#it was mentioned this could work as a setting for Crowley and Aziraphale

[aziraphales-library]

Hii thank you for all the work that you guys do.

Is there any 10 things i hate about you fics? I remember that there were some but i can't find any.

Thanks

Hello. I know of one, and another of a similar theme that's worth mentioning...

Hell Is Just A Sauna by gentleblahaj (T)

Crowley didn’t know whether to be disgusted, or impressed. The nature of Gabriel’s suggestion was bordering on demonic, and Crowley was nothing if not a little sinful. But being paid to go out with someone—with Aziraphale—just so Gabriel could get his rocks off with some girl? It felt, for a lack of being soft, wrong. *** In other words, the plot of 10 Things I Hate About You, but ineffable.

The Prize by Caedmon (E)

Need a car? Date my brother. My brother is a real angel but needs a helping hand in the social/romance department, so I’m trying to help him find a good guy. Ages 35-50, employed, good looking, emotionally stable. After an entrance interview, if you successfully date my brother for a set amount of time and pull him out of his shell, I will give you my garage kept 1933 Bentley. Serious inquiries only. Contact gabriel@messenger.com

I also looked for Taming of the Shrew AUs (as that's what 10 Things is based on), but sadly could find nothing.

- Mod D

[scesketch]

Ok but where’s the fanfic for Aldi x Trader Joe’s??

[fuckyeahgoodomens]

Good Omens graphic novel update: June 2024

Welcome to the June update. A lot of behind the scenes work at the moment but we're grabbing the travel sweets, popping in the Bentley and hitting the road. More on that below.

Admin

Ongoing reminder that the project FAQ can be found here. 

I pledged using my Apple ID, or no longer use the address my pledge is attached to, or I cannot work out what email address my pledge is connected to. What should I do? Please contact us via your Kickstarter account where the pledge is connected; we will be able to see on our system which address it is. If it's one you have access to, great! The FAQ has information on how to resend your invite link to access the PledgeManager. If it's one you are not able to access, then you can let us know which email is preferred and we can update this on the system, which will automatically send a new invite.

Events

We've had a lot of queries about when the Good Omens team will be attending events more formally, after some Aziraphale and Crowley spotting at conventions we'd been to previously. Well, we're excited to confirm the first: Good Omens HQ will be at ACME Comic Con in Glasgow, Scotland this September.

We'll be bringing the actual-real-life-home-to-Crowley-and-his-plants Bentley from Season 2 of Good Omens, the first time the car has been made available publicly for fans to come see and get photos with, ahead of its journey back to the set and the start of Season 3 filming.

We also see Quelin Sepulveda, aka Muriel, has been announced for the event for some additional ineffable joy.

You can get your tickets for ACME Comic Con here. We hope to see some of you there.

While we won't be rocking up with the Bentley to this next one, we want to let you know about Ineffable Con which, though sold out in person, is also taking place virtually in July. The fan-run event hosts great panels, auctions and more, with money raised going to Alzheimer’s Research UK, in memory of Sir Terry Pratchett.

Where next? We have - not an exaggeration - a list of about 200 events somewhere from when we asked fans this on Instagram and while we can't promise quite that amount of convention attendance, we're certainly looking to do some more things in future with Good Omens at large. Watch this space.  

Good Omens items...

This month has largely seen prototypes and samples for the wider Good Omens merch store arriving, and while we can't share those yet, we are certainly excited to see more fan product suggestions coming to life. That does, however, leave our public item updates a little slim on the ground.

To make up for that, here's some new panels from Colleen:

Also known as, "What could possibly go wrong?" And:

Also known as, "Well why don't you ▇▇▇ ▇▇▇▇▇▇ ▇▇▇ ▇▇!@#▇" or words to that effect, we'd imagine.  

Update from Colleen

Following such a positive response to Colleen's piece last month, bringing you behind the scenes into making the Good Omens graphic novel, we are delighted to say that she has agreed to write something for our updates going forward! For June, she's going more in depth into the process of flatting and the technicalities of colouring on screen vs print. Over to you, Colleen.

---

I mentioned the other month that I use a flatter to help me with technical work on GOOD OMENS, and here is a great example.

This is my original, hand drawn line art.

And this is the flatting file which was created using the MultiFill computer program.

It will put your eyes out.

The raw image above demonstrates how the color art lines up solidly under the line art. If it doesn't do that, you get a weird phenomenon in print called ghosting, a tiny little line of white around each segment of color. I had this issue on one major project and ended up redoing every single color file after I got a look at the first printing. Nearly two weeks of work.

The same image with the line art on top.

The layer order looks like this.

Background copy is the clean, line art layer.

I scan the art at 600 dpi, then make the blacks pure black, the whites pure white. Then I convert back to greyscale, then RGB, then duplicate the layer. Then I delete the white on the upper layer so the line art layer is transparent but the blacks on that layer are not.

If you have blacks on a layer that has been multiplied, you can see slight color through those blacks. You want pure black.

The lower layer is where I use the MultiFill program to create the digital flats. First you use MultiFill to drop in the random colors, then the companion plug-in Flatter Pro to make those colors seal under the black lines.

This probably sounds like a silly thing to worry about, but if the flat colors don’t line up perfectly under the black line art, you get the dreaded ghosting I mentioned. You can see it below in this image. It’s a tiny little white line that will appear around the black lines and color areas.

This drives me nuts and is an absolute nightmare to fix.

It’s a very common problem, especially for people who work for web and don’t anticipate the problems going from web to print.

What looks great on your computer can cause big problems in print.

From here, my flatter Jul Mae Kristoffer, who is way over in the Philippines, does flatting that is more in keeping with the areas of color I want to isolate. As you see on Layer 1.

But again, this is still pretty ugly, and not what I would use for final color. Flatting is a technical issue, not a creative one, though in some cases a flatter will make choices you may use. Most of the time they don't.

Here is my final color page.

Sometimes my MultiFill flats are so wonky I have a hard time getting my brain to snap out of what I see before me. If I get stuck, it's a good idea to just pick at it and come back to it later.

If it really, really bothers me, I’ll take the MultiFill flatter layer and desaturate the color so it doesn’t poke my eyes out.

Here’s an example. The digital flat file.

The desaturated flat file that doesn’t make me want to poke my eyes out.

And the final color.

Sometimes I just put in a solid white layer so I don’t see the flats at all. Flatting is there to allow you to easily pick spots to color in, and doesn’t usually appear in the final work.

Sometimes I want to create my colors using transparent color over a white ground, which is more delicate in the final.

Here’s an example from Neil Gaiman’s American Gods. I also selected all black line art here and converted it to sepia to give it a vintage look. Except for the fairies. They’re green.

A colorist must also consider color settings.

Different clients can have different requirements. I find these color settings, which I got from the Hi-Fi Studio, to be pretty solid. I use them as my default for all my projects unless otherwise requested. If your publisher has other settings, they’ll usually send you a csf file which you can upload to Photoshop. The program will save your files and you can just switch between them as you need them.

This tells the printer things about the paper and the spread of the ink you will use. That’s what dot gain means - it makes printed color look darker than intended, so you set up your files to account for it.

When you hover your pointer over each box, it will tell you what each setting is supposed to accomplish.

Another really important thing to consider when coloring comics is color range.

I’m coloring this book in RGB range, but for print you use CMYK.

I’m about to confuse the heck out of some people with this post, I’m afraid. But here we go.

Here is this shot in RGB color setting.

And here is the same page calibrated for print in CMYK.

The biggest shift is in the reds. Print cannot match those reds.

You may not see much difference here, but it’s the sort of thing that drives artists crazy.

A computer should be perfect for conveying exactly what you want, right? It's all just 0's and 1's, binary information, and that information should be the same from one computer to the next?

Nope. Not even close.

First off, computer monitors must be calibrated. You can use a computer program or a tool that measures the color on your computer screen and then adjusts the color to an industry standard.

Have you ever been in an electronics shop where a bunch of TV shows were on display, all of them playing the same show, and have you noticed how different the color was from one TV to the next?

It's like that.

I freely admit I don't pay a whole lot of attention to calibration, but if I were a professional photographer I would. I'd have a little spectrometer attached to my screen and software would adjust my monitor to the best possible standard range. As it is, I just use the default setting on my computer and hope for the best.

If your monitor is properly calibrated and your art is shown on another monitor that is properly calibrated, the art will look almost identical from one monitor to the next.

YAY!

But from one monitor to the next, that's about where the resemblance ends.

Colors are calibrated to something called RGB, or Red, Green, Blue.

All colors come from a mix of red green and blue. At their greatest intensity, all the colors in the spectrum together become pure white light.

This is why RGB is called ADDITIVE color, because you ADD colors from the spectrum to get ALL colors, and all colors create the entirety of the rainbow, and pure white light.

Your computer monitor, your phone, your television, all images are created via light using RGB, a gamut that covers all possible colors that can be created.

That's a lot.

And that's why some of the colors you see on your TV or phone are so deep and intense.

For the widest possible range of color and intensity, you use RGB.

Unfortunately, there is what you can create with light, and then there is what you can create with pigment or ink. And that is why printing what you see on your computer almost never looks exactly like what you see in a book.

For printing, you must use a color setting known as CMYK. This stands for Cyan, Magenta, Yellow and Key/Black.

In printing, the pure blue is actually Cyan and the pure red is actually Magenta.

CMYK color range is not created by addition, but by SUBTRACTION. In order to get the color you want, you reduce the percentage of one of the four colors for ink mixing. Mixing all colors, instead of giving you white, gives you black.

The gamut of CMYK is limited to what can be created with ink.

You've probably heard the term four color press? This is what that means. Four colors, with each color of ink run over the paper on rollers which, combined in varying layers of opacity, create all the printing colors you see.

But remember, what you see on your computer monitor and what CMYK gamut can handle are two different things.

Now, I’ve been really careful with the color settings on Good Omens, so there haven’t been any big surprises, but let me show you a snippet of a project I did for the French fashion house Balmain.

The RGB version:

And then this shot after it was converted to a CMYK file for print.

That's a pretty big difference.

Now, you see this shift mostly with vibrant colors, such as that pink there. But other colors hardly changed at all, right?

That's because this issue is about range of color. CMYK and RGB occupy a shared range which you can see demonstrated by this graphic I got from Wikipedia.

The graphic shows the RGB ranges supported by various digital formats. SWOP CMYK is the most common range my publishers use. Note that the bounding box line shared by the RGB and SWOP CMYK formats shares about half the range space. So whatever RGB colors you use that are outside that range will be digitally converted to the smaller SWOP CMYK range.

And you may not like what you end up with.

As you can see, some of the most ethereal and intense colors get lost outside of the SWOP CMYK boundary.

A look at the Dark Horse Comics color settings in Photoshop. Theoretically, this information should prevent your art from looking like mud on publication.

Now, after I just told you the dangers of coloring in RGB then converting to CMYK for print, I tell you I am coloring Good Omens in RGB anyway. There’s a couple of reasons for this.

Remember, RGB give you a greater range of color, so it can be to your advantage to preserve your original files using a format that gives you the greatest range.

Again, here is the unaltered file.

You can see what the CMYK result will be simply by clicking the Proof Colors button here. This will show you how the art will convert.

