#it would be fun to compare how i used to draw them to now

[sleepyseals]

[Image Description: The first image is a digital drawing of yarrow and clary from outer wilds, viewed from a high angle / above as they fall towards the black hole at the center of brittle hollow. They are holding hands and clary (left) has an arm outstretched above her. In the background, the concave geode inside of the planet is stylized as triangular deep red and purple crystals, facets shining with reflected light. The black hole warps around the edge and frames the two characters from behind. The second image is a digital sketch of yarrow of clary from outer wilds falling/floating together. Clary is above yarrow reaching downwards towards him. Yarrow is reaching his left hand up to touch her shoulder. They are looking at each other with serene expressions. The background is flat gray but colored in dark magenta behind/above the characters. End Image Description.]

yarryclaryyyyyyy!!!!

left one is from march 2022 and the right one is from earlier this year

[stepswowdsen]

【KagePro】 KuroEne 🖤💙💗

I have too much power. I'm unstoppable 💥💥💥

Choose your favourite version of XX/6 🖤💙🐍🐇🫶

Ty to Feila for giving me the idea~ 💗

I think the first one looks the best in terms of positioning (how the images crop and fit in the frame)

I love the Playing Card chibi arts (so I originally did it with them), but it doesn't fill up the frames unfortunately. So I also did it with other arts too

Not right now ofc but I really wanna make plushie designs of them and my other top fave ships one day...

I have the video versions for all of these, but Tumblr doesn't let me upload more than one video per post

So I just uploaded the GIF versions.

Rambles

F: Imagine this GIF but XanLena

Me: Omg this would be so cute to do with XanLena…

F: You close the locket, they kith :3

F: LMAO DO IT

Me: THAT'S A GOOD IDEA OMG. I should do it with KuroEne's other official arts as well

F: LMAOAO YYEESS

...

Me: So tempted to do this with my ships

Put the meow meow mf on one side and their S/O on the other and then BOOM when the heart locket closes, they kiss!!!

(This was Feila's idea)

C: You should hahjtsh

Me: I'M A GENIUS

C: LOL

Me: KuroEne Kiss

Based on your ideas with XanLena earlier

F: THEY DID IT

THEY KISSED

THEY HITFHDHDH

Me: I felt :) the whole time while making these… I love them sm

Now all I gotta do is make these with other arts of KuroEne, XanLena, JuAli, IdaTatsu, and LimGuda. We need multiple versions of these for each of them

F: You definitely got an addiction but I support it 🔥

...

Feila suggested to make the GIF with XanLena, my KHR AU yume (Canon/OC) ship of XanLena (Xanxus/Selena) ❤️💜

So I took the opportunity to make them for my faves! I'll be posting the ones with XanLena, JuAli, IdaTatsu, and LimGuda separately!

Could you imagine plushies of them. Goddd I seriously need to make plushies of them in the future...

I want to have dolls of my fave ships one day where you can dress them up, so I can dress them in custom clothes and change their outfits from time to time :3

It'd be sooo cute for my OTPs to share a scarf together (if possible)

The best part about being able to draw for me is that I can fuel my fave chara/ship shenanigans 🤸 Yayyy!

Me making my KuroEne plushies kiss like barbie dolls 😚💘

And the same for my other ships!

[arolesbianism]

I’ve drawn a decent amount of isat au eternal gales but yknow what I haven’t drawn? Eternal gales au isat. Don’t look at me.

[foxmulderautism]

realistically in a couple months i will look at this little acrylic mountain painting and be like wow this kinda sucks ass but i had fun and i was me and i felt connected to my best friend from my novel who is always painting little acrylic mountain scenes......tbh never liked paints as a child/teen cause art class never taught us how to actually fucking use them LOL so im also like wow i actually blended stuff in and it looks good

[curlicuecal]

playing science telephone

Hi folks. Let's play a fun game today called "unravelling bad science communication back to its source."

Journey with me.

Saw a comment going around on a tumblr thread that "sometimes the life expectancy of autism is cited in the 30s"

That number seemed..... strange. The commenter DID go on to say that that was "situational on people being awful and not… anything autism actually does", but you know what? Still a strange number. I feel compelled to fact check.

Quick Google "autism life expectancy" pulls up quite a few websites bandying around the number 39. Which is ~technically~ within the 30s, but already higher than the tumblr factoid would suggest. But, guess what. This number still sounds strange to me.

Most of the websites presenting this factoid present themselves as official autism resources and organizations (for parents, etc), and most of them vaguely wave towards "studies."

Ex: "Above And Beyond Therapy" has a whole article on "Does Autism Affect Life Expectancy" and states:

The link implies that it will take you to the "research studies" being referenced, but it in fact takes you to another random autism resource group called.... Songbird Care?

And on that website we find the factoid again:

Ooh, look. Now they've added the word "some". The average lifespan for SOME autistic people. Which the next group erased from the fact. The message shifts further.

And we have slightly more information about the study! (Which has also shifted from "studies" to a singular "study"). And we have another link!

Wonderfully, this link actually takes us to the actual peer-reviewed 2020 study being discussed. [x]

And here, just by reading the abstract, we find the most important information of all.

This study followed a cohort of adolescent and adult autistic people across a 20 year time period. Within that time period, 6.4% of the cohort died. Within that 6.4%, the average age of death was 39 years.

So this number is VERY MUCH not the average age of death for autistic people, or even the average age of death for the cohort of autistic people in that study. It is the average age of death IF you died young and within the 20 year period of the study (n=26), and also we don't even know the average starting age of participants without digging into earlier papers, except that it was 10 or older. (If you're curious, the researchers in the study suggested reduced self-sufficiency to be among the biggest risk factors for the early mortality group.)

But the number in the study has been removed from it's context, gradually modified and spread around the web, and modified some more, until it is pretty much a nonsense number that everyone is citing from everyone else.

There ARE two other numbers that pop up semi-frequently:

One cites the life expectancy at 58. I will leave finding the context for that number as an exercise for the audience, since none of the places I saw it gave a direct citation for where they were getting it.

And then, probably the best and most relevant number floating around out there (and the least frequently cited) draws from a 2023 study of over 17,000 UK people with an autism diagnosis, across 30 years. [x] This study estimated life expectancies between 70 and 77 years, varying with sex and presence/absence of a learning disability. (As compared to the UK 80-83 average for the population as a whole.)

This is a set of numbers that makes way more sense and is backed by way better data, but isn't quite as snappy a soundbite to pass around the internet. I'm gonna pass it around anyway, because I feel bad about how many scared internet people I stumbled across while doing this search.

People on quora like "I'm autistic, can I live past 38"-- honey, YES. omg.

---

tl;dr, when someone gives you a number out of context, consider that the context is probably important

also, make an amateur fact checker's life easier and CITE YOUR SOURCES

[plutosoda]

how i make character models* in paint3d

*they are not models. you cannot rig them. but for simplicity i will call them this. also this guy is the example ⬇️

so. paint3d is very jank and not actually that good But it is fun to mess around with and for getting that early 2000s computer game effect for things. this program crashes and lags a lot especially when making more detailed stuff like this so. throughout this Please save your project periodically. I have lost so much to not doing this

if your computer isn't that great it's best to keep the quality setting at it's lowest. these models aren't really that detailed so it doesn't make a huge difference anyways LOL

when you open p3d you start with a blank 2d canvas. if you've Never used the program before i recommend fucking around with 3d view + making 3d shapes for a bit. make a Thing. like just some random object. it does not have to be good it's just to get used to how the controls work (because it is different between my mouse and drawing tablet and im not going into that here LOL). the biggest positive about p3d is how user intuitive it is compared to.yknow. blender when you're done with the Thing and u want to start with your character go back to the 2d canvas/2d view for sketching time

you could probably do this in another program but. i find it easier to just do it here. i keep these pretty simple and try to keep depth in mind

then go to canvas and make the background transparent. and then switch to 3d view to start making the base for the model on top of the sketch

at this point i don't use the 3d doodle shapes yet because they are finnicky as hell. the preset ones are a bit easier to control and move around so they're nicer for the planning part. what shapes you use depends on your character but my guy here is very circles and round so its just a sphere and some cylinders

make sure you're in 3d view and checking the pose from every angle ! if ur guy looks like a roblox avatar without the assets loaded fully then that is ideal. once you're happy with the pose it's Sculpting Time

where you choose to start is up to you but i usually get the head out of the way bc it tends to be the most complicated thing.

