#it’s already proving to do that

[caffeiiine]

finished and more wahhhhhh!!!!

this is why i can't have favorites T^T. they all die on me T^T. why can't i have nice things T^T?

i guess i'm going to wait for the final part of the third chapter. i don't know how long that'll be, which is fine :D.

GSHSG 🫂🫂🫂🫂🫂

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[egophiliac]

Where can you play ride kamens? It looks fun looking at your blog but idk where to play

it'll doesn't start until the 30th, but there's some pre-release episodes/character bits that are scattered around the website and twitter! (the links to pre-reg/download are also on the website :D)

honestly I'm really enjoying it just based off of the pre-release stuff, these characters look like they're going to be exactly that blend of ridiculous and emotionally constipated that hits me so right.

[karmathehalflander]

Queer relationships don’t need to be validated or made canon through a kiss. There’s such a double standard that when characters of the opposite sex are so much as friendly to each other they are now canonically romanticly involved but characters of the same sex/those who are genderless can literally do all sorts of romantic things and straight people will rationalize it to an absurd degree. They will only accept it’s romantic when there is a kiss or an “I love you” (and even then they will find ridiculous ways to say it’s platonic) and that’s unfair and disingenuous to what romantic relationships are. Let characters be in a canonical relationship without the need for explicit physical intimacy.

That being said Eddie and Venom better make out sloppy style in this movie or I swear to god.

[trappedinafantasy37]

I went to a very old save of mine in which I knocked out Minthara in Act 1 and I talked to her again in the throne room. If you knocked her out, this is how she looks at you when she questions you:

She seems genuinely disturbed over your actions. Can you blame her? You were the one who knocked her out. You brought her harm for reasons that she cannot understand. She can understand someone killing her as that is what she expects of those around her. She will criticize your choice of sparing an enemy and showing mercy to someone you have greater reason to kill. Even though she has doubts about you, she shuts herself down, thinking she should be more grateful rather than doubtful of you.

You can tell her that you saw her as a potential ally, but she will call you a hypocrite as Gut and Ragzlin were not shown the same mercy, nor was any other True Soul.

You can even tell her, "You were simply too stubborn to die" as a means of trying to take any culpability off yourself. To try to turn the situation into a little jokey joke. However,

Minthara does not take it as a compliment and she knows you are full of shit. Even though you took the "good" path, she does not trust you.

Minthara understands mercy and even she believes some people are deserving of it. Sadly, she does not see herself as one of those people and is disturbed as to why you gave her mercy. There is no answer you can give her here that will make her trust you. She knows you went out of your way to spare her and only her, and that frightens her.

Remember, this is not the first time in which Minthara's entire army was killed right from underneath her and she was deliberately left as the sole survivor. Orin slaughtered all of her men in a blink of an eye, and Orin's "mercy" only brought her pain and torture. Later down the road, Minthara criticizes herself for not paying more attention to Orin when she first arrived at Moonrise. And so she is giving you a lot of attention, she is watching you, studying you, because she fears that you are going to hurt her the moment she takes her eye off you. Because you already have. Your "mercy" gave her a concussion, your deception had her found guilty of incompetence, and she was then subjected to even more torture by the Absolute in which she was given permanent brain damage. She is afraid that the only reason that you spared her, is because you want to torture her. Even when you show up in Moonrise and enter into her mind prison, she is expecting you to kill her and begs you do it quickly. She is not expecting mercy from you, only death. She is only in that predicament because of you. Why would she think for a single second that your mercy comes from a place of good intentions?

She knows fully well that she owes her life to you and that her life is entirely at your mercy, one you can revoke at any time. She doesn't trust you, she doesn't trust the rest of the companions, but she cannot leave nor walk away. There is no good way out of this for her and she's afraid of the cycle repeating. She is not going to make the same mistake again. Instead of her oath to you being from a place of affection, her oath to you comes from a place of fear.

