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charcubed · 4 years ago

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hey char, mind to share your fave stevebucky headcanons? 👀

Oh I LOVE that you asked me this :’) Thank you!

I honestly have so many if I really think about it because I love them so much and I think about their dynamic so much that I have so many favorite things... but here is what I think of off the top of my head:

• Steve was color blind before the serum, according to canon. I have a headcanon that Bucky used to try to describe colors to him. I wrote a mini fic about that here.

• Bucky was drafted for the war, but didn’t tell Steve. Steve sort of assumed that Bucky enlisted, and Bucky never wanted to correct him. How could he? Steve wanted to enlist so badly, and Bucky didn’t ever feel like he could admit that he didn’t have the same drive to want to ~fight for the country~ like Steve did. He didn’t want to disappoint him and he was afraid Steve would think he was a coward. So Bucky just... never told him that he was forced into war. It was never his choice to fight for the country. If it was up to him, they would’ve stayed home together and stayed safe and never fought at all.

• They were always physically rough with each other, in the sense that they'd wrestle as boys all the time, and Steve loved that Bucky never treated him as fragile. Buck knew he could take it. Even after the serum, they'd still scuffle a bit like kids, finding a bright spot in a war-torn world. They’d be awake in the trenches on lookout, having soft conversations in the night, and shoving each other after one says something stupid or makes a bad joke.

• Steve is bi, and Bucky is gay. Bucky was consciously aware of his feelings for Steve way, way before Steve was aware of his for Bucky. In the 30s, Bucky has a bit of a reputation for ~dating around,~ but not in a rude ladies’ man kind of way but rather his reputation is “Bucky Barnes is a real charmer. He’ll show you a good time and he’s really sweet, but he never pushes your boundaries.” Some women wishes he’d push their boundaries, but he doesn’t. He’s taken so many women out on dates because he never lets it get super serious, since they’re not who he wants and it’s mostly for appearances’ sake, especially since he and Steve live together. He definitely enjoys hanging out with women, and treating them nice, but most of the time his motivation is to try to set up double dates–half because Steve deserves to find a great girl to date, and half because a double date means Bucky can selfishly do a date activity “with” Steve and not have it mean anything. Meanwhile though, Steve gets jealous as hell and testy about Bucky dating all the time, but he’s oblivious to the fact that it’s because Steve wishes Bucky would be with him instead.

• Their first kiss was when Steve was 16 and Bucky was 17. I’m not necessarily saying that’s when they actually got together, but something significant happened between them at those ages... maybe they kissed because they were drunk, or it was so Steve’s “first kiss” would be someone he knew and it was for “practice.” And then they both never talked about it again, because they’re idiots and were afraid to ~ruin things~ between each other. That’s why Steve says “Rumlow said ‘Bucky’ and all of a sudden I was a 16-year-old kid again, in Brooklyn.” That’s why “seventeen” is one of Bucky’s trigger words as the Winter Soldier. It checks out, because Bucky is a little bit older than Steve.

• Steve doesn’t fully admit the depth of his own feelings for Bucky to himself until he finds out Bucky’s been captured by HYDRA. And then he tears Europe apart to get him back. He’d have done that anyway, obviously, but... the prospect of losing Bucky forever is really what makes him realize how much he can’t handle that concept. Because he’s in love with him.

• After Bucky “dies,” Steve gets more reckless, and that’s part of the reason he put the plane in the ice and didn’t try to survive: he didn’t want to live in a world without Bucky in it. This is supported by canon. And so I headcanon that, after Steve finds out about the Winter Soldier, one day he abruptly realizes that he could’ve died in that plane crash and never known Bucky was alive and brainwashed and suffering. He thought Bucky was dead and he wanted to follow him, and he could’ve left Bucky even more alone in the world without knowing it. When Steve realizes how close he came to leaving Bucky behind like that, he throws up. It horrifies him to think about it.

• They each have a pair of dog tags where one says “Steve Rogers” and one says “Bucky Barnes.” They swapped one tag each, so that they’d have a matching set, because while they couldn’t list each other as “next of kin,” they wanted tangible evidence that would show other people how important they are to each other. So people would know: tell him if something happens to me.

• Their Brooklyn accents come out / get heavier around each other, especially if they’re bitching about things or arguing.

• Bucky is a complete sci-fi and fantasy nerd–which is now confirmed canon, and I love it. In particular, I like to headcanon that he loves to read paperback sci-fi novels, and discount romance novels. He unironically enjoys them, and he leaves them allllll over the place. One of the things they love to do is Bucky will sit around and read while Steve will sit around and draw/paint, and half the time Steve gets distracted sketching Bucky’s facial expression he makes while he’s reading.

• Bucky is also a pop culture gremlin. He will try and often get interested in pretty much anything and everything, without rhyme or reason. In modern day, he and Nat will watch trashy reality TV together–sometimes to make fun of it, sometimes to get invested. Steve thinks they’re insane for that. And sometimes Bucky will like one niche thing but then for very specific reasons he dislikes another similar thing. It makes sense to him, even if Steve doesn’t get it.

• Steve tends to be pickier with the kind of stuff he enjoys. He’s always had Strong Opinions™️ on everything, including and especially art. Put him in a museum and he’ll have a lot of thoughts on all of it. He doesn’t judge things or hate on other people for liking things he doesn’t like at all, but he won’t get hooked on a movie/show quite as easily. The one exception is animation, which he absolutely adores, and he goes on a wild binge of all kinds of animated content for awhile–shows and movies–because the various art styles and uses of the medium to tell crazy stories just fascinates him.

• Easy access to so much music is one of their mutual favorite things about the 21st century. Bucky often gets into individual artists’ entire discographies and becomes a fan, whereas Steve often gets into a handful of specific songs from a wide range of various people. Like... Bucky will often love an entire album, and Steve will often love 2 songs specifically more than others. But even with that, Steve loves collecting vinyl records–both old and new ones.

• Bucky has a fantastic singing voice even though he’s shy about it, and he tends to hum along to music when distracted or working on something else–especially while making something in the kitchen.

• Bucky likes technology more than Steve; Steve likes physical stuff more than Bucky. Bucky loves to take photos and videos of things all the time, hoarding digital memories in a way that’s precious to him, knowing that they’re “safe” and accessible anywhere. They lost so much of the objects that they loved a century ago, and photos were scarce, but now... there are endless ways to have pictures. When Bucky was recovering in Wakanda and Steve was on the run, Bucky would often text Steve photos–sometimes without captions–to wordlessly share bits of his days with him. He’s got a good eye for photography, except for when he takes the photo equivalent of shitposts to make Steve laugh. Regardless, Steve gets his favorites printed–some of Bucky’s photos, some of his, some of their selfies–so they also always have something tangible to hold onto.

• Bucky calls Steve “sweetheart” sometimes, just to be a little shit–and he means it. It makes Steve turn red every time, without fail, but he secretly doesn’t mind it.

Okay I’ll stop hahaha. Those are the main ones that come to mind for me all the time when I think of them!

Thank you again for asking :D This was so fun to write all in one place!

#anonymous #asks #stevebucky #stucky #steve rogers #bucky barnes #headcanons #literally sat here and spent like an hour writing this. like it's 2017 again. NO remorse! a nice way to wind down my evening #char writes things

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steve0discusses · 3 years ago

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Yugioh S5 Ep 20: Yugi’s Senshi Outfit

So I’ve been doing a lot of work, and I haven’t looked at the blog for a hot minute and when I finally checked back in to do these posts I noticed something on my tumblr was just blowing up. I got all excited thinking “oh shoot, Did I draw something right??” and instead, it was a random post I made about the bootspants from season 1. Three years later, resurrected from the grave and covered in...thousands of notes? I don’t understand how this website works.

Anyways, the comments are mostly good, but a little bit wild. A lot of people seem to think I would know what Jojo’s Bizarre Adventure is, when I’m an adult who is still watching the first 5 seasons of Yugioh. (I will never have time to watch Jojo,) and then some other people started talking about Actual Card Mechanics that went...completely beyond my comprehension. But then there was one person. One person who said one thing, and brought it all together.

Poots.

The boots that are pants.

Poots.

I can’t believe I looked at all the different combinations, but a Poots never crossed my brain.

It is so perfect, so cathartic, although it took 3 years to get there.

Poots.

Anyways, we’re in S5 and unfortunately not in poots anymore, Yugi is now dressed in a tupperware container from hell and they have wandered into a desert. On cue, Grandpa has an injury, but at least this time it’s not his ass.

You know how there’s artists who do hyper-realistic versions of pokemon monsters with detailed bone structure and muscle anatomy? I dare them to look at this orb and tell me how the hell it has wings. Like go ahead and try and pin a spine down on that thing. I’ll wait.

(read more under the cut)

So Joey decides to sprint down this endless desert with just boundless positivity.

Over the edge of this sand dune is a whole bunch of huts,just random civilization out in the middle of no where.

One girl walks over and it’s a look.

She’s really the only one here who can talk, and she just seems...so incredibly bored to be here. A whole lot of Wednesday Addams energy. She leads them into a hut where an old guy pulls a scroll out of blue fire. As you do.

Again, this arc should have been a video game, because while it’s something to get the player interested if there’s some riddle they have to solve to progress, when you’re watching a TV show, it’s not like I’m the one solving the riddle. The format is honestly one of the downers of this arc, tbh.

It has strong “I played a D+D sesh and made a webcomic out of it vibe” and I know I just called out like half of you, but listen, I will not take it back.

This episode, our gimmick is some asshole is going to be yelling at us from the other end of the map, just shouting in the background for the entirety of the episode like that tangible human skull meme.

Then Wednesday Addams hands over yet another MacGuffin because why not?

Tea can twin it up with Yugi now. Her necklace doesn’t seem haunted, but it’s only a matter of time. (also her necklace looks so freakin terrible, we’ll see it later and I’ll have a lot more to say because wtf it looks like some sort of polly pocket.)

I’m not 100% that the voice that shouts at us from the end of the hall this episode is Mokuba’s voice actress. But I’m 99% positive it is, or Mokuba’s voice is just really that type of vibe.

Stuff happens, and it felt like card duel stuff, so I’m gonna skip over the part where they pulled out their duel monsters one by one, since the fight was pointless anyway because the worms can turn you into stone. So Yugi and Pharaoh decide to have a chat about it because their plan is clearly not working.

This is when Pharaoh has a vivid lucid daydream, which seems like something that would have been more convenient before he ended up turning into stone on the floor of some desert. But, hallucinations never come when they’re convenient on this show. They usually come during card games, tbh.

Imagine with me that you’re dreaming of like...an old ass greek guy who is 99% Alexander the Great. Imagine he tells you to fuse with a sentient paper card that you already carry around in a weird capsule.

Please

For the love of all that is holy

Do not think about what it means to fuse with the Dark Magician.

Dark Magician is...he “exists” but he’s like not even a person. There seem to be whole fleets of dark Magicians, which are all the same guy, just cloned, right? Or maybe they’re a family? Or like...I don’t freakin know. Like they’re all hanging out together in some card dimension so it’d be more like fusing with the guy who dresses like Barney the dinosaur instead of actually Barney. Like he’s more of like a concept than a dude, but apparently you can just introduce him to your...whatever this armor is supposed to be, and Dark Magician turns into a Super Suit.

I want to express my thanks to the Yugioh team for not putting Yami in his underoos. Hell, they didn’t even take off his jacket. I do not know what art directer ok’d this for animation and said “yeah, this won’t kills us if we animate it.” but that is a hell ton of lines and design right there. Yeah they have 3d, and probably had to 3d that staff...but that doesn’t mean you don’t end up drawing it, in the end--you still have to draw over your 3d. You still have to draw literally everything.

Anyway, when we get to the eye of the storm. The secret to getting there was that you have to fly, which again--3/5 of these guys already have a monster that can fly. We can finally tell the voice at the end of the hall to stop yelling because it’s really bothering all the townspeople, and then move on with the quest.

Everyone else was stone during this. So when they un-petrified they kinda looked over at Yugi and were like “how freakin long was I out???”

But youknow, Yugi’s 2 people, so it’s fine. So long as you don’t get down to the third bastard still sitting around in there.

After this, our NPCs vanish, and the show pushes us directly forward. No time for them to piss off a land turtle or set a bunch of wolves on fire. Just get out of the desert and freakin go.

I’m just so bothered by this random ass huge chunky necklace.

It’s like the size of your freakin fist. And it’s just...a pentagon. Congrats Tea, you have a fake ass plastic necklace. I guess it’s so that when we’re far away we can still see it on her chest but like...This show loves huge ass necklaces, and they’re all basic ass shapes. We got a pyramid, the Kaiba’s wear squares, Bakura wears a circle with kind of phallic bits hanging off of it and this is just...it’s literally just a pentagon.

I guess Ishizu wore a wadjet and Duke has an indecipherable clown as his necklace. But man...the Yugioh necklace game is just a lot of shapes.

And so we continue on with this filler arc, which is also a pokemon arc, and even secretly has a Sailor Moon arc just stuffed in there for funsies. This arc is weird.

Also, I brought up the human skull so I legally have to post this.

youtube

Anyway, here’s a link to read these in chrono order, in case you just got here: https://steve0discusses.tumblr.com/tagged/yugioh/chrono

And I’m off to drink a bin of ice water because it is 5 billion degrees right now in this house.

#ygo #yugioh #yu gi oh #episode recap #photo recap #S5 #Ep 20 #yugi muto #yami #grandpa muto #tea gardner #and her new accessory #tristan taylor #joey wheeler #and that time that Yami fused with dark magician and we all acted like that wasn't extremely weird

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miraculouscontent · 4 years ago

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“Truth”-related asks:

Anonymous said:

I just watched truth and man, we didn't need any of that... I'm so tired...

Anonymous said:

Me after reading that summary: We coulda had it aaaaaaaaaaallllllll, decent wri-itiiiiiiiiiiiiiiingggggg

Anonymous said:

oh. lukanette breakup. how surpri— oh wait, no it wasn't.

bunnybunblitz said:

Me, skimming your summary of truth: life is a nightmare life is a nightmare life is a nightmare abort abort

Anonymous said:

Truth was a living nightmare, and that's the truth!

*defeated sigh*

Anonymous said:

The way all that just make me start disliking Adrien so hard wow I have enough of him so hard can they get ride of him for one damn episode?

Anonymous said:

Wow! Writers got on completely new level. They somehow made people to be annoyed with Adrien, even without putting him in episode.

My meme image of “I’ve had enough of this dude,” about sums it up.

It’s almost impressive???

Anonymous said:

I have the impression that you should slowly gather materials for "Treatment of Marinette S4"

You know, when you’re right, you’re right.

Anonymous said:

Hey there... Got a lil rant, I hope you don't mind in sea of anons you're probably getting. I guess if show didn't treat Marinette as their favorite punching bag and lukanette as a thing to get over with to be back on love square bullshit I wouldn't be this salty. We all knew lukanette isn't a endgame, but we actually care about Luka ans Marinette as characters and as a couple, and we knew there was a break up brewing.

But I mlb writers for setting things up, canonizing them over provocative tweet and leave them to dust right at the beginning of s4. And, oh sweet irony as they kinda accidentally made Lukanette totally better than love square (let's be honest if they knew what they were doing we wouldn't get any breakup from narrative and character development standpoint),,, because their heroine for once is loved and appreciated but that's another discussion and they hate that for her. Also, thomas arstruck can suck my toe.

I don't know what's your opinion on soulmate and destiny thing, but I'm totally in opposite. I remember The Good Place (love the series btw!) quote about how soulmates are made with love and nurture of people and not some cosmic forces. And to see how show is pushing for Destiny ™️ I'm kinda disheartened. But I guess I never really liked love square execution in the first place when it turned out that Marinette is butt of the crush joke for 3 seasons and there's 0 development from that. Like Thomas, that's not funny running gag. Thanks for reading! Hope you're doing well!

Thank you for the rant, and I agree!

It’s so strange how all their attempts to push for the love square just push me more towards Lukanette. How do the writers do that???

Anonymous said:

Yeah that point where she exclaims Luka in shock just angered and confused me. She LITERALLY transformed because Luka was akumatized. And her being shocked is only there to get her under the truth spell.

This episode is held together by knots and strings at this point.

Anonymous said:

Wow, "Ladybug likes Chat Noir humor." Then why every time Chat Noir makes puns, Ladybug looks like she wanted to strangle him on spot.

Ladybug = us

At that point, they should’ve just said, “[The writers] like Chat Noir’s humor.” Like--writers, please don’t use Ladybug as a tool to simp for your sunshine boy, it looks really pathetic.

Anonymous said:

Based on the ellipses you used I'm guessing you're not a fan of Jagged talking about the "Guitar is my only family" song.

Oh, no actually... I mean, I do because it’s there to torment Luka, but the ellipses was because of the intentional pause in the episode. Jagged was looking sympathetic

Anonymous said:

Truth was awful, the only good thing we got out of it was a Lukanette date (yay :'D) and we got to know Luka's father (although we all been knew).

Honestly if we could find a way to edit it so Luka and Marinette properly kissed then we’d just chop it out of the episode and call it the only canon thing.

asexual-individual said:

So, given that "Truth" didn't introduce the protection charms, I'm going to take a wild guess that they're not introduced until after "Gang of Secrets", meaning that Marinette won't get any close friends that it's safe to tell her secret to.

I was legit so sure that it was a guardian benefit and now I’m just left confused/curious about what causes CharmBug. Like, what, do you get CharmBug by purifying your one thousandth akuma???

Anonymous said:

I am absolutely positive no one quality checks these episodes before they’re sent out. Ladybug getting caught off guard on Luka being Truth even though she knows he was akumatised, and the horribly upbeat music playing as Marinette lies in bed absolutely defeated is so bad there’s no way this was double checked before it was sent out to TV stations

At this point, I’m convinced that they don’t care and are jamming through episodes as fast as they possible can.

cobraonthecob said:

I'm willing to bet that the writers go through critical and salt blogs just to see what the fandom's thinking, and then they think we're serious and they sprint with whatever we say.

guys please reconsider and also lower your alcohol levels

Anonymous said:

It was awful in general, but why add the paternity thing in the break-up ep? It detracts from, well, everything else and makes obvious they are copypasting fan theories instead of thinking of plot points.