this is my best friend forever. the sharp edge is helpful for stuff like metal and whatnot though so i use them both.

for stuff like hair and fur i find its easier to make a bunch of small shapes and then connect them instead of trying to do it all in one go

^better examples with fluffier guys

this part is pretty much just personal preference for how you want your model to look though. just keep adding Stuff until it looks alright. also reminder to be saving your work bc this is when it gets really annoying if p3d crashes

finished head. jus keep addin stuff. copy and paste is a godsend btw.

puffier jacket. also connecting the limbs. just keep addin stuff.

these take a few hours .finished limbs. pretend the backpack is there i forgot to get a progress shot of it

now it is time for the objectively best part which is painting the guy. switch back to the 2d brush but stay in 3d view and start Coloring . i only really use the watercolor brush for shading/gradients and the marker one for lines but this part is also personal preference.

watercolor brush for the blue gradient and marker for the face .

i would Not do this in 2d art but i like adding a white gradient to pastel colors like with the hair here. it compliments the soft shapes well i think. to quote a friend it Looks Gummy

my silly highlights.

almost done with the creature. also mentioning that there are different textures for objects that you can change when picking their base color. the zipper is metal so it gets to be shinier.

theres also different lighting/filters to mess around with + you can doodle on the transparent canvas still.

save ur guy as a image and/or a turnaround gif/video/whatevar u want . and thas it! you can also mess with the model more for different poses and expressions (although this is super laggy bc it has to render a bunch of shapes at this point)

go make some CREACHURES !!

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[twst-hottest-takes]

Tweel Anatomy discussion!

Part 1.

(Ask and ye shall recieve! This will be split up into a couple of parts because this could get long and it's easy enough to break up into pieces. [I definitely wasn't putting this off until the cards officially released.])

For starters I have to say again that I just love the twins and their merforms are so cool. I just want an excuse to gush about them. A lot of this discussiom will involve headcanons and hypotheticals and estimations, so there is your warning to not take anything in this post as law. This post, like pretty much all the others is very opinionated. Some of the fun bits about contemplating the anatomy of a fantasy creature involves drawing the imaginary lines between where the fish parts end and the human parts begin, and where the two become a blur and turn into something completely new. I like to think I strike a balance with my hypotheses, but perhaps others might not feel the same way. This is a post meant to start a discussion, not a fight. So let's see how far down the rabbit hole we can go . . .

Starting with a classic: How big are these guys?

Let's answer Ace's question. (While laughing like middle-schoolers about how that question was phrased.)

Now there is no canon answer to my knowledge so I can only give my best estimation. (Corrections welcome!) I firmly believe that they do not change "size" between their land and sea forms. For all intents and purposes, the twins are being treated as though their heads, arms, torsoes, and pelvic regions are the same size between human and merforms.

BECAUSE EVEN WITHOUT CHANGING SIZE THESE GUYS ARE ABSOLUTE MONSTERS IN THEIR MERFORMS.

I have no real proof of my theory. I simply compared the sprites and scaled the chibis until they had the same head size. Forgive me for not having a better method of measurement. I am not going to try and unravel the live 2D mermodels and I think trying to measure their shadows from their intro scene would be even less reliable. The length of the tail is approximately 75% the length of the rest of the body after where his feet theoretically end.

I didn't do the same with Floyd because I feel that it's safe to assume that he's probably a few cm longer (3-5 cm max) due to his 1 cm height difference when they are in human form. I hazard a guess that only the two of them actually care about that difference in length.

332 cm. (Or around 11 ft for those of us stateside.)

We know they're huge, but tying a number to the length REALLY puts things into perspective. Like it's actually a little scary.

Next: Gill placement.

I am a big fan of the gill slits being around the ribs! Not only do they look cool, but I like that it can be read as a combination of human and eel anatomy in their merforms.

Since they have a humanoid chest cavity, it makes sense that even though they don't have lungs, they may have a muscular structure similar to a diaphragm. By having a muscular system that works passively/sympathetically they could have a "breathing" motion similar to humans; but, instead of taking air in, it simply keeps water moving across the gills to maintain gas exchange.

Benefits of this system include: Being able to sleep (as I would assume merfolk do), and being able to stay in one place (most fish need to be moving constantly to keep their gills working). The ability to be stationary isn't necessary for fish, but for merfolk who have social conventions, even being able to sit still to have a conversation is a boon (unless the world of mermen is built around the idea that no one ever sits still, but I feel like the photograph from Book 3 proves otherwise).

Furthermore, having the gills on the ribs as opposed to somewhere farther up--for example, on the neck--the twins can reasonably stick their heads out of the water without fear of limiting their breathing ability. Though these new card illustrations show that they don't seem to have any problem with having their gills exposed to the air (at least as far as being photogenic is concerned), I can see it being convenient for merfolk to be able to poke their head and shoulders above the water and still be able to breath regularly (which definitely doesn't have anything to do with luring unwary travelers to their deaths. . .nope. . .not at all).

I have seen people say they don't like the choice and that the gills should be on their necks. If that's coming from a place of personal preference and is purely aesthetic I guess I can see it. But if anyone tries to tell me that it's not "eel-like" enough and they need to have the gills closer to the mouth, I will fight you. From a design and functionality standpoint the rib gills are fantastic!

For the last bit of this entry, let's talk about the elephant in the room: THE EEL ABS!

I'd say "don't get me started on this one" but I'm already here and we're already too deep in, so here we go.

Things are about to get spicy!

~They're fine.

Like, as a choice, the inclusion of these muscles is likely just for fanservice points, but it's not an anatomically strange thing.

Come here and I will explain to you a thing:

MERFOLK DO NOT SWIM WITH THE SAME MUSCLE GROUPS AS HUMANS DO!

Once upon a time, (this is going somewhere, just stick with me!) people complained that Ariel, the Little Mermaid herself, was too skinny and not built like a swimmer. People insisted that she not have such a tiny waist and her arms should be bigger. Now I, here and now, should not have to tell the reader why this is so ridiculous to say, but I'm going to anyway~ ARIEL DOES NOT USE HER ARMS TO SWIM! Those who have watched the movie may have observed that she swims like an aquatic mammal. All of her momentum comes from the verticle motion of her tail, and to some extent her abdomen, not her arms. When she turns human, Ariel does not even know how she can use her arms to help her swim upwards and out of the ocean. She struggled without her tail so much Sebastian and Flounder basically carried her to the surface.

In this way, merfolk do not need to have the same type of body as a human swimmer because they are functionally different and some people seem to get stuck on that.

Now returning to Jade and Floyd, again, their arms are not "built like a swimmer's." Once again THEY DON'T HAVE TO BE. There is nothing in all of Twisted Wonderland that suggests they swim with their arms at all. These boys have 5 foot long tails that are probably primarily muscle to propel themselves through the water. The arms are not for propulsion. The tails do the grand majority of the work, but this conversation was started about abdominal muscles so we'll circle back to that now. Unlike other merfolk (as exemplified by Ariel) who swim with verticle motions of their tails, eel-based mermen would swim by making horizontal motions, also primarily with their tails. I do say primarily because the idea occurs to me that there may be situations where the limits of their ability to move might be tested. If a merman built like this wanted to go significantly faster than whatever is "normal" for them, muscle groups higher in the body would get used. Essentially, given Jade and Floyd as characters, I don't find it hard to believe that, at the speeds they swim, they would be using their very human-shaped abdomens to increase their speed. That's a workout, especially for the obliques.