And the Gamut Warning will show you which colors are out of gamut range for print.

The intensity of that magenta and that purple in the top right are not going to print true.

This is how it will look in final.

So even if you do what you think is perfect color on screen, there is no way it can perfectly convert to print. Almost everything will involve a little bit of compromise.

Even though you have to consider the color shift issues, preserving your files in RGB gives you greater wiggle room, especially if you get lucky someday and get to work with a printer who can print in 6 colors. Or maybe some technology you don’t know about will pop up and make printing super glorious. Who knows.

Regardless, you should keep an eye on that gamut and color for CMYK print, while preserving your master files in RGB.

Until next time.

[thethingswedotomorrow]

Crowley has been with humanity since the beginning. The original serpent of eden, he is the first "monster" in humanity's bedtime stories. He is the figurative and literal demon on human's shoulders, always there to guide them one way or another. He's weaved through history itself, and prides himself on an impeccable track record of demonic activity throughout the last 6000 years.

But, naturally, after 6000 years, Crowley finds that he's spent more time pining after a certain Angel than doing any sort of work. Like, an extreme amount of pining.

And it isn't until after the notpocalypse that Crowley realizes that, entirely accidentally and very embarrassingly, he may have accidentally made his pining very, very public.

One of Crowley's favorite ways to waste a day is to take Aziraphale to different museums around the world and watch as the angel wanders around and points out all of the inaccuracies

"Good Lord Crowley, have you seen this painting? Portraying you as a dragon is a tad dramatic, I think. All we were doing were having a picnic. And I have never had my hair looking like that, thank you."

"I don't know Angel, they've got your wings spot on. Wa-Hang on, have they added horns to my head?"

"Oh, I see, suddenly it's only inaccurate when they've got you wrong."

The museums always seem to be miraculously empty, and whenever Crowley mentions this, Aziraphale suddenly finds a new, very interesting piece of art to admire

Crowley admires the lengths Aziraphale goes to to hide the small miracles he's done for Crowley's sake

As if Crowley wouldn't move literal mountains for the angel

*He did, actually, do that once.

In the 12th century, they were having a lovely evening together with multiple caskets of wine, up until Aziraphale complained about the amount of light in his eyes

"Honestly Crowley, all this sun and no shade, it must truly be awful for the humans around here with no shelter. It's a tad much, even for me."

Crowley, even then, immediately recognized this off-hand comment as an underhanded complaint, and knew that would not stand

When the small earthquake passed, Crowley claimed that the nearby church was on a fault line and he was simply doing his demonic duty by damaging holy goods in the area

If Aziraphale realized that the mountain range in the distance suddenly provided much more sun coverage, he never mentioned it.

Currently, however, Crowley follows Aziraphale around, wandering behind him and never truly looking at the things in the museum

In every single place they've ever gone together, there was only ever one thing that deserved Crowley's attention

And it certainly was not an inaccurate model of a 18th century tea set

But when Aziraphale wanders into a hall titled 'Love of the Past', he starts to panic. Just a very tiny amount, basically none at all. A small enough amount of panic that he could deny it, even to himself.

He thinks about the past, towards the beginning, back when Humanity was still getting it's footing and figuring out how to have governments and societies and (the most important part) figuring out the whole alcohol situation

Throughout the years, especially towards the beginning, Crowley began to resent any time not spent with Aziraphale

Everything seemed small and dull when compared to the way the Angel smiled when he saw new type of human dessert, or the way he laughed when Crowley managed to work out a clever comment

And once Crowley experienced those things, he never wanted anything else

He had seen the poetry the humans had written, how much emotion they could pour into a simple piece of parchment or a clay tablet

He never cared for written word, but he was shocked at just how much feeling the humans could manage to pour into words

So after Aziraphale left Rome (after the oysters and the wine and the smiles, for somebody's sake the smiles), he went due east for a new miracle on another continent

Crowley stayed and got well and truly drunk. As he did best.

He had spent a few weeks around the other drunks around the area, most poverty stricken and saddened with some sort of grief of one type or another

It wasn't until a group of poets wandered into his dark corner of the pub that he started to considered writing

Obviously nothing anyone would ever read, he'd ensure that. Every scroll or parchment that he'd touch with a quill would be burnt with hellfire before it left his sight

But, as many of his worst ideas started, he had nothing better to do and too much time to think

So he wrote. He wrote letters, first addressed to nobody, about random thoughts that would pop into his very intoxicated brain. Whether humans would ever find traces of the unicorns they lost on the ark, whether he would ever find a way to count just how many scales he had, whether he would ever reach a point where he didn't have to cover his eyes every day

Slowly, the letters started becoming addressed to 'A'. Whether he was conscious of this or not, he'd never admit.

But he wrote. He wrote to A about Hell, the jobs they required of him, the things they'd have him do. He wrote of the way humans had beaten him to the punch 90% of the time. How they would do things worse than Satan himself could imagine, and they'd never blink an eye while doing it.

He wrote of the way the sun darkened each day that passed without his Angel, the way his wine never seemed to have enough flavor when he was alone.

He wrote of the ways he imagined he could orchestrate an elaborate reunion, a convoluted mess of too much demonic activity in a small area that just happened to have a wonderful new tea, or so he's heard, and wouldn't it be a shame to leave the town without tempting the angel to try it?

He wrote to A about how he was sure he had no heart, no emotions. He was a Demon, for somebody's sake, he certainly had no need for stupid things like that, and so the ache in his corporation's chest when he sees the Angel had to be some sort of malfunction.

Anatural function, surely, that could be fixed with the right amount of aloofness and strong liquor

He wrote of the way the sun always seemed to hit the Angel's hair just right, and Crowley had no faith, he had no God.

But in those moments, with a halo around the angel and that smile aimed towards him, he might consider praying now to a different source altogether, a closer source. One full of life and light and actual proper goodness, not that fake advertised bullshit they plaster on church walls in pretty paintings and sad songs

Crowley wrote for a long while, and found that the writing helped the pain.

Even if only because it brought on memories of Aziraphale, and that was enough to hold him until they met again. It had to be, he had no choice in the matter.

And he wrote so often throughout the ages, and often while he was drunk. And he was so sure, so positive that he had burned every trace of his heart and emotion out of existence.

He had to be. The danger those words could put Aziraphale in was far too great. He couldn't be bothered to care of the danger to himself, but the fact that the very hint of any emotion could come close to hurting his Angel was enough to ensure that they would never come across another being's eyes.

He destroyed every letter and word that described his desire, his pain, his greed. He ripped the words he created out of reality as easily as he had written them. Every time, he burnt the parchment, and every time, it burnt a part of him with it.

And then the Apocalypse had happened. Or, well, didn't happen, he supposed. Really, he wasn't entirely sure if there was a difference.

Because everything had changed, even if the rest of the world hadn't noticed. And he was suddenly allowed to see Aziraphale with no excuse, no half-hearted reasoning behind it. He was allowed to want, and to crave, and he relished it.

And he was allowed to take the angel to museums to watch him fuss over small mistakes humanity had collected throughout the ages

Until he realized that they had, in fact, also collected HIS mistakes.

In a hall. A whole bloody hall. A hall, dedicated to and full of stupid parchment and sappy letters and wine stains over words written so long ago

And honestly who gave them the right? Leave it to the humans to collect other people's belongings and put it on display as their own

And he knew, from the moment Aziraphale read the first page on display, he just knew. This was it. All of it was ruined.

All because Crowley had gotten so drunk and passed out in his room above the pub, and when they'd thrown him out in a drunken stupor, they'd collected his belongings to sell afterwards. And he'd never even realized, so concerned about the next meeting, the arrangement, concerned about anything and everything except the one thing he forgot about and could end them both.

Any moment now, Aziraphale would look up at him, with disgust and confusion and all those emotions that he'd really rather not see on his face, preferably ever, but especially not towards him.

But Aziraphale never looks up. He reads the first page 5, 6, 7 times, being sure to capture every single word. Every wrinkle in the paper, every crease.

Then he moves to the next, and then the next. He repeats this process. Every page, he scours each and every page. Searching and scanning, analyzing every word.

Crowley is frozen at the entrance of the hall, too terrifed to say a word, but too hopeful to leave. He stands there, suddenly feeling the same feeling in his chest that he felt so many years ago, in the corner of the pub, sitting in the dark, wishing for the light that he knew would never come.

He's so panicked, that he doesn't notice Aziraphale finishing the last page, and wiping the tears from his eyes. He startles when he accidentally meets his eyes, and prepares a number of excuses and deflections, all to preserve this shred of peace and safety they had carved out for themselves.

"Angel, I- you really- ngk- humans are so rid- are you hungry? I could eat, I've heard they've got a killer bar around here, and we cou-I can get us there in 10 minutes, ngk actu- scratch that, we could be there in 5, I bet. Museums aren-angel?"

Crowley finds himself stopping the random stream of words coming out of his mouth, when he notices tears in Aziraphale's eyes

"Angel, I-"

That's all Crowley can get out before Aziraphale is walking towards him with a purpose

And suddenly Aziraphale is very close to him

Very very close

And suddenly Aziraphale's lips are on his, and Aziraphale is holding onto Crowley's jacket, and Crowley's hands are just waving in the air back and forth while he processes the last .5 seconds.

By the time he realizes what is actually happening, Aziraphale pulls away just enough to rest his forehead against Crowley's, and laughs.

He laughs. Laughs. Aziraphale is laughing and it's a wonderful, beautiful noise and Crowley doesn't quite understand why, but then he's laughing too and then they are both standing there, arms around each other, laughing and Crowley realizes now that all the words he's written, all the praises he sang of his Aziraphale, the way he wished and prayed for his heart and laugh and love

Not one bit of it is at all comparable to the real thing.

[inconveniently-discorporated]

My heart hurts so bad for Aziraphale because I can honestly just relate to him so, so, so much.

(not putting this one under a cut so warning season 2 ahead, I'll tag it at the bottom too)

Aziraphale says, "Nothing lasts forever," but I don't believe for a second he doesn't wish that it did.

He WANTS things to go back to how they used to be. He WANTS the seraphic Crowley squealing with joy as he cranks up the universal machine and sets the stars aflame. He WANTS there to be no sides, he WANTS to believe in the idea of the host united, he WANTS to go back before Crowley got himself in trouble by asking questions. He wants, I think, to be in that moment of creation and adoration forever.

Change seems to frighten him. There's an aspect of uncertainty. There's an element of chaos, the loss of control. I understand this deeply. And what the Metatron offered him was just that: certainty, control, the ability to dictate his own narrative.

I used to be in a toxic job. On top of it, I had intense anxiety and other undiagnosed neurodivergencies that made it even harder to fit in and understand the untold rules I was supposed to follow to get along. When I first got there, it wasn't so bad -- perhaps I was, like Aziraphale, also a bit idealistic. Then there were some changes that brought instability, significant more anxiety, and a lot of nights spent agonizing over my lack of control over it all.

My friends and significant other tried to convince me to leave, but I didn't want to. I didn't know what else was out there. I didn't know if it would be worse. I didn't know what kind of stability it would have.

