#it was really cool to see all the characters!! i wanted to draw a lot more people but i just could Not look at my screen that much sadly

[poorly-drawn-mdzs]

Happy Birthday to Fallen London; My favourite British people beefing it with bats simulator.

[1driedpersimmon]

Do you have any advice for people who might want to get into making comics like yours? I'm always pleasantly surprised by how fast you pump them out and even have other little projects/doodles on the side. How do you keep the quality consistent?

(sorry if this sounds a lil cold (?) i rlly love your peppercakes they r so skrunkly)

First off - Thank you !! I'm honored you like my lil guys and comics hehe! (and no worries on the tone !! I didn't think it sounded cold at all!)

Alright secondly lets see...

Short answer: You really just gotta start and keep going!! Once you start you get the momentum and it gets much easier (like riding a bike, which people like to use as comparison often).

Long answer:

Alright I thought about how to answer for this for a bit and I think I'll break it down to the main aspects.

So timing ! Basically I'm drawing 24/7 (and I'm currently not working as it's an off time for me, but I shall in a week and you will see that my posting frequency will decrease substantially). Ok maybe not 24/7 but I essentially am drawing from the moment I wake up to when I sleep (minus eating, restroom, working out, some errands) and while I do not say this is the key to being better, I'm just realistically displaying how much time I'm spending on drawing. (... one of my new years resolution is to not in fact do that and go out more because I feel like I'm being cooped up in my room a lot haha). But minus the amount of time I spend itself a lot of it has to do with the importance I take in speed drawing. And when I say that I mean quite literally how fast I can draw. AND I think a large part of where that speed comes from is how I like to generalize designs and just my overall process of drawing. (Which, I will not go over now but if you'd like I could make a separate post on how I go about doing my usual sketch, lines, colors, etc) Like, I love ff and all of it's crazy designs but it's so complicated I simplify everything till it's juussstt recognizable, and that's something I feel like really adds to the speed of things.

Also that's sweet of you to say for the quality haha (I always am thinking stuff like ah man this aint it... not my finest work, and then just post anyways cuz who cares I already made it heh)! That being said my quality wasn't alwaysss consistent! Here's an example of my very first "comic" I made for my characters:

And here's the same 4 panels I redrew just about 2 years later:

So I've been basically drawing comics for this for just about 2 years now (will be 2 years officially in a few months) and I most certainly did not get here in one night. I think, as I've mentioned, it's really important to keep up with the comic making (or drawing in general) so that, yes, you can get better, but the way you get better is that it becomes familiar to you. So you can approach concepts and ideas with a more experience. And I think a large part of what holds alot of people back is the idea that "ah I can't do this idea I'm not good enough." So what !! Still do it, I most certainly did it a couple years ago when I barely scribbled my ideas. And then you can totally go back and redraw it ! no "Rule" saying you can't go back and revisit your ideas, like hell even professional artists go back and republish their works with their improved art styles ! (ex. Tokyo Ghoul... even though I don't care for the story, it's still pretty cool! I think he even added more scenes? Anyways..). I think there was that one post going around where it was something like do it scared and that's really REALLY what you gotta do.

And that leads to my final point. You gotta love doing it. I like to make comics because I LOVE my characters, their story, and actually the act of putting it all together into a story, drawn comic, visuals, etc. And, I found my method of loving them. For me, what held me back was the "structure" of comics. I mean you can p much see that the way I like to do things is def not the "traditional" manga/western comic book style right? I won't go as far to say that I "made up this way" of comic making where it's one panel at a time but it certainly worked for me. (I have no idea how many comic wips I have collecting dust in my folders from my earilier days of making this comic where I just gave up 20% of the way in because I really could not vibe with the formatting, but then I figured out I really like to "thumbnail" comics (a result of when I was studying storyboards alot imo) and I went on from there).

This is where I feel like alot of people get stuck too. Where they really do like their ideas, their character, their stories and such, but as soon as they try and go through the process of creating in a certain way... the wind is just instantly taken out of their sails. And while I do believe sometimes you just gotta push through and do it anyways, sometimes that's not the right method to go about it. So instead of brute forcing a method of creation and eventually forming a bad relationship with the process, find a method that works for you. And maybe it doesn't look all that great or good compared to others, but that comes in time and as long as you like doing it, that's what really matters at the end of the day.

Tl;dr: be a lil freak, and lil weird about what you do (this applies to everything, not only art :3)

Alright so I think that's all the points? idk if you still want to ask me stuff, feel free to anytime :) Always happy to share my thoughts!

[sunlitriddle]

Have you ever been so possessed by a half-baked thought that you drew two pics just to get it out of your brain? Yeah, me neither.

These are kinda old, about a year apart. I forgot where I was going with the first pic, making a deal you can't refuse, probably... but I REALLY wanted to take some liberties with his costume on the second one. I mean, even still, I conveniently forgot his chunky white cuffs in the first one.

[ghosttotheparty]

also on ao3

(cw: tics, bullying)

Eddie started shivering in seventh grade.

Even when it was hot, even when he was sweating and desperately wanted a non-rattly fan or a better air conditioner. They weren't normal shivers. He wasn't cold. But his shoulders would jerk or shake, or he would tremble for a second, and he didn't know what else it could have been. Others didn't question it for a while, because it started in October. Everyone was shivering. But by March, it hadn't stopped, and he had to explain himself when people gave him questioning looks or asked if he was okay. (Back when people cared.)