So, in conclusion, I don't think the abs are weird. Gratuitous? Absolutely. But they aren't the anatomical monstrosity some people seem to think they are.

Let me say once more, if you simply don't like how it looks, or the fish abs squick you out and you like to headcanon they don't exist--that's fine. But don't argue with me on the basis that it's not realistic. Mermaids are, after all, fictional creatures and depictions of them tend to be fanciful. The tough conversation comes about when we choose to draw the lines with how realistic we actually want them to be, HENCE THIS ENTIRE POST!

(Laughs like a maniac before signing off.)

Thank you for coming to the first part of my rambling. What should I talk about in the next part?

Other than the throat teeth. We've got a miniature essay about the throat teeth just about ready to go.

Also, apologies if there aren't enough visual guides. I really wanted to get this posted, so if anyone wants me to I can doodle up some more stuff to help with things like the image of the breathing aparatus and swimming motions. I have just not had much time this week.

(Going to fall asleep thinking about how sparkly these boys are.)

[yanderespamton78]

sometimes i feel like toby fox made spamton and the addisons especially for people to hyperfixate on. everything about them seems so perfect for people to go rabid about its insane to me

for one, spamton himself pretty much counts for 4 people, those being addispam, big shot spamton, in game spamton, and spamton neo. now sure you mostly see people going rabid about in game spamton but ive seen plenty of people who are obsessed with a version we dont get to see on screen

secondly, even the main in game spamton himself is kinda up to interpretation. loads of people characterise him differently. if i compared two aus to eachother theyd often be very different and depending on the ones i chose could be almost like 2 different people, and then if i compared those to in-game spamton, theyd still be very different. also since you dont see addispam and big shot spamton on screen you dont even know what they acted like so again basically you can make your own guy to fixate on with a few prompts as to what he was like

dont even get me started on the addisons. now im biased as fuck here seeing that ive been fixated on the addisons for like 6 months now (send help) but toby fox basically gave us 4 templates for us to have fun with. sure based off of in game dialogue you have a bit to go off of when it comes to their personality (pink being an asshole and blue being caring for example) but even then every addison in every different au is slightly different and i have never seen two addisons turn out exactly the same. ALSO you dont even know the relationship these characters have to spamton meaning you can have them be siblings, you can have them be friends, or you can ship them based off of what you enjoy. OR you could just ignore them altogether (which a lot of people do lmao)

also another thing is the fact that you dont necessarily need to have your addisons' personalities just reflect off of spamtons. I mean the main 4 addisons give you enough to go off of to make your own, and you are given cyber city, an entire fantasy world for you to put them in. cyber city again is up to interpretation, some people have it be like a normal city, some people make it a utopia, some people make it a hellscape. the choice is yours!!

and even then in game spamton is so versatile. he is perfect for angsty stuff, fluffy stuff, or jsut silly stuff, and none of it is out of character. you couldnt really make an angsty spongebob edit could you, itd be weird and out of characer and no one would take it seriously. but also you couldnt make a silly walten files video, sure people do but its out of character and wouldnt actually happen canonically. but spamton on the other hand. hes the kinda guy who you can draw holding a wallet in his mouth like a cat and generally being silly but also you could draw him sobbing at the bottom of dumpster and neither would be out of character!! AAAA

also extra thing i thought id add but his backstory is also very up to interpretation, like i dont think ive ever seen two people who think spamtons rise and downfall went exactly the same. sure everyone has the same general idea of how it went but some people believe in acid theory, some people believe in puppetification theory, some people have a mix of both, some people have their own idea of how it went down, and with that you can project different parts of your own trauma onto whatever happened to him.

ok sorry that was so long thank you for reading my very biased ramble about why spamton is perfect byeeee

[anna-proxx]

pretty please can we have arthur morgan falling in love with hyperfem! reader? ur stuff is always so so yummy,, no pressure ofc! ૮꒰ྀི∩´ ᵕ `∩꒱ྀིა

⭒✧⋆｡guns n' bows ✧⋆｡⭒

pairing: Arthur Morgan x hyperfem!reader

genre: fluff, slight angst (good ending)

summary: Arthur finds himself adoring a dainty woman who joined the gang a while ago. It suddenly becomes clear to him he has fallen in love.

word count: 3294

tags: high honor arthur, fem!reader, (mutual) pining, arthur being a sweetheart

a/n: thank u so much, dolly! i had a few ideas on how to approach this and decided to make it more story-based and focus on arthur's inner process as he realizes he's in love with the reader (as i would imagine it to go). if you'd like something a bit different, lmk! i've been wanting to write a hyperfem fic for a while now, so i had fun with it. also, i'm thinking about writing a pt. 2 where i'd focus more on the reader's pov and have arthur express his feelings more (be a cutie around her) and confess his love. <3

dividers by @saradika / @saradika-graphics

✮ masterlist

Arthur Morgan wasn't used to being gentle with people. His hands were rough and calloused and his muscle memory trained to draw his guns and shoot. They were meant to be a weapon, to protect and harm for the people he considered his family.

Perhaps he had it in him, but there was no reason to be soft and gentle – the world was just as rough as him and he was assigned the burden of fighting against it. The softest he could get was between the pages of his journal as he wrote about his thoughts and sketched owls and beavers and when he patted dogs and talked to his horse.

But most of those were away from prying eyes and frankly, the role of a dense criminal prized for his brawn comfortably fit around his overlooked qualities, as that was all he needed to be. To survive, to fulfill his role.

And yet you saw right through it. Of course you did, you had a good heart, open to whoever you saw goodness in. While some might write Arthur off as a rugged criminal only, you noticed his edges weren't as sharp as he tried making them seem to be.

His duties were violent, sometimes brutal, the earth soaking up blood of his enemies and his image reflecting in their eyes as the last thing before they closed them forever. To some, he was their biggest nightmare. He wasn't a good man, to believe so would be naive and foolish, but he wasn't all bad either, as some would think.

Your heart was big enough to accept his sins and leave the judgment to whatever was above, meanwhile you sought his presence as it brought you a strangely warm sense of security and comfort. Like moth to a flame, his different nature allured you. Hardened on the outside and soft-hearted on the inside.

Perhaps that was the reason you found yourself liking this big outlaw. Scooted towards him at the campfire, or sat nearby and watched him as he lied on his cot and scribbled something into his journal.

You might've been fragile and soft spoken, but you weren't stupid and your intuition on people was like a radar you could wholeheartedly trust. So you did.

Arthur didn't exactly know you sometimes looked for his presence, but he did notice you were comfortable around him.

It baffled him a little – you were so small compared to him, wearing lace and frills and cute little bows in your hair and yet you didn't seem to be intimidated by his appearance or demeanor at all. It sparked joy inside of him whenever you'd come to him blabbering about the rainbow you saw or gave him a soft smile as your eyes met.

You never treated him with judgment or revulsion, despite knowing very well your morals were against everything he was doing. Just how big of a sweetheart were you to do that? He never said it, but it meant a lot to him.

He felt as though you weren't even a part of all this. You were like a gem among roughened stones or a flower growing in gravel, reading in your tent and braiding your horse's mane while he washed blood off his hands.

And truth be told, because of that, he found you to be soothing and healing for his battered soul. It was so different, to be around someone like you.

You brought out a side of him he didn't know he had, one that was more tender than he was used to be. He didn't feel so angry or cynical, even after a job gone wrong. When he was with you, being gentle was easy.

At the beginning, when you first fell with the gang, it was doubt and hesitation he felt towards you. You were so... untouched by the world's cruelty, so innocent and open-hearted.

Arthur assumed you were naive and feeble, not only in the physical sense but mental as well. The world posed a huge threat to someone like you and he was worried you wouldn't survive in such circumstances. He was convinced you'd run after a few weeks but you did no such thing.

As the months passed, you stayed with the gang, patient and resilient while remaining soft and feminine. You helped where you could and offered a listening ear to anyone who needed it; even managed to get Arthur to open up to you when you two were alone. And you barely ever complained, even ate all Pearson's stews though you must've been used to eating fine food. And you lit up the space wherever you went. Your optimism was invincible. How the hell were you managing to do that?