Then my manager left, so that spot opened up. I had worked there for a long time, and honestly, I never saw myself going into management. I didn't think I could. I wasn't sure I even wanted to. All of that extra stress, on me? Not to mention, getting FURTHER into the job that was taking a massive toll on me? But then...

Then I would have control. Then I could run things the way *I* had always thought they should run. I wouldn't need to worry about who would replace my manager and whether my life would be a living hell -- I would make it what I wanted it to be. Upper management was really pushing for it, so I applied.

To make a long story short: I don't think it went very well. I didn't have the support I needed. I didn't have the emotional skills I needed. I think I did my best, but I'm not fond of those times. At the time, I was SURE that I wanted to move up even more, I was SURE this would make it all better. I thought this was what I REALLY wanted.

But that's not what I needed. What I needed was to get out, and eventually I did. Even as ready as I was to leave, it was absolutely agonizing. I could barely stand to handle the unknown. I was going to work together with my spouse, actually, and I was so excited for that, but I still... I still was upset and worried sick over the dramatic change that would befall my life, after I had made the decision to leave.

That's where I can relate to Aziraphale. I wonder what would've happened if, before I had actually left for good, the head honchos had come up to me and said, "We want to keep you -- how about we offer you (an even higher position)?" -- would I have said no, or would I have wanted to make a difference?

Funny, I said exactly that, too. That's almost why I didn't change jobs in the first place. I said, "But I feel like I'm really making a difference with what I'm doing now." But what pushed me over the edge was realizing that none of that mattered to them, it was all about THEIR control of ME, not the other way around.

I'm so intensely curious to see what happens with Aziraphale next, but I'm sure he will learn what Crowley understands: nothing lasts forever, and sometimes it's good that it doesn't -- even if sometimes we wish it did.

[kimberleyjean]

Good Omens S2 Discontinuity Roundup

Hello Good Omens fans! Did you know the Good Omens team has put a lot of work into making “errors'' in the second season? Whether you were already aware, or just catching up, please take a look at the links below. Clicking any link will take you to one of the original posts that mentioned the discontinuity.

This post will continue to be updated and extended as new meta are published. Is there anything missing that you'd like to add? Reblogs, comments or messages are welcome!

Why are there so many discontinuities? Well, existing theories include different perspectives being shown, time-loops, separate timelines, a story told “out of order” and more! What's your opinion?

Discontinuities across multiple episodes:

Crowley’s sideburns.

Crowleys’ sunglasses.

The bookshop clock is frequently showing the “wrong” time (and other time inconsistencies).

The bookshop porch pillars/columns are sometimes clean, sometimes marked.

Randomly dusty streets (on a closed set no less!).

Street signage (Maggie’s and 1001 nights).

Almost every scene with visible extras, see here, here and here for examples.

Episode 1

There's TWO scrolls in Before the Beginning?

Gabriel’s/Jim’s entrance happens twice.

Crowley's conversation with Shax in the park shows him putting down the newspaper twice, and Shax's bag is all over the place.

Honolulu Roast sign.

Moving lamps inside GMCoGMD.

Disappearing eccles cakes.

Crowley's watch is set an hour ahead of his phone.

Episode 2

The lane where Crowley parks his Bentley varies between being wet and dry as well as the position it’s parked in, the colour grading, and the amount of dust on the Bentley windscreen! Also - the backdrop of the lane where Crowley parks the Bentley is impossible.

The amount of dust on Jim’s book changes in between cuts.

Job Minisode - varying wigs used for Bildad.

Episode 3

Muriel's arrival continues from a much earlier scene in E2 - see here and here.

Aziraphale parks in an unexplained location before going to the Resurrectionist pub, and also mysteriously loses his suitcase.

Resurrectionist Pub’s outdoor sign has two versions (no I don’t just mean the Jesus side!).

Bentley now 4-door (may be explained by the transformation sequence).

Awning of a new age, extras are discontinuous and standins for Nina and Maggie are visible.

Edinburgh Flashback - Crowley’s muttonchops change in size during the mausoleum scene.

Episode 4

Each time they are at the Windmill theatre, items in the background keep disappearing.

The polaroids (yes, two!) on screen are different sizes.

The polaroid itself is very confusing with Crowley’s weird arm.

The morse code in Hell is saying something slightly different to the loud speaker...

Episode 5

Nina and Maggie switch places? (Who knew they could teleport like that lol?)

High ranking demons are bottom of the barrel?

The “Surrender the angle” sign is thrown in twice?

A child randomly appears upon exit from the ball (approx 32:36).

Episode 6

Gabriel’s statue sometimes has a cross, sometimes not.

Crowley/David's stand-in is visible as Nina and Maggie leave.

French restaurant Fairy lights.

Final 15 clock shenanigans - why does the clock change from 9:25 to 9:40?

Are there two suns at the end of the episode?

These are the one's I've seen published so far and I'll keep adding to the list as more are published. In the meantime, if you spot anything missing from my list, please share the post about it :)

[bi-bard]

The Angel, The Demon, and the University Student They "Adopted" - Aziraphale & Crowley Imagine [Good Omens]

Title: The Angel, The Demon, and the University Student They "Adopted"

Pairing: Aziraphale & Crowley X Platonic!Reader

Word Count: 2,071 words

Warning(s): headache, mention of break-up

Summary: In which a struggling college student stumbles upon a demon and an angel, who agree to help in any way they can.

Author's Note: to celebrate the announcement of the release date... and give a little comfort to those who are having a rough time in college right now.

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I had gone to that small bookshop for something to work on a paper.

I had been looking for it online, but nothing was affordable. My best option was going to be to find a small bookshop that didn't charge as much. I simply had my fingers crossed that it would work out.

I must've been walking around with my eyebrows furrowed for a little while because a man walked up to me. He was wearing a beige suit with a-little-too-perfectly white hair. He seemed friendly enough though.

"Can I help you find something," he asked. I paused for a moment. "Sorry, I'm the owner. I can tell you where everything is."

"Oh, okay," I chuckled. I pointed at a part of my paper where my potential sources had been scribbled down. "Um, yes. I'm looking for this... it's for a school paper."

"I see..." he muttered. "Wait here."

I nodded.

I watched him walk behind a set of shelves. There was maybe a minute of waiting before the man walked out again with the book in his hands.

"Oh, you are a lifesaver," I said excitedly. "Thank you! How much?"

He hesitated, staring at the book. As if he grabbed it without thinking about it but now was realizing that he was going to have to part with it.

"How about a deal," he offered after a few moments. "Once you're done with your paper, bring it back here in largely the same condition. No charge and you have no additional clutter to take up space in your home."

I grinned. "Sounds like a deal."

"Well, then, I wish you luck on your paper," he handed me the book

"Thank you," I said. I only took a few steps toward the door before stopping. "I didn't get your name."

He hesitated for a moment before replying, "A.Z. Fell."

"Oh, I thought... Sorry, I assumed this place had been open for a while, so I thought the name on the front was your father or something."

"Afraid not."

"Well, thank you again. I'll see you in a few days."

Which I did.

A few days later, my paper was done, and I walked back into the little bookshop.

"Mr. Fell," I called.

He rounded the corner. "You're back."

"I'm here to return your book," I held up the book as evidence. "Perfect condition."

"Thank you so much," he said as he grabbed it from me. "I hope you get a good grade on that paper of yours."

"Me too," I chuckled. "In all honestly, I don't think I've read it without just a little more of my brain frying."

"Oh no," he mumbled. "I... I could read it over for you. If that would help, of course. I won't force you to give me your paper."

"I... I can't ask you to do that."

"Well, that's precisely why I'm offering," he grinned at me.

I grinned back. "Okay. When would you like me to bring it by?"

"Do you have time now?"

"Um, yeah, sure."

"Here," he led me into a corner of the shop with a small table. "You get your paper put together and I'll make us some tea."

"Okay," I nodded.

As he walked out, I sat down and unzipped my bag, grabbing the binder that held my paper. I also grabbed a red pen just so it was more convenient.

When he came back, he placed a mug in front of me. I grinned and thanked him.

"You can go find a book to enjoy if you'd rather that than watch me read..." he looked at the paper in front of him. "(Y/n)."

"Thank you."

I took his advice. I took the mug of tea and started pacing around the collection of books. I was scanning the spines of the books when the doors of the shop slammed open.

"Angel!"

I jumped at the sound, looking over at whoever had stormed in. Another man, dressed in all black, sunglasses sitting on his face.

"Who are you?"

"(Y/n)," I said. "Who are you?"

"I have told you to not run in here shouting like that," Mr. Fell walked out of the corner that he had been hiding in.

"Who is this," the other man pointed at me.

"I just told you my name," I replied.

"How am I meant to trust you?"

"Why would I lie about my name?"

"Don't know, you tell me-"

"Stop it," Mr. Fell cut him off. "This is (Y/n). I am reading over a paper that they wrote for school."

"Why?"

"Because it's kind," he turned back to me. "(Y/n), this is... Anthony."

"Nice to meet you," I nodded to Anthony.

"Yeah, you too," he muttered, barely paying me any mind as he spoke to Mr. Fell. "We need to talk."

"I am busy-"

"Do I look like I care?"

"I can come back later," I spoke up.

"No, no, please, I promised to read your paper," Mr. Fell stopped me. "Anthony will simply have to wait."

"Excuse me," Anthony snapped.

"You heard me perfectly well," Mr. Fell mumbled. "Please, stay. I'll finish this paper."

Anthony glared at me as Mr. Fell turned around and went back to the table he had been sitting at.

If you had told me that day that the little bookshop was going to become such a place of comfort for me, then I am not sure that I would have believed you.

But it did.

I continued going to that little shop whenever I had the time. I would study, read, or just help with whatever I could help with. Mr. Fell was not a fan of me doing "so much" work around the shop, but I insisted. He had given me a safe space. The least that I could do was help him maintain it.

I grew closer to him as time went on. I even grew closer to Anthony.

Or Crowley, as I soon learned.

I still chuckled from time to time over how they told me their real names. I had been sitting at the table, scribbling notes for one of my courses.

They both stood in front of me silently until I noticed them. I raised an eyebrow at them. That's when they confessed that their names were fake.

When they told me their real names, I felt bad for chuckling. They both looked a bit confused.

"I'm sorry, but... your fake name just used your real name as a last name," I pointed to Crowley and then to Aziraphale. "And yours was your real name with a couple of letters taken out."

"Alright, we get it," Crowley grumbled.

"Thank you for telling me," I added. "I mean it."

"You're welcome," Aziraphale replied. Crowley didn't say the same until Aziraphale looked over at him with a somewhat grumpy look.

The three of us were only closer after that.

It was nice. Having that small support group that I could turn to.

Aziraphale was always ready to help. As soon as I opened the door of the shop, he was ready for whatever assistance I asked for. A hug, an extra set of eyes on an assignment, a quiet place to read a new book.

Crowley acted cold, but I could tell that he cared.

I came in one day with one of the worst headaches I had ever experienced. Aziraphale was gone, but Crowley had been waiting for him. I walked into the building with the heels of my hands pressed into my eyes. After grumpily explaining what was happening, I walked off to put my bag down and hide in the corner.

He waited for a moment before following me.

"Come here," he said.

"What," I asked.

"Come here," he repeated, holding his arms open.