'S just a shiver, I'm fine.

He wasn't fine. It got worse over time. He got used to it, to the weird feeling that took over his body for a few seconds, got used to telling people he was cold, joking that he must be low on vitamins or iron, joking that in the future, someone is walking over his grave. But other people didn't get used to it. They thought he was weird. That was fine with him. Wayne realised something was wrong before Eddie started the tenth grade, because he wasn't just shivering anymore. His whole body was jerking sharply, suddenly, his shoulders drawing up, fists clenching. Eddie didn't question it. Wayne did.

It wasn't normal. But nothing about Eddie was normal. Wayne took him to see a doctor. The doctor make him do things, walk in a line, hold his arms out and push the doctor's hands away as hard as he could, follow a flashlight with his eyes without moving his head. It was all weird. It kind of scared Eddie. The doctor kept writing things in a notebook, and Eddie couldn't tell if he was doing well or not. But Wayne was there, watching and listening intently.

The doctor said he had tics. It sounded funny to Eddie, but then it wasn't funny, because the doctor didn't give him anything for it. He just said there wasn't anything really wrong with him. His brain just worked a little differently. (Which Eddie was already used to hearing.) That his tics could get better or go away as he got older, or they could get worse.

They got worse.

By the end of that summer, his arms were moving, flying over his head suddenly, randomly, and his head was jerking back so sharply it hurt. Wayne was worried about him getting whiplash. Eddie was worried about going to school.

That year, he became the freak.

At first, he tried to explain it to people. The movements were involuntary, he couldn't control them. Wayne contacted all his teachers, who mostly got it, but still preferred to make him sit in the hallway so he didn't distract the class. But the other students thought he was possessed, faking it for attention, and everything in between. They'd throw things at him, and complain to the teachers that he was distracting even when he wasn't moving, just to get him out of the room. They would mimic him, make fun of him, and by September, he learned that the tics get worse when he's upset. He could hear them all snickering and giggling as he shoved his hands under his legs and tucked his chin to his chest or held his shirt over his face, as he held his limbs tense so they wouldn't move, so tense he was exhausted and sore all the time, and then he'd go home and cry because he couldn't control his own body.

He'd have to sit on the sofa so when his head threw itself back, it would hit the back of the sofa instead of the wall, and Wayne would just wait, watching with that fucking sadness in his eyes that made Eddie ache even more. When it finally stopped, sometimes after a few minutes, sometimes after an hour or two, he was so exhausted he'd fall asleep right there on the sofa. He couldn't do his homework. His grades dropped even more, but he managed to keep himself afloat. He did the best he could, doing his homework early in the morning before school or in detention. (Some of his teachers thought he was faking. Mr Peterson was in charge of detention, and he was nice. Considerate. Eddie counted him as one of his few blessings.)

His tics got worse.

In December of his junior year, he started making noises. Short screams, grunts, quiet vocalizations. It scared him. He didn't want to go back to school, but he did. The laughter around him got louder, and he was sent out to the hallways more. He started skipping classes. He knew he'd be forced to leave anyway. So he'd sit in the boys' room, on top of a lidded toiler, his feet up on the stall door, and he'd leave cigarette burns on the walls.

Not everyone was awful. Some kids were just curious about him, asked why he acted the way he did, and he did his best to calmly explain it all. I can't help it, actually. It's just my brain works different. That turned into Eddie's brain's fucked. It's broken. He's a fucking--

So he used it. Eddie the Freak. Attention-seeking, desperate for people to notice him. So he started making devil horns, yelling from tabletops, making himself The Freak so no one could use it against him.

No one, not even Wayne, saw him cry at night, because the attention he got was never the attention he wanted. Because he was tired. So fucking tired. His limbs were sore and his voice was rough, and his neck hurt, and he was sick of being laughed at. But that was all he got.

He kept counting his blessings. Mr Peterson, who never minded Eddie's noises or the way his fists would bang against the table loudly in the silent room, who scolded the other detention-goers when they tried to tease. The Hellfire guys, who got used to his tics fairly quickly, and knew when to pause whatever they were doing if Eddie couldn't hear them over a scream or was distracted by his own body. That nice girl, Chrissy Cunningham, who would slip notes from the classes he missed or skipped into his locker or backpack with sweet smiles. (If Eddie wasn't gay, he would have fallen in love with her.) The other few students that ignored him when his tics acted up, just glancing and moving on. Wayne, bless his soul, who would come to the school to confront Eddie's teachers and complain to the principal about Eddie being mistreated by the staff.

And, oddly enough, Steve Harrington.

Eddie never saw it coming. It was a particularly bad day. He was at his locker, trying to line his books up, but a tic threw his hands up, and some books fell from his locker to the floor. He watched helplessly as papers scattered across the floor, as most students stepped around them, ignoring them, as some jocks trampled over them, over Chrissy's neat handwriting, his fists clenched at his sides. When they passed, he kneeled, picking up the books, and when he looked up, Steve Harrington was kneeling too, gathering the crumpled papers and carefully straightening them out.

He gave them to Eddie with a smile, and Eddie thought he might be dying, in some weird, upside-down dimension where Steve Harrington smiles at Eddie Munson. Eddie took them hesitantly, said thank you, and then he hit him.

