#it’s cool though I guess
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bacchuschucklefuck · 2 months ago
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couldnt draw my thang for mid-autumn so treated myself to a calne redesign instead
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kabru and mithrun's fun succubus adventure
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clownowo · 3 months ago
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this is like all I could think when I first played this scene
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lastoneout · 11 months ago
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Saw a post talking about this and didn't want to derail it, but like, honestly, at this point, I'm becoming less and less tolerant of people acting like straight/cis passing privilege is a real, very serious thing that needs to be taken into consideration every time someone speaks on queer issues bcs I swear to god the only time I ever see it actually brought up is when someone is trying to deny someone else a seat at the table. Like first it was used against bi+ people to explain why we're not queer unless we're in a same gender relationship, and then it was used to shit all over ace and aro people for not being "visibly queer", then they turned on nonbinary people who "look cis", and now I see people throwing it at trans men for some reason like???? This is legit becoming an exclusionist dogwhistle to me. Any merit to this concept is completely obliterated by assholes who are so addicted to playing oppression olympics they're meticulously crafting pokemon type advantage charts to categorize all the gays based on who actually has "real" problems and who doesn't, it's agonizing.
Like putting "straight/cis passing privilege" up on the shelf next to "comphet" until people can learn how to use it in a way that doesn't invalidate someone else's queerness.
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cosmicrhetoric · 26 days ago
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i do think it's cute how many posts on here are like "i want to be granny weatherwax when i grow up!" like it's sweet but also yes the perfect grown human ideal that we all have to aspire to is a 70-something yr old huge bitch
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monofazz · 23 days ago
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I think Deceptibee AU fans should consider the hilarious potential of a Starscream and Bee dynamic in this kind of situation—
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oxygen-stealer · 3 months ago
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Some of you may appreciate this Gabriel helmet I made a bit ago
Sorry I'm too lazy to get better pictures of it rn
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perhaps-only-a-mirage · 1 year ago
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some simple (but plentiful!!!) sprites for you all today. just some outfit swaps! the alpha kids did not get nearly enough cool outfits, so i decided to see what they'd look like with some modified beta kid outfits. some look decent, but others look very nice! i also did it the other way around too, because whynot.
(sorry i think i'll stop with the colored text thing in default text, it was So Cool but it was also really time consuming @_@)
JANE
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ROXY
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DIRK
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JAKE
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JOHN
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JADE
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ROSE
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DAVE
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tubbytarchia · 9 months ago
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@mcyt-yuri-week Day 5, Rose/Thorns I never stop thinking about SL episode 8 never ever
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bonefall · 1 month ago
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Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?
A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.
Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.
So, why?
Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.
He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.
Bumble, on the other hand...
Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.
But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.
It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.
More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.
Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.
It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.
All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.
I can't say for certain what that will look like for your story, but here's some things I keep in mind;
When you make characters who exist to die, make sure they're people before you axe them.
Ask yourself; what about them does the cast miss?
If they just miss them because they were (pre-existing relationship), go back to the drawing board.
Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.
Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.
If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?
Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.
And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.
If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.
"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.
"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?
When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.
#Bones gives advice#These questions can be hard for me to advise on because making characters is one of the easy parts for me.#It's more the “working them into a story without overwhelming it” part#But making characters that are fun and interesting has always come naturally to me as a writer.#I just work out some fun dialogue and fill in what their wants and desires would be based on backstory#And the rest kinda fills itself out as the message and themes of my narrative forms.#In fact the thing that makes BB so easy for me to work on is having an existing “story template” in mind#I don't have to chart out the long term events in advance because I do have a full picture of what leads where#And what I want to say with each rework.#I've always been told I'm really good at killing off characters though#Especially in my RP days. I remember I singlehandedly turned a pretty standard 'escape from evil lab' plot into--#--a painful story about loyalty and suffering. I was the main villain and the escapees knew he would never give up.#Because he loved their master and believed fully in the idea of 'sacrifice for the greater good.'#Always friendly. Passionate. Would have been a dedicated leader in a slightly different setting.#They knew he would never want to actually hurt them so they had to trick him into trying to “coral” them with his fire powers on ice#He didn't know it was ice and melted through#I guess the thing I do is just... make them cool lmao. It's hard to give advice on this#''Draw the rest of the owl 4head''
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androids-insides · 10 months ago
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“LOOK AT MY WIFE. I LOVE MY WIFE.”
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I’m in love with them being in love, and stuff.
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jadedpoets · 3 months ago
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go to this site, take the recommended quiz and post your top 3 results with % then tag your mutuals 👀
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1. peggy olson - 87%
2. meave wiley - 84%
3. elizabeth bennet - 83%
tagging @graveyarrdshift @dumbandpoetical @justoosoft @sadgirlautumn @robinniko (no pressure but i thought this would be fun 😳)
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rocketbirdie · 3 months ago
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partial makonoid zack ideas~
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puppyeared · 5 months ago
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my brothers been playing elden ring recently and he let me draw his character ^_^
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royalarchivist · 6 days ago
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The official trailer for Squidcraft 3 just dropped, and it features some of our favorite Spanish-speaking creators from the QSMP!
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(Please keep in mind that cameos aren't necessarily an indication of confirmed participants!)
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turnabout-cats · 5 months ago
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don't forget your daily clicks
ace attorney characters as cats day 128: he may not have the best name anymore but he stays winning in our hearts 💔
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