#it was a good and relevant observation

[hinamie]

so just know, I'm healing / even though it don't feel like it

insp

[gailynovelry]

Fun concept to introduce writeblr and readblr to; slowburn worldbuilding. Picture this. You are dropped into a setting. The rules of the setting are not immediately explained to you, but as the characters move along the plot / their lives / their character arcs and the world, you start piecing things together. Maybe the characters already know what's up with their world, but you as the audience have to figure out what's up based on what you encounter over time.

[robotwrangler]

28 year old men at uni can’t get enough of my approachable theythem swag

[smile-files]

the murder mystery i'm reading has a character whom i can instantly clock as autistic. yay! i have no reason to think he'll be the murderer but i'll be very angry if he is

[catfishofoldin99colours]

potentially this is just Me but nothing makes me feel more foolish than trying to put together a gift for someone I have a secret crush on

[rabarta]

having brainworms about my own self inserts is awesome because i can find songs that connect to them except this time its as if the song was actually made for them.

[a9saga]

ahhhh i've talked to so many people about wanting to do research in academia, whyyy didn't anybody tell me what a cv is 😭😭😭

[unseelieships]

tbh I don’t even know why I try to read gay histroms written after 2016 anymore

[fursasaida]

This article is from 2022, but it came up in the context of Palestine:

Here are some striking passages, relevant to all colonial aftermaths but certainly also to the forms we see Zionist reaction taking at the moment:

Over the decade I lived in South Africa, I became fascinated by this white minority [i.e. the whole white population post-apartheid as a minority in the country], particularly its members who considered themselves progressive. They reminded me of my liberal peers in America, who had an apparently self-assured enthusiasm about the coming of a so-called majority-minority nation. As with white South Africans who had celebrated the end of apartheid, their enthusiasm often belied, just beneath the surface, a striking degree of fear, bewilderment, disillusionment, and dread.

[...]

Yet these progressives’ response to the end of apartheid was ambivalent. Contemplating South Africa after apartheid, an Economist correspondent observed that “the lives of many whites exude sadness.” The phenomenon perplexed him. In so many ways, white life remained more or less untouched, or had even improved. Despite apartheid’s horrors—and the regime’s violence against those who worked to dismantle it—the ANC encouraged an attitude of forgiveness. It left statues of Afrikaner heroes standing and helped institute the Truth and Reconciliation Commission, which granted amnesty to some perpetrators of apartheid-era political crimes.

But as time wore on, even wealthy white South Africans began to radiate a degree of fear and frustration that did not match any simple economic analysis of their situation. A startling number of formerly anti-apartheid white people began to voice bitter criticisms of post-apartheid society. An Afrikaner poet who did prison time under apartheid for aiding the Black-liberation cause wrote an essay denouncing the new Black-led country as “a sewer of betrayed expectations and thievery, fear and unbridled greed.”

What accounted for this disillusionment? Many white South Africans told me that Black forgiveness felt like a slap on the face. By not acting toward you as you acted toward us, we’re showing you up, white South Africans seemed to hear. You’ll owe us a debt of gratitude forever.

The article goes on to discuss:

"Mau Mau anxiety," or the fear among whites of violent repercussions, and how this shows up in reported vs confirmed crime stats - possibly to the point of false memories of home invasion

A sense of irrelevance and alienation among this white population, leading to another anxiety: "do we still belong here?"

The sublimation of this anxiety into self-identification as a marginalized minority group, featuring such incredible statements as "I wanted to fight for Afrikaners, but I came to think of myself as a ‘liberal internationalist,’ not a white racist...I found such inspiration from the struggles of the Catalonians and the Basques. Even Tibet" and "[Martin Luther] King [Jr.] also fought for a people without much political representation … That’s why I consider him one of my most important forebears and heroes,” from a self-declared liberal environmentalist who also thinks Afrikaaners should take back government control because they are "naturally good" at governance

Some discussion of the dynamics underlying these reactions, particularly the fact that "admitting past sins seem[ed] to become harder even as they receded into history," and US parallels

And finally, in closing:

The Afrikaner journalist Rian Malan, who opposed apartheid, has written that, by most measures, its aftermath went better than almost any white person could have imagined. But, as with most white progressives, his experience of post-1994 South Africa has been complicated. [...]

He just couldn’t forgive Black people for forgiving him. Paradoxically, being left undisturbed served as an ever-present reminder of his guilt, of how wrongly he had treated his maid and other Black people under apartheid. “The Bible was right about a thing or two,” he wrote. “It is infinitely worse to receive than to give, especially if … the gift is mercy.”

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[daisukitoo]

I am 40% of the way through Gideon the Ninth. There are no plot spoilers below.

What is refreshing about Gideon as a protagonist and POV character is that she is a jock. She fundamentally does not care about all this nerd shit going on, i.e. the entire setting and plot. She misses exposition, background, and other explanations because, as one person who starts explaining how magic works observes, "right, you're not even pretending to pay attention."