He was mortified, almost dropping the papers again, jumping back as his whole body flushed with heat, staring at Steve's shoulder where his hand had just landed heavily, and he burst with a Fuck, I'm so sorry, oh my god--

But Steve had just laughed. Amazingly, it was a kind laugh, with sparkling eyes, and soft cheeks, and he said It's okay.

And then he was gone. Down the hall, after his friends, and Eddie realised his hands were trembling.

Steve kept smiling at him. Even when his friends were making fun of Eddie's Satanic cult, and of the way he couldn't keep still, and of his sad, broken brain. Even when Eddie's brain made him flip Steve off across the cafeteria, Steve saw how Eddie pulled his hand down sharply, and Steve just... laughed. Eddie fell in love with his laugh. It was kind, and it made Eddie feel better, even when he wanted to cry.

Steve graduated the next year. But he didn't leave Eddie alone. Eddie couldn't stop thinking about him, and his kind laugh, and his pretty eyes, and then the sheep Eddie adopted told him all about how cool and brave Steve was, and Eddie fell harder without even seeing him.

The world went to shit. But Eddie got to see Steve again.

Steve was still kind, even though the world was ending, and even during serious discussions, plan-making, how-to-save-the-world conversations, Eddie's tics kept going. His body jerked and shivered, and his head threw back, and his fists hit his own chest and shoulders, and he had to sit down. And Eddie found out that there are more kind people than he thought. When his tics slowed, Nancy wordlessly got him an ice pack to hold to his chest, and when he flung it across the room, Robin caught it with a casual oops, and brought it back to him. No one questioned him, or stared, or laughed, even though he knew how annoying he was.

When he woke up in the hospital, he hurt so badly he couldn't move. He just cried. Steve sat by his bed and held onto his hand. He was crying too. When Eddie stopped crying, Steve carefully slid his rings, clean of blood, onto his fingers.

This one goes here, right?

Yeah.

On the second day, his brain didn't care that he hurt. As Steve was telling him about what was going on with the others (Max was staying with the Sinclairs, Dustin's leg was almost healed), Eddie's hand smacked him across the face sharply, the sting of his rings bringing tears to his eyes before he even processed what happened. Steve wordlessly crawled onto the bed, carefully pulled Eddie against himself, and set a pillow over Eddie's lap for when his fists started hitting his legs. He'd just murmured those words, the first words he'd said to Eddie years ago.

It's okay. It's okay.

And he waited until Eddie's body fell lax against him before he carefully found Eddie's hand, laced their fingers, and pressed a kiss to his forehead.

Eddie was released from the hospital a few weeks later. He stayed in the Wheelers' basement for a few days until Steve's parents left town, for good this time, and then he moved into the Harrington house.

He likes it there. Steve is still kind. Always. He lets Eddie lay his head in his lap when his body hurts or won't stop moving, and he drags his fingers through his hair or holds a joint to his lips for him, and he smiles. (Eddie would go through the end of the world all over again for that smile.) When Eddie's head hits the wall while they're in the waiting room of the hospital for a checkup, Steve just shifts to face him and holds a hand up to the back of his head so his hand hits the wall instead, saying quietly that Eddie isn't allowed to beat his record number of concussions. He drives Eddie to Wayne's even though Eddie doesn't tic when he drives except for a few facial or vocal ones.

When Eddie whistles one night, Steve just smiles at him and says Was that a tic or are you hitting on me? and Eddie freezes, his face burning. Which would you prefer, pretty boy?

Steve kisses him.

And then Steve starts holding his hand even when he isn't having tics, even when they're with the Party. Eddie moves into Steve's room. (They always slept better when they accidentally fell asleep on the sofa together anyway.) Steve holds him when his tics are bad, and Eddie holds him during his migraines, pressing kisses as softly as he can to his forehead and his temples. Steve takes his hand when it moves to hit Eddie's face or chest. Eddie stands steady and holds Steve's hand to himself when he gets dizzy. Steve keeps ready-made ice packs in the freezer to hold to Eddie's chest and legs when they bruise from his fists. Eddie keeps his handwriting as neat as possible when he writes notes in case Steve forgets anything. When they wake up at night, breathless and sweaty and crying, the other is there, arms open, lips waiting.

One night Eddie says very softly, You know, they used to say my brain was broken.

Steve just says, Mine too.

[mordremrose]

I was finally able to make it to a VSart party (the august one) which i was super hype for!! I couldn’t stay long, sadly, but i was able to get a couple sketches out!!!

I didn’t catch Kittra Curbstomp’s tumblr before i had to leave but I did get

@nyoka-gorefell ‘s Malva the Furnace

@kralkatorrik ‘s Marwyd (with the sunglasses, quite a look)

@catmanderratmander ‘s Pyromancer Kudo

And @silvesi ‘s Dralsin

[astro-g0re]

Genuinely AI and character ai will never replace the absolute joy and excitement of planning out a whole plot and story with potential reactions, ideas, concept, and art with the other person

The people only using character ai really don't know the soul and fun that comes with doing actual roleplay that stays consistent and won't repeat the same sentence/motion a million times over

[cherrysnax]

Chevys sim looks just like them fr and like just looking at them confuses my brain in a good way!!

[sweetandglovelyart]

Kirby Things I Plan to Draw at Some Point

Making a list of things I want to draw and plan to draw at some point once I have more time just so I can keep track of all of it and get people’s thoughts on it/see if anyone is interested in it. Here are all of the ideas I have under the cut.

