism, it comes from a place of seeing the honest goodness in your ‘enemy’ and can inspire them to become a better person - this little sparkle of goodness being passed forwards. 

And I think that’s beautiful, even if it didn’t happen in every timeline. Any potential future where Papyrus’ kindness can have such an effect on the Player and thus the entire trajectory of the Underground validates his kindness and pacifism on some level - even if there are also always the potential worlds that it backfires completely. 

And there’s also one other way in which the Great Papyrus Proves Pacifism Pays. One that is a bit more practical, perhaps. And one that Papyrus himself is not even aware of. 

Papyrus’ boss battle can be a surprisingly challenging one specifically because he is the only one who doesn’t kill the Player.

Like there is a reason why Papyrus will just offer you to skip his Fight after you lose to him three times, because if he didn’t do that - there’s an honest risk that the Player can get stuck in a much stuckier way than anywhere else in the game. 

Because, like, for basically any other character in the game, being killed is the Worst Thing that could ever happen to them. For everyone except the actual Player Character because we are an Actual Unkillable Time God and dying is nothing more than a minor annoyance that sets you back to your last SAVE Point. So, leaving aside Papyrus’ admirably kind intentions - there is not much material difference from the Player’s perspective between getting Captured and getting a more traditional GAME OVER. Except…

Except getting Captured does not undo everything that happened in your inventory during the battle. In every other Undertale battle, if you use all of your items but still lose - the GAME OVER at least means you get your stuff back. But because Papyrus doesn’t kill you, any healing item you’ve used during the battle is still used. I have watched so many Undertale Let’s Players waste all of their valuable items on their first Papyrus battle and then have to face him again without them and thus do even worse in their second go… and then their third go... and thankfully then Papyrus offers them to skip the fight.

And while that technically can be circumvented by just manually closing the game and opening it back again on their pre-battle SAVE Point, a lot of players are gonna reflexively Save over it if they pop over to the Shop or the Snowed Inn before their second attempt at the battle. If Papyrus didn’t offer that chance to skip his battle, it could’ve easily become a softlock situation for a huge chunk of players - because he doesn’t kill the Player.

Most of Undertale deals with the value of non-violence from a standpoint of morality and kindness and personal connections. Since most people do die when they get killed. But when dealing with an Unkillable Time God like the Player, Papyrus proves that not-killing might actually be the most practical solution.

Of course, it doesn’t seem like Papyrus is aware of any of this. From his perspective, he is just offering genuine mercy to a being just as ephemeral as he is. But it accidentally turned into one of the most effective methods of blocking the Player’s way… at least he didn’t offer us an opt out so soon after that. 

And it’s interesting when comparing him to how his brother Sans - one of the few people actually aware of the existence of SAVEs and RESETs - deals with the Player. Because the Sans boss battle at the end of the Murder Route is entirely based on the concept that death is nothing but an annoyance to the Player. Sans is less trying to kill the Player (the way Undyne the Undying did), he is simply trying to annoy the Player into a ragequit. But he is still killing the Player.

Now imagine a Sans battle where he has all of his usual annoying tricks, but also instead of killing you - he captures you just like his brother would’ve in a happier timeline. And while it’s not a fool-proof plan to stop the Player in their tracks - he could very easily stick them in that sort of softlock situation where they have to battle him again and again without any Healing Items. Forcing them to either abandon the game or RESET the whole world back the way it was - just like Sans wants them too. 

But instead, by killing the Player, he is just allowing that perfect second-third-fourth-fifth-sixth-try where they get all of their Stuff back. And he does actually knows that. And why doesn’t he do that? (Speaking here from an in-universe character study perspective. Obviously the Doylist answer is that the game doesn’t want to Softlock you even in the most deliberately-frustrating part of the game).

Maybe, even though he intellectually knows that killing the Player will be of no help - he still does it because he wants to. Because he just wants to get back at the evil murderous monster that took his brother from him and destroyed his entire world even if he knows it’s actually ineffective. And this thirst for bloodshed is, ironically, blinding him from a new exciting way to actually practically stop that murderous bastard who is themself motivated entirely by bloodshed. 