Most writers are writers, so this is not a common perspective for a book to hold. Plot-relevant details can be sprinkled freely because Gideon's narrative will see them and not even shrug before moving on.

GIdeon lacks the emotional and mental maturity to be a good person. She is not evil as such, just apparently unaware of the existence of moral implications. When we meet her, her motivation is to get out of this hick town and join the military, because fighting is glorious and cool and this hick town sucks. She likes weapons and fighting and working out and hot chicks. She fantasizes about leading military charges that bring death to new worlds and fuel necromantic rituals because that would mean hot goth babes would see how cool she is and be grateful. She does not dwell on the thought of worlds that apparently have never known death and her plan to look cool leading imperial invasions and killing enough people to fuel necromantic rituals. She does dwell on the thought of that prissy bitch from her high school having to see how cool and hot she is now that she's a war hero who gets medals and hot babes.

You as the reader can be carried along very quickly by this incurious perspective that does not think twice about things. You as the reader may want Gideon to backtrack and dwell on something or explore it further. The weirdness of the setting is more or less swept under the rug by Gideon's not noticing it. 98.5% of the children on a planet gone (died?), but Gideon doesn't devote a second sentence to boring backstory like that. What was that about galactic conquest, in a setting where the main weapons are swords and necromantic magic? How little advancement has there been in technology or magic in 10,000 years, despite a possibly continuous civilization that whole time? Or some references to what sound like dark ages? Damned if Gideon cares or even notices.

The necromancers are dying to talk shop about their powers. Gideon rolls her eyes and wants to talk to that woman about the cool flip she did, because Gideon wants to look cool doing flips during fights and have girls notice how cool she looks. Also her biceps. Gideon cannot pay attention for a full sentence on necromantic magic, but she does have a half-page to dwell on girls noticing how big her biceps are.

[animentality]

I don't believe the people who say the atla live action show is good.

the most they seem to say is "just turn your brain off and you'll enjoy it-" and "it's for kids! it's supposed to be braindead."

the reason atla has endured as long as it has, is because people are still finding intelligent discourse to have about its mature themes and its thoughtful story and expansive world building. it's a timeless classic because it found a balance between being light hearted and humorous, when appropriate, and completely serious when exploring its darker material. There are no fucking jokes about katara's mom dying or the genocide of the air nomads. but they are a cast of kids/pre teens and they definitely feel like kids. they grow and mature, and they joke around and have a good time, but the fucking show never felt the need to dumb itself down because it thought kids were too fucking stupid to appreciate character growth or a nuanced story.

it's actually embarrassing to be here and say well atla is supposed to be for kids, so having the emotional depth of paw patrol is fine-

I'm so sorry that kids these days can't handle a story about redemption and genocide and imperialism.

I'm so sorry that kids are being fed slop under the guise that they're too stupid to have anything else, because God knows those of us who grew up with avatar sure didn't appreciate how smart it was.

that's why WE STILL TALK ABOUT IT YEARS LATER ACKNOWLEDGING HOW MANY LITTLE THINGS WE BOTH OBSERVED AND MISSED IN THE SERIES WHEN WE ORIGINALLY WATCHED IT.

go ahead, write paw patrol the last airbender.

kids definitely don't need to know what genocide and imperialism are. they're definitely not very fucking relevant topics of the modern day!! god knows American kids in particular shouldn't know how genocides and propaganda and the total annihilation of oppressed cultures work!!

[writingblogsandothers]

The Chosen One

Part One

Word Count: 2.5k

Warnings: Mild Mocking, Mild Fear (Nothing descriptive)

Use of She/Her/Lady - Female Pronouns

It started off like any other day in the Marino homestead. Aurelia Marino was the first to rise, gathering her clothing and shoes for another tiresome day on the family farm. She thanked the gods her father was kind enough to take the heavier jobs dealing with the livestock, along with her two older brothers. Aurelia made her way to their small allotments to gather any fruits and grains she could harvest to bring back to her mother, who sold the goods just outside the large capital, Rome.

The sun shone bright yet hazed with its beautiful creamy-yellow hue. Aurelia stood back, closed her eyes and took a deep inhale, absorbing the early morning rays, feeling thankful for everything that she and her family has. They certainly didn’t have much, with the family often sharing meals which should feed two and making do with their less than favourable living arrangements. It mightn’t have been everyone’s dream, but for the Marino’s? It was home.

She made her way home and delivered the goods to her mother, who made her way into the capital, along with Aurelia’s aunt. The home had seen better days, so Aurelia took to cleaning from top to bottom. It consisted of 2 rooms – one for living quarters, and one for sleeping. Aurelia was a daydreamer, which helped her in ways zone out of the monotonous tasks she endured daily. She dreamed of a life far away from the farm, perhaps even out of Rome, with her one true love and their life which they live in no fear and without worry. Now that’s the dream.

“Aurelia…. AURELIA!” startled, Aurelia turned to find her mother in a fluster.

“What ever is the matter, Mater?” she asked.

