#it was still in the drafts I'M SORRY

[sionisassistant]

Bail ( but its for dad. see, mel is sitting in a waiting room swinging her legs and bored out of her mind at the gcpd, a perfect little angel 😇 who hasn’t said a word, isn’t ratting out dad… unless he breaks his promise to her about a free Skip School Week )

Bail - No Longer Accepting @lovesigned

There's far too many pigs around here lingering around her daughter. Idiots, who likely thought she'd slip. Ha. Now that's a funny idea. Heels clacking along the tile Danielle glared at the surrounding uniforms.

"Back off, you know better," she snapped, leaning down to plant a quick kiss on Melody's cheek and murmur a quick, "Good girl." Straightening back up, and reaffixing her glare, there's not really time for the proper apology Melody deserved for delaying going home, but frankly, everyone had their limits.

"Now, tell me why THE HELL, you all felt it appropriate to let a minor just sit here without notifying me yourselves?! You idiotic, incompetent-" Well, stay sitting tight, Mel. This will just take a sec.

[lover-of-mine]

Buck, Eddie and The lightning mirroring the well.

[thewildwoodpigeon]

Susan foreman is such a weird character to me. She's technically the whole reason the plot of the entire series kick off, but dosent have much impact on the plot beyond that, with her constantly playing damsel in distress and isn't allowed to do all that much by either the charcters or the writers, which sucks! Susan, in concept is such an intresting character! I do like her! It's just that the writers did so little with her at the time when she could of been so much more.

[ourstaturestouchtheskies]

Illustration of a cemetery from World's Best Music – Helen Kendrik Johnson // the 1 – Taylor Swift // loml – Taylor Swift

[naffeclipse]

I don't know when I'll ever write this, but I've had this AU in the back of my mind ever since Bendy and the Dark Revival came out, and it's best to get it out of my head before it festers and rots.

More or less, it's BatDR and the DCA smashed into one. The premise is that you are an animator at Fazbear Studios and Sun and Moon are humans who go by Cyrus and Mani respectively, employed as voice actors. (First AU with human Sun and Moon whoo! don't get attached though) Vanessa is a janitor who is a bit odd, mostly keeping to herself though sometimes you feel like she's starting at your back when you're alone.

Cyrus and Mani perform as extras in the Fazbear cartoon, adding supporting voices for side characters and miscellaneous lines. Cyrus often supplies humorous, wacky, and surreal voices to his performances. Mani tends to get villainous or spooky characters with his deeper, raspier voice. They both enjoy what they do and love that they can work together as brothers.

You can't help but notice Cyrus and Mani. You admire their skill, their passion, and their smiles, and you sometimes even work up the courage to wave at Cyrus or Mani whenever one of the brothers happens to pass by your work desk.

They inspire you—not just with their work, but with their small acts of care. You find coffee on your desk when you return from a meeting with the other animators with a little smiling sun doodled on the cup. Sometimes, Cyrus asks you to join him on a walk since it's your lunch break and you could really use some sunshine and a chance to stretch your legs. When it gets far too late and you're burning the midnight oil, Mani is somehow always there, doing a funny voice to surprise you with a little reminder that it's past your bedtime. He leaves you little treats in blue wrappers, hidden in places on your desk, among your ink and papers.

It's not a surprise that you start drawing a character for them in your rare off hours when you still have the energy to hold a pencil. The Fazbear cartoon could add a new, permanent character. A robotic jester, lanky and tall, but with two forms for the day and night, funny and sweet and mischievous. Cyrus and Mani could both voice him!

That's silly, however. Fazbear Studios does not want your chaotic and half-brained scribbles nor do you dare show the brothers what they inspired—they might hate it. You keep your little jester character tucked away, along with a small doodle of a minor, nobody, gray character who may or may not be a tag along to the main act that is the jester. Your sketches and concept art are hidden away, far from where the light of day or the shine of night will ever see.

It goes missing one day. You're upset and asking everyone who went through your desk. No one confesses. Cyrus tells you that it'll be okay, he'll help you find it. Mani suggests that you keep locks on your drawers from now on.

It's never found, not that you wanted either of them to stumble upon it. Yet, they stay late with you after everyone has gone home, looking for your precious and secretive sketchbook through the many departments of the studio.