I kept my eyebrows furrowed as I stepped forward. Once I was close enough to him, he grabbed my arm and pulled me forward into a hug.

"Oh," I mumbled before slowly hugging him back. "This is nice."

"Don't call me that."

I chuckled. "I didn't call you nice."

"Oh...," he muttered. "Well... don't get any clever ideas."

"Yeah, sure, whatever you want, Crowley."

I closed my eyes for a minute, holding onto him a little tighter.

I don't know what happened, but I could feel my headache slowly fading away as we hugged. It felt like it was there one minute and gone the next. I let out a sharp breath when it was gone. It felt like a weight had been lifted off of my head.

"Thank you," I said after a while.

"Yeah, whatever."

That may have been the closest I ever got to a you're welcome with him and I was okay with that. For the time being.

I don't know if I truly realized how much Crowley and Aziraphale cared for me until I walked in crying.

I felt like a child. I was crying as I walked down the sidewalk.

When I made it to the shop, I almost sprinted inside.

Aziraphale jumped at the force I used to open the door. Any scolding died as soon as he saw me.

"Oh, dear," he muttered, walking over to me. "What happened to you?"

He pulled me into a hug as I cried. I hid my face in his shoulder, clinging to his suit a bit as I did. I saw Crowley walk out from around the corner.

"What's going on," he asked.

I stepped back. I went to speak but nothing came out.

"Come on," Aziraphale guided me to my normal corner, guiding me to sit down. I dropped my bag on the floor and wiped my eyes. "Take your time."

Crowley sat in the spot next to me while Aziraphale stayed standing.

"There's... There's this guy," I explained. "I... We were seeing each other for a little while. We went on a few dates. I thought... I thought it was going well. And then, he just... changed. And he sent me this."

I tossed my unlocked phone on the table. Aziraphale grabbed it first. I heard a disgusted sound escape him.

"That is just... despicable," he muttered, placing the phone down.

Crowley reached out and grabbed the phone. I saw his face twist in disgust as a reaction.

"I think he sounds like a waste of time," he said as he placed my phone down. "It's stupid to waste an ounce more of your time on him."

"Crowley!" Aziraphale was fast to scold him.

"What?"

"Now is not the time to insult (Y/n) about their relationship!"

"I'm not! I'm only insulting them if they decide to spend any more time on this person. What I did was just an example of bluntness."

Aziraphale gave Crowley a look before turning back to me with a soft grin. "I am going to make you some tea. You just relax. And Crowley..."

Crowley smirked at him, an eyebrow raised.

"Be nice."

"I am not nice."

"Well, maybe now is a good time to try."

Aziraphale turned around and walked away from the pair of us.

There was a pause between the pair of us before I could speak up.

"Do you actually think that I'm stupid for wasting time on this guy," I asked quietly.

Crowley let out a sigh as he sat up a little bit straighter, tilting his head so he was looking me in the eye. "Not as stupid as he was for leaving you."

I felt a grin form on my face. He leaned over and kissed my head before standing up.

"I'm going to get you something a little stronger than tea."

"I don't drink-"

"And I clearly meant chocolate."

I chuckled and shook my head. "Thank you, Crowley."

"You're welcome."

He walked out of the little nook in the corner.

As he did, I leaned my head on my folded arms on the table. I felt my eyes slowly shutting. I felt bad because of what the pair were off doing, but I couldn't help it. It had just been such a long day. I couldn't help it.

As my blinking got slower and slower, I found myself thinking about how lucky I was to be in that situation.

I had never felt as safe as I was when I spent time in that little bookshop.

I would never be able to thank Crowley and Aziraphale for that.

But I would never stop trying to do so.

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[marie-m-art]

Amongst the Aziraphale appreciation posts I see, there's a big thing that I think is often missed and deserves pointing out!

(I'm not sure if this is an unpopular opinion or if it's something so obvious that it goes without saying, and thus hasn't been said; so I am either throwing myself to the wolves here or to the crickets. Here I go!)

In short, I think sheltering Gabriel in S2E1 was undeniably the right thing to do, and I admire Aziraphale for it. The ensuing fight with Crowley might distract some people from seeing this.

Initially it was a snap decision whose rationale was probably along the lines of "Ohshit, this is insane, everyone is staring, this situation has to stop right now, just get in and I'll get rid of you later."

But then it becomes clear to Aziraphale that Gabriel is a person who needs help. This is a special situation in which his antagonist is currently helpless. If he turns Gabriel away, it's only a matter of time before the other angels find him (granted, Azi doesn't have all the information yet here, but it's not a huge leap for him to suspect heaven being part of the threat), and in the meantime he could be hurt or even be discorporated by humans or by accident, and presumably end up back in heaven where Something Terrible awaits.

To articulate what I think the thought process might be in this situation, I'll borrow a quote from Miss Level from A Hat Full of Sky: "You can't not help people just because they're stupid or forgetful or unpleasant. Everyone's poor round here. If I don't help them, who will?" He's able to set aside his feelings and risk his own comfort and possibly his safety to help someone clearly in need, despite their past. The reason this is admirable is because this is difficult to do.

I understand why Aziraphale was upset with Crowley (and acted a bit pissy) during their blow-up. Not only is it not unreasonable to be upset about being bailed on in a high stress situation, it's also disappointing that Crowley's proposed solution was to dump Gabriel somewhere to fend for himself - Aziraphale knows and we know that Crowley is usually kind and moral, not to mention rational (and we even see him being kind to Jim/Gabriel later). It's also worth noting that Aziraphale never implies that he thinks Crowley is a bad person for not helping; he asks for help, is upset to not get it, and suggests Crowley leaves because they're obviously at an impasse.

I see Crowley's side too, because it's also not unreasonable to get upset when your partner springs an unexpected stressful situation on you, and it was wise to leave when it was clear that they were both too emotional to work on a proper solution.

We all want to enjoy our precious, fragile existence on earth and not have to deal with curveballs, but I see this problem as the "worse" part of "for better or for worse". I might have seen things differently if Aziraphale was sheltering someone like Hastur, but he's helping his own antagonist, not Crowley's. I for one like to think that Crowley would have returned to help anyway after processing his emotions, even without the threat to Aziraphale's existence. And when he does return I like that he maintains an attitude of "I'll help but I don't have to like it!"

(Side note, it's also hilarious how irritated Aziraphale is by Jim later while Crowley is so patient - another case of doing the right thing but not necessarily liking it).

TLDR: I see their fight as emotional reactions to stress, that can be summed up along the lines of "I'm not mad at you, I'm mad at the situation!" Aziraphale's a BAMF in my book for doing what he believes was right.

[justhereforthemeta]

Crowley and the Fall: Looking where the furniture isn't

Furfur, 1941: "We were in the same legion. Just before the fall. Doing dubious battle on the plains of Heaven. Remember?"

Crowley: "I remember going into battle. I don't remember being there with you."

Um... does Crowley's professed memory track with what we know about his fall? Setting aside for a moment that he doesn't remember Furfur - I mean, who just casually *saunters* into battle, really? In theory, it sounds like Crowley must have, but that's not what his "I remember going into battle" sounds like. It's been said before, but something about the circumstances of Crowley's fall (what little we know of it, at least) doesn't smell right. What we know is:

First, Crowley asked questions.

These questions antagonized the Metatron.

At some point, having gotten no satisfactory answers, Crowley began "sauntering vaguely downward," hanging out with the wrong crowd out of...boredom? Boredom with making nebulae? Nahhh. "Food hadn't been that good lately" (ahem, angels don't eat) sounds a lot like a euphemism for not enjoying the things you used to enjoy anymore. Ennui, maybe depression. Comes of your work feeling pointless, when you think you've been contributing to something big and meaningful that turns out to just be fancy wallpaper, something that was always meant to get torn down eventually anyway (ugh, Crowley, you and I should go get a whiskey after work sometime).

Eventually, that "wrong crowd" becomes a legion marching into battle on the plains of heaven.

Lucifer's side loses, and Crowley finds himself "suddenly doing a million lightyear freestyle dive into a pool of boiling sulphur." Funny that whilst talking to no one but himself in the bar in season 1, Crowley characterizes his Fall as "sudden" with no mention of a precipitating rebellion or battle at all. Either way, it seems like there'd be a lot of distance for him to cover to get from "I'm feeling profoundly disappointed; what once sustained me has lost its flavor" to "I'm going to violently overthrow the system and put these other guys in charge." Especially for the one demon we know of who still appeals directly to God.

Anyway, that half-baked word casserole is my basis for theorizing that Crowley did ask questions, but he never violently rebelled. "Going into battle" is the sort of thing one does with some conviction, not in an attitude of casual, sauntering disaffection. And even if he was hanging out with the wrong crowd, Crowley has never been a mindless follower: he'd be just as likely to question and critique Lucifer/Satan as the Almighty Herself. If Crowley did fight in the war (big if, if you ask me), I suspect it was on the side of Heaven. Then at some point his memory was tampered with to make him forget which side he'd been on. The fog of war and all that...

One last thought on this topic: Saraquael. She claims to have worked with Crowley on the horsehead nebula; moments later, we see on heavenly instant replay that she was the angel tapping at their phone to look for Gabriel's memory so that it could be wiped. Was her question actually meant to test Crowley, to see how much he'd managed to remember?

Saraquael, only angel to recognize Metatron when he strolls into the bookshop - are you the one who performed the wipe of Crowley's memory on Metatron's behalf?

I haven't learned yet how to get good screenshots, but if you can, hit pause on Crowley's face just before the electrical sounds go off in heaven after Aziraphale has blown up his halo. He's turned around from the screens to look directly at Saraquael in this shot. His eyebrows are raised and we can see his narrowed eyes clearly through his sunglasses. He KNOWS.

[weirdly-specific-but-ok]

pt VI good omens s1e2, a totally all-inclusive summary i remember everything

i don't, that's a lie. i lie like aziraphale, rarely and badly but with great gaslight energy.

alright well let's not dawdle for 6000 years, i'll forget what i DO remember.

An angel named Gabriel who is not Jimbriel yet, so a foetus Jimbriel, gets into Aziraphale's bookstore and yells about pornography to keep humans from following him into Aziraphale's secret back chamber.

What they do there, I do not know. It is up to speculation. They talk and Aziraphale is flustered about Crowley, I think, but that's the whole show so far.

The intro sequence remains strange. Cartoon Aziraphale is an impregnated chicken, cartoon Crowley is the baby daddy.

There are witch hunters and they want to burn Agnes Nutter alive. I don't know who Anges Nutter is yet.

We cut to Agnes Nutter and I know I will never forget her. She is beautiful and a BAMF. A MILF. An absolute bombshell.

The bombshell part is literal. They set her on fire and she explodes, killing all those in a 100 metre radius. I want to be her.

I assume it is a witch thing, but then find out she put bombs under her skirts. I want to be her, but more ardently.

There is a book. She writes prophecies in it.

There are horsemen of the apocalypse, which I forgot was still happening. We are in present day.

War kills everyone. She is pretty. She is not Warlock, the kid whom Aziraphale and Crowley raised.

Famine is a sexy beast, and runs Michelin star restaurants. He likes tiny food. He is developing foodless food.

