#it’s a music thing. it gives you these really basic loops

[twig-gy]

vivivivivi is such an inspiration for me. i don’t really know how to use any other music programs, they’re all so confusing and hard to start with, so i only use beepbox. and like. the power. how can you convey such emotion in a few instruments? such complicated feelings, the synths layering onto each other, i can hear the way they use the volume of a note to add different effects and it’s just. like.

in my head conveys such specific things, like. the way that ‘the beginning of the end’ seems like a normal song except for the ways it conveys this unease in just little note choices. the way some of the songs create such agonizing dread that it feels like my experiences exactly (like when i’m Resisting The Horrors). the way that flies swarming my skull uses growing, overpowering noise that feels like you’re having a panic attack, and the next track (the penultimate one, pretend im not breathing) releases it with guitar, strummed in such a hesitant way that makes me think it’s someone who’s hands are still shaking, trying to let yourself feel something that isn’t a bad emotion, contrasting to the rest of the album it’s just like.

their music is so good how!!!! if i was trying to convince someone that you can make good art without paying thousands of dollars for The Best Things, this is what i’d show them. even listening a little to vivivivivi’s songs you can clearly hear the skill they’ve built with pandora’sbox. something i keep admiring and wanting to put in my own music is the way they know how to control the mood, the emotion. to be able to convey the exact feel or setting, to paint a picture in someone’s mind using just the 8bit instruments you’ve got. to bring your viewer through the exact course you want them to chart, it’s like…. just amazing.

another person who makes good instrumental music is AZALI. they don’t make the same kind of music where you FEEL an emotion, nor do they use the same software bc they have fl studio. but it’s still so great how they can make a setting, and just. the music. is so good

this is why i love music : well, a part, because i also just love music for music’s sake. but one of the reasons is i love how i can clearly hear the artist’s skill. i can pick through each layer of music like, the drums are doing this, i can hear a melody there, i can hear how they’re using the instrumental to accentuate their point. like something i always loved about the mind electric (chonny jash cover, not all 3 i’m talking about the cover called the mind electric right now) is how the drums are so erratic and basically the main instrument, and you can hear the drums emphasize the lyrics. i love octave changes, i love how sometimes people make the instruments go quiet so you need to listen to the lyrics, i love how sometimes they can well. not do that and make the instrumental even more powerful.

[thatonebabybat]

Being Masc & Goth

This blog usually isn't fashion-focused, but I was thinking about alt fashion and how it's sometimes a struggle to figure out how to style things in a masc way if you're interested in darkalt fashion, but you don't want to go too casual or basic with it. So I thought I'd throw together some tips, link some DIYs, and maybe throw in a few moodboards. I want to preface this with one thing: You do NOT have to adhere to traditional gender roles. Fuck anyone who tells you that you do. If you're a guy and you want to get into alt fashion don't let anyone tell you that you can't pull off a skirt or a dress or a strappy top. Literally the whole point of being alt is Doing Whatever The Hell You Want Forever. However, not everyone feels comfortable in that (I made this post because I'm transmasc and sometimes the long gothic dresses make me dysphoric), and not everyone is safe to do that ( as much as it sucks ass, if you live in a conservative area sometimes it can be genuinely dangerous for guys to wear makeup and dresses in public, and your safety should always come first), so I thought I'd lay out some tips on how to dress alt and masc from my own experience. I'm still learning so feel free to leave your own advice in the replies or reblogs! General Styling Tips: - Jackets. Jackets, jackets, jackets. Something about a big jacket always seems to give an outfit a more masc energy, and adding a cool jacket to an outfit can be a great way to elevate it and add some extra visual interest. I like black blazers, leather jackets, and black denim jackets in particular, but vests (formal menswear ones or more casual denim or leather ones) can work well too, especially in hot weather. - Any basic black pair of jeans will look 100x more alt if you loosely attach some chains to the pockets or belt loops. Also, pants with wider legs tend to look more masc than tighter fits. not sure why. Slacks can also be a really good and underrated option. - If you want to find good headwear, cool sunglasses have never failed me. You may be able to take some inspiration from Ouji fashion as well, but that's just my personal taste. - If you have a basic piece around, you can add pins, patches, safety pins, etc for a more casual look, or if you're going for something more formal, trims and lace details and embroidery can really add interest and elegance to it. (if you can't sew, you can order iron-on embroidered patches online or find them in craft stores that'll do the trick just fine.) This can take your pair of slacks or plain black blazer and turn it into a piece of formal gothic menswear you can make a staple of your wardrobe. - Find inspiration in your favorite goth artists. There's a lot of really cool goth music out there and a lot of those bands get really innovative with their looks! Figure out what you like about their style and try incorporating a few things in, it's fun! - If you have an alt wardrobe already but it just seems like something's missing or it could use some interest, try switching up the silhouettes or adding an extra layer! Seriously, don't be scared of playing with textures and sleeve shapes! I see a lot of dudes who just wear a band tee and a pair of jeans all the time, and there's absolutely nothing wrong with that, that can be a great look! But I think a lot of dudes just genuinely think that that's their only option and that everything else just "wasn't made for them" and that makes me a little sad. shred up some shirts and layer them, wear some bell sleeves, throw some extra safety pins or studs on, have fun! No one said masc fashion couldn't be fun. Unisex/Masc DIY Videos I Found:

... And Some Inspiration!

[These are all goth music artists, I wrote the band/artist names in small text on the images that were not already watermarked for those who are curious]

[the-kr8tor]

Hi! I hope you're well! I've got a bit of a request (maybe? idk can be whatever u want it to be:D) So- R recently has had their wisdom tooth removed, and I think you've seen how people get so loopy afterwards. I think it'd be hilarious writing Hobie trying to keep a straight face and talk to R rambling on about some random things in the most serious manner he can muster lol

Thank you for requesting! Muah 😘 ❤️

Pairing: Hobie Brown x fem! Reader/ Spider-Punk x fem! Reader

Tags: No use of Y/N, no specific physical description of the reader, TW blood, Fluff.

ʕ⁠·⁠ᴥ⁠·⁠ʔ

Hobie's nervous for no reason, he knows you're alright behind the tooth shaped door but the sound of the drill’s muffled whirring has his spidey senses going haywire. He thinks it's the weird smell of the dentist's office and the stark white of the walls that adds to his anxiety. His leg nervously bounces to the beat of the crappy music that the dentist's assistant keeps playing on loop (torturing him basically.)

He kneads at his temple to get the scraping sound out of his ears, due to his enhanced senses that includes super hearing, he can hear every pull and tug of your tooth, unfortunately. But he thinks you have it worse since you're the one who feels every tug and pull. Or maybe he just hates it when you get hurt, especially if he can't help you or even see you. He curses the tooth shaped door for hiding you from his view. Seriously, who makes a door shaped like that?

With a sigh, the toothy door finally opens, and out you roll out of it in a squeaky wheelchair. Hobie stands up lightning quick to get to your side. The dentist smiles at him with her perfect teeth, hands guiding you out of the sterile room.

“She’s good, don't worry.” The dentist senses Hobie's worry, or she just sees it etched on his face. “Your girl's a bit loopy because of the meds but it'll wear off in a few minutes.”

Hobie kneels down to face you. He almost laughs loudly at your swollen cheek that makes you look like a squirrel that's hiding its nuts inside its mouth. He rubs your knee softly to wake your foggy self based on how glossy your eyes are. Drool drips from the cotton in your mouth and he swears he almost loses it right there and then.

“Hi, love, ready to come home?” Hobie smiles softly like he usually does when he finds you endearing. Despite all the bloody saliva dripping out of your mouth.

“Hat?” You ask, voice murmured by the cotton. Hobie guesses you said ‘what?’ instead of asking for his invisible hat.

Raising your hand to his face, you give him a good pat on his cheek, you then let out a giggle that sounded more like a cackle. It all makes him raise an eyebrow.

“You gave her the good stuff huh, doc?” He asks, never leaving his eyes off your disoriented self.

The dentist chuckles, “just give her paracetamol for the pain and don't let her eat or drink anything for an hour or two if she can help it.”

“Thanks, doc.” Hobie gives her a polite smile while standing back up to his feet. “Ready to walk with me?”

You narrow your eyes at him, eyebrows knitted, hands balling at your soft pants. You dressed for the occasion, or rather, dressed down for it. You had the foresight to know that you'll be bleeding all over your clothes right after. Like how you are right now with one of Hobie's old band shirts. He clearly doesn't mind since he owns a hundred like them. But he won't miss the opportunity to tease you about it once you're sober and well awake.

You look at him like he told you the copper you gave him is in a poor state. “I hab boyfriend.”

“I know you do, it's me.” He sees the dentist crack a smile. “Get up, love, you'll kick my arse if we miss your episode.”

“Episode?” You once again ask with wonderment.

“Yeah, that dragon show you like so much. Up you go.”

“Dragons?!” Your voice echoes out in the room, like he just told you dragons are real. You stand up quicker than he thought you could. “Really?” Your question cements what he thinks. “They're dragons right? Not wyverns, they're different creatures y’know.” He tamps down a laugh.

Holding you by your biceps, Hobie flicks his eyes behind you and over to the dentist who just shrugs with a grin. “Her tooth was stubborn. Sorry, I could've given her the lighter stuff but she would've felt it.”

“That's alright, doc, this is how she usually is.” He jokes, which you chortle at. Well at least you recognize humour amidst the fog of whatever concoction the dentist gave you. “Thanks again.” He waves goodbye whilst he guides you out of the clinic.

“Why are you so pretty?” You look at him with sparkling eyes like you're about to cry from his sheer beauty. Tapping his chin, cheek squished against his shoulder, you don't look at where you're walking as you continue to admire him in the sun. “So p-pretty…like a-an angel.”

Hobie does all the walking for you, his arms are looped around your waist, effortlessly lifting you off the pavement. The tips of your shoes grazes the concrete as you squish his cheeks in your hand, making him pout from your cuteness overload.

“An angel? Just last night you called me a dick for eating your mango.” How could he know you were trying to save it inside the fridge?

You giggle, “mmm, mango.”

“I'll buy you a hundred more if you continue to dote on me.” You two finally make it to the van, he thanks his abilities for not getting winded out by the trek.

You lean back dramatically, making Hobie catch you in his arms. You both look like a cover from a romance novel.

“I can't! I have a boyfriend.” You say with your whole heart, and as serious as you can with your mouth full of cotton.

“Fuckin' hell.” He laughs, lifting you back up before someone in the street sees. “I'll buy you some ice cream if you get in the car. Mango or chocolate flavour?”

“I will,” you poke his chest, “not be,” poke “bribed by you–you stranger!” You poke him several times.

Hobie catches your finger mid poke. Leaning closer to your face, he smells the iron from your mouth. You sniff, moving your head away from him with a pout.

“Love,” he says sweetly, catching the back of your head before it falls further back. Laying his forehead against yours, he gives you a minute to recognize him from his warmth alone. He'd give you forever if he can. Holding your hand, he raises it to his chest, letting you feel the familiar thump of his heart. He remembers that you do it whenever he gets home from patrol. “It's me, yeah?”

Hobie doesn't realize the tears brimming in your eyes. He stands up straight at the sound of your quiet sobbing.

“We're gonna miss the dragons.” Fat tears roll down your cheeks, the cotton in your mouth threatens to fall out as you weep in the parking lot with him trying his best to wipe the tears while he coos softly at you.

Hobie definitely has his work cut out for him, now to get you home without crying about dragons or acting like he's kidnapping you. Yet, he'd gladly do it all over again if it's you.

[nanakah]

hello hello, I took the alien stage pill. howdy fellow sufferers

Honestly, my first reaction to basically everything was "awww, they come in sets and are all without exception horribly doomed no matter their specs (loops cool music and vids)"

I'd seen some of VIVINOS' team works without realizing it was the same artist (my favorites being Beloved and Otomeroid) so it was rather shocking to learn of a "series" with a fandom as active/relatively large as Alien Stage without ever actually stumbling upon it before...

Anyways. I like the concept, and Hyuna+Luka in particular, a whole lot. In spite of all the jokes about only yuri and yaoi losing, my spider sense says they'll get their turn of crashing horribly soon and I wanna stay here to witness it burn beautifully, of course.

