#it’s really fun to make a cultural perception that may or may not be incredibly biased- like an unreliable narrator!
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Honestly I’d love to see the Ben 10 fandom go more in-depth as to what the galactic audience’s thoughts regarding interspecies relationships and what dynamics formed between different species are like. Is dating To'kustars or Galvans when you’re not a To’kustar or Galvan frowned upon due to the severe height difference involved? Are there debates on whether it’s ethical to date a Vulpimancer or not? Is a Galvan dating a Galvanic Mechamorphs seen as a power imbalance? What would a romantic relationship between a Petrosapien and a Tetramand be like, or a queerplatonic one between an Ectonurite and a Lepidopterran be like, or even a platonic/familial one between a Kineceleran and a Pyronite?
Heheh, I really like thinking about the interplanetary community and it’s dynamics throughout the cosmos in the Ben 10 series, because I dunno it’s like rife with potential for worldbuilding and I guess political drama? Because apparently I like fictional political drama? I guess when it’s fictional it doesn’t affect anyone so it can be played around with in interesting ways.
Got some talking points down below hehe-
I have like SO MANY headcanons about how the interplanetary community treats vulpimancers, though to be fair I have like an unrefined list of notes about the chronology of Vulpin politics and ideologies that I haven’t neatened up yet, and one of those headcanons is the difficulties they face trying to prove themselves just as sapient as the other species; amongst all the bullshit that does bring, interspecies relationships are also affected by that bias. And the fact that you bring up the implied dynamic between creator (the galvan) and creation (galvanic mechamorphs) is interesting too because also, you can kinda also have debates about ‘is it ethical to date the first generation of a species’ especially in comparison to galvans who seem to have quite long lives, ‘is it ethical for a long living species to date a species by all means younger in their entirety than they are’ type questions-
It also isn’t just like the general interplanetary community though it’s also just the differing planetary communities (with their differing nations etc etc until we get to the individual) that also butt heads with each other- an ectonurite’s family really REALLY pushing for them to ‘get together’ with their queerplatonic lepidopterran partner before they have to host a funeral one day vs the lepidopterran having to explain to their hive that they’re happy with their ectonurite partner especially without the pressure of it being romantic there’s so many others that can and do *coughs into hand* ‘contribute’ to the hive population! Or or! The kineceleran not giving two shits about their pyronite sibling from another… pibling? Ah whatever- being so frickin’ slow because they can both bond over sports vs the pyronite wanting to share one of their thrill seeking traditions from back home with a race in their stunt car against their kineceleran cuz’ own personal wheels!
Lowkey I kinda made at least a concept for a tetramand/petrosapien couple which I based on a pseudo sumo wrestling match I saw at school once where one of the participants was slammed into the ground but they quickly switched their positions to roll the person on top so fast the crowd thought THEY were the one to win and not the person they flipped who won first- I mean! In my sphere of headcanons about petrosapiens and Petropia is that they barely got much chance to interact with the universe at large (being cracked open by the fulmini before Plumber intervention set them off plus doing something similar but… a little MORE to what they did on Revonnah) and so modern interplanetary discussions about any petrosapien relationship is ‘i thought they were extinct?’ and especially with tetramands intense courtship it may even skip straight to ‘oh they might as well be extinct’. Not exactly pleasant to hear, compounded by the rare potential someone happens to know - to put it in gross terms - a ‘suitable mate’ with the opposite sex of the petrosapien they’re pestering. At that point you’d better hope it wasn’t the tetramand/petrosapien pair because if the petrosapien doesn’t stab you over the offence, the tetramand would put you in your place, as legally able to as they’d can just to piss them off :P
Do you think if a galvan and a to’kustar were dating it’d be considered a ‘long distance relationship’ :P?
#ask#anonymous#vulpimancer#galvan#galvanic mechamorph#ectonurite#lepidopterran#kineceleran#pyronite#petrosapien#tetramand#to’kustar#ben 10#worldbuilding#i had a little less to say about to’kustars since it’s mostly a physical height thing than a cultural thing#but it’s still a very interesting talking point- how does one engage in a relationship with significant size difference#thanks to the reboot alien worlds series i do have like some influence from that lmao- for um i guess blatantly three of them#the interplanetary community i’ll say knows the least about to’kustars petrosapiens and vulpimancers either way#each for different reasons- petrosapiens for the lack of time spent being a cultural identity-#vulpimancers being unable to share their culture since it’s been written off countless times to be simple animal instincts-#and i think to’kustars because of their relative distance to the supposed ‘main hub’ of the interplanetary community#being born of cosmic storms and all- i don’t think you’d want to build your hub next to tumultuous space conditions#(how WOULD that work- being born of cosmic storms- in the first place? hmm)#i really really like headcanons that kinda revolve around the perspectives of multiple differing fictional characters hehe#even if it makes some of them jerks and asswads :P#it’s really fun to make a cultural perception that may or may not be incredibly biased- like an unreliable narrator!#my pinky finger has gone numb writing this- if there’s any typos blame the pinky for going on it’s unpaid 30 minute break
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Yikes, I let these pile up again! Thanks for the tags @drchenquill @paeliae-occasionally @somethingclevermahogony and @kaylinalexanderbooks!
OC Interaction Tag
Dr. Chen's OC: Kilian is a shapeshifting panther who, like most Feras (as his species is called), was born into an organization that protects them. Like every Fera, he can only change into his human form when he bonds with a human. For twenty-seven years he was bound to the man who raised him, until he was found dead, breaking their bond and forcing Kilian to return to his panther form for almost a year. He is very confident in his ideals and morals and would never back down from a fight. Being a predator, he tends to try to resolve things by asserting dominance, but secretly hates that part of himself. If he were to bond with a human, he would risk his life for them, which makes him very loyal.
Paeliae's OC: Daira is one of the Mulai’Kaleppi meaning multiple souls. Their culture essentially involves bonding with a nature spirit and gaining magic, and essentially another person in their head, to help them in bettering their people. However, Daira has struggled to find a nature spirit to bind to, and when she does find a spirit, they are not exactly natural… She has always tried to help her people but she leaves them when the spirit she bonded starts seeming dangerous. She tries to work with their bond and try to balance using their power and resisting their more amoral suggestions. They also have a fun heterochromia thing when they bond to a new soul. Most of them have two souls, but some have many, for more power or greater knowledge etc. This can drive people mad with so many autonomous voices in their head.
C's OC: Fepaha The Drunken God, Lord of the Golden Water, and Tamer of the Vine. While typically represented in a masculine fashion, as with all gods, Fepaha has no sex or gender. They are representative of the universal concept of the manipulation of perception. As such Fepaha is not only a deity associated with alcohol and other drugs, but also hallucinations, music, plays, and storytellers. They fall into somewhat of a trickster archetype, changing reality and how others perceive reality, to his own benefit. As with most gods, they are incapable of inhabiting the mortal world while in their full form; but rather must visit as a small portion of themself called an “aspect”. Fepaha is a kind and energetic deity, well-suited to their domain of drunken revelry. They are uniquely fascinated with mortals, and love to hear stories, they may play at hospitality, appearing at celebrations to partake in the festivities. Despite this mostly benign side, Fepaha is incredibly powerful, billions of years old, and they do not understand mortals or mortal emotions. Much of their supposed good-nature and humanity is merely play-acting. They are not cruel or indifferent, rather they are so far divorced from the mortal experience that they simply cannot comprehend it, in much the same way that a human cannot comprehend the inner workings of an ant. Fepaha may fixate on a certain mortal for sometime, but they are not really capable of emotionally connecting with them. Fepaha did participate in the Calamity and as a result, is responsible both directly and indirectly, for the deaths of millions of mortals.
Kaylin's OC: Noelle is a twelve-year-old girl with telekinesis. She's very tall and thin but doesn't really give a shit that she towers over everyone. Noelle is very logically-minded and only forms opinions based on observations, not intuition. She gets frustrated with answers that don't make sense or rationales that don't make sense. Emotions are hard for her to grasp. Noelle also struggles to form legitimate opinions of her own, as most of what she has comes from her mother. Noelle can be a bit of a parrot in that regard. Still, Noelle does deeply care for friends, even if admitting it is difficult. Despite herself, she gets into "the zone" with her powers quite often. She's very confident with herself and her abilities, even having fun with them - an adrenaline high, if you will, since she doesn't have a physical outfit due to her mom not wanting her to be in any after school extracurriculars. Noelle doesn't believe she can mess up, and she doesn't understand it when others are intimidated by her. Noelle does have one passion: cooking. She likes how methodical it is, she likes knowing exactly what to make, and it's admittedly fun to correct a recipe for maximum efficiency and taste. She views cooking as more of a complex math problem, so to speak. Noelle overall finds it difficult to make friends, though people still seem to find her and like talking to her, though Noelle does not understand why. Deep down, Noelle does want to do the right thing, even though she's lost as to how to do that.
So I've done all my main characters and then some so far, but I think the beauty of this game is that you can use a character several times and get all different interactions. That said...
My OC: Elsind Cavernsight is a 20 year old changeling with a nervous disposition and a romantic heart. They can take on any humanoid form they've observed before. In his true form, Elsind is a skinless-looking humanoid with no face, a long tail, and petal-like fins that ring the back of his head. They use the pronouns of whatever form they're in, while using they/them in their true form. When referred to in abstract, she gets Shrodinger's pronouns.
Until she was thirteen, Elsind had a happy childhood and was raised by a single mother in a book shop. However, changelings are a valued commodity in Skysheer. They were kidnapped to be used as the court freak of one Marquis Sunflight - a cruel man who forced Elsind to do many abhorrent things for his 'entertainment.' After five years of this, Elsind managed to run away with a rebel group seeking to overthrow Skysheer's nobility. He now acts as an infiltrator and assassin.
As a person, Elsind might’ve suffered greatly, but she never lost her kind spark or huge capacity for empathy. They love to help people and even if they tend to be really nervous and awkward about it, they seek to make everyone's day better if they can. She's a bit of a chatterbox, especially when things are tense, and cries easily. Though she doesn't necessarily enjoy it, she is a great liar and infiltrator. This, combined with his easily underestimated bravery, makes him quite the spy. Their greatest passion are romance novels. Elsind is an avid reader of all things steamy and decadent. Out of all my characters, they'd be the most likely to have a blog on this site.
Now for the interactions!
Elsind and Kilian: Double shapeshifters! Though Elsind can only do humanoids and Kilian can shift into a panther, I think there'd be some shared interest there. I'd at least assume Kilian wouldn't be too freaked out by their true appearance. Elsind would be fascinated to meet another type of 'changeling,' and would probably see if he could teach her to turn into an animal. She'd also be very empathetic about the death of his guardian, and would try to talk him through it as best she could. I think Kilian's force of personality would likely be the dominant one in this relationship. Elsind wouldn't run away, but they would be wary of such a predatory person. I can't honestly say how they'd end up. Maybe friends if they were forced to work together, however, I doubt they'd stick together too long under their own power.
Elsind and Daira: I think Elsind would be very curious about the whole spirit bonding deal. He's more of a city kid, so if Daira is the type to drag people out camping, Elsind will try his best, but he might faceplant in some dirt. He would do his best to help Daira out with her spirit's more suspicious suggestions, however, I think he'd be a little out of his depth.
Elsind and Fepaha: I think Fepaha would find Elsind to be quite the funny little specimen. A creature who can change their face at will would fall closely into the realm of distorting perception, I think, and the god might be amused by the lies Elsind so smoothly tells. For her part, Elsind has a fraught relationship with alcohol due to the fact that Marquis Sunflight forced her to drink copious amounts of liquor because the court thought watching a changeling struggle to keep its form while stumbling drunk was funny. Elsind also tends to be wary around powerful beings in general. Fepaha would probably be delighted by the chatterbox changeling, while Elsind would be as polite and congenial as possible in hopes of surviving this god's attention in one piece.
Elsind and Noelle: I think Noelle would remind Elsind a lot of their adventuring companion, Avymere. Elsind would probably enjoy Noelle's company, despite a bit of an age gap, and would do her best to connect with the girl and encourage her to be her own person, not her mother's clone, even if Elsind would be a little jealous, as she misses her own mother dearly. She understands what it is to be confused by people's motivations. It'd be almost a study in opposites. Elsind understands the world through her heart, Noelle through her mind. Even if they're opposites, I think they'd have more in common than they think. Honestly, Noelle would probably be the more serious of the two. Just a no-nonsense tween and an overdramatic, bleeding heart twenty-something - comedy gold. The point of tension would come when Noelle realizes what Elsind actually is. Their true form isn't pretty. I'd classify it as horrifying even. I can see Noelle running off in a fright at the sight of Elsind's face slipping. I also don't think she'd appreciate being lied to. Perhaps their rapport would survive, perhaps it wouldn't. I suppose it'd depend on how long Elsind lied to Noelle about being human for.
That was fun! I'll tag (no pressure, seriously) @halfbakedspuds @goodluckclove @mk-writes-stuff @ray-writes-n-shit @dyrewrites and anyone else who wants to play :)
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tag game~
tagged by the amazing @coquelicoq to list 5 topics i can talk on for an hour without preparing any material! thanksss <3 <3
this is honestly a really difficult one for me cos as much as i love to ramble, the prospect of having to do a talk for an hour about anything would a) make me INCREDIBLY anxious and 2) i would promptly forget everything i know about said subject literally the second i have to do the talk pfft.... wait... the prompt doesnt say i have to do the talk in front of people so hmm... maybe i'd be ok lol
anyway topics time lol (these aren't really in any order btw just writing them as i think of them)!
art history ofc... i could equally talk as much about art i love as much as art i HATE lol (duchamp's goddamn toilet fountain you're going fucking DOWN bitch)... can't promise my hour speech won't just be a list of fun art-y facts lol (like uh in medieval paintings that used gold leaf, artists would put down this red gesso/glue like mixture (called something like boll?) because the red gave the gold a warmer glow than just sticking it onto the plain wooden panel lol) or that it won't be me massively misremembering parts of my degree pfft...
history of the british monarchy lol! ok so i may not currently like the monarchy, but i am a MASSIVE fan of the history of the royals lol... especially the tudor era! a lot of my talk would be me trying to remember the order of the monarchs from william the conqueror until now (which would mean me singing the horrible histories monarchy song lol sorry not sorry)... i would also spend the time being like 'yeh so this one had allegations of being gay, as did this one, and THIS one had several male favourites who he was definitely in relationships with' lol
kpop lol... not really sure what i would talk about? maybe specific groups (exo would be in contention for sure, they have a very interesting history tbh), or just the wider cultural phenomenon and history of kpop? or just like talk about niche kpop groups that basically no one remembers pfft (like that group that jackie chan made lol! already mentioned it on my kpop haveyouheard blog but people in the notes were like 'wait jackie chan did WHAT???' lol...) like i definitely don't know a lot of stuff, but i know more than the average joe so like... it might be fun idk??
queer films lol... i'd also say films in general, but i definitely feel like i have more niche and interesting knowledge specifically of queer films so.... i DEFINITELY could talk for well over an hour about that lol! this would also definitely include me complaining about films like call me by your name and blue is the warmest colour lol... (i actually was speaking to myself the other day about both films and how perceptions of both have changed SO much over the years since they came out lol...) but i'd mainly want to talk about the amazing queer films i've watched over the years!!... i'd also throw in some talk of asian queer media here since i've been watching it for literally 6 or so years at this point lol...
back to history, this time ancient egypt! returning to my childhood roots with this one lol i know a lot of random things about ancient egypt that i could potentially string into an hour long talk? actually recently went to an exhibition at the place where they film downton abbey (it's not called that btw lol) where it had a whole thing about the discovery of tutankhamun's tomb in 1922 which had a lot of interesting info tbh! dont come to this talk if u dont want to hear me talk about all the incest that went on in ancient egyptian royalty pfft... (like...historians believe that tut's mother was also his aunt, and his sister was also his wife, which kinda explain why none of their children survived... royals of all eras really were like 'we have to intermarry to keep the bloodline pure' and it's like (breaking bad bald guy meme) jesse NO that's what's KILLING you!!!!!!!!!!)
for most of these i'd basically say something and then immediately be like 'don't fact check me on that though' because chances are i remembered the thing wrong pfft...
tagging (no pressure to do it ofc!): @abnerkrill @asoftspotforangels @sylvasa @dollopheadsandclotpoles @zelvuska @micamicster & whoever else wants to do it!!
#tag game#realised none of these are fandom things (well... aside from kpop lol)#even though i definitely COULD talk a lot about various fandoms too lol#idrk why i immediately though this was like a nightmare scenario where i'd thrown on a stage &forced to do a speech in front of an audience#like that's literally not what the prompt says i was just adding an extra layer of challenge pfft
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which books are you reading right now? do you have any queer book recs?
Yeah happy to share what I've been reading! I've only knocked out a few but I have a few more on my list.
The City Beautiful – this is about a young Jewish man (around 18 I think) and takes place in Chicago during the World Fair (sometime in the 1890s). Alter is in the US trying to save enough money to bring his mom and twin sisters from Romania and during this time one of his roommates is murdered and he becomes possessed by his dybuk (like a Jewish soul) and is spurred on to find his murderer. Alter is explicitly gay and has had a few relationships with other boys; the book itself is rich with Jewish culture and deals with homophobia and anti-Semitism of the time. It’s incredibly good.