It dawned on him he must've terribly underestimated you and his doubtfulness turned into admiration and intrigue. You were one fascinating little thing.

Things have been going quite downhill, so he kept checking up on you and you always had a warm smile to offer. You were still sweet and charming, even with the law on your tail.

You were his polar opposite, gentle waves of the sea splashing against hard rocks hot from the sun. Soft clouds concealing the sky after a raging storm. A calm rain on a hot summer day.

Arthur had no intentions of falling in love ever again.

But his heart was a sneaky little traitor.

Dusk softly illuminated the lake's surface when he found you sitting on the pier, your feet splashing in the water. You put your shoes beside you and held the skirt of your dress at your knees to avoid getting it wet. It was your favorite, white and pink, the corset decorated with little bows at the front. Your locks curled loosely over your shoulders, a light pink bow tying some of it at the back of your head.

You looked so vulnerable and cute lost in your thoughts like this, your feet creating creases in the water as you idly watched them. You had no company with you, only a couple of ducks swimming nearby and butterflies fluttering their wings around your head.

Arthur wondered what your mind was occupied with and before he could properly think it through, his steps directed towards your small frame lit by warm light.

You were pondering on the events of the past few weeks when the heavy steps on the wooden planks caught your attention. Turning your head to look up at the person coming, your eyes lit up as you saw it was your favorite one.

"Arthur!" you called out, your big doe eyes digging a pit in Arthur's stomach.

"[Name]. How are you?" His gaze lingered on you as he stood before you, his hands placed on the gun belt around his hips. You found the concern sweet. Instead of it being a casual phrase, his eyes studied you for an actual answer.

"Good, I think. What about you?" Your voice was smooth like honey and inviting, giving the outlaw something to lean into.

"'M alright," his voice rumbled as he shifted on his feet, his gaze dropping to the ground. "Ya like this place?"

You shortly looked around, taking in the view of the trees and dim sky reflected back in the peaceful lake.

"I do, it's such a charming spot." You looked back into Arthur's face, catching a hint of a smile on his lips.

"'M glad to hear that."

You could almost hear his goodbye that would follow but before he had the chance, you spoke.

"Come on, join me." You patted the spot next to you and slightly turned your body towards Arthur when he sat beside you.

Arthur was a bit at loss of words, always quick with his witty responses but uncertain around you. Your flowery perfume overcame him, then the sight of your rosy cheeks and full lips. You looked like a doll, looking at him through your long lashes with the most innocent look in your eyes.

For a moment your company made him forget about everything. He felt like just a man instead of a sinner, leaning into the silent acceptance you provided him.

You swung your feet in the water. "What did you do today?" you asked kindly, no trace of judgment.

Arthur sighed, recalling the day's events. "Robbed a stagecoach, had to shoot 'em guards. Met a few of the O'Driscoll boys too."

He wasn't one to sugarcoat things, especially when there was no reason to. You knew what kind of person he was and despite you never expressing disgust, he knew you must've had certain sentiments of him and they were all true. He was no better than the crooks he fought. And yet, with you, he wished he was.

Your gaze found his hand resting over his knee, barely dried blood on his knuckles.

"Oh, Arthur!" You took his hand in his, examining the damage with focus as you held his palm with both your hands, yours small in comparison to his.

Arthur's breath faltered in his throat. A lukewarm feeling settled in his chest and slight panic ran through his mind as he was slow to realize just what was happening. The warm touch of your smooth fingers was unusually intensive and he wished for the moment to never stop, as if he ever cared for such things.

He felt silly for it. What was happening with him? Why did he feel such fondness at your delicate hands cradling his, the slight blush on your cheeks, the flyaway hairs around your head?

He furrowed his brow at the unfamiliar tightness in his chest, the rhythm of his heartbeat picking up on pace.

He hasn't felt this way ever since...

"Your poor knuckles," you mumbled while gently running your finger over the bruises. "You know, I don't think I've ever seen them healed."

Your tone was nothing but caring, as if Arthur hadn't used the fist to break someone's jaw. You put his hand away, putting yours in your lap as you continued bathing your feet in the water and watching the thoughtful look on Arthur's face as he softly looked at you.

Arthur cleared his throat, chasing all the crazy thoughts away. "And how's yer day been?"

You tactfully ignored the change of topic and played around with your necklace as you spoke. "Well, it was alright. I've been doing chores almost whole day, then went to Rhodes for some supplies with Tilly and Javier. He also taught me a bit of one Spanish song!"

Oh did he? A pang of jealousy struck him. What the hell was wrong with him?

"Arthur, everything okay?" you asked, your brow furrowed at the sight of his troubled expression.

"Sure, 'm... just tired, that's all."

You nodded, looking at the sky coloring itself in blueish grays. "Yeah, I might go to sleep earlier today as well, I reckon."

Pulling your feet out of the water, you started putting on your shoes while Arthur stood up, offering you a hand by the time you were done. You smiled up at him and accepted his hand, being effortlessly pulled up to your feet.

"Thank you, Arthur."

Your voice wouldn't leave his head, even after you walked towards your tent, disappearing from his sight. He walked to his own one in a trance, left with many unanswered questions in his head.

This wasn't like him, even less to be so confused by his feelings. And yet, as he lay in his cot that night, he kept going back to the moment at the lake, imagining what it would've felt like to brush his fingers through your soft hair or cup your cheek.

Another heavy sigh.

Only yesterday you were still just you. A kind girl they had rescued when she had nowhere else to go, a young woman who–

No, who was he kidding. The warning signs had been there long before; the warmth in his chest whenever he saw you, that little jump his heart did when you said his name, the joy he felt when you asked him for small favors.

It gnawed at him, the sense of knowing he tried pushing away.

He fell in love with you. Somewhere along the way, without taking notice. As complicated and messy it would make things, in a way, admitting to himself the feelings he had for you felt relieving.

How was he so stupid not to realize sooner?

He loved the way you got excited over making flower crowns and how you'd weave some for the girls. He loved when he saw you consoling and comforting Karen into putting the bottle away, or even being kind to that bastard Kieran. He loved when he found you playing with Jack, letting him put flowers in your hair. He loved your feminine gaze, the one that would capture all his attention, or how your kindness towards him made him feel. As if there was still hope for him, as if he wasn't damned after all.

But there was a tight knot in his stomach. He might've set himself up for another heartbreak. How could you want someone like him?

Arthur fell asleep riddled with contradicting thoughts that night.

The new reality of being in love with you gave him a sort of solace. But it wasn't until morning that he decided he could only do one thing – keep his distance. For both his and your sake.

You were beautiful and dainty like a rose, but he was the thorns.

Arthur did as he promised to himself – despite the stolen glances and wishful thoughts split in half, he would avoid you, though it wasn't as apparent as he's been so busy lately. Not like he would complain about that, if anything, it took his mind off you, even if not for long.

Above all he wanted to return to camp after a difficult job and be close to you, talk to you, feel your calming presence.

What he didn't expect with his plan was how much it would wear him down.

But the last thing he wanted was to hurt you, which he assumed would eventually happen, or lose his head for someone who wouldn't reciprocate the same feelings back.

He returned to camp late today. In the middle of the night when everyone was already asleep. He wanted nothing more than to lie down in his cot, his shoulders slouched as he got down from the saddle and patted his horse a good night, unsaddling him to give him some rest too. The night was quiet and tranquil, like peace after a storm, given how Arthur's day went.

It has been weeks since Arthur had realized he had feelings for you by this point and looking towards the tents, he couldn't help but wonder whether you were alright. He hasn't been around much lately, so he could only guess you continued to be true to who you've been since the beginning. With ribbons in your hair and a dreamy look in your face.

He sighed at the image. What a lovestruck fool he was.

He missed your sleepy eyes and the little wrinkle between your eyebrows when you were confused.

As if something listened to his wishes, a small figure emerged from the shadows and he realized it was you.

