#it was really cool to see all the characters!! i wanted to draw a lot more people but i just could Not look at my screen that much sadly

[hansoeii]

Hullo! I’ve been watching a bunch of your Timelapses and I was wondering how do you always come up with the colours for your pieces? They’re always so cohesive and pleasing to look at (I almost exclusively work in greyscale so if I’m using colour it’s always a lucky guess and it never looks quite right)

Hey there!

I have to be honest that most of the time I don't actually know what I'm doing and that I have no idea how most of my pieces are gonna turn out. My work process is usually based on "Fuck around and find out", haha. I'm happy to know that it apparently doesn't come across that way, though.

A lot of it comes very naturally to me simply because I've been drawing non-stop for so long, but I can give you some small tips that really help me:

1. Have as many references as possible!

Here's what my reference sheet looked like for the Jayvik piece:

It helped me a lot to understand the overall color scheme I wanted to convey. Lots of very cold tones, pinks and very light blues and greens. These colours sorround Jayce and Viktor throughout all of season 2 and I wanted to keep them, especially since in my piece they are lying in the glowing hexcore.

Don't shy away from using references, get as many as you possibly can! Look at other poeple's art too and try to understand how they work with colours.

2. Work with complementary colours!

Since I paint a lot of romantic illustrations I want them to look pleasing and comforting, which I can accomplish by using complementary colours! You see this a lot with couples that are blue and red coded, for example. And I wanted to do the same thing in the Jayvik piece! For that I used the highlights in their hair!

Viktor's highlights are a soft pink hue.

While Jayce's are a soft blue hue.

The colour wheel works perfect for figuring out if two colors compliment each other because they are literally right across from one another!

3. It doesn't have to be true to life.

Pretty self-explanatory, but I thought I'd add it in here anyways. It's important to understand how colour and light works, but you don't always have to follow the rules. Does the rim light look cool but it makes zero sense? Who cares! Keep the cool rim light! Just have fun and fuck around.

4. A little trick to make your life easier!

I'm not excatly the best at colour theory, I still struggle with it quite a bit, but here's a little trick I like to use from time to time:

If you want all your colours to look coherent, take one specific color as your flat colour. Choose a hue that you would like your piece to have. Like this:

Now you choose whatever colours your characters have and paint them in. For example, here are the skin colours I chose for Jayce and Viktor:

Looks off, right? These colours don't fit the overall piece at all. So what do we do?

Turn down the opacity! It's that easy, wahoo!

I went from 100 Opacity to 72 for this specific illustration. And look at that!

It's so much nicer already! Now you know what colours to use as your actual flats! Just repeat this with every other part of your illustration and you'll have a great starting point. :)

I really hope this was helpful! I'm not an actual teacher and I don't have a proper illustration degree, so some things might not be completely accurate, but I thought I'd try my hand at this anyways!

[oodlyenough]

continuing my arcane s2 ted talks i guess, i've been trying to decipher how i feel about the medardas' plotline in s2 and i never really land anywhere but a sort of disgruntled marge simpson groan.

i think anyone who paid any attention at the end of s1 or spent even ten seconds theorizing probably knew mel was a mage and her shield magic would protect some or all of the council. i was surprised this reveal didn't happen right away, and i liked that initially we see an overhead shot showing her totally-undamaged bubble around her seat. i could roll with jayce wondering why he survived and mel sort of shrugging it off. the black rose stuff in act 1 i also found intriuging and the action scene with amara was cool. i was excited that kino would be more relevant

but then act 2 ... it felt like we put mel in the torture labyrinth only to draw two conclusions, the first being that she's a mage (no duh; we could've revealed it in the first episode) and the second being that she's a bastard child from a secret love affair her mom had. and then we uh. didn't really explore that second part at all. we learn, sort of, that her mom has some beef with the black rose; if you don't play League you have no idea who or what they are; they claim Ambessa let Kino die and only wants Mel as a weapon; when confronted Ambessa only half-answers and seems to disdain mages; Ambessa ends up fighting Mel, gets killed by Mel's double bluff, and then Mel takes over the Medarda clan for... some reason (does she want to? does she HAVE to?)

mostly it ends up feeling like a backdoor pilot for a future noxus spinoff. and a future noxus spinoff starring mel isn't a bad idea; it's just that it feels like a lot of screentime in an already-frantic final season for arcane was then spent on a plotline that doesn't really resolve.

also in season one i thought mel and ambessa's relationship was very interesting and i looked forward to more of it. i thought the idea of ambessa sending mel away because mel's big puppy eyes made her feel guilty for doing what she felt she had to do, and mel feeling that as a rejection/banishment/lack of love fit nicely into the general themes of s1. i... just don't really know how the secret mel magic that ambessa hates and/or covets (unclear) adds to that rather than weakening it. their two conflicting worldviews alone set them up nicely to butt heads in season 2, especially with caitlyn potentially stuck in the middle, torn between both of their guidances and philosophies. instead it's like mel mostly inhabited a different show for most of her screentime.

i'm also not super convinced ambessa was written with the same level of sympathy characters like silco got in season 1. it certainly seems to me she gets less of that from fandom, anyway, who treat her like a uniquely evil character even for a major antagonist. it's hard for us to understand her motives when we don't really know what they ARE, the origin of her black rose feud, who tf the rose are to begin with, the true circumstances around kino's death and mel's banishment, etc... if this is all the unofficial pilot for a Noxus spinoff it might as well have just waited until then and let us use this screentime to expand on the other things in s2 that needed to be expanded/wrapped up in their final season.

[captain-pheonix]

Hello. I will call you Phoenix because that sounds very cool and you are cool and I platonically like you and enjoy your works.

Anyways I have come to request an all mercs + Pauling if you’re comfortable and want to write that. (If not maybe just Medic +whoever else you want to write for.) with a reader who has Schizophrenia? I’ve been going through some moments with it and the TF2 mercs are my comfort characters and your blog just feels nice.

If you aren’t comfortable with this feel free to block me or just ignore this ask entirely! Thank you very much!

A/n: GAHHH ILY PLATONICALLY TOO 🫶 ty for sending in a request, I’m so glad you enjoy my works! I try my best! I made sure I did some more extensive reasearch about schizophrenia/the real experience with it before I wrote this, please let me know if I should make some edits! (And other ppl reading this, also don’t be afraid to send an ask about making edits!)