Siren Queen – this one is a little dark and it’s WLW book. This one takes place in the Golden Age of Hollywood, in the 1920s, and features magical realism. It’s about a Chinese little girl who wants to be a Hollywood star and how she is willing to do whatever it takes to achieve her dream. She is also explicitly gay and has two main relationships throughout the book (and ends in a relationship with another one). Its theme focuses on what does it mean to be a monster and challenges your perceptions of monsters. As a queer Chinese woman, she finds her fame in playing monsters in films and makes connections with others in the industry that don’t fit the mold of Hollywood at the time. This one really hooked me, I couldn’t put it down.
The Once and Future Witches – this book isn’t as queer centric but it has a lot of great representation. It’s about three sisters who are witches and are trying to bring magic back to society. It takes place in fictional New Salem also in the 1890s and ties the witching movement with the suffragist movement which sounds weird but honestly REALLY works. One of the sisters is explicitly queer, she has a relationship with a WOC, while another one is asexual-coded, and there is a trans side character as well. I had a bit of a difficult time getting into this one but once it picks up, it REALLY picks up and I couldn’t put it down.
The Secret Lives Of Country Gentlemen - Okay this was a really fun read that's a little less plot driven but so enjoyable! It takes place in the late 1800s England and is about Gareth whose estranged father recently passed away and he inherits an obscure earldom on the marsh and it's about him trying to fit in with this new society and be accepted by his half sister he'd never met before. Prior to coming to the marsh, he had a brief anonymous relationship who turns out to be a crime big shot on the marsh. There's some mystery with Gareth's father's death but not really the focus of the book haha
Lavender House - this is basically a queer whodunit. It takes place in the 20s or so and follows Andy who was recently fired from the police force after accidentally being outed. He's hired by a woman whose wife was killed and turns out she has this house in the country that's a queer safe place where everyone including the staff are queer. It's pretty easy to guess who the murderer is so what really works is the queer relationships.
Last Call At the Nightingale - this is another murder mystery but definitely has more twists and turns than the precious one. This is the only bisexual book on my list so far so while it wasn't the best book, it's still special to me lol it's about Vivian an Irish working girl in NYC during the prohibition era. Someone is murdered at her favorite speak easy which is also her safe haven so she decides to help the owner, Hux who she may have a crush on, solve the murder so the speakeasy doesn't get closed.
I've also read The Song of Achilles which I think is a pretty well known one so I won't summarize that one. Next up I've got these books:
Giovanni's Room (mlm)
Last Night at the Telegraph House (wlw)
Nothing Sung and Nothing Spoken (wlw)
If you're interested, I'd be happy to update this post once I finish the other books :)
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stuff i love (but mostly hate) about the IB:
Love:
- I’ve created a social identity with other IB students. (basically there’s a “we” in “we’re all suffering” as opposed to “i’m suffering”)
- the social identity is really honestly the greatest thing about the IB because I feel like we all think kind of the same, yk? we are all so stressed and scared but it’s kind of invigorating that we know we are all here together
- kind of related to that, I have some bragging rights about breaking through the IB fog after testing in May. I can say I did the hardest thing I’ve ever done, regardless of if I make good enough scores for sophomore status in college
- Colleges love IB students because hooray college prep give us all your money
- SMART CULTURE. I’m known as “that smart kid” in my family*
- conversations with IB students you can ONLY have with IB students. One time, my school put on a festival, and kids were running around playing, doing activities, having a good time yk. And within all this ruckus, a group of like ten students was standing out in the hallways laughing and arguing over what the correct chemical formula for cobaltic hydroxide was (COOH3 btw). that is a normal, everyday conversation at my school, and these people had to have been younger than me because i’m a senior and didn’t know them
- also, we’re all very tight knit. we kind of have to be. if you don’t leave before freshman year, or even up until junior year, you see so many of the kids around you dropping like flies to go to a normal comprehensive high school.** the size of my senior class as it stands right now is 72 people. i don’t know of anyone in my class that doesn’t know me by name.
- my teachers are WICKED smart.
- my handwriting has become phenomenal because all of our essays are handwritten.
Hate:
- even though it’s “we’re suffering”, it’s still yk. suffering. lmao it isn’t meant to be fun
- *being “that smart kid” means I feel like I’m being held to the standard that I’m meant to be smart and have all the answers all the time, and when I don’t, I feel like I’m failing at… my identity? if that makes sense? makes me feel really, really crappy
- when sleep schedule is screwed, it’s screwed BIG TIME. there’s no happy medium.
- forget to eat in favor of study/ procrastination
- pretty sure those fainting spells were because of forgetting to drink water. whoops
- **i am the only African-American person in my entire grade. the only other Black person in class of ‘23 is Nigerian, and she happens to be one of my closest friends.
- it gets really lonely.
- sometimes, my teachers are so smart that what are basic concepts for them are incredibly complicated concepts for me, and when they skim right past them i can’t get my bearings
- long nights spent watching youtube videos on biology concepts could all be retrieved if my biology teacher had explained them better for me.
- THE IB IS NOT ADHD OR AUTISM-FRIENDLY AHHHHHHHHHHH. THE 504 PLAN HAS RUINED MY PERCEPTIONS OF WHATEVER “ACCOMMODATION” IS SUPPOSED TO MEAN.
- i find that schools in general are not very neurodivergent-friendly. a solution to lack of focus becomes sit in a quiet room by yourself with a ticking clock in the corner that you just can’t block out because it’s just So LOUD and this room is too bright and someone’s watching me from the corner of the room for some reason why do i need supervision i don’t even know what this assignment is asking me to do and i can’t even ask that random staff member watching me because that’s not their job and they aren’t my teacher bc he’s busy teaching all the rest of the class that can keep up with him.
- just no.
but anyway. i don’t know that i’d trade the experience I’ve had with the IB. Character development, yk? and i’m aware it isn’t for everyone.
idk what kind of person i’d be if i hadn’t decided to go through with attempting to get a full IB diploma. i wonder whether i would be as thoughtful as i am now.
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i'm glad you enjoyed brandon F
little note about the uniform thing, the reason why he drags on a bit on that is cause he's a reenactor, 18th century uniforms are his insane obsession. he even jokes about it in the video i sent, saying "i'm finally back to my insufferable self!" when talking about the muskets
i don't blame him tbh, after watching his content for a while i had the realization that 18th century isn't like the romans, whose equipment we deduce through archeology, old sources and guess work.
like, the actual documents that standardized 18th century uniforms still exist and are not hard to access, i realized that after Brandon noted that his source was the fucking British Royal Library in London. ( i mean ffs there's literally photos of Napoleonic era vets heres a video: https://www.youtube.com/watch?v=npSru7xEzX8)
and i honestly think its relevant, because if a million dollar historical production didn't want to put in the effort to go to a library and get the official documents. then what else they weren't bothered to get right?
but Brandon doesn't just do historical reviews he also talks a lot about the history in general. like, why fight in lines? what were marines in the 18th century? the history of tactics. and what role did cavalry play in line warfare? for example
heavens bless people of utube that manage to get hyperfixated on one topic for basically their entire life and then proceed to make stuff about it for us to watch, right? it's a delight to listen to someone who actually enjoys the subject and their subject therefore basically guarantees the authencity of what they put out
oooh but yes, the concept itself of what we actually get to know about things in what manner is fascinating in on itself. so since i was small i had been very fascinated by chinese mythology and mythology somewhat comes along with other parts of the culture and so on. and you know how the chinese culture is one of the oldest in the world?
as a result i've somewhat grown accustomed to the numbers that are typical to the span of chinese history and now whenever i go look into the history of my own country i'm actually stumped over how recently certain things happened! then again you wouldn't believe how oppressed or manipulated slovaks had been across history. ain't that right -glares at hungary-
to what extent we know which culture's history is so wild. the ability for certain historical things to simply last is absolutely incredible (such as military uniform documents or musical pieces of 18th century). fun fact! there's still messages written in stone by the soldiers of the roman empire on slovakia's territory. right near Danube, i think, p sure i visited that
thank fuck for reliable sourcing and also thank u for that vid that's gon come in handy for clothing references at Some point, i can feel it
and you are absolutely correct, yes! it Is relevant! as mister Brandon has said, there's of course a certain leeway allowed when it comes to more kid oriented stuff, but i'll admit! i was surprised to learn that serious historical productions apparently put less effort into these kind of things than the sea beast did (i don't usually watch those kind of things, i'm very fantasy/sci-fi and cartoon focused)
this kind of muddling of history that may seem "insignificant" to money grabbing bastards really screws up the perception of the eras for people who don't really have the time or the drive to look into things themselves. it's annoying
oh while we are on this history stuff, i saw this originally in utube shorts, but Apparently they are making a netflix movie or smth about Cleopatra and they made her black?? which is weird, considering that Cleopatra was greek and all that stuff. like don't get me wrong, yes give silenced/less known cultures like black folk more space to present themselves and who they are but like don't do it in a way that heavily skews the history? why are you going out of your way to create misinformation that could heavily impact understanding of history by taking out an already famous (not poc) person instead of Actually making the space for historically important black people. like maybe why not make a movie about that one super rich king from the southwestern coast of Africa (i think) that crashed the egyptian economy twice by being just too damn generous. that would be SO much more helpful to black peeps' history than shoving a black person into the place of a white one
i swear films nowadays either lack soul, heart, spine or brain like 98% of time
#Spot says stuff#// long post //#gklsdmglk you say 'not only history reviews but also history in general' and then all that is listed is battle focused things#saying historical warfare is okay i wont get mad even if the current political things here would perhaps justify me to#ill keep him in mind when ill need help with battle research for a story or smth along those lines. wonderful to have a well sourced place-#-to get info from#i personally think its good to talk about these historical things includin stuff like the world wars. ever since i heard that some people-#-think that ww2 was not real i became of the opinion that it should be talked about more and not seemingly tabood by society in a rather-#-quiet subtle manner. on internet too. we have taggin systems and ways to warn those who dont want to see it. they can dodge it and-#-us? us that are okay should talk and joke. cuz then that creates Conversation n it prevents cretins out there who think all that suffering#-that happened is just some fabricated silly drama from existing#she is of the 15th century but lately ive been interested in joan of arc. if u happen to have smth on her id like to check it out!
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YES YES YES. I WAS HOPING I WOULD FIND A POST THAT WOULD GO INTO THE ANIMAL SYMBOLISM!!! I would really love to make some additions to this list, one of them a little bigger and more credible than the other two:
Wolfgang:
In direct counter/parallel to Damon’s Snake, I would say that Wolfgang’s sheep may more accurately be a lamb. It may also be a reference to William Blake in particular.
Onto what you (OP) said about sheep being helpless, that’s exactly what Blake’s ‘The Lamb’ is about— a little newborn lamb blind to the gifts god has given them and being taught to appreciate them and god. However, it’s an interesting parallel that Wolfgang’s Ultimate requires so much skill and time to fully harness, despite the fact The Lamb is from the Songs of Innocence. It’s also worth noting that Jesus is also referred to as The Lamb of God as well.
William Blake was a prominent author of the Romantic Movement— the cultural response to Enlightenment Movement, which also adds onto the game’s themes of Logic versus Emotion, and was also incredibly spiritual in terms of both god and nature. I find it interesting there’s no Tiger (or should i say Tyger) symbolism… so far.
HIGHSCHOOL AP ENGLISH LITERATURE NOTES COMING IN CLUTCH 💪💪💪💪
Ulysses:
This is rather insignificant, because so much of the perceptions of Owls tend to be so consistent across so many cultures, but Owls are also prominent symbols of death. They’re the animals of La Santisima Muerte and Mictlantecuhtli— Theology and History mix sometimes, and it’s pretty easy to make some reaches with a character with as broad of an ultimate as he does, but I still think it’s an interesting note to make.
Especially given that the veneration of folk saints like Santa Muerte are theorized to have originated from the colonization of Latin America and a way to adapt all older Mesoamerican legends with the new Christian Ideology the indigenous Latinos were exposed to. (Like, it’s in her name. ‘Santa’ is the feminine form of ‘Saint’ in Spanish.)
I sincerely doubt the dev team referenced anything Latino for anything regarding Ulysses, unlike the William Blake references which I can absolutely see being intentional, I just think it’s interesting to make these observations, they’re fun!
Also… Don’t quote me on any of that. I am NOT a credible source for anything religion related. I’m just as bible-blind as OP, I’m just working off of what I know!
Desmond:
Frankly, I think it’s less about the Biblical references and more-so about the cultural connotations of sharks. Everyone immediately got suspicious of Desmond when he introduced himself, and despite the fact that cultural perception has changed, most people very much do fear sharks still.
That being said, sharks are also targeted and lots of shark populations face a lot of danger, not aided at all by Jaws (which is, you know, the whole reason so many people are scared of sharks in the first place).
Shark mythology is a little all over the place, and I’m afraid I don’t know many sea-related stories in the first place, but I think it’s also cute that they chose to represent his motif with his earring resembling an arrowhead. There may be some indigenous references there as well?
I’m sure there’s plenty more symbolism that’ll become more apparent as the series goes on one way or another, and little hunches I have don’t have to be relegated to footnotes that I didn’t feel like mentioning here. Again, thank you so much for this post!!! I was hoping someone would beat me to it :]
I’d love to help add onto this post into the future, or see more people make their own observations!!
Danganronpa Project Eden's Garden: Animal Symbolism
Okay, so I just finished the prologue (adored it, the writing is impeccable), and noticed that each character features an animal on their clothing. I'm sure tons of people have pointed it out already, but I thought it'd be fun to go through the symbolism of each, alongside any other observations I had.
Damon Maitsu:
Damon's signature animal is one of the more obvious ones - it's the big snake on his tie. Biblically, snakes are kind of a big deal... Just one snake, really, which gave all of the others a bad name. In 'Garden of Eden' arc of the Bible (which is relevant for obvious reasons), a snake tempts Eve to eat the forbidden fruit. The snake basically says "Hey queen, the apple won't kill you, it'll show you the truth, God's a liar." Adam and Eve eat the fruit, condemning humanity to eternal suffering.
Painting Damon as the snake tells us a lot about his role in the narrative and his characterisation. The main theme for Eden's Garden seems to be 'head vs heart', or 'logic vs emotion'. While some characters lean towards emotion, Damon leans towards logic... But based on the Pathos system, he doesn't fully condemn emotion - it can be a good tool when it comes to winning arguments, after all.
At the end of the prologue, Damon disagrees with seeing the good in everyone. He argues that the ultimates are more likely to stab each other in the back than to help each other unconditionally... In other words, he argues that ultimates are ambitious, to the point of throwing away their morals - because he himself is ambitious to a fault.
While a lot of people see snakes as creatures of evil (particularly when it comes to THE snake in the Bible), it could be argued that the snake is an agent of the greater good. Yes, the snake was the catalyst for the fall of humanity, but you could argue it was also the catalyst for the first critical thought. Adam and Eve questioned the word of their creator and chose to go against him. That didn't end very well for them, but you could argue it liberated them.
Would you rather be a sheep, at the mercy of your shepherd, or a snake that sees the world for what it truly is?
Wolfgang Akire:
Speaking of sheep... Wolfgang has a pretty neat (very symbolic) sheep pin. The idea of him picking out a sheep pin in like... a Claire's Accessories is very funny to me.
Much like snakes, sheep are also very Biblically relevant. In the Bible, God's people are usually cloaked in sheep imagery. God is the shepherd (fun fact: 'shepherd' derives from 'sheep' 'herd'), and the sheep are at his mercy. In that light, a sheep is a truly powerless thing.
Perhaps Wolfgang's sheep pin denotes him as a follower rather than a leader. Not to a specific person, but rather to an ideology - to his own morals, which he seems very attached to. Sheep are often seen as weak, existing only to be devoured by stronger, more predatory animals.
But this symbolism might exist here to be subverted. One of the most popular sheep-based phrases is (drum roll please): "Wolf in sheep's clothing".
Lawyer man is, quite literally, a wolf in sheep's clothing. His name has the word 'wolf' in it. He has a sheep on his clothing.
Does Wolfgang obsess over justice due to a guilty conscious? Is it a cover to mask his deepest, most despicable thoughts? Only time will tell, but I'm onto you, lawyer man... If that's even your real name.
Eva Tsunaka:
Okay, so I'm not 100% sure if Eva's animal is a raven or a crow, but I don't think it matters too much, people tend to perceive 'ominous medium-sized black bird' in a similar way, regardless of the specifics. Eva has a black feather in her hair and a badge with a bird's head on it. The badge looks a little bit emu-ish (which would be really funny), but the general vibe is more in line with a crow/raven.
For simplicity's sake, I'll mostly talk about ravens, because I think (don't quote me on this, I have not read the actual Bible) crows are never actually mentioned... but ravens are, so we'll go with that.
SO, ravens, black birds. Apparently, the first bird to be mentioned by name in the Bible is the raven, which... lines up with Eva being the first named bird character we meet (there are a lot of bird people, we'll get to it). During the whole Noah's Arc debacle, Noah sent out a raven to scout for dry land - it didn't come back (I think? It gets mentioned, 'tos and fros' and then doesn't get mentioned again, so I think it dipped which honestly, girlboss move).
Other than that, a raven was used as a divine messenger at one point, but I think the much more interesting (and relevant) aspects of the raven is the general symbolism.