Somewhere along the way, Cyrus disappears, promising to return with your sketchbook. You lose Mani in the audio department before, oh, there's Vanessa. She tells you to come to the basement with her—she found your notebook. You're relieved but a little put off by Vanessa and reluctantly follow her down into the dark.

You don't find your sketchbook, but you do find Cyrus slumped against the wall, blood trickling down his temple, and a strange collection of shrines to one of the studio's cartoon characters.

Before you can rush to his side, pain explodes in your skull, cracking white across your vision. You fall to the ground, dazed, as Vanessa gives a cryptic promise to return with the last sacrifice. You manage to crawl across the floor in your pitiful state to reach Cyrus and attempt to revive him, but by then, Mani is walking in. His shock overtakes him but he dodges a swipe of Vanessa's wrench and starts struggling against her. You try desperately to drag Cyrus somewhere safe as he murmurs for you to get out of here, but in the middle of Vanessa's and Mani's fight, she flips a switch and ink begins filling the room.

The black flood sweeps Cyrus away from you. Pages spill out from the inside of Vanessa's vest, dozens of sketches of your jester character. You cry out. Mani looks to you. Vanessa at last shoves Mani into the surge of onyx liquid beside Cyrus, and you watch both of them go under together. You scream their names. She turns to you, grinning.

The last thing you remember is Vanessa shoving your head into the ink.

Then it's the only thing you remember. You're vaguely aware that your jet-black hands are strange and shiny, and that you don't know where you are in this sepia-colored studio, but you know something's not right. You're missing someone, and someone else. You're scared.

You wander around for a bit until you're attacked by monsters emerging from the ink, shrieking and wailing in gluey dark forms until a wonderful and terrifying automaton arrives. He destroys such a creature about to tear you apart. He stands so tall, detailed with sharp teeth and even sharper sun rays around his large, flat face, but you think you recognize those yellow eyes—a living cartoon.

He helps you calm down and asks for your name in a loud and funny voice that rings like a bell in your mind but you can't name the tune. You don't remember your name. He doesn't remember his either. He leads you away from the harsher spaces of the studio, somewhere 'safer'. You don't know if there is anything as safe, but you feel better with him.

You're startled when after a time, in the middle of talking to this sunshine character, he melts and morphs and bubbles until a crescent moon face emerges and a new grin. You panic before a darker, raspier voice, like a cartoon villain, tells you it's alright. He's here, too. He's not sure what's going on but he, and the other 'him', and you are gonna make it out of here, somehow.

You don't have hope anywhere else but in this unique robot jester, and he seems to want you to stay close to him. So it's you two, the last sane partnership in the crazed and dripping studios, fighting off ink creatures and surviving other bizarre characters. You learn how to wield a gent pipe and the jester is strong on his own, often able to tear things apart or toss monsters off of you before they can do worse. He has claws and teeth and he uses them well.

Vanny is a lady rabbit and a constant threat. She's smart and cunning, unlike the other mostly senseless attackers. She keeps tracking the two of you down and spouting off the religious rhetoric of Inktrap, promising that your sacrifices will be well worth the pain. You had to be introduced to the cycle. The ink has corrupted you perfectly. You are part of this place. You are never leaving and will give in to Inktrap.

You and he avoid Inktrap at all costs. You've only caught glimpses of the shadowy, pitch-black beast, but that's all you need to see as you both hide and hold your breaths until the danger just barely passes by.

You start to call the daytime jester Sun, and he seems to respond to it. The nighttime joker is Moon, and he neither hates nor loves it, but he answers when you call. He has a name for you, too, or rather names. Peach, bird, thrill, calico, and sweetheart. He gets creative and goofy. You think he's being mean sometimes but he tells you he's not, he means it, and you don't know how to take that before you two have to focus on escaping this part of the studio and getting into safer areas. You protect his back and he protects yours, and together, you make this living, unending nightmare bearable. Sharing bacon soup, falling asleep in Moon's lap, and patching up any drips in Sun's inky form becomes something like a life.

It just never stops, repeating over and over. The jester deserves better than this, whatever happened to him. You know you both do.

You become determined to learn how the cycle works and how to prevent it from going on. There's a funny feeling you have that, somehow, you're going to have to go through Vanny and the Inkdemon. One day, you will get the jester and yourself free.