TL;DR OMG HYULUKA IS SO DELICIOUS

general yapping about all alien stage duos under the cut and some Hyuna/Luka considerations and theories

disclaimer: long, chaotic post ahead - i wrote most of it during revenge bedtime procrastination so I'm kinda just rambling/discussing my general impressions and vibes here instead of formatting it nicely or properly illustrating my points. good luck if you choose to stick around and make yourself comfy

alien stage impressions under read more - also SPOILERS SPOILERS SPOILERS

funny thing - I got into alien stage completely by chance after checking out some related vids to my Love and Deepspace twitter spree and avoiding my responsibilities. Ivan's Black Sorrow made a very strong impression and I loved his eyes, so I kept going deeper down the rabbit role and felt fascinated by the web of dynamics between the characters each time I took in a little more of the plot.

(His eyes are so cool and expressive.....I was already loving everything prior and was excited to continue, but Ivan was definitely the one to sell me on the concept more strongly and eat up the rest.)

It was interesting seeing "love" portrayed under such dire conditions and I kept wondering how come the aliens are so stupid they chose a 1vs1 PVP combat format with their beloved pets instead of the optimal formation of idol units and at least duos versus each other to utilize their feelings of love. Why would they do that?

That first innocent musing made me realize how clever the team behind ALNST is. The whole thing seems to be operating as a metaphor/commentary about how predatory the real idol industry is (the concept of anakt garden really sounds like the average idol trainee camp experience and the bonds they form with their group mates) and how heartless guardian (parental) figures can be in a society that is heavily utilitarian and barely gives agency to either their own children or sentient beings like animals that we keep as pets.

So in that world, the sacrifices of being an idol are literal and humans themselves are "pets" - with all the implications that come with "being dependent on a species that does not properly comprehend them". At times, the way they refer to the fandom of each character even seems to be tongue in cheek as to how "we" too are watching the story for entertainment and making fanbases for each character and reacting like some of the in-universe alien fans.

Therefore, it's no brainer that the answer to my initial question was: aliens/Segyein don't understand how to utilize human bonds and emotions to their maximum efficiency in the first place. They know interaction between humans seems to be important and produces more beautiful songs. However, they probably experience those feelings differently and most of them are likely unable to truly empathize with human pain, ethics or feelings. (And believe me, even some people have a hard time believing other species benifit from socialization, so aliens being that way is understandable). Perhaps the awful acts of the Segyein mutilating their pet human is no different from pulling a butterfly's wings to a human or injecting colored fluid into a flower. The glimpses of their buildings and tv show that they have the same sort of "do they have rights?" feelings and similar moral conflicts to what we have in the real world about species we don't understand fully.

I think it's really challenging to analyze a work attempting to guess future developments when you don't know the creator too well. In spite of looping OTOMEROID I wouldn't say I know VIVINOS and her team deeply as an admirer. But from the overall tone of the videos in her channel, I could pick up on a fascination with "extremes" of emotion and exploring the hypocrisy of society. Human/animal experimentation and materialism/religion/consumerism are topics that come up often. Love is also hardly ever portrayed as a simple or benevolent feeling alone - there's unrequited love, obsession, insanity, many facets of that feeling on the channel. Some works are more straightforward and focus on the visual presentation, others seem to have a deeper story behind it.

The technical quality of the Alien Stage MVs is extremely impressive, I had a blast looking at the patreon storyboards and feeling like "wow, a person actually made this". It seriously got me inspired to feel like drawing more to get out of my own artblock and to pick up on old OCs to show them some love. In the era of AI, this is a joy to get to feel. It all definitely feels like a well-put together labor of love. I'm super weak to things brimming with passion like this, it's contagious!!!!

Now that I've tried my best to make an eloquent opening and act like I'm not at all just a fangirl foaming at the mouth with this intense concept (I keep crying that I wanna see either Aka or Ohkawa try their hand at a death game scenario) and at the sight of a tragic toxic duo with a backstory of a deeply rooted mutual obsession/love and fall out (wiping drool out of the corner of my mouth as we speak), let's talk a little more about the story. In order to make sense out of my ramblings and projections, let me explain my thoughts on the other duos besides my bias first.

Mizi and Sua set the tone to their universe as well as serve as an explanation as to why "idols" work well to represent their conflict and struggle - I'm fresh out of Oshi no Ko here, so this feels equal parts like a comfort zone and everything but comfortable and hellish to go over again. But, to put it briefly, the adoration of someone as an entertainer that you want to support also overlaps with the word reserved for adoring "an image or representation of a god used as an object of worship" - idol.

Humans, stripped of their power and autonomy after arrogantly believing they were superior to everyone else and were the only beings in the vast universe, have been subjugated by other species. Because of the bleak, unforgiving circumstances they were faced with afterwards, the surviving ones were turned into luxury pets and stripped of their freedom. Free will made them children of God before, so people have forgotten all about the "God" who couldn't answer their prayers/save them. But, as Mizi says, the belief in God is innate to human nature. You are more likely live in this world successfuly if you have someone to look up to or a reason to survive.

When God seems so far away and so cruel...what they can do is look to each other as their "Gods". Because a belief in God is ultimately, a cry for salvation and acceptance...."The Bible makes it clear that “God is love” (1 John 4:8). He isn't just loving, but he is the very definition of love."Therefore, all characters are, in some way, looking for salvation and being constantly tested and brutally being forced to show off their humanity through the lens of how love affects them - and not at the privacy of their inner thoughts or anything. All of that in order to portray different aspects of "love", adoration and what it means to be human. To have a belief on the unseen - "what is essential is invisible to the eye".

IT'S ALIEN AMERICAN IDOL MEETS DANGANRONPA. WHOO.

(gOD I wish we could have gotten Luka vs Sua or vs Ivan in some way. That feels like it would be extremely close and entertaining to see. Am I losing my humanity? Why is my keyboard slimy? Am I becoming a Segyein ....?)

Of course, because I fell for all those deliciously doomed themes like the good CLAMP/Akasaka foolish nerd I am, I bought patreon access day one. Although some setting details were unexpected, I was pretty satisfied with my overall initial grasp on most of the characters. If you found me through the tags and didn't already follow me, my disclaimer here so you get to know me is that I easily gravitate to polarizing characters or doomed ships like a curse. There are also certain Themes that follow me like a plague and I could see some of my favorite characters' shadows on the doomed kids I liked right away. Like an itch to spot something more to what is being shown.

Therefore right away, Luka and Hyuna caught my eye big time. (literally, when I watched sweet dream I kept pausing and going - whOA WHO IS THE COOL GIRL WITH THE CIG. Wait wait wait show me more of the boy that looks dead inside overstimulated by the flashing lights!)

I don't really have any pretension to be quoted on anything here or say things verbatim (Patreon says it's fine to produce derivative content based on what's there, but as expected, it's enforced not to directly share it so I can't really go argument-evidence here by presenting it) and have only seen pictures of the artbook secondhand by a friend, so I'll have my fun here making commentary loosely based on extra content and sporadically showing off pretty MV captures.

Anyway.

We're introduced to this universe through the jarring cruelty of ROUND 1, contrasting a harmonic, beautiful, lullaby-like melody with a harsh outcome. Like Mizi, unless we got spoiled beforehand, we don't really know anything about what's about to horrifically transpire. And though she got education, it feels like the teachings about what death or the Alien Stage would be like were horribly sugar coated or distorted to her, as incentive to give their best performances - like sacrificing themselves was a good thing. The extra materials back this up with Mizi's first interview about "My Clematis" - it's like they're told they're simply going back to their "origins" entity (The Grand Ankt) and it's a pretty and peaceful thing. We're shown how bad humans have it in their society and simultaneously get a montage of a cute, healthy, heartwarming relationship between the two girls and a deep "pure" love, as well as feel the weight of Sua's sacrifice and how badly it hurts Mizi. You're told that Sua is her God, her Universe in a Godless world - only to have her ripped away and "God" basically slaughtered for cheap entertainment. Some of the extra materials put it as a certain "mutual love" between Sua and Mizi.

It's interesting how we're shown a stage and don't know what to expect at first - since the girls seem "calm" and happy to express their love, but there's an increasing sense of dread until the finality of Sua's death hits and the pretty, shining girl we see in the flashbacks becomes an empty husk. The MVs seem all to be roughly designed around creating a surprise at the end or recontextualizing something we have seen previously.

I won't discuss Till and Ivan at length at this time, because that would get too long and demands it's own post (I sure as hell rewatched Unknown, Black Sorrow and Cure many times though), but the key part for me here is - they similarly express "love", but through another facet - obsession of a one-sided love and the desire to reach salvation or a reason to endure the world because of that, too. To the point of choosing the chance of love over salvation, expressed by Till letting go of Ivan's hand when they had a chance to escape (not wanting to leave Mizi behind most likely) and Ivan's kiss and decision to strangle Till to give his own life in exchange for his/finally getting to express his "shallow emotions" he perceives as something that won't deeply scar Till (but it does, and it mattered, far more than he could ever have known). It's interesting that although Mizi calls Sua a God, they develop something closer to a balanced, mutual relationship, as much as their lack of understanding of "human relationship" allows - they connect deeply. Ivan, according to the comics, sees himself in Sua, but it's deeply frustrating how he couldn't build the same sort of connection with Till and felt like he could only maintain a bond through violence.

Mizi seems to be the only human who was raised in a "stable home" (her alien seems to actually love her closest to a mother), but that's not enough to protect her from pain - after all, the alien's reasoning was that if Mizi likes singing, she should join. Yolo! Your human baby's life is so short! Sounds like outdoor cat owners to me. Ugh. All other pet humans are going through some flavor of parental abuse, and it all reflects in how they express their emotions and what sort of decisions they tend to take.

Till, in contrast to all that, more closely resembles the definition of looking at Mizi like an oshi/idol as a comfort to run from the pains of his life - he always looks hurt or abused, but Mizi is like medicine that even watching from far away makes him feel "saved" due to nurturing that "first love" that is heavily idealized. It's interesting how his character that is first introduced as somewhat violent or wild because of the smashing guitar and "addict"/drug imagery turns out to be one of the most sensitive.

The cloaked figure of Mizi in Blink Gone seems to resemble a saint or Mary (mother) holding a child in her lap as he takes his last breaths. She rushed into the crowd in a desperate attempt to save or at least comfort him in his predicament. Till's final position even resembles that of being crucified.

All that, however, makes Till unable to see Ivan properly - who is constantly around him and yearning for his attention, protecting and loving him in desperate ways that he doesn't realize until the very last minute. He is also seemingly detaching himself from the "real" world as a very "pure" child (shown in the way he loves with full devotion and his artistic inclinations), which of course, makes Ivan painful to face - who is a grounding entity and a reminder of the real world. The one who touches his wounds, who is "there" and not unreachable like a flower at the top of a mountain. That love between Ivan and Till got expressed in a way that was painful to both, but a very human act of a clashing selfish and selfless-ness.

None of them are built for this. They're trying to survive.

So far, what I've got is...Mizi and Sua set a standard of what is closest to a mutual love that was growing together in a relatively equal and healthy way. Ivan and Till were reworked to avoid overlap with them and are chosen to portray the sense of an immature, obsessive love and clashing emotions. It's interesting to me how much the creators stress the "one-sided" and controlling nature of Ivan for behind the scenes, and I feel like this does not mean that Till couldn't possibly return his feelings - after all, the Actor AU does show great chemistry between them. It's more like, within their living conditions and because of the emotional immaturity of both of them, they literally could not see eye to eye - Till looking at an idol out of reach (Mizi), and Ivan choosing to seek out his attention through violent means that confused Till, thus he was unable to respond to the intensity of what he felt and grow into it.

NOW. TO THE MAIN COURSE THAT IS ROTTING MY BRAIN: HYULUKA.

If we've got all those bases covered so far...where does that leave Hyuna and Luka?

(This is the most Mello/Near-like I've ever seen another ship pull off. My inner 13 yo is screaming. They're both incredibly gorgeous. How is a hetero couple simultaneously so BL and yuri-like in DRAMA AND IMAGERY? CLAMP would be proud...)

You see, there's no official answer about the true nature of their bond yet.

But I have a lot of speculations. It clearly looks like a rotten, strangled-by-the-red-string-of-fate sort bond that is just up my alley. THE MOST FUN IS GETTING TO BABBLE BEFORE GETTING AN ASSERTIVE ANSWER. I'm all for making a fool of myself, so let's get down to it.

To put it simply - I believe Hyuna and Luka's role is expressing the extremes of the setting itself and what "to love" means within it, with a turn for the worse and the tragedy of "not understanding" even if there is love.

How do you conquer an oppressive world in which all odds are against you? Would you overtake it through rebellion or would you strike at it from within?