Mercs + Pauling w/ reader w/ Schizophrenia (headcannons)

(Platonic or romantic!)

Pauling:

- will have some guilt about how she works all the time and can’t be there for you

- might send some gifts and call you in between jobs/travel, asking how you’ve been, asking if now was a good time or if you needed a distraction

- as soon as she gets the chance to come see you, she takes it

- asks over and over if you’re okay, because it’s been keeping her anxious on her jobs

- she’ll comfort you with sweet words over the phone if you call her for help

- reminds you to take your meds

Scout:

- absolutely clueless

- buys into stereotypes

- “the voices” type shit

- this guy is gonna need a thorough explanation as to how you feel all the time

- probably asks you how you’re feeling all the time too

- might be a little too quick to do his sneak-attack hugs

- likes hugging you a lot, so that could offer some grounding if you’re having delusions/hallucinations

- words of affirmation 10/10

- expect a lot of words…

- speaking of a lot of words, need an auditory distraction? The scout-o-matic is here! (Only $69.99)

Soldier:

- clueless prick

- thinks you’re some spy or something

- it might take the entirety of the team to convince him otherwise and try to explain it to him with your help

- might also buy into the stereotypes

- if you say you hear or see something that man is going to run around screaming with his shovel trying to chase them off for you (believes they’re real, but only you have magic powers to see them or something)

Medic:

- #1 meds administer

- does not buy into stereotypes, since he may know something about it

- (fw researching you heavy)

- dude is taking notes as you’re straight up not having it

- jk he goes to comfort you if he can after a bit

- you WILL be staying in the infirmary with him (sorry I don’t make the rules)

- will look into techniques to help you

Demo:

- you already know he’s offering alcohol to take the edge off/distract

- you have tried many times to tell him that that will not work

- if you had alcohol with your meds things would not end well

- offers himself as a napping space for being really exhausted (I’d take him up on that)

- he might already be passed out when you go to ask if you two can nap

- might wanna just scootch in there

Heavy:

- will protect you from the bad things (or at least try)

- if someone hurt pookie that’s no good it will not do

- offers protective bear hugs if you need something/somewhere/someone to cuddle up to and be distracted/grounded

Pyro:

- if you’re describing what you see to them, or have in the past, they might try to draw them with good old fashioned crayons and printer paper

- also schizophrenic 😭

- huge empathy from them

- but uhm they might also just straight up not know they’re schizophrenic, so bro could just be like “same”

- alright enough Gen z talk from me (there can never be enough)

- even if just hanging out with them makes you feel more comfortable

Sniper:

- probably feels bad for you

- opts to hang out indoors if hallucinations/delusions are not fun outside

- comforts you when you think you see or hear something

Spy:

- if he’s attempting to be subtle you might expect some noise cancelling headphones and other helpful tools show up at your door

- if you need a break from certain rooms he’s definitely gonna offer his smoking room

- gets you pill organizers for your meds if that’s something you struggle with

- offers lots of gentle comfort

- let’s be honest, this guy was clueless before you started talking to him about it and what it was

- now he just wants to offer help

Engie:

- probably pities you a bit

- gives you that Texan hospitality but may take a bit to understand you better

- will 10/10 make you something if there’s something he can make to help and if it’s possible

- gonna try everything in his power to make your life easier

————————

Hopefully I did okay 😭 ty for sending in your request!!

[emptymasks]

i've had constant aus and self-insert stories spinning around in my head for the past two months that i've been back into spn for, but i wasn't planning on doing anything more with them until i was browsing the fanart tags and discovered so many cool artists on here have been making spn ocs? it just never occurred to me that there would be any, let alone multiple, and to especially see ones being queer and trans made me really happy to see. so i took one of the too many different plots i'd been rotating in my head and made a little character out of it.

august north. he was killed by a demon when he was 26. his body was experimented on with the intent of creating an alternate long lasting vessel for lucifer. but a small amount of lucifer's grace bonded to august's body, reviving him as something not human, but not an angel. he meets the winchesters during season 4 of the show. he has some powers due to the archangel grace in him (healing factor, telekinesis) but it is not to the level of an archangel's power, possibly similar to regular angel's power or a bit less. he is a suitable alternate vessel for lucifer, if he were to say yes lucifer wouldn't burn through him like he does with nick. if lucifer's grace were to be removed from august's body then august would die, it is keeping him alive. the scar on his chest is from where lucifer's grace entered his body.

because of the whole 'boy with the devil's grace label' he ends up bonding a lot with sam, the two of them both being tied to lucifer through no choice of their own, and them both experiencing distrust and disgust from others because of this.

i really don't want any comments telling me that's not how angel grace works, i just liked the idea and it's my self-indulgent au. and august is entirely here for me to ship with lucifer so if that idea or lucifer in general makes you uncomfortable please just scroll on and don't judge me. i can't help falling back in love with this terrible archangel. i actually made a couple shrines on my website for sam and lucifer and boy i ended up writing way more about why i like them than i thought i would. the tldr is that i find things to relate to with lucifer in terms of the whole being cast out, family issues, being the black sheep of the family etc. and i find him fascinating, especially season 5 lucifer.

i'm not 100% sure on the storyline for august and lucifer, but lucifer does want to seek august out, partially because he's disgusted at a human having any of his grace, and partially because since sam is so hesitant to say yes it's nice for him to have this other option. i can imagine him visiting august in his dreams like he did with sam, trying to convince/manipulate him into saying yes, august not being bothered by his presence and instead feels drawn to him and ends up spending these dreams asking lucifer questions, and while lucifer is still trying to manipulate august into saying yes... he is lonely and this dead-alive human-angel boy is looking at him without disgust, isn't flinching when he touches him and he hasn't had anyone react like this to him in a long time and while he won't admit it a part of him is visiting august so often because out of all these hairless apes, this one isn't awful.

wow i wrote so much more than i meant too, oops. i guess that's good though, been a long while since i had an oc ramble this long.