- Susie redemption arc comic

I definitely want to draw this after I finish up Knightfall in Dream Land and I’ve started doing sketches to plan it out. The goal of this comic will be to redeem Susie and also set up a friendship/eventual romance between her and Taranza since I ship them. After the events of Planet Robobot, Bandana Dee discovers that Susie is still on Popstar and informs Dedede, who sends Kirby to stop her from causing harm to the planet again. But after finding Susie and seeing that she no longer has the resources to mechanize anything or anyone Kirby befriends her and tries to introduce her to his other friends.

They’re understandably wary of her given what she’s done to their world and what she’s done to Meta Knight, so Kirby gets the not so bright idea to try and get Susie to apologize to Meta Knight and promise not to mechanize anyone else so that his other friends will feel more relaxed around her. This goes about as well as you’d expect, Meta Knight and his crew are all still angry at her (and Susie doesn’t think that she did anything wrong at this point and doesn’t see a need to apologize) so Kirby comes up with another idea. He thinks that if Susie experiences something similar to what she put Meta Knight through then she’ll know what it feels like and will understand why he’s upset. This is where Taranza comes in.

They all go to Floralia and Kirby asks Taranza to use his puppeteering magic to possess Susie, Taranza and Susie both agree to this but Susie doesn’t find the experience of being puppeted to be all that distressing. Meta Knight is tired of her being on Popstar at this point and Susie wants to return to her home planet, so Meta decides that he and his crew will personally take her back to her home world on the Halberd to get her off of the planet as quickly as possible so she won’t harm anybody else. Dedede, Bandee, Kirby, and Taranza come along (as extra muscle in case Susie tries anything on the ship) and they set off for Susie’s home planet.

- Daroach backstory comic

An associate of one of Daroach’s old flames shows up asking Daroach for a favor. Daroach’s ex is the leader of a rival gang, and Daroach hasn’t seen her since she abruptly broke up with him many years ago when they were both young adults. I know some people like to give Kirby characters specific numerical ages, but my headcanon is that Kirby characters don’t age like humans do/different species age differently/real life years between the games releasing doesn’t necessarily equate to years passing for the characters (just look at Adeleine, she’s still a child in Star Allies even though that game was released almost two decades after Crystal Shards lmao) so I don’t like to assign characters specific numerical ages, but I do headcanon them to be in specific age ranges (like child, teen, young adult, older adult, etc.). At the time he and his ex split up Daroach and his ex are both really young adults, probably the equivalent to an 18 or 19 year old, and Daroach in the present during the events of the games is quite a bit older, probably the equivalent of being in his mid 30s. Anyways, the associate wants to bring Daroach to his ex so that he and his ex can discuss some very important matters/talk about some things that were left unresolved when they broke up.

- Short comic explaining what Taranza and Dedede were doing before they went to help Kirby defeat Sectonia

This would be a fairly short comic explaining how Taranza ended up teaming up with Dedede to help Kirby at the end of Triple Deluxe. I wanted to give my take on what he was up to after Sectonia blasted him away and how he decided to switch sides and help Kirby in the end. It’ll also explain how he becomes the king of Floralia since in my AU of things he becomes the king after Sectonia’s death and the People of the Sky serve as royal advisors/an advisory council to assist him.

- Comic explaining how Dedede and Meta Knight ended up as a couple

I ship Dedede and Meta Knight and they’re married in my AU, but this would be a comic explaining how they went from being good friends to growing apart for a while to reconciling and dating. The start of this comic will be set right after the Revenge of Meta Knight subgame from Kirby Super Star/Ultra. Dedede is furious at Meta Knight and plans to banish him and his crew from Dream Land until Kirby intervenes and demands that Dedede should let them stay, since Kirby knows that Meta Knight isn’t a bad guy even though he did a bad thing and Dedede owes Kirby a favor after all of the times Kirby has saved him in the past. Dedede agrees not to banish the knights but his friendship with Meta Knight appears to be over. The two of them end up becoming distant with each other, and during this period of time they only see each other when they’re both spending time with Kirby and end up going off on their own solo adventures (explaining why Meta Knight isn’t in Dream Land 3 or Kirby 64 and why Dedede isn’t in Amazing Mirror) until the events of Squeak Squad. After Kirby beats up Dedede and Daroach steals the chest containing Dark Nebula, Dedede finally decides to call up Meta Knight so they can figure out what to do about it (I’m going with the headcanon that the two of them fought and sealed away Dark Nebula before meeting Kirby so that’s why Dedede has the chest that contains Dark Nebula and why Meta Knight knows about it). They have a heart to heart talk with each other, clarify some misunderstandings, and reconcile and admit their feelings for one another.

- Short comic about Taranza and Susie helping each other to grieve their lost loved ones

This will be a short comic centered around Taranza, Susie, and an OC of mine who is Taranza’s mother. This will be set after Susie is redeemed. Susie and Taranza have become close friends after her redemption, and she goes to visit him in Floralia regularly. One day when she visits Taranza and his mom are about to go visit Taranza’s father’s grave since it’s the anniversary of his passing (in my AU Taranza also has a dead dad like Susie but his dad died when he was a kid so he’s had more time to process it/grieve even though it’s still painful). Susie offers to go with them to support Taranza even though it’s hard for her since she’s still struggling with the loss of her father, so the three of them visit the grave and leave some flowers. Taranza is grateful that she went with them and gets the idea to help Susie set up a little memorial for her father so she has a place to visit/leave flowers for him since he doesn’t have a grave/there’s nothing left of him. I thought it would be sweet to depict the two of them helping each other through the grief of losing a loved one. Taranza is still grieving over Sectonia too and Susie also helps him work through that but I thought I’d also give him a dead dad so the two of them could relate to each other over losing a parent (and also to create a parallel between Taranza and my OC who’s his mom by having them both lose someone they were in love with in a very tragic way).