Maybe he just can’t do something like that. Reducing an enemy to exactly one HP and then stopping is not a feat anyone else in the game is capable of pulling off - even the ones who would obviously use such a thing (like Toriel or a Player with a Pacifist intentions). Maybe it’s something that requires a lot of hard practice and discipline and carefulness, that Sans never thought to put in because he didn’t see it as a useful skill the way Papyrus did. 

Maybe that wouldn’t have worked anyways. After all, and that’s something I kinda touched on in a previous Overly Long Rambly Hot Take - Sans’ War of Attrition against the Player is greatly helped by the fact he can’t remember every single previous try and so he can’t get exhausted the way the Player can get. Obviously, without a GAME OVER induced RESET that will not apply. Which is especially notable because… Sans’ laziness is literally what brings him down at the end of that Boss Battle. 

So maybe, while Papyrus, as long as you decline his offer to skip the battle, is capable of offering just the same Battle as before over and over and over again.... It’s possible that Sans just won’t be able to pull off two or three or more battles of the same intensity and difficulty in a row without a RESET to undo his own exhaustion. 

But I think it’s at least worth considering the option, y’know? That after all this time of viewing Papyrus’ kindness as sweet-and-yet-kinda-foolish-naïveté - that exact viewpoint made Sans overlook the perfect solution to dealing with his little Murderous Time God problem. Cause he just never considered that while killing might be fully morally justifiable in this situation and very very satisfying, that does not necessarily mean it is actually the most practical solution. And that maybe, in a weirdly twisted way, Pacifism WAS the answer.  

[pinkiemachine]

I’ve only done some light reading on Selina, but even so, details on her past seem few and far between. Maybe there’s a reason, maybe I just haven’t looked hard enough, whatever. Someone can enlighten me in the comments. What I do know, however, is that she’s eluded to have experienced some form of abuse as a child. Now, this research came on the heels of brushing up on the rest of Batman’s rogues’ gallery and I gotta say, abuse as a backstory comes up a lot. And I’m just sitting here, like, “There are so many unique people in this world with unique traumas and hurts that this feels almost cookie cutter.” Am I wrong? I just wanna be more specific and explore problems more intimately. So… Selina Kyle. What to write for her backstory? I thought a lot about who she is as a character present day—her playful aloofness, her decision to become a cat burglar, breaking rules as if they don’t exist, always on the run, never settling down with anyone long term, stealing nice things for herself—it led me to this backstory: When Selina was a child, she was horribly neglected. Her father was almost never around and her mother was depressed, anxious, under the influence of alcohol quite often, and wished she never had a daughter. Selina found that it was always easier to live as though she were invisible. If she never got caught making a mess or being noisy or causing problems, her mother would never get mad at her, or even a acknowledge her, and neither would her father if he ever showed his face. She never received birthday gifts—or if she did, they were pitiful—and all of her attempts of reaching out via gifts to her mother and father were rejected. She was never loved and grew to believe that the only way she would ever feel cared for is if she just took care of herself and only herself. She was good at being invisible, and so she became good at stealing. She treated herself to nice things whenever she felt like it, and she rarely ever got caught. She never made close friends. She never really fell in love. She built up walls so high that no one could ever break them down… until she met Bruce. Suddenly, here was a guy who could consistently catch her red-handed. Who told her she needed to stop robbing people. Who believed she could be better. Who saw her. And even though she kept double-crossing him, escaping his grasp, and escaping justice, she found that it was a little bit harder to return to crime every time. She had always found him attractive… but the longer they chased each other around Gotham, and the longer he showed that he wasn’t going to ignore her or give up on her, the more that attraction turned into a deep feeling that Selina had never felt before. True love. She was scared of it. She didn’t know what to do with it. It was completely the opposite of everything she had ever known, and she secretly didn’t think she deserved it. After all, she was a criminal. She was a “bad guy.” Someone who stole from others for pleasure and profit. And yet Bruce believed she was a good person deep down. He believed she had the capacity for change. And in time, he would find himself falling in love with her too. By the end of their story, naturally, those walls had come crumbling down and they had each learned how to love again, something they both thought would never happen to them. 💜