[snekdood]

"if we make america worse and more of a dictatorship that will be even harder to unravel and make it the way we want the country to be, maybe then everyone will join our Glorious Revolution!" bb girl you cant even be in the same room with someone who thinks you should vote, how in tf do you think you're gonna unite people to fight in The Revolution with you? it's gonna be you and your 5 friends, i hate to break it to you.

[nenoname]

stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff

and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing

like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)

stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context

while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands

ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is

idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok

[benisasoftboi]

I am so happy with the conclusion of BBC Ghosts.

There were so many things I loved about the final series that I can't even keep it all straight in my brain, I'll have to rewatch it all (and the Christmas special, of course! Must remember it's the not the true end yet!)

But something I can immediately say I loved was what they didn't do. See, that line in the trailer that turned out to be from episode 5 - about there being a pattern to when they move on - worried me. One of the best things about the show, to me, is how there truly is not any reason at all to why the ghosts are there, or when they go. It's something the creators have said over and over, and that the show has always backed up; we saw so many times that, unlike in most ghost media, addressing unfinished business or achieving emotional resolution changes absolutely nothing. Pat hit some sort of emotional resolution three times. And Julian realised the importance of family, and Robin saved someone’s life, and Thomas discovered the truth of his death, and so on and so on. Finding closure isn't the end, and equally, the end isn't predicated by a climatic conclusion. It just happens. And the same is true for why people become ghosts. It just happens. And you exist, and fill your days, and then you’re gone. And no one knows why.

It's kind of the most agnostic television show I've ever seen.

I love that. Every other afterlife show I've ever seen has some kind of reward and punishment system. Or at least says that there's a reason for things, some kind of higher power at play, not necessarily a god but something like it. Even the American adaptation felt the need to bring Hell into it, which is why I need to specify that I'm only talking about the British version here. And I feel like a lot of fans wanted there to be reasons too, or felt like there simply had to be, that it wasn't even a question. I get why - it's not just because it's the standard for ghost narratives. It's really uncomfortable to think about the randomness of life and death. But Mary didn't go because of anything that happened before that day, and Cap was never going to go because he came out, and one day, when they've all gone, there won't have been a reason for it.

Because the real point of BBC Ghosts is that there is no point. You’ve just got to make it through the days, surrounded by people that irritate you, trapped in a confusing world where you’re mostly powerless. And it sucks, and you're angry, and sad, and bored as hell. And you also find happiness in the mundane chaos, and you get really good at chess, and watch the ants in the garden, and write bad poetry, and read terrible romance novels, and gamble money you don't have, and go camping, and play games, and learn French, and watch reality TV, and have sex with a decapitated Tudor nobleman’s body, and dance to old music, and look at the stars, and find that you actually really love all those annoying people after all, and that’s the point.

[kelin-is-writing]

Touya responding with “Oh really? My condolences. Giving me all your attention after everything’s over is easy, you coward.” when Enji said that “The Hero Endeavor has burned to death” it’s just so satisfying. Like— GO. OFF. YOU ABSOLUTE KING.

He will never not be a menace for this guy and I love Touya so fucking much for that 🤧💜

[ratatatastic]

Vanha Kauppahalli date: en full, a 2 minute 50 second masterpiece...

Primetime Panthers | 11.6.24 (x)

[trainingdummyrabbit]

oh another id not posted here.. porccubus!donqui. btw. i am not taking arguments at this time.

[dykedvonte]

It’s crazy how expendable all the crew members were to the Pony Express.

A 30% chance that your shipment would be lost. Cargo and crew are inseparable if we are to believe the shitty layout of the Tulpar. People use it because it’s cheap. The labor is cheap. The lives are cheap.

They are all relatively easy to forget about. It’s implied Anya and Curly don’t have many friends or much family to be concerned about them back home. She mentions nothing and no one to fall back on and he feels like wasted his life with the company. Jimmy probably only has Curly, otherwise people wouldn’t care or ask. Of course Daisuke and Swansea have family’s but Swansea thinks poorly of his and Daisuke’s poorly of him. All people in the companies eyes that wouldn’t stir up too much trouble if they became part of the 30%.