- Comic explaining how Taranza and Susie start dating

This will be set soon after Star Allies, so the mage sisters and Hyness have been redeemed and join the cast. Susie and Taranza’s friendship has grown even stronger, and all of their other friends get the impression that their feelings for each other go beyond friendship… Dedede and Meta Knight decide to intervene and act as the “dad friends” that give their younger friends a little nudge to confess their feelings to each other. In my AU Dedede and Taranza become good friends after Triple Deluxe and Meta and Susie become good friends after Susie is redeemed and apologizes for what she did to him, so I thought it’d be nice to have Dedede and Meta give Taranza and Susie some guidance.

- Comic explaining how Dedede and Meta Knight got engaged/showing their wedding

I’ve established that they’re a couple in my AU but I haven’t actually explained how they proposed to each other or what their wedding was like, so this comic would show that. I could see both of them proposing to each other instead of only one of them proposing lmao… and instead of wearing engagement rings or wedding rings I think I’d have both of them wear bracelets instead. They’d wear their engagement bracelets on one wrist and their wedding bracelets on the other, my explanation for why we don’t see their bracelets in the games is because they’re hidden under their gloves/mittens most of the time lmao…

Is all of this stuff that you guys would be interested in seeing? I would really like to draw all of this at some point but if I get around to it it’s likely not going to be for a while since I’m pretty busy with school/work things. But I’d love to hear everyone’s thoughts on the ideas I have and any suggestions for other stuff to draw! My ask box and my DMs are always open, I love hearing from everybody!

[musical-chick-13]

“Ugh, but opera’s so bORiNg, it’s not about anything”

I am, at this point, BEGGING you. To watch/listen to a modern opera. Something made this century, or the end of the last one. It is no longer a request, it is a demand.

[snekdood]

gonna be very annoyed if ppl insist on tryna turn all 5 of my dude characters into women when the majority of other characters in my comic already identify as women

[sincerlyus]

Reverse Falls!!

Soo this is my take on Reverse Falls!! I don't really know which are the original designs or which are the new personalities that each character adapts, so I made my own headcanons!! :3

It should be noted that there are characters who do not change personalities with anyone, but rather their personalities are more exaggerated or are opposite to the originals. Or (in the case of McGucket) their relationships are different so they change their way of being progressively.

EXPLANATION TIME:

This is quite long, I'm going to explain the personalities of each one and how they relate to various characters. Credits to: hours of daydreaming and Google Translate  (TW: child abuse, emotional and physical abuse, homophobia, classism. I don't know if there's anything else, just in case)

Pacifica Northwest: Outgoing and very expressive. She didn't know Gideon very well until her parents sent her to Reverse Falls. She likes to knit, draw, and has a lot of stuffed animals. She has a lot of hair, and likes to do different hairstyles every day ("to be innovative"), cries when she has to cut it. She is very affectionate with Gideon and tries to get him out of his shell. She is a little insecure, but likes to see the positive side of things. She gets along very well with Bud, although sometimes she feels he is a little weird. Symbol: Llama (on her sweater)

Gideon Gleefull: Insecure, has little self-confidence, very skittish and anxious. Has a habit of chewing when he is thinking, like OG!Dipper (chewing on pens, his shirt, etc.). He didn't really know how to talk to Paz at first since the first time they met they were very little, what was she going to say?, was a "Hello" enough?, a handshake?, a complicated handshake?, was she going to ignore him? Paz simply gave him a big hug when she got off the bus (+ gave him a sweater she made on the way). Symbol: Telepathy star (in his hat)

Bud Gleefull: Ultimate scammer. Very friendly and funny, although sometimes a little intimidating. Bye Hawaiian shirts. Very patient with Gideon. He is basically the “cool uncle/dad”. He put Paz to work the day she arrived, although he became attached very quickly and gave her family privileges (he does the same with Gideon).

Mason “Dipper” Pines: He is still very insecure but is able to feign confidence when standing on stage with his sister. He still has a lot of passion for science, he is not very affectionate, he holds back his emotions as he does not want to look vulnerable, especially in front of Stanford. He has a lot of respect for Ford (or rather, fear), being his apprentice he sees him more as a teacher, a superior figure than as an uncle; however he has very little respect for Stan, threatening him and making fun of him. He does not usually use his amulet much, only to practice tricks or in his shows. He has a very distant relationship with his sister, similar to that of the Stan twins. They have many disagreements, but they still have each other's back, especially when Ford is aggressive with one of them. The most sincere relationship he has is with F, although he still treats him like an employee, knowing that he was one of the brilliant minds behind the portal he respects him. Sometimes he discusses theories and shares discoveries with him (although he is embarrassed to think that his only "friend" is an employee of his uncle). Once he met Gideon and Paz, he was able to show his more fragile side and be himself, although he doesn't consider them completely friends (that changes post-weirdmageddon). Symbol: Pine tree (a small pin)