Wearing your undergarments, bloomers with frills and lace, you made your way straight towards him. Your hair was in two braids tied by pink ribbons, though a bit messy from sleep, and the loose strands of hair tucked behind your ear.

He froze in place, watching you get closer while his heart went a little crazy. A part of him was happy to see you approaching him, whatever the reason for that was. It made him feel fuzzy inside and that scared him more than any gunfight.

"Arthur!" you called out for him with a slightly shaky voice, not stopping your steps until you stood right before him.

Arthur fought the urge to reach out for you as he saw you small and vulnerable, looking up at him with need, his heart struck with fear when he noticed the little tears in your eyes.

"[Name], what's wrong?" There was urgency in his voice, a worried look in his eyes and panic coursing through his veins.

You held a sob as you spoke, hugging yourself with your arms, a few of the loose strands falling into your face.

"J-just a nightmare. I woke up so s-scared." You started to shiver as you recalled the frightening images. As soft as you were on the outside, you had a vivid imagination and your nightmares could get very eerie and gruesome, causing chills to travel up your spine every time the memory flashed before your eyes.

Arthur's instincts now clutched his heart tightly, a knot tying itself in his stomach. He hated seeing you like this, helpless, afraid and trembling. The sight of you awakened every bit of his protective nature and he didn't want anything more than to hold you and never let you go, even put his life on the line just to keep you safe.

He didn't think twice.

"Aw, c'mere," he proposed in a low warm voice, enveloping you in his embrace gently enough to give you the option of changing your mind.

But you snuggled into the hug instead, a small sob escaping you as you wrapped your arms around his torso, your arms barely connecting behind his back.

He was so warm and firm and you have never felt safer in your whole life. The anxiety was slowly mellowed out, filling your heart with affection instead.

Arthur breathed in your scent and it made him feel lightheaded, and to feel your soft warm body pressed against his felt like a dream.

You were so delicate in his arms and your exposed skin made it hard for him to keep his thoughts straight. He was a gentleman of course, but his heart raced nonetheless and he feared you could hear it beating against your ear.

"It's okay, t'was just a dream." His voice was soothing and warm, and it worked like a charm. He consoled you with strokes on your back, his big palms hot through the thin layer of your undergarments.

"What horrible thin' did ya dream 'bout?" Arthur asked, his embrace not loosening around you. He was quite happy like this, protecting you between his arms, as if you always belonged there.

You kept your face nuzzled to his chest, comfortably leaning into the hug.

You started talking about the dream and he listened. A monster, you said, something big and deranged sneaking its way around to its victims. You rambled about the details, your descriptions a mess as you spoke in loose tangles.

Arthur slightly smiled at your stuttering, it made you even more adorable than you already were, though he didn't know it was even possible.

He would kill anyone who'd dare to touch you.

"'M the only scary thing 'round here 'm afraid," Arthur muttered, his chest rumbling under your head.

"As if," you retorted with your voice muffled, certainty in your disagreement.

It caught Arthur off guard a little and nervousness arose in him as he asked the following question. "You ain't scared of me?"

He knew if there was even an ounce of fear in you, it would've killed him.

You looked up at him, your eyes big and glossy. "I feel safe with you, Arthur."

His heart dropped and he looked into your eyes completely baffled, not grasping how such a sweet creature like you could say such a thing to him.

You felt safe with him.

You did.

He felt vulnerable under your gaze; not even heavens could make him feel so exposed. He was afraid you could read his thoughts with that pretty mind of yours as you held the eye contact, that you could recognize how much he was now melting and crumbling inside.

So much for being a tough hardened criminal.

He felt like a teenager again. The sweating hands, tingles in his stomach, it was all back.

Arthur tightened his embrace, cuddling you closer.

As he held you under the starry sky, your tiny arms wrapped around him, he was sure of one thing.

He could do many things. But staying away from you was not one of them.

[ask-whitepearl-and-steven]

Hey, I love the comic! I love how the storywriting stays true to the original series but also adds its own fun spin on it! You've actually inspired me to write my own Blue diamond AU, lol.

Anyways I have a question for making comics just in general. How can you make dynamic compositions in such a small space. I honestly love how intricate all of your panels fade into one another!

So, if you're okay with it, I was wondering if you could give me some tips on how that would work?

Anyway, I love the comic and stay awesome!

:D

Your own comic - that's awesome to hear! It's always exciting to start something like that. I wish you the best of luck in your goals!

As for the paneling - honestly, the first step is to stop thinking of it as a 'small space'! The truth is, even on a small mobile screen, we can fit a lot of detail. And as long as we know how to use the space wisely, it's not ever going to feel small.

Ironically, cramming MORE into a panel makes it feel smaller.

Drawing less on a panel makes it feel larger. Weird, isn't it?

My more general advice is... STUDY MOVIES!

Don't just WATCH movies. But study them. Movies are like comics for dummies because there's only one size and shape of a panel and all the characters do the hard work of acting for you. (It's a joke, don't kill me.)

Anyway, the paneling in movies is versatile and interesting BECAUSE they're putting that single wide panel to the best use. If you already drew some comics, compare them to a movie screenshot and see what's different! Then, ask yourself why a certain angle, or a certain cropping of an image works better.

You'll find that there's some awesome ways to cram fun details into even the smallest corner of a panel. :)

There's also some awesome art resources by more talented comic artists than me out there. I'm sure others will link them in the comments, but for now, here's one I found:

[quibbs126]

…Okay, you may end up seeing these drawings yet again on a later date

I finished the page, which was small at 500x500 px, but I wanted to make the page bigger. I did that, and I drew one new thing, but now I don’t know what else to draw on there. So for now, I figured I might as well post the original full page right now

Yeah, sorry for the laziness

This is the other sketch I finished on there, for those curious

Anyways, so yeah, this new style practice I’m trying

The original page I tried these out on is this, which also isn’t full, but I thought trying it out with actual characters instead of just random poses and shapes would be better, so I switched over to Cookie Run characters

The method is still a work in progress when it comes to all the shapes and the red sketch layer

I suppose what I should do now is try drawing a bunch of different Cookies that have different body shapes, so that I have practice with that. As well as maybe attempt some full body ones

I suppose you can suggest some if you want, considering I don’t know who to draw other than like, Hollyberry or Avocado, since I should try drawing large but not buff characters here. But I should also probably draw more skinny, and also chubby

But on to what I actually drew

So I already talked about Peach Blossom and the top Dark Choco drawing prior, so no real need to elaborate

The Dark Choco and Dark Cacao one was me drawing them in their younger forms to see how they compare. Not for any sort of study thing, but just in a symbolic sort of way. Since they’re so similar looking

I think I had a lot more fun with Choco, especially his hair. I remember Cacao being mostly annoying for his weird cloak thing that I don’t understand

The hand pose was ass though. I knew the general idea of what I wanted, that being them with their hands over their swords, but I was struggling to figure out how to draw the hands. Not to mention I had to change the pose from the red sketch because the swords were further down than I put them. I still don’t think I did the pose exactly correct, but screw it, it’s good enough

I’m also noticing that Choco looks way lighter in skin tone compared to Cacao. Like yeah, I know he’s normally slightly lighter, but it’s far more noticeable here. I’m pretty sure it’s because I used Dark Choco’s ToA colors here (bc they work better with my black lineart), which are slightly lighter, as well as just that Dark Choco is wearing much lighter colors while Dark Cacao’s are relatively darker. So maybe it just makes them contrast more

I liked drawing them, but I also did basically do the same body type 3 in a row, so I should probably draw different characters

Anyways, let’s talk about that extra sketch

So for those who likely don’t remember, that there is an OC of mine called Prickly Pear Cookie

I made her entirely on a whim one day, and she doesn’t really have any character or story, just vibes, but I really like her design and wanted to draw it again

I probably should give her some sort of bra though. The shirtless chest looks cool but in my opinion sounds really uncomfortable without at least that

I did originally draw her with the green skin, but it looked weird so I shifted it to more of a yellow so it looks more human

Honestly I really like how she turned out

But yeah, I think that’s about it for now. Just wanted to show this

[genericpuff]

Hello! I’m just here bc I’m a little confused on what you meant by Smythe drawing out “each individual asset” when she was making comics? Now, granted, I can see that it made her file ginormous, but me personally as someone who knows nothing about making online comics but is really wanting to get into it (and also as someone who has a ‘too many layers’ problem myself), is there a way to avoid using too many layers?