In a world in which God's teachings have become lost to time and difficult to believe, does love strengthen or weaken you? If it causes pain and destruction, can it still be called love?

I think Hyuna and Luka are standing at opposite sides of those beliefs, and cannot understand each other's mindset.

Seems simple enough to write Luka as a mere villain final boss since he seems to be enjoying himself at the evil death game and Hyuna as the nice rebel who wants to save everyone, right? But it's confirmed Hyuna wasn't really trying to rescue more people like she had an opportune moment to do for Mizi.

The artbook also says something incredibly interesting about what the "Luka Syndrome" mentioned in one of the MVs really means - Luka's prestige as a performer is raising the prestige of pet humans. He also believes "Hyuna would be safe with him" - Why is that?

I think they might actually have similar goals and a similar stubborness in which they believe themselves to be the correct one and the other to be pitiful and foolish. Hyuna is trying to overthrow a system that is well-established and has far more power or influence than them, therefore she needs to resort to drastic measures and flashy means to assert dominance over the alien society.

Luka on the other hand, feels like he is using the system against it and exercising his own humanity while at it. Rather than tackling the incredibly daunting task of being a rebel with guns blazing, Luka became a master of the stage in a way that makes humans gain influence and thus become more valuable.Even if I try to think of it as "he's just trying to survive", that doesn't feel enough - because whenever he is not on stage, Luka looks dead inside already.

Especially in the arts he looks like a younger child or teenager, except for the ones after he seems more consistently approached by Hyuna. It's hard for me to think what moves him is a survival instinct. He is also portrayed like the typical "golden kid" syndrome victim - someone so systematically beaten to satisfy their narcissist guardian figure and submitted to so much pain that they eventually absorb part of that mindset as a way to have agency and autonomy over themselves. It gives the illusion of being successful and thus that the abuse was "effective", but it's like a curse that is difficult to break from.

I think both of them are older for a thematic reason. It feels like it could represent what it feels like, as adults, to no longer be able to hold onto naive or idealistic things about the world or society due to ignorance and having to choose a path to express your ideas and reach your goals through your "work".

Hyuna is guns blazing and "adult pleasures" - singing to an underground stage, trying to scrub off the wounds of her past with alcohol, and it's interesting that her guardian alien is portrayed like an "absent" parent figure - they have an interest in humans, but doesn't care about watching Hyuna when she first was eligible for Alien Stage. I wonder if they even are the one looking for her at all - seems to me it's more of an alien police thing because of her "crimes". Under that seemingly "thick" skin though, it seems clear that Hyuna is deeply affected by Luka still, and the loss of her brother. She deals with her wounds by not really dealing with them at all and guess what - it's a weak point. Her song is uplifting and refreshing, but she clearly demonstrates that closing your eyes to trauma and purely moving forward doesn't make them go away. In that sense, Mizi is a way she is trying to "mentor" someone navigate through loss.

I love outcasts and mildly autistic-coded characters, so I gravitated to Sua, Ivan and Luka right away.

(Extroverted cutie and the doomest doomer of the bunch. As a side note, their character design alone and contrast is genius and gorgeous. I'd expect 90% of the time for Luka to be the designated BL character and hardly do I ever see his archetype paired with the sort of sharp, striking beauty that Hyuna has so I definitely got giddy with them right away. She reminds me a lot of Michiko Malando and Luka reminds me of Near, two characters I love a whole lot and funnily enough have the same mbti types the artbook describes them as - ESTP and INTJ. Ankt garden Luka looks somewhat closer to the AU versions of Luka, so gotta love both his origins and his twisted post-alnst/hyuun woo self)

I believe Hyuna bundles Luka with that trauma of grief and loss, and it's still unclear what their roles are in it and after the fact. While singing all in verses "We only get one life, so I'm living mine for me/'Cause I'm the one from your wildest dreams", Luka's face flashes through Hyuna's mind before even her brothers, like it's something that's always on the back of it and barely suppressed.

See...since VIVINOS loves the "more than meets the eye"/twist concept, something I'm expecting is for Hyuna's feelings not to be as black and white as blaming Luka and actually. It obviously was dysfunctional and isn't that....delicious???

I feel like a one-sided love or obsession wouldn't make sense to repeat as themes, and because of the heavy trauma associated in the backstory, it's not like a "healthy mutual love". To bridge the themes of MiziSua and IvanTill, I think Hyuna and Luka are being told in a way to express love as something that can also destroy instead of save, and their clashing ideologies come from a place of wanting to think "-I'M- right and want to be your god", instead of ever having been able to understand each other properly.

They have a similarly "corrupt" love that has a lot of guilt and regret built into it. Even with something awful as what happened to her brother, it's curious that Hyuna's mind first thinks of Luka in an "enamored" light - the scene looks pretty tender - but that's also attached to the weight of Hyun Woo's death.

I think It's likely that the twist is Hyuna having been the one who hurt her brother, even, considering the dynamic in these comics:

Luka and Hyun Woo compete for Hyuna's attention, and it's to be expected that none of them understand the boundaries and definitions of love too well. Hyuna and Hyun Woo seem to be naive and relatively raised in a decent way, submitted to superiority tests like the rest, but not directly abused. They seem to express their love for each other in a cheerful, healthy way, Hyuna probably because of her closeness to her brother (which is unusual for other pet humans to be able to do) is extremely physical in how she shows affection. She doesn't really reprimand Luka, and that creates an unhealthy dynamic in which Luka plays the victim - in spite of starting things - to enjoy Hyuna's attention. There is a cute comic that looks silly, but encapsulates it all:

Luka is a little shit that wants to be pampered. He knows he is physically weaker - if you come across a rabbit being hurt by a wolf, you wouldn't suspect the rabbit provoked it. So Hyuna constantly seems to take Luka's side regardless of what happened, wanting to have that protector role.

Luka on the other hand, has no reference of what it's like to be "loved". He is systematically abused and treated like an object - therefore, he perceives relationships in terms of "ownership". And I don't think Hyuna truly understands just what she is enabling when she encourages Luka to act the way he does or thinks his neediness is "cute".

Honestly, I think there's strong sexual abuse imagery in Luka's art and the presentation of his stage image as someone taking charge of their objectification. His clothing for stage always shows off his body one way or another and both Hyuna and him have this sensual imagery and approach to others, as if "reclaiming one's own body". The contrast of Luka's blank expression and the red collar indicating a mental breakdown in that artwork above featuring Heperu's shadow approaching him is truly chilling.

That boy has no reference of what a familial bond or love is like. And both his introspective nature and abuse seem to make it even worse for him to connect with his peers- in the artbook his only relationships listed are Hyuna and Mizi, in very negative ways. He is also said to have retreated deeper into his own world, because "no one can understand him". Again, checks out with the imagery of "gifted son" that is treated like a narcissistic parent's doll and that becomes desensitized to many things over time.

His alien guardian Heperu even looks vaguely phallic and Luka has body language of "trying to disappear" or soothing himself when not up the stage - hugging knees, looking smaller, sucking on sleeves, stimming with toys (rubik's cube). The scars on his chest seem related to the abuse of submitting him to pain to overcome fear and I theorize the scars on the side may have been for plastic surgery like abdominoplasty or even possibly removing ribs. Normally that would be done from the back, but hey - alien science, and he already had "tainted" scarred skin on the front, so it would make sense to try preserving his back. His waist is drawn really really thin. It's also mentioned that he had a strict diet even though he is a big eater - that is, Heperu is deeply violating his agency in accordance with Lookism.

Luka has all the makings of a really tragic character and reminds me of Kamiki Hikaru's construction in Oshi no Ko. A victim turned abuser in some ways, as a way to seek autonomy, self expression and living for their ideals and love, no matter how twisted it has become.

There's a comic that has a "flashback" of anakt garden and Hyuna being asked by Luka if she likes to sing. The POV of Hyuna's face looks as soft as Luka's does from hers. She tells him that they don't have freedom for anything else, but when she is up at the stage, it's like her life is "her own", so she likes it. The image of Luka singing as an adult suggests that even now, those are the words he pictures and that is the image of Hyuna that is alive in his mind.

In a way, both of them are deeply attached to the past, and while Hyuna wants to shut it down completely and regrets it having happened, Luka's feelings are twisted.

We don't know much about the kiss. Considering the "sucking on forehead" comics, I get the feeling Hyuna was startled by the sudden escalation from Luka acting as a passive, cute pet and jumping her with so much intensity, but may not necessarily have pushed him away. The following fight could either have happened because Hyuna became withdrawn as a result of suddenly becoming aware of the effect she was having on Luka and what their feelings for each other were (since previously, she might not have been able to tell the difference between being all over her brother and all over Luka) /or/ the scenario played out like the forehead sucking. She didn't dislike it, but Luka became insistent or they got caught in a way that Hyuun Woo had no context for, thus assuming Luka was forcing her.

And there is a third option too that now I think about it, seems the /most/ likely: the growing proximity to Hyuna made Luka's feelings of "wanting ownership and exclusivity" even deeper because of love and lust, as simply being assured he is "loved" doesn't seem to be enough for Luka. It could be that Hyuna in fact disliked his attempt of kissing her and became more distant to him. Thus, he orchestrated for Hyuna to take his side once again for validation in a reckless way - but the results were "better than he thought" when it resulted in Hyuun Woo's death. Because, that is a price so heavy that it feels like "wow, you actually chose me".

This scene is super interesting, I love Luka's expression. It's joyful in a "perverse" way. He was successful in trapping his beloved Hyuna. And it seems that the emotion is so intense, like he is finally free from the mask of pitiful wounded animal with no agency over himself that the sheer ecstasy might have caused a seizure or heart attack, hence his eyes looking glassy afterwards and his fingers finally turning the blue/purple hue we see on his older design.

Skimming through the patreon posts, I was pleasantly surprised to realize my gut feeling about Ivan and Luka having a similar core wasn't wrong. Sua in comparison is the scenario of someone who doesn't go off to the deep end as the two of them. It's often stressed that the team was worried about establishing Luka and Ivan as distinguishable - their personalities are similar, but their masks are different. Ivan presents himself as the "big bro", while actually being a boy struggling with properly expressing emotions that went as far as practicing smiles and expresions at the lake. Whereas Luka is like a porcelain doll and passive - austere, even...but what about his real self?

We're cleverly prevented from seeing an introductory MV for Luka, as round 4 doesn't happen. And for the subsequent videos, Luka shows himself partially by not disclosing his POV, but showing important sides of himself - the urge to control and the attempts to "become whatever is desired of him". A blank slate.

In a sense, that's implying to me Ivan and Luka's stage presence is an expression of their "inner selves", where their feelings and thoughts become bare. Ivan does so by casting aside his big bro warmth and stepping in as the image of a serious-faced, strongly devoted man that is coming apart at the seams with the weight of his immaturity, sadness, love and obsession.

Luka's stage presence is a distant cry from his image of passiveness and class behind the scenes. On stage, he is a seasoned performer and a calculating prince that enjoys pulling the strings to reach the ideal performance as seen in his inner world. He cunningly displays a different expression between the audience and his partners to achieve the ideal results. Luka acts like both a director and an actor while performing, in order to construct his vision - He's bold, confident and invades people's personal spaces.

(What a condescending little shit. I love him. His expression seems to be saying something like..."Done already? Hmph. I expected more of you. You need to do something for me to do my part and shine, too."

A point I theorize about Ruler of My Heart - Hyuna says in the artbook, I think, that Mizi reminds her of herself. Luka would be able to pick up on that also, especially since Mizi had just been broken by the loss of the one she loved most and formerly had that spark of "hope and dreaming high" in her eyes. Luka may have chosen the song specifically to have Mizi recreate the "role of Hyuna" envisioned for it - as in, he never expected her to be obedient at all. He was riling her up to feel what Hyuna might have responded like to this song. But the Hyuna in his idealization is probably "blazing, absolute and strong" - instead of shutting down and giving up singing. Mizi lets herself get intimidated by his provocation into silence, but when she loses it to punch him in the face with no regard for the consequences - like Hyuna surely would do - is when he finally smirks. It's also a mockery of letting emotions take her over, securing his win and further reinforcing he is "in the right". )

Another interesting tidbit is that Luka's personality isn't of the ethereal "pitiful-but-nice" character, but rather something that "fits VIVINOS taste". He is also compared frequently to Ivan in personality/mindset, who is described as a "bad boy" with a possessive/manipulative streak. If the sides of Ivan we get to see that related to Till are fairly tame and the team worries so much about contrast, that seems to imply that Luka embraces the more extreme parts left out of Ivan.