Ravens are usually seen as bad news - much like the snake, they get a bad rep. While they are often seen as bad omens, they can also be seen as beings of spiritual wisdom. They see more than others can, much like Eva. When the others start to do the whole 'We'll never kill each other!' it's Eva who disagrees, seeing the reality of the situation.
Based on the word 'Danganronpa' being associated with the game, we can assume she's correct, and that the bodies will start hitting the floor very soon.
Eva is wise and holds a lot of knowledge, but she is distrusted for reasons outwith her control. She didn't ask to be the ultimate liar - some random organisation sent her a letter one day putting that label on her.
Interestingly, ravens are the natural enemies of farmers... and Wolfgang has a distinct agricultural reference on his lapel.
To summarise: people don't like ravens, but they're very smart birds who can (in certain mythologies/cultures, at least), see beyond the surface level).
Toshiko Kayura:
Toshiko's assigned animal is a little harder to spot. Two flamingos are on her skirt as a decal, making them less obvious (especially during waist-up shots).
Okay, so I'm no expert on this, but I'm pretty sure there aren't any flamingos in the Bible. Flamingos played a part in Egyptian beliefs, being associated with Ra, and they might actually be the original inspiration for phoenixes which... is kind of hilarious? The Aztecs saw them as sacred, and in Hindu culture they symbolise hamsa, a divine vehicle, which symbolises the realise from samsara, aka the cycle of suffering.
So... that could be a thing relating to Toshiko. She could be destined to act as a turning point in the narrative (either through death or through character development, same difference).
Or, we could go with the really obvious interpretation of 'flamingo = romance'. Which is very on-brand. Additionally, flamingos represent balance and elegance - mainly because of their 'standing on one leg' trick. Toshiko most likely strives to embody the qualities of a flamingo in these regards.
The use of flamingos in Toshiko's design might point to her being 'the heart' of the group. She's shown to be quite emotional (becoming flustered when challenged, avoiding the investigation, getting into an argument over gremlin-hood with Grace), despite trying to emulate a mature aura. She speaks in frivolous, convoluted imagery, which is peak fourteen-year-old behaviour, and if anything bad happens to her I will cry :D
Ulysses Wilhelm:
Rather than having a picture of an animal, Ulysses wears an owl pendant. Owls represent wisdom, and are particularly fitting for Ulysses due to him being more of a night owl.
Biblically, owls are seen as unclean birds, alongside ravens. They aren't overly relevant, but are (allegedly, according to some random Bible forum) used to symbolise loneliness, desolation, guilt and mourning. In a broader sense, owls are seen as wise, critical-thinking creatures, and independent.
Because of this, I think Ulysses will fall into the Damon/Eva camp of thinking, due to his historical knowledge. Because if history's taught us anything, it's that people can't be trusted, they will self-sabotage, and murder is inevitable.
I don't have much else to say - Ulysses feels like an early victim/blackened candidate, unfortunately, so I don't think he'll be playing a major role narratively.
Desmond Hall:
This one's a little hard to spot immediately (and when I did spot it, I wasn't sure which animal it belonged to), but according to the concept art Desmond has a shark tooth earring.
There are no sharks in the Bible. Sharks, apparently, symbolise protection and guidance, so I think Desmond will probably pair up with another character... which will lead to an untimely death, with a very sad flashback scene at the end of a trial. Or he'll survive, who says Biblical relevancy matters? Sharks are pretty cool and so is Desmond.
I think he'll be an optimist in the situation, but I... don't have much to say regarding his animal motif.
Grace Madison:
This one is pretty up there for the 'easiest to spot award'. Grace's animal is a rabbit, which can be seen by her (adorable) rabbit-eared visor.
Biblically rabbits are pretty irrelevant, but symbolically they're very prominent. Rabbits are probably most famous for their easter connotations (you'd think they'd be Biblical, but no, it just says not to eat them). Rabbits are also known as lucky animals - 'rabbit feet' are seen as lucky talismans...
If Grace ends up with a severed foot, I'm going to lose my mind.
Anyway, since Grace is the resident 'reckless and crude' character, I would theorise her link to rabbits would be 'rebirth'. Rabbits are associated with spring, which is associated with rebirth. I think Grace (who is described as someone who burns every bridge she makes) will undergo the Fuyuhiko treatment and see a lot of character development.
Not much else for me to say here, but rabbits are generally seen as active animals (energiser bunny, the Scorbunny line), so... yay sports..?
Diana Venicia:
I do not trust this girl as far as I can throw her. I saw her across the room and thought, "No, you're evil", and the chameleon bracelet did not help her case.
Like... not only does it suggest she's hiding something, or that she's a social chameleon, but it looks like a handcuff, that cannot be comfortable. And oddly enough, chameleons do feature in the Bible... and it's very odd, and very interesting.
Basically, chameleons conform to their surroundings through their unique abilities. God likes that for them, but not for humans - apparently, they should challenge things rather than just conforming to them. Which like, okay, someone changed their tune from "Don't do this one thing, no I will not elaborate". In actuality, what this means is "you should not be different on Monday to how you were on Sunday", aka, be #authentic.
Also, chameleons are seen as 'not standing up for what's right', so I guess that's where Diana falls on the morality spectrum, maybe possibly?
Diana is hiding something, she's on my mastermind radar but it feels a little too obvious? If she's not a mastermind, she hiding something and is a killer, nothing can redeem her from being shady in my eyes. I'm onto you, make-up girl...
(My guess is the beauty industry/Hollywood requires a degree of fakery, and she hates it, but she wanted to be successful so she gave into the fakery, and lost her true self in the process. And hey, maybe at some point she decided that she had to see the true twistedness of humanity via a killing game, who knows? Plus, make-up, that's very Junko-ish of her, just saying-)
Jean DeLamer:
Okay, so some people got 'owl' or 'flamingo', but this man got a whole dragon. And he cannot be more deserving of it, fly high king.
I really didn't think there were dragons in the Bible, but apparently they get a mention (in all fairness, it's a real big book). Fun fact: Biblically, they are usually mentioned to reference sea monsters. On brand for our sea captain. Bad news though, dragons are pretty exclusively evil (sometimes straight-up Satan), and are vanquished by God. So... Not great for Jean, honestly, that's concerning.
Could he have a connection to the killing game? He could be a traitor of some sort, or he could try to rise up against the KG and get struck down.
Basically: Jean has no power here, he will lose every time, if the Bible-dragons are anything to go by.
Anyways, dragons are pretty relevant in... most cultures, so this is probably the most interesting thing I can dig up.
Jett Dawson:
Wolf. Big wolf. On outfit. I'm getting sleepy, I've even stopped capitalising my file names.
SO ANYWAY, big wolf, wolves are pack animals, good dog. They're loyal and playful, and I love that for him. Wolves are frowned upon Biblically, seen as false prophets (probably because they eat sheep). The Bible HATES wolves, but I cannot see Jett behaving maliciously here, he seems way too fun-loving. He's on my list of 'tragic murder suspects', and uh... Wolfgang better watch his back.
Either that or he'll get murdered, and someone will be like "oBvIoUsLy He WaS bUrNeD tO dEaTh" and we'll have to refute them.
Kai Monteago:
Butterfly, on chest, let's go.
Most obvious interpretation: social butterfly, he's an influencer.
Biblically, they're pretty irrelevant, but symbolically they're all about transformation. This could indicate character development, a change in tune, etc. Not much to say here, it could represent vulnerability (butterflies are fragile), but it's most likely a reference to the phrase social butterfly.
Mark 'Mayhem' Berskii:
His hat is, indeed, an alligator. At first I thought it was a dragon, then a crocodile, but the concept art confirms it to be an alligator.
Google couldn't tell me much about Bible alligators, which was expected. What it can tell me is the symbolism behind them, though.
Alligators are cunning and wise. Which adds up here, Mark seems way smarter than he lets on. He makes a comment at the end of a non-stop debate (something about setting the trash fire) which suggests he's a critical thinker, seeing the misguided logic in the room.
They are also apex predators with a lot of strength which... is concerning, in terms of potential murderers. Since they've been around since the prehistoric age, alligators are seen as having an ancient, primal aura about them.
I feel there's more than meets the eye with Mark - he'll carry a key discovery or two, just you wait.
Wenona:
Wenona is the girlboss we need, as well as the girlboss we deserve, no further questions. Her animal decal is a little less obvious than others', being bear pawprints at the bottom of her coat.
My favourite Bible story ever (because it's hilarious out of context) is the one about Elisha and the bears, where two bears maul forty-two children because they made fun of a guy. So, maybe don't get on her bad side via mockery.
Interestingly, bears are used to symbolise cruelty and self-servedness which... adds up here, I guess.
Symbolically, bears are a little more cuddly than the Bible makes them out to be. They're known for hibernation, making them quite patient and cautious animals. Bears are grounded animals and represent strength, being fearsome predators.
Wenona is very set in her views, and appears to be unwavering, much like a bear.
Eloise Taulner:
Eloise wears a swan pin in her hair, making that her signature animal. Swans are graceful and vicious; a fascinating combination for a character like Eloise.
In the Bible, swans are everything you'd assume a white bird to be. It's all very 'this bird is the serene love of god, do not eat it, but for different reasons'.
Symbolically, swans are loyal birds, being of the 'mates for life' variety. Something interesting to mention is the concept of a swan song - a song that laments death, said to be the most beautiful song ever sung by a swan, despite the birds being far from natural singers. In Greek mythology, swans were sacred to both Aphrodite and Apollo, with Apollo being the god of music.
Which presents the possibility of a friendship between Mark and Elodie, with him being 'music' and her being a swan.
Swans are very powerful birds, so Eloise's character arc will probably involve her becoming stronger in terms of willpower and confidence.
Ingrid Grimwall:
This one's a little harder to spot, but Ingrid's animal symbol is on her bag, in the form of a lion.
Lions are generally seen as brave, proud animals. The main Biblical story that comes to mind is the story of Daniel, who was thrown into a den of lions. A lion's roar is intended to paralyse its foes with fear, but can its bite match its bark? I suspect Ingrid will be a big talker, but less keen to take actual initiative. Male lions are known for being less active than their pride members, with the female lions doing the hunting.
Although, you could argue that a lion is a natural leader. These qualities don't need to be exclusive though - why not be a leader and a layabout?
Besides that, there's pride and family and strength, but the less prominent placement of Ingrid's emblem tells me she'll be less fearsome than her classmates.
Cassidy Amber:
Cassidy's a little bit different from the others. Her animal motif doesn't have a specific portrayal of the animal (much like Wenona's and Ulysses'), and hers is repeated as a pattern - Cassidy wears tights with a spiderweb pattern.
Now, spiders are pretty well known for trapping things. It's kind of their whole deal. This gives Cassidy some serious mastermind vibes to me, especially when coupled with the fact that she's married to the content grind, loves games, and has a lot of money to throw around.
But anyway, the Bible just kind of complains about their webs being fragile, which could be interpreted as 'her fanbase isn't a true connection to others, they'll abandon her the second someone new catches their attention'. In reality, the Bible doesn't hold up for most of these, but like... it's interesting, right?
Spiders could be described as patient killers. They weave intricate webs for their victims and wait for the opportune moment to strike. Spiders are often feared, with arachnophobia being one of the most popular phobias. Cassidy herself is capable of projecting an unsettling aura and might be described as unnerving.
Fun fact: Red spiders specifically symbolise wealth, passion and excitement, which lines up pretty well with our pro-gamer.
In Conclusion:
I spent way too long making this.
Also, the Bible was pretty useless for most of these BUT the Bible reflects a lot of general perceptions (because it set quite a few of them), so it was sometimes interesting, I think, I'm tired, send help, goodnight!
(If you've made it this far, say hi or something, this took three hours and for what?)
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The symbolic meaning behind A-Yuan's butterfly toys
There is such a beautifully poignant moment during the Yiling date chapter, where A-Yuan is playing with the two grass butterflies that LWJ bought him. The minute I read it, it made me smile at how sweet and innocent it all was. But it also pulled at my heartstrings a little, due to the symbolic meaning of the butterflies and what I felt like it foreshadowed.
Chapter 74
Knocking his bowl, Wei WuXian called a couple of times, but Wen Yuan was still looking down, holding two butterflies and mumbling. At times he pretended to be the one on the left, saying shyly "I… I really like you"; at times he pretended to be the one on the right, saying happily "I really like you too!" Being two butterflies at the same time, he seemed to be having lots of fun.
- ExR translations
To me MXTX uses the butterflies to express the unspoken feelings that WWX and LWJ have for each other. I think this small, yet sweet scene, could also show A-Yuan may have picked up on WWX and LWJs true feelings for each other - perhaps on a subconscious level. Children are incredibly perceptive and can pick up on things adults often miss. He may have only seen them together for a few hours, but he's spent a lot of time with WWX and could possibly see how he acts differently with LWJ. Either way, I don't think it's a coincidence MXTX chose to have A-Yuan play with the butterflies - he also has the clay dolls he could have used for his little directorial debut!
The fact A-Yuan is making the two butterflies confess they 'like' each other, echos how WX truly feel for one another. It's almost like the unspoken words they could have, and should have said so many times before. It is certainly allusive of the opportunity they had to confess their feelings during this particular scene as well.
The fact MXTX (or indeed A-Yuan) has made one shy and the other happy, draws parallels between LWJ and WWX's personalities. Much like the WX bunnies with their quiet and energetic personalities respectively. Personally I think it's quite clear MXTX deliberately made A-Yuan portray the two butterflies in this way. Especially if you take a closer look at the original version of MDZS, where the 'shy' and 'happy' personalities are not mentioned - so it's evident that MXTX later added this to enhance the scene, for a very specific reason.
If we look even deeper into this, there may even be more meaning behind the use of butterflies - as I said earlier, MXTX could have used the clay dolls instead. Butterflies are often used as a symbol of love in Chinese culture. More specifically, it can symbolise an undying bond between lovers. They can also represent death and rebirth. Which all fit with the theme of the novel perfectly.
MXTX likes to use little references and pay homage to poems and Chinese culture within the novel. And personally, I think the use of butterflies could be a nod to a particular classic Chinese love story. According to some, this is one of the reasons butterflies often symbolise love in Chinese culture.
There is a tragic yet romantic, Chinese legend known as The Butterfly Lovers (梁祝). Coincidentally (or perhaps not?), there are a few parallels between MDZS and the story as well. Much like our lovely WX, the two lovers in the legend met while studying together, where they develop an instant chemistry. The two main characters even experience misunderstandings that prevent them from becoming a couple. Eventually one of the star-crossed lovers tragically dies and the other follows soon after - which is where our duo obviously deviate, thankfully! The lovers spirits become butterflies and they fly off together, never to be separated again. Which somewhat echoes WXs own ending, where they elope and pledge to be with each other forever.
Something fell from Wen Yuan’s pocket. He called out, “Butter… Butterfly!” With him in his arm, Wei WuXian had already rushed outside the restaurant. Soon, a white shadow swept by him. Lan WangJi seemed to have followed them out as well, walking beside them. Wei WuXian, “Lan Zhan? Why are you following us?” Lan WangJi put into Wen Yuan’s palm the butterfly that he dropped.
Personally, I don't think the above scene is just a means for LWJ to follow them, because he would have either way! It's also symbolic. The two butterflies are suddenly separated, much like WWX and LWJ are later, for some 13 years. Eventually (or two seconds later in the above scene!) they are reunited, just like the butterflies above. It also represents A-Yuan's loss. He loses one of his butterflies, just like he will soon lose WWX - only to have them both reunited, together with him, eventually. It broke my heart when I noticed this tiny moment.
Just like the two frisky male bunnies used as a metaphor for WWX and LWJs true feelings earlier in the novel. The butterflies are used to foreshadow the path their entwined fate will eventually take as well. MXTX's writing style is just absolute poetry and I can't get enough of it.
🦋❤️🦋
#mdzs#mo dao zu shi#mdzs novel#mdzs meta#mdzs analysis#A-Yuan#wei wuxian#lan wangji#a-yuan and his toy butterflies#Yiling date#the butterfly lovers
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Xingqiu - Yandere Profile
I actually just got my sweet bookworm boi to his next to last ascension, my hydro baby, my angel, I love him even if bc of him I have to marathon fight the oceanid
I’ve had a lot of reqs for him & Chongyun dating back to January again lol but it only felt right to wait until I finished both so I could release them at the same time, so, Chongyun’s will be up immediately after this!
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TWs: fem reader, yandere, confinement, manipulative behaviors, mentions of homicide, gaslighting, Xingqiu being a spoiled arrogant brat
TWs (below cut): noncon/dubcon, manipulating and guilting reader into sex, overstimulation, fluids/cumplay, humiliation
Since there's no canonical age but he has a bit of the rounded young face I'm tagging with the sh*ta tw as well!
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Severity Scale
Intelligence/Perceptiveness: 7 Brutality: 3 Physical capability: 4 Mental/emotional instability: 6 Restrictiveness: 7 Sexual sadism: 5 Stubbornness: 8
What are they generally like? Lucid, aware? Obsessive? How do they behave?
Tries to buy his way to you, initially. He's grown up seeing the power that money holds over people, and, well, his father can always just wave a bit around and get whatever he wants from most people, so why should you be any different? He goes for stereotypical "girl" things like flowers and jewelry at first, unless you have some prominent and well-known interest, in which case he'll invest in something related to that.