Mabel Pines: A spoiled brat, basically. She's very charming and friendly on stage and with guests at the Pines' many parties, but she's very whiny and selfish behind the scenes. She's not at all affectionate, to the point that she hates physical contact, especially if it's from townspeople. She resents her brother a lot for being Ford's "favorite" (he doesn't really have favorites, he's just less strict with Dipper because he's useful to him). She's Stan's spoiled child, giving her what she wants when she wants it (they have a nice relationship actually, Stan being one of the only ones who comforts her when she's sad). Instead of knitting, she likes to design her own dresses and accessories for shows and parties (her guilty pleasure is arts & crafts, since it's a very "childish" activity for a Pines). Obsessed with Paz, but learns to respect her limits throughout the story. Symbol: Shooting Star (a small pin)

Stanley Pines: He basically swaps personalities with Bud, runs the Telepathy Tent, is very friendly, and is scared of his brother and the twins. He never gets involved in Ford's experiments, having a very tense relationship with him. He loves the twins very much but knowing the power they have with those amulets he prefers to go along with them and not question too much what they ask (he knows when to be firm but the one who really has an impact on them and can make them see reason is Ford). Symbol: Oyster(?? (on a necklace)

Stanford F. Pines: Did you think OG! Ford was a jerk? Well now he's twice as much! He doesn't have an ounce of empathy in him, he's very narcissistic and only cares about his projects and his image. He doesn't care at all about the twins, only seeing them as a way to make money, demanding the most out of them, and he doesn't hesitate to use violence if any of them get out of line. He's very distant with Stanley, speaking to him very dryly (or rather, barely speaking to him at all). He's almost a hermit, living in his laboratory, not letting the townspeople get to know him; although unlike OG! Ford, he cares a lot about how he presents himself in front of the public, taking care of his image and clothing. He's very demanding with Mabel, as he feels she's nothing more than a spoiled child, the image of the Telepathy Tent along with her brother. He is a bit kinder to Dipper, as he realizes that he has a brilliant mind for his age (though not more so than his own), so he includes him in many of his experiments and research if he proves useful; but excluding that, he is just as insensitive as he is with his twin, mistreating him if he does not comply with what is due. His relationship with McGucket is kinda weird: although they were friends in college, the power that Bill/Will offered him completely consumed him, being abusive to F, forcing him to work long nights, keeping him awake by force. He only sees him for his use: his great skill with mechanics (which Ford does not have, although he hates to mention it). Although he was in love with F while he was at Backupsmore, he currently has no romantic feelings towards him, considering him an employee, his assistant, nothing more. He has internalized homophobia (a gift from Filbrick) and classism, so he hates to remember when his relationship with F was one of equals, friends. It disgusts him to think about when he would get so emotional around him. Symbol: Six Fingered Hand (the diaries)

Fiddleford H. McGucket: He is still the brilliant mind he was in his youth, but stress eats him alive. He started to age very quickly thanks to it. He invented the memory gun to try to forget all the horrible things he witnessed or that Ford made him suffer, but his boss doesn't allow him to use it too much since it can damage his mental health and erase knowledge, making him less efficient and useful. He doesn't have a very deep relationship with Stanley, since he practically lives in the lab where Ford forces him to work, but they are able to talk whenever F has a break (almost never). He can't stand the twins too much, not only because he feels that they are very annoying, but because the simple presence of children in his day to day life reminds him a lot of Tate, with whom he no longer has contact. Everyone knows about the abusive relationship he has with Stanford, they are not indifferent to it but they try not to mention it or get involved in his affairs (practically out of fear of Ford).  Throughout his stay with Stanford he started developing an emotional dependence on him: not only did he make him feel that he was useless without him, but he uses violence on him when he is not fulfilling his duty, causing F to blame himself when this happens (What did he do wrong? What can he do to improve?). This got to the point where he started to hurt himself when he did not do something right. Ex: hitting himself when he noticed that his leg was bouncing in front of his anxiety (something that bothers Ford a lot), pulling out clumps of hair in front of the stress of not being able to achieve something, biting his nails, scratching himself, hitting his head (imagine Dobby from HP). Such actions and the mixed feelings he had towards Ford, made him develop masochism, enjoying when he inflicts pain on himself and when he is the victim of Ford's physical and psychological abuse, he clearly hid this for a while since it would look very unprofessional on his part.  Eventually his boss found out and used this to his advantage, being quite sadist himself (he enjoys watching or inflicting pain and/or humiliation on others, in this case, he gets sexual pleasure). So every time Ford needs to let off some steam, vent his frustrations (or is just horny), he uses Fiddleford to fulfill his fantasies, making F's wishes come true as well. He basically uses him as a sex toy, and F doesn't complain, having suffered so much emotional manipulation, he even considers himself lucky that his boss wants to be with him like this, even if it's NOT healthy. Symbol: Spectacles

Bill Cipher: I don't like the idea of ​​changing his name, so Bill stays. He's still the same chaotic demon as in the original series, but this time he's been tricked by Ford into working for him and doing his bidding. He's also forced to do the twins' bidding. We already know that Bill can change his shape and color, so I think all of his shame and self-pity manifests itself in his appearance, turning blue over time (any strong emotion makes him change his appearance). He manipulates Gideon and Paz, making them feel sorry for him so they'll do his bidding (it doesn't work, clearly). The people he has the most contact with are Ford and Fiddleford, as they spend most of their time in the basement where he's locked up.