Even more interesting than that is the core of Luka's character inspiration - "the little prince", which I assume most people have read before. It's a children's book about an adult meeting a little prince from space and basically sharing life lessons.

If we look a little beyond the "cute blond kid"/moon motif...the most striking aspect about the Little Prince is probably the idea of the rose and the fox. The immature prince is taught the concept of love and responsibility by a wild fox - that to tame someone is to make them unique, and it's the time spent nurturing that love that makes it precious. The prince had been frustrated by a Rose he thought he loved, but grew annoyed by because he could not understand her. He also was confused upon realizing there were many roses in the universe, but his was too selfish and flawed. So is she not as unique as he thought? He starts missing the rose, and learns that there IS a difference - none of the roses are "his" or sound like "his" - because if they have tamed each other, going forward, he isn't just any little boy to his rose anymore - he is "the" boy, and she is "the" rose, unique in the universe.

This feels extremely relevant to a character presented as a "product" of gene editing and, basically, being created in a lab. The implication to me is that there may be many other "Luka"-like humans - the vast array of congenital diseases he manifests such as heart disease, Raynaud syndrome, asthma and chronic migraine all make him sound like their universe's equivalent of a white pug dog with dubious origins to boot.

What makes that test tube baby, raised by a ruthless alien that doesn't care about him as more than a way to vicariously live a life of success and luxury, unique in that case?

Love.

And my take is that, the fox and rose to his little prince are the siblings Hyun Woo and Hyuna.

(I'm suddenly reminded of the Vanitas no Carte Louis-Domi-Noé trio. Why do those never end well?)

IMO the rift created between Hyuna's brother and Luka wasn't necessarily there from the start. Before getting more strongly attached or opening up to Hyuna, Luka looks extremely detached. Hyuna's brother looked like the picture of excitement and youth, so it feels like he could have reached out to the quiet boy first and Hyuna tagged along. The settings mention something along the lines of Hyuna not quite being the origin of the "dreamer" outlook, but being inspired by her brother, and I can picture it.

Hyuna's MV All in and her relationship with Mizi painted to me the picture of a girl that is naturally attractive - her drive and sunny disposition are simply dazzling. But, underneath, there seems to be "something" doesn't it? I think Hyuna's charm comes from a mix of strength and vulnerability. She seems like the type of person to cope with humor and being flirty in order to lift people's moods and surprise them, but Hyuna herself can have quite heavy and serious feelings. The somber look suits her, and it's overall impressive that she didn't completely break because of her brother. It's like her innate talent for performing draws people to her, but at the same time she can sustain an illusion of "closeness", her true worries and wounds are kept deep inside and she doesn't let others truly see into her.

So.

What's shown in Blink Gone to me is that Luka's not merely surviving a death game, he is enjoying the show and trying to feel alive. To someone like him that probably already feels dead inside all the time and was "abandoned" by Hyuna, there is nothing much to look forward to. We don't know what happened between Hyuun Woo's death and their first alien stage run (quite a lot, since Hyuna even lost a leg) ot the timing of their relationship fall out. Given their memories and image of eachother, it does seem to be implied they were already going separate ways right after the incident.

It's likely that what connects Luka to Hyuna's memory the most is the feeling of performing itself - the one time he gets to be free. Luka acts like he is superior to the other pet humans for having "figured out" the system and feeding into it, and looks down on them for having no control over their emotions. But does he really have total control over his own?

In spite of all the abuse he embraced as his own will or believing he could truly get any power by playing the game according to its rules and "overcoming fear", someone as unpredictable and impulsive as Till is the natural enemy of someone like Luka. He had the upper hand as long as it stayed within his plan, but Till suddenly going as far as going back to the green light indicator was worrisome. Luka's Stamina is actually rather crappy, so if Till did decide to go all out, he might have been cooked.

I think, to Luka, it's probably about more than keeping himself alive. And Till flipping the game then would have made him waste his life on a performance that was supposed to be easy -and- it must be annoying that Till strayed off-script. My hypothesis is that he wants to reach out to Hyuna, still - either by increasing the influence of humans to shift the world closer to the one she envisioned, or by putting his life in the line at the stage as many times as possible to feel the "weight" of her presence as if she still were by his side or to grow so famous that she cannot ignore or escape him.

Deliciously hypocritical of him to look down on others so much, when Hyuna's unannounced presence shook him so badly he turned his back to the stage and stared at her with an expression we'd never seen before.

My take is that her walking in like this is seriously the worst scenario to him. Luka expresses in the artbook that he pities Hyuna and that her safety would have been guaranteed with him, so - because of his influence - I think he might actually have gone to the Alien Stage again to secure his power status AND request to keep Hyuna out of it. A condescending sort of domestication we know she would hate, but would keep her safe.

But see. Even if she wasn't under his care, being out there causing a ruckus is one thing - she's alive and kicking, not really in the slaughterhouse. He can live with that. So, he sings to his heart's content. And...

His sneering that people are suuuch rookies at controlling their emotions...

Sooo weak to let their emotions and regrets dominate them and make them lose sight of the stage, compared to his Super Competent self that can overcome fear and control his own heart rate...

All came back to bite him in the ass, like an idiot.

All other characters were pitted against their worst case nightmare scenario, and I doubt the Prince will be an exception. I really don't think his type of obsessive is wanting to be superior to or beat Hyuna at performing either, even if it's his guardian's mindset (it seems Heperu feels inferior to Hyuna's guardian and adopted Luka simply as a means of beating him - so seems very possible he will push for having the two face off and prove Luka's "superiority").

No matter what he does now, it's either Hyuna against Mizi at the risk of death or Hyuna against him. Hyuna's a wanted criminal - there is absolutely no talking a way out of that one. Not only that, Hyuna's bleeding from her wound already. Luka facing against Hyuna as the second time champion would mean being forced to choose - keep rulling the stage, or chose the one who was his guiding light in the first place?

The imagery from the sweet dream opening (as well as Luka having covered that song) is "release" - Luka dying at Hyuna's hand even if it's not something she can truly do with pleasure, no matter how much she copes with her past wounds by hating him. I wonder if it's a red herring or if it will play out, I particularly want whatever will allow to explore their character, feelings and motivation the deepest.

I don't think Hyuna wandered onto the stage for his sake - it seems like it's for Mizi, who is completely frozen. Hyuna probably has up until now coped with hating Luka because he represented everything she was rebelling against - the "system" itself. A nasty cog in the engine of the aliens who, even if not directly, ultimately were the cause of the entire context that stripped her away of her freedom and lead to her precious brother's death.

However...

My guess to what's happening here isn't "wow your outfit is so slutty" or "you've grown". It's more like...Luka suddenly looks too human.

He wasn't supposed to.

...Phew. That's all for now. The ADHD gets strong when I'm talking about something that tickles my brain, so I hope that wasn't too messy/unintelligible to follow with the back and forth jumping timelines or repeating points of interest I did.

Well! I really, really wish there was more for me to keep going, but for now I'll live with overthinking with what we have. I might do separate analysis/speculation for the MVs if I have a deadline I'm procrastinating on come up the time.

Bottom line is, I think all those characters are very interesting, but Hyuluka are the ones I'm rotating like a rotisserie chicken in my mind. Plz hurt me more VIVINOS team and thanks for the good fucking food

[mylovelies-docx]

Sorry, I Love You - Prologue

We did it! We did it! We did it! Yay!

Since you guys are awesome and helped me reach 100 followers, here is the prologue to my new Bucky x Reader fic Sorry, I Love You inspired by the Stray Kids song of the same title (also, stream 5-Star on your favorite music app!)

This is a friends-with-benefits - to - strangers - to - something that I haven't written yet. I've got 5 chapters completed and no idea where the story will take me. I'll add tags as we go!

Plot: You and Bucky have a good thing going - best of friends that also have more than a little chemistry between the sheets. Everything is fine until you develop feelings for the man who doesn't want a relationship. What will happen when Bucky finds out?

C/W: Friends with Benefits, angst, unrequited feelings, Natasha being a Good Friend. This is just the Prologue, so a lot more to come!

Word Count: 700

Let's go!

You hide your feelings as deep as you can, but they bubble over. You can’t help but stare dreamily when his face morphs in happiness as his eyes squint when he laughs with the guys over a pint of Asgardian liquor. 

You know your face says everything you won’t. When you meet Natasha’s gaze from across the table as Bucky throws his head back in an exaggerated groan at something Sam said, you immediately straighten your spine and wipe all traces of love sickness from your face. She softens her brows and gives you a pitying look you can’t stand.

You stand from where you’re sitting, disturbing the group’s conversation going on around you while you’re distracted by the highlights and shadows of Bucky’s mouth. His bright blue eyes meet yours, slightly fuzzy from the amount of Asgardian liquor flowing through his system, and he smiles at you from one side of his mouth.

“Where ya’ goin’, sweetheart?” Bucky basically yells from three seats away. “The party ain’t over yet!”

You laugh and drain what’s left of your drink before slamming it down and taking a small step backwards. You scrunch your face up and shake your head at the burn.

“It is for me, Barnes. You guys know it’s way past my bedtime.”

Everyone either laughs at your self-deprecating statement or starts complaining about you being lame. You smile brightly as you tell everyone good night and make your way out of the room. You immediately know you're not alone in leaving the table when you hear more exaggerated complaining from the group following someone else’s goodbye.

“Hey!”

Nat’s voice reaches your ears just as she grabs your arm and walks beside you. You both make your way towards the residential quarters where you and Nat share the same floor. The walk is quiet. Neither of you speak all the way to the elevator and the entire ride up. The hand she grabbed you with has looped through your elbow and pulled you close. You both lean back against the shiny surface of the carriage wall, listening to the soft AC/DC coming from the speakers. Freaking Tony Stark, you think to yourself, hiding a small, fond smile.

Nat breaks the silence as the ring of the bell ushers the opening of the elevator doors. Her arm tightens around your own, pulling you closer into her side.

“Are you good to go on the mission with Barnes later this year?” Although Nat asks the question bluntly, her tone of voice is gentle.

You snort and turn to look at her with a confused look on your face.

“Yeah?” you respond. You know that she knows that you know why she needs to ask the question, but you refuse to admit anything out loud.

“It’s just,” Natasha sighs and drops your arm, turning to face you, “this is a close quarters kind of mission – I don’t want you doing something stupid.”

“Wow, Nat.” You huff and cross your arms protectively in front of your chest, continuing down the hallway at the slow pace you’d set. “Tell me how you really feel.”

She closes her eyes and waves a hand in front of her face, acting like she’s batting her last words out of the air.

“Not stupid,” she clarifies, “I meant I don’t want your feelings for Barnes to make you think there’s something there when there really isn't.” Nat gives you a reproachful look when you start to deny it. “I know this is something you and he talk about sometimes, where he says he’s not looking for a relationship. But, hon, you’re always looking at him like you want one.”

You stare straight ahead to avoid her gaze, worrying your lips with the blunt edges of your teeth. A jittery, painful feeling fills you at the mere thought of whatever it is you have with Bucky ending like you know it will. This ‘relationship’ that isn't really a relationship.

“I don’t mean to,” you whisper pitifully.  

“I know,” she soothes, removing your lip from your teeth with her thumb and using the other hand to rub your arm. “It’s just a crush – it’ll go away.”

You both hear the doubt in her words.

PART 1

[literary-illuminati]

2024 Book Review #55 – The Vanished Birds by Simon Jimenez

Introduction

The Spear Cuts Through Water was one of my favorite reads of last year, and I’ve been meaning to get around to Jimenez’ other work basically since I finished it. Months and months later, my TBR pile and the library’s hold queue cooperated and I finally got around to it. Of the two, you can definitely tell Birds is the debut novel, but despite the roughness I can’t help feeling like it's also the one I prefer. I do have complaints (of which, more below), and the story certainly has issues with structure and allocation of wordcount, but this really is the rare book where I feel no compunctions whatsoever giving five stars.

Knowing myself, this isn’t entirely unrelated to how fucking heartbreaking it is at points.