Honestly, for all his chivalry and all that, his maturity is something of a faux one, a sort of projected self-image of the gentlemanly figure he strives to be... but when he lets that slip, he can be something of a childish spoiled brat. The thing is... he's completely unaware and refuses to acknowledge that he can be so immature. He likes getting what he wants, when he wants it, exactly how he wants it, and being denied the things he wants isn't particularly common in his life. So rejection comes not so much as a disappointment so much as a shock. No matter, you're just... a brat, yourself. You think you're too good for everyone, he reasons, so you play hard to get.
Really, after recovering from the initial shock, he realizes he likes things this way. He likes challenges. It would be no fun if you came to him easily. You may be a brat, but in the end, the one thing he refuses to ever do is lose. Chivalrous gentlemen are fine with having to earn their things, so really, he's thankful that you reminded him of his morals, of his desire to truly earn the things he wants. It will make it that much more meaningful.
So he goes heavy on the idea of "courting", following whatever old and prudish traditions may exist in Liyue. If you're from somewhere else, he figures, that could be why -- clearly he hasn't followed through on whatever is normal for your culture. Silly him. He makes an effort to research whatever those traditions may be, and goes to the absolute maximum on performing them. Lavishes you in gifts of all kinds, constantly giving you compliments. He even goes to the effort of, if all else fails, reading romance novels targeted at women to get a better grasp of what exactly you're supposed to like, and emulates those behaviors.
Overall, though, in later stages Xingqiu slightly more mild for a yan, allowing you to have interactions with others (even if he’s irritated), such as his family, family servants, and his friends, and will even take you outside now and then. However, he will cut off your ties to those friends you had before that weren't mutual friends. He's also one of the least likely yanderes to ever kill someone, and will avoid hurting people if possible -- if anything, he prefers more discreet methods like ruining their life socially or financially.
He's also a lot more moody behind closed doors than he is to most people. His attempts to be oh-so-mature eventually kinda crumble, and the more comfortable he becomes around you, the more he lets his immaturity show.
He could assign family servants to looking for you, but really, he prefers to do it himself, this is about love after all, he doesn't want to assign them to a task they would never perform as diligently as he could. But rather than stalking, he chooses to just kind of... stay with you. He's somehow always where you are, "coincidentally" running into you everywhere and then somehow nothing having anything to do, because he clings to you for hours until you finally have to go home, and even then, he'll just follow you to continue the visit there if he can. No point in watching from a distance when he can be right there with you. And again, he's actually surprisingly unaware that his clinginess is so obvious, he's oblivious to how obvious his infatuation is. Which is a bit odd, considering that he's usually fairly perceptive, but he's so confident in the fact that he is normally perceptive that he allows himself to slip into abnormal behaviors without really realizing it, because he's not constantly on guard in the way some less socially adept yanderes are.
On a genuinely sweet level, there's one little thing he keeps hidden from you. He's actually written a lot of love poetry for you, verses about you and all of the things he loves about you so much... Despite usually being fairly confident in his work, he can't bring himself to show it to you. He's too flustered. And considering your negative reactions to his affection (read: not wanting to be kept like a captive animal), he is actually a bit sensitive to that perceived rejection, which further discourages him. He keeps them all stashed away, stuffed into some fairly hidden drawer. Should you ever come across them and bring them up, it's one of a very few things that will genuinely make him super embarrassed, and he'll just insist they weren't about you, even though the details make it obvious they were, and storm off, never bringing it up again.
How likely are they to kidnap their darling? How quickly will they do so?
It's not kidnapping. It's... relocating. He's far too chivalrous to resort to something so brutish as kidnapping! He'll make sure you want to come with him. He can easily arrange for there to be rumors and reports of... occurrences near your home. Criminal activity, maybe false rumors of mysterious disappearances. Hell, he'll get Chongyun to testify that your house has demonic spirits in it. Something to make you want to move out. Maybe some things start happening to you -- you get the feeling you're being watched, you get threatening messages mailed to your home, you have strangers (read: randos who will do anything for some mora he gives them) telling you you're not welcome in the area and to get out. It's all incredibly confusing and scary and you have no idea what brought it all on!
Luckily for you, you have a rich, generous friend who makes it more than clear you're welcome to come stay with him for a while at any time. Eventually, no matter what it takes, he can push you to a point where you'll take him up on that offer. Something feels... oddly ominous about the way the gates to his family estate close behind you once you walk in. Like they're sealing your fate.
And once step one is done, step two of his plan goes into place - make sure you never want to leave. He can make that happen, there's plenty of space here for you to roam, plenty for you to do, and even when he's not there to entertain you, there's plenty of servants to keep an eye on you and make sure that whenever you try to leave, they'll smile and tell you you can't go just yet miss, there's this or that going on tonight! The young master said he had something important for you when he gets back later! You can't go out now, there was just an attack by some deranged person in the town still on the loose! Just... go back inside for now.
Of course, it's wishful thinking, but he likes to maintain the delusion that he can just keep this going indefinitely, that you won't finally one day put your foot down and tell him you've been stuck here nearly a month and you're ready to at least go visit home. He might even entertain it a bit - sure, you can go visit your old house with him and collect some of your old things to bring back with you, but he makes sure to make it look at though whatever problem he made up is still occurring. Nonetheless, if you're insistent, or at whatever point you finally crack and catch on, demand to know what's going on - well, it's not pretty. He gets into something of a tantrum if you don't comply, but ultimately, in his own little huffy, ticked off way, says you can't leave, and that's that, no more questions allowed, and no more of this ridiculous demand to leave. Of course, darling is taken aback at first, even thinking he's joking, but it soon becomes very clear he's completely serious, and intends to enforce that command.
How difficult is it to escape from them? How do they keep you restrained? How do they deal with attempted escape?
When he's with you, he's tends to be pretty clingy, both physically and in conversation, never ceasing talking about this or that, and he's actually a sleep-clinger as well, keeping an iron grip around your waist when you sleep. So, whenever he's at his home, he insists on you being in his presence, usually physically touching, so you won't really get an opportunity while he's just in another room or something because you can't get any privacy to begin with. When you're in public, he's incredibly watchful over your every move and incredibly clingy then as well, so don't expect such a chance to arrive either.
Thus, your best bet is to try when you're under the watch of guards, whenever he's gone for whatever reason. They've been instructed to watch you from a distance, you see, he doesn't want them interacting with you directly, so you'll have a few chances here or there where they get distracted or their backs are turned. There will likely eventually also be a time where there's a scheduling error, you end up unsupervised! However, physically getting out of the estate is still difficult. There's still posted guards everywhere. So all in all, it's fairly difficult, especially in broad daylight, the only time he's not with you.
When you're inevitably dragged back kicking and screaming by some poor guards that aren't getting paid enough to deal with this, after getting back and hearing the report he deals with it in that unnerving saccharine way of feigning ignorance to try and get a reaction. Now, he knows you weren't trying to get out... right? Surely you got distracted by a bird or something, right? That's the only reason why you'd ever try to leave, right? It's obvious he knows better, and is just fucking with your head, but it's best not to lie. What he wants is an admittance of guilt and an apology, preferably down on the floor begging for forgiveness.
How easy are they to trick, deceive, or manipulate?
Moderate, leaning towards difficult. He's perceptive, and intelligent, but that intelligence is largely a sort of book-smarts type of intelligence. He's generally crafty and a prankster himself, so pulling things over on him is difficult because he's familiar with the mindset and methods of doing so, but he can be tricked if you put on a believable enough act. Basically, a darling who is a good actor stands a much better chance.
However, he's ultimately a learner. You can get away with some tricks or plots once, but he won't fall for the same thing twice. Any sort of escape or deceit you've tried once, he'll make active efforts to guard against and prevent in the future.
Manipulation, though, you can forget it. He's way too proud and stubborn to be emotionally manipulated, in the end getting his way and what he wants takes priority over making you happy, so don't expect to be able to manipulate him based on the notion of something making you happier.
How lenient are they? What privileges can you have, and what will you be denied?
Fairly lenient, actually. You get a lot of access so long as your behavior is good, so really it's wise to be on your best behavior in the long term of things. He can get you anything you want, especially reading material. And you actually get to go outside, yay! He's like my earlier Childe profile on that -- he likes to go on dates, and he's actually really enthusiastic about it! He's big on date planning, wanting to see everything there is to see and do everything there is to do together. The rules are that you just need to be physically attached to him in some way -- you can hold his hand, grab at his sleeves, or he can do so to you (although he'd prefer you cling to him. He likes the image it projects to people around you). He actually gets really hyped about said dates whenever you plan them, he'll talk to you for hours plotting out all the things to do on this particular outing. At one point, his smile drops and his voice goes low and he tells you that, just a reminder, you know the rules for dates, right? ...Good.
Similarly, if you ask, he'll let you accompany him on more trivial outings as well, say if you'd like to go grocery shopping, and he certainly won't turn down a trip to the bookstore. The same rules apply, although he's a bit less excited for something so mundane.
One thing he won't do, surprisingly, is let you have anything to do with Guhua arts or skills. He won't teach you anything he knows nor let you learn, and if you were a follower of it before, he'll cut off your access to any material. His reasoning is that he just doesn't really think anything to do with combat suits you. You're better off learning more passive skills and hobbies.
In reality? He can't stand the thought of you ever being able to present a challenge to him in that sense. It would kill his ego if you ever managed to do something related to the Guhua arts better than he can, or even half as good as he can.
What kind of rules do they have? What kind of punishment would they use?
Well, to occupy your time, he has things that need cleaning you know... Honestly, he's messy, and he's already used to having maids, so he kinda treats you like one to some degree. Of course, he's active in his little heroism adventures, but when it comes to his own living spaces and such things he can be a bit lazy. So, he'll give you tasks to do sometimes, he likes the power rush too that he gets from ordering you around a bit. It soothes the ego.
Outside of your strolls together, you can't be going outside (and you don't get to choose when you do go on your little walks and dates, he does, although he may grant you the wishes of your begging). Also, don't actually try to talk to the guards. They're there to watch you, nothing more, so pay them no mind, and by no means should you ever have a reason to make conversation with them. If there's an emergency or something you need, you may inform them and get help, nothing more. And really, they're more afraid of this rule than you are -- you'll have difficulty finding one even willing to talk to you, they all take the warnings they've been given very seriously.
He eventually gets nitpicky and makes all sorts of little behavioral rules, it's incredibly obnoxious. But honestly, suffering his bratty tantrums is enough of a punishment, even if he didn't usually follow it up with actual punishment, which, for him, tends to be something perverted in some way.
How do they deal with rivals, or perceived rivals? Will they get rid of them? Will they kill them themselves, or find another way?
He actually gets jealous rather easily, often over people who are no real threat. You can never be too nice to anyone -- even after he introduces you to his father and older brother, he expects you to be happy to meet them... but not that much. If you show too much excitement or happiness over any other being, he gets pouty, especially other men, but also your friends, male or female, family, even animals. His first reaction isn't to kill, rather, just an increase in isolation. Drag you back home and make sure you get a lot of time to yourselves, seeks reassurance that you really love him. If it's his own family, he might get grouchy towards them, snap at them a bit, bitterly drag you back off to your own room, where he'll then proceed to get equally grouchy towards you until you have given him enough reassurance he deems sufficient. In his own time, when you're not around, he makes sure to make it perfectly clear to those around him that they aren't to get in between you two.
He's one of the better yans to have in this regard, though, because he's unlikely to resort to killing anyone. He's got too much of his self-image invested in the idea of morals and justice to be able to do so, he can't delude himself into believing it's right or acceptable. It's not impossible to push him to that point, but it wouldn't just be someone you show any positive reception towards -- if Xingqiu did end up killing a rival, it would have to be one for whom you have very blatantly made clear you have actual romantic and sexual affection, someone who poses a genuine, real threat.
Xingqiu is a sort of open book when it comes to jealousy -- it's obvious to everyone around you that he's mad at someone else for even looking at you, and he doesn't try to hide it. It makes him that much angrier if someone doesn't obey his silent demand to stop interacting with you, doesn't seem fazed by his glares and coldness. He'll meet with them privately and make things clear verbally, since he tells himself maybe they're just dense and too stupid to understand. But they only get one more chance. Cross him twice, and they'll likely find themselves in financial ruin after pulling some strings through the connections of his father and brother.
What would make him significantly more likely to kill someone is someone who poses a legal threat, someone who catches on to what's going on and threatens to get him in serious trouble for it. Even if he tried bribing them, well, they'd likely just pretend to accept, and someone so bold likely wouldn't bow to threats.
This is where he can slip into the mindset of a delusional yandere. He once again projects the image in his head, that knight he wants to be for you, and hey, sometimes to save the princess, the heroes in his martial arts epics have to get their hands dirty, have to unfortunately get blood on their hands for the sake of the greater good. And hey, then it's usually called character development. Most of his fictional heroes tend to have killed at least one person in a sort of epic battle to defend something precious to them. This is no different. Of course, ambushing an unarmed person and running them through hardly counts as an epic battle, but he doesn't really take that part into account.
How easy is it to make them mad? What does their anger look like?
Again, a bit of a spoiled brat at times. He's pouty, gives you the cold shoulder, yet dramatically inserts himself in front of you and whatever you're occupied with so you can't do anything. Basically he's forcing you to acknowledge his pouting and ask him what's wrong so that he can pull the "oh, nothing" until you ask again, and maybe he'll eventually bitterly, passive-aggressively make it clear what you did wrong. The bright side is he's easily soothed - an apology and some groveling will fix his attitude pretty quickly, although he'll have an infuriating air of superiority about it all, telling you he's glad you were able to understand what you did and have, hopefully, learned to correct the behavior in the future.
Worse offenses, things that make him genuinely and truly infuriated, are significantly worse, but rather uncharacteristically for him, he's quiet. And that's what's do frightening about it - for once you almost wish he would blabber or complain or whine like you're so used to, but his fury is dead silent. He moves without speaking, harsh motions that will either shove or tug you to wherever he's trying to maneuver you, and he shows how he feels through actions rather than words - he slams doors and objects, stomps, everything about his body language is frightening enough to make you stiffen and jolt.
Thankfully, Xingqiu is a milder yandere when it comes to severity of things he'll do to you in moments of anger -- he's one that can control himself well enough not to severely hurt you, break bones or anything like that. When it comes to his flashes of anger, at worst he might slap you in his tantrums, but he has at least enough self-control and empathy for you to manage better than a lot of yanderes.
So they see you as above them, beneath them, or equal to them?
Below. It's mostly that he thinks rather highly of himself - he's an important person you know. He saves people, he goes around doing his little vigilante thing, and he's not afraid to flaunt sometimes.
If you happen to also be from a rich family, you can earn a little bit more respect from him, you're cultured and sophisticated. If you're intelligent, you can get some validity in his mind as well. He'll still consider himself more intelligent and higher status, something you'd be mindful to remember, but he'll begrudgingly acknowledge it.
A commoner darling, though? God forbid an airheaded one? Forget about getting any respect - you're more like... A cute little puppy to him. Dumb and loud and clumsy, but nonetheless very cute and loveable. You were just... Made to be something of an accessory to him. And he loves and values you, you mean the world to him really, but that's all the more reason why you should accept your place as such.
How determined are they for you to love them? How hard will they try to make it happen? Or are they content just having you?
It drives him up the wall. You know, his father could arrange his marriage to a ton of young rich daughters in Liyue who would be more than happy about it, but he can't get the attention of ONE girl he likes? It's infuriating. And it makes him all the more insistent to have specifically you.
For Xingqiu, it's a mix of both desperation and a pride thing as well. One one hand he desperately does truly want his feelings to be returned, he wants you to love him, he wants the fantasy he has in his head of you two having a long, happy future together. On the other hand, rejection is also a mark on his pride, and that irritates him beyond comprehension.
So don't expect him to ever give up, really. Unlike a lot of loving yans though, he doesn't blame himself, he directs the rejection hurt outward - maybe you're just so spoiled yourself that nothing is good enough for you. Maybe you're just playing hard to get. Maybe you just think constantly turning him down is funny, it's amusing to you, and, well, he doesn't take lightly to you trying to play games with him. So while he'll continue to try and earn your love, don't be surprised if it results in an irritated mood swing every now and then.
Bonus: Is there anything that makes them unique, in comparison to other yanderes?
A lack of desire/hesitancy to resort to violence or more morally wayward methods. He stakes a lot of his pride and self-image on being a chivalrous, upright, just person, someone who should exemplify right and punish wrong, and unfortunately for him he's not a delusional and can't convince himself that he's doing the right thing. He wants to be a gentleman, your knight in shining armor, the storybook hero he projects in his head that always comes to save his princess, who in turn is receptive and showers him in praise and affection and gratitude. You're the problem, you see, you're not following through on your role in all this.
As such, he really, really hates having to dirty his hands in any way, or do anything that he knows is wrong and will consequently drag him into guilt. Not that he can't be driven to it, because he certainly can, but if it reaches that point, that means you didn't cooperate with him to begin with, which would have made things so much easier, so he'll definitely rid himself of that guilt by redirecting the blame to you, or deluding himself into some bizarre justification.