If there are others, I do not notice. There could be. There really could be. There probably are.

There is a girl who scribbles on the book from earlier. She grows up. I think she is War. I am wrong. This is probably a good time to mention to Tumblr that I have mild issues with facial recognition, which is totally not going to affect my understanding of what is happening at all.

She is named Anathema. That could be someone else. What is real? Not Neil Gaiman.

She finds the Antichrist and the Them, and they are all playing at a witch hunt. The Antichrist does not have an aura. Yellow is fear. Yellow is joy. I lose track of what is happening for several scenes.

Newt is works in an office. There is a power cut. Newt no longer works at an office.

Newt joins a witch hunt.

There is a delivery man. I think he is Newt. I am wrong. His name is something resembling Judy. It is an easy mistake, everyone's reaction to not-Newt-maybe-Judy is the same as that to Newt, deep protective love.

Crowley and Aziraphale steal a Bentley. Find a Bentley? I am unsure. I am too busy looking at Crowley.

Crowley speeds. Crowley likes speeding. They hit a motorbike that has maybe-Anathema. They pick her up and take her to a house somewhere. The Bentley plays Queen music. Everyone is very excited about this. Beepop.

Maybe-Anathema enters the house. This could have been before she finds the Antichrist. But if the show isn't linear I don't have to be either, I decide.

Crowley and Aziraphale panic a lot, but find time to eye each other hungrily and lovingly. They have priorities, and I respect that.

Crowley yells at his plants to grow better. He pretends to kill one of them. I cannot believe I was entirely right about my interpretation of that GIF. I am filled with confused anger. Later I find out that he is projecting how heaven told him he was a disappointment and threw him out. I am no longer angry. I am sad. This is an ongoing thing when it comes to Crowley.

A major plot point is Dog, the best friend of the Antichrist, having a face off with a fat tabby cat. Dog loses. It was doomed from the start.

Aziraphale gaslights gatekeeps and girlbosses. He assures heaven that everything is under control. It is not. That is okay. I think.

Heaven asks about Crowley. Aziraphale gets flustered. This is as per usual and he assures them that he is battling Crowley, who keeps him on his toes. I not-so-privately think that Crowley keeps him on his knees, really.

Things happen. I'm too busy thinking about Aziraphale's puppy eyes. He is a bitchy sweetheart. I love him.

More things happen. I'm too busy thinking about Crowley's sexy hips and shoulders and, well, everything.

The episode ends. I am still thinking about Crowley. I am always thinking about Crowley. Everyone is always thinking about Crowley.

This... this is all I remember. Have it, Tumblr.

[magicomens]

Hello, I hope you’re well :)! Your comic had appeared on my dashboard from time to time since I got Tumblr, and I found the crossover a genius idea, but I never actually got to read it, anxious of how it could end and wanting to wait for it to be completed (as I usually do with most comics/stories), but today I couldn’t help it anymore, curiosity was eating me alive, and I binge read it (best decision of my life so far) and just let me tell you:

IT’S WONDERFUL!!!

It’s not just about, “Oh, it’s a crossover of two of my favourite tv shows.”, but it’s literally spot on. The facial expressions of the four of them, the dialogues, hell, I could hear them talking between each other, each one with their intonation and can we talk about the jokes in between the tragedy? Top notch. The cartoon-ish but defined drawing style? Magnificent and it pleases my eyes. The fact that it is in black and white and has sometimes sparkles of colours makes it even more interesting. I’m new to your blog, so I apologise if this question has already been asked to you, but I was just wondering, how did you come up with this idea? I mean, literally the:

“I want to make a crossover of these tv shows and I’ll rewrite the story in THIS specific way to make it work.”

Because it does work, and magnificently too :)!

I love it and I really appreciate what you do. You take care of the drawing and the story all alone and you publish it because you love it and that is brilliant.

Keep up the good work☺️✨!!!

Gaaaah thank you SO much for the sweet message!! <3 <3 (I totally understand waiting for smth to be complete to read it, that's what I prefer too!)

The idea for the crossover came to me after watching GO and thinking it could fit together with Merlin: Azi and Crowley are shown to interact with/mention historical figures and it's set in modern day, like many Merlin fan-sequels have Arthur come back in our time!

It made for a fun quick comic idea, but then I just........ kept going as I expanded that one-shot punch-line to a proper story: why is Arthur back now? How does Merlin react? Is he in love with him? Do Aziraphale and Crowley know about them? Did they have a role in Arthur's fall? What are they gonna do to stop the bad guy?

All that, plus my natural inclination to get obsessed with silly crossovers (rotbtd my beloved <3)

Thank you again for all the compliments!!!

[cruciatusforeplay]

Map Of Whickber Street (Good Omens Soho around the bookshop)

I had a lot of fun watching the entire series again and working out where all the shops were in relation to one another. Some of these are mentioned in canon, some are just shown. I've taken some liberties with scale and the like. It wasn't clear which of these streets is Whickber Street, but I suppose there must be some mystery left in the world.

I'm adding some photo references and some more information about the various shops below the cut. If you can make out any more names, I'd love to know.

It's possible the deli is also part of Francesco's as they're both Italian, but there is a front door by the awning that could lead to the restaurant (not an unusual set up for Soho). Francesco's awning is the victim of Crowley's rainstorm.

Between Francesco's and Give Me Coffee is a shop selling formal menswear that I couldn't make out the name of.

Next to that is the coffee shop, Arnold's (the musical instruments shop), Marguerite's (the French restaurant), and newsagency (the news agents). We get a lovely shot of them from the upstairs of the bookshop (newsagents just barely visible).

Opposite them, we obviously have the bookshop itself and down from that, the record shop (which is called The Small Back Room, presumably in reference to having started at the back of Aziraphale's bookshop). The record shop is the orange shop you can see below. (There's also a clearer view of the newsagents).

The shop one down from the record shop is currently a question mark, but it does have a very bold colour scheme, and at one point we are a candelabra and a piece of fabric in the window display. I can't make out the name of this one either.

Opposite the bookshop we have the pub, the Dirty Donkey, whose front door is also the lift to heaven when summoned. Next to the pub is the doorway that leads you to the brothel (I picked the colour on the map from the new model friendly hands sign on the door), and next to that is Will Goldstone's Magic Shop. The magic shop, bookshop and the pub can also be seen in 1941 London flashbacks. Opposite the magic shop and next to the bookshop is another unknown shop. My gut says it sells lighting or maybe more general electrics, but I couldn't get a good enough shot to really see it.

At the end of this street we can see the Lucky Snake which I believe is a Chinese Restaurant, and just to the left we can glimpse a yellow shop, that I suspect is the herbalist that we see mentioned on Aziraphale's list of local businesses. Soho and Chinatown are geographical neighbours, and it's not uncommon to see Chinese herbalist or health shops in Soho. The red lanterns from the Lucky Snake continue down over the yellow shop, which is what gave me the impression it might be the herbalist.

Directly across the crossroads from the bookshop we have a fruit and vegetable market, that has a flower stand on the corner. That's where the tomatoes roll from when Gabe is walking through naked. (The veggies are obscured in the shot below, but we do see them in general)

If we follow the road between the flower market and the newsagents, I've extrapolated that the stage entrance to The Windmill (the theatre that we see in 1941) is there. We get a moderately clear view of it during the flashback, and the Windmill is a real place (to my knowledge it's somewhere between a burlesque club and a strip club these days), so I figured it would still be standing here too. We get the briefest of glimpses of the stage door still standing in modern London.

If you care for real world geography, then The Windmill's main entrance is on Great Windmill Street, right off Shaftesbury Avenue, on the corner of Archer Street.

I could not for the life of me find Brown's World of Carpets anywhere. Maybe he's not even actually a local business. He seems the type to fake it.

Here's a view of the area from heaven.

[averghast]

Crowley was originally the angel Kokabiel and here's why:

Just looking at this definition of Kokabiel, we know two things: 1.) that they were the angel in charge of the stars, and 2.) the ended up falling. This screams Crowley, as in the first episode of season two we are shown Crowley in his angel form literally creating the stars. He also has a map of the stars in his hand, including all the constellations.

When the galaxy comes alive, Crowley is ecstatic! But when Aziraphale asks if he had done it all himself, he says "Ah, well, I mean, more or less. I wasn't... I wasn't, um... I wasn't the original concept designer, but I worked very closely with the upstairs on it," The "upstairs" in question being God.

Continuing on this theory, Crowley then explains that what he's created is a "star factory" and then launches into teaching Aziraphale about the creation of stars and constellations--much like Kokabeil was known for.

Once Crowley is let on that the "upstairs" is going to shut everything down in about 6,000 years, Crowley is mostly upset that his stars would die. He doesn't know earth by it's name, as he would most likely never have concerned himself with anything other than stars, and when he's told that his stars are only there for humans to just look at, he gets upset and ultimately starts questioning God--a slippery slope after all, because how much trouble can you get in for asking a few questions?

Well, a lot, apparently. Crowley becomes a fallen angel, like Kokabiel, and as we see towards the finale, he still has enough power to open up Gabriel's classified documents--something only a very powerful angel could do. This would align with Crowley being Kokabiel, since Kokabiel was the angel behind creating the universe and all it's stary components.

Not to mention that Crowley has dropped hints about his true name throughout the show, constantly bringing up that they could runaway together to somewhere in the universe both heaven and hell can't find them, or to alpha centuari--a star system in the universe. This hints that Crowley knows places in the universe that others do not (since he created it), and his desire to run away into the stars is just setting up reveal it is because they are of his own creation as an angel.

[acatwithstockings]

Could you please, please tell me everything about the 1990's Good Omens (very bad) Movie script? you mentioned not being able to taIk about it because no one is interested (which I very much relate to, but in just basically anything Good Omens related) I was not there for when it was leaked, so I'd really like to know like... all of it (I promise I am so interested, and also very very obsessed with Good Omens. I'll absolutely be your captive audience.)

the only things I think I know are that Crowley's mean and has a nightclub, and Aziraphale has a museum(??). and it's in America??

You don't know how happy it just makes me to ramble on about that one. Could write a whole essay tbh (I try my best not to bc my spelling is atrocious pff ).

Only snagged it myself after a whole year of searching when it got put up on Dropbox for a few hours. Got taken down quickly again. Idk if it was bc of a copyright claim or if the owner took it down themselves bc it isn't supposed to be spread around due to said issues and they (not quite so cleverly) posted the Link on a post that would make it especially easy for the copyright holder to find it. At any rate, I Got really lucky in that regard. The copyright issues around this thing are fascinating in general and could make for a great study in regards to the flaws of that system.

As for the script contents... Well it's something.

Yes Crowley is mean, it would be wrong however to reduce that version of him to that. (I will try and point out why later). Yes he owns a nightclub, the aptly named hellfire on a hill (? Idk enough about british topography to know if that's a hint towards a real part of town or just bc the visual of it is cool ) in London. So It does not play in America and Aziraphale is working at the British museum. Canon explanation why they try everything and anything to not give back the artefacts they stole, I suppose. (That was a joke. In the script itself it isn't even as much as mentioned that our favorite angel has any interest in collecting anything, missed opportunity if you ask me)

In general the whole thing plays out extremely differently from the story we all love. And sadly lacks the Prattchian humor... For obvious reasons. It does have it's moments tho not many but they are there. ( "Crowley un-snakes" will never not be funny)

What follows is a lengthy summary which will have a bit of analysis and personal interpretation mixed into it . Bc who needs good struktur if you can do stream of consciousness? Am I right?