Synopsis

To brutally over-summarize, the book follows Nia, a starship captain hauling crops on a freight route from a ‘resource world’ to Pelican Station, one of the great centers of human civilization and Allied Space. Due to the peculiarities of faster than light travel, the round trip that is for her and her crew experienced as a span of months is for the people at both endpoints an absence of fifteen years – a convenient way for her to keep making the same mistakes as far as personal connections and relationships go. On the last loop of the route before her contract is completed, she finds herself taking care of a mute, deeply traumatized young boy discovered miraculously unharmed by the locals in what seemed like a fiery wreck. The boy – at first nonverbal, inexplicably a musical savant, deeply traumatized and mysterious in a hundred different ways – finds his way into her heart to the point that even after they return to Pelican and he’s been turned over to the security services, she can’t stop trying to find out what happened to him and making sure he’s alright.

It’s at this point that the two of them come to the attention of Fumiko Nakajima, the Millennium Woman – designer of the five great stations at the heart of Allied Space, and (thanks to the magic of cryo-sleep and FTL time differentials) one of the last survivors of long-dead Earth. She sees in the boy the possibility of something miraculous – truly instant interstellar travel – and so hires Nia and a few reliable agents to take him into Fringe Space, safely out of view of any of her ‘friends and colleagues’ who might take a similar interest in him. For fifteen years. The story then reveals itself to be one of, basically, child-rearing and coming of age – at least until the moment where the child’s miraculous abilities really do reveal themselves, and all at once things get much, much deadlier.

Structure

The book is – not quite incoherent (the thesis is very clear), but certainly unfocused. At first I thought that was rather the point – the first three chapters are each incredibly effective, melancholic short stories in their own rights'; each leapfrogging into the perspective of a character whose actions or legacy shaped the previous, but with dramatically different casts, setting and plots. These are almost certainly the most aesthetically successful and artistically disciplined sections of the book, and as I read them I assumed it would continue in the same vein for the entire book.

It does not – the book settles very firmly into being the story of Nia and the boy who is later named Ahro. The middle of the book is an almost light-hearted coming of age story, spread across the years Ahro spends growing up in the Galactic fringe with his ragtag accidental family. The final act then dramatically shifts tone again, becoming largely about recovering from betrayal and the destruction of your life, and of striving in defiance of all sense and reason to reconnect with someone you love.

There are, then, three very different vibes here, and I can’t say the shifts between them are handled with the most grace in the world. The book absolutely never stops experimenting with style either, shifting voice, perspective, level of detail, and even format (several chapters are relayed as diary entries) basically whenever the mood strikes it. It absolutely feels like an incredibly talented author showing off a bit beyond their limits – you can see the seams, the allocation of effort between the parts is...questionable, and there are a couple vital characters/subplots who just needed another chapter or two of focus – but it’s the sort of messiness that leaves me incredibly endeared.

Love, and its Discontents

Those first three chapters are essentially short stories connected by setting and a character or two – but most of all they’re connected by theme. Each is, one way or another, the story of the protagonist falling in love – the sort of love that defines a life, that cuts you to the core whenever you remember it – and then having that love fail, leaving the lover damaged or lessened in a way that never quite heals.

Things do not stay quite so melancholic, but for a story whose whole climax is centered around the quite literally metaphysical and reality-shaking power of pure love this book has a bracingly tragic sensibility of it. Love is hopelessly one-sided, or turns rancid with resentment for just long enough to make sure it can never be restored again. Romances end in betrayal and murder, bonds both sororial and paternal in half-thoughtless abandonment, soul-deep friendships in vicious arguments and a severing of ties. Love, the book says, is deeply contingent and often more transitory than it seems – and if it isn’t, that can do far more harm than good.

Nia as a protagonist has plenty of baggage about this. She’s introduced as a woman with deep abandonment issues – that is, she keeps abandoning people and then feeling bad about it (her ship is the Debby, after the kid sister who lived and died seeing her for a few days every fifteen years due to the time lag of interstellar shipping). She latches onto protecting and caring for Ahro almost more as an attempt at redemption for herself as anything about the boy himself, it’s only over time she really grows to love him as more than a talisman.

I can’t say it was particularly well-spent time, but the book does something I love at least the idea of. Nia’s crew is introduced in the second chapter with a fair amount of detail and personality, each of them having little idiosyncrasies and distinguishing habits and virtues; one is a best friend she found stranded on a wrecked hulk and nursed back to health. The whole dynamic is that of the grumbling and bickering but affectionate found family crew you’ve seen in a thousand other stories. So when she commits to spend up to fifteen years of her life taking care of Ahro on the galactic fringe in exchange for truly unbelievable amounts of money, she sits down with them, tells them the score, and asks them if they trust her enough to come with her.

And all but one of them say no, and never show up in the story again. Which is possibly the first time I have ever seen that kind of scene not end with re-commitment and affirmations of trust from at least most of the real characters that were asked.

This makes the whole found family situation with Nia, Ahro and (most of) the second crew that do spend years in the outskirts of ‘civilized’ space with them works for me far, far better than these things usually do. Because, unlike functionally every piece of fiction I can think of that’s ever been promoted as being about found families, this one really does sell it as something precious and exceptional, rare and worth fighting to preserve.

It also gets all but three of the people involved killed, of course, and of those three one’s permanently crippled and death would probably have been kinder for the second. The book’s really big on stretching ‘better to have loved and lost than never to have loved at all’ to the absolute breaking point – right up to someone choosing not to die despite an existence of nothing but torture and pain just for the infinitesimal bit of hope and connection of a loved one singing through the prison bars.

The Banality of Evil

The villain of the piece is, without question, the monolithic and monopolistic Umbai Corporation, something between a neocolonialist conglomerate and a sovereign, expansionist empire in the classic sense with a few affectations from its earthborn roots (the specifics of the politics of Allied Space are vague and in any case more impressionistic than anything like a detailed speculative political economy). Which is kind of fascinating, in that it is specifically the Corporation as a corporate body that is the villain – agency and responsibility are spread across whole bodies of Allied nobility and corporate Judiciary officials, armored Yellowjacket thugs and career-minded techs and surgeons. There’s no CEO or President, no Board of Directors who set the agenda and bear ultimate responsibility – there’s no face to it at all, really. I’m fairly sure no agent of the company ever even appears twice. Which is just interesting on its own terms, given Umbai as an entity defines both the setting and the plot to dramatic degrees.

The world of the Vanished Birds is a horrifying dystopia in a hundred different ways, but until the very end of the book this just isn’t really something any of the characters particularly care about. It’s in the incidental details and the little asides in the exposition – that there is a great apparatus of censorship on every Allied world dedicated to controlling and slowing the rate of linguistic drift to ease the flow of time-shifted commerce, that the culture and economy of Umbai ‘Resource Worlds’ are societies deliberately starved of information and culturally engineered to be easily managed and quiescent single-commodity resource exporters. Even in the distant past, Umbai and institutions like it used their control over the Ark Ships escaping earth to filter the species – denying berths to (among a great many other things) anyone of ‘problematic’ politics or who seemed likely to be an economic burden.

It’s a universe where this system seems to spread inevitably and irresistibly, everything valuable bought up and parceled out for the benefit of the system’s functionaries diligent enough to save for occasional vacations, and the nobles and officials in the vaunted heights of far-off stations and City-Planets (the allegorical applicability is left as an exercise for the reader, a bit of restraint I did appreciate).

It is, again, not a system that’s worth analyzing as a speculative political economy or technical exploration of neocolonialism either present or future – but it’s not trying to be, either. And it works very well at seeming like a real, functioning world that the characters are just trying to live in.

The Anthropocene

Going off where most of its wordcount is spent, I’m not sure you could really call Birds climate fiction. But if someone was making that argument, I’m not sure you have too much ground to stand on arguing you shouldn’t either.

Fumiko’s first chapter, read as a stand-alone short story, absolutely is – the story of a love affair between genius savant designing the great orbital habitats which will sustain a lucky slice of humanity in the stars, and a talented but less world-shaping scientist doing what she can to lighten the burden of the remaining four fifths of the species being left behind upon the increasingly uninhabitable earth. This is where the book’s title comes from – the gradual disappearance of the birds Fumiko loved as a child, even from the sanctuary trying so ferociously to preserve them.

The world presented in that chapter feels just barely familiar enough to be unsettling, a scarred and fortified world that’s still on a clear and irreversible decline – which might be either chicken or egg to the fact that the commanding heights of government and industry have given up trying to save it entirely to focus on an escape to the stars.

For the rest of the book, environmental collapse isn’t really a topic that much comes up – though the human shaping of and impact on the environment certainly does. It’s just largely a matter of deliberate engineering.

There is, however, a very easy allegorical reading of the fact that on discovery of a way to travel instantaneously between stars, Umbai ruthlessly exploits and monopolizes it to attain unprecedented degrees of power and wealth as they reshape the entire galactic economy – all of galactic civilization, really – around the new technology. All without the slightest thought or care that this new technology is based on harvesting a specific and finite resource and their brave new world will collapse entirely without it. Omelas-child instead of oil but still – not exactly subtle, but I do appreciate the book restraining itself from directly and explicitly pointing it out.

Fumiko

The ‘millennium woman’ is probably the most interesting single character in the book, and also almost certainly the biggest structural weakness in the whole thing. Which is annoying to me, personally. She simultaneously has some of the best chapters of the book and also ends up feeling like a ball being tossed around as the plot requires.

Her Methuselah existence is only vaguely justified and explained, and it’s entirely unclear just how exceptional she is (beyond the fact she isn’t unique, anyway) – the story never even gestures to the existence of any of her peers beyond vague mentions of the Umbai executive class or Allied nobility. She’s an oligarch-savant with nigh-infinite resources and cadres of loyalists installed in every institution worth owning – until a single mistake is made and the powers that be unite in a perfectly coordinated strike to kill them all and leave her stranded in the torn up ruins of her private research colonies among the corpses of two thousand executed minions.

A character being ruthlessly crushed without warning or chance of contesting it by the powers that be rings more true when the character isn’t one of them, I suppose? As it was, it felt like being dropped into the climax of a story without any of the rising action.

The effect is, I think, at least mostly intentional. The entire chapter is about Fumiko being so distracted with the failures of her memory and a complete preoccupation with her latest project (Ahro) that she cannot even pretend to remember or care about this whole vast infrastructure she has built up for her own advancement and curiosity, or the hundreds of followers who treat her as a living saint (to the point of not even remembering her friend, confidant and second in command until the moment before he’s executed for, in essence, her failing to consider the consequences of breaking a minion’s heart). The fact that there’s a battlecruiser en route to bury everything she’s built in napalm and she just forgot to do anything to prepare is actually very plausible. In which case, I just wish it had been ore dwelt upon and made a point of. Or just – it felt like she really needed another chapter or two from her POV before things go horribly wrong, I suppose?

Her chapters are very well-done and affecting, to be clear. And her mirrored character arc with Nia – both women who get a certain pleasure out of other people caring about and being more invested in them than they are in return, both dealing cosmically poorly with rejection, both forever decorating their life in half-conscious memory of someone they left behind – is both well done and compelling (Nia gets better, Fumiko’s story in an elaborate murder-suicide/terrorist attack).

Too Long; Didn’t Read

Beautiful, emotionally affecting book. Very much a debut work from a talented author – experimenting and showing off a bit more than be supported, some fundamental structural weaknesses – but nothing I found detracted from the experience. Actually one of the quite rare books where sitting down and writing out a review has made me like it more rather than less.

[mysadblacksoul]

Backslide - 3/13 of the Clancy album

Grab a coffee and let's start this madness

MV

Tyler is wearing the same clothes that he wore in Overcompensate MV to I would assume that this MV takes place right after

Let's break down the signs first

We see the return of Ned Bayou as well as FPA, now standing for Food Petrol Etc.

You can buy 9 buns for $21, love the symbolism

There is a Jim sign omg. Baby is having his own bubblegum business

Of course the Bishops sign with 9 lines marked on it

I could've sworn that the black sign says "Dema Vapes", but looking closely I believe it's "Velma Vapes" lol

What is more, the cones (?) are yellow and I'm pretty sure that the fact that there are 5 of them is not an accident

They sold him bread that went bad lol. Nah for sure it's not the case since he gives the same bread to a child

But I believe that the scene and the lyrics are closely tied with Stressed Out

Now the next scene is interesting

I think that the bad weather is a simple metaphor for feelings of anxiety or fear

We can see that Tyler was contemplating then he was suddenly pulled from his thoughts

This is when the scene changes to normal, right? Exactly on the line It's over my head

Then we move to the scene with the kid

And I really believe that this little lad is personification of Ned

Like he has the same boba eyes lol

No but for real, this is parallel to Chlorine - kid is giving Tyler a cup just like Tyler gave to Ned. Yet he accepts it and drinks whatever is inside and Ned just shudders

Another interesting thing, that could make my point more valid is that the kid literally asks Is that a stain? You should change / Are you doin' good? / Did you solve all of your problems? like he knows Tyler very well and is in a way looking out for him

It's like he's keeping Ned by him - okat I'll stop

It might be a stretch, but the N kinda looks like a mirrored band symbol, do you also see it?