Another thing... his family's compliance. Honestly? His dad is far too busy and far too done with Xingqiu's shit to expect any help from him. His son tends to be picky, whiny, and demanding -- now that you're here, he's finally satiated, finally actually paying attention to the important matters his father wants him to be involved with, finally not causing nearly as much trouble now that you're around. You can bet he's more than happy to put in some extra funds and personnel to restrain some random commoner, so long as his son is satisfied. His brother doesn't really agree with it all, but his brother wants this and his father is supporting it, so... his hands are tied. He turns a blind eye. And the staff, the servants? They're getting paid far too much to care, and besides, the family is incredibly influential -- should they get fired, it could smear their reputation. It’s kinda really discouraging, being surrounded by so many people, but none of them willing to help you.
General perverseness: how sexual of a person are they? What’s their drive like? How touchy do they get? Do they have any reservations about sexuality?
Bounces back and forth. On one hand, he wants to maintain, again, a gentlemanly and sophisticated image, and in his mind, such people don't normally think about such things, don't behave in lewd or degenerate ways. On the other hand, he's a nasty little perv that secretly sinks to the absolute depths of depravity. There's not much he can't get off to. If his poor brother hadn't been so busy being concerned about the martial arts books under his bed, and had dug further, he would have found that those books are actually just a cover-up for a different set of nasty, gross materials he's spent years accumulating -- some of the most vulgar smut you've ever seen, stuff you question how he ever even got ahold of. Surely the book house wouldn't sell this kind of material... it's honestly a mystery how he manages to get so much.
With his first few interactions, he tends to display the former image, but the more time he spends with anyone, the more that inner little pervert side tends to come out. He's definitely one to get touchy, his light grazing little touches become firmer and more daring, his hands always rest just at a point that's right on the boundary of being inappropriate. Sometimes he'll straight-up grope you and pass it off as teasing. He's also like Kaeya in that he intentionally tries to embarrass you by making your mind go to lewd places, making obvious innuendos and euphemisms, then pretending like he doesn't know why you're looking at him like that... oh, is that what you thought he meant? Wow, you must have such a dirty mind, you little pervert.
How forceful are they? Do they care about your willingness?
Something like rape is barbaric! Of course he would never, eeeeever do something so awful, so unbecoming of someone like him. And he really never will. He's another yan that will simply... Secure your consent by whatever means necessary.
In the end he'll most likely guilt trip and gaslight his way into it. I mean, you're staying with him for free, he took you in, he feeds you and clothes you and you can't show one little bit of gratitude? He treats you like a wife and you can't fulfil your end of that role? Don't be selfish. He loves you so much... He'd do anything for you... don't you want him to be happy too?
He'll try different approaches. If seduction doesn't work off the bat, he'll try gaslighting, if that doesn't work, he'll try guilt tripping, if that doesn't work, he'll make up a bizarre lie - he has to have sex or he'll die, somehow! You get the idea. If you really, really, really push it, he may just resort to a vague threat of sorts - nothing too bad or deadly, but hey, it would sure be a shame if this recent market crash affected your family financially... Not that he knows anyone who has power over the local commerce or anything.
With a more timid, soft darling, you're likely to end up essentially... Dubcon'ed. Half-noncon'ed. He just kinda... Slowly goes for it, and at your protests insists no, it's ok, you'll feel good... And a timid darling too afraid to stop him doesn't exactly fight back or resist, so hey, silence is a green light.
What sort of kinks or fetishes do they have, or would they fill?
Experimentation
As I've said, he's a nasty little perv deep down, and he can get off to, well, a LOT of things. And he loves to try new things out, no matter how weird it may be. He's one you can get into a lot of things involving toys and objects, or physical forms of things applied to the body (think temperature play, hot wax, nipple clamps -- anything that has to do with objects being used on you). Part of the fun of it all is having something new that he's never tried before! Even if it turns out to not be his favorite thing, he'll still enjoy the trying it out, and those things he DOES find himself liking, well, he'll just have to add them to the little mental list of favorites.
And he, honestly, enjoys the little reactions you often have to the notions of this or that -- the shock and sudden fear on your face when he tells you today you'll do this or that, and how you shake your cute little head so rapidly. It's not that bad, he promises, and he's done a lot of research and reading to be sure he does things correctly, so no worries!
Body writing
It's kinda comical because you can't make out a word. With his canonically horrendous handwriting, but fondness for the act of writing, it makes for what essentially looks to you like abstract art on your body -- but just know it's the lewdest, most degrading shit you can think of that he'll get all over your thighs and stomach, marking you as his. If nothing else, he gets off to it, and based on the little things he whispers in your ear, you know it's the same sort of humiliating things. If he takes his time, he can write better, but he gets caught up in the heat of the moment.
Lingerie
He's a fan of lacey, frilly things. And he will definitely invest in as many as he can buy, ornate and intricate things, stockings for your legs that have pretty lace patterns at the top of the thigh, bras and panties that are somehow both lacey and perfectly see-through. He's also a big fan of things that have holes in them for easy access, so you can wear it the whole time. And, if he's feeling meaner, he'll definitely have you walk around in just that for a while -- not out where anyone else in the estate could see you, of course, but in his room with him.
Master/slave
He's not a sadist per se, and doesn't really put you in pain, but he loves your submission. And no better way to exemplify submission than with service. The little bastard already makes you act like a maid outside of bed, but now he likes it even more -- there's a certain rush of power to laying out a command and seeing you follow it. Not to mention the cute look on your warm face as you follow though with the degrading shit. Oh, and you'd better believe he gets humiliating. It's not necessarily degrading in the sense that he says or makes you say bad things about yourself, but rather, just the commands themselves, getting on your hands and knees and crawling over to him, and demanding you slowly strip down. Make it cute, give him a show, you know? He won't be cruel in the things he says about you, yet your pride is still wrecked by the end of it all.
Voyeurism/masturbation instruction
He loves to watch you get off, honestly. It ties into the slave thing to a degree, making you follow every little command, telling you exactly how to touch yourself and move your hands. He'll sigh and tell you no, you're going to fast, you can't do it that fast yet... and if you get too overexcited, he'll just have to make you stop, since you can't seem to listen, and maybe not get to cum until tomorrow, so you can learn to behave better about it next time.
Fluids/Cumplay
He has something of a fixation with all kinds. He loves seeing the trail of saliva from your mouth when you pull off his dick, the way cum drips out of you and runs down your thighs. He also likes seeing it splattered across your face, your chest, in your hair, something about the sight of it nearly has him hard immediately after and ready to go. But he also likes how it will gross you out, leaving you tied up so that you can't wipe it off, are forced to just stay there with it dripping out of your holes and down your skin in a way that makes you shiver. And, really, he loves your fluids too, sweet salty slick that's just so mesmerizing to watch coat his fingers and face. But his favorite thing, probably has to be running his fingers through your own juices and slick, collecting it on his fingers, holding it up to your mouth and telling you to suck them clean. Somehow, it's even hotter when you're licking your own fluids off of his fingers, although you doing so with his is certainly nice too.
How do they feel about pregnancy or babies? Do they want them?
He’d like an heir one day. He's one to want a kid, maybe two, but not a whole lot. Just enough to have a proper family structure, much like the family he was raised in. It's the proper thing to do, he thinks, a natural part of the social order and continuation of a legacy. As a natural extension of his spoiled brat tendencies, he often doesn't think very responsibly in regards to preventing children, so, lucky for him, that ideal will likely come to fruition eventually, if physically possible.
What kind of (nsfw) punishments would they use?
Absolutely uses overstimulation. Whatever sorts of toys exist in Teyvat, he's rich enough that he can easily obtain them - little things he can attach to you and leave buzzing, or thick plugs and internal toys to stuff you full and leave you there to suffer in stimulation and stretching for hours on end. And he doesn't leave you alone, no, he stays close by, leaving you tied up and blindfolded, the occasionally lazy checkup of "oh, how are you holding up over there? I almost totally forgot you were there!" in a mocking tone while he goes about reading his books or practicing or jerking off to the sight.
Also ruined orgasms. Ugh, he's the worst. Gets you right to your peak, likely also after hours of edging, and then just... stops. Right as you reach the high, stops all motion, leaves you whimpering and sobbing, it's literally painful to actually reach it, and then still have that orgasm taken from you. And he'll be sure to remind you that if you were good, you could experience it in full, he could make you feel so good and let you ride out that high... but so long as you insist on being such a stubborn little princess, unfortunately, he can't just give you that. He hates this too, you know, he says. He'd love nothing more than to share pleasure, but you insist on being difficult.
What body parts of their darling do they like the most?
Legs and thighs. He likes the aesthetics of legs, the softness, the way the flesh feels in his hands. The way touching them can make you jolt, the sensitivity, the way they leave little marks so perfectly if he sucks and bites at the skin. It's just really pretty.
#yandere genshin impact#yandere x reader#yandere xingqiu#yandere x y/n#tw: noncon#tw: dark content#tw:shota
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hii its bougie <3 if you're still taking hc requests, i was wondering if you'd have thoughts on something that's been on my mind for a while. i was interested in the nuance to english culture due to regional differences. eg.,dinner being called "tea" in the north of england, rugby being more popular in the south, the difference in how scones with jam and cream are enjoyed in Devon and Cornwall?? or how certain english accents are perceived as... "less attractive" i guess (the black country accents are unpopular apparently?) -- you'd probably know more about these particularities than me ;u;
i was wondering how these cultural differences might map onto hws England's character, and how they might influence his attitudes and behaviours. because there's such a clearly defined stereotype of the english that i think shape people's expectations of what the english are like, i usually think that Arthur usually consciously acts according to what counts as positive interpretations of himself. however, i love nuanced and somewhat subversive interpretations of his character, and am very curious if you might have any ideas on how these kind of internal regional differences might shape him.
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Bougieeeeeeeeeeeeeeeeeee <3
I’m not gonna lie this sent me down a RABBIT HOLE of thoughts, so hang on tight cos we're gonna get messy.
Accents:
Let’s start with my personal favourite, so excuse me whilst I geek out for a second. I’ve gone into this area already in this headcanon, but I personally see England being a very proud little dragon regarding English accents, those both native and non-native to the British Isles. Focusing just on accents within England for this post, the way Arthur himself sees them, (regarding class and general preference), comes a lot down to how I see him feeling about language and the unification of England in general.
England is a tiny country. It’s really teeny, compared to some, and yet holds an incredible number of regional accents and dialects (from digging about the internet for a good source, I keep finding numbers ranging from 37 to 43). There are a number of reasons for this, but the one that I love the most is that accents are influenced by the previous/ influential other languages spoken in a given area. Accents on the East of England are more influenced by Viking invaders, both phonologically and via the dialectal words used, and accents/ dialects in the West are more influenced by Welsh, for example.
Accents and dialects tell the history of a place, all who ever came there and influenced it to some degree. The map of English accents is a patchwork quilt of old cultures and people now lost to time, but their ways of speaking have been preserved in the modern tongue. The old English kingdoms might now be mere counties- Kent, Essex, Sussex, East Anglia, etc- they may not have their own influence or language these days as they used to, but their old ways have been imprinted on their people of today whether they know it or not and they carry pieces of the past in their words and how they speak them. Older speakers of the Northern English dialects liek the Yorkshire dialect still use ‘thou/thee’ where this has fallen out in other areas, the Midlands and parts of the South-East still keep the ‘-n’ ending for possessive pronouns (‘yourn’ instead of ‘yours’, ‘ourn’ instead of ‘ours’), and there’s even some linguistic research into how Brittonic, the ancestor of Modern Welsh, influenced English structure and phonology (for references, see notes at the end).
Back to England the person (to contain myself slightly), his regional accents are a story of himself, his history being kept alive in all of its variety every day. He doesn’t hold a classist view of a ‘good’ or ‘bad’ accent because he knows why they’re all there- what languages and people influenced them and how these events affected him- the older generations now lost and forgotten being kept alive in the smallest of phonemes.
Every dialect, every accent, and every language tells the story of a people, from the smallest phonological marker right up to a language as a whole and England takes comfort and pride in his dialects and accents’ longevity and variety. He is as much of the North as he is the South, as much of the East as the West and a patchwork man born of patchwork cultures it makes no sense for him to favour one particular accent over another.
That being said, he is aware that there is a common cultural stance on accents as well as an opinion regarding ‘ugly’ ones, ‘common’ ones, and ‘classy’ ones, but he himself doesn’t partake in these ideas. I like to think that a nation takes on the speech of the people and the area they’re in, matching the person they speak to or the area they visit to relate to their people. So, for me a Chav Arthur exists as much as a Brummie one does, or a Scouser, or a Geordie, or a Cockney. They’re all English, and thus they’re all a part of him.
Class
I have to include this one, if only to touch on it lightly regarding accents and dialects. Class does influence which words you speak, arguably just as much as which accent (this is known as a sociolect). Although I said that England adopts the accent of whatever area he’s in, or whomever he’s talking to if they’re English, the class people are will also affect which words he choses to use.
Here’s a short example from here:
'It is pudding for the upper class. Dessert is sometimes used by upper middles, but afters and sweets very clearly put you below stairs.'
Have some more!
Upper class: Spectacles, Lavatory or loo, Die, Napkin, Sofa
Middle class: Glasses, Toilet , Pass on, Serviette, Settee or couch
(Working class is a mix but harder to find sources for).
This is where England treads a fine line. It could be that he again adopts more of a class lexicon regarding who he is speaking to, matching his people word for word. However, England is not unaware of the affects of class, regardless of how he himself feels, and also although class snobbery and divide frustrate him, he cannot deny using this understanding to benefit himself, which also conforms to how his own people behave. (I myself have, many times, diluted and filtered my speech to be seen as ‘better’).
Want to be seen as more reliable and powerful? Want to be taken more seriously? RP and Estuary English (a lot more so these days), hold undeniable sway and England is not above adopting a manner of speaking to come across ‘better’ or more polite, or a more ‘common’ accent to fit in with the working classes. I think of England as leaning more towards a working-class mindset- he’s very hands on, very up for and used to manual labour and this particular English class has always made up the bulk of his population. It makes no sense for a nation, who represents all of their people, to have a snide view or a preference for a particular group and England as a person I see is someone who does not enjoy the foppery and false airs of aristocracy.
That being said, England is an intelligent man. He knows how to work a room and use a crowd to his advantage, knows what must be done and what he needs to do to achieve a goal and if this entails courting the upper classes for a time then he will do so. He’s adepts at switching himself like a chameleon, blending his behaviours, accent, and dialect to match who he’s talking to to achieve a goal or to fit in with someone’s perception of him, or to gain influence or prestige. He also doesn’t hate his upper classes- they are of him too, and the middle and working class have their own prejudices and ideas against the others. But he doesn’t adopt a stereotypical distain of lower classes because to him, it really doesn’t make much sense.
Abroad, this need to cultivate a particular perception defiantly comes under greater pressure. RP and Estuary English are more well know, more heard and taught, and more recognisably ‘British’, and so these are what he uses when speaking English to other nations or foreigners, either wanting to uphold an image of himself (more so in the Victorian/ Edwardian period than nowadays) or just for the ease of being understood.
Regional Differences
Okay, this one is a lot more fun. Does England put in his milk first or last when making tea? Does he put jam first, or clotted cream when having a scone? Does he have chips with gravy, or curry sauce? Does he have dinner at 6, or 9? To marmite, or not to marmite.
Ah, that is the question, and England does not know the answer. Does he do what he does because that’s what he likes, or because that’s what his people do? He didn’t grow up with these habits, after all, they’re all relatively recent in his lifetime, and so these habits are defiantly things he cultures for a particular audience.
I’m not really sure if the above preferences are class based, (well, milk first when making tea is argued to be, but I can't find any sources I'd consider entirely credible. I put the ones I did find in the notes below, in case any one's interested), so it’s hard to get a sense of which one to use. Overall, it doesn’t matter which you do and neither is right or wrong, but the English feel strongly about them, one way or another, and often Arthur the man isn’t sure at all which one he himself actually thinks is better.
Food in another sense though is something he can be surer of. A Cornish pastie not from Cornwall is not worth eating, nor is a Bakewell tart outside of Bakewell. England can be very particular about this sort of thing and enjoys maintaining and supporting the ‘original’ flavour or recipe of a thing where he can, considering this to be the ‘best’. Sally Lunn Buns from Bath, Gypsy tarts from Kent, Eccles Cakes from Eccles.
England wants to preserve his food and culture and has what could be considered a snobbish view on the ‘best’ way of creating or eating his national foods. Some things he is more lenient with: he will eat cheddar cheese, whether or not it is from Cheddar, same from Cumberland sausages not from Cumbria. But he certainly has a preference and he is not afraid to voice this when asked for his opinion.