So that's it. I don't really know how this timeline would work, considering the portal and the journals, but I just wanted to have fun with the character designs and relationships (I feel like the weirdmageddon would happen sooner than in the original timeline). If you want me to go deeper into certain relationships or characters, let me know!!(≧▽≦) I'll see if I can go deeper into the relationship between Ford and Fiddleford that you guys liked so much (you guys really like toxic yaoi, huh??). I'm thinking of making a fanfic or smt to explain their day to day life in the lab and how Ford invited F to work with him (SPOILER: it didn't go well...).

That's it ig, LIKE AND SUSCRIBE!!!1!!1!Σ(°ロ°)

[where-does-the-heart-lie]

Revolutionary Army Punk AU

Ft: Luffy (not punk)

Steampunk is cool but i think just straight up punk would be cooler. I just think what they stand for lines up a lot better

Design notes:

I did some research and talked to a punk friend of mine for these as i am not a punk, myself, and I dont want to look like a poser. I think i did a really good job translating them and i want to explain my thoughts!

Sabo was first, of course.

I not only wanted to make the characters punk, but i also wanted to crank their designs up about 20 notches, so i gave Sabo’s scar one hell of an upgrade. In this version I tried to make it very clear that that cannon ball hit him head-on. I think it works really well with his punk vibes because under-cuts and shaved parts of the head in general are very popular in punk culture.

I largely tried to keep the silhouettes the same with this au, and It was really easy to keep it with Sabo because of the fact that he already has a lot of design elements that translate well to punk. His big pants into tall boots were perfect to translate, crust pants and steel toed boots fits him well. Trench coats arent a staple in Punk, but i couldnt take the coats away from him… him or Belo. They deserve it…

I threw away his cravat for a choker, i replaced his vest with a red tank top and his undershirt for fishnets, Patches up the wazoo, he looks very cool.

Belo Betty was next, she was super easy to translate. She’s already in the punk spirit with her tits out, we love to see it. Her hat was really difficult to translate, along with all the other hats, but a red knitted hat that has those two points cuz it’s essentially a scarf sewed together looks nice on her.

My punk friend suggested i give her a bunch of nets and harnesses and i really agreed that was her style, so i gave her red tie to Morley, slapped some harnesses on her and just overall just turned her sexy up like 50 notches. I think i was clever how i adapted her striped stockings here with how they have runs in them.

Karasu is almost the exact same. I just threw out his dinky little cravat and gave him a bandana and harness. I also gave him piercings. That’s the only difference. In the words of my Punk friend “hes naked and wearing a spiked mask, He can hang”

Speaking of what my punk friend said, he said that Lindbergh would get “demolished” in the pit, and that he looks like he’s scared of bees. The consensus was that he couldn’t hang. But also i still had to make him punk, so then he suggested CBGB punks:

Redneck, bluegrass, southern american punks. I was really in a rut with his design, I didn’t know what to do to keep the silhouette of his backpack. But everything changed when I chance got the idea of a guitar. And then everything flowed from there

Morley was really really fun. Punk friend suggested i make him Pop Punk, inspired by this pic

Mainly Lindsey way with this plaid skirt and tie

He was so so fun to draw, i love his fucked up eyes.

For dragon, i didnt change much at all, even though it’s only his bust that’s shown. Imagine everything is the same, except now he has piercings. Dragon isnt concerned with the punk fashion, but the punk cause.

For Luffy, I wasnt trying to make him punk, but he felt a bit plain looking like base Luffy next to punk Sabo, so i just did the “turn design up 20 notches”, and just gave him a more visibly tattered hat, bangles and waist beads.

That’s about it! Ive been getting a lot of comments and asks lately saying that you guys like when i go on my design explanations, and i realized that i didnt do that for the last few AU’s, so i thought id type this up :)

Thank you for reading!

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[hansoeii]

Hullo! I’ve been watching a bunch of your Timelapses and I was wondering how do you always come up with the colours for your pieces? They’re always so cohesive and pleasing to look at (I almost exclusively work in greyscale so if I’m using colour it’s always a lucky guess and it never looks quite right)

Hey there!

I have to be honest that most of the time I don't actually know what I'm doing and that I have no idea how most of my pieces are gonna turn out. My work process is usually based on "Fuck around and find out", haha. I'm happy to know that it apparently doesn't come across that way, though.

A lot of it comes very naturally to me simply because I've been drawing non-stop for so long, but I can give you some small tips that really help me:

1. Have as many references as possible!

Here's what my reference sheet looked like for the Jayvik piece:

It helped me a lot to understand the overall color scheme I wanted to convey. Lots of very cold tones, pinks and very light blues and greens. These colours sorround Jayce and Viktor throughout all of season 2 and I wanted to keep them, especially since in my piece they are lying in the glowing hexcore.

Don't shy away from using references, get as many as you possibly can! Look at other poeple's art too and try to understand how they work with colours.

2. Work with complementary colours!

Since I paint a lot of romantic illustrations I want them to look pleasing and comforting, which I can accomplish by using complementary colours! You see this a lot with couples that are blue and red coded, for example. And I wanted to do the same thing in the Jayvik piece! For that I used the highlights in their hair!

Viktor's highlights are a soft pink hue.

While Jayce's are a soft blue hue.

The colour wheel works perfect for figuring out if two colors compliment each other because they are literally right across from one another!