If 0.75c is equivalent to the cost of one bun than Tyler is being ripped off since he paid $21 for the pack instead of $6.75 lmao

Something is really wrong with those buns lmao

Then the mood changes again, but this time is even worse. Like his mental health is declining even more and even faster

The bread is wet, the day is ruined, thanks Mr. Joseph

You killed it Josh, love your creative mind

*funny music stops*

Now let's talk about the way how the MV is looping itself

I would say that it is a demonstration of the twisted circle that is life

Maybe it's a very basic analysis but I think of all the complicated lore-oriented MVs this one is uncomplicated

What is shown here is how our psyche can play tricks on us and how we can complicate a rather simple situation ourselves

If Tyler hadn't had dark thoughts then nothing would have happened to the bread, so he would have just gone and given it to Josh

This shows how our psyche itself can abolish the situation in which we find ourselves

Looping, on the other hand, shows that as long as we don't do anything about it ourselves, we will be stuck in this fishbowl (see what I did there?)

Maybe it's one big AD to check your mental health and a sign to try to get better

Lyrics!

Rat race, place to place, adding weight / Tendencies on repeat, innit? - rat race for sure happened in Dema, and repeat is literaly the loop, innit meand that Clancy is canonicaly British

Benefit from a shoe with no lace - shoe with no lace would make you fall back on the behaviour that you are running from

Take the seat with the crease in it - seat of someone who already tried to change their life, or even who had the same dreams and hopes for better future like Clancy

This could be parallel to When I leave, don’t save my seat/ I’ll be back when it’s all complete from Chlorine

I don't care, you control me / Leading me anywhere - well, all I should say is Dema don't control me and we all know the rest of the story

I don't wanna backslide to where I've started from - he doesn't wanna go back to his back habits as well as doesn't wanna go back to his life before he tried to escape

There's no chance I will shake this again - if he falls back one more time that will be the end of him. His psyche won't take it anymore and his plans will be buried

'Cause I feel the pull, water's over my head - this is parallel to Fall Away And I, I can feel the pull begin. But it also gives me the parallel to Holding On To You MV, the scene with the rope

Strength enough for one more time - like I said, this would be the last attempt to change everything

Reach my hand above the tide - it could indicate that his physical strength is also wearing out

I'll take anything you have / If you could throw me a line - again with the line. But it also can mean that he can endure anything now, he just needs a little helping hand

I should've loved you better - this line can be directed both to himself but also to the person who extends his hand to help. He might not have appreciated both parts before and now regrets it

Do you think that now's the time / You should let go? - This line is like both a request and an apology. As if he wants to say “I'm sorry I treated you badly before but please don't leave me when I need help”

Bad place, on a hundred-dollar bass - this line is also giving me Stressed Out. You can imagine the cheap bass being transported on the bicycle right?

Kinda wishin' that I never did "Saturday" - I think that he doesn't mean the MV irl lol, but the regret of taking part in Bishops' manipulation altogether

Is that a stain? You should change - a play with mentioning Saturday and the lirycs She said that I should change my clothes

Are you doin' good? / Did you solve all of your problems? - like I said before I believe that this is Ned looking out for Clancy, wishing him well

Thanks for asking, in a way, but / Accidentally uncovered a new one yesterday - safe to say that he is not doing better lol

What happened to what I brushed under the rug? - what happened to how well he used to be able to hide his problems and true feelings

I used to be the champion of a world you can't see / Now I'm drowning in logistics - if viewed as a fact that he created this world it now looks like he wants to regain all control over it. Logistics is to take care of the management of planning. And once again we see the mention of drowning

The bridge is acting as an externalization of his myhs and fears that even if he is outside the Dema, the Bishops will still have control over him

The entire song is about both regaining conrol over the world of Dema but also regaining control over himself, his psyche.

The main theme is about not going back to old habits.

The most important thing here is progress and pushing forward.

Because one wrong move can make all the work in vain and we will sink to the very bottom.

Safe to say that I liked it haha

[solar-sunnyside-up]

Hey, I’m sorry to dump this on ya but your blog gives me a lotta hope and I just wondered if you had anything to say to my current ails- I am but a very anxious teen and I am so scared. I see so many people talking of how the world “Will end in 2040” or how “damn the past was so much better because it was simpler” and I am lowkey starting to believe that. I’ve got a problem with romanticizing a past I wasn’t even a part of and I really don’t want to live in some awful dystopian future and I fear I’ve missed out on so much because of when I was born :( and how come no one can afford basic shit anymore? I don’t wanna have no money at all! I really would like to be happy in the future but with all the bullshit caused by social media and the lack of money it seems bleak. I’m sorry that this is such a negative ask but I am not doing so hot and was hoping you’d have an insight ? Don’t respond if you don’t wanna

Hey ya there sprout 🌱 it can be really tough out there!

Your feelings are valid, so valid in fact that those exact feelings are why Solarpunk as it currently exists is around! We've all been there!

Between the wages of the top 10% of ppl vs everyone else being greater then during the French revolution, the average citizen globally being worse off then when the great depression was happening, climate crisis after crisis, all while consuming endless bits of info both horrifying (ex Politics) and hopeful (ex Social Media activism) it's waaaay too much for anyone to bare alone! Much less constantly! That burden shouldn't be on any of us!! But since it is, I'm here to help at least lighten the load even if temporary.

The best thing to do when we feel like this is to stop. Find 5 minutes to be still. We are fight/flight/fawn creatures and we will only loop in our solutions without actual clear choices if we don't Chill Out. We're mammals our natural state is Chilling Out and Play.

Next, think about how cool the planet is and particularly how cool humans are?

How there's finger flutes on ceilings thousands of years old, smaller then average indicating that parents held their children up to draw on the ceilings.

Think about the invention of looms and spinning fibers! What other creature could do that? Think about the kids that could build Snowmans without aching fingers because of lovingly knit mittens.

We sing like whales do, like birds do, like wolves do, and we do it to share stories and ideas over food! It is the first things babies mimic! We have songs so old we no longer know their origin just that they came from love! We even have songs to herd cattle meaning music transcends just us but bleeds into our relationships with the planet!

That we have play behavior! Just like wolves and foxes and whales and octopus it is so built into our DNA to play its generally how we learn things! This ranges from agriculture (children tossing seeds around, blowing on dandelions!) To chores (parachute games > folding laundry, playing pretend > usually chores/job based) to hunting (tag! Hide and seek!)

Think about our interconnectiveness with the planet too, how we are guided by Honey guides to find abandoned hives to share in the spoils of bread and honey. How Sweetgrass needs us to flourish, how berries and nuts need us to spread across the land, how we fix other animals broken bones and beaks and help them return home when otherwise they wouldn't ever get home.

Now that you can remember we deserve to be here, that you deserve to be here. We can look at the current situation and bare it.

And we do that by doing small things. Jam out and listen to music while picking up litter on your block, go to a library and just hang out or research something you love, make seed Bombs and toss them I to abandoned lots, make silly cartoons. Whatever it is, it will be enough.

The weight of the world isn't ment for the individual no matter how much Capitalism and Elites will try and guilt you over their failures. That weight is ment for collective groups, but your job as a Person is to be happy where you can and to be kind so others can be happy. The last thing that I always keep in my heart is a quote from my fave author Ursula Le Guin:

Hang in there, a brighter tomorrow is gunna happen. I promise 🌻

[14th-century-verona-queer]

SOME BACKGROUND INFO:

Heacannon that one day, somehow (don’t ask me how okay its late im running on no brain cells) a speaker in the apartment starts BLARING music

And nobody knows where it came from or how it started but what they DO know is that the speaker is blasting “While You Were Sleeping” by Laufey at full volume. On loop. For 10 or more minutes. But its so loud that you can’t really make out the lyrics that well (so it’s basically just the instrumental and the melody that laufey’s singing without any distinct words ig)

ON TO THE STORY:

“What the FUCK is that noise?? It’s been playing for the past 10 minutes, which one of you idiots put it on?”, Al says irritably.

Wade, being the himbo that he is, (hey! I am not a himbo, thank you very much!) yes you are Wade, the whole fandom agrees, now SHUSH IM TELLING A STORY (my bad) YES YOUR BAD NOW SHH

says, “How do we know YOU didn’t put it on, hmm Al?

Al shuffles over and whacks him upside the head, “I’M BLIND, MOTHERFUCKER. HOW WAS I SUPPOSED TO DO THAT? I DON’T EVEN OWN A GOD DAMN PHONE.”

While..all that..is going on, Logan (who had just woken up from an alcohol-induced nap) stalks into the kitchen wearing a pair of Wade’s hot pink Hello Kitty pajamas, with his eyes reduced to slits (cause yk, hangover and stuff ig?) is like

“what the hell are you guys screaming about and what the fuck is that noi-“

And then he cuts off because Wade and Al just very slowly, very carefully, turn in his direction and stare at him (al kinda just turns in his general direction)

“What the fuck are you guys looking-?”

“I can’t see, honey”

“sorry Althea, facing my general direction, for?”

“..is that my phone, peanut?”

“….yes…what about it, bub” and Logan, bless his oblivious soul, crosses his arms and scrunches his nose up, confused.

“Is that my phone, open to SPOTIFY, CURRENTLY PLAYING THE SONG THAT HAS BEEN BLARING ON LOOP FOR THE PAST 10 FUCKING MINUTES? I DON’T KNOW HOW YOU GOT THE PASSWORD TO MY PHONE, BUT THAT IS A QUESTION FOR ANOTHER DAY CAN YOU PLEASE TURN THAT FUCKING THING OFF ITS GIVING ME TINNITUS.”

and Logan, now mostly awake, slowly pauses the song, and just stares at Wade, waiting for a reaction

“Uh…yes. This is your phone. And what about it?”

”Honey badger..did you put that song on..? See I could be wrong, (even though I never am *logan snorts* HEY!) and I couldn’t hear much, but it sounded a bit too classical and was a bit too jazz pop for the big bad Wolverine to listen to. But now I’m curious sooooo can I see? Pleeeease?”

And Logan, being down bad obviously reluctantly gives it to him cause who is he to not please Wade when he’s begging?? He can’t just NOT when Wade looks so pretty and earnest and is genuinely curious and he knows he won’t make fun of Logan no matter what and he’s pretty and HE’S JUST REALLY PRETTY WE GET IT SHUT UP NOW INNER MONOLOGUE.

Wade gently takes the phone from him and knits his, what would be eyebrows, together

“While you were sleeping?? Kitten (Logan almost chokes at that btw) are you stalking someone? Why didn’t you tell me I could’ve helped!” Wade jokes “Okay but actually, who’s Laufey?”

Logan’s eyes widen and his entire face turns red, not from a blush but from anger. “WHAT DO YOU MEAN YOU DON’T KNOW WHO LAUFEY IS SHE’S AN AMAZING ARTIST AND ACTUALLY TALENTED HOW DO YOU NOT KNOW HER?? I’ve been alive for 200 years, bub, but she’s one of the best artists I’ve ever listened to in my god damn life! How DARE you insult her by not even knowing who she is.”

Wade, who was not paying attention, (Yes i was!) don’t lie to yourself Wade you literally weren’t.

I JUST wrote that you weren’t paying attention, now FOLLOW THE SCRIPT OMG (okay okay but keep going youre making the readers wait too damn long) SHUT YOUR YAP I KNOW ALREADY OH MY FUCKING GOD.

Anyways, Wade was looking at the lyrics instead of paying attention to Logan’s passionate rant (ooh I wish he was passionate with me) Wade actually shut up (okay sorry) you SHOULD BE.

“I'm dancing down streets, smiling to strangers Idiotic things?? I trace it all back, three-thirty AM, that night, something turned in my heart While you were sleeping, I fell in love??” He says confusedly

“Who’d you fall in love with, hmm Peanut?”

To be continued..

Thank you so much for reading!

This is pretty much the first little story that I’ve ever written, so apologies for anything that doesn’t make sense

Yea I’m splitting this into multiple parts because I’m actually kind of considering making this a small little story?