I really do think they knew that Luka being upset over Marinette’s secret wasn’t enough to akumatize him so he needed something else.

Anonymous said:

Let me get something straight: The episode was explicitly about Marinette going on dates with Luka and that they were together. Yet Juleka is once again part of the shipping squad with obligatory "Marinette is only weird because she's with Adrien"-theories, and she's totally cool with that?

Yup! :3

guys I just adore mob mentality, did you know.

guys--

Anonymous said:

Ok, but the fact that everyone considers Marinette’s crush on Adrien to be her big secret is stupidly unrealistic. They KNOW they’re all aware of it - the girl squad even figured it out by themselves before they were told and think it’s totally obvious (as long as you’re a girl cause guys are clueless about feelings right). As far as they’re concerned it’s not actually a secret so they SHOULD be spilling the things they think only they and Marinette know. I mean, I can think of dozens of possibilities for Tom and the rest of the girls already, but Alya?

We had a front row seat to the damning secret Alya knows from back in season 1, but I guess asking this show to acknowledge continuity is too much. Still, the episode could have been so much more interesting if Alya had said, “Marinette’s the one who really gave Adrien the scarf for his birthday, but he looked so happy thinking it was from his father that she couldn’t bear to tell him that Gabriel hadn’t actually gotten him anything.” (I suppose reminding people of that wouldn’t fit into the writers’ poor attempts to make Gabriel sympathetic though 🙄).

Lol, just imagine the entire battle being sidetracked by Luka being brought to tears by how selfless and sweet his girlfriend is while Shadow Moth is too distracted by how this will ruin his reputation to get him back on track.

JKHJDSKGFSG

YES.

ALL OF THIIIIIS.

THIS IS AMAZING.

Anonymous said:

Marinette deserves to tell Luka she's Ladybug and have some support on her side tbh, it's disgusting to see the writers breaking up clearly the only thing that brings her joy and peace currently

HONESTLY.

And judging from that one trailer, she IS going to tell someone her secret and it’ll probably be freaking Alya; you know, the girl who blabbed about her Adrien crush to Nino and is thus THE LEAST TRUTHWORTHY PERSON. (”bonus” if it’s before the amulets)

I’m having nightmares already about Alya distrusting Lila because Marinette is Ladybug and not because Alya believes in Marinette. DX

Anonymous said:

Now that it’s been confirmed (in the worst way possible) that Jagged Stone is in fact Luka’s (and possibly Juleka’s?) father, how would you handle the whole mixed family aspect considering Jagged and Anarka’s relationship, Jagged and Penny’s, Anarka and Penny’s, Jagged and Luka’s (and Juleka’s?), and Penny and Luka’s (and Juleka’s?)? Topics like mixed families and family relationships are something that needs to be handled sensibly and sensitively given how it hits home for a lot of real-world people. Since we obviously can’t trust the ML writers to handle such topics the way that they deserve to be, how would you go about it knowing what we know up to this point about each character on their own and how they interact with one another?

Luka and Juleka were “accidents,” but Anarka kept it a secret from Jagged since Jagged was already hyped up to go on his next tour and Anarka knew their relationship was crumbling (possibly he already dumped her as his guitarist and she was annoyed about it). Jagged eventually learns that he has kids and is hesitant towards the idea, but because of him doting on Marinette (who’s the same age as his kids), he opens up to the idea.

Anarka and Jagged in present are mixed between tolerating each other for the sake of their kids and being chaotic best friends. The bad blood died out a while ago and there’s occasional tension but because Anarka is a single woman not interested in Jagged and Jagged is single with a possible thing for Penny, they make it work

Anarka and Penny have an awkward relationship. Penny wants to schedule time for Jagged to hang with Luka and Juleka and Anarka is confused at the very concept of a schedule, like just take them whenever okay??? isn’t it easier that way??? and Penny is like, “...oh, I guess so?”

Jagged and Penny, it depends on if they’re in any sort of relationship. If they’re in a relationship, Penny is either open to the idea of him learning to be good with kids if she’ll eventually want kids with him, or mixed because these are another woman’s kids and it’s really awkward. If they’re not in a relationship, then Penny could also be mixed since she’s crushing on him but I could also see her either finding it sweet that Jagged wants to hang out with his kids or finding it a hassle to schedule them in.

Jagged and Luka is rough. Luka has so many conflicting feelings on his idol ending up being his father. Jagged will probably even comment on Luka’s shirt + necklace and all of Luka’s merch in an attempt to bond but that kind of comes off desperate/awkward and Luka’s not about that life. I could also see Luka taking all the stuff down and swapping out his shirt, but being hesitant to remove the necklace because it’s a gift from Marinette. He might try to wash off the signature. He knows it’s not Jagged’s fault exactly but Anarka seemed to have bad blood with him and even if they get along now, Luka’s bitter. Jagged meanwhile wants to connect with Luka because hey musician energy!! but is gonna mess up a lot and say a lot of awkward things. Marinette will probably have to be a middle man between the two because it’s easier for them to talk with her around.

Jagged and Juleka don’t have a significant relationship at first. Juleka never care who her father was and she wasn’t crazy about Jagged Stone like Luka was. Jagged does try to connect with her but they clash majorly due to Jagged being so “loud” and Juleka being so quiet. Jagged will see it as a huge accomplishment the day where Juleka says something coherent (i.e: not a mumble) to him.

Yeah though, keep in mind for all of this that I’m not a family relationship kinda girl, so this isn’t my forte (I’m probably the most sympathetic to Jagged out of the whole fandom; not to say I agree with his actions but I have a history of hating babies and children, so not cool of him if he ditched Anarka but like, I get it, doesn’t make him better but I get it from a non-realistic standpoint of “ew, parenting”).

Anonymous said:

You know what? Imma gonna ignore canon for a bit more than I’ve been doing. The only thing I take away from “Truth” is that Marinette loves Luka and Tikki looks adorable in hats. That’s it have a good Saturday! 💙💙💙💙💙💙💙💙

Anonymous said:

If there’s one small detail that I thought was genuinely cute this episode, it’s Tikki posing in the mirror with her little hat collection.

Ahaha, those are good takeaways!

And yes, Tikki looked good in hats, but at what cost. (guys, where’s our jealous Tikki episode where Tikki is jealous of the attention Marinette has to give the other kwami wait no they’d just make it Marinette’s fault go back go ba--)

Anonymous asked:

Am I the only on squicked out by how Adrien acts all noble and claims he would never force Ladybug to tell him anything, but when it becomes apparent that he has to ask her a question before the akuma can he goes all ‘what are your three favorite things about me?’ :3c I mean, he had decent amount of time to think up a bunch of innocent questions that couldn’t hurt her in any way like ‘what is your favorite color?’ or ‘do you like cookies?’ or even ‘what’s the capitol of France?’ But instead he basically demands she compliment him. Coming from a guy who spent most of the last two seasons refusing to take ‘no’ for an answer that’s a bit… icky.

THIS

He could’ve phrased it in any way and he used it to get compliments from her. :|

At least Ladybug asked a legitimate question about how he felt about her guardian status.

Anonymous said:

I had this idea for an episode: Luka finds out that Marinette is LB because he is in danger. Let's say he gets yeeted off a building by an akuma and Marinette (in her civilian form) jumps after him, transforms while Luka sees it (he's shook, obviously), she grabs him and saves him from falling. I think that would be pretty epic, do you think you could write a one-shot based on that idea if you feel like that? I would forever be thankful. Have a nice day!

I like the idea, though I feel like that’s been done a lot before in identity reveal fanfics.

Anonymous said:

You know, despite them all getting interrupted, I thought the attempts at Lukanette dates was really cute. Luka picking up Marinette from school, the two trying to see who is the biggest jagged fan, getting ice cream at Andre's, it's really cute! I only wish Hawkmoth and the writers weren't such dickheads.

It’s so adorable!

Like--show, you aren’t doing a good job at getting me off the Lukanette train.

Anonymous said:

Are you sure the Lukanette breakup wasn't Marinette's fault? I mean, the episode frames it like she's refusing to tell the truth, even if it's for a good reason.

I’m not sure when I said that the episode didn’t frame it as her fault?

Things are ALWAYS Marinette’s fault, it’s literally a rule of the show.

Anonymous said:

You know the truth episode actually gives more reasons for lukanette in my opinion based of its description you said. Luka is ridiculously understanding and also almost manages to fight off hawk moth as well as taking probably a week at least for him to get to that and yet he, while he’s upset, still tries to be there for marinette. Also makes the relationships she has with her friends and family worse if the secret they think she has is that she likes adrien while dating Luka.

YES!!

And oh my gosh, I feel the friends and family comment so badly. Just throwing it out there, maybe you guys don’t actually support her???

Anonymous said:

How do you feel about Luka having no negative reaction to this whole "Marinette loves Adrien" thing? I understand that he isn't exactly the jealous type, but still, it seems weird to me that he just accepts it while Marinette is dating him. I love Luka a lot, but in this situation his reaction was just so unrealistic...

Honestly, I find it really interesting. Plus, it’s Truth who’s being told those things, not Luka, and Truth has other priorities.

And--I mean, I’m positive that Luka got into the relationship knowing that Marinette wasn’t completely over Adrien. She wanted to see if they’d work and he wanted to date her. It’s both of them being a little selfish in a way and I like that.

That’s why I think he doesn’t have a big reaction to the Adrien call. He seems amused more than anything, and Luka is empathetic also so he knows not to take Marinette’s stammering/mistakes to heart because she doesn’t mean them. We already had evidence of that in “Desperada.”

writingamongther0ses said:

Even if Lukanette had stayed together, I have a feeling Alya would complain that it's not Adrien...which could lead to a character growth opportunity for her when her complaining leads to Luka getting hurt when he overhears and becomes an akuma. But that's too interesting.

Interesting character relationships??? In THIS show???

never

Anonymous said:

After watching Truth the only thing I can feel at the moment is bitter. Not angry, not sad, not disappointed. Just bitter.

Bitter’s a good way of putting it, yeah. *sigh*

Anonymous said:

The fact that the second episode released managed to get a bingo really says a lot about how predictable the show's garbage fire writing.

I KNOW, RIGHT??

I knew the Lukanette episode would be a big card filler but DAMN.

Anonymous said:

I hated all of Truth, but perhaps the worst part was how hard they tried to remind you that, no matter how much of a good time Marinette and Luka have together, it's Adrien who Marinette will end up with in the end. From Alya rudely insinuating "girl, you're acting stupid, is Adrien at your house?", to Luka receiving a PICTURE of Adrien from a kwami, to Marinette talking on the phone with Luka while her Adrien pictures are in the background, to Marinette CALLING LUKA ADRIEN, to Truth demanding that people tell him Marinette's secret, only for them ALL to say "She's in love with Adrien Agreste.".

It's absolutely anger-inducing because it tries too hard to let the audience know to forget about Luka because Adrien is lurking in the corner and he and Marinette are endgame. The fans are right, Luka IS a second choice, but not in the way they think. Luka's a second choice, not for Marinette, but for the Miraculous Ladybug world. for the WRITERS!!!

But what bothers me the most is that everyone saying that Marinette loves Adrien is accepted as truth even when Marinette herself says she's over Adrien. Her words are ignored, how she feels is ignored, because everyone else(including the girl squad, when they're supposed to be her "friends") tells her that she's supposed to be in love with Adrien, and so she "has" to go along with it because ENDGAME. It's the show saying "stupid naive Marinette, you're too immature and dumb to know how you really feel, let someone else do the thinking for you!"

Meanwhile Adrien moving on with Kagami is accepted even when he still flirts with Ladybug(and forces her to build up his ego when he asks her what she admires most about him; I know it was a spur of the moment thing, but meta-wise, it was obvious love square pushing.), because "he's trying to respect her feelings and date someone else!" It's one of the main gripes I have with the show: that teenage girls are too emotional and confused to know what they really want, but teenage boys are mature and rational enough to make up their minds about who they love without holding any animosity towards anyone.

The all-white, all-male writing team pushes the Chinese girl's feelings aside and forces her to hide and erase them if they're not want they want her to feel, while the white boy gets congratulated with a pat on the back for doing the bare minimum and always, ALWAYS, takes the moral high ground(even in superhero form when he's supposedly goofy.). When she's the lead.

"Luka's a second choice, not for Marinette, but for the Miraculous Ladybug world. for the WRITERS!!!“

LOUDER FOR THE PEOPLE IN THE BACK

It’s just tiring. It’s not even me being sick of the love square, but it being forced into everything when it’s not even relevant. The episode strategically throws more and more of Marinette’s Adrien crush (I did the math, I know this) into the mix and it provides nothing but the same tired jokes. Heck, they keep leaning on the lucky charm Marinette let him borrow (not GAVE, let him BORROW) back in Season 1 because they basically have nothing else to go off of.

#category: salt #episode: Truth #other: ml spoilers #other: ask and answer

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adultswim2021 · 3 years ago

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Metalocalypse #2: “Dethwater” | August 13, 2006 – 11:45AM | S01E02

Frontman Nathan Explosion keeps deleting Dethklok's highly-anticipated upcoming album in a fit of perfectionism. In that same fit of perfectionism he decides that the only way the album will live up to the hype is if the band records it in the deepest place on earth: the Mariana Trench. The record label insists on sending a producer to oversee their activities, which does not sit well with Dethklok. They get down there and record their album, but due to a recording mishap they need to isolate Toki in his own pod to record his track, but instead he sings a lighthearted song about making fish friends. Toki being a sweetiepie is a very good running bit.

The producer winds up loving Dethklok's album so much that he turns his back on the tribunal, who initially had him tapped as a spy. Early on the show was sorta vaguely setting up some grand plot that would become apparent as the show went on. I guess. Honestly, I think I watched every episode of this show and I started losing interest at the end of it and I don't even really recall a whole lot about it. I think I prefer this element as just being more absurd or meta. It's almost like a Saturday Morning cartoon where the main characters just inexplicably have a villain character that hates them and tries to thwart them just cuz that's what you did in a Saturday Morning Cartoon. The fact that Dethklok sorta became a real band because of this show sorta demonstrates that they were backwards engineering this concept; It's almost like if the Harlem Globetrotters became real guys because of the Saturday Morning cartoon and not vice-versa.

The current conversation in the boys DM is about how hideous the animation is for this show, and I basically agree, but I think I find myself appreciating certain aspects of it. Like, the character designs are also really ugly, right? But they also sorta seem like they're supposed to be drawn by amateurs? Like there's the one part towards the end where the producer guy is ascending way too fast in his submarine in order to escape a monster, and he gets the bends so bad that his eyeballs explode, and it keeps zooming in on his face. You can see like jagged tossed-off lines, as though whoever drew it wasn't actually very good at drawing. I don't know man, it's a thing.

EPHEMERA CORNER:

youtube

MAIL BAG:

have you ever enjoyed a real life Adult Swim? You don't seem like the public pool type based on your eccentricities in your writing.

The only time I ever enjoyed an Adult Swim was when I was a little kid. All Kids Outta the Pool and into the clubhouse; there’s arcades in there baby!!!

Is it just me or when Will Forte says "THANKS FOR CARING" at the end of the JJ Pepper Videography sketch on Awesome Show it takes the air out of the whole bit? It feels like an SNL instinct instead of a Tim and Eric one. Sorry, I just don't like it, and I'm not gonna wait for you to get to Awesome Show to ask because I can die any day and you are going simply too slow. It would have been a Legen-DARY sketch if it wasn't for that final line.

I think it’s such a wild and weird way to end a commercial TV that I’m glad it exists.... but! You may be right. It’s just too weird. Is JJ Pepper for real?

Did you skip covering the Space Ghost Coast to Coast Volume 3 DVD set? Is it because of the Pavement menus? Did Stephen Malkmus come to one of your Simpsons Nights and insouciantly tell you he prefers watching sports?

I suspected that I DID miss it, but thought maybe I’d get away with it. But since I’m covering that season for Space Ghost Week maybe I’ll just do an entry for it to kick things off. Or... NOT!

Hm. I'm a moron for just telling you straight up how it is. Okay. Goodbye.

Bye bye! See you hell LOSER!

Here's 10 Ways To Make Your Blog's Mailbag Funner and Funniers. Number 10: Make a Call to Action with every post. This is a surefire way to get people to talk back. Number Two: Lay some ground rules. While no one likes a hall monitor, laying a few ground rules will make people know what to expect when sending you mail. Number Three: Throw in some red meat. Drink Dr. Pepper? Menton it in a blog post. It may not be relevant but a little autobiographical info can inspire some replies. Number Four:

I don’t drink Dr. Pepper. Thanks for caring.

I don't think that bug wars movie that guy was talking about was real. You have some really stupid people reading this blog. Maybe make people solve a brain teaser before they can submit something to you.

Thank god it’s not real. I think the mail bag is at it’s best when it’s an equal mix of smart cookies and sick puppies and I gotta say, COOKIES: STEP IT UP!

#adult swim #adultswim2021 #metalocalypse

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practicalmagicintuitions · 3 years ago

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A little something about tarot for beginners and everyone who is interested.

I planned this post for a long time, mainly for tarot newbies, someone who wants to start or just interested in how works. It won’t be a Tarot 101, definitely not. More likely, how I work with the cards.

DISCLAIMER: If you are underage I cannot and I won’t give you any ideas how to hide your practice from your parents or guardians. I know tiktok is very popular, but be careful because there is way more misinformation than any other SM site.

First, you obviously got familiar with the basic meaning of the cards, the build of the deck. You will learn the suits, the arcanas, the court cards, the numerology groups, and a few keywords. But this comes with practice. This doesn’t mean you can only draw your first card after you learned all of those things. No. When you buy your deck, look at each card carefully. Do not turn into a companion book or the internet immediately. Think about the card, make notes into a journal or a paper about what you feel, notice when you look at the image. Makes you happy, makes you scared? Is it dark, it is light? And after that, you can read what the book says.

Tarot is about storytelling so your intuition, your memories, your feelings are very important.