[ID: a digital sketch page of my supernatural oc 'august north'. there's a half-body and full body drawing, with text around them. some of the text on the image i've already repeated in the text under the post but the rest reads: august north, supernatural oc, the boy with the devil's grace, pronouns: he/him, gender: trans man, height: 5'8", orientation: omnisexual, demisexual, demiromantic, nationality: english, occupation: hunter. august has pale brown curly hair that comes down to his collarbone in length, with a grey streak at the front right. he has two little braids going in front of each ear. in the half-body he's wearing a black coat, black long-sleeved shirt, a red bandana tied around his neck, white feather dangling earrings. in teh fullbody he's wearing black pants, black boots with spats over the top that look like little corsets, red with gold ribbon to lace them over the boots, a shirt button up that's unbuttoned and opened revealing the star shaped scar in between his pectorals from where lucifer's grace entered his body. he has two moles on his face, one under the outer corner of his right eye, one above the left side of his lip. his eyes are a blue-ish grey.]

[worldofavania]

Drawn: 2020

Analysis:  The first page of the issue is NOT the credits page again! Why? Well you'll see next page, but that's just how the shots worked out. Anyway, I like this relatively low-key intro, as there's a lot of environmental detail to take in... The naval yard certainly provides a nice backdrop, and having the shot from so far above the horizon allows the background to really expand far into the distance. This one took a while to draw, but I think it looks great, just as a new establishing shot should! That's to say nothing of course about the RNS Lord Standish, featured front and center, aboard which the majority of this chapter will take place. Both the background and ship design took a bunch of time in and of itself, and as the Lord Standish is important, I made a full design sheet for it before drawing the page. The little launch airship I'd drawn before in a sketch, but even in one page it got a pretty decent amount of spotlight too. As for the page layout itself, it's a little different than usual, but nothing too fancy. I really like using full-bleed backgrounds with inset panels for aerial shots, I just think it helps the page feel more free and floaty. Not a huge amount of emphasis on character detail here, but the last panel gives a simple introduction to Blanche and Heinrich.

If I drew it again:  Whew, I would not want to draw that much to do this page over again, but I don't think I would, since I'm quite happy with it. The only issues I really have are in panel 1; the scale of Blanche and the launch as compared to the background is a little weird... The low angle throws it off a bit I think, and I think it could have been just a little better all together. Also not really bad, per se, but I think I could have made the last panel a little more dynamic. It's functional, and given the next two pages, it isn't really a problem, but it is still the most basic framing of this page.

Favorite Panel: Definitely the main panel of the Lord Standish and the naval yard. I put a lot of planning into this shot, and even more time with the details, and I think it really pays off with a cool shot that's full of detail!

[ghosttotheparty]

also on ao3

(cw: tics, bullying)

Eddie started shivering in seventh grade.

Even when it was hot, even when he was sweating and desperately wanted a non-rattly fan or a better air conditioner. They weren't normal shivers. He wasn't cold. But his shoulders would jerk or shake, or he would tremble for a second, and he didn't know what else it could have been. Others didn't question it for a while, because it started in October. Everyone was shivering. But by March, it hadn't stopped, and he had to explain himself when people gave him questioning looks or asked if he was okay. (Back when people cared.)

'S just a shiver, I'm fine.

He wasn't fine. It got worse over time. He got used to it, to the weird feeling that took over his body for a few seconds, got used to telling people he was cold, joking that he must be low on vitamins or iron, joking that in the future, someone is walking over his grave. But other people didn't get used to it. They thought he was weird. That was fine with him. Wayne realised something was wrong before Eddie started the tenth grade, because he wasn't just shivering anymore. His whole body was jerking sharply, suddenly, his shoulders drawing up, fists clenching. Eddie didn't question it. Wayne did.

It wasn't normal. But nothing about Eddie was normal. Wayne took him to see a doctor. The doctor make him do things, walk in a line, hold his arms out and push the doctor's hands away as hard as he could, follow a flashlight with his eyes without moving his head. It was all weird. It kind of scared Eddie. The doctor kept writing things in a notebook, and Eddie couldn't tell if he was doing well or not. But Wayne was there, watching and listening intently.

The doctor said he had tics. It sounded funny to Eddie, but then it wasn't funny, because the doctor didn't give him anything for it. He just said there wasn't anything really wrong with him. His brain just worked a little differently. (Which Eddie was already used to hearing.) That his tics could get better or go away as he got older, or they could get worse.

They got worse.

By the end of that summer, his arms were moving, flying over his head suddenly, randomly, and his head was jerking back so sharply it hurt. Wayne was worried about him getting whiplash. Eddie was worried about going to school.

That year, he became the freak.

At first, he tried to explain it to people. The movements were involuntary, he couldn't control them. Wayne contacted all his teachers, who mostly got it, but still preferred to make him sit in the hallway so he didn't distract the class. But the other students thought he was possessed, faking it for attention, and everything in between. They'd throw things at him, and complain to the teachers that he was distracting even when he wasn't moving, just to get him out of the room. They would mimic him, make fun of him, and by September, he learned that the tics get worse when he's upset. He could hear them all snickering and giggling as he shoved his hands under his legs and tucked his chin to his chest or held his shirt over his face, as he held his limbs tense so they wouldn't move, so tense he was exhausted and sore all the time, and then he'd go home and cry because he couldn't control his own body.

He'd have to sit on the sofa so when his head threw itself back, it would hit the back of the sofa instead of the wall, and Wayne would just wait, watching with that fucking sadness in his eyes that made Eddie ache even more. When it finally stopped, sometimes after a few minutes, sometimes after an hour or two, he was so exhausted he'd fall asleep right there on the sofa. He couldn't do his homework. His grades dropped even more, but he managed to keep himself afloat. He did the best he could, doing his homework early in the morning before school or in detention. (Some of his teachers thought he was faking. Mr Peterson was in charge of detention, and he was nice. Considerate. Eddie counted him as one of his few blessings.)

His tics got worse.

In December of his junior year, he started making noises. Short screams, grunts, quiet vocalizations. It scared him. He didn't want to go back to school, but he did. The laughter around him got louder, and he was sent out to the hallways more. He started skipping classes. He knew he'd be forced to leave anyway. So he'd sit in the boys' room, on top of a lidded toiler, his feet up on the stall door, and he'd leave cigarette burns on the walls.

Not everyone was awful. Some kids were just curious about him, asked why he acted the way he did, and he did his best to calmly explain it all. I can't help it, actually. It's just my brain works different. That turned into Eddie's brain's fucked. It's broken. He's a fucking--

So he used it. Eddie the Freak. Attention-seeking, desperate for people to notice him. So he started making devil horns, yelling from tabletops, making himself The Freak so no one could use it against him.