Not quite sure yet! (You better!! I wanna get to the good stuff! Like where Logan ***** while he *** and *****) Wade there will be NO smut in this story PLEASE do not get ahead of yourself. (Oh c’mon!) Sorry dude I’m ace I (personally) do not know how to write any kind of convincing smut, nor do I want to.

(Sorry to any readers who were hoping for that kind of content!)

I have no idea how it went from me just yapping to like actual story jargon, but I am quite aware that it’s weird and will be updating later! (If anyone wants a part 2 ofc)

If you all want a part 2 I’ll make it more “story-like” and won’t have it start off however the fuck it started off this time.

Thank you so much for all your love and support! It means the world

Sorry for the cliffhanger btw loves (not rlly hehe)

-Cori

[vyl3tpwny]

Another follow-up question: you already mentioned medley of visions in the previous answer. Could you share your thoughts on the process behind that one?

despite being a 20 minute fucking song, bri and i actually made it in less than a week's time. the first 5 minutes of it i actually made while sick in bed at an airbnb in 2019. when i got kicked out, me and my roomate had to stay at an airbnb before while we waited for our longterm place to be ready. i ended up getting insanely sick halfway into our airbnb stay. despite that, i made a bunch of tunes in that time and i had to do them in bed lol. so i made the first 5 minutes in one night while i was sick, alongside a bunch of other demos (including the demo that would become CUTIEMARKS eventually)

fastforward a year later to 2020 and i talk to bri about finishing that demo i made. so in like the span of a few days we just sat in a call playing a sort of musical ping pong making each subsequent section. the total amount of days from start to finish (including the one night in 2019) was probably about 4-5 days total.

to this day i still have not encountered a collaborative workflow like we did for that song. we basically were making music at the same time and we'd show each other our progress and weave each section into each others'. so like for example when it came to the dungeon synth stuff she was doing in one section, she showed me the wip and i was like oh yeah i know where to go after that and started making some trance shit that transitions out of that. when she was finished with that section, she sent it over and i had it transition into the section i was working on. when i did that, i showed her how it sounded on my end and she was like yeah i know where to take it after that too. this continued on loop until the entire thing was done basically.

what's also crazy is that bri is an extremely fast learner. she actually had very limited experience making music prior to medley of visions with me. she was teaching herself things on the fly while we made it, it was insane. she wasn't really working on tunes for years until that point. the fact that she was able to create this dazzling array of ideas while learning how to even do that to begin with was mindblowing and it worked. hopefully we can do that again sometime.

she recently decided to just start learning how to make comics out of nowhere. they're really awesome. give her a follow at @hypercubecats !!

[aluria-sevhex]

I CAN KILL SIFFRIN. WITH ANAPHYLAXIS. but... will have i have to do the second floor again...

Notes time~!

-please the child say it's yummy

-:D Mira can unfreeze people

-gonna stop for the night

-my break lasted all of yesterday but now i'm back baybeeeeeeee

-i still love the title screen music

-are the enemy names in French?

-yeah i think they are

-eh i feel like dying

-hm looping forwards costs memories... another incentive to fight! yippee i actually like fighting in this game

-i get the kid's drawing every loop :]

-asked Isa about "the hand thing"

-hmmmm methinks there may be... ☆gay☆ :3c

-:0 mysterious 4th hand shape?

-PHONE HAND

-time to loop forward. plantain peel time

-i feel so bad for the frozen people...

-i got a pair of garden scissors! <insert joke about how i've said that Siffrin reminds me of Basil here>

-aw... Mira's anecdotes about the frozen people...

-lol Mira's dying plant

-ooo the Head Housemaiden's office

-love how Vaugarde isn't a monarchy but they call the King that because it's the title he chose and calling him something else would be rude. Vaugarde unsurprisingly supports trans rights

-FUMKIGN ROCK

-FUCK. THE KEY IS IN THE OFFICE.

-oh nice a helpful icon to indicate you've fucked up

-i feel like Loop has some sort of weird thing for Sif...

-exploring elsewhere on the floor

-oh hey a classroom

-how many classes have you taken, Mira? >:)

-ONE HUNDRED FIFTY??? GIRL. DAMN.

-"Someone wrote on the board "Don't stay with your mistakes! Don't be afraid to start over!" You nod! What a true little fact!"

...cheeky

-"no eating snacks" live Bonnie reaction: chomp

-why yes i am writing commentary on a bunch of little bits of narration, it's my notes and i get to make the rules

-bonding earrings? hmmmmmmmm

-oh cool Vaugardians tend to give people multiple names

-fuck yeah trans rights

-oh? Odile has another name?

-Isa doesn't want to tell his because "if i do change again, i want it to be a surprise" again? 👀

-:O THE STYLISH LADY'S NOTEBOOK

-fuck. another weird Sadness

-aight looping time

-my favorite part of the game was when Siffrin said "it's looping time" and looped all over the place

-Mira and Isa: getting hopeful and romantic about how this couple's reunion might go.

Bonnie and Odile:

-hmmmm why u wanna know what a bonding earring is, Sif?

-:0 library? LIBRARY

-"people don't REALLY kiss in plays, do they?" Bonnie. actors do a lot of things.

-your honor they're friends

-the fuck happened to the island. does this have something to do with Loop and/or the King

-how fitting that a game centered on time shenanigans puts so much emphasis on change

-BONNIE CANONICALLY NARUTO RUNS???

-ah yes the Opposite Sides of the Age Spectrum Alliance vs. the Beauty Alliance

-bruh. i picked the wrong way

-"grape juice for adults"

-bonding earrings explanation!

-"I wanna know what happens when prople love each other very much, no one's ever told me!" XD oh, Bonnie

-"And if the bonding is between three or more people, you'd make as many earrings as there are people!" VAUGARDE SAYS POLYAMORY IS COOL

-kinda cool that they basically do wedding earrings instead of rings

-"Not my kind of thing" eh fair

-Isa, Mira, and Bonnie are now overthinking the normal earrings because Siffrin pointed it out

-Mira doesn't seem to want to get bonded... hmmmm... 🟩⬜️⬛️?

-:0 Mira has beef with the trap room guy? >:O he stole her shit!

-that was a tricky boss

-hehe Isa is hungry

-ISA WHAT KIND OF A QUESTION IS THAT... fair actually. what WOULD they do with any bodies?

-WAIT. THE PINEAPPLE THING IS COMING UP. I CAN DIE OF ANAPHYLAXIS?

[the-s1lly-corner]

Ookay this one is really really tooth rotting fluff level

Tadc x reader who just realized christmas is coming, and is freaking out with absolute glee and childlike wonder

TADC cast x reader who loves christmas!

AAAAAA im so so sorry i could have sworn i answered this but i guess i didnt??? i promise i didnt mean to leave this in the inbox this long on purpose i think i must have lost track of stuff </3 regardless, i hope you enjoy! admin must admit, asides from presents and the christmas tree, he doesnt do many holiday activities so... admin is underqualified for this but hes still gonna try! a lot of the character segments intertwine in this btw! like not in a "similar idea" thing but in a "they are actually overlapping and interacting with one another" way so !! side note unrelated to the post eheheheh the second batch of macarons have been piped! theyre now on the counter set out to dry, and ive got my ganaches out to get to room temperature so i can whip em up into a frosting :3

CAINE:

oh i just know that caine would lean hard into holiday stuff, plus i think he has the best sense of time in the digital world out of everyone.. plus he just seems like the kind of guy to celebrate all sorts of holidays, not just christmas! year round stuff, you know? not just winter... so you guys would likely team up and totally deck out the grounds to match the holiday spirit! sure caine on his own already puts in way too much effort decorating everything, he even makes it snow! but with you around he cranks it up to 11! lets just hope there arent any scrooges around, though.... also prepare yourself because he would definitely find a way to have christmas music play on loop in the background... somewhere... ambient music but its festive songs... i think caine is also the one responsible for most of the presents, since he can basically get most things with just a flick of his wrist! ooooo perhaps a date (platonic or romantic! up to you!) where you guys wrap the gifts together!

POMNI:

funny enough, while i usually think pomni would SUCK at cooking, i think she can make a mean hot coco. granted, hot coco and/or hot chocolate arent the hardest things to make, but... i dont know, its just different when she makes it... (recommendation from the admin, add a bit of cinnamon or nutmeg to your hot coco its a game changer frfr, this goes for a lot of chocolate stuff, actually. its like the chocolate-coffee effect but like. makes a different flavor profile. add a bit of nutmeg to your chocolate chip goodies. rn.)

anyways! pomni always keeps you supplied with hot coco, and honestly it benefits you both! keeps you nice and warm, plus its delicious; and it gives pomni something to do... i mean, its christmas... surely she can take it easy from trying to find the exit... just for the season... helps with her anxiety about the whole situation, you know? making digital food sure is weird, though...

RAGATHA:

as mentioned in gangles part, she joins you and gangle in helping making a skirt for the tree! keeping up with the idea of sewing things, i think she would also make stockings for everyone; leaving most of them blank so everyone can customize them however they like... but you and her get together to decorate your own together and just !! i just think thats sweet! depending on how soon caine starts putting the christmas stuff around, you and her might be able to make some ugly sweaters for yourselves! thats a christmas thing, right? oooo and they match.... OOOO YOU GUYS MAKE AN EXTRA LONG SCARF FOR YOU GUYS TO SHARE!!!! rolls around... she makes you mittens so you can go mess around in the snow caine put all over the grounds

JAX:

snowball fight. and i mean really intense once. in fact it wouldnt be too much of a stress to call it a snowball WAR! honestly jax might just be the type to put rocks in his snowballs.... but because this is meant to be nice and sweet, he wont... just this once, and because he feels TOO mean crushing your holiday spirit (even if your digital body would quickly recover from the possible injury...)

you guys make forts and go absolutely ham. the stuff ragatha had made for the two of you! i mean sure you guys cant succumb to hypothermia, buuuuuuuuuut being really painfully cold still sucks... but the sweaters help you guys stay out for longer to play! and you can perhaps ask pomni to make some hot coco

oh yes its all coming together

ooo perhaps you convince jax to make snow angels and snowmen with you... though, i think jax would make the snowmen purposefully unappealing... but maybe you think hes actually trying his best... oh you jolly little thing..

KINGER:

okay so i admit this one might be a stretch and its mostly because his robe already has the fur and he gives off grandpa energy (even though hes only 48 but hey some grandpas become grandpas young) but imagine somehow someway he dresses up as santa (and i say that loosely, his robe turns red and the fur turns a plain white), bonus if he wears a hat to tie in the entire look. while caine is the one getting the gifts and wrapping them, i like to think kinger would ask to be the one to put them under the tree at an ungodly hour. sweet man. chews

as for an interaction with the reader... hmm.. hes the last character im writing, everyone else already has their parts done... the one christmas activity i can think of that hasnt been taken yet is baking! honestly i can see him being a decent chef! maybe its the dad/granddad energy speaking to me again... perhaps its the admin projecting... buuuut imagine you two make shaped cookies togehter; stars, candy canes, trees, bells, ect... and you ice them together! sure they may not be the prettiest or look the most professional; but does that really matter when youre having fun? they still taste delicious!

ZOOBLE:

ok i get it, i tend to lean hard into the zooble being negative and/or unimpressed with things a liiiiiiiiittle too often, but again zooble doesnt strike me as the type to enjoy most holidays. they seem more of a halloween person to me, you know? though, i think that they would switch out their antennae for ones that resemble antlers more... or if they dont have those, they string lights up on them! all for you, just because they know how excited the holiday makes you. they dont care about many things, but they care about you... and if it means doing (harmless) things they normally wouldnt do, then so be it! dont expect them to get in on many holiday activities, though...

GANGLE:

you and her make decorations for the grounds and the giant digital tree caine put in the main common area! handmade ornaments, paper stars and snowflakes, things like that! you and gangle stay up take cutting each thing, applying the colors and the glitter and any small details.... dozens of times.... because caine chose a tree that was way too big than it needed to be.... oh you might have to have gangle on your shoulders so she can reach the higher points of the tree! sits and thinks.... ooouuuuuuuuugh you guys make a skirt for the tree together with the help of ragatha... little group activity... sobs...

[p0ssywhippedcream]

Hiiii, I saw it was ticket time? Now I don't know exactly how you write saiki, but I would love to request him! What I'm think is maybe (very much to saiki's dismay lollll) there's a new student at his school! The reader is transmasc, but no one knows that ;p except for our lil lovely saiki ku! So basically, the reader is like, a himbo? And the only thing going on in his head is basically sex songs? Like I'm thinking, just about every song Ayesha Erotica wrote? Haha it would be funny, the reader just sitting at his desk and saiki can only hear emo boy on loop in the readers head! Poor baby boy just needs a break!