When someone is saying tarot has fixed meanings… this is not entirely true. One card can have many many meanings depending on its position or the surrounding cards. Yes, Death card won’t mean your soulmate is coming on a horse, but it’s also 99% won’t mean you are gonna die.

If you want fixed meanings, you should read Lenormand instead. In Lenormand, there are certain combinations with fixed meanings, there is no place for intuition. The pictures on the Lenormand cards have aesthetic purposes only they don’t have additional meanings. Tarot is intuitive. It means you combine the meanings of the cards and above that, you are using your intuition AND the pictures on the cards. Movements, colours, directions, animals, flowers, symbols etc.

What do I mean? I’ll show you.

Those are the Fools from the classic RWS, the Modern Witch Tarot and the This Might Hurt Tarot decks. Look how similar they are at first. They are representing the carfree, daydreaming attitude, the journey. They all have a companion, a dog etc. You can fairly read those the same way. Of course, there are differences, the big city instead of the mountains, backpack etc, but I think those are amazing starter decks.

I think I wrote in my first tarot post that even many people do not like the classical RWS deck, because the images seem ugly and there is no diversity, for me that is the basis and I think everyone should have own it. But if you absolutely don’t want to because you don’t like it at all, those 2 decks, the Modern Witch Tarot and the This Might Hurt Deck seems a good starter deck. RSW was not my first deck, I haven’t started with it, so you can buy it later on if you want and start with the deck you like more. It is very important to choose a deck that speaks to you. Tarot first and foremost is about your personal journey or helping others if you are reading for others. What I am doing here in tumblr is fun, a good practice, it is testing my abilities but tarot is not only for knowing more about our celeb crushes. It is a guied to ourselves.

Let’s see more examples with pictures. The RWS tarot and the New Vision tarot.

New Vision tarot recreates the RWS imagery but as you will see gives a different perspective to the cards, therefore gives a new layer to them. I heard the deck has only a little white book, not a real guide, which is a shame. I think it’s an interesting concept and you could deliver very different readings than with a standard RWS. Personally, I wouldn’t recommend this deck to a newbie but it’s interesting so I show you. You can see how different those images, how different intuitive messages you can get.

Same-ish concept is the Vica Versa Tarot. Based on the ratings it is more usable than the New Vision Tarot. This deck has pictures on both sides and the meaning varies depends on this. This is also a very RWS based deck so it is very interesting to me. Not in the near future, but I want to purchase this deck.

I will show you a few more examples of cards that are less based on the RWS system (or not at all) therefore you need you and your intuition more.

RWS, Gentle Tarot, Wild Unkown, Shadowscapes

I hope you understand now how important it is to use your own intuitions, feelings, experiences and find the style that suits you. Personally, I prefer the more earth-based, pagan or darker decks (not too dark though, I should say more serious) but you can find all pastel pink, fluffy decks too. There are literally thousands of decks on the market in every style. But those are not cheap things, if you cannot connect you won’t be able to work with them. If you like a deck, go to youtube, search for a flip through. Look at the cards carefully. If you still like it, amazing. However, if you bought a deck and it turns out not for you you can still sell it online or if you are really lucky you have spiritual stores or fairs in your area where you can sell or change it for something else.

Connecting the cards it’s not easy, but one of my most spot-on reading was when I let my intuition work completely. I remember I pulled the cards and I started to collect the information about what they could mean. And I felt it makes no sense left to right but right to left I understand it crystal clear. I was hesitant because you have this preconception you have to read the cards in order, but guess what, you don’t have to. I will link an excellent video about it, I found it after my reading and it was a light bulb, aha moment for me. This youtube channel is not for beginners, but I recommend watching this video, you will understand what I ment and it will help you.

The other thing, yes, in western culture we read left to right but this is only one way you can do it. You don’t have to stick with it in your readings. In the most popular spread in the Celtic cross you read the last 4 cards from down to up. And on the standard RWS deck (as you can see on the first picture above), The Fool starts his journey and he is heading from right to left. Isn’t this amazing? And the Major Arcana is about The Fool’s journey. Aka your journey.

*( I cannot link here, in the middle of the text, so it will be video 1 at the end)

So don’t be afraid, be free, make your own meaning, rituals. This is your tarot journey, no one else's. Yours. Don’t let some bitter, “I know better, you are wrong” people take your enthusiasm away.

You can read many books and sources but it doesn’t mean you will understand the cards. You cannot read the cards mechanically. Keywords are helpful at the beginning but after a while you have to leave them behind and use your intuition.

99% of the tarot readers have difficulty with Court Cards. Those are basically people on the cards, doing very little. Some readers read them only as a person, some of them read them as an influence. Just because there is a man on the cards this doesn't mean it represents a male in your life. So it’s hard.

One exercise which is fun and you can make it easier is that you try to pair them with people in your life. Do you have an impulsive brother who is flirty and rushing things? Knight of Wands. Do you have a mean female boss, who is gossiping and bitching? Queen of Swords rx. Of course, this is very basic, but it could help and it is fun.

If you don’t want to use your family or acquaintances, use tv series instead. I think Game of Thrones is amazing for this. It has so many different characters. Many of them are even changing. Jon Snow went from Knight to King, Arya from page to Knight, Sansa from Page to Knight, from Knight to Queen.

The second type of exercise is similar just with the minors. Choose a movie and try to tell the story with the minors. People met, fell in love, getting married, broke up, fighting over money during the divorce etc. All in the cards.

Pulling a card daily is amazing in every way. People recommend doing this in the morning, however I like to do this at the evening. Firstly, because I am a night owl, mornings are painful for me and I don’t have time in the mornings. But the most inportant reason is because I can be anxious and easily stressed out. If I pull the Death at the mornig I will stressing out the whole day. However if I pull this at the evening as a summary of my day maybe I will realise immediately, “oh, my favourite tv show was cancelled, bummer.” or “ I have a new teamleader at work or school, so this is a new cycle for us” I think this gives you a bigger and clearer understanding how those cards are fit into your daily life and what are they meaning for you personally.

When you choose to do any kind of divination it’s crucial to protect your energies. So it’s inevitable to start meditating. The other two practices which I highly highly recommend are called Grounding and Circle Casting. Don’t be scared, those are just higher forms of meditation that help you to keep the balance, but those are also a must if you decide to do another type of Energy Work, for example of Energy Manipulation. I will link an excellent video about it. This YT is also an amazing resource if you are interested in Wicca. You don’t have to! This channel is amazing anyway. Personally, I am not a Wiccan either as I am not celebrating Wiccan sabbats like Beltane or Imbolc, but I love this channel so so much.

*I cannot link the video becuse she’s blocked this option but this is her site. Go and check her Centering and Grounding ║ Witchcraft 101 video, it was uploaded on July 10th in 2019

https://www.youtube.com/channel/UCFz0Rtv2bh86aUy_5_YsGLw

There will be a point when someone wants to scare you that tarot, divination and spirituality are evil. It is not. Tarot is a piece of paper with pictures on it. It’s not deviant or anything. The cards have no intentions or consciousness, they are just cardstock. Not bad or good. What can make it harmful is the unethical people. Someone who wants to bribe you to pay a big amount of money because “you are cursed” or is someone trying to manipulate the readings to scare you or make you do something. If your intentions are good, have a moral and you protect your energy, you don’t have to be afraid.

In my experience usually people who are heavily involved in churches or Christianity try to push that the tarot and spirituality are evil. Of course not all of them, I know many professional tarot readers who are also Christian, love Jesus etc.

What you should know and maybe this could give you a little comfort or calm that we are all spiritual beings. All of us are made of energy. We are so much more than flesh and blood and bones. Everyone is attracting or have spirits in their life even the most hardcore churchgoers have. You are not bad or evil just because you use divination. Always your intention is important and that you seek the light side of spiritualism.

I hope you liked this post, it becomes my baby and I am really proud of it and I hope you will find it useful or interesting. In the forseeable future I am not planning anyithing similar but I am open to questions as always. Maybe I will have an answer.

Be Blessed.

youtube

#tarot #pmitarotreadings

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fresh-prince-of-denmark · 4 years ago

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Analysis of the Devil Ending: Who Died and Left Aristotle In Charge of Ethics? (Pt 5)

Hello and welcome back to me over-analyzing everything in Cyberpunk. If you haven’t read my other posts, please read those first! (V’s Mikoshi Poem, Johnny’s Mikoshi Poem, The Sun, New Dawn Fades).

This part took me a lot longer to complete. Not because it was particularly long…it was just painful. Jesus Christ. I hated every second of this ending. That shit hurted.

There were a few shards located at Arasaka’s estate that I chose to skip, as I did not find ant that were unique to the location. The three the game seemed to want to draw your attention to were actually not scattered as shards, they were spoken-word. The only shard I was able to find was a portion of The Odyssey. The other two pieces of literature are In Kyoto, which is quoted to V by the guard to takes her to the hospital room, and (what I believe to be) a reference to Plato’s The Allegory of the Cave. This section is going to be super theoretical. Like, more theoretical than the rest. So bare with me please.

Let’s start easy. This is the poem that the guard quotes at V as he leads her out of the operating room:

In Kyoto,

hearing the cuckoo,

I long for Kyoto

(By: Basho, translated by Jane Hirshfield)

Ten words. What could ten words amount to? The saddest goddamn words you’ll ever hear, dammit. This poem is a feeling more than a concept. Ever feel homesick when you haven’t gone anywhere? Lonely when you’re around other people? That’s V. This was supposed to be a victory, supposed to be what they wanted. But now Johnny’s gone, scorned and betrayed, and no one they calls seems to even be able to give V the time of day. This was supposed to be a victory, their way of going back to the way things were, getting their life back, going home. But we can never go back, can’t ever erase our experiences, what we learn, how we grow. As Misty says, we should not fear change in of itself, but who we might change into. This just goes to show what happens when we betray ourselves by rejecting our own growth: all that’s left is bitterness and sorrow.

The next day when V wakes, you can pick up a shard containing a section from Chapter 8 of The Odyssey. Now, I’m not too familiar with the Odyssey. In fact, I hate the Odyssey. So if anyone wants to jump in here and add something more intelligent, I’m all for it. The Odyssey is the tale of Odysseus, who has been trying for ten long years to return to his wife and son after the Trojan war. Odysseus is basically listening to a bard remind him of all his Trojan War trauma, and begins to weep, at which time time people start questioning what’s up with this guy:

Say what thy birth, and what the name you bore,

Imposed by parents in the natal hour?

(For from the natal hour distinctive names,

One common right, the great and lowly claims:)

Say from what city, from what regions toss'd,

And what inhabitants those regions boast?

So shalt thou instant reach the realm assign'd.

In wondrous ships, self-moved, instinct with mind;

No helm secures their course, no pilot guides;

Like man intelligent, they plough the tides,

Conscious of every coast and every bay,

That lies beneath the sun's all-seeing ray;

Though clouds and darkness veil the encumber'd sky,

Fearless through darkness and through clouds they fly;

Though tempests rage, though rolls the swelling main,

The seas may roll, the tempests may rage in vain,

E'en the stern god that o'er the waves presides,

Safe as they pass, and safe repass the tides,

With fury burns; while careless they convey

Promiscuous every guest to every bay,

These ears have heard my royal sire disclouse

A dreadful story, big with future woes;

How Neptune raged, and how, by his command,

Firm rooted in a surge a ship would stand

A monument of wrath; how mound on mound

Should bury these proud towers beneath the ground.

But this the gods may frustrate or fulfill,

As suits the purpose of the Eternal Will.

But say through what waste regions hast thou stray'd

What customs noted, and what coasts survey'd;

Possess'd by wild barbarians fierce in arms,

Or men whose bosom tender pity warms?

Say why the fate o Troy awaked thy cares,

Why heaved thy bosom, and why flowed thy tears?

Reading this made me feel just how tired V must be. All this fighting, all this war, and for what? Much like Odysseus, V has been through hell and back (literally, depending on how you see it). And it never seems to end. V has been fighting for so long, yet there’s always something more; the tests the doctor gives her are endless, and they’re always being asked to do more, over and over again, with no results or end in sight. Odysseus is teetering on despair; nothing he does seems to do will ever be enough, just like V. The world will just take and take and take. It’s exactly what V’s poem asserts in Mikoshi; the world cannot be fixed, and resistance is futile. You can’t change how corporations rule the world, and as a protestor states on the TV in the hospital room, the rich have no boundaries or morals, and we are powerless to stop them from taking whatever they want. They can take not only our souls, but our bodies, devour them in order to prolong their own lives. Johnny would, of course, disagree. Even a slap in the face to The Man is better than submitting to a corpo-leash, even if that is the easier path. And in fact, he may be right, since it seems taking Hanako’s offer is the conformist path, and the only one that leads to Saburo coming back.

But Johnny isn’t there anymore to walk the rebel path at their side. No more guardian angel to whisper when they it most to never stop fighting.

There’s a lot more we could go into here with the Odyssey; comparing Arasaka to the story of Polyphemus and the cave, talking about themes of passion vs. commitment, yadayadayada. I hate the Odyssey so that can be someone else’s problem tbh.

The final piece is what the doctor asks V to read as one of their tests. Now, on surface-level, this is foreshadowing if V will choose to stay in their body, or be turned into an engram. It’s laughing at them, really, both pitying and mocking the fact that they believe they have a choice, since either way they’re once again at the mercy of the rich and powerful:

“And it was a sight to behold, he said, how a soul would choose its life; sometimes pitiable, sometimes laughable at times wonderful and strange. For in most cases, the souls made their choice according to the habits of a former life.”

I couldn’t find where this was from, or if it was a quote from anything. But googling it does bring up Plato’s Allegory of The Cave, which I thinks tracks pretty well. I found a quote from this chapter of Plato’s The Republic, which is strikingly similar in meaning. For the sake of my sanity, lets assume that this quote is referencing this one from Plato:

“And he will count the one happy in his condition and state of being, and he will pity the other; or, if he have a mind to laugh at the soul which comes from below into the light, there will be more reason in this than in the laugh which greets him who returns from above out of the light into the cave.”

If you’re unfamiliar with the allegory of the cave, it’s a philosophical discussion from Plato’s The Republic. It’s about how human perception is limited, and so true knowledge comes from the self via philosophical reasoning. Much like humans imprisoned in a cave with only shadows as their entire world, we cannot imagine the true world outside the cave until we leave to see it for ourselves. Those who are freed from this limited reasoning have a duty to go back and free others, subjecting them to the full experience of awakening; both the pain and the triumph it entails. V starts out with a limited perception of things; a surface-level world, never stopping to see the bigger picture, until Johnny comes along and encourages them to question the status quo. In all other endings, V accepts this enlightenment. They challenge Arasaka, and try to follow Johnny’s legacy and Stick It To the Man. Yet if they accept Hanako’s offer in an attempt to return to “the habits of a former life,” they are rejecting this new understanding, refusing to leave the cave and live in ignorant bliss. This, I believe, is where Johnny’s true feeling of betrayal comes from: not because he’s being shredded, and not because he thinks V doesn’t know any better. V learned and changed just as much as he did, and this growth was something they were able to gift to one another. Johnny is proud of his change, proud to be someone trusted by V, proud at a second chance not to fuck things up. When V gives him control to go with Rogue to Arasaka, he’s ecstatic to prove himself worthy of that trust, to prove that he’s changed. Yet V, the person who aided in that change, is now actively ignoring and rejecting their own growth, and thus is betraying themselves. By not using their enlightenment to actively oppose the status quo and rebel, they are choosing the side of the oppressor by default.

Some of her last words if you choose not to sign the contract are to Goro, “You have no idea how good it feels to be free.” But the truth is, V is not free, and now they will never be free. By walking the path they have, they are choosing willful ignorance, stubbornly clinging to the darkness of the cave because it is easier to convince oneself that they are not a prisoner at all than it is to leave the comfort of one’s chains. Either way, they are caged, even if the bars the rich and powerful build around her are clear instead of solid. Her so-called freedom (and knowledge) is pure illusion — shadows depicted on a cave wall.

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pentanguine · 4 years ago

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Favorite books of 2020

So....about five months ago now, I drafted a list of my favorite books of 2020, and then I, uh, didn’t finish it. It languished in a draft gathering dust and I forgot that it existed.

But now it’s done! It’s hideously late and also out of date, because I’d change many of the rankings now (see below), but I decided to keep them in the original order to reflect how I felt when I actually meant to post this.

Gideon the Ninth- What can I say about this book that hasn’t already been said? It’s like nothing else I’ve read before, in the most unabashed, off-the-walls, grandiose way possible. It’s incredibly complex, well-written, goth, and full of memes. There are, indeed, lesbian necromancers in space.

Harrow the Ninth- I read this 500+ page book in one day and didn’t notice an earthquake while doing so, if you consider that an endorsement. There’s so much going on here it almost feels like it shouldn’t work, and yet it does, brilliantly—it’s so intricately plotted you’ll want to reread it immediately because there’s no way to pick up on everything your first time through.

The Starless Sea- This is just a magical delight of a story, with prose that flows like honey: slow, sweet, and delicious. The story unfolds like a series of wonders nested one inside the other, with each section adding another layer of whimsy and metafiction. It’s half a dream, and half a maze.

Young Miles (The Warrior’s Apprentice/The Vor Game)- The Miles books (the early ones, especially) are wild and unrepentant romps through outer space, and reading them was one of the highlights of 2020 for me. When I finished the Young Miles omnibus, I couldn’t remember the last time I’d taken such pure delight in a book. Even the heavier, more thoughtful moments were part of a well-told, enjoyable story.

The Stone Sky- Speaking of heavy and thoughtful books…The Broken Earth Trilogy is definitely not a light undertaking, but it’s just a masterpiece of world- and character-building. The Stone Sky is the final installment, and it does not pull a single punch in delivering what the previous books have been building towards.

This Is How You Lose the Time War- I keep instinctively wanting to call this a novel in verse, although I think it’s technically an epistolary novel with prose-poem tendencies. In any case, the writing is lovely—lush, vivid, sensual, romantic. I recommend reading this one with your poetry glasses on.