My current way of making comics has been to draw the panels individually and then format them (which I know is terrible management wise and also messes with the quality) but I honestly have no other idea of how to do it properly, and seeing how stunning Lore Rekindled looks, I don’t know how you would manage to put all that lighting effects and little details on the same layers. (But also I may be thinking of it wrong so I’ll let you talk qwq)

Ah I can actually give you a visual breakdown of what I meant by that!

So in this you can see there are a TON of layers, and not even all of them are visible because some of them are stuffed into FOLDERS that have been left closed. BUT if you look REEEEALLY carefully-

^^^ These layers right here? That's specifically Minthe from this panel in Episode 61:

(the unique pose here makes it real easy to tell that this is the corresponding panel, you can see the matching body shape with the dark shading that's clipped to the base layer below it!)

So what this means is that Rachel didn't draw all her characters on one base layer, she drew every single character in every single panel separately. Now of course, she could merge all these layers together as working on separate layers helps make it easier to work on elements that collide separately (like one character being 'underneath' another character like Hades is here) but because she has all of those clipping layers with the shading already added in, she likely didn't merge them afterwards because that would actually create MORE problems (because if she merged the Minthe layer in with Hades, then the shading for Minthe that she painted outside of the lines would show up on Hades and then she'd have to erase it which is just a bunch of extra work).

You can also tell all these characters are on their own layer because the layer thumbnail EXCLUSIVELY shows those characters. A layer will show as much canvas length as it needs to cover what's in that layer, so if the thumbnail is only showing one character, that means there's NOTHING ELSE on that layer. If there were more elements on this layer than just Minthe, the layer thumbnail would look more like this:

Now let's compare it to Rekindled's layers! I'll use a completed page to make it fair as we use a lot of extra layers in the post-production phase where we add the texture effects and glow and all that fun stuff, plus I'll even make it a more complicated page like that big nymph explanation spread from Episode 51:

So I'll break it down to make this make more sense:

BG 2 Copy (technically this is supposed to be BG 1) - Basically the panel shapes, what I'll do is mark out the panels with flat blocks and through that we'll add background elements in a clipping layer (usually done by Banshriek). Often times they'll do multiple layers to make the process easier and then merge them all together in the end. With these shapes operating as panels, it means I can just auto select the whole layer, invert the selection, and easily erase whatever's outside of it (such as the lineart and base colors that I put down afterwards). I could just use masking layers like I did in [AFTERBIRTH] but I find this way works better for the process of making Rekindled.

BG 2 - This is where we add objects / foreground elements. So stuff like furniture, interactables, anything that needs to be kept separate from the larger background to make it easier to work with. This can also include "floating" panels that need to be above other panels, such as this:

All of the backgrounds are then nested in a folder for organization purposes (we also sometimes use clipping layers on top of those folders to apply extra effects over anything contained within that folder without affecting other folders, that's a common technique that Banshriek applies)

Then we get into our Characters folder:

BASE - This is where I do the majority of my work, all the characters in every panel on a page are flatted into this layer. Sometimes I do have to create separate layers to, again, make it easier to work with overlapping characters, but usually those layers will be merged before I go into the shading process. I simply shade on a single layer by using the lasso / magic wand tool to select my area for painting, the flat colors make it really easy to do that. Sometimes I need to create a secondary shading layer if I've put down dark colors that start to bleed into the lighter colors, but again, I merge when I'm done into a single shading layer. We also sometimes employ an Add (Glow) layer into the clipping set if we need a glow effect that's exclusive to the characters and doesn't travel outside of their base colors.

There's a (leaves) layer here that I used for the dryad because I needed the leaves to be above the base layer, after that I selected the leaves elements so that I could erase the lineart in the layer above it where needed.

LINEART - It's lineart, enough said haha That said, I do think Rachel actually uses clipping layers for her lineart in places, it seems to be visible in some of her process videos where you can see the lineart present in a clipping layer, and that would explain why there are panels where the lineart suddenly 'cuts off' and doesn't travel outside of the base layer, like so:

GLOW - This is where we do an Add (Glow) layer that isn't restricted to the base layer, it's where we add all the fun lil' glow and sparkle effects over the characters !

The CLOUDS layer is, like the leaves, a background element that needs to be above the base layers rather than constricted to the background.

Above the Characters folder you can see what I mentioned earlier where Banshriek has added more post-production effects that are exclusively clipped to the contents of the Characters folder. This means the effects / blend modes do NOT affect the background layers or anything above it.

The BLUR (Overlay) layer is something we just started doing over the past several episodes, it's a technique I actually picked up from 66 of City of Blank where I merge all the layers into a new visible layer which I then apply a Gaussian Blur to at around 60% and then set to Overlay (and then I adjust the layer opacity until it looks right, usually around 25-35%), it gives it a bit of a softer "dreamier" vibe in the final colors and really helps unify everything!

CANVAS - This is an Overlay layer which is also set to an opacity of 25-35% where I go over the panels with the Add Canvas brush from the Kyle Webster set, unlike the Canvas overlay texture in CSP I can actually choose the colors I want to use which means I can match the canvas texture color to the mood and environment of the scene (ex. I'll use a very light blue for scenes in the Underworld). Not only does it give it that signature texture from S1 of LO, but it also helps balance out the effects of the BLUR layer.

The SKETCH layer sits on top of everything and gets turned off once all the base layers and lineart are down, and ofc the SPEECH folder is just where all the text is kept.

I know everything I just laid out is a LOT but ultimately it's how we operate, it works for us! But it also begs the question of why Rachel operates the way she does because a lot of it seems extremely unnecessary and more likely to bite her in the ass (the more layers there are, the bigger your file size gets, the risk of drawing on the wrong layer increases as well as the risk of posting a panel that's missing elements because the layer was left turned off by mistake, etc.) And it's more so concerning with how she operates with her assistants because if she's still using this many layers when collaborating with other people, hooo boy. Though based on what I've observed of what her assistants contribute, I get a lot more of the sense that she circumvents this by having the artists do the flats separately and then importing them in as separate assets that she then just imports into the page and places them where they need to be. Still not a great workflow IMO because it's what's led to a lot of the issues of characters "floating" rather than feeling like they're actually in the environment-

-but that's still an issue that could be solved by Rachel just taking more time to actually flesh out the backgrounds and lighting to give more of an impression of the characters actually existing in the space. Like that Hestia panel could easily be fixed by just giving the background a bit more detail and putting actual shading underneath her (and lighting from whatever direction it's coming from).

Either way, regardless of whether or not Rachel's process is productive or not, I hope that breakdown helps explain how we do it in Rekindled! Learning how to manage layers is definitely a skill that can be tricky to harness, but once it "clicks" there's a lot you can get away with. Ultimately how you do it is up to you, but my best piece of advice to offer is to just be open to other types of workflows because you don't know how much you might be shooting yourself in the foot doing things the hard way when there are often way easier and more efficient ways to get the same job done. That's basically the vibe I get from observing Rachel's workflow, it seems like she's still using methods that she thinks are working for her (and probably did work just fine for her when it was JUST her) but could be vastly improved for her and her team if she'd just get over the initial hump of stepping outside of her comfort zone. Would probably make for a better comic too LOL

I hope that helps! Good luck! ( ´ ∀ `)ノ～ ♡

[eldritch-spouse]

Hi, I'm very new to this blog, so I don't really know your OCs. I found you because of "Cuntress HIM" lol, my current hyperfixation.

I do have a question, though ; how would your characters (any of your choice) react to noticing an artistic s/o drawing them ?