We begin with the protagonist Crowley in company of Aziraphale, who in this version sadly takes a bit of a backseat, playing checkers in Aziraphale's study. In this version they are color coded: with pure white clothing and hair and pure black clothing and hair. Crowley remarks that 'everything is going too well'. To which Aziraphale points out, that complaining seems to be a favorite past time of the demon. in this version he has a knack for putting down/dismissing Crowley on basis of being a demon (" Oh, isn't that just like a demon? Six-thousand years and all you do is complain") and it's part of his ark , kinda. Cohesion and following things through isn't exactly a strong suit here.

It looks like Aziraphale is about to win, however Crowley uses the cliché 'Lock over there' trick to cheat. In the following dialogue we learn that they have been playing one checkers match a week for the past six thousand years. So basically it's presumed they played their first match in Eden before checkers was even invented. (Then again the stage direction describes a painting depicting Crowley as green snake wearing sunglasses in Eden, so they just have been trend setters from the start) . They then set a date for their next match, Crowley makes his distaste for earth known, they meet Aziraphale's assistant Polly, who is very unimpressed by Crowley and then he is off not without causing some mischief with a stolen wallet.

Aziraphale gets a little scene where he is appraising a painting for its authenticity. He gets called 'bramy as a box of fruit bats' and tells the ones that brought the painting that if it were real, he'd know bc he would have seen the master paint it. The interesting thing here is that this scene essentially is there to show us, that despite not acknowledging Crowley's cheating or directly calling out the forgery and its purpose (to gain money), even calling it pretty, he knows what's going on he simply chooses to play/be aloof .

Next we get introduced to the nightclub. Nothing much happens here at first except that we get introduced to the Barstaff. Or well at least Tina (my love) the barman. As it seems Crowley is managing a successful business and outside of a little rant, calling people sheep and wanting bigger cocktail umbrellas, he genuinely seems to be competent in his leadership and friendly to his staff. Even knowing them by name .

Other notable staff members are Warren, I think he has one line and is the handyman/security of the nightclub and Marjorie who gets a few more lines and is part of the waitstaff. Who by the way are put in full body imp costumes bc of course the nightclub is themed after hell.

Crowley then contacts hell, where he ultimately gets told that Satan himself has a special task for him. And we get the first clue that Crowley, who so far has given us very cool very early 90's style Anti"hero' is scared shitless. Not just that, hell thinks he is a bit of a loser, not being impressed by his mission reports and all that.

We then get to the good old Hyde Park scene with a nearly drowned drake safed by Aziraphale's intervention and everything. What is interesting here however is, that Crowley is a full blown nihilist and Aziraphale just very over enthusiastically positive. Aziraphale saying a woman is doing something good by giving her ice cream to a child while Crowley points out that the ice had first been dropped to the ground and been liked by a dog. (Script!Aziraphale as much as I love you but I am with script! Crowley on this one). Aziraphale points out that that hardly matters because the child is happy and that makes it a good deed. Crowley snarkily retorts that happiness is a stupid metric for good things and says he likes one thing about humans : that they are reliable in doing the selfish bad thing.

Aziraphale then tries to get Crowley to reveal why things are going to well. Crowley points out that they are enemies and he shouldn't give out that information despite the arrangement (sadly we don't get more information about that but I would love to know how it looked in that universe) and only is convinced by Aziraphale being hurt about it and giving him sad puppy eyes. Crowley then invites Aziraphale over to his nightclub after hours to talk about what head office actually wants from him.

We then jump to the nightclub again. Crowley is surprisingly decent towards people, Tina is managing the club and all seems rather nice. Madam Tracy is making an entrance. In this version she is an slowly aging out of it IT-girl. It's implied that she had a multitude of affairs and that she has now been payed off big time. (I enjoy Madam Tracy in this version a LOT). She never seems to be quite there but still owns any situation.

Her and Crowley have a little conversation that gets broken up when he decides to deal with a Troublemaker at the bar instead of letting Warren take care of it. (Side note that part of the script gave me the HC that script! Crowley is very short, definitely shorter than script!Aziraphale don't ask me why) . He is having a full blown Anime protagonist moment, including using the bribe the trouble maker gives him to give to the Waitress the Troublemaker had harassed in a very cool™ manner and stopping a punch with one hand. Just believe me it's very anime. But again Crowley seems to be actual decent boss, believe it or not.

He then gets a Call in the bathroom . Satan talking to him through the mirror without prior notice. He orders Crowley to get to a graveyard within 30 minutes. Crowley is keeping it together but he is panicking. He is having a short conversation with Tracy again in which he stays relatively friendly surprisingly enough.

Fun fact this whole film would have had "Every day' as musical theme. Bc from this moment the song gets mentioned continuously.

After speeding and vandalizing a cop car out of desperation since he is late and they determined to stop him, we get to meet satan. In this version he is a cold calculating (but very cool) business man . Crowley, in German we'd say 'legt sich erstmal ordentlich auf's maul' (meaning he trips and falls on the ground). He is groveling before him, bootlicking and trying to appease his Master (for real tho if that movie would have been made there would have been Satan/Crowley shippers bc that shit is some fuel for a toxic ship). At any rate Crowley is making a bit of a fool of himself and Satan is enjoying the Powertrip. In the end he gives Crowley the antichrist with the task to raise the baby or else suffer worse than anyone else in hell. However if he succeedes he is getting to leave the planet (again he supposedly doesn't even like earth in this version)

Anathema is introduced. She is just a little occult girl that felt the antichrist coming to earth. No mentioning of prophecies or anything. Our beloved Agnes does not exist in this universe. Just a little girl with green eyes and a sense for the occult.

Now with a baby he is supposed to take care of, Crowley makes his way back to the nightclub. There he hides the newborn from his employees and gets pulled away to discuss something by Tina. Since he is hiding the baby he puts the newborn down, right into Madam Tracy's money bag. And well, while he is off talking with Tina , Madam Tracy is taking her bag without noticing the child and off she goes. Leaving Crowley with the problem of a lost antichrist and for some reason a slowmo shot of him trying to catch up with a taxi.

He starts drinking. He knows he is done for so what's the point. (The first bottle he grabs is Aardvark Snapps idk why I finde that interesting) . At this point he has accepted that he will end up for an eternity being punished. Hours later Aziraphale makes an appearance and is a little bit judgemental about Crowley being drunk. (Side note: an other hc of mine is that script!Aziraphale is straight edge bc of that scene). Crowley tries to have him join him drinking but fails. And then just tries a to have a little heart to heart. ("I am doomed, Aziraphale") Only getting a little speech about being a demon and therefore inherently being doomed ('duhhh!') back.

Crowley eventually just confides in Aziraphale how much he has fucked up having a bit of a monologue about it. Eventually Aziraphale offers to help find the boy, but only if he is allowed to influence him. To which Crowley reluctantly agrees, because it would mean that he still fails his task of raising a boy that Satan could be proud of. But Aziraphale is a little bit manipulative (also Crowley is still drunk while Aziraphale is sober) so they shake on it. Anyway this exchange is one of my favorites in the script .

We finally jump eleven years into the future and get to meet Adam.

He has been adopted by Madam Tracy. And is now running a bed and breakfast in the quaint little town of Tadfield. Instead of an army base this Tadfield has direct access to the sea. Including it's very own pier. Anyhow I said Adam is running the b&b that's because Madam Tracy is a neglectful parent and as much as I enjoy her script version, she is not doing great here. Adam is running errands, making breakfast for his mom and generally keeping things together. His whole introduction is him being a little adult .

He finally gets some child time and we meet 'the Them' except they are not 'the Them'. Brian, Pepper and Wensleydale are a friend group and they try to talk to Adam because Pepper wants to be friends with him ( I think the intention was to make Pepper and Adam as THING but idk) . But Adam wants nothing to do with them and instead just wants his peace and quite. So he gets insulted for not having a father and sulks off.

Anathema has also arrived at the scene. And has a culture shock bc of the lackluster infrastructure out here. She arrives in Tadfield with some difficulties and now has to somehow find a place to stay. And while the town seemed overrun with places renting out rooms it also has a case of outdated world views and nobody is willing to take Anathema in for some reason or the other. She eventually gets pointed into the direction of Madam Tracy. Where she is informed that she can have a room . And Madam Tracy casually dunks on Picasso which I can support.

Anathema then repeatedly runs into Adam and tries to strike up a conversation but he just doesn't want to and runs off. As both of them eventually go home at the end of the day he accuses her of following him, since they both are taking the same path. As he gets told that Anathema also lives at the same address as him now he gets angry and stroms to Madam Tracy, disrupting a seance to scold her for taking on a lodger without his approval. He is angry that Madam Tracy is so reckless taking in people without proper background check.

Following that, Adam interviews Anathema. And they bond .

At night Adam sneaks off to the pier and we learn that he has build a model of Tadfield in an abandoned arcade.

He and Anathema bond a bit more over breakfast. (And honestly I like that version of them more relationship wise. As much as I love Prattchet, he did have a particular style of writing children that also came through in Gomens . It lends itself great to hypotheticals and punchlines, not so much for interpersonal relationships)

Back to Crowley and Aziraphale. Last time Crowley had been hopeful and appreciative of the angel. Well now he is running out of time and he is getting grumpy and down in the dumps and ready to give up. While Aziraphale is still unrelentingly optimistic. Poly makes an other entrance, Crowley puzzles together an ancient Etruscan pott. All riveting stuff.

Shadwell, or what's left of his character makes a short appearance as 'MAD OLD MAN' shouting and standing on a soap box as set dressing for Crowley to buy a newspaper and... Pay for it . (Honestly I would have not expected HIM to pay for anything)

He gets zapped into hell without notice.

(Side note Miss Ashtoreth is mentioned as secretary of Satan himself.)

Satan wants to check up on his son's progress. Crowley is shitting himself and lies, reassuring Satan that the boy is properly evil and all that . Of course Satan wants to see the boy real soon and tells Crowley to tell the boy that he is ready for when the boy wants to see him. And after taking a look at Adam by rearranging the universe itself to show a likeness in the stars (hell is a very surreal space with an office above the pit and direct view of all of the universe) Crowley gets zapped back to earth. (Also Satan calls Crowley 'Crawler' which is the script version of Crowley's name change, probably)

Crowley Is now properly stressed out.

On the other end of London (probably) Aziraphale's Crowley senses tingle and he just starts running (presumably) towards Crowley. This never gets brought up or explained. And is so bizarre I couldn't skip it.

Back in Tadfield Adam and Pepper get a bit of a bonding moment. Talking about action figures, Pepper giving Adam a lecture about not being sexist , getting fish and chips. The topic of Adams lack of a father gets brought up again and he lies. Telling Pepper he had met his father before and his father is some sort of international business man, that meets with presidents and is very busy. Eventually Pepper asks about Anathema and tries to convince Adam to take her (pepper) to the movies.