Cordelia’s Honor (Shards of Honor/Barrayar)- I tried to limit myself to one book per author on this list, but I didn’t succeed here. I loved the Vorkosigan saga too much, and I had to include the omnibus about Miles’s mother, Cordelia, whose life and personality could easily be the focus of another half-dozen volumes. (And if you’re looking for a well-developed m/f romance, you’ve found it here)

An Unkindness of Ghosts- I think this is the book that kicked off my sudden interest in sci-fi last year. It’s dark and beautiful, definitely character-driven, and everyone is truly strange in ways that protagonists rarely get to be. It’s also got one of the loveliest, most satisfying endings I can imagine.

Code Name Verity- An incredibly intense YA book that delves deep into one of my favorite fictional themes, Morality. It’s a rollicking spy adventure novel that focuses on a close friendship rather than romance (although you can read it as sapphic if you want), with descriptions of flying over England at sunset that made my heart ache.

The Raven Tower- I enjoyed this story for reasons probably particular to me—I like long digressions into abstract questions like “How do we exert power over the world?” and “Where does the meaning of words exist?”, and entire sections of The Raven Tower are devoted to the inner meditations of a very contemplative rock. It’s also a retelling of Hamlet, if that’s more your speed.

Network Effect (and Murderbot novellas)- I’m going to quote my immediately-after-finishing review: “Murderbot always gives me feels. I would love to give a more literary summary, but I’m still overwhelmed by the tentative vulnerability of two bots being best friends and watching TV together after [redacted].” The first Murderbot novel definitely did not disappoint.

The Monster of Elendhaven- Decadent, blood-soaked, and morally depraved, it’s kind of like The Picture of Dorian Gray by way of Hannibal (NBC), with probable influences from a dozen other macabre works and no restraint whatsoever. Reading it felt very self-indulgently delightful.

Before Mars- A deliciously unsettling sci-fi thriller with a refreshingly blunt, unsentimental female protagonist. Also definitely an …interesting book to read at the end of March 2020, but explaining why would definitely be a spoiler. Suffice it to say that the book goes dark places not advertised on the tin, and it made me cry.

Orange World- Karen Russell is one of those writers who make you wonder “how did they come up with this?” Every one of her stories is a totally original marriage between two wildly different concepts (like a Bog Maiden and high school romance, or new motherhood and the devil), and they’re a nice blend of literary and fantasy that I love.

Something That May Shock and Discredit You- It’s so hard to rank this one, because its two primary concerns are Christianity and transness, one of which means very little to me and one of which is breathtakingly important. I couldn’t justify putting it any lower, because it made me feel an ungodly number of feelings, but I couldn’t really justify putting it higher when a solid third of the book went right over my head.

The Ten Thousand Doors of January- A truly wondrous novel, one that fully immerses you in the delight of storytelling and imagination, and the power of escaping to other worlds. It’s very much in the tradition of “books that pay tribute to the love of books,” and an homage to a hundred portal fantasies before it.

Braiding Sweetgrass- I’ve got such a fondness for nature writing that doesn’t even try to be scientifically detached, and instead leaves you with the feeling that the trees and fields around you are bustling with (nonhuman) people.* Kimmerer’s writing is steeped in indigenous ways of knowing, and emphasizes the respect and reciprocity we can hold for the natural world. It’s lovely writing, and I can’t recommend the book highly enough.

Call Down the Hawk- Full of all the ingredients you expect from a Maggie Stiefvater book: fast cars, ancient magic, questions of art and truth, and borderline overuse of the word “cunning.” Every time I read one of her books I want to start taking notes, because she’s got such a signature style that’s both poetic and readable.

The Unspoken Name- For some reason I wasn’t much into epic fantasy last year, but I’m glad I gave this one a try. I love morally grey characters, of which there are plenty, and the plot took a number of refreshing twists and turns.

A Memory Called Empire- Not a fast-moving read, but perfect if you like your sci-fi novels poetic, complex, and intellectual. The worldbuilding is incredibly immersive, in a way that reminded me a bit of Ursula K. Le Guin, and I remember this stuck with me for weeks after I finished it.

*Let me be a nerdy weirdo for a second: Most of the time Kimmerer is writing about New England, an area I’m not really familiar with, but “The Sound of Silverbells” is set on a mountain somewhere in the South, and I adored it. Suddenly she was writing about dogwoods and redbuds and poplars, and I was sitting there going “!!! Those are my friends! My friends are in a book!”

Changes I’d make now:

Bump The Starless Sea down a couple pegs, maybe to #6

Swap out Cordelia’s Honor and Young Miles

Bump The Raven Tower way down to #16 and bump A Memory Called Empire a few spots higher, maybe to #17

Braiding Sweetgrass can go up where The Raven Tower was

#an inexhaustable source of magic #personal #yes i know none of them have the author's name #sorry about that #it you're reading this it's because i noticed i forgot the authors right after i queued it and then went 'oh well' and cleaned my bathroom #and subsequently did not remember and/or find the time #if you're not reading this then i found the time

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nat-20s · 4 years ago

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MEDIA THAT I RECOMMEND YOU CONSUME INSTEAD OF SUPERNATURAL FOR BOTH HEART AND HEALTH BROKEN DOWN BY TYPE OF MEDIA AND WHY YOU MIGHT LIKE IT IF AT ANY POINT YOU, LIKE MY POOR POOR SEVENTEEN YEAR OLD SELF, WERE INVESTED IN THIS ABSOLUTE GARBAGE FIRE OF A SHOW

with apologies to anyone on mobile who’s readmore function APPARENTLY doesn’t work

(I haven’t watched supernatural for at least five years and, given any sort of luck, I will never do so again, do not @ me)

hello babes. I am talking to you know bc I keep seeing supernatural, unironically, on my dash, and I think we can all do better. I see what’s happening and I think: https://www.youtube.com/watch?v=hU3i_o5Xd4g

Supernatural is fudge stripes. You are Megan. We can fix this.

So a list of alternate things that I think are overall better written/characterized/just generally more enjoyable that might scratch some of those itches:

TV SHOWS

Good Omens

okay look if u were on tumblr last year u probably already watched this show but like. If u haven’t, it’s only six episodes babe and there’s a large enough fandom that u can go down a fanart hole for days on end

Basic summary: the antichrist has reached that lovely young age where he’s supposed to bring about the apocalypse. An angel and a demon who have decided that actually they like the world as is, thank you very much, try to stop the end times. They’re not very good at it though, which makes for a comedy of errors.

Shared elements with supernatural that you might Vibe with: theologic (mostly christian) exploration/parody/imagery without inherently being a religious show. Fighting off the apocalypse narrative, which I think pretty much always goes hard as hell, but that’s just me. There’s a gay angel who’s socially awkward. There’s a fun very British demon. Touches on the hierarchies of heaven and hell, with framing Heaven as a bureaucracy and blurs the differences between angels and demons. Pining. Tenderness. A deep nostalgia for 80s music, though in this case it’s specifically queen, and who doesn’t love queen. Main character has a weirdly strong bond with his black vintage car. Satan is (sort of) fought.

Gravity Falls

sometimes...things that are kids shows...with a set story and a predetermined ending...are better

(also this isn’t relevant to any of what I’m talking about but I really appreciate that Gravity Falls specifically went against the thing that most begged me about ATLA aka that a 15 year old girl would be like yeah I’m into a 12 year old boy because the 12 year old boy has a crush on me and I apparently don’t get to really have a say in this. How does that make sense.)

Basic Summary: Twelve year old twins Dipper and Mabel go to stay with their Grunkle Stan for the summer in a small Oregon town called Gravity Falls. Turns out this town is filled with all sorts of strange phenomena that they often have to confront, work around, learn about, or befriend!

Shared elements with supernatural that you might Vibe with: The core focus of the show is a close sibling duo, but like It’s obvious that the siblings actually like and love each other and while they have their spats it’s still incredibly clear that they deeply care about each other even with their differences LIKE SORRY SUPERNATURAL YOU CAN’T JUST TELL ME THAT SIBLINGS CARE ABOUT EACH OTHER AND THEN THEY SPEND ALL THEIR TIME FIGHTING AND LYING TO EACH OTHER AND GENERALLY ACTING LIKE THEY CAN’T STAND EACH OTHER’S COMPANY BUT THEN OOOHHH YOU CRY ON TOP OF THE HOOD OF A CAR EVERY THREE EPISODE AND SUDDENLY THEY’RE SOULMATES OR WHATEVER

Anyway. Yeah. GF has a solid sibling dynamic. Monster of the week that builds up to greater over-arching plot. A little bit of body horror, you know, for humor. Fair amount of meta humor playing with the tropes of the genre. A Good Ol Big Bad that tries to pit the siblings against each other. Have to fight the apocalypse (you’ll see this point on like a good half of these recs, I really like ‘what are we gonna do about Armageddon’ media). Interesting creature design. Planned, satisfying ending (which supernatural absolutely does not have, but I still think if it had ended with the season 5 finale like it uhh pretty obviously was supposed to, that would sort of counted. Don’t revive shows that have clearly already told their stories kids.) Tie in media that gives you some fun extra stories when you miss the characters. (yes I read some of the supernatural novels when I was a c h i l d, yes I’m pretty sure there’s one or two of them still buried somewhere on my laptop, no I don’t wanna talk about it.) Older father figure (?) who owns a tbh kind of shitty shop. Both already in place and found family.

It’s a good show, and it’s two seasons. John Mulaney Voice: I dunno it’s 40 episodes

MINI REC ALERT! (mini recs are basically things that I’m not gonna go into detail about for whatever reason [probably either due to i’m not familiar enough with it OR I just don’t like. Have a bunch to say about it in regards to how it will scratch the itches presented to u by spn] but still seem like a Good Watch)

Mini Rec: Over The Garden Wall. Spooky Kids Media! Episodic! Miniseries so you can watch it in like 2 hours! Cool ass Animation! About two brothers encountering said spooky stuff! Big Bad tries to pit brothers against each other! Might haunt you for the rest of your life! Check it out!

The Haunting of Bly Manor

I think about this show every goddamn day of my life. (Also not relevant but Greg Sestero makes a brief cameo in it and I was like hi greg my friend greg!)

Basic Summary: An girl named Dani, while staying in London, decides to take on an Au Pair job for two young children, an older brother named Miles (age 10) and the younger sister Flora (age 8) at the spoooooky and mysteeerious Bly Manor, and she gets far more than she bargained for.

Shared elements with supernatural that you might Vibe with: Okay so supernatural doesn’t actually do this but I know I KNOW why we let ourselves be queerbaited in 2012. Four words for you: CENTRAL! GAY! TRAGIC! ROMANCE! You want some pining? Some tenderness? Some LOVE? Some dealing with internalized homophobia but no, like, actual violent onscreen homophobia? HAVE I GOT THE SHOW FOR YOU. If ur favorite episodes where the ones that make you sob (for me it was kevin’s death on god), I recommend this show. If you wished that supernatural literally ever had consequences or perma deaths or didn’t retcon major plot events like every five goddamn episodes so that there could be some exploration of like grief and trauma through the lens of/ higher stakes of horror, I recommend this show. If you really do stay up at night picturing a supernatural that wasn’t made by dumbass cishettie white men hack writers but was actually allowed to have Dean and Cas be in love over the course of the show so they could have like actual development and not the most homophobic gay reveal of all time, I recommend this show. Hell, if you just want a banger ghost story in general, I recommend this show.

As for what they actually have in common: horror setting/aesthetic without actually being all that scary most of the time. A strong sibling duo, though they’re not nearly as much of the focus of Bly Manor. Found family. Strong themes of grief. Questions of what turns someone into a monster (and done much better) An actual, much better noble sacrifice done out of love. Escalation of stakes until there’s a big final confrontation. Semi-big bad trying to tear this family apart. Found and pre-installed family. Sad orphans.

Watch this show. Vibe with me. Cry with me. Yell at me about Owen Sharma

MINI REC ALERT!

Haunting of Hill House- spiritual predecessor to Haunting of Bly Manor, though they’re not actually the same universe/story. However, it’s made by the same dude and has a shared aesthetic/sensibilities/some of the cast. This is only a mini rec bc I haven’t actually seen it, but I’ve heard good things and that it, while much more heavily leaning into family dynamics, has similar themes of exploring Grief and Trauma through ghooossstttsss.

Community

Okay I know that this may seem like a Wild rec considering community is a school sitcom with basically Zero paranormal elements but just like. Hear me out. And no this isn’t just because I think it’s a realy good show and I want more people to watch it, though that is a factor. If I was just recommending comedies that I think are good and more people should watch regardless of them serving as a replacement for supernatural I would demand you all go watch Galavant and Crazy Ex-Girlfriend. I’m gonna demand it anyway. Everyone go watch Galavant and Crazy Ex-Girlfriend. Now back to your original program:

Basic Summary: A group of students at Greendale Community College form a Spanish study group, and things quickly go Off The Fucking Rails in the best way possible.

Shared elements with supernatural that you might Vibe with: All right I’m gonna be real honest this rec is for all of my (correct) bitches who’s favorite episodes of Supernatural were French Mistake, Changing Channels, and/or Mystery Spot. You think if Supernatural would’ve been fucking fantastic if it had been a committed comedy instead of a CW melodrama that occasionally landed some admittedly really fucking funny episodes/concepts, Community (and the movies on this list) will gently take you into its loving arms and give you everything you desire. It’s about the Meta comedy. It’s about the discussion, exploration, and subversion of common tropes within the format. It’s about the grand use of group/ found family dynamics in order to max both the goofs and the heart. It’s about fantastic callbacks. It’s about having one of the few “asshole with a heart of gold” leads I can actually stand because. You know. Growth. It’s about the INCREDIBLE genre and pop culture parody. Which genre do they parody, you ask. All of them. They parody all the genres. The glee parody episode is a fucking masterpiece of television. If you don’t want to watch a show that features a Halloween party where everyone turns into zombies and the ABBA discography blasts in the background, you can stop reading right now, because I can guarantee you won’t be interested in a damn thing I have to say.

MINI REC ALERT: The X-Files. I’ve also never seen this but a: everything I’ve seen out of context has been fantastically weird and delightful b: it appears that there’s a general consensus that Scully and Mulder are one of the only valid straight couples so it’s probably pretty fun and c: let’s all be honest. Supernatural was already basically an x-files rip off, it had like half of their original writers swiped from the x-files crew, I’m pretty sure if you liked especially the first couple of seasons of supernatural, you’re gonna like the X-files.

Subcategory: TV SHOWS ( A WHOLE TWO OF ‘EM, OR MORE LIKE ONE AND HALF IF YOU WANNA GET TECHNICAL) I’M SPECIFICALLY RECOMMENDING FOR THAT COCAINE HIT OF PURE UNADULTERATED UNCUT 2012 TUMBLR NOSTALGIA

BBC Merlin

Yes, I know the show ended in 2010. Yes, it still provides that 2012 Tumblr nostalgia. 2012 Tumblr is a feeling, not an actual time period.

I love this stupid show. I plan on rewatching it all over the month of January. I harbor a deep amount of fondness for it. It’s why every time I see literally any depiction of Merlin I get just so fucking excited, and why I’ve consumed as many ridiculous Arthurian adaptations as I have (side note: my two favorite other ridiculous Arthurian legend adaptation are Avalon High, a DEEPLY silly DCOM that is required viewing to level up friendship with me, and The Kid Who Would Be King, which is the only movie that I think truly understands the comedic potential of playing a King Arthur Adaptation mostly straight but everyone in it is 12. I’m not sure it intended to be as fucking funny as it was, but again, they’re all middle schoolers. I have never been more jealous of an actor than I was of the 22 year old that got to play a 16 year old dumbass Merlin who was sometimes also Patrick Stewart and did all of his magic with ridiculous hand gestures That should’ve been me that should’ve been me that should’ve been me. Also Sword in the Stone by TH White is pretty good, because Merlin knows germ theory in the fantasy 400’s and he just uses it to be petty mostly. Also listen to High Noon Over Camelot by The Mechanisms. Also Also I tend to prefer family friendly adaptations because they don’t have the uhhh. You know. Incest and sexual violence of the original legend. Love to Not have that shit!) Whether you watched it initially and are due for a rewatch, or you’re intrigued enough by the concept of the show to watch it for the first time, you should join me on this wild wild ride.

Basic Summary: You know who Guinevere, Arthur, and Merlin are, come on. BBC said let’s make em all YOUNG let’s make em SEXY let’s make em FAMILY FRIENDLY and let’s make magic REALLY SEEM LIKE A THINLY VEILED ALLEGORY FOR BEING GAY BUT TO THIS DAY IM NOT SURE IF THAT WAS INTENTIONAL OR NOT BUT IT SURE SEEMS LIKE IT WAS. @ THE BBC MERLIN CREATORS WHAT IS THE TRUTH BECAUSE THERE WAS SOME INTERVI-

Basic Summary but like a bit more helpful: A BABY version of Merlin (and by baby I mean like 20 year old.) is sent from his small town to the big city the Kingdom of Camelot to find his destiny. Staying with the town physician and friend of his mom’s, Gaius, he ends up as both his assistant and personal manservant to Prince Arthur. But in a kingdom where magic is punished with death and the prince seems hell bent on getting himself into situations that are going to kill him, the young sorcerer has his more than his share of work cut out for him.

Shared elements with supernatural that you might Vibe with: Primo supremo queerbaiting. Like, yeah, okay, it’s queerbaiting, you know it’s queerbaiting, but you watch some of the scenes and ur like okay. I know why I let this bait me. Obviously with a modern show, I would expect more, I would expect better, I would raise my standards, but I gotta admit. Some of these scenes are fuckin compelling as hell, and the subtext is like barely sub. Monster of the week shenanigans. Some awful CGI creatures but like a charming awful. Like the kind of awful that tells you their very limited budget was more focused on cool swords than realistic creatures. Episodic stories build into a more overarching plot, with things getting darker in season 4/5. Shitty father that end up eating shit and while the son of said father is rightfully conflicted and upset over the death it’s cathartic and victorious as all hell for the audience. Multiple hot evil women, and I love hot evil women. There’s also nice hot women, which is a bonus. These women don’t all immediately stupidly die, so that’s a nice change. Also like a LOT of sarcastic humor and shenanigans if u like Sass Merlin is there for u personally name a more iconic line than “Oh I’m sorry, how long have you been training to be a prat, my lord?” AND THAT’S IN THE FIRST FUCKIN EPISODE brilliant amazing fantastic show stopping. Also you know those like dumb hijink episodes where like Dean was possessed by the spirit of a dog or some shit? You bet your bottom fuckin dollar BBC Merlin has those kinds of storylines. Also I know some people go to spn bc it had that HUGE fanbase and like BBC Merlin’s fanbase is still SURPRISINGLY poppin even though it’s been a decade since there was new content so like. Have fun!