No one, not even Wayne, saw him cry at night, because the attention he got was never the attention he wanted. Because he was tired. So fucking tired. His limbs were sore and his voice was rough, and his neck hurt, and he was sick of being laughed at. But that was all he got.

He kept counting his blessings. Mr Peterson, who never minded Eddie's noises or the way his fists would bang against the table loudly in the silent room, who scolded the other detention-goers when they tried to tease. The Hellfire guys, who got used to his tics fairly quickly, and knew when to pause whatever they were doing if Eddie couldn't hear them over a scream or was distracted by his own body. That nice girl, Chrissy Cunningham, who would slip notes from the classes he missed or skipped into his locker or backpack with sweet smiles. (If Eddie wasn't gay, he would have fallen in love with her.) The other few students that ignored him when his tics acted up, just glancing and moving on. Wayne, bless his soul, who would come to the school to confront Eddie's teachers and complain to the principal about Eddie being mistreated by the staff.

And, oddly enough, Steve Harrington.

Eddie never saw it coming. It was a particularly bad day. He was at his locker, trying to line his books up, but a tic threw his hands up, and some books fell from his locker to the floor. He watched helplessly as papers scattered across the floor, as most students stepped around them, ignoring them, as some jocks trampled over them, over Chrissy's neat handwriting, his fists clenched at his sides. When they passed, he kneeled, picking up the books, and when he looked up, Steve Harrington was kneeling too, gathering the crumpled papers and carefully straightening them out.

He gave them to Eddie with a smile, and Eddie thought he might be dying, in some weird, upside-down dimension where Steve Harrington smiles at Eddie Munson. Eddie took them hesitantly, said thank you, and then he hit him.

He was mortified, almost dropping the papers again, jumping back as his whole body flushed with heat, staring at Steve's shoulder where his hand had just landed heavily, and he burst with a Fuck, I'm so sorry, oh my god--

But Steve had just laughed. Amazingly, it was a kind laugh, with sparkling eyes, and soft cheeks, and he said It's okay.

And then he was gone. Down the hall, after his friends, and Eddie realised his hands were trembling.

Steve kept smiling at him. Even when his friends were making fun of Eddie's Satanic cult, and of the way he couldn't keep still, and of his sad, broken brain. Even when Eddie's brain made him flip Steve off across the cafeteria, Steve saw how Eddie pulled his hand down sharply, and Steve just... laughed. Eddie fell in love with his laugh. It was kind, and it made Eddie feel better, even when he wanted to cry.

Steve graduated the next year. But he didn't leave Eddie alone. Eddie couldn't stop thinking about him, and his kind laugh, and his pretty eyes, and then the sheep Eddie adopted told him all about how cool and brave Steve was, and Eddie fell harder without even seeing him.

The world went to shit. But Eddie got to see Steve again.

Steve was still kind, even though the world was ending, and even during serious discussions, plan-making, how-to-save-the-world conversations, Eddie's tics kept going. His body jerked and shivered, and his head threw back, and his fists hit his own chest and shoulders, and he had to sit down. And Eddie found out that there are more kind people than he thought. When his tics slowed, Nancy wordlessly got him an ice pack to hold to his chest, and when he flung it across the room, Robin caught it with a casual oops, and brought it back to him. No one questioned him, or stared, or laughed, even though he knew how annoying he was.

When he woke up in the hospital, he hurt so badly he couldn't move. He just cried. Steve sat by his bed and held onto his hand. He was crying too. When Eddie stopped crying, Steve carefully slid his rings, clean of blood, onto his fingers.

This one goes here, right?

Yeah.

On the second day, his brain didn't care that he hurt. As Steve was telling him about what was going on with the others (Max was staying with the Sinclairs, Dustin's leg was almost healed), Eddie's hand smacked him across the face sharply, the sting of his rings bringing tears to his eyes before he even processed what happened. Steve wordlessly crawled onto the bed, carefully pulled Eddie against himself, and set a pillow over Eddie's lap for when his fists started hitting his legs. He'd just murmured those words, the first words he'd said to Eddie years ago.

It's okay. It's okay.

And he waited until Eddie's body fell lax against him before he carefully found Eddie's hand, laced their fingers, and pressed a kiss to his forehead.

Eddie was released from the hospital a few weeks later. He stayed in the Wheelers' basement for a few days until Steve's parents left town, for good this time, and then he moved into the Harrington house.

He likes it there. Steve is still kind. Always. He lets Eddie lay his head in his lap when his body hurts or won't stop moving, and he drags his fingers through his hair or holds a joint to his lips for him, and he smiles. (Eddie would go through the end of the world all over again for that smile.) When Eddie's head hits the wall while they're in the waiting room of the hospital for a checkup, Steve just shifts to face him and holds a hand up to the back of his head so his hand hits the wall instead, saying quietly that Eddie isn't allowed to beat his record number of concussions. He drives Eddie to Wayne's even though Eddie doesn't tic when he drives except for a few facial or vocal ones.

When Eddie whistles one night, Steve just smiles at him and says Was that a tic or are you hitting on me? and Eddie freezes, his face burning. Which would you prefer, pretty boy?

Steve kisses him.

And then Steve starts holding his hand even when he isn't having tics, even when they're with the Party. Eddie moves into Steve's room. (They always slept better when they accidentally fell asleep on the sofa together anyway.) Steve holds him when his tics are bad, and Eddie holds him during his migraines, pressing kisses as softly as he can to his forehead and his temples. Steve takes his hand when it moves to hit Eddie's face or chest. Eddie stands steady and holds Steve's hand to himself when he gets dizzy. Steve keeps ready-made ice packs in the freezer to hold to Eddie's chest and legs when they bruise from his fists. Eddie keeps his handwriting as neat as possible when he writes notes in case Steve forgets anything. When they wake up at night, breathless and sweaty and crying, the other is there, arms open, lips waiting.

One night Eddie says very softly, You know, they used to say my brain was broken.

Steve just says, Mine too.

[mordremrose]

I was finally able to make it to a VSart party (the august one) which i was super hype for!! I couldn’t stay long, sadly, but i was able to get a couple sketches out!!!