Howdy! 👋 Glad you liked Cuntress Him, I had fun drawing it.

From all of my characters, the monsters who would enjoy an artist the most are Shags, Vinnel, Vesper, Mervin, Krulu and Vorago.

Shags would all but wheeze in excitement, the possibility of collaborations between the two of you sending him over the moon. Just the thought of a piece made by both your hands has him swooning. Why didn't you reveal this to him sooner? How could he not have seen the artist in you?

Vinnel's art is the more practical type. The most painting he does is usually mask work and small details to obfuscate solutions to puzzles. He'd definitely enjoy using some of your art as decorations for the escape floors. Not to mention decorations in his own room. Can you work with dolls? Sometimes he enjoys making rather gruesome modifications to them.

Vesper, well... You know the type of art he'd want, don't you? And while the King won't insist too much if it makes you uncomfortable, he'd be sad if you refused to draw some raunchy things. Art is still work, he'd reward you handsomely for your efforts and cherish these pieces more than the celebrity artist commissions he's acquired.

Mervin will just wax poetic about your "creative soul", maybe carry some of your best works with him just so he can show off how talented and superior his partner is. He especially loves it if you draw him, sketches of him will be stolen if it feels like you're not going to finish them. You love him so much you make tributes to him, and Mervin feels his ego deserves that.

Krulu is an artist as well. Now, naturally, let's not compare the art of a jaded siadar to the art of a human, but he appreciates your vision for creative endeavors. He has the added perk of being able to analyze your art emotionally, interpreting the feelings you pour when making it. He's selfish, wanting to keep it all for himself. No one else deserves to see it.

Vorago is a writer. Two things that go exceptionally well together is a story and illustration. He can barely hide his excitement at the thought of commissioning you for art of his favorite passages in his stories. Can barely wait to add a whole new flair to his writing. Maybe he can even write based on your drawings! The ideas swirling in his head make the prince sway happily. It's so nice to have a talented partner.

[shkika]

Since my wrist is killing me and I can't draw, have my ramblings about machines having souls and being able to become husks and also just Ultrakill thoughts! Predictions about the ending if you squint??

im just having fun here

Like I'm so deranged about how machines being intelligent and actually conscious is handled in Ultrakill. The build-up, even if accidental(?), is SO SO CLEVER and gradual (as gradual as ultrakill can get). How that fits into the overall narrative and how the tragedy of this game manages to be so awesome??

First with how I love the way "Machines are living beings" idea is handled. It starts from the introduction and establishes the world so well in so few words it's so lovely. You get introduced to the machines as war weapons. They need blood to survive and humanity has been eradicated. That's all you need to know.

You start with the basic information that these machines don't want to die. Which makes sense, it doesn't have to mean they are actually alive. It makes sense a machine would look for any way possible to keep itself running to continue doing it's job.

And then immediately in the prelude you meet the Swordsmachine. A part of a specific group of machines the terminal calls "scrapheads" which modify their own bodies. While at first that does not ring as anything that's especially noteworthy. A machine trying to upgrade itself is nothing unheard of. It's to be better, stronger, more efficient.

Except that's not exactly what the Swordmachine design is about according to the game. It is mentioned to have very impressive combat prowess compared to other machines, however what it is also referred to as is "beautiful". The design is appreciated almost like a piece of art. And some of it's parts don't even wield a practical purpose, the mentioned example being it's voice box.

It is not ONLY about utility. It is also about art!!

Alright. That's interesting. Let's give an even more outrageous example. Skipping Limbo for now, there is lust where we are introduced to Mindflayers. Which?? Are so wild??? And mysterious? We don't know what and when they were made for (ALTHOUGH I VERY MUCH HAVE HEADCANONS ABOUT IT) their bodies are described as completely seperate and useless to the machine. And yet it is stated they act very lovingly and take care of their bodies. So much so in fact that they SELF-DESTRUCT if it is harmed.

V2 in the first fight is a rival to you as any other machine, however once it's arm is stripped away from V1 the confrontation becomes PERSONAL. The second fight is not simply about the lack of resources anymore. It is to reclaim what was lost. Whether that be the arm or something else. Even the very terminal entry itself calls it revenge.

And of course. With Violence it is revealed that with all of this. Machines can also make other forms of art like poetry. Which is even more interesting is that the machine which did that was first EVER machine to use blood mind you. An extremely old design, yet it could make art to express it's feelings.

Machines are capable of modifying, changing, expressing and LOVING themselves. They make art and some are frequently seen attacking you in groups! Those are clearly intelligent beings. And I mean. Duh. everyone playing Ultrakill knows that. Obviously. Like. Yeah.

So then why isn't the fact that these walking weapons probably have souls more discussed? What makes a soul? Why would machines not have them? If they can do all that people can on an emotional level.

And what happens when these machines die? What exactly is stopping them from ending up hell? Obviously heaven is unobtainable. Their very reason for existence, is to cause pain and suffering. The means through which they need to keep themselves alive is to cause suffering. It makes sense they'd all become hells beloved children. Doing what is in their nature is an art form to it.

What's even more is that the game itself supports the idea that some are souls. Surely hell cannot create them since everything made by hell are demons, which are very easy to recognize by the stone exterior.(?? unless im wrong??)

And there is no feasible way for machines like the Guttermen and Earthmovers to be their actual living counterparts. On a basic level they LACK the means to be alive. The people inside the Guttermen need to be alive in order for them to function. When opening them in-game they are just skeletons. Nobody has been supplying them with blood for a long time. Because it's hell. The game itself states that death is a luxury in hell. It does not happen easy.

Earthmovers need sunlight to power them. And the game specifically put them in an area that is clouded. There is none to be seen in violence. No they are just trapped in place, forced to shoot each other for all of eternity.

Machines, when they die… go to hell! Probably!

Some of the machines you kill, perhaps reccuring enemies go to hell (Thank u l@/little-tornad0 for the addition hehe)

When you die.

You respawn! Hell keeps you going. Hell wants torture. Hell wants bloodshed. Hell wants entertainment and you are the purest form of it.

It makes me think a lot about the potential ending of the game. About the themes. I don't think this means inherently that hell is a perfect self-sustaining organism that can go on like this forever. Gabriel says machines are destroying it and leaving nothing behind. Things are clearly going south in some way. And it'd fit the themes better if it was all going to uh.. hell lol. If it was all going to collapse. From the main theme of the game literally being "The fire is gone" to the name of the last chapter literally being named "Godfist suicide"

Also for what it's worth the Mirage secret is awesome meta-commentary on the idea that everything will die. Everything is destined to end. It is up to you how your each that end.

I think this is what Ultrakill will kind of be about at the end maybe. Gabriel will die out with a bang doing what he wants.

V1 itself is clearly NOT killing efficiently to survive, but for fun. Before it all ends. It's going out with a bang.

And with no new humans or machines that can enter hell in the long run. Perhaps it's very being too will decide it wants to go out with a bang.

In short. uh machines have souls. everything will die but not in a sad way. but in a very cool awesome way. thats pr awesomesauce

[tempestmothstorm]

ok ok so I was just going to draw long haired Sayori but then I came up with a bunch of elementaryish aged designs and now I came up with a bunch of headcanons and more sketches so woohoo lots or text under cut open for more headcanons (also idk why tumblr made the image change quality that is not the same colour or quality I had it in)

Yknow for some reason I just can’t imagine Natsuki being like a happy kid in the past like at all. I think it’s like a “kid who obviously has a bad home life and acts out because of it but nobody’s gonna to actually try to do anything about it so they just put her in detention” kinda vibe. I don’t think anyone outright hates her since she probably would have brought it up in base game/side stories, but she isn’t exactly a beloved member of the school either

In the side stories she talks about being very different in the past and specifically going through a really edgy ‘I hate everyone phase’ in middle school. This isn’t a middle school headcanon but I feel like her being kinda bitter before the total edgy phase makes sense.