Doctor Who but Specifically the RTD Era

Look I’m not here to say that the first four seasons of reboot doctor who are the only good doctor who or inherently better than all the rest (though the RTD era is my favorite personally) BUT when ur seekin that sweet sweet superwholock frenzy nostalgia, this is the ‘who’ that is being referred to. Also like. Stan 9. We should all collectively stan the ninth doctor. Chris Eccleston, the Objectively Best Famous Chris, deserved better.

Basic Summary: An immortal alien that goes by “The Doctor” travels across time and space with a variety of different companions, often to try and save the day or fix a (sometimes self created) mess. It’s distilled campy sci-fi with a family friendly tone that has made me cry on several occasions.

Shared elements with supernatural that you might Vibe with: Monster of the week that, you guessed it, builds into bigger overarching plot style narrative. Fighting off the apocalypse, but like every couple of weeks because worlds are in danger a LOT. A semi-tragic romance that made people go absolutely buck fuckin wild bc pining n shit. Wamen, but they aren’t fridged. (actually for real though none of the main women die and I just think that’s really fun and flirty even though I could go on a COMPLETELY SEPARATE rant about the injustice of one of the character’s ending YES season 4 is my favorite season and one of my favorite pieces of media ever and I am currently actively recommending it to you YES im still fucking pissed over how it ended YES we exist) Specifically, a Wonderful and Very Excellent woman named Donna who goes on a spa trip that doesn’t end up going very well. That seems like a highly specific example, and it is, but it did happen in both shows. (Also, to anyone that continued watching SPN after like idk season 9 what happened to Donna? I always liked her and I know she became a recurring character so like DM whatever probably injustice was the end of her story line pls and thank you) I’m also extra specifically recommending for Supernatural Fans and also The World At Large: Season Four of Reboot Who. I rewatched it last year and it still goes so fucking hard. Donna Noble is the best character in existence. In regards to the appeal for SPN, personally I think the best part of SPN was when people who are soulmates went on adventures and tried to save the day and it was a good mix of banter and sincerity AND GUESS WHAT’S BASICALLY THE ENTIRETY OF SEASON 4 OF DOCTOR WHO. It’s so good y’all I wish Everything was about soulmates going on adventures and trying to save the day.

OKAY TV SHOWS DONE TIME FOR M O V I E S which I don’t have nearly as many recs for but uhh here goes

What We Do In The Shadows/ Shaun of the Dead

I’m lumping these two together bc my reasons for recommending them are largely the same, and I would call them tonally similar enough that if you like one you’ll probably like the other

Basic Summary (Shaun of The Dead): Uh-oh! London’s had a break out of some of that good ol’ zombieism. Shaun and friends decide to hunker down in a local bar, but they have to get there first. Will they survive? Will they fuck up some zom zoms? Who’s to say?

Basic Summary (What We Do In The Shadows): Some vampire roommates dick around. I think there’s technically, like, a plot, but it’s really just about some vampires Doin Their Thing. Vibin.

Shared elements with supernatural that you might Vibe with: This is kind of similar to the Community recommendation, in that supernatural had the opportunity to be one of those things that was both a parody of a genre but also just a really good example of the genre. WWDITS and SotD are both those things for vampire and zombly movies, respectively. Have the aesthetic and some of the themes of a horror but is not actually all that scary. Horror Comedy is a god tier genre and I don’t know why it’s not more widespread. Fun monsters/cast of characters in general, so at least one person in it is probably going to make you go “oh gender” ya know? With SotD you have the fantasy power trip that comes with like any piece of media that involves hunting monsters. With WWDITS I go “yep that’s how bisexuals dress” and I Will Not Clarify which character I’m talking about.

MINI REC ALERT: All of Taika Watiti’s filmography. Thor:Ragnarok is one of like 3 marvel movies that I consider genuinely fucking fantastic completely independent of the MCU and my own tendency to be like “hurr bdurr I love. Superheros”. For the one that is most tonally like Supernatural But Significantly Better and Written By Someone Competent I think I would say try out Hunt For The Wilderpeople. It’s got a reluctant curmudgeonly father figure and I KNOW some of you motherfuckers were so invested in spn when you were like 16 bc you had daddy issues. This is a callout post for my friend [REDACTED], who I should text to watch Hunt for the Wilderpeople, actually.

MINI REC ALERT X2!!!: Bram Stoker’s Dracula. I’ve never seen it but it has both Winona Ryder AND Keanu Reaves so like. Goth bi rights.

Happy Death Day (and Happy Death Day 2 U)

happy death day was one of those movies that I saw the trailer, went “eh”, heard other people say it was great, watched, and went holy fuck this slaps. Not nearly as much of a slasher film as the trailers implied if im remembering the trailer correctly

Basic Summary: Our main character Tree keeps waking up on the day she was murdered. The day resets every time that she dies. That’s right, it’s a time loop storey babey!!!!!!!!!!!

Shared elements with supernatural that you might Vibe with: If you were anything like me you were foolishly lulled into supernatural for way longer than you should’ve been on the promise that the characters would idk like grow and change and become better and learn lessons and some of that would be through the power of receiving love and kindness. You know. Like how good writers would do it especially if their main characters are kind of dicks that really should make some changes. Well, Happy Death Day fucking delivers on that promise in SPADES. It’s about growth! It’s about change! It’s about making the active decision to become a better person and putting effort into doing so! There’s heavy themes of like grief and trauma and acknowledging them and facing them head on in order to move on and the negative consequences of refusing to do so and just trying avoid it until it goes away. There’s a romance that makes my dumb little self do the pleading face emoji. Tree is also one of the only good asshole with a heart of gold characters. I also think media is improved by having at least one character that is a Good Good Boy (note: Good Good Boy character does not have to be a man.) and Happy Death Day has Carter. Oh on that note: Tree Voice: I’ve only had character for (the same repeating over and over) a day but if anything happens to him I’ll kill everyone here and then myself. Also the movie is funny so like hell yeah.

that’s all I got for relevant movies right now

BOOK RECS

jk i’m illiterate. Everyone should feel free to go ahead and add their own suggestions for this section The best I can do is uhhhh I think y’all would probably like Mira Grant’s novels, particularly the Newsflesh stories, bc sibling dynamics. Also the book The Haunting of Hill House is really good. Ballad of Black Tom slaps? There’s of course the Good Omens novel that the show was based on. I’m about to recommend some podcasts after this section which will include to Welcome to Nightvale because of course it will and the tie in novels for that slap, especially It Devours!, and I’m pretty sure they work as stories even if you know nothing about the podcast. Also also I think you should read “The Long Way to A Small, Angry Planet” by Becky Chambers It’s not thematically similar to supernatural at all but it’s one of my all time favorite sci fi novels and only like four people have read it which is a goddamn TRAVESTY.

Anyway yeah that’s it that’s all there is. Onto the medium that is like books but I can fold laundry or cook while consuming their narratives.

PODCAST RECS

Okay so this is getting uhhh wicked long so I’m gonna limit myself to only three full blown recs and a

mini rec

Alice Isn’t Dead

Fuck me running this show is so good. Literally hands down my all time favorite (and scariest!) horror podcast. Mamma mia, that’s a good fuckin story. The Book version is also good and has fewer Weird events but some further character development so I recommend them both.

Basic Summary: After her wife Alice disappears mysteriously, Keisha takes up a job as a long haul trucker, traveling all across America in order to find her, but ends up finding so much. Pursued by a deadly creature she calls The Thistle Man, the stakes of her journey are raised.

Shared elements with supernatural that you might Vibe with: okay so I have a lost of bullet points of things that appealed to me specifically about supernatural and how no other shows covers all of them which sucks bc it means I basically Yearn for a show that’s supernatural but good. Alice isn’t Dead, however, hits the most of these bullet points AND is so fucking good. It has monster hunting. It has stopping a cataclysmic event BUT also discussion of the cyclical nature of events such as these and how the fight never truly ends but you can make some fucking progress nonetheless. It has a central gay romance that’s actually a central gay romance. It’s the ONLY show on this list that really hits that the weird and dark underside of americana vibe but specifically the americana of not like suburbs and shit but that eerie haunted feeling you get when you’re hours into a late night drive on open roads with no civilization around and an expansive sky and it just Seems like something should be watching you. Have you ever been out for a walk at midnight and encountered a deer and you looked into each other’s eyes and it felt like it was telling you a message that you couldn’t possibly hope to parse? Have you ever felt an incredible sense of deja vu eating in a restaurant you couldn’t have possibly been in before, because you’ve been to a thousand diners a thousand times just like one, and there’s an incredibly sense of homogeneity even though you’re 2000 miles away from anyone and anything that could possibly know you? Have you ever traveled to an area that seems to be stuck in a bubble of time, the only thing that shows any evidence of having aged past 2006 being yourself, and you wonder how your cell phone even works around here? THAT’S the spooky americana I’m fuckin talking about! Messed up road trips! Too much goddamn space! America is scary because it’s big and Filled With Things but also Not Enough Things! Fuck yeah!!!!! That time bubble fuckin EXISTS in Wyoming the most recent song on the radio I heard was fuckin Hey Soul Sister!

Also has a thing where like are there even good guys and bad guys in a conflict or is it all just one umbrella nightmare that you’re trying to stand against in anyway possible (u kno..like how the overarching structures of both heaven and hell were kinda fucked in spn? No spoilers but similar shit be happenin in Alice Isn’t Dead). Exploration of what makes someone into a monster, like how do you go down that path? Also this is the only show on this whole damn list that southern gothic music really suits it so points for that.

The Magnus Archives

You know I had to do it to ‘em.

Basic Summary: Jonathan Sims has just become the Head Archivist at the Magnus Institute, a “research” “facility” that looks into paranormal/esoteric/unexplained phenomena.

John Mulaney Voice, Again: Nobody knows what the archivist is going to do next, least of all the archivist. He’s never been in an archives before, he’s just as confused as you are.

Shared elements with supernatural that you might Vibe with: Oh fuck this document is over 5k long I said I wasn’t gonna do this hhhhh so lipton lightning round: Slowburn Gay Romance but Actually Canon, Monster Hunting but Hey What Even Is A Monster Anyway, Acts Somewhat like a Loosely Connected Horror Anthology until it DOESNT, Little Things Build to Bigger Narrative, Characters Be Goin Through It (On God These People Need Therapy), Trying to Prevent/Fix The Apocalypse (X2!!!), Smug Asshole Big Bad, Horror as a Metaphor For Various Shit, Basically if you thought that the Men of Letter concept slapped and you think it should’ve been the whole damn show including being Deeply British you would probably really fuckin like TMA. Also if ur like the ideal piece of media is a horror tragedy but also like it’s a wacky sitcom but also also fuck cops. U will like tma.

Welcome to Nightvale

IF ANY 2012 TUMBLR FANDOM DESERVES TO MAKE A MASSIVE COMEBACK AND BE EVERYWHERE AGAIN AND ABSOLUTELY FLOOD MY DASH IT’S WELCOME TO NIGHTVALE WHY DID WE ABANDON THE SHOW THAT TREATED US THE MOST KINDLY DID YOU KNOW THAT EPISODES 108-110 ARE THE BEST FUCKING BUILT UP NARRATIVE REVEAL THAT I HAVE WITNESSED IN MY LIFE DID YOU KNOW THAT IT CONTINUED TO BE REALLY FUCKING GOOD AFTER MOST PEOPLE STOPPED LISTENING DID YOU KNOW CECIL AND CARLOS ARE MARRIED AND THEY HAVE A DOG AND A TODDLER NOW BECAUSE OF ALL THE GAY PODCAST PROTAGONISTS CECIL GERSHWIN PALMER LOVE OF MY LIFE ELDRITCHIAN CHEERLEADER AND CERTIFIED BIMBO KEEPS FUCKIN WINNIN BABY. DID YOU KNOW THAT CECIL THINKS PEANUT BUTTER IS A ROCK.