You need to see his and your happy ending.

[reksink]

A Creature and Its Creator (With Bonus Harrassment)

[thelassoway]

Jason Sudeikis as Ted Lasso Season 3 » Casual Sweaters/Jumpers

[perfectlysunny02]

WIP Wednesday Thursday

sorry i’m late, im a college freshman (AHHHHH im having such a good time) and that’s why you’ll get angst from me. sorry.

"Tommy-"

"And Adi has her dance recital on the fifth two months from now, and I think-" "Tommy-" "You'll definitly be better by then enough to go, she's really excited about it-" "Tommy-" "We'll have to get her a new-" "Baby!" Buck snaps, and Tommy immediately draws his shoulder up to his ears as if to ward off what Buck's about to say. "Evan, s-sweetheart, please don't-" "I think we both know I'm not making it to Adaleide's recital that night, baby." "No," Tommy snaps, and Buck's heart breaks at how the sadness emanating from his husband. "You are, Evan. You have too, I can't... I can't do this without you, baby. Please, oh my god, please don't make me." "I'm so sorry baby. I'm so sorry."

tagging: @theotherbuckley @runicnotation @tiltingheartand @whatisreggieshortfor @actuallyitsellie

@bidisasterevankinard @diazsdimples @kinardsevan @girlwonder-writes @30somethingautisticteacher

@thatmexisaurusrex @thehighqueenofnarnia @raethethey @letty-writes @pluvio-lj

@ciinnddinn @wikiangela @wilchildkyo @cinderellarhea @whentheresidentsareevil

@judymarch15 @desert--moonchild @rdng1230 @mintedwitcher @dreamforrest

[flowerakatsuka]

this coulda been kurokara in hs, but their autism and individual struggles w/ confidence kept them playing...

[that-was-anticlimactic]

i will never understand how or why the httyd movies did the books such an injustice.

the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.

the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.

and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.

hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.

and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.

and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.

and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.

and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.

that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.

i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.

if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.

[necrotic-nephilim]

For the ask game: AU where during Tim's search for Bruce, Ra's agrees to help him on one condition: Tim will sleep with him. (It's probably some kind of scheme on Ra's part.) How their dynamic would change with more overt sexual undertone underlying their interactions...

for the ask game!

UGH i love this type of thing so much. in my heart, this is canon. to me. Ra'sTim my fucked up beloveds you two are so terrible for each other.

so what i think is fun and often misunderstood in fanon is that Tim didn't go to Ra's, Ra's went to Tim. so it's even more fun if Ra's goes to Tim, and has that condition he holds over Tim's head. offering all of Ra's' resources, full access to his computers, someone just genuinely believing Tim and working with him. i think, a lot of it would be a mind game for Ra's. sure he wants to fuck Tim, but more than that, he wants to see Tim's reaction. he expects an immediate no, in the way Tim is so hesitant to work with Ra's in the first place. he's pushing Tim's buttons and basically treating Tim like a rat in a maze. so when Tim says yes, and doesn't seem to hesitate too much. *that's* intriguing. because in a perfect world for Ra's, Tim says yes because of a genuine returned attraction. but Ra's isn't quite sure if that's the reason. it could just be because of Tim's search for Bruce. so Ra's would really push it, see how far he could take the sex. it's simple sex first, but Ra's gets more and more interesting each time. slowly working in kinks just to see where Tim draws the line in the sand, and if Ra's can convince Tim to cross that line.

on Tim's side, i think it's fun if you play with Tim being so deep in the closet he doesn't even realize he's bisexual, yet. so to him, sex with Ra's doesn't *really* count as sex. he knows Ra's is weirdly obsessed with him, and Tim wants to play that to his advantage. he likes the power that obsession gives him, within the League. so, if it takes some sex to satiate Ra's, Tim mentally views it as like, a training session. no worse than those unpleasant endurance trainings Bruce used to make them all do. and i like the accidental catch-22 of it. where at first, the sex does very little for Tim. but the more Ra's gets creative and kinky about it, the more Tim *actually* starts to enjoy it. Tim's bisexual crisis except it's over a centuries-old man showing him the joys of sadomasochism in an agreement that was supposed to be totally normal for Tim bc he just gets himself into these situations.