It makes it so much sadder because that ladder they were climbing was so small and shitty. There were rungs, ranks, but even the highest was barely off the ground. Jimmy wanted to reach the top of something that was brutally cut off and knocked everyone else off just to not see it.

[dear-ao3]

if anyone remembers approximately 2 weeks ago when i was actively giving up on a homework assignment well

half of the reason it was so hard was because i somehow managed to do the assignments out of order?

i got my grade back (a whopping 4/9) and the professor called my methods "extremely unorthodox" and i agree with her

[gloriousmonsters]

ok listen. listen. hear me out. what if Angel was the one to propose the contract

like.... the intensification of heartbreak and guilt when Val tells him 'I own you, or have you forgotten that?' as Angel looks at his signature, the heart he drew next to it. the extra layer in 'what's the worst part of this hell? I can only blame myself'. and above all it plays well with my observation that their contract had to have been composed with some level of input from Angel, because... why on earth/in hell would Val have given him control of his life outside of the studio; and while Val invokes the contract to put Angel back in 'his place', Angel invokes it to remind Valentino that he can defy him. It's actually similar in composition to a kink contract/agreement--if I'm in this specific place, you hold all the power and call the shots; but outside of it, I don't give you that level of control. Angel can straight up tell Val to fuck off in front of a crowd and all Val can do is say he'll make Angel regret it next time he's in the studio (and isn't that an extremely dark variation of the classic kinky romance beat of 'sub misbehaves when they're in public and can get away with it, dom promises they'll pay for it later'?)

so like. all of that about the contract also works if Val proposed it, but I love headcanoning that their relationship was on the rocks around the time it was signed, and one of the factors was Vox coming onto the scene... and so now i'm just thinking about Angel in his peak era of both-sides-ing their relationship problems, knowing his 'commitment issues' (partly real, partly consisting of val's 'you know other men??' issues) are a major cause, furious and disconcerted at someone else drawing so much of Val's attention, wanting to make a stupid desperate Hail Mary pass to save their relationship but devoid of the usual options of 'have kid' or 'impulsively propose marriage' or 'move to a new house that's inevitably haunted' i watch too much horror, going for the option of '...hey do you want to make the kind of binding contract that is accessible to us?'

and surely it's not that stupid! he's only really giving Val a formal version of the power he gives him already, right? Val's his dom and his director and manager, and maybe there's... problems but it's mostly been great for Angel so far, so if having it on (magic eternally binding) paper would make Val happy and make him understand that Angel really wants him, wants them, the risk is toooootally worth it. just, best not to tell Cherri about it she'd definitely think it was insane.

(and when, much later, she learns about the contract and berates him for being an idiot and not telling her when Val brought it up, maybe don't correct her assumption. just keep it to yourself and feel even worse.)

[huellitaa]

studying bcuz i might be a loser but at least i'm really pretty and well educated

[oceanwithouthermoon]

imo everyone who insists that saikis life was perfect and he was a spoiled brat complaining about nothing are just purposefully ignoring and misinterpreting the whole manga simply because they like other characters better and want to make up scenarios to make their fav seem like a precious little victim in every situation

its hard to explain but i see it happen a lot with specifically people who have dedicated accounts for other characters and constantly misattribute every issue to "saikis such a baby, my character has it way worse!" "saiki hurt my babys feelings once so i hate him!" "saikis such a spoiled brat, my baby has a way shittier life and never complains about it!" "saiki hurt my poor precious fav once so hes an abusive monster!"

and said "shittier life" that they "never complain" about is either the persons headcanons (literally made up) or... the character DOES complain about it and the person takes those words at FACE VALUE but ignores everything else, including things that actually HAPPEN right in front of our eyes