Okay, we're done
Phew! This had me digging out my old linguistic student brain. To anyone who has made it this far down, gosh golly miss molly thank you for reading! I hope you enjoyed the ride, and especially @prickyy who was kind enough to want to hear my opinions about all of this <3
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Notes:
Brittonic influence on English:
https://en.wikipedia.org/wiki/Brittonicisms_in_English
https://scholar.google.co.uk/scholar_url?url=http://journals.mountaintopuniversity.edu.ng/English%2520Language/Celtic%2520Influences%2520in%2520English%2520A%2520Re-evaluation.pdf&hl=en&sa=X&ei=2ohDYdq3BoWImwHn6oWQAg&scisig=AAGBfm29zTF0FBCpd1KqDiAbjM-0X7nfoA&oi=scholarr (PDF)
https://scholar.google.co.uk/scholar_url?url=http://www.oppi.uef.fi/wanda/unicont/abstracts/14ICEHL_MF.pdf&hl=en&sa=X&ei=2ohDYdq3BoWImwHn6oWQAg&scisig=AAGBfm3UvOXbJEb0b51J73eBnTJvgGaQOA&oi=scholarr (PDF)
Sociolects and class distinction within language in English:
https://languageawarenessbyrosalie.weebly.com/social-dialects.html
https://www.grin.com/document/313937
https://en.wikipedia.org/wiki/U_and_non-U_English
Milk in tea first and the potential class reason:
https://www.theteaclub.com/blog/milk-in-tea/
https://qmhistoryoftea.wordpress.com/2017/05/11/milk-in-first-a-miffy-question/
#aph england#hws england#arthur kirkland#hetalia#hetalia headcanons#aph#hws#fuck me I went too far#I couldn't help myself#I am a rabid creature for languages#gosh gosh gosh#prickyy#bougietalia#heroes headcanons#heroes answers#I'm from an odd dialect in the south which calls 'dinner' tea!#I'm a breakfast. dinner. tea gal#and always 'afters' over dessert#I am also a heathen who puts the milk in first don't COME FOR ME#I also marmite and will not be stopped
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On Eastern dramas vs Western dramas
Part 2: On Theatricality and how it transfers into Chinese/Eastern Dramas and Cinema
Part 1 Part 2
Here, I reference a fantastic article from the Asian Theatre Journal, 2008.
So to recap, the problem I’m exploring is this: Why do some East Asian dramas/movies look so over the top? Overacted? Overemotional? Why is it not more realistic?
My answer is in part 1, on the concept of mo, which is the traditional Chinese thought that emotional revelation is more important than accurate realistic depictions in art. Western audiences are more used to plot-heavy, realistic depictions of dramas, whereas traditional Chinese audiences are used to the opposite. They find the plot not so important, but focus more on the content of the work, the spirit of it, how it makes you feel.
1. How traditional Chinese drama translate into cinema/screens?
Making the jump from Beijing/Peking opera stages, or jingju, to cinema screens caused a lot of trouble.
a. Production-wise, early 1900s
It was difficult to adapt the very open, 3d stage into a “realist flat screen,” which was much more advantageous to Western eyes because the camera lens was invented based on “Renaissance principles of fixed point perspectives and foreshortening.”
b. 1950s-60s
Many still tried to adopt the Beijing opera style into film, but it was still very hard because the two mediums were so contradictory. Beijing opera relied on live, grand aesthetics along with the knowledge that the important aspect of drama was emotion and internal struggle, vs film at the time was very focused on accurate “mimesis,” or imitations of real life. One such example was critics actually laughing about the adaptations because the opera actors mimicked riding a horse in the traditional style - that is, minus the horse. Film would have them ride a prop or real horses.
Eventually, many changes were made to the style to better incorporate it into film, and it still kept a lot of its original roots (i.e. makeup/grandiosity in costume, emotions, etc). Western concepts of a limited stage, and emphasis on plot and tragedy were expounded upon. And eventually you have the modern-day dramas (1970s+).
2. Japanese Noh 能 theater - Kurosawa’s Ran
Noh is a Japanese form of theater that is a dance-based dramatic work. It tells stories of supernatural beings transformed into humans and etc. One of its major notes is its very stylized conventional use of specific gestures to portray emotions. Iconic, specific masks are used to portray the roles of the actors such as the ghosts, women, deities, and demons.
Akira Kurosawa’s Ran is lauded as one of the greatest films ever made. It’s a Japanese-French production heavily inspired by Shakespeare’s King Lear. There are many many detailed videos on YouTube about his precise filming methods and movement aesthetics. The body language can be seen as “over-acted” if you come from a Western background. Why? Because it takes from traditional Noh theatre:
Long periods of static motion and silence, followed by an abrupt, sometimes violent change in stance. Heavy ghost-like Makeup. Highly emotive gestures, sometimes repetitive to emphasize the characteristic of a character. All very unrealistic, but that’s not the point, right? Because this also displays mo, it takes the emotive expression, the revelation of fear/action/hope to the front of the stage.
3. Japanese Kabuki theatre - acting style is also larger than life
Kabuki actors also make great effort to express themselves in highly stylzed gestures (i.e. the men play women’s roles and over-act their femininity).
One major difference between Kabuki and much of Western theatre is that kabuki actors make less of an attempt to hide the “performance” aspect of the work. They’re fully aware that they’re performing, and the audience isn’t there to get “lost in the moment.” Everything -- actors, costumes, dialogue, is larger than life. Realism is far less emphasized, the form generally favoring what is often referred to as “formalized beauty.”
One example of this is the highlight of an aragato kabuki performance: the famous mie. The mie is a dramatic pose adopted by the main (oftentimes male) character during moments of emotional intensity. (The proper phrase for this action is mie o kiru, or to "cut a mie.") Announced by the beating of wooden clappers, the actor freezes in a statuesque pose and crosses one or both eyes. Often it's preceded by a head roll. The idea is to capture the highest moments of tension into one physical gesture and to more or less hold the actor and the audience in a breathless trance. After a few seconds, the actor relaxes and the play continues. A mie can be cut in various specified positions, depending on the character and the moment. When exiting, an aragoto character may perform a roppo exit, which combines several of these poses in rapid succession, before leaving the stage.
The mie pose
This is not to say that modern Japanese dramas and works directly descend from Kabuki or Noh or other theatrical traditions. But like the Chinese beijing opera, the concept of aesthetic beauty/mo, emotional revelation, these ideas all combined with Western influence and modern Western perceptions of good story-telling/acting to make up the modern Eastern dramas of today.
4. How do all of these things combine into the supposed “cheesy/corny/over-acting” of modern Eastern dramatic works?
All of these cultural roots combined with Western depictions of a modern story (i.e. Shakespearean tragedy in five parts: Exposition, Rising action, climax, falling action, and denouement, ofc there are other ones but this is the one I learned in school), I believe make up what we see today in modern Eastern dramas.
A. Acting Comedy: My specific examples are first, comedic examples from the famous 1986 Journey to the West
Comedy and the feeling of happiness and joy are also very important aspects of emotional revelation. Journey to the West depicts one of the most beloved comedic characters, Sun Wukong, who goes on a journey with Tan Sanzang, a Buddhist priest, to find the sacred Buddhist texts. His exploits are highly unrealistic and highly comedic. It is one of the epitomes of the “spirit” over the “form,” the internal emotional journey over the actual realism (or unrealism) of the journey. Many of the characters exhibit over-the-top facial expressions, some expressions too subdued, and the plot can be very winding and haphazard, but that’s not the point! If you’ve been reading this far, you’ll know why. It’s about how his adventures make you, the audience, the reader, feel.
B. Acting Villainy: More modern Chinese dramas i.e. The Untamed & Word of Honor
I cannot attest to the quality of the acting nowadays, but it’s a common idea that the supporting cast of the international hit, The Untamed, was a bit weak in terms of acting. If I were to step into my Western lens, I would agree that yes, many characters over-act (i.e. Xue Yang, below):
And Wen Kexing, Word of Honor:
And Journey to the West, Underworld Lord:
However, now with all that cultural context, I can see this choice of acting in a different light. The over-acting and depiction of villainy is over-the-top because it’s meant to inspire that emotion of (this guy is whack, like really). It’s not supposed to be realistic villainy, like how a real person would look if they were these people in real life. To judge it by a completely Western lens is doing a disservice to them I think. You could say that maybe they just can’t act well, but in a Chinese/Japanese/Eastern cultural theatrical context, their acting is actually par for course. It’s even more subdued than the traditional roots of Eastern theatrical performances actually.
This goes for many other C-dramas / Eastern dramas that have these instances of highly emotive performance. It’s a product of hundreds of years of Eastern cultural theatrical/artistic production combined with Western acting styles and cinematography.
Is it cheesy? Maybe. Is it over-acting? Could be, but what is “over-acting” vs what is “enough?” Is that not the distinction between mo and Western realistic imitation? For me, as someone who’s very used to this uniquely different style of dramatic production, I’m not too bothered by it. It, after all, makes me feel such an incredible range of emotions that the acting is just a fun, interesting perk.
Thinking that these dramatic productions were originally seen as extensions of poetry, I can see why the exaggeration is necessary to fulfill what mo means:
If I feel some intent, I must write it - it becomes a poem.
If that’s not enough, I must sing it - it becomes a song.
If even singing isn’t enough, then I sigh, and have to express by dancing - it becomes a performance.
Part 1
#cdramas#jdramas#kdramas#eastern cinema#acting#theatricality#asian cinema#east asian cinema#chinese culture#the untamed#word of honor
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Hi Kay!
I just wanted to take a moment and say how deeply moving (and overall comforting) I find your writing to be! I've gone through almost the entirety of your masterlist twice in the past month alone and have found myself returning more often to the pieces of literature/poems your reference sometimes. (Especially that one poem by Benedict Smith! I've read a few more by him because of you and they're just wonderfully lovely 💛 so I'm eternally thankful to you for including it.)
I may be wrong in assuming, but I believe you may have studied/are currently studying a degree involving literature. I hope this isn't too foreward of me but I was wandering if you have any other works of literature that you'd recommend? (I'd love to read anything you recommend from poems to plays 💛) I'm slightly embaressed to say but the works I've read are quite limited to a highschool level and since I'm currently studying Pharmacy, there are very few people who can recommend me such moving works. :)
I also feel like I should apologise for writing such a large ask, so please accept this apology as well hehe 💕🥺
Sincerely,
Bek 🌻
Hey there Bek 💚💕✨
First of all... I'm incredibly sorry for how long it took me to reply to this ask, I know you sent it weeks ago and I'm honestly just ashamed of myself for only replying now! I've been taking a bit of a Tumblr break again, or rather a break from literally everything, and I guess not having written anything in a while made me feel guilty whenever I opened Tumblr, so... All I can say for myself really is that I'm sorry you had to wait so long! Again, I never ever ignore anyone, I promise! It just sometimes takes a while for me to reply 😅🙈
Now, I'm so happy to hear that you've been enjoying my writing! 🥺🥰 Hearing that it's comforting and inspiring to you is honestly such a relief and indeed does make me happy more than I can say 💚 It's so cool that you're checking up on all the references I make aaahhh 🥺🥺🥺 I love it 😁 You're always more than welcome, love! I don't think I could stop including references to literature, culture, history and the science around it even if I tried 😅☺️
And yeah, I did study classics and newer literature as a minor for my undergrad degree 😄 But tbh I still work with literally a lot even now (I'm in grad school for media and cultural studies) even though it's technically not something I've been properly taught ☺️ I'm just a nerd who likes to learn on her own, and with media and culture you can pretty much delve into almost anything you want 😂😅🤷🏻♀️
Now, it's not forward at all to ask me for literature recommendations! 😁😃 I truly love recommending stuff!!! I have a few up my sleeve, even though you've probably heard of a few already, for obvious reasons: A lot of what I truly enjoyed reading was something Tom Hiddleston has worked on in one way or another! It's truly a magnificent guideline for picking new literature... Just look up the literary origins of his films/shows/plays and you will be in for quality literature most of the time! I don't think I've ever mentioned it on here, but me reading High-Rise (JG Ballard) because I heard Tom would be partaking in the film adaptation was actually what sparked my love and passion for literature!!! Yep, it's that good. Now on to the recommendations though 😁(This... got rather long):
Plays
Anything by Harold Pinter really, but for obvious reasons you'll find a lot of additionally fun stuff for Betrayal, which is lovely and truly funny if you're in on the kind of humour btw
Medea by Euripides (a classic, but I love it nonetheless... You can find translations in almost every language) ((and pls stay away from Seneca's Medea, because ugh... Euripides is far better AND the og story, as much as anyone can say that for Greek mythology)
La Bohème by Puccini (I know, this is technically an opera, but if you read the libretto it's honestly just like a play... And if you're up for it, the og story is in prose and written by Henri Murger... It's better than the opera, but oftentimes more difficult to find) ((this one is hilarious and basically explains an entire cultural subgroup in the 19th century)
Faust by Goethe (many people hate it, but I LOVE this one!!! It's also been translated into any and every language, and it's so interesting philosophically!!! It's also referenced SO freaking often literally everywhere, and the operas and ballets based on it are always my fave) ((there's technically Faust I and Faust II, but you're good to go just reading the first one)
Anything by Shakespeare, obviously... Though I do love me my Hamlet like every other literature enthusiast (Yes, I can do that one famous soliloquy in act 3 scene 1 by heart as well...)
Poetry
Again, anything Shakespeare for the win, but I LOVE the sonnets and keep a copy of them with me most of the time (Yes, I own multiple copies of the sonnets...) ((My faves are 116 and 91, but there's always so much truth to be found in there!!!))
A lot of the stuff William Blake wrote is amazing, though you have to pick carefully with him if certain religious motives aren't your thing... I love The Tyger, which is an individual poem, and the collection of works called Tyger, Tyger which does have many good ones and a few ones that are a little more on the mediocre side
Do not go gentle into that good night by Dylan Thomas (I know this one by heart as well... It's beautiful, and there's a version of Hiddleston reading it on YouTube, which gives you even more goosebumps than the poem does anyway)
Invictus by William Ernest Henley (same for this one, also read by the one and only) ((I love to read this when I'm feeling down or powerless))
The Love Song of J. Alfred Prufrock by T. S. Eliot (This is another wow piece with many quotable lines and truths... I love it a lot and keep coming back to it! It's also a great example of how literary modernism tried to condense the complexity and passing of time and history into a single frame that had to be intrinsically poetical in nature... As in, this poem could've been a short story in any other period, but modernists loved to make everything a poem so here you go)
Der Zauberlehrling by Goethe (This one sucks in all English translations I’ve found, poetically speaking, but in German it’s such a fun piece! If you’ve ever seen the Disney ‘The Sorcerer’s Apprentice’ with Mickey Mouse or listened to the orchestral piece by Paul Dukas, then this poem proves very useful in truly understanding either! But again, the English translation should only be taken for informational value... The German one is also worded hilariously)
Prose
Short edited by Alan Ziegler (This is a collection of short prose forms that honestly is a must for me... I love this book to pieces and have had it for years now! It’s an international anthology, so you’ll find more and less famous authors from all around the world represented with short stories, prose poems, short essays and just curious and interesting snippets of writing! I draw a lot of inspiration from this book)
High-Rise by JG Ballard (As mentioned above, I owe this book part of my personality... I don’t think I would be the same person without having read it. It’s not necessarily full of wisdom, but if you’re interested in a different kind of portrayal of the human condition, then this is the read you need to take a look at)
The City of Dreaming Books by Walter Moers (This is another piece that changed my perception of literature, even though this is a more ordinary and ‘fun’-value read... It’s one of my favourite books and it’s endlessly entertaining! So if the classics are a bit heavy for you, this one is perfect for casual readers as well! Its value really does lie more in the realisation of how fun literature can be, and the freedom you have as an author... So really, I could recommend everything by Moers, his style is amazing both in the German original and in the English translation. Yes, I’ve read both.)
Good Omens by Neil Gaiman and Terry Pratchett (This is comedic gold, stylistic gold and generally a bloody perfect book. Also a ‘fun’-value read, but it also does a magnificent job at showing you what you can do with literature, and how well-developed characters are supposed to be written)
The Penguin Book of the Undead (Penguin Classics) edited by Scott G. Bruce (This book is basically an education on fifteen hundred years of supernatural encounters and how culture wrote, used and perceived them. You get introductory texts for different periods and social groups, explaining how and why ghost stories were written and used, followed by passages of the prime source texts (eg. ancient necromancy shown on The Odyssey). Really, this book is just for cultural history nerds)
The Earthquake in Chile by Kleist (This isn’t necessarily one of my faves, but it has helped me understand what studying literature and culture can do for you. In case anyone remembers my insistence in Wicked Game that you gotta know what a pomegranate symbolises... this novella is such an instance where this knowledge would prove useful. Generally, it gives many opportunities to think about privilege and circumstance)
The Symposium by Plato (You’ll probably not want to read the entire collection of speeches tbh... But the concepts introduced mainly here and in some of Plato’s other work are well worth looking into! For example, the ‘double being’ introduces a concept that in modern fiction is called soulmates... Just sayin’)
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Hello hello, Quill here! I’ve not really done a book review before, but I’ve decided I want to start--not only to better support some of my favourite authors, but also to share my love with those readers who may enjoy the same kinds of stories as I!
So let’s start off with the latest instalment in D. N. Bryn’s book series and my most recent favourite: Once Stolen of the series These Treacherous Tides (These titles give me chills, they’re just. So good.)
(And here’s a lil’ moodboard I made because I Love This Story.)
So let’s get into the review! Follow along below the cut if you’re interested~
THE BOOK BASICS
Book: Once Stolen by D. N. Bryn, #1 in the These Treacherous Tides series
Genre: Fantasy
Content warnings (from the author): Cultural ableism, adolescent abandonment, two instances of animal injury and death, accidental house fire, kidnapping, secondary character drinking alcohol including non-violent drunkenness.