i think one of the biggest changes would be Tim's sheer amount of power and immunity in the League would be even higher. *everyone* can tell Ra's is fucking Tim, he's not really trying to hide it with the way he looks at Tim and touches him in front of everyone. Tim tries to stay clinical and professional, but you can only look so respected working when Ra's is basically stroking your chest as you work. there are whispers, people keep tellin Ra's not to trust this random son of the Bat, but no one will say it to Tim's face. it'd give Tim more power over Ra's' operation outside of the Bruce search. sure, Tim can't change the nature of the League of Assassins, but he can. tip the scales a bit. pull Ra's back from being lethal in certain situations, convince Ra's not to engage in other places. Tim is careful not to overextend this power so he doesn't lose it, but everyone else sees just how much power Tim has. he even start working on taking people out from under Ra's, when Tim goes nuclear and leaves. like how Tim basically steals Prudence, he steals some other younger Assassins he thinks he can convince to come to his side. because he's with Ra's, he starts to command a level of respect so it's not a difficult thing to do. sure, Tim's just the kid keeping Ra's' bed warm. but also, he's the kid *Ra's* deemed worthy enough to be involved with, so it's a double-edged sword of both disgust and respect held for Tim.

it's so funny to me if Tim starts to catch feelings. Ra's of course has feelings, but Tim has never noticed his feelings for a man before so he's fucking panicking internally. and worse, he's not doing a good job of hiding it. Ra's is perceptive and has centuries of experience on Tim. so he can tell. he sees the look on Tim's face when Ra's does a genuine romantic gesture with no strings attached. and that's when Ra's really leans into it. the sex is one thing, but now it's courting. gifts, pet names, kisses, praise, the whole nine yards. and Tim doesn't outwardly deny any of it because he just... doesn't know what to do with it. he could handle stupidly good sex. but this?? this is new territory. he's constantly reminding himself Ra's isn't a good person. which isn't hard to do but still, Tim's just a little torn internally. also. i think Ra's would at least try to kill Captain Boomerang, if not outright succeed, as a courting present for Tim. and Tim is *horrified*, but then again, in canon, he almost personally killed Boomerang. so maybe. there's something nice about having Boomerang dead, while escaping culpability. Ra's thinks his corruption crusade is working on Tim and is absolutely gloating about it. they even go on a proper date.

but, in the end, Tim still backstab Ra's. i think Ra's would still try to go for control of WI, but would be convinced Tim would be totally okay with it and offers to share control with Tim. that's how Tim betrays him, he's allowed to handle so much of the paperwork, Ra's has no idea until it all goes through that he actually has no control. it's The betrayal. because Tim will always betray his love for what he thinks is the right thing to do. the infamous scene, where Ra's kicks Tim out of a window would go a lot differently. instead of a dramatic fight, it's deeply wounded betrayal. in canon Ra's always knew Tim was never in his pocket, but in this AU, he was naive enough to fall for it. and he's angry. he's angry at Tim, angry at himself. i think he'd straight up try to kidnap Tim. less "kick Tim out a window" and more "intimately hold a knife to Tim's throat" vibes. they part ways, but there's still. something lingering. the bridge isn't fully burned and Ra's is still going to seek out Tim when he needs help, and Tim will seek out Ra's. they'll never trust each other again. but they also can't seem to stop loving each other. Tim hides it from the Batfamily and Ra's never gives Tim that level of control in the League again but. the "i didn't know who else to got to." moments are inevitable and there are whispers in the villain community about how you better be careful around Red Robin because if you're not, you'll piss off the Demon Head. unspoken, deadly protection while still sort of trying to kill each other.

[wardingshout]

The colours of your art are always so pretty !

aaaaah thank you so much !!!!! ;v; I had a rough stretch for a while but otherwise colours have always been my favourite part of drawing !!