I didn’t catch Kittra Curbstomp’s tumblr before i had to leave but I did get

@nyoka-gorefell ‘s Malva the Furnace

@kralkatorrik ‘s Marwyd (with the sunglasses, quite a look)

@catmanderratmander ‘s Pyromancer Kudo

And @silvesi ‘s Dralsin

[flythesail]

Yep I saw so much of that after the finale! For certain, at least some of the "Amandla can't act" was just racism. (I mean the instagram comments were horrible.) But there was also quite a number of people who seemed to genuinely not understand Osha either when she killed Sol or in her decision to join Qimir. Like you said, in their minds anger would be bold and loud. But I bet a lot of women watching would find her silence/seriousness on the outside with anger boiling beneath more relatable. That is what makes the acolyte important. It's an opportunity to connect with someone you might not "see" yourself as. Yet it's still star wars for everyone. That's the beauty of media but a lot of people are just not willing to interact with a character that isn't a carbon copy of themselves, despite the presence of so many universal themes. Family being a big one.

And agreed, the development of Osha and Mae was subtle and fantastically done. To me, that's the appeal of the show - it's really as deep as you want it to be. I can sit here and say, yeah the lightsaber fights were so fun and it was cool to see Osha turn evil. But I could also sit here and write a whole essay on themes of belonging/acceptance or the nuance of good and evil lol. The material is there and in some cases people do refuse to interact with it on a critical level - or beyond what's spoon fed - and that's where you get some of those odd takes where it's like, were you watching the story being told or the one you expected from *your* perspective?

As for ahsoka, I'm not all that opinionated on it but I will say I think it's another example of DLF digging themselves into a deeper hole. From the trend toward turning anything animated into live action, to the fact that it's just not... something you could watch without context (you'd at least need to watch rebels and the clones wars and maybeeee mando too). Yet they could also see it as a safe bet in that they're drawing on the nostalgia of other shows and relying on an existing fan base.

But! I also just read s2 of of ahsoka is being written to work as an ending because s3 isn't guaranteed. And it's just so odd because what is going on at DLF that they can't commit to anything anymore? The acolyte is a particularly crazy case because it's a new era and could have jumpstarted the next decade of content. We know there were talks of a writers room, a LOT of tie-in material for s1, and they were looking for s2 directors before they called it all off. So to hear ahsoka is up in the air too, it just has to be a mess behind closed doors. Even tying up mando with a movie is weird imo after the shakiness of s3.

Which just makes this all so frustrating as a fan. It's star wars and they have disney money. They could make shows or movies about literally anything. Instead, they throw away anything new and recycle the rest.

Okay last thing for now! But I did start rewatching the other day, and I wouldn't be surprised if a lot of people dropped the acolyte after episode 1 and 2 because they're slower. Yet I'm not sure... what you can do about that other than stick with it. Because more exciting episodes like 5 and 8 or even 6 won't be exciting without that intro. You can't start the show with everyone on khofar. And even when andor first premiered, remember what the #1 critique was??? It. Starts. Too. Slow. But now two years later, no one is saying that. Most people are looking back on andor like it's the best thing star wars has done. A lot of this probably is because of the streaming model. It creates a pressure to like a show from the very first second and to watch it as quickly as possible. (Idea being the quicker you like it, the quicker you finish, the quicker you move on to another show so these companies can sell you on the Next Big Thing.) It's just capitalism! But that means we also don't get to take our time with art as much because where's the profit in savoring. With the acolyte, people would have come around too, especially as the hate it got died down. But by canceling it so early on, you give people no reason to. It's like creating proof for a problem you created.

[cherrysnax]

Chevys sim looks just like them fr and like just looking at them confuses my brain in a good way!!

[sweetandglovelyart]

Kirby Things I Plan to Draw at Some Point

Making a list of things I want to draw and plan to draw at some point once I have more time just so I can keep track of all of it and get people’s thoughts on it/see if anyone is interested in it. Here are all of the ideas I have under the cut.

- Susie redemption arc comic

I definitely want to draw this after I finish up Knightfall in Dream Land and I’ve started doing sketches to plan it out. The goal of this comic will be to redeem Susie and also set up a friendship/eventual romance between her and Taranza since I ship them. After the events of Planet Robobot, Bandana Dee discovers that Susie is still on Popstar and informs Dedede, who sends Kirby to stop her from causing harm to the planet again. But after finding Susie and seeing that she no longer has the resources to mechanize anything or anyone Kirby befriends her and tries to introduce her to his other friends.

They’re understandably wary of her given what she’s done to their world and what she’s done to Meta Knight, so Kirby gets the not so bright idea to try and get Susie to apologize to Meta Knight and promise not to mechanize anyone else so that his other friends will feel more relaxed around her. This goes about as well as you’d expect, Meta Knight and his crew are all still angry at her (and Susie doesn’t think that she did anything wrong at this point and doesn’t see a need to apologize) so Kirby comes up with another idea. He thinks that if Susie experiences something similar to what she put Meta Knight through then she’ll know what it feels like and will understand why he’s upset. This is where Taranza comes in.

They all go to Floralia and Kirby asks Taranza to use his puppeteering magic to possess Susie, Taranza and Susie both agree to this but Susie doesn’t find the experience of being puppeted to be all that distressing. Meta Knight is tired of her being on Popstar at this point and Susie wants to return to her home planet, so Meta decides that he and his crew will personally take her back to her home world on the Halberd to get her off of the planet as quickly as possible so she won’t harm anybody else. Dedede, Bandee, Kirby, and Taranza come along (as extra muscle in case Susie tries anything on the ship) and they set off for Susie’s home planet.

- Daroach backstory comic

An associate of one of Daroach’s old flames shows up asking Daroach for a favor. Daroach’s ex is the leader of a rival gang, and Daroach hasn’t seen her since she abruptly broke up with him many years ago when they were both young adults. I know some people like to give Kirby characters specific numerical ages, but my headcanon is that Kirby characters don’t age like humans do/different species age differently/real life years between the games releasing doesn’t necessarily equate to years passing for the characters (just look at Adeleine, she’s still a child in Star Allies even though that game was released almost two decades after Crystal Shards lmao) so I don’t like to assign characters specific numerical ages, but I do headcanon them to be in specific age ranges (like child, teen, young adult, older adult, etc.). At the time he and his ex split up Daroach and his ex are both really young adults, probably the equivalent to an 18 or 19 year old, and Daroach in the present during the events of the games is quite a bit older, probably the equivalent of being in his mid 30s. Anyways, the associate wants to bring Daroach to his ex so that he and his ex can discuss some very important matters/talk about some things that were left unresolved when they broke up.