- from, the one and only! Anon 💋

Honestly, Saiki hadn’t really cared or paid attention to you until class started. Most people were either thinking about the work or daydreaming to avoid it.

He noted you when you’d been introduced to the class, he also noted that you didn’t have much going through your brain at any given moment.

You had looked around the room but not really seen anything, he could tell because your thoughts were just lyrics. Once you sat down, you had maybe two thoughts besides music go through your brain.

The first one was I could really go for a sandwhich right now and the second was are these words supposed to make sense?

Saiki could say with all sincerity that you might’ve been the second dumbest person he’s ever met and the only reason you were above Nendo was because he could actually hear words in your mind. But you were nice, you had a dopey smile and when you spilled all your brand new pencils out of your bag, your laugh was sweet too.

Once everyone started working, he could mostly tune out their bored or boring thoughts except yours. It was obvious Saiki wasn’t a sexual person, he hardly ever thought about it unless Toritsuka brought it up.

But you, you absolutely seemed obsessed with songs that only talked about sex and it was driving Saiki up a wall. If he had to deal with this all week, his work ethic would surely degrade.

Then you looked around the room as if realizing everybody else was at least pretending to work and made direct eye contact with Saiki. Having been caught staring, he was about to look away and feign dissociation or something when you blushed and smiled.

It was soft and a little nervous and when you brought up your big hand to give him a wave, you knocked your water bottle over and off your desk. Saiki decided then and there you might not be so bad, even if you do cause quite a bit of commotion.

[jamsofdeath0]

do I have a little beef with the "monogatori" shaft style? yeah cuz I don't really think it works for anything but monogatori. it was literally designed for a light novel designed to be unadaptable. that's a pretty niche and hella specific style. Its a style inherently vague. It tends to lack detail. set pieces empty; zero background characters.

That being said, I don't think it was terrible for Mekakucity Actors. I just think they needed to tone it down and they didn't. Melalucity Actors came with the benefit of being multimedium. if they were a little vague the songs manga and light novel are right there. you're not supposed to enjoy it on it's own. so any details they don't explicitly state you can intuit.

For example you are not going to get much out of Shintaro's room in the terms of character writing. it's basically a void with a computer. all you get from it is that he really fucking relies on his computer.

his bedroom in the manga however is actually a bedroom. He has a pet rabit. Its covered in trash. CORNER BED. it's clearly actually attached to a house and not like a floating void. (does he live at home or somewhere else in the anime?) (it's possible when all of his friends died or disappeared he fucked off to an apartment to shut himself away in forever but we don't know.) (it's just a specially unsound room) (but he lives home in other timelines so it's safe to assume he does in this one too)

not being able to gather much about Shintaro from that space isnt terrible though. Bc again there are several other mediums that have already characterized him. this is just one loop. if it's not the first version you're interacting with you have an idea about these characters already. and if you don't it leaves a lot of questions you want answered. so you'll go to the other mediums to try and figure it out.

Your arent supposed to take everything that happens in this style literally. that's why the ending is so weird and a little what the fuck is happening. But that's actually the main appeal. the biggest drawback and main appeal. it leaves a lot of things opened ended but it gives very unique ways to tell other things.

What do do you think Momo thinks of other people? she sees her art club peers as nothing but music boxes and speakers. her manager as a record player with a teddy bear on top. it's such a unique way of expressing how a character thinks and feels.

[yippieitsarvensart]

Tweels hc doodles + notes!

Goodness me, I've not been working on these for very long but here's all of what I've thought of within 2 days of thinking about them!! I basically started writing about them the moment I finished drawing "the fuck you brothers" post (9/24) (and today, 9/26) I totally have been thinking about them more after I wrote all this, so I will be continuing on with my hcs right here, under the cut :3 (keep in mind I have not yet played twst! If I get anything gravely wrong correct me!) (9/28, edit: I downloaded twst y'all...)

Both of the twins are autistic, just being on very different ends of er... intensity? Idk how to word that. I just mean that Floyd is someone who has trouble regulating his emotions and stims a lot. Jade doesn't stim as often, he probably would if he were infodumping about mushrooms/his terrariums or whatever else. I think I mean. That Jade suppressed his autistic tendencies by a lot to seem more like a gentleman, while Floyd doesn't really give much of a shit and probably doesn't even know he's autistic.

on that note they both have ADHD. AuDHD brothers.

Anyways as I way saying abt Floyd stimmies; He stims a LOT. Just, all the damn time. It gets so annoying for a lot of people and everyone knows he can't control it. His clingyness is also stimming, he's very touchy. A lot of stim toys don't actually help him but he does calm down significantly more when he's wearing headphones and listening to loud music. That's what stimulates him the most.

Jade only stims when excited, yeah I mentioned that. But did I mention he also stims a lot when stressed. In front of costumers, if he was stressed he might only fiddle with his fingers behind his back. But as soon as he gets away it's full body stimming time baby. Mans is not okay but he cannot let that mask slip!! (I forgot the word before, but I meant to say in my first dotpoint that jade is better at masking than Floyd!!)

Floyd mcr liker >_< (songs about depression and drugs to think about violence to!) Floyd also likes shit like "41 mins of roblox music" or any spongebob music. skull emoji.

Jade Laufey liker :33 (calm songs to think about violence to!)

Floyd likes dancing around in his room to music. Like really getting into it. Putting one song on loop and doing the same dance moves over and over again. (stimming) (oh my god I'm PROJECTING AGAIN stop....)

Jade likes drawing mushrooms. He's really good at drawing nature and when I say "good" I mean if you looked at it, you'd think it was a picture. Like abnormally good for someone who used to not even have paper available...

I saw this from a moot once on twitter I think, but they both (+ Azul) probably had a hard time adjusting to walking around everywhere instead of swimming when they first came onto land. And I think there was something about holding on to bars on stairs WAYY too tight because they feel so wobbly going up them. Same with like, escalators? and elevators? didn't fucking trust them. And they still don't sometimes... Adding onto this I think that they'd both get really frustrated at first with it. Like genuinely really upset; Floyd dramatically falling to the floor and flailing around on the verge of tears while Jade punches the ground over and over... They obviously got better at land things after a long while but for a bit they were just so. not okay LOL

I think for casual/home clothes they'd both be really into big fluffy jumpers. massive fucking huge fluffy shits. They'd be all over the texture and it would be so so texture /pos drooling emoji

I had a little thing that I thought of where I would give Floyd Heart shaped eye shines PLUS an extra smaller not heart eye shine. And giving Jade a square shaped shine with no extra shines. It just makes so much sense to me. Like I can't explain it very well but if you get it, you get me. Do you get me...

WHICH leads me to say then that when Floyd gets MAD he would have NO eye shines. Do you get me. I totally make sense right/. And Jade getting happy about anything even if it doesn't show on his face it would totally show in his eyes... Which also brings me back to something I wrote in my doodle notes with the pupils being like cats... OUGH I'M GOING INSANE DO I MAKE SENSE

another thing my twt moot said !! Floyd would hate necklaces/rings/other accessories and jewelry! It relates back to my point about Floyd hating the feeling of tight clothes, and things touching his skin too much. I feel like if he had say, a necklace on for like 0.1s he would rip it the fuck off, destroying the necklace in the process

Floyd: :3 (aggressive)

Floyd loving to squeeze people but hurting them is 90% of the time on purpose hurting and 10% accidental hurting and when it IS accidental he gets so upset about it. I like to think Floyd is the more emotional out of the two... just so many emotions in that boy. like he just !! wants to give you love !!! but he's so strong he breaks ur ribs !!!! many of ur ribs!! ur honestly surprised you haven't punctured a lung yet!!!

On that note they BOTH are extremely touch starved. Floyd would fucking LOVE it if someone were to lay down on top of him for hours he would feel so squished!! and warm and nice!! and comfy!

Jade on the other hand, LOVES holding hands. holding ONTO something holding onto someONE.

Jade is a gift giver (love language) I bet you can't guess what Floyd is

His love language is Physical touch. Yeah

Jade getting people way too many gifts when it's a special occasion for them because he thinks they might think it's weird if he gets them a gift on any other day.

Floyd hyperpop liker (just overall really likes loud thrashy music or whatever)

Floyd also really got into those games where you have to beat the shit out of a dummy. He doesn't like ones where you have to TIME a hit to make it work (makes him annoyed bc he can't do it) Games like Pou I think....

While Jade enjoys colour by number or those hue games? just doing it in his free time.

[pineappleciders]

nightcord at 25:00 general relationship headcanons

A/N: i don't even know if there's an /reader side to this fandom. guys did you know i love analyzing characters

kanade yoiskai

she kinda has a hard time expressing it,, but she's a total sweetheart. like once you two get really close she gets really soft

kanade usually isn't one for things like close contact, but occasionally when she's worked herself to the bone she doesn't mind laying on your chest for a quick nap

she's kinda stressed out a lot, so she really appreciates neck massages and stuff. make her a cup of tea and she'll appreciate you forever (she probably won't drink it but it's the thought that counts)

needs constant reminders to eat and sleep and do basic functions. leave little sticky notes reminding her to brush her teeth!!!! she appreciates it deeply but doesn't show it very well

she likes to play her trauma off as something normal,, like if you worry about her she's genuinely confused like ???? is that not normal?????

she loooves flowers. loves to inspect and smell them. any flowers you give her go in a vase somewhere in her room,,, she likes to think it gives her room more life

although, you'll probably have to remind her to water them and let sunlight in.... she rlly wants to take care of them but forgets!!!

mafuyu asahina

ough. owwww. ouuuuch.

it's really difficult for her to open up!!! it'd probably only happen if you were to hear about her music,, ask her what it's about and she might just. break down

oh god. if you like. held her in your arms while she's crying. her parental issues are hitting HARD

she likes to get you flowers but only really does it on occasion! in all honesty she'd love to get you hand-picked flowers every single day but she finds it a little embarrassing to bring them to your locker in front of everyone

it's really hard for her to get situated into the relationship, patience and reassurance are everything 2 her. be genuinely kind and god it hurts her so bad

you take her to the aquarium whenever she's feeling down ... it always makes her feel a bit better . also all dates r aquarium dates no arguing

she likes to help you with homework, and if you're just too tired or worn out she'll even do it for you!! might tell you the next day that it was a one time thing that won't happen again (it will)

freezes up a little if you suddenly grab her hand, but eventually warms up to it and even starts subconsciously holding your hand when she's feeling on-edge or anxious

ena shinonome

ena is, admittedly, a bit scared of commitment. you might be at an awkward stage where you're not really sure whether or not the two of you are dating for awhile

even so, she's very supportive of everything you like. any sort of art, hobby, or music you're into she'll also get into in hopes of connecting with you

might post you on her social media!!! if you're camera shy she sneaks photos while you're not looking, but won't post them if you don't want her to (might on her priv tho)

she wants a lot of your approval, esp with her art. texts you drawings and asks for your honest opinion... she won't take a simple "it's amazing" for an answer

she wants you to criticize and give her advice ,,,, but she'll also get really sad if you do, so maybe it's better to just keep complimenting them . she acts mad abt it but is secretly happy you know her so well

she actually has always wanted to do sappy couple things,,, like watching movies together in bed or taking stupid photos with cheesy filters . might get a lil embarrassed if her friends find out

always takes photos of your food on dates (and sneaks a bite)

mizuki akiyama

mizuki loves to drag you around shopping at the mall . as soon as you think it's about to end they see another pretty store . it's a never-ending loop

she begs and begs for you to try on something she thinks you'd look cute in. you always give in just because it's practically mizuki's love language

you don't often find yourself doing stereotypical couple things with them . from an outside perspective it honestly might just look like you two are really good friends

but that doesn't mean they don't love you like that !! it's shown in other ways ... like sleeping over at your place for a week, or waiting at the bus stop for you every single day. or doing your makeup (even if you're a dude).

mizuki wants one thing and that's stability . to be confident that you two are never going to bicker or argue over stupid things ... or that you won't abandon her

she has a very hard time opening up. she'll tell you, eventually ... but the thought is scary. would you tell other people? would you leave them? would your relationship stay the same?

there's nothing mizuki appreciates more than you telling them that you'll stay, no matter what secret they might be hiding. even if she can't help but worry , knowing that your care is at least mostly unconditional is heart-warming

mizuki will appreciate every moment they have with you, for fear that one day you won't be here