3. It doesn't have to be true to life.

Pretty self-explanatory, but I thought I'd add it in here anyways. It's important to understand how colour and light works, but you don't always have to follow the rules. Does the rim light look cool but it makes zero sense? Who cares! Keep the cool rim light! Just have fun and fuck around.

4. A little trick to make your life easier!

I'm not excatly the best at colour theory, I still struggle with it quite a bit, but here's a little trick I like to use from time to time:

If you want all your colours to look coherent, take one specific color as your flat colour. Choose a hue that you would like your piece to have. Like this:

Now you choose whatever colours your characters have and paint them in. For example, here are the skin colours I chose for Jayce and Viktor:

Looks off, right? These colours don't fit the overall piece at all. So what do we do?

Turn down the opacity! It's that easy, wahoo!

I went from 100 Opacity to 72 for this specific illustration. And look at that!

It's so much nicer already! Now you know what colours to use as your actual flats! Just repeat this with every other part of your illustration and you'll have a great starting point. :)

I really hope this was helpful! I'm not an actual teacher and I don't have a proper illustration degree, so some things might not be completely accurate, but I thought I'd try my hand at this anyways!

[skyenish]

Mr. Loverman | Scarabia animatic 🐍☀️

——

Something something happy pride month

(Ramble under the cut)

Since I’m drawing Jamil and Kalim to like every romance song in existence, of course I had to draw them to mr. Lovernan; its only natural! And this song fits them so well too… the ways that Kalim talks to Jamil are so sickenly sweet and loving, they make Jamil wish he was gone. I think it’s so perfect to have that one voiceline where Kalim says Jamil’s name, but not with his usual trust or love or kindness, but rather with disbelief, fear, and confusion. That way the song can have a double meaning for them! Kalim’s sweet words make Jamil sick, but when Jamil’s plans fell apart and Kalim called out for him, confused and refusing to believe that his closest companion would betray him, it still makes Jamil’s stomach churn. I bet that sometimes Jamil wishes Kalim could just shut up.

But Jamil still cares about Kalim, still remembers when they were friends. Their relationship is complex, and though he hates it, I think he still does love and care deeply about Kalim, but all those feelings are just in a very weird and difficult place. I absolutely adore that double meaning! The ways in which Kalim talks to Jamil makes Jamil feel a lot of things, negative, positive, and he hates it. But “wishing i were gone” and “running on and on” can apply to both his negative feelings of desperation, hatred, loathing and disgust, and also those feelings that deep inside make him wish their situations were different, that things didn’t end up like this. Jamil lies a lot, also to himself, and all his feelings are so tangled and stuck (dude is super emotionally constipated and needs therapy fr). I LOVE the character development Jamil and Kalim got in book 6 and 7, because they’re slowly making their way towards building a healthier, mutual relationship, and I’m so happy for them! I will be eagerly awaiting the day their relationship is fixed, and they’re happy with themselves, eachother, and life

As always, please remember that these are just MY interpretations of and takes on these characters! If you disagree or want to share your own interpretations, thats valid, and please do share! I love to read analysises and rambles! :)

——

Drawing has been really difficult again; im busy with school and I can’t get myself motivated to draw. Social Media has also been bumming me out. I’m really sensitive, and there’s been a lot of negativity on my fyps and timelines, which has just killed my mood. Good news also though- the twst anime finally got a release date??! I have been waiting for this for YEARS, and I can’t wait to see our boys animated and for the fandom to grow and for new merch! There’ll be so much more cool fanart, new character discussions and analysises, new people who get to experience twst for the first time!

Kalim is such a cutie, he’s so fun to draw! (Until suddenly my hands decide they don’t know how to draw him anymore).

(GUYS HAVE YOU SEEN THE UPCOMING CATER CARD??? IM NOT OKAY HE LOOKS SO GOOD AFHAGSGDHJ)

[introverted-monkey-noises]

"a million dreams for the world we're gonna make" - a million dreams, from the greatest showman

HEYYY GUYS I'M BACK !!! ap exams are finally over and i'm pretty sure i flunked ap physics but i sat down to draw stuff the day i finished after a whole lot of karaoke with my friends. i had a sketch of this going on but it has always been lying around unfinished so i really wanted to get this done for you guys last night

BUT HERE'S A NEZHA APPEARANCE i know a lot of you have been asking for him and multiple ppl have suggested that he be the critic from the movie, and you're right it totally suits him,,, bro can be a harsh but necessary critic. and i've always wanted to draw that specific scene of wukong lifting macaque in that a million dreams dance sequence. so here you go !! the critic isn't frequent in the movie but he's a necessary character so if you guys want to see more of nezha in this au just let me know !!

other stuff that i've been wanting to draw contain mei, sandy, etc. the rest of the crew as the performers and a lot more shadowpeach and spicynoodles (some asked for that specific scene where time slows as redson and mk's eyes meet with the trapeze performance thing so that'd be cool to include for the next part of this series) and i definitely do want to draw macaque in his trapeze artist at one point, he'd be gorgeous.

also let me know if you want to see any specific scene or characters from this au !! i'm not done cooking and i have so many things i want to draw for it but as you know i can't satisfy everybody... so i'm gonna need your help narrowing it all down. this movie is a piece of art and i'm so ready to combine it with lmk and actively draw until s5 comes out. so excited for this summer !!!

as always, thank youuu for reading this (if anybody does !!!!!)