- Short comic explaining what Taranza and Dedede were doing before they went to help Kirby defeat Sectonia

This would be a fairly short comic explaining how Taranza ended up teaming up with Dedede to help Kirby at the end of Triple Deluxe. I wanted to give my take on what he was up to after Sectonia blasted him away and how he decided to switch sides and help Kirby in the end. It’ll also explain how he becomes the king of Floralia since in my AU of things he becomes the king after Sectonia’s death and the People of the Sky serve as royal advisors/an advisory council to assist him.

- Comic explaining how Dedede and Meta Knight ended up as a couple

I ship Dedede and Meta Knight and they’re married in my AU, but this would be a comic explaining how they went from being good friends to growing apart for a while to reconciling and dating. The start of this comic will be set right after the Revenge of Meta Knight subgame from Kirby Super Star/Ultra. Dedede is furious at Meta Knight and plans to banish him and his crew from Dream Land until Kirby intervenes and demands that Dedede should let them stay, since Kirby knows that Meta Knight isn’t a bad guy even though he did a bad thing and Dedede owes Kirby a favor after all of the times Kirby has saved him in the past. Dedede agrees not to banish the knights but his friendship with Meta Knight appears to be over. The two of them end up becoming distant with each other, and during this period of time they only see each other when they’re both spending time with Kirby and end up going off on their own solo adventures (explaining why Meta Knight isn’t in Dream Land 3 or Kirby 64 and why Dedede isn’t in Amazing Mirror) until the events of Squeak Squad. After Kirby beats up Dedede and Daroach steals the chest containing Dark Nebula, Dedede finally decides to call up Meta Knight so they can figure out what to do about it (I’m going with the headcanon that the two of them fought and sealed away Dark Nebula before meeting Kirby so that’s why Dedede has the chest that contains Dark Nebula and why Meta Knight knows about it). They have a heart to heart talk with each other, clarify some misunderstandings, and reconcile and admit their feelings for one another.

- Short comic about Taranza and Susie helping each other to grieve their lost loved ones

This will be a short comic centered around Taranza, Susie, and an OC of mine who is Taranza’s mother. This will be set after Susie is redeemed. Susie and Taranza have become close friends after her redemption, and she goes to visit him in Floralia regularly. One day when she visits Taranza and his mom are about to go visit Taranza’s father’s grave since it’s the anniversary of his passing (in my AU Taranza also has a dead dad like Susie but his dad died when he was a kid so he’s had more time to process it/grieve even though it’s still painful). Susie offers to go with them to support Taranza even though it’s hard for her since she’s still struggling with the loss of her father, so the three of them visit the grave and leave some flowers. Taranza is grateful that she went with them and gets the idea to help Susie set up a little memorial for her father so she has a place to visit/leave flowers for him since he doesn’t have a grave/there’s nothing left of him. I thought it would be sweet to depict the two of them helping each other through the grief of losing a loved one. Taranza is still grieving over Sectonia too and Susie also helps him work through that but I thought I’d also give him a dead dad so the two of them could relate to each other over losing a parent (and also to create a parallel between Taranza and my OC who’s his mom by having them both lose someone they were in love with in a very tragic way).

- Comic explaining how Taranza and Susie start dating

This will be set soon after Star Allies, so the mage sisters and Hyness have been redeemed and join the cast. Susie and Taranza’s friendship has grown even stronger, and all of their other friends get the impression that their feelings for each other go beyond friendship… Dedede and Meta Knight decide to intervene and act as the “dad friends” that give their younger friends a little nudge to confess their feelings to each other. In my AU Dedede and Taranza become good friends after Triple Deluxe and Meta and Susie become good friends after Susie is redeemed and apologizes for what she did to him, so I thought it’d be nice to have Dedede and Meta give Taranza and Susie some guidance.

- Comic explaining how Dedede and Meta Knight got engaged/showing their wedding

I’ve established that they’re a couple in my AU but I haven’t actually explained how they proposed to each other or what their wedding was like, so this comic would show that. I could see both of them proposing to each other instead of only one of them proposing lmao… and instead of wearing engagement rings or wedding rings I think I’d have both of them wear bracelets instead. They’d wear their engagement bracelets on one wrist and their wedding bracelets on the other, my explanation for why we don’t see their bracelets in the games is because they’re hidden under their gloves/mittens most of the time lmao…

Is all of this stuff that you guys would be interested in seeing? I would really like to draw all of this at some point but if I get around to it it’s likely not going to be for a while since I’m pretty busy with school/work things. But I’d love to hear everyone’s thoughts on the ideas I have and any suggestions for other stuff to draw! My ask box and my DMs are always open, I love hearing from everybody!

[musical-chick-13]

“Ugh, but opera’s so bORiNg, it’s not about anything”

I am, at this point, BEGGING you. To watch/listen to a modern opera. Something made this century, or the end of the last one. It is no longer a request, it is a demand.

[snekdood]

gonna be very annoyed if ppl insist on tryna turn all 5 of my dude characters into women when the majority of other characters in my comic already identify as women

[where-does-the-heart-lie]

Revolutionary Army Punk AU

Ft: Luffy (not punk)

Steampunk is cool but i think just straight up punk would be cooler. I just think what they stand for lines up a lot better

Design notes:

I did some research and talked to a punk friend of mine for these as i am not a punk, myself, and I dont want to look like a poser. I think i did a really good job translating them and i want to explain my thoughts!

Sabo was first, of course.

I not only wanted to make the characters punk, but i also wanted to crank their designs up about 20 notches, so i gave Sabo’s scar one hell of an upgrade. In this version I tried to make it very clear that that cannon ball hit him head-on. I think it works really well with his punk vibes because under-cuts and shaved parts of the head in general are very popular in punk culture.

I largely tried to keep the silhouettes the same with this au, and It was really easy to keep it with Sabo because of the fact that he already has a lot of design elements that translate well to punk. His big pants into tall boots were perfect to translate, crust pants and steel toed boots fits him well. Trench coats arent a staple in Punk, but i couldnt take the coats away from him… him or Belo. They deserve it…

I threw away his cravat for a choker, i replaced his vest with a red tank top and his undershirt for fishnets, Patches up the wazoo, he looks very cool.