Basic Summary: Welcome to the sleepy desert town of Ņ̶̏ight V̶͚̰̮͗̔̊̊ale! Community radio how host Cé̵̟͚͕̗̞̙͂͑̽̄́c̵̤̼̞͈̪͓̍̽̋̚̕͜il Pǎ̵̧̨̢͚̻̈̂̄̇͐̇̊̀̆ͅl̶͚͎͕͉͖̬͓͑́̐̒̍̿̈́͢͜͝ͅm̸̧͙̟̖̠̳̬͋́͋́͌̚̚ͅȩ̙̖͎̖͂́̒͐͜͞r̢̢̛̰̻̮̺̩͙̼̈́͋̀͘ is here to k̠̠̰̦͙̯̥̎̄̆͌̎̀̿̔̌̚ê̷̢̬̥̞̩̯̘͒̽̈̓͐̂̔̍e̶̡̝̗̺̫̪̜͆̓̿̈͌͌̆͒͞ͅp̵̹̗̬̼̠̬͙̏͐͐̉̅͊͊́͟͞ͅͅ ỷ̛͙̞̦̦͖̑̉̌̎͞͡͡͝ͅo̧̧̥͎̻̥̲͇͋́́̔̈͌͞ǔ̸̬̯̫͇̦̮͕̤̲̯̽̔̀̔͆͋̈́͘̚ up to date all the local happenings, including w̸͐̆̅̂̃̈́͆͊̉̏͒́̈́̋͗͑̄̉́̐̌́̿̌͛̾̎̊̾̃̕͘̚͠͠��̢̢̢̧̡̡͍͖̻̳̹̼̼̰̬̭̱͔̲͙͍̰̠̥̺̝͖̺̖̼̮̼̞̳̞̜͉̤̯͇̖̳͖̠̙̺̲̤͇͈͚͓̮̭̱̭̩͚̟̥̬̟̻̝̼̖͚̘̉̔̍̐͛͜͜é̵̢̡̧̨̨̡̧̨̡̛̹̥̥̞̮̯͙͈̻̝͓͖͙̦̰͍̖̜̲̰̞͎͈̭̯̳͕̗͓͈̭̫̼̯̪̞̯̰̲̘̭͎̪̱̗̝̝̞̤̱͉͙̯͎̬͎̙̜̗͉̩̦͕̪̳͇͙̺̙̰̠͚͎̜̠͔̬͎̺̣͕̜̊̓̃̐̂́͂̎̐̾̔̽̀̉́̍̊̂̿̎͂͐̎̐̄̍̔̋̐̃͗̈́͂̀̒̊̎͘͘̕̚̕͜͝͝͝͠ͅͅa̸̡̧̡̡̨̡̨̛̛͙̣̘̳͎͖̥̝̟̱̩̥͙͉̝̲̙̮̩̩̹̱͔͎̥̹̻̜͚̭̬̳͚̤̙̖̯͎̱̫̞̪̻͖̱̞͔̭̻̺͚͚̯̬͓͓̳͇̳̦͓̞͈̮̤̭̣͉̲̞͚̘͗̆̃͌̅̍͊̓̈̇̌̒͊͑̊̏̊͌̈̓̿͗̒̏̒͊͒̏̃̎̒̀̅̾̍̀͘͘͜͝͠ͅt̵̢̡̨̧̧̛̛̛̯̤͓̘̻̤͓̪̰͔̪̝̫͎̻͔͈͎͔͙͕͈̰͓͍̀̏͒̆͋̈́̈́͂̔͋͆͂̅͗̍̆̍̆̔̑͊̏̈͒́̽͊́̿͂́̓͛̽͐͌̌̐̈̇̃̓̆̍̅̃̔̚̕͜͝͝͝ͅͅh̸̨̨̡̢̢̡̢̧̡̧̢̡̨̡̭̜̬̬̙͕̗̙̻̯̠̘͙̻̥͉͚̼̗͚͇͉̰͍̥͉̗͎̬̫͖͉͔̼̮̯̞̫̬̟̻͉̖̙̥̫͖̬͚̟̜̭͇͎̭̘̝̲̤͕͎̰̭̗̯̮̤̙̙̯͍̞̭͚͔͎̞̹̲̟͉̩̭̖̱̠͍̺͈̟̩̋̆̈́͆̍̆̄̏͜ͅͅȇ̸̢̢̨̨̧̛̜͍̺͎̬̪͙̻̝̣͓͈̺̩̳̟̲̠̣͈͎͎͈͉̙̪͖̳̺͇̹̊̍͊͑̿͊̌͛̿̓͊̾̀͂͛̉͆̾̽͆̈̏͛̊͛̍̈́̇͋̔͂̑͐̂̿͊̽͑͘̚͘͝͝͠͝ͅͅŕ̵̨̡̨̨̢̧̡̧̨̘̟͙̦̲̲̪̦̙̼̠̳͚̞̦̞͖͚͇̳͖̲̭͕̜̫̳̖̙͖͉͎̘̘̤̠͈̬͕̝̻͚̥͍͕̠̥͙̙̪̖̯͍̘̘̲̣̹̜̪̲̭̟̮̫̖̤̰͔̩̩͉̲͚̟̝̦̬̪̘̬̮̱͔̻̦̼̃̐̂͋̐̅̋͒̉͛́̅̈́̒̒͆̑̆͊̒͒̀̍̈́̍͌̍̏̔͋͌̒̍̌͛̓̈̂̐̕͘͘͜͜͝͝͝ͅͅͅ ̶̢̡̨̛̠͇̹̯͕͍̻̟̼̼̗̩̱̗̙̱̥̜̬̫̜͎͉̺̣͓̟̯̱͖̣̞̠̝̥͍̲̳̙̠͔̹̘̲̲̻̖̈́̊͋͜͜ą̵̡̧̟͕̬̳̜͈͈̳̝̜̣̬͔͈͈͎͉͍̯̟̞̺͎̝͇̰̥͖̬̯͙̤̬̼̲̦̯̭͓̠̺̳̱̰̮̎͋͆̈́͌͆̎̉̓̇̐͋͋́̃̉̈̄̏̓̉̿̅̒̉̒̉͂͛̄̀̇̒͊͛́͊̎́͆̌̆́̌͂̈́̽̋͛͗̑̊̀́̍͊̌͆͊͐͆̅̒̊̉̾̄͛̑̕͘͘͘͘͝͝͝͝͠͠͝n̸̡̛̛̛̛̛̙͎̬̦̠̼͓͈̝̾̍͑͛̅̒̾́̌̍͛̇̋̇̓̏͛̔͛̈́͆̿̌͐̿͊̿́͒̍̃̀̈͐̐̆͐̉̒̂̉̀̅̇̾͋̍͒̋̈̌̿͒͐̍́͗̀̌̌̚̕̕̕͘̚͘͘̚͜͠͝͝͝d̴̡̢̢̛̛̛̺̠̳̬͎̞̲̣̲̱̳̪̹͉̝̠̱̗̙̫̠̹̼̙̝͉̲̟̮̙̙̮̻̹͈̦̙̞͚̜̙̖̞͓̙̭͉̃̽̌̅̔̾̈́̒̽͑́̒͋̓̈́͆͋̽̒̃̽̋̐͌͂̍͑́̽̋̍͗̋͗͂̅̽̈̈̾͐̄̃̕̕͜͠͠͝͠͝ͅͅ ̵̡̡̢̛̛̗͚͍̺͇̲̳̯͓̰͍̙̮̙̜̟̞̣̼͕̝͔͙̺̫͈͈̠̻̘̱͍̦̭͔͈̤̺̗̮͕̦̞̘͍̯̻̝͓̤̳̫͔̩͉̬̈́͋̈́̐͒́̔́́̿̓̆͐̎͆̇͒̄̈̿̓̑̾̏̔̿͊̌͆͒̒͊̓̅̓́̔̅̀̀̀̃̿̂̑͂͆̅̎̾̏̓̂̈́͛͌̇̾͌͐̈̂̆͐̅̓̍̓̃̆͗̃͛̏̒̌̀̅͊́̽̐̆̿́̌͘͘̚̕͘̕̕͜͜͜͠͝͠͝͠t̷̢̥͓̄͗̾̄̅̚͜r̵̨̡̨̧̧̢̛̛̛̛̛͍͙͚̥̱̞̜̦̜̼̺͉̠̬͎̰̻̜̼̫̤͓͖͖̤͇̞̥̖̈́͊̆̓͊̑̑̋̒̈́̔̆͆́̐͛͑͊͋̇̈́̓̑̍̏͐͛̽̋̎͑̃̈́͒̇̂̇̌͂̀̍̊̇̓̋̈́̌̏̕͘̚̕̚͝͝͠ǎ̴̡͓͓̯̘̥̱̱͖̦̺͓̘͉͖̞̟̦͈̜̥̰̘̞͈̦̠̼̯̙̭̼͚̟̖̲̠̝̜̐̅͆̏̈́̍́͂̃̾͑̓͋̽̄̾́̾̆̾͒͋̎͂̈́͘̕̕̚͜ͅͅf̷̢̡̡̧̢̨̡̧̢̢̧̡̧̫͖̖͇̲̫̮͕͉͓̩̪̳̹̩͎̖̟̤̤̲̟̪̫̻̻̖̟̦͉̼͎͖̭͍͖͎̖̳̳͙̜͉̝̘̺̖͚̙͉͕͙̯͖̞͚̮̲̻͉͙̺̭͓͎̤͙̦̦̺̯͕̜̰͍̳̙̦͉̪̥́͋̓̅̀͋͐̀̄̊̆̉̒̐͒̀̏̈̇̊̉̆̐̏̾̀̀̓͛͆̍̾͗͌̀̄̔͒̀̍̈́͆̔̒̑̏̍̏͆́̾̐̂͋̂̔̂́̓̓̌͌̉͛́̒̐̽̏́̑͊́̌̆̂̑͋̇̈́͌̑̿̅͗̚̕͘̕̚͜͠͝͝͠͠f̴̨̨̛̹͌̂̓͌͛̀͑̾̓̍͗̽͆̉̊͗̇́̍͌̊͐̔̈́̊̇͆̄̃̑̕̕͘͘͘͠͝͝͝͠i̴̧̡̢̢̧̢̨̨̧̧̧̛̛͎̗̳̦̘̙͓̦̙͔̜̼̘͇͇̺̭͉̠̩̟̤̥̘͙̤̩͔̪̱̻͈̪̼̼̞̠͎̟̹͕̻̭̤̪̲͕̟̺̻̻͖͕͚̣͇̖̰̝̩͈̤͕͇͕̝͙̙̪͔̗̫͇͎̙̲̲͖̗̘͉̲̣̤͎̔̐̆͒̄̈́̀̎̃̃̅͆̌̈́̽̈́̅̈́̑̄̇͒͐̀̐̀̒̍̀̓͌͗̓̽́͗̓̎͂͛̅̑̔̀͛̈́̽̾̃̊͊͆̄̍͑̍̆̌̾͗̄̊̽̉̅̆̀̎̀͑̿̎̋̄̆̃͐̾̏͛͒̍̋̅͘̕̚̕̕͜͜͝͝͝͝͠ͅͅc̷̛̛͚̝̻̣̞̓́̃́̀̃̓͗͌̂͛́̒̊͑̓͆̇̈́͑̏̆̀͌̑͂͂̄͌̉̔̋́̎͒̿͗͒͛̇͛̿̎̍̕̕̕͝͝͝͝͝ ̴̢̧̢̡̨̢̡̨̡̢̢̛̺̘̹̯̤̩̘̯͔̞̟̬̠̣̟̻̥̜̤͔̥͕̠̥̞͎̗̩̱̮͉͔͎̲̯̱̙̜̥̳̮͔̦̣͖͔̜͉̗̪̳̹̦̤͇̣̙͕̯̫̖̝̼̹͍̠͎͓̗͎̦͓̲̯̱̠̰͇̮̹͔̝͉͙̹̜̹͈̹̥͖̣̳̲͖̓́͌̈́̈́̀͌̄͂̌̾́̍̔̊̓̿͋͂͋̈́̋́́̒̓̀̒̃͂̀͑̐͛̆̆͒̈́̅̿͊͌̍͗̌̌͆̂͌́̉̏̒̓͊̾̒̓̋̽͐̏̾͘̕͜͝͠͝ͅͅr̸̨̢̛̪̞̬͓͔̥̤̣͔̭̥̙͉̦̗̠̳̩͙̂̈́͑͑̿̋̓̀͋͆̋̕͝͝ë̴̢̡̨̬͈͉̖̞͔͎͓͖̼̘̬͕̰͈̥͈̝̩͎͉͉̫̜͚͕̤͔̟̯͓͎̟͙̜̭̩̗̮͎̗̤͇̝̩͎̜̺̯͕͇̝͎̯͙̖͙̮̗̮̘́̑͑͛̂̅̄̌̽̓̒̾̿͆̏̏͐͛̾̂̃͑͆̅̄̿͋̅͂̈́̽͋͒̎͐̒̓͆̌̉͑͊́̀̈̾͛̋͑̋̎̈̀̽̀͊̏͘͝͝͝͝͠͝ͅp̴̧̧̡̢̢̢̛̛̛͚̟͓̖̭̪̻̪̲̬̥̙̥̰̼̹͎͕̪̞̮̺̰̬̘̫̤͉̦͙̮̖̙̹̻͔̖̮̲̞̣̻̜̠͇̬͚̱̦̼̲̮̀̂͌̍̈̒̍̋̌̏͐̓͛̉̂̈̀͑̈́͊͗͋͗́̂̎̎̃͆͒̅̑̇́̈͐̾̀̔̒̉͑͒̅̓̈́̋͋̀̍̄̿̌̀̉͆̇̔̈́͗̋̄̓̇͗̎̉̆͊̒͗̚̕͘͘̕̕̚͜͜͝͝͠͠͠͠͠ͅͅͅơ̶̢̡̧̨̡̛̛͔̦̼̰̠̯̰̟̲̣̜͙̲͙̪̱̱͕̺̪͈͉̺̻̙̥̲̩̲̩͔̠͚̩͓̞̠̯̟̫̣̗̦̰͉͚͙̺͎̼͖̥̙͈̯̲̝̞͎̻͕̮͔̰̖͔̭͙̩̼͔̫̹̘͓͔̜̘͍̍̅̄͋͑̋̍̊̉̄̈̽̈͐̀͌͐̆͊͂̐̋̃̎͆͛̐̀̂̿̈́͂́̈̌͐̇̀̒͋͑͐́͌̐̇̊͆̀͂͋̏́͋͆̏͗͂͑̂̓̽͘͘̚̕̕̕̕̚͘͜͜͠͝͝ͅͅͅr̴̨̨̨̧̨̛̘͕͈͔͙̠̬̯̩̗̰̗̬̦͈̗̝̣͓͓̟͕͙͈̠̘̻͓̭̝̘̦̦͓̭̘͙̻̙̼̩̰̝͈̱̝̱̬͉͙̣̖̮̲͈̙̱̩̣͕̦̰̮͔͈͓̙̮͍̳̟̠̞͎̱̣̰͕̩̝̲̝͐́́̍̈͐͋̐̑̌͋̓̈́̈͗̿̈̈́͗̑̚͜͜͜͜͜͝ͅͅţ̴̢̨̧͇͉͎̣̬̣̝̗̬̹͇̮̞̈́̐̌̇̈́̌͊̐̅̂̌̂͒͌́̈͌̂̊͗̍̿͑͋̎̓͂̀̎̎͒̾̏̒͌̃̄͋̌̾̍̈́̐̏͑̊̍͑͆̉̓́̆̌̾̓͊̊̈̑͘̚̕͘͘̕͝͝͝͝͝s̴̢̢̡̛̬̹͚̻͉̦̦̣̦̠̜͕̤̳͓͙̟̬͕̘̦̿͗̉̏̒͆̓̄͊͌͛͂͑̒̃͛͘͜͝͝!

Shared elements with supernatural that you might Vibe with: Honestly, probably bc Nightvale and Alice are by the Same Dudes, a lot of these points are the same as Alice Isn’t Dead, but it’s less scawy and more funney. Also hits the “horror, but make it kind of a sitcom” vibes. Doesn’t have the same road trip vibes, but DOES capture the exact weirdness of South Western USA, so I’m still giving it “fucked up americana” credit. If you’ve never been to New Mexico ur like this is an exaggeration clearly no desert town is subject to like ACTUAL cosmic horror and unexplainable sights but I’m telling you New Mexico is just Like That. (I highly recommend visiting the land of enchantment if you ever get the oppurtunity it is a deeply odd and wonderfully unsettling experience.) Look man it’s gay it’s a horror comedy cecil has a wonderfully soothing voice and it hates capitalism so fucking much like oh my god so much what more could you want.

MINI REC ALERT: Wolf 359! I have nothing deep to say about this I just like it and my gut tells me that y’all would enjoy it too I know there isnt much for physical descriptions in the show but I know in my heart that the main character is so so pretty and so so stupid. I KNOW yall like some himbos that experience character growth.

Okay since It’s my party and I’ll speak if I want to rapid fire list of podcasts I just like and want more people to listen to even though I’m behind on like all of them shhhhh: The Penumbra Podcast, BomBARDed, Dungeons and Daddies, Stellar Firma, Wonderful!

SONG RECS

okay these aren’t like replacement recs or anything they’re just really good and I almost certainly would have put them on some sort of supernatural playlist in 2013 but I don’t, like, have a good playlist for them now so I’m subjecting y’all to them also they all have the youtube link for ease of access

Woah There Kimmy- Felix Hagan & the Family

Devil’s Backbone- The Civil Wars

Blood On My Name- The Brothers Bright

Awake O Sleeper- The Brothers Bright

The Bottom of the River- Delta Rae

Old Number 7- The Devil Makes Three

The Bullet- The Devil Makes Three

In Hell I’ll Be In Good Company- The Dead South

Bartholomew- The Silent Comedy

Pomegranate Seeds- Julian Moon

Curses- The Crane Wives

Tongues & Teeth -The Crane Wives

OKAY THAT’S IT! THAT’S ALL FOLKS! FUCK!

#long post #if you didn't want this blame of-mice-and-mentality for enabling me posting #supernatural

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hellomynameisbisexual · 4 years ago

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Let’s talk about the B in LGBTQ. A recent CDC poll found that 5.5 percent of women and 2 percent of men aged 18-44 identify as bisexual, which is significantly higher than the percentage of women and men who identify as lesbian/gay (1.3 percent and 1.9 percent, respectively). Even many people who don’t identify as bi have swung both ways at least once: 17.4 percent of women and 6.3 percent of men age 18-44 surveyed have had some same-sex contact.

Yet we don’t hear all that much about bi rights. But bisexual people still face discrimination, often from unexpected sources. Here are just a few of them.

Mental Health Professionals

YouTube vlogger Connor Manning recounted an awful encounter with a therapist who told him that he isn’t really bisexual. Instead of offering him proper treatment, the therapist spent a half hour trying to convince him not to call himself bi.

About the incident, Connor says,

What if I was someone who was freshly questioning their sexuality? …For a lot of people, especially those seeking help for their mental health, these things are an issue and they’re confusing and scary. To have someone who’s supposed to be a resource I can trust, someone I can open up to, try and invalidate my identity was really deeply sad to me. I also talked to a few people about it after the fact and they told me that this is something that happens all the time, unfortunately.

Research confirms this. A 2007 study published by Columbia University Press found that more than a quarter of therapists assumed their bisexual clients needed therapy for their sexuality. About a sixth saw bisexuality as a symptom of mental illness. Seven percent of therapists in the study tried to convert their bisexual clients to heterosexuality; 4 percent tried to turn their bisexual clients gay or lesbian.

Unfortunately, the misconception that bisexuality isn’t a real, unique sexual identity is very common. It’s so common that bi rights activists have an expression for it: bi erasure. Bi erasure is pretty much what it sounds like: Insisting that bisexuality isn’t real and that bisexuals are “really” just confused straight or gay people.

Faith Cheltenham of BiNet USA says that bisexuality is often subsumed under ‘gay’, but in reality “being gay is as different from being straight as being bi is. It’s not being half straight, half gay… you’re going to have a completely different life cycle experience from your gay peers.”

A young bisexual person going through that unique life cycle might feel lonely and confused and seek a therapist for help. If that therapist just turns around and tries to suppress their sexuality, it’s devastating.

What’s especially alarming about this is the fact that bisexuals (especially bisexual women) suffer from mental health problems at a higher rate than the rest of the population. They need help more often, but they’re less likely to get it if they have to fight uphill just to have their sexuality acknowledged as real.

Immigration Officials

Since 1994, United States immigration policies have recognized persecution for LGBTQ status as grounds for asylum. However, it’s not always easy for bisexual people to gain asylum. In correspondence with Unicorn Booty, Apphia Kumar, a bi rights activist, wrote that Immigration officers aren’t properly trained to handle bisexual asylum seekers, and often don’t understand it. “They have the incorrect perception that bisexuality is a choice or can be hidden in the face of persecution or that our identities depend on the gender of our partners.”

Recently, the U.S. Court of Appeals for the 7th Circuit denied a bisexual Jamaican man asylum on the grounds that the man wasn’t “really” bisexual. Why not? Because he was married to a woman, even though he had dated men before and had been repeatedly assaulted for having sex with men.

Claiming that someone isn’t “really” bisexual because they’re currently an opposite-sex relationship is like claiming that someone isn’t really bilingual because they only speak one language at a time. It’s a ridiculous attitude based on broken logic. But immigration officials, even well-meaning ones, reinforce this misconception. Via email, Kumar noted that immigration lawyers often don’t understand bisexuality or they don’t consider it strong enough for an asylum claim, so “to increase the chances of someone getting asylum, they advise the asylum seeker to apply as gay or lesbian. This in fact increases the trauma of invisibility and doesn’t allow us to be our true selves in the long run.”

Their Partners

Bisexual people face a higher rate of intimate partner violence than straight or gay people. According to a 2010 survey by the CDC, a staggering 61 percent of bisexual women are raped, physically abused and/or stalked by an intimate partner during their lifetimes, compared to 44 percent of lesbians and 35 percent of heterosexual women.

Bisexual men face unusually high rates of domestic violence as well: The number is 37 percent of bisexual men, compared to 26 percent of gay men and 29 percent of heterosexual men. Interestingly, the majority of this violence is coming from an opposite-sex partner. Ninety percent of bisexual women report being abused only by a male partner, and 79 percent of bisexual men report being abused by female partners.

Why is the rate so high? LGBTQ-rights activists say it comes from cultural stereotypes that paint bisexual people as immoral and undependable. Queer activist Lola Davidson writes, “A big factor of violence towards bisexuals comes from the oversexualization of bisexuality in the media and pornography. Bisexuals are often portrayed as very promiscuous and morally-ambiguous, often cheating on their partners or threatening their identity in some way.”

Stephanie Farnsworth also believes that anti-bisexual domestic violence comes from insecurity and fear of infidelity. She writes, “Checking through messages, demanding that no alone time is spent with a person of any gender and isolating one from friends suddenly becomes the norm because bisexuality is still read as wanting to have sex with anyone and everyone even though this disregards the logic that no one would ever expect a heterosexual person to fancy everyone of a different gender to them.”

We can find an example in this in the allegedly abusive relationship between Johnny Depp and Amber Heard and the media’s trashy response to it. Gossip rags suggested that Depp’s violence stemmed from Heard’s bisexuality, that he was afraid she would cheat on him with a woman.

