#it’s being honest

[chronicparagon]

[It makes me sad that people are insecure about their writing. I see a post about reblogging if someone feels insecure about their writing skills. This is the post verbatim: “ If you would be so kind as to reblog this if you feel insecure about your writing skills.”

I saw that a lot on my dash the past couple of days when I check in. You love writing, yeah? You have fun when you do it?

If you say yes to these questions, then guess what? You are doing great and should be proud of how far you came! Like all skills, writing is constantly changing. Your skills are constantly improving when you practice it and find joy in the stories you share. The key thing is you having joy in what you do.

I get that reblogging that post is meant to show others that you feel the same and promote supporting each other when we feel down about our work. But you can have confidence in your writing and with your muses and still deserve that support. There’s no need to question yourself when you are doing what you love.

You belong in the rpc. You matter. You are doing your best and that is all anyone can ask for. You are enough. Be proud of how you developed your writing and be excited about future improvements you will have.

[traaansfem]

F

[varpusvaras]

It has been way over a decade since this happened, so some details are a little blurry, but I still have to tell this story here too:

So, my dad's colleague was on a trip with their friends, who were a couple. Now, the wife of this couple was a huge U2 fan, and the highlight of this trip was going to a U2 concert. Later that night, after the concert, they went to a restaurant, and who do they see there at another table? Bono. The wife wants so badly to go and ask for an autograph, but in a typical Finnish fashion, she doesn't want to be a bother because surely Bono just wants to enjoy his night and not be surrounded by fans all the time, so she doesn't go.

Then, she notices that someone from Bono's table gets up and goes to the men's restroom, so she also gets up and goes to wait outside the men's room, until the guy comes out. She then stops him and goes excuse me, I saw that you were at the same table as Bono, would it be in any way possible that you could ask for an autograph from him for me? (because apparently it is much less mortifying to bother someone else you don't know than to bother the guy directly, I guess).

The man apparently kinda stands there for a moment, just looking at her, before he asks, sounding just a tad bit confused, if he heard her right. You want me to go and ask Bono for an autograph for you?

Yes, she says. She's being very polite about it. If you would be so kind. That would be great.

The man says yes, sure, I'll see what I can do about it.

They then part ways and go back to their own tables and continue the night, and some time later, they notice that Bono and the rest of the people who had been at that table have left.

Oh well, the wife thinks. No can do, maybe he just forgot or something or just didn't want to do it. It's okay.

They finish up their meal and ask for the bill. The waiter tells them that their meal has already been paid for, and then tells that they were left with two notes.

The waiter gives them the notes. They are both autographs. One of them says Bono.

And the other says Bruce Springsteen.

[spitblaze]

finally some realism in video games

[idontmindifuforgetme]

“he’s a red flag” “she’s a green flag” I’m a white flag. I give up bitch

[icantspellthings]

[leo-artista]

This is how I see their dynamic

[a-crochet-spider]

One of my genuine favorite parts about agatha all along is the realization that Agatha's very real and legitimate powers come from simply annoying the shit out of people until they try to murder her

[poorly-drawn-mdzs]

Hey now, Let her cook!

[spookberry]

Shhhh theyre thinking

[suntails]

growing up!

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[raeazure]

This is my dungeon meshi OC. His name is Killchuck and he's Chilchuck's evil twin. He has all of Chilchuck's skills but he also knows shadow magic and the instant knife murder technique.

[zorangezest]

thanks for listening

[siyaazu]

Two girlbosses but one is an actual girlboss and the other is her wet cat girlfriend holding on for dear life

Yeah dream can manifest wings and other structures with his magic probably. And i might abuse that in the future. But for now only drink going on a mission together cuz they're stupid and annoying like that (❤️)

Dream belongs to Jokublog

Ink belongs to Comyet

[counting-stars-gayly]

I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?

Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.

Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.

Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.