Belo Betty was next, she was super easy to translate. She’s already in the punk spirit with her tits out, we love to see it. Her hat was really difficult to translate, along with all the other hats, but a red knitted hat that has those two points cuz it’s essentially a scarf sewed together looks nice on her.

My punk friend suggested i give her a bunch of nets and harnesses and i really agreed that was her style, so i gave her red tie to Morley, slapped some harnesses on her and just overall just turned her sexy up like 50 notches. I think i was clever how i adapted her striped stockings here with how they have runs in them.

Karasu is almost the exact same. I just threw out his dinky little cravat and gave him a bandana and harness. I also gave him piercings. That’s the only difference. In the words of my Punk friend “hes naked and wearing a spiked mask, He can hang”

Speaking of what my punk friend said, he said that Lindbergh would get “demolished” in the pit, and that he looks like he’s scared of bees. The consensus was that he couldn’t hang. But also i still had to make him punk, so then he suggested CBGB punks:

Redneck, bluegrass, southern american punks. I was really in a rut with his design, I didn’t know what to do to keep the silhouette of his backpack. But everything changed when I chance got the idea of a guitar. And then everything flowed from there

Morley was really really fun. Punk friend suggested i make him Pop Punk, inspired by this pic

Mainly Lindsey way with this plaid skirt and tie

He was so so fun to draw, i love his fucked up eyes.

For dragon, i didnt change much at all, even though it’s only his bust that’s shown. Imagine everything is the same, except now he has piercings. Dragon isnt concerned with the punk fashion, but the punk cause.

For Luffy, I wasnt trying to make him punk, but he felt a bit plain looking like base Luffy next to punk Sabo, so i just did the “turn design up 20 notches”, and just gave him a more visibly tattered hat, bangles and waist beads.

That’s about it! Ive been getting a lot of comments and asks lately saying that you guys like when i go on my design explanations, and i realized that i didnt do that for the last few AU’s, so i thought id type this up :)

Thank you for reading!

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[sincerlyus]

Reverse Falls!!

Soo this is my take on Reverse Falls!! I don't really know which are the original designs or which are the new personalities that each character adapts, so I made my own headcanons!! :3

It should be noted that there are characters who do not change personalities with anyone, but rather their personalities are more exaggerated or are opposite to the originals. Or (in the case of McGucket) their relationships are different so they change their way of being progressively.

EXPLANATION TIME:

This is quite long, I'm going to explain the personalities of each one and how they relate to various characters. Credits to: hours of daydreaming and Google Translate  (TW: child abuse, emotional and physical abuse, homophobia, classism. I don't know if there's anything else, just in case)

Pacifica Northwest: Outgoing and very expressive. She didn't know Gideon very well until her parents sent her to Reverse Falls. She likes to knit, draw, and has a lot of stuffed animals. She has a lot of hair, and likes to do different hairstyles every day ("to be innovative"), cries when she has to cut it. She is very affectionate with Gideon and tries to get him out of his shell. She is a little insecure, but likes to see the positive side of things. She gets along very well with Bud, although sometimes she feels he is a little weird. Symbol: Llama (on her sweater)

Gideon Gleefull: Insecure, has little self-confidence, very skittish and anxious. Has a habit of chewing when he is thinking, like OG!Dipper (chewing on pens, his shirt, etc.). He didn't really know how to talk to Paz at first since the first time they met they were very little, what was she going to say?, was a "Hello" enough?, a handshake?, a complicated handshake?, was she going to ignore him? Paz simply gave him a big hug when she got off the bus (+ gave him a sweater she made on the way). Symbol: Telepathy star (in his hat)

Bud Gleefull: Ultimate scammer. Very friendly and funny, although sometimes a little intimidating. Bye Hawaiian shirts. Very patient with Gideon. He is basically the “cool uncle/dad”. He put Paz to work the day she arrived, although he became attached very quickly and gave her family privileges (he does the same with Gideon).

Mason “Dipper” Pines: He is still very insecure but is able to feign confidence when standing on stage with his sister. He still has a lot of passion for science, he is not very affectionate, he holds back his emotions as he does not want to look vulnerable, especially in front of Stanford. He has a lot of respect for Ford (or rather, fear), being his apprentice he sees him more as a teacher, a superior figure than as an uncle; however he has very little respect for Stan, threatening him and making fun of him. He does not usually use his amulet much, only to practice tricks or in his shows. He has a very distant relationship with his sister, similar to that of the Stan twins. They have many disagreements, but they still have each other's back, especially when Ford is aggressive with one of them. The most sincere relationship he has is with F, although he still treats him like an employee, knowing that he was one of the brilliant minds behind the portal he respects him. Sometimes he discusses theories and shares discoveries with him (although he is embarrassed to think that his only "friend" is an employee of his uncle). Once he met Gideon and Paz, he was able to show his more fragile side and be himself, although he doesn't consider them completely friends (that changes post-weirdmageddon). Symbol: Pine tree (a small pin)

Mabel Pines: A spoiled brat, basically. She's very charming and friendly on stage and with guests at the Pines' many parties, but she's very whiny and selfish behind the scenes. She's not at all affectionate, to the point that she hates physical contact, especially if it's from townspeople. She resents her brother a lot for being Ford's "favorite" (he doesn't really have favorites, he's just less strict with Dipper because he's useful to him). She's Stan's spoiled child, giving her what she wants when she wants it (they have a nice relationship actually, Stan being one of the only ones who comforts her when she's sad). Instead of knitting, she likes to design her own dresses and accessories for shows and parties (her guilty pleasure is arts & crafts, since it's a very "childish" activity for a Pines). Obsessed with Paz, but learns to respect her limits throughout the story. Symbol: Shooting Star (a small pin)

Stanley Pines: He basically swaps personalities with Bud, runs the Telepathy Tent, is very friendly, and is scared of his brother and the twins. He never gets involved in Ford's experiments, having a very tense relationship with him. He loves the twins very much but knowing the power they have with those amulets he prefers to go along with them and not question too much what they ask (he knows when to be firm but the one who really has an impact on them and can make them see reason is Ford). Symbol: Oyster(?? (on a necklace)