[bonefall]

maybe with the ending.. make it be like the link between Breezepelt's leaving to join Kin and his POV in AVOS? of course from Nightcloud's perspective but

like. she would be injured and recovering away from the clan. but they would be unaware that she is alive and like in canon assume she died and hold her a vigil. Breezepelt, who is already at low point, taking it very badly - yes he was pushing her away bc he was hurt and angry and started taking it out on her, but.. it's still his mom. his Mi. and she is dead? or is this stupid clan just going to believe this to make it easier? are they really giving up on looking for her, or her body??

i can see Nightcloud being the one of very few, if not THE Only one, things that kept Breezepelt in WindClan at this point. and without her, what's the point? it's not like anyone else likes him. the link is gone and they buried it in a bodyless vigil. so it's what pushes him to actuall take the step and leave.

not sure how well it would align with the timeline and events. and how soon Darktail was assembling cats from other clans like Breeze. but i think it would be interesting and heartbreaking if at the end of her SE, Nightcloud just arrived back to WindClan and asks where Breezepelt is and someone tells her.. he either was missing since this morning or just left the clan earlier the same day. like, just have them miss each other by a hair.

I'm thinking that the second-to-last chapter is her with Pickle, having a bit of a sabbatical to unpack everything that happens through the story. Mostly because I want to throw her into some kind of pretty garden as a nice setting for this lmaoo

A LOT of BB stuff is being added to Nightcloud's Pannage that wasn't in the main series; Hillrunner's abuse, her mentor Addersong, several expanded little background characters now complete with their own side conflicts. I think what I can bind all these things with is Nightcloud considering what a Clan means.

Because of her new reputation, I'm noticing I'm writing scenes where she's intentionally doing and saying things to try and sway them. While also grappling with her resentment towards them, and things she can't change.

There's a bit of a melancholy air so far, so I'm starting to feel like the best ending is just having a bit of space to herself to think. Ultimately, she decides that it's more than Breezepelt or Crowfeather that binds her to WindClan. It's the life and connections she COULD have.

WindClan cats are also quite religious next to other Clans, so I really do mean "sabbatical." I'm going to have Addersong die of old age shortly after they reconnect, so she's in Pickle's Garden talking to her new friend, choosing cats she's lost to pray to as patron spirits to give her the traits she feels she needs, and just recovering both physically from injury and spiritually from turmoil.

So all that to say; it works well that by the time she gets back, Breezepelt has joined The Kin. He was one of the first to join when he started calling for members anyway, so having Night be gone for about two or three weeks sounds appropriate.

[nanomooselet]

Wraith V / Through A Glass Darkly

I admit to maybe being overly obsessed with this thing.

Because of (naturally) the colours (and the fact that at 100%, it looks like a flatlining heart monitor, as if we needed more indications this is a symbolic death). Vash in red/magenta and gold, Knives in blue/white and violet - until it's complete. Then Vash wakes up, suddenly all-violet, while Knives is left only with blue and teal.

Why would that be? Because Vash is at last consciously using his powers? Maybe. Likely.

But I, at least, would also like to believe Tesla has more to her story than forever remaining an objectified victim, though I know I'm probably deluding myself. (I'm interested to see just what, if anything, Orange plans for her. I've always felt there was more to her perspective.) I like to think she's present too, in her own strange way, and not simply as part of Knives.

What do you think her opinion would be of these events? Of her brothers?

What choice do you think she would have made?

I, personally, suspect Tesla would have had powers both to bring and to take, just like Vash. I doubt his personality being destroyed and his body brutally exploited to access those powers (never mind the purpose they're accessed to fulfil) is a plan she would want any part of, whatever her opinion of humanity. I think Knives had no idea what he invited upon himself making contact with the Core, something that exists outside of time. I think Tesla and Vash are both stranger and more existentially terrifying beings than even he imagines.

Knives baptised his brother in order to make him fit to receive divinity - and in Christianity, divinity comes as three parts in one. Not two equal opposites, as Knives conceptualises himself and his twin, but a singular whole expressed as three aspects. Parent...

Child...

Spirit.

His plan worked perfectly. He could not have made a bigger mistake.

Having been baptised, having received the spirit, the answer finally comes to Vash, and the truth.

Whose side are you on? Who are you?

See, it's made a point in Stampede, more than before, that the twins are almost physically identical. The resemblance is close enough for them to be mistaken for each other, something which Knives exploits. Even spending so much time so far apart, it seems inevitable that they influence each other. When one looks into the other's face, he sees his own reflection as in a mirror.

Though that almost never happens in the series. Knives and Vash almost never share the same eyeline.

