#it’s gonna need some editing too but

[gendervapor14]

on september 26th i’m going to start posting an old story i found in my hard drive. i’ll drop one chapter a week. it’s an old sorazon cora lives AU that is extremely fluffy and makes no goddamn sense but i reread it the other day and i thought. this is just stupid enough to post. so. i’m going to do that. don’t let me forget.

it’s 11 chapters long!! and incomplete. which is the main reason i didn’t post it. i don’t like posting incomplete works. but i think some joy can be scraped from this story even tho it isn’t “finished”.

also i miss uploading multichaptered stories… so this is my compromise.

also. yes. bell-mere is in it. hehe

[krysmcscience]

Call this the Whoopsie AU (it's barely an AU)

I mean. Narinder never explicitly SAID the Lamb would stay dead... :3c He probably should have been more specific. >:3c

Part Two:

Well. The Lamb tried, but...sorry, Nari, the crown hates you now. Shouldn't have been so quick to lend it out, I guess. :D

Aaaand Part Three:

'Isn't he just adorable?' -The Lamb, probably, while their followers smile and nod and internally scream at the brand new hellcat they now have to share living space with...

Anyway, nothing says 'Dead To Me' like following a person around to loudly remind them of how dead they are to you. Right? Right. Narinder's got this all figured out. <:]

[hayden-christensen]

Incorrect.

HAYDEN CHRISTENSEN as DARTH VADER Ahsoka - Part Five: Shadow Warrior (2023)

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[isthatacalzone]

me: *seeing people yell about how they did Glintshore & Percy's death in the show*

also me: ..................anyway

[kazuaru]

The home of two gay horror movie loving dads & their preteen daughter.

[rottengurlz]

toxic yuri vampires you will always be famous to me

[isjasz]

The brainrot continues (Blame @vesperionnox and @cherrysherin we are dragging the whole server down with this au)

Part 1

[fizzytoo]

i wanted to share how beautiful she is :( <3

[sulky-cabbage]

The sukugo fight can't get animated any sooner I'm craving sukugo tiktok edits

[morrigan-sims]

P:WotR Portraits: Wenduag & Daeran

I did the one for Wenduag back when I was testing her legs, but today I got the idea to recreate Daeran's portrait image. I think it turned out really well, even if the colors aren't quite right and the pose is a bit awkward.

[reference pics and alternate crop of Daeran's portrait under the cut]

[sandeewithtwoe]

I MIGHT be able to finish my animation tomorrow

[monotone-artist]

[id in alt]

marivam my new child marivam!!!!! adopt i got from @dieselpvnk i am VERY excited about them!! thinking that they're a kind of witch character who brews magical potions, not 100% sure yet though

[piningpercussionist]

transfem scott getting lots of support from ramona and kim in the early 2000's when shit's very taboo but they all 3 have a fire forged bond and lord if they aren't going to make sure they're all as happy as they can be because they've come this far and I dunno it just makes me happy all three of them

YES YES YES

It makes me very happy as well,,

Like I've said before. General Trans Scott enthusiast here- I love the idea of their little support network *violent coughing* I (we?) mean polycule *violent coughing* so fucking much.

Ramona I think has a bit of a more gentle hand with reassuring Scott with gender issues, but sometimes she just can't help herself from some pointed banter or teasing- how could you with someone so dense? (Said w affection)

And then Kim I think is more blunt. But like, in a good way mostly, you know? The kinda blunt that makes you snap to attention and go "Oh. Yeah that was silly of me." And if Ramona's started some sort of banter? Kim is SO piling on. Maybe sometimes she's a bit TOO blunt with it- but it's only because she's so firm in her support. She wants Scott to Get It Together- and be happier for it. So if some ribbing now and again is in order, then goddamnit she will do so! Anything to crack that shell.

And ohhh can you imagine how they would react to some transphobic bullshit?? Unholy terror would be driven into the offender before they walk off with an absurd amount of coins between them. I can feel it in my bones. Scott doesn't even have to lift a finger (if the transphobe is even noticed/processed at all, bc I honestly can see Scott just. Not realizing someone's being transphobic.) Kim giving someone a lashing with her tongue as distraction and then Ramona coming in with the hammer- BAM! Free Money! Paying literally with your life for your transphobia. A Better And Just World.

And of course (transfem Scott more specifically, here,) the way Scott would start to flourish under their support... cagey and maybe a little (perhaps a lot-) resistant to start- but Kim's blunt affirmations and no nonsense attitude for bullshit (which is what Scott insisting on "being cis" would be, c'mon now,) and Ramona's also low bullshit tolerance but less Stabby (bc I won't lie, that's probably how Kim's comments would feel,) assurances? Ough... My Heart... Be Still-

I would Kill for them, Your Honor-

(Ran out of tags so putting this in the body of the post- I am SO tired someone pls sound off if this isn't as coherent as I am hoping this is. I WAS trying to nap and get the extra sleep I desperately needed but the writing bug... it Bit Me.... only a little but enough to stop that process-)

[sloedancing]

LACUNA (noun) an unfilled space; a missing part; a gap.

[rotisseries]

rori rotisseries reviews from respected critics