Blurb:
Return to Our Bloody Pearl's steampunk-inspired world of merfolk in this fun, fast-paced adventure with a hate-to-love romance, a boat-load of sass, and even more heart. No one with half a brain would rob the jungle’s most notorious energy cartel. The vibrations of their power-producing stones are the only thing that calms the mer-snake Cacao’s agonizing sensory condition though—and after being banished from his homeland swamps for similar thefts, he’s desperate. When his attempt fails stunningly, a chaotic escape leaves him chained to a cartel prisoner: a self-proclaimed hero with a hidden stash of ignits so large, Cacao would never need to steal again. He’s determined to get his hands on it, even if it means guiding her home straight through the mist-laden and monster-filled swamp that exhaled him, with scheming poachers and a desperate cartel leader on their tail. But the selfish and the self-righteous can only flee together for so long before something snaps…
ONTO THE REVIEW
Those of you who have read Our Bloody Pearl, Bryn’s previous book set in this same world of merfolk and steampunk-inspired inventions, are no doubt aware of just how vivid and engaging this author makes the story’s environment: Bryn does even more in Once Stolen, leading the reader into a new part of the world beneath massive mangroves full of life and the cartel-run towns just outside. Right in the first pages, the writing lures you in, making the characters’ surroundings seem near-tangible in the mind, the sights, the smells, the tastes, the feelings...
Though the species of the perspective character, Cacao, is a nagi-like creature with the ability to sense vibrations rather than hearing, nothing ever feels missing from Bryn’s description--but it never detracts from the events, either. If anything, this change in perception makes the story even more fascinating! And the cultures of this story. It’s oh-so-rich and oh-so-enchanting, and the contrast between a lifestyle of appreciating and working with the environment to the lifestyle of taking advantage without giving back really can teach modern times an important lesson.
As a very queer nonbinary person myself, it was also incredibly refreshing and heartwarming to see how queer-norm this world is, with some lovely appearances of multiple forms of nonbinary characters and various genders in various (very cute) relationships. The standard for most people using sign language to communicate makes for an accessible change I welcome greatly, and it fits so perfectly to the culture.
The world was just what caught my attention first--the characters took my heart immediately after.
Cacao from first impressions is... plain rude. Selfish, greedy, and defiant, and he knows it. I loved him initially for how fun his character is and how entertaining his voice is, not him as a person--that changes, though. As the story progresses, you learn about Cacao’s past and how it formed his personality: not to say that it’s justified, but it makes sense, and made me care terribly about a character I previously would’ve said otherwise.
Thais, on the other hand, is basically the opposite. Heroic to the point of self-sacrifice, kind and trusting... these two would never have worked together had circumstances not forced them to. Mm, I say “forced”, but I can sort of blame Cacao for this. The banter and clever insults thrown between these two could make a story all on their own, and when those insults start to sound more like pet-names than hostility, well. That’s when the real fun begins. Love hate-to-love stories? This ones for you.
And that’s not even touching on the adventure! This story is filled to the brim with action and fast pacing with just enough restful bonding time for the main characters before the plot steals that from under their feet (and tail)! The very real threat of death or capture (or both!) looms over them through their journey, and the helpful characters they meet along the way become straight up favourites of mine.
I’m usually not too good at explaining messages or underlying meanings, but let me tell you that this story just does such a beautiful job at sharing the importance of appreciating friendship and listening to those in need--Once Stolen is certainly a fully satisfying book on its own, but good stars am I excited to know what happens next!
RATING
Five out of five stars. (But maybe I’m just biased? READ IT YOURSELF TO FIND OUT :D) Seriously. Go read it. It’s Very Very Good.
WHERE CAN I GET THIS BOOK?
AMAZON || BLACKWELL’S || BARNES & NOBLE || GOODREADS
IMAGE DESCRIPTIONS
[Banner ID: An Eastern Garter snake is gently held just above a wooden panel on which is placed the book “Once Stolen” by D. N. Bryn. The snake is curled through the fingers holding it, slithering out onto the book’s cover. In the upper corner are the words “Quill Reviews”. End ID.] (This is a photo I took myself and edited! The garter snake was a lovely friend from the woods~)
[Second ID: A snake lays coiled in a knot across the span of the image, its scales brown with darker brown splotches. Between its coils are visible images of ferns, a misty swamp, a small hand-drum, and a glass of red wine. Along the borders are images of a fishing net, a waterfall, a swamp, and colourful sparkles on a dark background. Along the snake is the title “Once Stolen”. End ID.] (I also made this edit, all using copyright free images!)
@brynwrites I hope tagging you is okay ^^
#book review#bookblr#book#reading recommendations#reading recs#book recommendations#book recs#once stolen#these treacherous tides#HI I LOVE THIS BOOK VERY MUCH#AND IF YOU HAVEN'T READ IT#PLEASE DO
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Hii i hope you’re having a good day/night. also just wanted to say i appreciate you 💗 you’ve helped me in ways you don’t know. and i really truly thank you for your words and thank you for existing. anyway, you said you studied psychology yes? i was just wondering could you talk about what that was like?because i’m really interested in it. i’ve never planned on actually going to college, ive never been into that. so if online classes are available to me when that time comes, i definitely want to study psychology. do you think that’s something pursuable or a good idea? how was it for you?
Psychology aids you in critically thinking / analyzing your own experiences, the possible effects of your behavior on others, and how the behavior of others effects you. Even if you don't intend to make a career out of it, I think psychology is not only interesting, but also easily applicable in real life. I'm always a supporter of furthering your education. :)
I was interested in psychology for many reasons, but perhaps the overarching reason was to try and understand myself better, in both mind and behavior. I wanted to be more aware of both my conscious and unconscious. It was my minor at university and I took way over the number of recommended classes XD They were my "fun" classes, classes I both did very well in and greatly enjoyed, so I took as many as I could fit into my schedule.
(sorry to all the people I ruined the grading curve for, oops)
The classes that stuck out to me the most were:
1) Psychology and Learning
Even if you only take this class to better learn how to learn, it is worth it. How to develop more efficient habits, how to slowly change your mentality and thought processes, hell, even how to straight up be better at school. Knowing how to know something. I know, crazy, isn't it? This class is incredibly useful for everyday life.
2) Psychology and Culture
This should be a class that EVERYONE takes. Any class that explains the influence of culture on the people living in it is incredibly worthwhile. Psychological processes greatly influence culture and vice versa. Did you know that depression in Eastern cultures mostly manifests in physical ailments while depression in Western cultures is tends to lean more towards negative thoughts? It is already less reported due to social stigma, but also mistreated in many cases. Additionally, applying conventional Western styles of treatment (which focuses on the individual) to a member of an Eastern culture (which is more collectivist) may not be the most ideal. They would likely feel that their needs are not addressed. It might hinder rather than help them.
I really think this type of class is very, very important. It opens your eyes to better understand others in this world that is rapidly becoming a melting pot of many different cultures encountering each other very quickly via technology. It clears up a lot of misunderstandings. You can better understand why people act the way they act / think, why it might be different from yourself, and you can better communicate if you have this broader perspective.
3) Sensation and Perception
This. Class. Fucked. Me. Up. Real. Good.
The gap between the true, biological input you experience and what your brain tells you is your experience is fucking mind-blowing. This kind of class is incredibly technical and combines biology (my major lol) and psychology. A lot of people found this class very difficult and rather horrible, but I found it fascinating to the point that I read the entire textbook front to back within half the semester LMAO This type of class also explains the science behind visual and auditory illusions (fucking cool). Also really opens your eyes to the science behind advertising as well (spooky).
Better understanding how human beings take in information, both in strengths and flaws, helps you better process, interpret, and understand the world around you. This is usually a higher level class, but honestly it holds a lot of the fundamentals of why you perceive the world in the way that you do. It does deserve to be a higher level class because there are a lot of terms and it is as much of a biology class as it is a psychology class.
4) Psychology of Aggression
Other than my professor being fucking hilarious and awesome, this type of class has a lot of interesting stuff in it. Why do people want to hurt each other and themselves, both physically and emotionally, both planned and unplanned?
Serial killers, relationships, anger management - this one has it all!
One of the most important things I learned in this class is that catharsis is a damn myth. Catharsis does not help aggression and, statistically, makes it worse. It gives positive reinforcement to your aggressive reaction. Feels good in the moment, but over time can have lasting negative effects.
I learned a lot about myself and my own anger, how to work through it, how to change. It was a slow, gradual process, but as someone who used to hold a lot of resentment for myself (and a certain person), at this point in my life I can say that I have greatly improved. I can communicate so much more effectively than before as well. I rarely get angry, I understand why I do, and it does not last very long. I probably needed this class (and not for the credits) LMAO I am very grateful for this class and my professor.
...
in conclusion
I am a geek
-ㅅ-
Remember that psychology is the study of mind and behavior. It is based on statistics and generalized observation. But from human being to human being there is great variation, and knowing the experiences of a person =/= knowing the effects of said experiences on that person. It is also completely possible that, in this ever-changing world, new psychological processes are being developed all the time (ex. the effects of widespread social media). It is a constantly growing field.
You are always learning and I think that's the best part about it. :D
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Hi! I have been reading your posts and responses to anonymous and I am inclined to comment on your broadly realistic views and detailed analystic answers and let us not forget your ability to be warm in putting forward your opinions. I am truly a huge fan. Thank you for being a station for various answer seekers.
If you have time and patience, please elaborate on the situation GG is still facing post 227. Recently I read various comments insinuating GG copied DD for Douyin night which is absurd but the implication that only one party is still being targeted unnecessarily raise hackles of a lot of solo fans. And I, under any circumstances, DO NOT believe the involvement of the other party. Firm believer of BJYXSZD.
My point is what is being done to stop these antis from targeting GG. Since one of the motive to target GG is to severe the relationship of GG and DD, IMO at least. Does constant attack (external stimulus) on GG (belittling him by comparing him to DD) may have the possibility to effect their relationship (internal reaction)? Objectively yes, but given your perception of their relationship, what is your opinion in this matter, however subjective it may be?
Moreover, how much extreme and sometimes irrational analysis done by bjyx community can lead to harm to both of them especially GG?
Also, I have seen DD being the captain of BJYX in various circumstances but also throwing off people from their old predicted/maintened theories especially in case of Kadians. I am not sure how much to trust these 'candies' since he has a reputation of not giving a f*** of others opinion. So why would he post GG related or non-related content with same kadians. I mean if he posts private content with GG related kadian then why post promotional content with GG related kadian. Does it imply that kadians are related to GG or not or he doesn't care and we are thinking too much. I am not sure what I am writing now, maybe multitude of thoughts poring out here. I am extremely sorry for that.
I do not know whether people believe or not but 1st post by GG yesterday had initials YB in the circle. Not at all explicit, and depends on believers but I felt like he was just trolling BJYX, it may be good naturedly but after his promotional brand picture of shrimp in bunny's hand. I do not know I just felt, dissappointed/bitter/unsure about all of this. I think it is normal to feel this way from time to time even for SZD because along with emotional investment we have rational perspective which is necessary to scrutinize evidence(maybe) from time to time.
I whole heartedly apologize for writing an essay length ask, this is the reason I wanted your patience 😅.
If any other blogger wants to add or comment on this please feel free to do so. Your suggestions are highly welcomed. 🙏
Hello Anon!
I take it that your questions about safety are concerned about the behaviour of c-solos and c-turtles? International fans aren’t likely to put Gg and Dd at any risk. That said, however, frequent fighting among i-fans would likely drain Gg and Dd’s international fanbase, as many fans do not enjoy being a combative atmosphere (I, for one, will run away as quickly as a turtle can run!). Lost i-fans can’t be easily replenished, whether they’re turtles or solos ~ The Untamed, as a foreign language show so beloved that fans are willing to scale tall language and cultural barriers to understand it, isn’t something that comes around often. (stanning Gg and/or Dd does take a lot of work!)
About the arguments. I probably only know about a fraction of them since I do not interact directly with fans outside Tumblr . As far as I can tell, however, recent arguments among c-solos and c-turtles have been ordinary fights, and also, fairly “bi-directional” between the solos (ie. I don’t think Gg or Dd has been relatively exempt from attacks compared to each other).
These arguments can be heated and some of the attacks may sound vicious, but there’s nothing much to worry about from a safety angle, as they haven’t caught the attention of those outside the fan circles.
The theorising by turtles are also not inherently dangerous. c-turtles have mostly been careful about keeping their discussions among themselves. The only risk it may lead to in the future, that I can think of right now, is the associated YiZhan content on China-based websites (ex. Bilibili, Douyin), which has become fairly plentiful. YiZhan candies used to be relatively obscure given the guidelines of CP fans to keep them among themselves (they call this practice 圈地自萌, literally, drawing a circle on the ground and have fun in it by oneself). These days, however, anyone who’s curious can get a good sense of YiZhan’s story by browsing Bilibili.
This probably contributes to the continued growth of the turtle population; however, some of this content is created by non-turtles who seek viewership and have little concern over Gg and Dd’s safety. They are the ones who re-upload the BTS, for example, despite the repeated pleas and warnings by the “站姐”s—the superfans who take/purchase these videos—as well as the turtles to not do that. If these content creators go overboard, there’s a possibility that YiZhan content may get caught in the government’s “Eradicating Pornography and Illegal Publications”(掃黃打非) movement. The movement originated in the mid 2000s, and its recent waves have been used as pretext to remove LGBT+ and BL content on line (I will eventually set up a post re: those events). Just last month (2020 Dec), Bilibili has been explicitly named by the government for hosting questionable materials, which means it’s already under scrutiny. Sweeps performed on an entire website are usually broad-based enough that no specific individuals are targeted; however, the government also encourages, with financial incentives, the reporting of specific content and has set up a dedicated website for doing so. While all YiZhan content has no direct relation to Gg and Dd, removal of such content may cause an over-reaction from fans, which can, in turn, lead to accusations of poor fan management by Gg and Dd. Most people will also assume the YiZhan content to be created by turtles.
(Another example of how an alleged turtle mis-step can get the YiZhan fandoms and Gg and Dd tied to the 掃黃打非 movement: a few days ago, a Weibo post showed a photo of a hardcover version of an explicit BJYX fanfic, reportedly sold for profit, and GG haters were calling for an arrest for “illegal publication.” So far, there’s minimal noise on the issue, so it isn’t something to worry about. It can also be fake news, which is so bountiful on the platform and on every aspect of daily life that most die a very peaceful, very well-deserved death.).
Whether fan arguments / theories may affect Gg and Dd’s relationship (assuming they’re in a relationship) … my guess is, not much. Gg and Dd are busy people, unlikely to closely follow their fans’ discussions. Again, I expect effects to be felt only if the arguments get out of hand ~ as in, if they begin to involve the public and/or the government.
As for the question about what is being done to stop Gg being targeted: fan wars are incredibly common in China (as in everywhere else), and Gg and Dd’s aren’t special in that sense ~ it’s just that as turtles, we know about those surrounding Gg and Dd and they feel significant to us. No individuals can stop a fan war ~ all we can do is to not join these wars ourselves.
Personally, I think the international fan base of Gg and Dd, as solos and cpfs, have more chance to achieve peace than its Chinese counterparts — if they choose to want that. Popularity in China is not only quantified (which is likely true everywhere, by marketing departments), but very visibly so. Sales numbers, votes, traffic attributed to each idol are frequently released to the public, possibly to foster competition among fans and drive these numbers further upward. c-turtles’ demonstrated strong performance in pushing these metrics has made them a target to those who wish to have usurp their consumer power. They, therefore, have good reasons to be wary of anyone who try to sway them from their “turtle-ship”, whether to turn them into solos or to lure them into an entirely different fandom. The swaying messages are also not always obvious, not always a direct “your cp suck”. They can be subtle, many even come from netizens who appear to be fellow turtles, who may say “oh, maybe we (turtles) are wrong” or “we have to be realistic; Gg and Dd will never look at each other publicly again”—messages that cast doubt and sink morale in a fandom that’s already running an uphill battle. Remember: traditionally, CP fandoms are not expected or welcomed to last, and solos have been happy to (correctly) point out that the BTS, the origin of the most solid “evidences” of BJYXSZD, are getting older by the day. c-turtles can’t expect anyone else to help defend their ship if something happens, given CP fandoms’ lack of respectability, given YiZhan being a real person M/M pairing that is often frowned upon. So it’s understandable, to me at least, why c-turtles are on guard, and occasionally, clash with those who they feel may be trying to take away what they love.
i-turtles, I feel, don’t have that many reasons to fight. We don’t really have other fandoms (for example, the up and coming danmeis—the adapted BL dramas) vying for our attention (and wallets). No one can put an expiration date on the YiZhan communities except ourselves.
Another way to see this is: we—as in, the combined Gg + Dd international fanbase, the solos + CPFs—are lucky in a way the fans in Gg and Dd’s home country are not. Collectively, we’re much further removed from the pressure to perform as fans, which is immense in China with their fan circle culture and fan economy. i-shrimps and i-motorcycles ~ some of you are reading this, I think? (hello!) ~ here are my humble thoughts: the solo/turtle ratio of Gg and Dd’s international fans doesn’t make much of an impact on Gg and Dd’s star status, on the popularity metrics that matter. Our spending power is limited outside China’s borders, and while Gg and Dd likely love us equally as fans, our adoration for them doesn’t really matter much, if at all, to the production/media/commercial companies that control the trajectories of their careers.