Back in London one Angel apparently unable to use public transport arrives at the nightclub. We can assume that he had been running the whole way. He gets pointed towards Crowley by multiple staff members, 'Every day' gets another cameo and he accidentally stumbles into the dressing room for the waiting staff, which is very embarrassing for him but not for the women.

When he reaches Crowley's office, the demon doesn't want to talk. He is panicking and packing to go on the run for the rest of eternity. (Which for him just means a suitcase full of sunglasses) . What follows is the infamous dialogue script!Crowley get his reputation from. (I might make myself very unpopular here but I think that reputation is not quite deserved. Yes he is an asshole but also the harsher exchanges only play out when he is stressed/panicked and usually if he goes too far he will try and paddel back. Still worst of the Crowleys without a doubt just not quite as bad as people like to paint him. Also script!Aziraphale isn't half as naive and helpless as people like to paint him either and in this house we let him have his agency! But also more on that later)

The exchange switches tone once Aziraphale lets his unbreakable optimism fallter and gets sad. To which Crowley immediately reacts bc trying to reassure him that they are in fact friends and that he shouldn't be sorry. Pointing out that he (Crowley) now knows what the boy looks like to counteract Aziraphale's pessimistic statement that they could never have found the boy bc they didn't even know what he looks like. They agree to hit one more town in their search for the boy.

In Tadfield Anathema finally gets to talk about her quest to find the SOMETHING with Madam Tracy. And have her witness a fight between Brian and Adam about Adam's father. (Srly Adam gets constantly bullied bc of that.) Anathema steps between the two to protect Adam. They make a deal to tell each other's secrets. First we get Anathema showing Adam stuff about the antichrist and the weapon she plans on killing him with.

Then we get an intermission with Crowley and Aziraphale discussing how they should choose which town to go to. They decide with a dart throw.

Back with Adam and Anathema. Adam shows Anathema his model of Tadfield. To the question what he plans on doing once that model is done, he tells her, he is going to build the rest of the world and rule over it. He also voices his desire to go somewhere else so he is no longer stuck in Tadfield.

Aziraphale and Crowley arrive in Tadfield during a Thunderstorm and face the same problem as Anathema. No one wants to rent them a room in town. And while with Anathema the whole thing was rooted in sexism, disdain for outsiders (aka read as Americans) and misunderstandings about her occupation, for those two it's the obligatory 'People think they are a gay couple' thing but with a giant side of Homophobia.

Crowley want to give up, Aziraphale want to go on and eventually they end up at Madam Tracy's.

Madam Tracy mistakes them for the gas person, Crowley wants separate rooms, Aziraphale a shared one,(we never get to know which they now took bc the script has both, scenes with a shared room and with a separate rooms. It could also be that Crowley simply stays longer than Aziraphale and therefore the shared room becomes his single room. At any rate it is never specified. And to be honest there are multiple parts of the script where the author very obviously had given up on it , soooo) Crowley praises Aziraphale's skill as homemaker, Madam Tracy tells them, they have to wait for Adam. Adam comes home Crowley recognizes the boy.

Crowley and Aziraphale take a stroll on the beach and come to the agreement that each should spend a day with the boy, despite Crowley trying to avoid having Aziraphale influence the kid. They also witness how Brian's father is getting things set up and ready to tear down the pier.

In the evening they play an other game of checkers. Adam witnessing first hand Crowley's cheating as he gets the both of them to have dinner with the whole house.

At the dinner table they convince Madame Tracey to let them take Adam to London for a day. Adam being obviously overjoyed about the whole thing.

Anathema sees Aziraphale's and Crowley's true nature for a sec. And I am sorry if this part comes across as rather dry, it's also rather dry in the script.

Adam gets taken to London. First Aziraphale get to show him the museum and talk about human creations . (Side note , when I first got my hands on the script I thought I was missing a page bc the dialogue has a really awkward jump in this scene but no ... It's supposed to be like that and either it was the author giving up or it was supposed to be a kid thing. Jumping from one topic to the next with not much logic. We will never know)

Adam then confronts Aziraphale about Crowley's cheating. And here comes the part why I will never see script!Aziraphale as truly naive or helpless. Aziraphale admits to Adam that he had always known Crowley cheated, he just thought it virtuous to not point it out. Bc he played fair and in his mind that was enough to stand above the other and win in a sense and just let him do the cheating. Adam points out how it's stupid, and that was that. Aziraphale is stunned and does what most people with too much money and no idea how to handle kids do, exactly drag him somewhere, where he can buy shit.

Next up is Crowley. First he drags Adam to Soho. Not Good Omens there might be a cozy bookshop somewhere Soho but well 90s it's a bit of a cess pool Soho. With hookers and homeless teenage girls ( and for all those people that take Crowley being displeased with Adam for giving the girl some change as point to call him fundamentally mean/bad... I implore you learn what character motivations are. He has been tasked with raising an evil child, has promised an evil child, obviously he is displeased when that child is doing something selfless. And he wouldn't do something selfless in the presence of said child either bc again he is supposed to influence him towards evil) Crowley then gets him a milkshake and takes him to his club where they have the mirror conversation to Aziraphale's. Ending with Adam pointing out that it is pretty boring to always win for the wins sake by the means of cheating.

On the way back they have a short (also very old couple and married) conversation about their respective experiences with the boy. Accidentally letting it slip that they know who Adam's father is, believing the boy to be asleep. He is not.

That night Anathema finally succeeds in her endeavor of finding the antichrist. Her crystal ball revealing to her that it is indeed Adam. She is so shocked by that, that she lets the ball fall but luckily for her Aziraphale does his thing and it lands safely without breaking. (That another quirk of the script apparently Anathema and Aziraphale were supposed to be something and what ever that is, it's even weirder than Adam and Pepper)

Madam Tracy also finally recognized Crowley from THAT night and they have a honest heart to heart. Or whatever you call it when the otherwise always woozy character suddenly seem lucid and aware of what will happen.

That night Adam goes to Anathema for emotional support bc of the father thing. Anathema however is in the middle of a crisis bc she now knows what Adam is and had tried to get herself ready to murder him but struggles with herself to do it. Eventually Adam notices the knife behind her back and with the first flair of his antichrist powers forces her to show it to him before storming off hurt.

Being emotionally distraught he runs to his hideout on the pier and calls out to his feather. First nothing happens but then after Adam went off the pier and back again it is completely transformed into a bright happy carnival. His Father has arrived. Satan immediately takes Adam under his wings . He even dresses him up as a mini self.

The next morning the whole town of Tadfield is one giant carnival. There is a parade with elephants. And the people from around town are all mindlessly attending the celebration.

Crowley has a short meeting with Satan (on an elephant can't stress that enough) and gets told that he is supposed to come to Satan to talk about his promotion to alpha centauri. AND

( Don't ask me why I find this too funny to not share, my humor is very broken )

The town is being further transformed and more people are made mindless puppets. But now Crowley is happy to have gotten away with his stunt. He is roleplaying flirting with someone in a mirror. (Also in the script notes it literally says James Bond for acting directions for Crowley, and that's such a dorky idea I love the theory of it ... Bit of a waste in this tho).

Aziraphale tries to change his mind but Crowley shuts him down by pointing out that he was the one saying happiness alone is making things a good deed so it shouldn't matter if people have to be made into mindless puppets first. They are happy after all.

Meanwhile Adam is torturing Brian by throwing tomatoes hat him and having the rest of the town join in with the fun. He just wants his father to be proud of him (nawww ) (that naw was sarcastic). In the crowd Anathema is fighting to regain control over herself.

Aziraphale still tries to convince Crowley. Tugging at his heart strings but even the tried and true "I thought we are friends" won't work this time. Crowley wants to seize his opportunity, he wants out and up.

While those two are arguing, Anathema struggles. All she wants it the knife but she is exhausted.

Crowley is looking for a starting point for his launch towards alpha centauri. He is climbing onto a church tower. Behind him Aziraphale still hasn't given up. Despite not liking heights (!? Wasn't mentioned before will not be mentioned again but apparently script!Aziraphale has a fear of heights). He finally gets an idea and challenges Crowley to one last match.

Crowley for once doesn't cheat and it looks like he is about to win but then Aziraphale DOES cheat, desperate to keep Crowley on earth and have him fight at his side. And Crowley just shrugs and accepts. His next line after acknowledging the win already calls Satan his ex-boss and if that is not a very impressive 180° turn then I don't know what is. (Just a throw back to character motivation, we could speculate it's because most of what Crowley has said were lies and half truths and deep down he actually likes earth and bla or he just remembered how much he would miss his nightclub BUT I as number one script!Crowley (not really) defender say ... It's just unfinished/bad writing and there simply wasn't enough time or inspiration or whatever to finish his character ark)

Anathema manages to give both of them the knife. Crowley is so idiotic and tries to grab it but it burns him . I mean, duhh! Anathema literally tells them that this knife can hurt the antichrist why should it be harmless for a way lesser demon? So Aziraphale takes the knife.

After calling Crowley his best friend, Crowley himself calling himself stupid, Aziraphale, presumably (presumably is important here) with the knife, goes off to confront Adam. He tried to talk Adam out of it. Trying to point out that no good father leaves his kid alone for eleven years and if this is really what Adam wants. As he points out that Madam Tracy despite all her flaws still love Adam he gets discorporated, by Adam. But bc this is a Movie script and we don't have much time left he just stays in his true angel form (which is very much just white robes , wings and halo ) right where he is, further trying to talk Adam out of it .

(here is an other line in my mounting pile of evidence that script! Aziraphale is neither naive nor helpless and simply chooses to carry himself that way bc he thinks it's virtuous. He literally acknowledges that people can do bad things. Something he would not do at any point before that in the script. I rest my case )

While Aziraphale is trying to make Adam think about things, Crowley is off confronting Satan, presumably without the knife.

Satan acknowledges that Crowley had lied to him but is still in such a good mood that he still wants to give out the promotion. Even throws in the titel of fiend extraordinar. For a moment it seems like Crowley considers but ultimately he tells Satan that he wants to quit. Satan is not happy about that and after Crowley also pulls out a pink rubber glove and the knife (yhea Crowley had the knife all along , take that continuity or rather scree logic, like not showing how they get a rubber glove is fine, what ever but having the last scene with the knife be the one where it's shown that he can't touch it and Aziraphale had to carry it would have made it feel a bit too deus ex machina.) Satan forces him into half snake form and summens hands that try and drag him back to hell.

Thanks to his already established Crowley senses (probably ) Aziraphale suddenly shows up and charges at Satan. Who in turn is like 'An angel, really? You betrayed me,..' and then roasts Aziraphale to a crisp before destroying the knife .

Adam confronted with a robotic acting madam Tracy, listening to his every command, starts to reflect on his actions. Getting called in by his father to greed the four horsepersons he notices Aziraphale and Crowley.

Adam now faced with all the destruction says: no, I am not doing it. Stan tries to threaten him into obeying but he gets the good old 'You not my dad'. For being a deadbeat for 11 years. Adam then heals Aziraphale and frees Crowley. Now flanked by the two Adam banishes the horseman.