Sadly, when bisexuals are abused, they might not have anywhere to go for help. At a Bisexual Community Issues Roundtable at the White House, one bi survivor of intimate partner violence told a heartbreaking story about being rejected by a battered women’s shelter:

The shelter staff told me I didn’t belong there, that they only served women abused by male partners. They referred me to a new gay community anti-battering project. That group also turned me away, saying that I was bisexual, not gay, so they couldn’t help me. What I felt too angry and defeated to say back then was, “Why can’t services be designed with bisexuals in mind? If we design services sensitive to bisexuals, they end up being responsive to both heterosexual and gay people, too, don’t they?”

The Media

Unfortunately, the media does a lot to reinforce negative stereotypes about bisexuality.

On television and in film, bisexual characters are usually portrayed as schemers, manipulators, and hedonists. Depraved bisexuals are so common in fiction that they even have their own TV Tropes entry. Here are just a few well-known examples from the list of evil, unhinged, monstrous bisexual characters:

Obviously, it’s not inherently wrong to portray a bisexual character as a bad person. But it’s a problem when an overwhelming number of dramas associate bisexuality with evil.

That Depraved Bisexual trope mostly applies to male characters. Female bisexuality is often presented as a performance meant to titillate men, or a way for a woman to sow her wild oats before settling down and having a “real” relationship with a man. The Daily Beast writes:

It doesn’t take a rocket scientist to unpack the appeal of this falsified narrative of bisexuality. The concept of a bisexual or lesbian woman who needs to be “saved” from her own sexuality is essentially a revamping of the classic damsel in distress narrative, with the male character’s conquering masculinity cast in the role of hero. The character of the bisexual woman offers the potential for a killer combination of girl-on-girl action paired with the possibility of heterosexual redemption.

But it’s not all bad. We’ll always have Darryl, the goofy, paté-loving boss on Crazy Ex-Girlfriend.

Non-fiction isn’t much better than entertainment media. Bi erasure abounds here, as news publications and biographers have a hard time acknowledging that bisexuality even exists. Many real-life bisexuals, past and present, end up referred to as either straight or gay. When actress Amber Heard announced that she had a girlfriend at a GLAAD event in 2010, the press called her a lesbian.

When actress Anna Paquin discussed her marriage to actor Stephen Moyer, Larry King asked her some really clueless questions:

King: “Are you a non-practicing bisexual?”

Paquin: “Well, I am married to my husband and we are happily monogamously married.”

King: “But you were bisexual?”

Paquin: “Well, I don’t think it’s a past-tense thing.”

Larry King: “No?”

Larry King, syndicated talk show host, holds a weirdly common misconception that bisexuality means constantly having sex with men and women simultaneously.

The LGBTQ Community

The queer community treats bisexuals like a redheaded stepchild. Gays and lesbians often have the same negative attitude toward bisexuality that straight people do. A survey published in the The Journal of Bisexuality found that bisexual people receive only a little less discrimination from gays than they do from straights.

Bisexuals make up about half of the queer community and have always played a significant role in the LGBTQ rights movement, but they receive disproportionately little support in return. In Forty Years of LGBTQ Philanthropy: 1970-2010, Funders for LGBTQ Issues reports that bisexuals receive the least amount of funding out of all targeted LGBTQ sub-groups, less than 0.1 percent. Gay men received the most funding.

Back in 1999, Dan Savage told gay men not to get into relationships with bisexual men. Savage has softened toward bisexuals since then and insists he’s not biphobic, but in a more recent thinkpiece, he totally dismissed the concept of biphobia and suggested that bisexuals were to blame for discrimination against them because they weren’t out enough. Savage also wrote that it is “difficult for me to accept a bisexual teenage boy’s professed sexual identity at face value.” That’s not very different from clueless straight people who think that gay teens are just going through a phase. Coming out as bi is hard enough without getting shade from the people who are supposed to be your allies.

Bi people have to fight to make their voices heard in the queer rights movement. When they express their sexuality, they are often met with hostility. Bi activist RJ Aguiar says that when he wore his #StillBisexual shirt to the 2016 LA Pride Parade, he was “met with a lot of silent, sideways looks, and even the occasional remark like, ‘What are you doing here? This isn’t for you. Go home.’ “

Telling a bisexual person that they’re not welcome at an LGBTQ Pride Event is appalling. The queer community has to do better, and stop trying to chase the B out of LGBTQ.

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yourdeepestfathoms · 4 years ago

Text

bloodhorse

this was supposed to be a short fic,, i was wrong

the Jockey’s name is Sorrel!

also im sorry if i got the Netherworld wrong. i don’t quite know how it works but i am Trying.

using the concept where the Dead can feel the pain of how they died!

Word count: 6071

TW: Blood, death, implied child abuse

----------------------

Sorrel was eight when she first watched The Lion King, maybe nine. She couldn’t quite remember. But what she could remember was the horror of Mufasa’s death. Her jaw had dropped as the big, fluffy kitty was stepped on by all the weird-looking deer, and she screamed in reaction, floundering over to her smartly-dressed parents in tears to blubber about what she had just witnessed. They had, as they always had with anything she did, looked bothered by her presence around them, and her father tiredly explained what was going on to her, but even then she still couldn’t really understand. She just knew that it was scary and sad.

But watching someone get trampled and actually being trampled were two entirely different things.

Despite her best efforts to forget, Sorrel remembered That Day clearly. She was sitting in the jockey room, in a far corner, away from all of the other jockeys. She had already dressed out and was patiently waiting for her race of the day. She was clad in black riding boots, white pants, and a checkered ruby red and white jacket that she knew was going to be covered in dust and dirt by the end of the race. Her safety helmet, goggles, and crop were beside her on the bench she was sitting on. She already had her long brown hair done in a braid and then a tight bun so she could tuck it safely out of eyesight when the time came to race.

At first glances, she almost looked like she knew what she was doing.

Okay, that was an exaggeration. She did know what she was doing, she had been training, but the anxiety of racing was getting to her, as it always did. For example, she had woken up that morning mid-panic attack before her eyes even fully opened.

And she knew for a fact that jockeys that knew what they were doing wouldn’t have that happen to them.

It didn’t help that everyone else in the room was a man, meaning she was not only the youngest, but also the only girl. Now she really had to prove herself worthy of being equal to her male counterparts.

Hoping to distract herself from her festering anxiety, Sorrel had looked up to watch the big TV up on the far wall, where the hosts of the racing channel talked about the odds and favorites of the next race today. All That Jazz was the favorite going into the race, with another horse by the name of Knock Your Socks Off right after.

Names Sorrel didn’t recognize at all continued to pop up on the screen, until, finally…

All That Jazz

Knock Your Socks Off

Fly Me To The Moon

Too Close For Comfort

Killer Whale

When Lightning Strikes

Donut Tell Daddy

Rookie’s Gambling Chance

Dime-a-Dozen

Blazing Berry

“Would you look at that,” A biting voice cackled from the side. “Little girl actually made it in the top five.”

Sorrel whipped her head around to glare at the owner of the voice- a young man about nineteen with enough gel in his hair to start a fire. Sorrel did her best to just ignore him, busying herself with her boots instead, making sure they were fastened properly.

Harassment in the jockey room wasn’t uncommon for Sorrel- in fact, it was weird if she didn’t get picked on at least once. Her young age didn’t deter the men, either. If anything, it made them even more manic in their persecution of her. More…handsy.

Sorrel swallowed thickly and tried not to think about the Other Times. When nobody could see the handprints because of the dirt slathered up and down her sides. When she was accused of trying to slander her opponents because she “couldn’t handle losing.”

“Are you ignoring me?” The young man said. He sidled more into view, and Sorrel could see that his uniform was yellow and white. She turned her head away more, saying nothing.

She was sure the man was about to spew out even more misogyny when someone came into the room to tell the jockeys it was time for them to saddle up. The man, quick to straighten himself up, headed out for the place where all the horses were being held at the end of the walk. Sorrel glared at the back of his helmeted head, considering using her whip on him, finally standing up for herself, but couldn’t find the courage to do so.

Maybe if she had, she would have been disqualified, and then none of this would have happened in the first place.

They all heard loud voices of the fans as they made their way to the paddocks. As the horses and trainers lined up came into view, each jockey moved towards their respective mount. There, amid the rising dust, Sorrel saw her stallion shifting anxiously on his haunches, looking all around as the sounds grew louder and louder. Her trainer was doing his best to calm the colt.

Her horse was well named. After SeaWorld’s most famous orca, Tilikum, aka Killer Whale while on the track, was a massive beast with sleek roan fur and an ebony black head, legs, mane, and tail, as if he had crawled out of the very shadows themselves. His eyes were pitch dark and wild, and he never seemed to stop moving. He was an aloof, ill-tempered, cranky young colt, and nobody ever seemed to have any idea how his caretaker became the most shy, anxious, and socially awkward girl to possibly ever exist.

That girl was Sorrel.

She and Tilikum just had a connection! She had raised him herself, despite how agitated he always was, and never gave up on him no matter how many times he bit her, bucked her, scratched her, or knocked her down. He was her best friend! Not that the bar was very high, she didn’t have very many friends to begin with, but still! They were a dynamic duo!

“Come on, Sorrel,” Her trainer said impatiently. “Up you go. You have a race to win. We gotta pull in cash somehow.”

Sorrel nodded, put on her helmet and goggles, then grabbed the saddle and clambered onto Tilikum’s muscular back, which took a few tries because of how big he was and how much muscle she lacked. Surprised, the horse stumbled a little, pawing at the dirt with a front hoof. Then, he settled. Somewhat. He didn’t seem happy.

Tilikum hesitated. He shuffled back and forth. Under Sorrel’s thighs, his muscles tensed, and, for a moment, Sorrel feared he was going to throw her off (he had done that before. before a race like this. she had yet to get over that one). Then, he craned his head around, looking for something. Sorrel laughed softly and gave it to him- a sugar cube.

A watching jockey wrinkled his nose a little at this. Another bit his lip to keep from laughing out loud.

“He shouldn’t be so fidgety when you get onto him,” Said the first jockey. He was sitting maturely on the back of his dark bay thoroughbred, probably thinking he knew everything about racing. “And you shouldn’t have to tempt him into listening to you with treats… Is he not trained?”

“He is trained!” Sorrel snapped, causing Tilikum to stir in agitation at the tone of her voice. She quieted herself, hunching her shoulders in, and muttered an apology to her mount. “Tilikum’s just…he has a temper. That’s all.”

The jockey quirked an eyebrow at that, but didn’t say anything else. Sorrel looked away.

“Remember,” Her trainer spoke back up. “Let him make his own pace coming out of the gate. Don’t push him until the very end. And don’t listen to those PETA pussies. It’s okay to use your whip. It’s there for a reason. If he isn’t listening to you, give him a good lashing.”

Sorrel didn’t like the sound of that at all. As someone who had been subjected to the other end of a switch (she lived in the country, after all, it was bound to happen eventually), she knew how badly it could hurt and she didn’t want Tilikum to have to feel that. But still, she nodded, not wanting to anger her trainer. He already always looked frustrated with her as is.

“Good luck,” The trainer called after her as the horses were led out onto the track by escorts. “Don’t disappoint us this time.”

Passing that threshold, Sorrel realized she and her horse were no longer Sorrel and Tilikum.

They were Sorrel and Killer Whale.

Cheers erupted from the stands as the ten horses in the race were walked out onto the field. Sorrel had told herself to keep her eyes forward, to stay focused, but she found herself looking all around the track stadium to try and find the only people she wanted to see. It was hard to discern the mass of people, but she hoped they were here this time.

The escorts led the horses up to the starting gate as the announcer spoke loudly to the crowd, introducing the racers. One by one, each horse was walked into the stalls in order. Tilikum-- no, Killer Whale had no problem getting into his designated spot, number six, but once the door shut behind him loudly with a clank and squeal, that was when he began to act up.

Killer Whale began nervously neighing and backing up against the gate. Tilikum was starting to slip out of his race facade, which really wasn’t something Sorrel wanted to happen. Not during a race. Not again.

“Shh, shh,” Sorrel whispered, leaning down to speak into her horse’s ear. “It’s okay. It’s--” She cut herself off with a yelp as the chestnut stallion to her left rammed against the metal grating separating the two of them, startling Killer Whale further.

The clamor was starting to get to Sorrel, too. The stall was so small and it was so noisy from all the rattling iron and horse cries. She felt like she was suffocating and, without realizing it, she found herself becoming shortened of breath. All the dust was choking her. The smell of metal and horses burned in her nostrils.

Don’t freak out, don’t freak out…

“Holy shit, kid, are you alright?” The man to her left, the one with the chestnut stallion who hit into her grate (he apologized, at least) asked.

“She’s fine,” Said the young man to Sorrel’s right- the same young man who had harassed her in the jockey room. “Let her work herself up. Maybe then she’ll realize this isn’t for her.” He laughed cruelly.

His taunting words registered in Sorrel’s ringing ears and she grit her teeth, stamping down her panic attack. It just kept bubbling to the surface, so she finally gave up on calming herself and rather turned to her horse.

“Come on, boy,” She whispered, almost hissed through her clenched teeth as her anger mounted. “Calm down. It’s okay. I’m with you.”

Just when she thought she had Killer Whale settled, an ear piercing ringing sounded from above and the gates flew open.

The horses jetted from their stalls, and Killer Whale took off.

The sound of the hoofbeats was hypnotizing. And it only got more and more hypnotic the closer and closer Sorrel and Killer Whale inched towards the competition.

Sorrel leaned forward, keeping her balance with ease, her legs an iron band around Killer Whale’s girth. She could feel the powerful muscles bunching and releasing, the heat and sweat leaching through her pants, searing her skin.

The herd of professionals was galloping, yet Killer Whale ran just as fast. He twisted to the right, to the left, his body never straight. Sorrel felt like she was riding a wild, plunging river, a torrent that tossed her, battered her, until she hardly knew where she was.

It was incredible.

The first horse they passed was a deep red color, then a chocolate brown one, then one the shade of bloody mud.

“Easy, Tilly, easy,” Sorrel said to her horse. “You’re doing great, buddy. Steady on.”

Killer Whale snorted and urged himself forward without his rider’s command. Almost sensing his need to speed up, Sorrel obliged and finally lifted herself fully off of the saddle, leaning forward and adjusting her weight so it would be at the front. Practically standing up on this sprinting beast’s back made a strong sense of vertigo wash over her, and she thought she might fall off, but Killer Whale’s increasing speed brushed away her worries.

Sorrel’s grip may have been tight on the reins, but Killer Whale was controlling himself. He weaved through two horses almost perfectly, despite them never training with moving obstacles, only the occasional stock-still ones. He knew to angle to the right to avoid getting his legs tangled up in an opponent’s and banked a hard left at the next turn that was so sharp it cut off the rider in front of him.

They both crossed the finish line for the third time, starting the final lap. Sorrel was still shouting in glee when, suddenly, something slammed into Killer Whale’s side on the last leg of the race, ramming him right against the wall where one side of the stands were situated above. Sorrel yelped as her shoulder and side were grated painfully against the metal as her horse was pushed further against the structure. She turned to see the man from the jockey room glaring at her from his raging red horse, Knock Your Socks Off.

“You’ll learn one way or another, little girl!” The man spat, “This isn’t for you!”

Sorrel grunted and she heard Killer Whale screech a furious neigh. He whipped his head to the side, baring his teeth and rotating his ears back. His anger was a cold, deep, dark thing that Sorrel knew about well. He once kicked down a barn door just because he was pet in an area he didn’t want to be pet in. That being said, Sorrel has taken a lot of time to learn his mannerisms and techniques to calm the beast.

Now was not one of the times to use those.

“You don’t belong here!” The man hissed.

Sorrel grit her teeth, feeling the scrapes already tearing open on her shoulder thanks to the wall. Even over the sound of hoofbeats and horses, she could still hear her trainer’s words ringing in her ears.

“It’s okay to use your whip. It’s there for a reason.”

Sorry, buddy, Sorrel thought before yanking on the reins to get away from the man and unholstering her crop. The sound of it cracking against Killer Whale’s side echoed in her head.

That was her biggest mistake.

Killer Whale screeched. He sped up with a burst of speed, then began to have a fit.

Sorrel helplessly cried for her steed to calm down, but her yelling only seemed to spur his frenzy further. He whipped his head back and forth, turned in every direction, reared and bucked until, finally, Sorrel came loose from his back and was flung to the dirt.

Sorrel lay dazed on the ground for several long seconds. She was winded, confused, and very disorientated. She struggled to breathe as several other cries of horses sounded around her. They must have gotten spooked by Killer Whale’s tantrum.

And then, a hoof came crashing down onto her stomach.

Now, Sorrel had felt pain before, that in itself wasn’t anything new. Once, when she was ten, she had gotten stung by a hornet while at a birthday party for her younger cousin. At the time, she thought that was the worst pain anyone could ever go through. But now, five years later, with 1100 pounds of pure muscle pressing into her abdominal cavity, she would have much preferred the hornet.

Sorrel couldn’t scream. She couldn’t even wheeze as the horse that had stepped on her charged onwards, the edge of its hoof catching on her uniform and flesh and taking some of it with it. Another hoof came down on her, then another, then another, then another, until it felt like she was caught in a hurricane that had raindrops made of thick keratin. She tried to curl in on herself, tried to protect her organs, but they hooves kept coming and she couldn’t move and she was so fucking scared.

Through the dust and black spots that began to appear all along her vision, she saw Killer Whale, and his eyes were stark white and full of rage.

Pure rage.

She could see it now. That wasn’t Killer Whale looking back at her. It wasn’t even Tilikum. It was a horse she forced into racing because she wanted them to be a duo. And he hated her with every inch of his being.

I’m sorry, dear friend.

“Ladies and gentlemen, the horses are up for the fifth race here at Hartford Stadium. Once again, Maxwell Gingham and the incredible All That Jazz bring up the front in a crowd favorite.

And they’re off!

With the gate up, Blazing Berry and Knock Your Socks Off tie for the front, but All That Jazz is not far behind. Donut Tell Daddy right there. Too Close For Comfort a length off the pace. Killer Whale is in front of When Lightning Strikes, but All That Jazz trails the leader by only three lengths. Blazing Berry leads by a head. Dime-a-Dozen hangs tight with jockey Richard Bride aboard. Rookie’s Gambling Chance is challenging the rest of the pack.