I think in contrast to her having a super defined sense of self present day, Natsuki here was a lot more identityless and unsure about what she wants. She gets really into cutesy stuff in the future but here she leans a lot more into the angry side of her because she doesn’t really understand a lot of what she’s feeling. It’s why I didn’t really give her a unique hairstyle, if she had something she’d actually like I don’t think she would have changed it to the pigtails

Also her clothes are kinda bad and has a hole in her sleeve since she doesn’t really get a lot of clothes due to obligatory ~home life angst~ but this post isn’t about that so

She gets into manga pretty early but just kinda enjoys it casually on a surface level thing. She drops it for a bit before picking it back up, and suddenly understanding what plot and themes are lead to her going insane about it until present day.

She’s into skating because I said so

It also makes a great explanation for why she gets a broken arm and why she always has a bunch of bandaids :))))))))

Ok I might also just like giving character designs bandaids

Tbh I forgot if they said Natsuki’s friends met in middle school or not but I think it still applies since they probably knew her through every cringe phase she had (including the fanfics). But either way they were probably one of the few people to actually give Natsuki a chance which is part of why she puts up with their bullying so much. Throughout every phase she might have had they made fun of her every step of the way, to the point she’s just kinda used to it now. Doesn’t help that she thinks her old self was cringe, so by present day she just assumes she deserves whatever bullying she gets from them. Girl needs to have compassion for her past self. And present self tbh

While Natsuki was cringe in the ‘I hate everything’ way, Yuri was cringe in the ‘I am a massive nerd for cringe pieces of media and am going to make everyone aware of that fact’. At least that’s how they see themselves now

She’s a lot more open to talking about her interests. She can and will yap to random people with little to no prompting because she hasn’t really learned yet that people would be put off by it

She’s not overly social but more willing to chat with others with a polite and friendly attitude. She hasn’t been hurt yet so she is filled with joy and whimsy and is overall more cheerful compared to present day

She has her hair like that so I could give the vibe of ‘cheerfully annoying and/or adorable☝️🤓’ nerd archetype instead of ‘would rather become a speck of dust than talk to a person’ nerd archetype. Her hair is generally more dishevelled to show she’s more naive and less elitist I guess. She also isn’t as good at taking care of her hair yet so it looks kinda bad in a charming way(her school would not agree)

Her bangs being up with the headband shows her being more open and willing to be vulnerable to others in a way that’s lost in present day, where her long bangs hide a lot of her face in that one sprite. Her forehead is a metaphor 😭

I don’t really have parent headcanons but the cardigan is from her mom. I just think it’s cute

Random headcanons idrk where else to put but since that one act 2 sprite just borrows the teeth from Natsuki I like to think her teeth is also weirdly sharp it just doesn’t stick out as much. People think her teeth are creepy though so she tries not to smile with her teeth. She doesn’t care to smile like that anyways since she doesn’t really know how to in pictures (me projecting) and her natural smiles are a lot more subtle/don’t show teeth so it’s all fine.

Stating the obvious here but she was totally outcasted by like most of her school. Most people thought she was weird and her enthusiasm off-putting so they’d try avoiding her. She doesn’t really know why they think she’s off-putting though, people just start avoiding her for no reason. A few would go out of their way to bully her too, which ont added fuel to the iscolation fire, which ended up give her massive vulnerability and self esteem issues. Shocker ik. It takes a while to fully break her down from here to her high school self but it does mess her up a lot even then. At this specific point in time though she stills has her innocence so dw it’s fineeeeeee

Her anxiety issues are also there but she still has enough of a positive attitude to go ‘hey this sucks but maybe this time talking about my interests will work and they’ll actually like me!’ even if it didn’t work the last time. She doesn’t really know how else to talk to people so she keeps trying the same thing hoping maybe this time it’ll work out.

Uh.

things get worse. you probably know that

Sayori still the sillyyyyy

But tbh she probably changes the least compared to present day. I mean she gets more mature and less starry eyed but her mask is basically the same as her kid self. I don’t have as much to say on that specifically cause compared to the rest she doesn’t change that much

Yeah Understanding said she used to have long hair but cut it since she couldn’t really take care of it. I feel like even before the depression got worse she sucked at taking care of it because she has the self proclaimed attention span of a donut. Her hair is really scruffy and if you tried to comb it would probably hurt a lot. So she doesn’t ever

Her and mc are still the the goofy-goober and straight man dynamic they have in base game. Sayori drags mc into some shenanigans and mc tries to help her get out of trouble. He also has less of an ‘I don’t want to be seen with this cringe’ attitude he has a bit of in the base game since he isn’t as concerned with reputation because he’s like 7, so he’s more open with being directly nice to her. He acts a lot more genuinely with their friendship overall compared present day where he finds it a lot harder to earnestly share his appreciation of Sayori as a cool sigma male

A lot of their banter is light hearted, but Sayori doesn’t start interpreting his teasing for actual criticism of her character until a little later into their relationship. His jokes probably hurt more in hindsight when they do end up drifting apart because his lighthearted jokes stated feeling more real.

It’s sorta implied in side stories that there was a point where everyone found out about her depression and was worried constantly about her. It probably was from an old friend group considering nobody else seems to know about it, but I feel like mc drifted apart before that considering he doesn’t know. I think they became friends again by sides stories, but considering he doesn’t act like he’s as concerned for her well-being as he is by the end of act one, he probably wasn’t there when everyone else found out and therefore doesn’t know about the depression here either. Idk though side stories have different continuity apparently so who knows maybe that never happened or maybe he’s just stupid

Yeah of course she still has depression here. It probably got worse over time though since I feel like her constant silly oblivious persona would have came from somewhere. She is naturally pretty upbeat, it’s just that she had to lie more over time in order to keep that idea going. Now she feels like that old her is basically dead, with her just masquerading as someone who isn’t there anymore.

She’s like the only one here who has a positive opinion of her past self, to the point where she actively wants to go back and be that person. In a way she still is that little kid, but at the same time things can never go back to how they were. Uh yeah but she still hates herself so I guess no one gets to reap the rewards of caring for their past self.

She also trips constantly. I don’t think it’s that surprising

Since Monika has the least specific info on her past I got to be a bit silly about it and make up as much as I wanted.

She is like completely different from her present self. Similar to Natsuki she’s also sorta identityless but in a weird quiet gifted kid sorta way instead of an angry lost child sorta way.

She’s pretty quiet and doesn’t talk much. With a pretty expressionless face and more deadpan voice she kinda gives creepy horror movie child vibes but the type of child that appears before the horror actually starts (which is to say not actually scary but just kinda weird) (I just realized a lot of this is just me projecting what I was like as a kid but with less prep energy)

Yeah she’s extroverted but at this point she doesn’t really seek out people until she starts actively trying to boost her image

She doesn’t really have many hobbies outside of being a teacher pet and if it weren’t for her stellar grades she totally would of been bullied, but she’s nice enough to help people study so she’s safe

She isn’t really the most popular in school until high school. She does start out as the token prodigy gifted kid so everyone expected her to excel in everything so on a whim she’s like ‘ok guess I’m doing everything now’ and it’s totally not going to alter the course of her life forever

She likes the validation and wants to live up to the expectations so she starts leaning super hard into the perfect image. She gradually starts joining clubs, getting cool achievements, studying for those straight A+ grades, talking to people and networking, and overall changing her image from quiet kid to strong confidence friendly student who’s going to go far. Awesome

She kinda had to train herself to not be weird creepy child and would practice smiling, facial expressions, being more sociable, talking less deadpan, etc. She has a lot of “fake it till you make it” vibes in the side stories to the point I don’t think she even realizes she’s doing it. I imagine her going from weird little kid to most popular high schooler around was like wearing the mask until it became the real thing.

Tbh this whole design started because I really like the headcanon design of her bangs covering her eyes. And then I gave her a stripped shirt because it felt generic but also not boring but it ended up making her look like one of the seven human souls lol

Honestly if I could describe her vibe here in one sentence it would be utdr protagonist but like in prep school

ok that’s it idrk how to end this but thanks for watching hit the like and subscribe and