They don't see eye-to-eye or face-to-face. Not until the very end.

The English dub, the finale, the question Vash asks as he finally begins to cry - "Who are you?" There's a reason he asks the question in those words.

Roberto said it in the first episode in the scene where we met Vash as an adult, hanging in the desert. "This clown's the big bad Typhoon? Vash the Stampede… who are you?" (The first time Vash gets called a fool or a clown, and not the last.)

Vash isn't quite sure... or rather, doesn't know who it is that he should be, if not what he is now. He's only ever been a counterpart, either allied or opposed, to his brother, and Knives has made it very clear what he thinks of any attempts to be anything else.

The question Roberto asks is the question the whole series builds towards answering because Vash isn't certain there is an answer, without his twin.

Until the moment he sees his brother, really sees him, and finally realises... that is not his reflection. He can't see himself in this mirror. There's something missing. And if that isn't his reflection, then who is he, looking? Who is Vash?

Whose side are you on? Who are you?

Human or Plant? Gun or Superman? Darkness or light? Yin or yang? Water or fire, heaven or earth? Are you a spirit, or a body? A machine or a living thing? Daydream or nightmare? Monster or angel?

Both? Neither?

The answer he ultimately gives is... not choosing an answer. It's looking beyond the question and the assumptions that it carries; being truly free. Knives has no right and no means to dictate who it is Vash becomes, and he never did. The question he asks is meaningless, and the dilemma he presents is false.

There's no choice.

'Cause I'm Vash the Stampede.

For now we see only a reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known.

And now these three remain: faith, hope and love. But the greatest of these is love.

(1 Corinthians 13: 12-13)

The only true struggle is the struggle against oneself. And, at least in that moment, love wins.

[naffeclipse]

(if you saw that post, no you didn't shhh)

[books-are-my-life-stuff]

Mashle: Magic and Muscles Picture Drama Episode 8: The Most Dangerous Place (English Translation)

All right, gonna try doing this again. I'm still not confident about my Japanese skills, but I want to keep training so I'll try to translate this one. Please let me know if I make any mistakes, as neither English nor Japanese is my first language!

Translation under read more!

Mash Burnedead, His Friends, and Their School Life Episode 8: The Most Dangerous Place

Abyss: All right, I suppose we should start by sweeping the floor. Then we can wipe them clean.

Mash: 'Kay. Activities that require physical strength are my specialties.

Abyss: Reliable as always. Though, making you clean the owl's house as a punishment for all the mess at Lang Dorm... That's surprisingly a light punishment, isn't it?

Mash: It's not light at all.

Abyss: Huh?

Mash: The owl's house... is the most dangerous place in this school... or so I think.

Abyss: There's no way...

*an owl comes*

Mash: I'm worried.

*another owl draws near*

Mash: Uh-oh.

*one more owl approaches*

Mash: That was close.

Abyss: W-Why are the owls here so aggressive?! ... No, that does not seem like it, they only target Mash... Just why?

*the owls are pecking on Mash*

Mash: That's what... I've been wondering too... Just why?

Abyss: How strange... I do not sense any hostility coming from Mash to the owls whatsoever either... Mash, what do you think about the owls?

*owls are aggressively pecking on Mash*

Mash: Huh? Hmm... Protein?

Abyss: That's why! They're being aggressive at you because they think you might eat them. So, instead of thinking of them as nutrition, how about thinking of them as friends?

Mash: Friends? Hmm, in that case... *takes out a cream puff and offers it to them* ... Here you go.

Abyss: Please don't offer human foods to them!

Mash: Well, cream puffs are complete sources of nutrition.

Abyss: ... Since owls are small animals, I think we should give them bugs to eat. *offers a bug to one of the owls* Here you go.

*happy owl noises*

Mash: Ohh, that owl seems cheerful now, amazing.

Abyss: No, no. The owls just want to be fed, that's all.

*excited owl noises*

Abyss: You're eating really well. Here you go. *offers some more bugs to the owl*

*even more excited owl noises*

Mash: The way that owl is so happy to eat the bugs... I kind of feel sorry for them...

Abyss: Oh, you're saying something like that again...?

*aggressive poking owl noises*

Mash: Ow.

Abyss: It seems the path of friendship is going to be a tough one.