Satan demanding obedience once more, gets reminded by Crowley that he himself once rebelled. And after laughing about that revelation he tells Adam that it was interesting meeting him but as it seemed he wasn't cut out to be a dad. To Crowley he says that he is now banned from hell and to Aziraphale that he should tell his boss, that at least his son (the antichrist) had more guts than his(Jesus and yes the script sadly uses he/him for God).

After Satan vanishes they have to escape a collapsing pier. Noticing too late that Madam Tracy is also still there. Adam ends up releasing her from her trance by calling her mom and telling her that he loves her. Aziraphale ends up saving both of them, flying them to safety on the beach.

At the beach they also meet Anathema, who promises not to kill him, and Pepper . They watch as the pier explodes and burns to the ground. Anathema also has uncomfortable eye contact with Aziraphale while he ripples back into human form . (Don't ask me why it feels uncomfortable, Anathema is described as looking tens while he still full angel and softening once he is human again, so idk)

Apropos Anathema and Aziraphale. The next Morning, he comes to say goodbye and ends up offering a job bc (I forgot to mention it when it happened) Polly, his assistant had a promotion. So he is in search for a new assistant. She end up kissing him on the cheek and calling him angel but in a way where it's ambiguous if she now knows that he is one or if she just thinks he is a good person and something always makes her forget what he really is. At any rate Aziraphale says he had never gotten a kiss on the cheek in six thousand years and knowing a bit about history and cultural practices I am inclined to calling him a liar. But then again this is fiction .... So sure ... Cheek kiss virgin this one.

While that is happening Madam Tracy is asking Crowley if she can keep the boy now . And Crowley reassures her, that after this, no one is going to come for him. He even offers to throw a birthday party for her at his club, all she should do is to just to look after the boy. It's actually a very sweet exchange.

Outside Brian and Adam have a little exchange, Brain trying once more to get to Adam with the father thing. But Adam has no daddy issues anymore. Instead he asks Pepper out to the movies and Brian just tags along without being asked. Where is Wensleydale you asking ? Take your best guess, he was mentioned once said one thing and then fell off the earth. He probably exploded with the pier and nobody even remembers.

With the kids now finally as a group we have the last shot of Aziraphale and Crowley. They are walking along the street , Crowley one stolen apple in hand . Having their talk about good and evil. Accusing each other of being a little bit of a good person (press x to boubt) and just enough of a bastard (oh absolutely). How they both knew the other was cheating all along. And maybe alpha centauri isn't such a good idea after all. You can't even get booze there. The last thing that is said is Aziraphale telling Crowley to 'not start THAT again', after being offered the apple.

I lied one more screenshot bc Every ...it had been for told by the cursed script for ages now. (I am pretty sure it had been in the talks to put go to Every day' even before the script was ordered so that is just a joke)

At any rate I do have to go to work in ....eh three hours ... So I will leave it at the summary for now. I am dyslexic and English mu second language so I am very sorry for all the mistakes I probably made . If someone reblogs this before I get the chance to correct them, let it be said that at least nobody can claim this is ai pfff.

Also not I said the name of the author the two times I mentioned him simply bc I don't feel like acknowledging the name of the person. I got into Gomens bc of Sir Terry and I stay here for him. This little obsession with the shit script happened by pure chance and purely against my will pfff

[maaikeatthefullmoon]

Someone asked about places where they could find my creative works & how I make a living.

I’ve been a self-employed artist since 2017. The current economic climate is making that *very* difficult and I may well be giving up my beautiful business soon, but for now, I’m still clinging on by my fingernails. I’ve survived a lot longer than many of my colleagues and I’ve been VERY grateful and fortunate. (Yes, my profile photo is actually me, very cold, in my freezing workshop, in my ok-to-get-covered-in-paint-ugly-clothes 😂)

You can find me/support me here:

Etsy: I have *two* Etsy shops. I make fan-based clothing, bags, and cushion covers at FullMoonFandom. and I make fan art and children's home decor, all hand painted on high quality medite wood at Lioncub Creations. This shop has been my main business for the past 8+ years and is my bread & butter. It's been hit HARD by the cost of living crisis and it's literally getting worse every month.

Ko-fi: If you enjoy my writing, or just generally take pity on me, I'd think you were bloody amazing if you could please buy me a coffee (although I'll actually spend it on bills...sorry). No pressure, though, I know money's tight.

AO3: I write Good Omens fanfic under the username imposterssyndrome, I’ve been writing since November 2023 after my trauma therapist recommended it and it’s been the best thing I’ve ever done (especially after my mother told 8yo me that my writing was shit and I literally never wrote another piece of fiction until age 40). I skew angsty, love historical anything and researching stuff. Did I mention Here Be Angst?

Wavelengths & Frequencies - I'm writing this wonderfully fun enemies-to-lovers human AU with the ineffable @shadesofecclescakes. This is a DJ AU and bloody hell does it ever help that Eccles is a professional DJ, because I would have given up in the first chapter otherwise. This longfic will be funny, VERY piney, a teensy-tiny bit angsty (but not too much), smutty, and just generally a whole lot of fun. And it's got footnotes! And newspaper articles! And texts, and tweets, and an awful attempt at a forum, and and and...Rated E (and P for Piney-As-Fuck). WIP, published every *now totally off schedule, we publish when we can*, due to be completed by *who knows when*.

Epistolary Series - Aziraphale's diaries, read by Crowley, a romp through history, the series includes an Aziraphale POV and more, rated E, made of 3 completed works.

Ineffable Inspirations Series - Individual oneshots, all based on songs. Currently 2 stories, based on Fiona Apple’s Shadowboxer (set in 1941) & Finger Eleven’s Paralyzer (set in 2021)

[leftduck9986]

Foreshadowing, out of order?

In storytelling, is there a single word that means "the opposite of foreshadowing"?

WARNING: in trying to wrap my head around this, there will be wittering!!!

Wikipedia tells me that a flashback is a method of foreshadowing.

The Bullet Catch in the NZF minisode, being a flashback as well as told before the "present day" [speculated] event it sets up a clue for, well, that's what I've understood foreshadowing to mean until now, because isn't foreshadowing always presented before the event it foreshadows comes to pass?

The flashback/memory minisode, A Companion To Owls, is told after the "present day" event it foreshadows. Does that still count as foreshadowing, or is it instead considered "the big reveal" because it is told after?

And is this all that is meant by various things in Good Omens 2 being "out of order"?

The Hiding Miracle and the Memory That Both Foreshadows and Reveals It?

Indeed, it was a tiny miracle - as titled in the soundtrack - that worked as planned and "barely moved the dials" (but still a miracle in which "Noone will have noticed A Thing" however tiny it was, and that "Nobody notices he's here (...) Nobody can spot him, (...) especially if they're looking for him").

I believe it was the first of three events that happened that night, which, became the main focus of this "quiet, gentle, romantic" season, but paling in comparison to the other two events. Moving on!

Returning to how A Companion to Owls isn't told until after The Hiding Miracle and clues us in as to what was actually going on: this tiny miracle was made to appear far more powerful than it actually was, with the use of showmanship:

The ceremonious setup of being positioned on the circle in the middle of the room hidden under the carpet, between Aziraphale and Crowley; he could have been standing, but instead, "Jim... Sit in this chair." And it's a beautiful chair, like a throne, but Jim being taller wouldn't have worked for the image of the 'W' (similar to the 'W' shape made with Shadwell standing between Aziraphale and Crowley at the airbase, in the book Good Omens.)

ta-da!-look-at-this-very-complicated-and-powerful-miracle-that-we-are-doing

Why perform at all then, for an audience of none?

Ah, they're not alone, oooOoOoOOOoOoOooo, spooky. Go and see for yourself: check out the bottom left area of the screen when Crowley returns to the bookshop and says, "I'm BACK" (this is to do with the "framing opportunities" secret mentioned in the Gavin Finney BTS article https://britishcinematographer.co.uk/gavin-finney-bsc-good-omens-2/) Aziraphale calmly replies, "Yes, I can see that" and later gasps, reacting to something happening off-screen at 40m41s.

So this performance, not yet knowing who their audience might be, could be as a precaution, just in case.

Gabriel instinctively crosses his hands and is confused when Aziraphale and Crowley uncross them - or likely because Aziraphale was even standing there at all - because he remembers, or rather, in his mind's eye, sees the shape left behind by a missing piece of furniture.

The ceremonious setup of being positioned in the centre, between Sitis and Job, this time in the background to have Bildad appear a little shorter in height for the stylized 'W', then crossing his hands. The pot containing Sitis and Job's children being the circle, hidden by the circle of carpet (robes) made as Sitis and Job embrace.

ta-da!-look-at-this-very-complicated-and-powerful-miracle-that-we-are-doing

Had we seen Jim's and Crowley's conversation about memory before The Hiding Miracle instead of much later in episode 5, then it would have been foreshadowing, yes?

*temper rising* A "reveal," or "out-of-order foreshadowing"? (VBUAXNAUSX*keyboard smash*NYVIFGNOMAI) grrrrrr!

...

After the Job story is told, (save for the final scene) and Aziraphale calls for Crowley, my head-cannon used to be that Aziraphale wanted to talk about hair -

Aziraphale: Crowley, I gave you lovely long locks in my retelling of this story, how about you? Crowley: Nah, "shoulder-length bouncy 'bob'" is what I put - a "Lob" I think is what they're calling it these days.

But now I think that, to book-end Crowley's beginning with, "Your boss said that to Job, do you remember?" (imo they are so good at blending in, they can act human better than any human can act human! So, while feigning the memory span&loss&retention of a human, of course they can remember most everything. Angel stock: constitution of an Ox, memory of an Elephant.) Aziraphale may have wanted to remark on Jim's crossed hands from the night before and how similar it was to Crowley's doing so; that it was evidence of Gabriel still somehow being able to connect with images from his memory. "Crowley? You also did that thing... does Gabriel remember?"

If each minisode contains something that foreshadows or reveals what magic tricks occurred during this season's present day events, I feel that the only thing left is from "The Resurrectionists" minisode, where Crowley Goes Large (woah, woah, woah, another case for The Song Is The Clue?!?) ... or makes himself, something or someone else tiny.

"Size and shape are simply options" after all, so I do wonder about Hell's Usher, where the only time we've seen him is when he is small enough to fit in a bathtub and yet he is HUGE in the opening title sequence of season one. Behind him, Noah's Ark stranded between two damaged buildings (or one damaged building and maybe the Pleasure Cruiser Morbillo?)

Something else that may be revealing of stories yet to be told of the past, while also foreshadowing a near-future event:

Based on what Crowley said, this is not the first time Crowley and Aziraphale have performed a half-miracle together! Whatever biiiig miracle they're about to do (speculated event #2) could still be completely balanced and undetected, but then a plume of miraculous activity emerging from the circle gateway (privately speculated event #3) is what poor Aziraphale will appear to take the blame for.

Things being out of order may have started with the question, are season two's present day events being told out of order? There are other things appearing out of order as well, for example a change in the order of colours in the Rainbow (for "present day" episode two only I think, beginning Violet then Red, etc.) Or, in this case, narrative devices being so intertwined, one flashback-event can contain images and phrases that both foreshadow something yet to happen as well as to reveal what happened in a part of the story already told.

As always, please no asking or tagging Mr Gaiman as this blog post contains theory and speculation, thank you.