Along this line, the turtles’ “double loyalty” doesn’t have much of an ill effect, because there are few popularity contests here that mean much; few times (if any) when the turtles must face the dilemma of whether to vote for Gg or Dd because only a single vote is allowed; few situations where they have only x amount of dollars and must split it equally between Gg or Dd’s endorsements. There’s also much less cause to worry that i-turtles may draw the attention, or ire of the Chinese government ~ the whole international fanbase is too far away, too spread out to destabilise the regime in any way.
What the turtles do have in common with you, the solos, is their knowledge, their love for Gg/Dd. Knowledge, in particular. The people who know about Gg/Dd are still far and in between—at where I am, at least, and my guess is, it’s likely true for many of you too. Think of the turtles as people who you can talk to about your favourite star in places where few people know about him, can help promote The Untamed far and wide—many people still haven’t heard of the show, and they deserve to.
For the turtles ~ no one can take away our turtle-ship identity, as long as we don’t give it away. No one can report on the our communities to the government and get them dissolved. Our votes, our spending habits are no one else’s business but ours here.
So, Anon, here’s what I think, and these are all very personal opinions, very personal decisions on how to navigate fandom …
I truly hope that we, as the international fanbase, can try to use this luck that we have. Make our communities not mere copies of their (combative) Chinese counterparts but something different, something with our own flavour, something with more peace and less fighting.
Specifically, I see little cause to try to persuade/dissuade anyone to be a solo/turtle. I find them… not the best use of time. Why? Because frankly, neither solos nor turtles have a better grasp of who Gg and Dd are. Neither solos nor turtles have a truly good grasp of who Gg and Dd are. These discussions are therefore bound to end up with more ill will than conclusions, since both sides are short of facts.
We’re all short of facts as audiences, who’ve all only seen a tiny sliver of who Gg and Dd are as human beings.
I don’t mean Gg and Dd’s star image is fake ~ it’s just that, their star image is their “work face”, and even I, a lowly turtle, must act somewhat differently in my own office. It’s part of being professional.
Gg and Dd’s star image are their professional face, and no professionals worth a salt truly ignore other’s opinions, especially when the profession is being an entertainer whose job is to face and hold the attention of the public.
This is true for Gg; this is true for Dd.
Social media accounts are also part of Gg and Dd’s professional face ~ whatever is posted on there will be scrutinised by millions of fans, and they know that. The posts do provide some insights about Gg an Dd’s personalities, but they can’t be expected to show a complete picture. No parts of these posts, therefore, whether it’s the content or the kadians, are sufficient evidences for / against any aspect of their personal lives (especially as private an aspect as their romantic lives). Anon, you mentioned promotional marketing materials, and here’s my understanding of them ~ ambassadors such as Gg and Dd have minimal control over their design. The shrimp-holding bunny you’re referring to, for example, is very likely provided by the company.
However, may I also add this? Please try to not think of the shrimps / motorcycles as enemies of the turtles. Millions of people are behind each of these labels, and true for any group of this size, a fraction of its members are bound to be annoying. A small fraction may be awful, even. But they don’t represent the entire group. The shrimps are not only Gg’s fans, many of them have supported him longer than any turtle (since turtle-ship can’t be older than 2018); they’re also the reasons why Gg is in the industry ~ they voted for him in X-Fire. Likewise, a subset of motorcycles have been with Dd since UNIQ; they were there when the Korean ban effectively dissolved his group; they stuck with him when he was attacked for taking on the role of LWJ.
We’re all Gg and Dd’s fans, if you ask people outside the fandom. Remember: few outside China understand why heated arguments can occur between a bunch of shrimps, turtles and motorbikes. (It sounds a bit kafkaesque, just typing it out.)
It’s important not to lose sight too, that Gg and Dd’s social media accounts, where many new candies are found, primarily function as bridges of communication between them and their fans. These accounts do have different degrees of “professionalism” ~ Weibo and the official accounts being more formal, and Oasis, Douyin being more laid back and intimate; still, they all serve similar purposes. They’re not candy generators, or a script Gg and Dd have an obligation to follow to confirm / refute BJYXSZD.
Also: these accounts are accessible and watched by the public, not all of whom are friendly to Gg and Dd.
Re: Gg’s drawing on Oasis. He used the account as it’s intended for—to interact with his fans (the caption of the first draft was an unspoken invitation to shower him with ideas) and maybe, to show off a little (it was a very nice piece of artwork ~ a comment that I, sadly, haven’t seen much of). I doubt he posted his drawing because he wanted fans to carpet-search for traces of Dd in it (even though he probably expected that would happen); I very much doubt he posted his drawing because he wanted his fans to fight over scratch marks or black dots.
If these fights keep happening, I can imagine a possible outcome. He’ll stop showing us his drawings. His social media accounts will become less and less personal, as they already have.
I’ll share with you my thoughts about candies too, while I’m at it. These are probably not-so-popular opinions, so please take them all with a grain of salt.(Salted caramels? 😊 )
I haven’t looked at why candies are called candies, but I find the name appropriate for how I think of them ~ candies are 1) neither evidences or truth, 2) sweet, 3) treats (non-essential, not like the main course).
The first point is, perhaps, the one I try the hardest to keep in mind. There are posts out there claiming the candies as made-beliefs—generated from edited pictures or videos, exaggerated translations, and their interpretations forced by “guidances” in the annotations/narration. There are also posts claiming that turtles are deceivers, or have been deceived by brainwashers who maliciously created these make-beliefs. A turtle may assume these posts are all lies, all made by antis.
But, speaking turtle-to-turtle, I’d venture to say this … there’s some truth in the *first* statement. Many candies do, indeed, taste different if their taster returns to the original source—not necessarily unsweet, but less sweet. Candies, remember, are generated by fans like you and I. Same for c-candies ~ they aren’t endorsed by Gg and Dd, aren’t necessarily closer to the truth just because of the relative proximity of their birthplaces to their leads.
Candy generation is The Tradition of CP fandoms. It’s a celebrated skill, and who doesn’t want to generate a candy that will be talked about, that will be part of the BJYX canon, for as long as the fandom lasts? Some fans are, therefore, also more … efficient in the “marketing” of the candies they generated — in persuading others that their candies are evidences, the truth. “Guidance” photos and videos (which pinpoint the place to watch, sometimes with appropriate sound effects for emphasis) have come about that way, and because they’re easy to digest—especially where language barriers exist—they end up spreading to i-fandoms.
These photos and videos may look more professional / trustworthy, but they often have an additional layer of subjectivity ~ on top of the already subjective opinion of what makes a candy. Translations (of BTS, fake rumours house content etc) also introduce a subjective element. Word choices can significant modify the tone of a conversation; speakers of different Chinese dialects may also have different interpretations of the same phrases. Example: I, as a non Chongqing/Sichuanese speaker, can guess the literal meaning of the “puppy” term Gg used for Dd — 狗崽崽 (gou zai zai) — but I also had to rely on others to tell me how endearing the term is; me being a Chinese speaker actually doesn’t make my interpretation any more valid, or authoritative, in this scenario, because my dialect doesn’t use this term at all.
It doesn’t mean the people who’ve put in the work have any less-than-good intent; the vast majority of them come from a place of deep love. It’s just that we all carry our own perspectives, and as fans, our strong emotions in our fanworks.
This is why candies are often insufficient as good “points” for arguments, why they fail to convince non-believers, sometimes to the disappointment of some turtles. As evidences, they aren’t objective enough; they’re also often touch upon the assumption that’s mark the fundamental difference between solo and cp fans — the assumption that Gg and Dd are (not) together. Take, for example, this segment from a (polite) ask I got from an anon solo:
All the matching clothes, jewelry, shoes etc. Stopped being valid candy when I realized that the brands have popular stars "endorse" their products. The lightning pendant? Other actors have also worn it. Does that mean they are in a 3-way with (Gg) and (Dd)? Probs not.
Solo anon was correct! Brands have star endorsers, and other entertainers have, indeed, worn the same lightning pendant. The implied argument is also valid: people who don’t care about, don’t even know about each other can wear the same things. Most of us do that on a daily basis with our mass-produced garments.
However, a counterargument can also be made to the statement above, and easily: even the most precious, most beautiful wedding rings (say, from Tiffany!) are not exclusive to the first RL couple who bought them. It doesn’t mean the first RL couple is sleeping with all the couples who bought the same rings afterwards, doesn’t mean those rings aren’t significant to every one of these couples as romantic mementos. More often than not, couples wear matching things not because these things are exclusive to them—because how often can one find things that only exist as a single pair in this world? They wear matching things because they want to see something on themselves that remind them of their significant other and so, as long as the things aren’t so prevalent that everyone is wearing them, they can already serve their purpose.
But you see, Anon, that arguing over this would’ve been a waste of time? Because the solo came in with the assumption that Gg and Dd were not a couple, and the counterargument was made with the assumption that they were. The pendants alone are insufficient to prove either side correct or wrong. No one knows why those pendants ended up on Gg and Dd’s necks, except Gg and Dd and their teams. If I were to argue with anon solo, we can go on and on and on until we’re both left with bitter tastes in our mouths and WWX-red in our eyes, and forget the one thing that really matters: we’re both Gg’s fans.
(We could’ve spent the time talking about how that scene in The Wolf with Ji Chong throwing Zai Xing in the water is ❤️.) (I can’t believe the script waited 30+ episodes to do it. 😂)
This leads to my second point, Anon. Candies are meant to be sweet, and they’re meant to be sweet for you. In Chinese, a term for an expert candy person is a 嗑學家 (the candy-eating in CP fandoms is called 嗑糖 (ketang) ~ with 嗑 ke denoting a specific form of eating that requires breaking something open first with teeth—such as watermelon seeds; a 嗑學家 is a 嗑 (ke)-ologist). A 嗑學家 isn’t someone who can recall the longest list of candies, or spread the most candies around, or convince the most people that the CP behind the candies is real; they are those who can find their own candies in a source material, and be overjoyed by the sweetness of their discoveries without outside help. To me, at least, this term encapsulates the subjective nature of candies ~ what’s right for you may not be right for me and vice versa, and that’s perfectly all right. In other words, there are many candies out there but you’re not required to believe in all of them; instead, you’re free to choose candies to your own liking, compose your own version of the BJYX canon that you love, that you find sweet.
Wait, but you may say. Doesn’t that make my canon fantasy? Yes and no, because candies are based on real events. They’re interpretations, which sit somewhere between reality and fantasy. They’re like … opinion shows on news channels.
But what if I need to convince people of my canon —
Your “opposition”’s canon is as fantastical, and as real as yours — maybe it isn’t, but neither of you have a way to prove it one way or another.
Wouldn’t solos call me delulu, or clowns?
Maybe. But one step outside the fandom, and all of us fans—solo and cpfs—are delulu, clowns.
(That’s why while I’ve used the cpn label, I haven’t called myself delulu, or a clown. Anyone who thinks I have the truth about the love story about a pair of idol I haven’t met from thousands of miles away … the joke’s probably on them, don’t you think?)
Of course and again, Anon, this is only my take! I like candies precisely because I like to watch the real-time generation of candies, which ones different people claim as their own, which candies fall away and which stick around in the fandom over time. As a fic writer, this ship has gifted me with a treasure trove of information ~ what do people think of as romantic gestures, as give-away signs of love? The fun/amazing part of BJYX is that candies are available for so many different answers to these questions. Some people think of longing gazes and sweet smiles; some think of touches that can’t be helped (the many, many, many “fights”); some think of service (buying foods, designing clothes); some think of caring about the other’s well-being (throat candies and dumplings + noodles + crackers); some think of being The Other’s One and Only Exception (Dd being so talkative around Gg, Gg being so … fussy around Dd); some think of expressions through the arts (songs, drawings, dances); some think of grand gestures (the wave heart in the ocean); some think of matching clothes and symbolic accessories (rings); some think of birthdays and anniversaries (314, 622, the first snow); some think of sharing life’s hassles and small tidbits (fake rumour house); some think of … just looking VERY good together. Etc etc.
Some think of a subset of these, some think of all of these…
(Personally, I’m a very picky candy eater. I know about many of them, but only a small fraction impresses on me.)
(Still, I love watching candies. I love watching the joy of people sweetened by them ~ or, when c-turtles exclaim kswl! — the short form of ke si wo le! 嗑死我了! I “ke”ed so much I’m dying!)
This gets to 3), Anon, and I apologise to you too, for answering your not-essay-at-all with an essay! Candies are, to me, treats, and I don’t expect them to come at any frequencies higher than treats do. The reason isn’t because I don’t like candies ~ I enjoy watching them, as I said, even if I don’t eat many of them; the reason is because I don’t expect anyone’s romantic love to leave a trace in everything they do. For example, if I truly find myself in a SZD/SJD discussion re: Gg’s drawing, I’d say the lack of Dd in Gg’s self-portrait doesn’t really mean much. Even if Gg and Dd were head-over-heels in love with one another, Gg doesn’t have to put Dd in everything he touches. Likewise, Dd doesn’t have to present a consistent, or decipherable story with his kadians. This is true for the real-life couples around us too, isn’t it? They don’t perform every single act in life leaving a noticeable trace of their significant other. And the misunderstanding that couples do that — that their romantic lives take over who they are as individuals — IMO, partially explains why people who choose to not to date or marry, people who’re aro-aces, often have a difficult time convincing others that they’re complete humans. Romantic love is, of course, very, very important and can be life altering, but it also isn’t everything about a person ~ especially not if a person who has a career as exciting as Gg’s and Dd’s. Gg and Dd who also have friends, family, (many) talents and interests …
(And lots of ugly icons on their cell phones. Yes, I’m talking about you, Gg. That long-armed Pepe from your 2018 snowless Beijing post will give me nightmares…)
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OLD (2021)
M. Night Shyamalan needs to let someone else write his movies.
The central concept of Old is fantastic. “An exotic beach inexplicably makes everyone who visits it age at a highly accelerated rate” sounds like a fun scenario to watch. It also seems like a setup rife with interesting thematic avenues to explore. So it’s incredibly disappointing that Shyamalan only occasionally taps into the juice of the premise while all but ignoring anything that would otherwise give the story any amount of dramatic or emotional heft.
We’re led into the film by a family on vacation. The mother, Prisca (Vicky Krieps), “miraculously” finds online some heretofore unknown fancy schmancy hotel in an unnamed exotic beach location. But Prisca is there just to soak up the sun. She and her husband, Guy (Gael Garcia Gernal), will have an easier time breaking the news of their impending divorce if their two kids, Maddox (Alexa Swinton) and Trent (Nolan River) have had a few days in paradise first. They’re told by a friendly concierge that he’s giving them exclusive access to a private, hidden beach. Who could turn that down?
They’re not alone, though, as two additional families find themselves on the beach and I suppose this is where the script really begins to buckle under its own weight. We have 11 characters total, all vying for time and attention. And while some exit the story sooner than most, it still feels like too many people vying for attention, especially when you consider that there’s essentially no real story to begin with. It has the trappings of an Agatha Christie-style whodunnit, but those at least are driven by the likes of a Miss Marple or Inspector Poirot. There is no single driving personality here, no one character we can ever look to for any kind of a narrative or thematic focal point to center the proceedings.
Whose story is this? I honestly couldn’t tell you. I’m not sure Shyamalan could either, honestly. None of these characters have any real defining qualities beyond their surface level identifier of doctor, mother, kid, teen, gold-digging trophy wife, rapper named Mid-Sized Sedan, etc. The only thing driving the film forward is the central mystery and even that only remains interesting for so long when there are no characters worth investing in or rooting for. There’s about enough material here for a solid 30-45 minutes of television. Had Shyamalan made this an episode of The Twilight Zone or The Outer Limits, it would likely be considered an instant classic. But as is, the limited material is stretched far beyond its capacity to sustain interest. There are some moments of body-related horror that stick out, but those moments are fleeting and far between.
Tying it all together into a package that is, at times, simply excruciating to watch is the utterly abhorrent dialogue. I can’t remember the last time I saw a professionally made film with dialogue this poorly written and delivered. Though I suppose I should be far less hard on the actors tasked with reciting words this amateurish. It’s as though the script was written by an artificial intelligence program that had no real understanding of how actual people converse or even talk.
My perception of Old might have been salvaged at least minimally if the ending hadn’t gone so hard into explaining everything. Once the reveal is made, it makes sense in context but then it just...keeps explaining things. I wouldn’t go so far as to suggest that nothing be explained, but leaving things with a more sinister or even minimally mysterious edge would have done wonders for how thin everything before it ends up feeling.
It’s been nearly 20 years since Shyamalan released his last universally liked film (Signs in 2002), and yet I still have yet to be able to put my finger on what or why it all went wrong. He’s been on the outs, as it were, in terms of perception for too long for his bafflingly bad output to be the result of ego. And it’s not like he hasn’t made a few good things between Signs and now. I’ll readily defend his script for Devil (yes, the demon-possessed elevator movie). But on the whole, I’ll likely never be able to reconcile the fact that the guy who made a stone-cold, pop culture-defining classic his first time at-bat theatrically with The Sixth Sense could fall so hard, and just...keep falling, for the most part.
Is Old the worst thing Shyamalan has made? Almost certainly not. Even The Happening can be enjoyed as a gloriously stupid b-movie and it’s hard for a bar of failure to be lower than The Last Airbender. But Old may be the film that feels like a strong case of a wasted opportunity, and that stings more than a disastrous failure.
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