Stanford F. Pines: Did you think OG! Ford was a jerk? Well now he's twice as much! He doesn't have an ounce of empathy in him, he's very narcissistic and only cares about his projects and his image. He doesn't care at all about the twins, only seeing them as a way to make money, demanding the most out of them, and he doesn't hesitate to use violence if any of them get out of line. He's very distant with Stanley, speaking to him very dryly (or rather, barely speaking to him at all). He's almost a hermit, living in his laboratory, not letting the townspeople get to know him; although unlike OG! Ford, he cares a lot about how he presents himself in front of the public, taking care of his image and clothing. He's very demanding with Mabel, as he feels she's nothing more than a spoiled child, the image of the Telepathy Tent along with her brother. He is a bit kinder to Dipper, as he realizes that he has a brilliant mind for his age (though not more so than his own), so he includes him in many of his experiments and research if he proves useful; but excluding that, he is just as insensitive as he is with his twin, mistreating him if he does not comply with what is due. His relationship with McGucket is kinda weird: although they were friends in college, the power that Bill/Will offered him completely consumed him, being abusive to F, forcing him to work long nights, keeping him awake by force. He only sees him for his use: his great skill with mechanics (which Ford does not have, although he hates to mention it). Although he was in love with F while he was at Backupsmore, he currently has no romantic feelings towards him, considering him an employee, his assistant, nothing more. He has internalized homophobia (a gift from Filbrick) and classism, so he hates to remember when his relationship with F was one of equals, friends. It disgusts him to think about when he would get so emotional around him. Symbol: Six Fingered Hand (the diaries)

Fiddleford H. McGucket: He is still the brilliant mind he was in his youth, but stress eats him alive. He started to age very quickly thanks to it. He invented the memory gun to try to forget all the horrible things he witnessed or that Ford made him suffer, but his boss doesn't allow him to use it too much since it can damage his mental health and erase knowledge, making him less efficient and useful. He doesn't have a very deep relationship with Stanley, since he practically lives in the lab where Ford forces him to work, but they are able to talk whenever F has a break (almost never). He can't stand the twins too much, not only because he feels that they are very annoying, but because the simple presence of children in his day to day life reminds him a lot of Tate, with whom he no longer has contact. Everyone knows about the abusive relationship he has with Stanford, they are not indifferent to it but they try not to mention it or get involved in his affairs (practically out of fear of Ford).  Throughout his stay with Stanford he started developing an emotional dependence on him: not only did he make him feel that he was useless without him, but he uses violence on him when he is not fulfilling his duty, causing F to blame himself when this happens (What did he do wrong? What can he do to improve?). This got to the point where he started to hurt himself when he did not do something right. Ex: hitting himself when he noticed that his leg was bouncing in front of his anxiety (something that bothers Ford a lot), pulling out clumps of hair in front of the stress of not being able to achieve something, biting his nails, scratching himself, hitting his head (imagine Dobby from HP). Such actions and the mixed feelings he had towards Ford, made him develop masochism, enjoying when he inflicts pain on himself and when he is the victim of Ford's physical and psychological abuse, he clearly hid this for a while since it would look very unprofessional on his part.  Eventually his boss found out and used this to his advantage, being quite sadist himself (he enjoys watching or inflicting pain and/or humiliation on others, in this case, he gets sexual pleasure). So every time Ford needs to let off some steam, vent his frustrations (or is just horny), he uses Fiddleford to fulfill his fantasies, making F's wishes come true as well. He basically uses him as a sex toy, and F doesn't complain, having suffered so much emotional manipulation, he even considers himself lucky that his boss wants to be with him like this, even if it's NOT healthy. Symbol: Spectacles

Bill Cipher: I don't like the idea of ​​changing his name, so Bill stays. He's still the same chaotic demon as in the original series, but this time he's been tricked by Ford into working for him and doing his bidding. He's also forced to do the twins' bidding. We already know that Bill can change his shape and color, so I think all of his shame and self-pity manifests itself in his appearance, turning blue over time (any strong emotion makes him change his appearance). He manipulates Gideon and Paz, making them feel sorry for him so they'll do his bidding (it doesn't work, clearly). The people he has the most contact with are Ford and Fiddleford, as they spend most of their time in the basement where he's locked up.

So that's it. I don't really know how this timeline would work, considering the portal and the journals, but I just wanted to have fun with the character designs and relationships (I feel like the weirdmageddon would happen sooner than in the original timeline). If you want me to go deeper into certain relationships or characters, let me know!!(≧▽≦) I'll see if I can go deeper into the relationship between Ford and Fiddleford that you guys liked so much (you guys really like toxic yaoi, huh??). I'm thinking of making a fanfic or smt to explain their day to day life in the lab and how Ford invited F to work with him (SPOILER: it didn't go well...).

That's it ig, LIKE AND SUSCRIBE!!!1!!1!Σ(°ロ°)

[introverted-monkey-noises]

"a million dreams for the world we're gonna make" - a million dreams, from the greatest showman

HEYYY GUYS I'M BACK !!! ap exams are finally over and i'm pretty sure i flunked ap physics but i sat down to draw stuff the day i finished after a whole lot of karaoke with my friends. i had a sketch of this going on but it has always been lying around unfinished so i really wanted to get this done for you guys last night

BUT HERE'S A NEZHA APPEARANCE i know a lot of you have been asking for him and multiple ppl have suggested that he be the critic from the movie, and you're right it totally suits him,,, bro can be a harsh but necessary critic. and i've always wanted to draw that specific scene of wukong lifting macaque in that a million dreams dance sequence. so here you go !! the critic isn't frequent in the movie but he's a necessary character so if you guys want to see more of nezha in this au just let me know !!

other stuff that i've been wanting to draw contain mei, sandy, etc. the rest of the crew as the performers and a lot more shadowpeach and spicynoodles (some asked for that specific scene where time slows as redson and mk's eyes meet with the trapeze performance thing so that'd be cool to include for the next part of this series) and i definitely do want to draw macaque in his trapeze artist at one point, he'd be gorgeous.

also let me know if you want to see any specific scene or characters from this au !! i'm not done cooking and i have so many things i want to draw for it but as you know i can't satisfy everybody... so i'm gonna need your help narrowing it all down. this movie is a piece of art and i'm so ready to combine it with lmk and actively draw until s5 comes out. so excited for this summer !!!

as always, thank youuu for reading this (if anybody does !!!!!)