Into the next turn, Blazing Berry still controlling the pace, with All That Jazz close behind. Knock Your Socks Off content with third place at this point. Fly Me To The Moon falling off a bit. Donut Tell Daddy and Too Close For Comfort are in good position in the second group. Killer Whale mounting a challenge, but it could be too much. He’s making a bold move on the outside and looking for a way in around the bend-- Look out! Killer Whale’s rider goes down! Jockeys do their best to avoid a pile-up! All the horses go through, but the rider… Oh dear-- oh god! Stop the cameras! Stop! Someone get help down there! I don’t think she’s--”

Sorrel had not been looking forward to dying. Not one bit. There were still so many things she wanted to do. She was supposed to become the world’s best jockey, become famous, finally be loved by her parents… She wasn’t supposed to die, not this soon, not this early.

But she could safely say that she was looking forward to not being in pain anymore. Death, at least, would provide respite from the awful way she went out. She would no longer feel the crunching of her bones, the tearing of her flesh, the ripping of her organs, the spilling of her own blood, the pounding of the hooves of her enraged horse who wanted nothing more than to pummel her into the dirt. It would finally all be gone and she would be at peace.

But she wasn’t. Because when her eyes opened and she found herself lying on the track, sprawled in mud that was mixed with her own blood, she was met with the unbearable agony of invisible hooves smashing her organs and had to roll over to vomit blood all over the dirt.

For a long time, Sorrel cried until it felt like she couldn’t breathe- and then she realized she wasn’t breathing. Not really. But she could still feel pain and her lungs felt like they were being ripped right out of her chest, her rib cage crumpling inwards to pierce her heart and diaphragm. She gurgled on her blood.

It was dark. The track was dead. She was dead. The only people around were a few stragglers who must have worked at the stadium. She tried to get up to run to them, but she couldn’t stand up. When she looked down, she saw that her right femur was sticking out of her thigh. She threw up again, then settled for crawling.

“Help me,” Sorrel begged, dragging herself to a group of three people speaking in hushed whispers. “Please, please help me-- it hurts-- I want my mom--”

But her pleading went unnoticed. It wasn’t until her hand phased right through one of the men that she truly realized what had happened.

Sorrel curled into a ball again, weeping even more. The pain grew unbearable. She thought death was supposed to be peaceful.

The group left, eventually. The moon rose high in the sky. Its glow caught on something lying listlessly in the dirt of the track. Sorrel crawled over to it.

The Handbook For The Recently Deceased. That was what it said, and reading it made Sorrel feel even more sick. She forced herself to not throw up this time, though she could feel the blood slowly filling her lungs like a thick red tar.

Sorrel accidentally stained the dusty pages when she flipped through the book. Her gloves were coated in a fine layer of dust and blood. Her uniform was the same way, she realized, slathered in the muck of her own fluids and dirt from the track. Hoofprints trodded up and down her chest, stomach, and legs, marks to remember what had happened, though she was sure the trauma would never leave her brain, even after death. Her helmet was cracked down the middle, but still firmly strapped to her skull. It did its job, it seemed, because her head hurt the least amount out of every spot on her throbbing body.

She read through the book with cloudy eyes. She was exhausted, mentally and physically. She wanted to lay down and never wake up. She wanted the pain to go away. She wanted her mom.

Eventually, she managed to find a passage with directions to some place called the “Netherworld,” and she was in little room to question anything at that point, so she followed what it said.

She didn’t have any chalk to draw a door, so she had to settle for her own blood. She hobbled to one of the stadium walls, which took forever because her small intestines came out at one point and made her have a screaming fit for five minutes straight before she was able to stuff them back into her abdominal cavity and continue her journey. When she finally got there, she slicked her already-filthy hands with the blood from her many, MANY wounds (god, those horses did a number on her, didn’t they?) and sloppily drew a red door on the wall. She added a doorknob, which ended up being too large because she had slammed her hand down in the reaction to the pain of her small intestines trying to slither their way out of her again, then knocked three times while hugging her stomach with one arm, trying to keep her organs in where they belonged. Slowly, the door opened up to her and she was bathed in green light.

It did little to comfort her.

The myriad of dead people through the doorway did even less.

Sorrel spit blood, then let her guts fall out as she sank to her knees.

She was so tired.

It was official: Sorrel hated being dead. And it wasn’t simply because she was dead, no, she could have dealt with that if the afterlife was cool like it was in Coco or something, but this-- this fucking sucked.

She was lonely. Even though the Netherworld was built like a regular society- a society that glowed green and sheltered walking corpses, but a society nonetheless- there were no people for her. Nobody ever wanted to talk to her, no matter how hard she tried. And even though she was only a “few dead days old,” she was already thinking about giving up because how the hell were you supposed to make friends in hell? Surely that was what this place was. That was what she got for being born into a family that was above middle-class.

It was also just so confusing. Why was she in debt? Why did she need a job when she was fifteen and, you know, DEAD? Why was there an economic system in the underworld? What was all this paperwork for? WHO WAS BEETLEJUICE???

She couldn’t wrap her head around any of it. And that was saying a lot because her head was the only thing apart of her that was completely intact after The Accident.

She tried to get help, tried to ask questions, but everyone else looked at her in amusement or disdain whenever she did. It was the same way whenever she expressed any form of pain or didn’t understand something or let her organs fall out on accident. It was like they were expecting her to instantly know everything there was to know about being dead and if she didn’t, she was beneath them and wasn’t worth their time.

Funny. Her parents were the same way.

And then, there was the pain. It always came back to the pain.

Some days, she could deal with it, really. Some days it was only a dull pounding in her stomach or soreness in her chest. Some days it was only her legs, other days her shoulders, and other other days her sternum.

But some days, it was all over. And she couldn’t handle it.

This was how Those Days usually went: Her stomach began to throb and ache an hour after waking up. Joints and muscles started swelling two hours in. At three hours they’d go numb and heavy, forcing her to strain her body just to keep moving. Four hours in, feeling would return in the form of deep, slicing pain that lingered long into the day. After that, her bones would begin splintering, her organs would try to shove their way out of her, and her lungs start to hemorrhage.

The pressure and pain her death put on her very being was constant. Oh how she wanted to be rid of this deep-seeded agony that was not only tearing her body apart, but her second “life”, too.

The way the shock from each throb made her fingers start to go numb if she had a grip on just about anything for too long, and she didn’t even know if she would be able to speak when she opened her mouth. The way her spine, heavily trampled and damaged from the hooves, knotted up until it felt wooden. The way her guts sloshed in her stomach like soup on some days, leaking viscous fluid that wasn’t really blood out of any opening they could find, forcing her to hug her middle or be shamed with them spilling out of her already-soiled uniform. The way her limbs screamed when she flew with an agony that seemed to echo in her more than her joints at some point. The way she would lie in the bed of her lonely Netherworld apartment and try not to shriek along with every muscle in her body, the way her body didn’t even seem to belong to her anymore.

She ached when she was lying down.

She ached when she was standing.

She ached when she was doing her job.

She ached on days she did nothing and she ached on the day that Breather in black came by with her father.

She ached because she ached.

Somewhere in the back of her mind she sometimes found herself making a litany of her pain. A whisper of suffering that she tried to focus on so she wasn’t focused on the actual feeling. Anything but the feeling.

But if that wasn’t bad enough…

The fact that she had to constantly deal with what felt like physical torture day to day wasn’t enough of a burden for one person. She had also been burdened with being an eyesore and a disappointment, though that wasn’t really new. She could feel the scorn and disgust the other dead felt when they saw her. Sometimes, that was worse than the pain itself.

It was just discomfort. All the time. Even things like getting up in the “mornings” (she still had no idea how time worked down here) and sleeping couldn’t be taken for granted. There was nothing good about her body.

It rocked to a rhythm that felt like it was being conducted by her very soul, but it did nothing to ease the fire in her veins.

She wished it was fire. That was what she had thought it was, at first. A little while ago.

Fire burned, but not in the same way. Fire was detached, impersonal. It didn’t care what got in the way. It burned and charred and devoured everything in minutes and went on its way, leaving the scorched corpses in its wake. Fire was powerful and murderous but it wasn’t torturous- the man who had gone up in flames because he smoked in bed proved that to her because he seemed to be doing just fine. Sulfur on the other hand…well, falling into a burning pool of that stuff was a different beast entirely.

Sulfur clung in a way that fire did not. It wrapped its monstrous hands around you, drawing you in closer, exposing more of you to its touch until it framed each piece of you intimately, until it was every much a part of you as your skin was.

Fire would leave. Sulfur stayed.

It stayed even after your death. It made you burn until you lost yourself, until there was nothing left except the fiery red afterglow and the screams inside of your head. It branded you, so that you and the whole fucking Netherworld knew that you were being burned. Being roasted alive. Being cauterized, like an open wound. You were something that was wrong, something bad, something that needed to be fixed or punished.

Mama has the switch. Can she get me down here?

Sorrel would have much preferred fire.

The sulfur had burned her consciousness away, seared her eyes until all she saw was black spots. Filled her lungs until her chest felt like it was an open furnace. Blistered through her stomach and chest and legs and arms and back until they became a sick rendition of what they were supposed to be, like one big fucking cosmic joke. Sorrel was so sick of being the fucking punchline.

But, in the end, it didn’t really matter much one way or another because she suffered in silence. She strained herself to keep her body functioning so none of the other dead would get annoyed with her. She forced herself to go to work because she was a people-pleaser at heart and didn’t want to disappoint anyone. She tortured herself just to keep people who didn’t even care about her content, but there was nothing she could do about it. Not anymore. She was in too deep to do anything now.

This week had been especially brutal. The bruises stamped up and down the front of her body seemed to be at war with the cuts from the hooves, determined to see what could make her hurt more. Her lungs were bleeding extra today, too, and she kept accidentally spitting blood into people’s faces when she talked to them. She ended up spraying the wrong person, a woman with pale blue skin and deep purple brittle fingers and icicles hanging from her frosted hair (hypothermia, Sorrel guessed), because she was shoved backwards with enough force to send her careening into a desk in the office she had been bustling through. The edge of the table stabbed into her lower back, making her entire body tense up. When she tried to sidle to the side, a bloody apology dripping from her lips, her right femur suddenly snapped beneath her weight and she crumpled to the ground. Despite her training herself to not react to any pain she was in, she couldn’t bite back a scream this time.

There was a reason why broken femurs were so severe.

The hypothermic woman leered down at her squirming figure as if she were a worm she found nibbling on her corpse. “You’re a disgrace to the dead.” She spat.

Sorrel gurgled on her blood in response, digging her fingernails into the gash in her thigh where the bone was trying to inch its way out to freedom.

The hypothermic woman sneered in disgust. A cloud of freezing fog puffed out of her nostrils as if she were a terrifying ice dragon. Shaking her head in contempt, she wiped her face, then walked away, leaving Sorrel to reset her femur on her own.

Sorrel looked at the fallen stack of paperwork she had dropped in dismay. Juno wasn’t going to be happy with this one.

All things considered, Miss Argentina was quite lucky. Compared to the rest of the Dead, she had a rather simple, easy-to-deal-with death. Not to say that slashing open her own wrists with a razor blade wasn’t painful, but “living” with it in the Netherworld was like living with carpal tunnel syndrome- it was manageable.

Certainly more manageable than whatever the hell was going on with the horse girl in one of the offices.

Miss Argentina knew a lot of people. One of the perks of working in maintenance, she supposed. So she had seen this specific Dead before, quite a few times, actually, the most notable being when the goth Breather and her father stupidly decided to come down for a visit, but she never got around to talk to the child.

Until now, of course.

When the “work day” finally ended and Miss Argentina was leaving for her apartment, she heard it. The whimpering. It reminded her of something a sick puppy would make or maybe a kitten with an upset stomach. Whatever it was, it was distressing, but also very intriguing, so she followed it deeper into the building. Stepping into one of the offices that was rank with blood, she found where those papers she had been looking for were.

Slightly sticking out from behind a table, Miss Argentina saw the little jockey sprawled on the floor, a fresh staining of blood seeping into her already-bloodied horse racing uniform. She was twisted into an awkward position, similar to how the corpses in those crime shows she used to watch when she was alive would be in- face-down with her arms tucked into her and her legs folded inward and knees pointing sharply to the side. Inching closer, fuelled by morbid curiosity, Miss Argentina realized why she was in such an arrangement.

The femur was sticking out of her right thigh.

Miss Argentina couldn’t help grimace. When she was alive, she had a friend who broke his femur during a sports accident. He had to go to physical therapy to simply learn how to walk again. Death and the supernatural body, at the very least, saved this child from that, but the pain she had to have been in… No wonder she was lying on the floor.

Miss Argentina had heard about what happened to this little one. Trampled to death by horses. And she would admit that she got a laugh out of it at first, because what kind of death was that? But it quickly became less amusing when she saw the state the girl was in when she first showed up two weeks ago.

Hoofprints stomped all along the front of her body, uniform ripped and bloody, cuts and bruises all over, crunching bones when she moved and spilling organs that constantly tried to escape her abdominal cavity like restless snakes and gushing blood from her mouth. What made it worse was how little she was. A young jockey that died in the middle of a race. She couldn’t imagine what that had been like for her.

The jockey didn’t stir when she stepped towards her, and Miss Argentina rationalized that she must have fallen asleep. Or blacked out, which seemed way more likely because that exposed bone looked worse and worse the closer and closer she got.

She knelt down to the jockey and gently shook her shoulder.

“Honey?” Miss Argentina called out. “Wake up.”

The jockey gasped, sharply drawing in a useless breath of air, which quickly thickened with blood and came back out red. Miss Argentina grimaced and wondered if she should pat the girl’s back to help her get the gunk out of her throat (you were supposed to do that, right? or was it just a myth? she never thought to test it when she was alive), but thought against it when she saw the hoofprints on her back. She grimaced again. Did this child have any spot on her body that hadn’t been beaten mercilessly by horses?

The jockey eventually stopped leaking from her mouth and looked up at her dazedly, blood dripping from her chin in a dark waterfall of red. She squinted at her, then turned her head to the accumulating puddle beneath her head.

“Sorry about the floor,” She croaked, and her voice was hoarse, but high and youthful.

“It’s alright,” Miss Argentina assured her. “Are you okay?”

The jockey blinked at her slowly, as if confused as to why she was checking up on her. Miss Argentina could understand why, though. There was a reason she had told Lydia that everyone was alone in the Netherworld- nobody liked meddling in the affairs or business of others.

And yet, here she was.

“Yes…” The jockey said slowly, sounding unsure. She tried to sit up, but froze when she moved her legs and looked back at them nervously. She bit her lip when she saw the state of her femur, but didn’t say anything.

“Are you sure?” Miss Argentina asked.

“Yes,” The jockey said again, this time less unsure, but much meeker. She ducked her head to avoid Miss Argentina’s worried gaze and the rim of her helmet fell into her eyes.

Miss Argentina frowned. She watched as the jockey twisted around and managed to sit up, bracing herself against the table she had been laying beside. She pushed her femur back into her thigh with a horrible grinding-crunching sound and was very clearly struggling not to scream.

“Sorry,” The jockey whispered after a moment. Her hands were still resting on her thigh, and her gloves (Miss Argentina thought they may have been white at some point) were soaking up a new layer of filth as blood drooled agaisnt them.

“What for?” Miss Argentina tilted her head. “You haven’t done anything wrong, sweetheart. I promise you that.”

“Y-yeah, but--” The jockey sounded anxious, like she was afraid of being yelled at for simply expressing discomfort. “The Dead-- I don’t wanna be weak, but-- it hurts. Everything hurts. And I--” She caught herself. “Sorry. Sorry, I didn’t mean to--”

Miss Argentina frowned. She reached out and lifted the jockey’s head with one hand. Using the other, she pushed her helmet back and saw that her eyes were a brilliant shade of hazel. There were tears gathering inside of them. The jockey stared up at her in shock, then leaned into her touch like a kitten seeking warmth from its mother.

“It’s alright, sweetheart,” Miss Argentina murmured to her. “It’s okay. You aren’t going to get in trouble for hurting. Everyone else are just uptight a--” She looked the jockey over, taking in how young she really was. “Jerks.”

That got a giggle out of the jockey, which quickly became wet with blood. She covered her mouth and swallowed, then pulled her hand away. Miss Argentina couldn’t imagine having to deal with a chronic bloody mouth.

“Okay,” The jockey whispered. She sniffled. “Sorry. I mean-- I apologize a lot. Sorry. Oh--”

Miss Argentina laughed. She felt endearment grow in her heart for this ragged, bloody child.��

“It’s quite alright, honey,” Miss Argentina told her. She stood up and extended a hand down to the jockey. “Do you have anywhere to be?”

The jockey took her hand and was pulled to her feet. She staggered for a moment, then steadied herself, wincing slightly. “No, ma’am.”

Miss Argentina raised an eyebrow. “‘Ma’am’?” She echoed. “That’s new for me.”

The jockey blushed shyly. “Sorry. Raised to be well-manered and all…”

“No, no,” Miss Argentina was quick to assure her when she began to get nervous. “You’re a very sweet girl. It’s a nice change of pace from everything else. But you don’t have to be so formal with me.”

The jockey gave a light laugh. “I’m afraid I can’t do that, ma’am. I was, like, bred to be the perfect, polite daughter.” She said. “But, ahh-- no. No, I don’t have anywhere to be. Usually I just sit in my bed after work and try to turn out the sound of screeching horses in my head.”

Miss Argentina blinked worriedly. “Why don’t you tag along with me? You look like you could use some good company.”

The jockey perked up. “Really?”

Miss Argentina smiled at her warmly. “Really.”

It could be a start to make the pain go away.

#i just. i love her so much #baby girl #beetlejuice #beetlejuice the musical #beetlejuice the broadway musical #beetlejuice fanfiction #beetlejuice fic #the jockey #miss argentina #lydia deetz #tw: blood #tw: death #tw: abuse #bloodhorse

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