“Daughter, we have just returned from the Capital. The guards are out, exclaiming how the Emperor wishes to settle… they want to find him a wife! I was thinking we should bring you to him, to the Guards, to whoever will see you. I know what they say about him, but surely the life you would have would supersede that, and who knows maybe they aren’t as bad as they are painted. Oh Aurelia, this is such an opportunity for you to-…” her mother exclaims without hardly stopping for air.

Aurelia looks puzzled. She does not understand why this information should be relevant to her. She cuts her off, “Mater, please sit and calm. I do not know why this is important to us? We have heard stories mother and we have seen firsthand what the Emperors are capable of. They are vile in nature. The misfortune they spring onto the people of Rome and they laugh? Besides, we both know the Emperor should not want common people like us. He will want to marry a high-status lady. Why should we worry?”

Her mother, Julia, looks deflated and slumps in her seat. Tears form in her eyes. She looks to her daughter, “Aurelia, I am sorry. I got myself so excited when I heard the news. I only wish the very best for you. I know what the Emperors are, but the lifestyle they have, it could not compare with what myself and your father could ever give to you. You work so tirelessly hard around here, and I want you to have a life I could have only dreamed of. I am sorry I could not give this to you now…”

Aurelia sighs not liking seeing her mother so deflated, Julia interjects, “Anyway, forget my outburst. Let us prepare a meal for your father and brothers.”

Up at Palatine Hill, there were great deliberations occurring. One member of the Senate announces, “Caesar, I do not wish to inflict my decision upon you, but I must stress how we must be very selective over who we choose. We do not wish to weaken your hard-earned line of succession, it wo-”

“QUIET!” A screech overpowers the Senate member. The hall grows deathly silent, so much so the slightest move of a finger was heard. Caracalla sneers in the corner, observing his little brother’s outburst with great delight.

“Tell the Guards to fetch me every eligible woman in the immediate area. We are to have them presented to me and my brother by midday tomorrow. Any status, I want to see them all, peasant or not.” Geta affirms loud and clear to their subordinates.

Caracalla rises from his seat with Dundus on his shoulder, with a merciful “HA!”, “The instruction is clear, we want to see them all. We would like to get some sort of amusement out of this day, so the more peasantry the better! Now off you go, find us ladies!”

There was no movement in the room until Geta announced, “Did you not hear my brother, you disobedient fools – be on your way!”

The Praetorian officials who were present quickly collected themselves and made their way to arrange the troops.

The two brothers burst out into what could only be described as maniacal laughter, at a combination of the misfortune of the potential ‘suitors’ and whatever plans they were outlining for their futures. The Senate looked on in horror as they saw the ‘Twins’ conjuring up their next scheming plans for goodness knows what. Only the gods know what they could be scheming now.

It was turning to nightfall quickly, and Aurelia was preparing the bedding for the family, and folding away any washing she had completed during the day. The gallant sound of trotting began to get louder and louder and began to puzzle Aurelia. She walked out into the living quarters where her family were gathered. Her father was about to speak when he was cut off by three sharp knocks at their barely held together door.

Fear shoots through Aurelia. Who could be calling at their door at this hour? It could only mean trouble.

Her father rises, with her brothers swiftly behind, and opens their door. Stood proudly were three Praetorian soldiers, with scroll in hand. “Hello, how may we help you Sires?” Augustus, her father spoke.

The Praetorian soldiers in a half scoff announced, “We are here to demand the presence of the lady, Aurelia Marino, for their highnesses Emperors Geta and Caracalla. She is to present herself along with a chaperone to the Colosseum at precisely midday tomorrow. It is expected she preen herself to look her best as she is to be compared amongst all other ladies of the nearby land in a bid to be betrothed to the great Emperor Geta.” They look behind Augustus to see Aurelia standing sheepishly, hands entwined within each other, hair scooped back and the rags of today on her for clothing. With a snort, they announce “We can see you have your work ahead of you, so we shall leave you to prepare.” They giggle like school children amongst themselves and make their way back to their horses.

Almost like a sixth sense, her father feels Aurelia’s fear from behind his slight frame and bravely shouts after the soldiers demanding, “And what if we do not attend?”. The lead commander of the group, already mounted on his horse turns to look over his shoulder, “You and your daughter will face the arena, and you best pray that the gods are in your favour that day.” Off the calvary took, leaving Aurelia feeling like a dormouse.

“Am I truly that hideous that they must laugh in my face?” her confidence, the little she had, was shattered. Her mother looks disgusted and explains, “My dear child, you are of kind face and mind. You are beautiful both inside and out. You mustn’t worry of the thoughts of the others; they are as ugly inside as they are out.” Aurelia half laughs, and shrugs away a tear from her eye. Julia continues, “Mea amor, anyone, including the Emperor would be lucky to have you. I know I was excited earlier at the prospect, but now its so real, I pray to the gods you are dismissed.”

“Thank you Mater.” Aurelia draws a deep breath, sighs, and continues “I am going to prepare for tomorrow. I shall see you in the morning.”. She takes herself off to her side of sleeping quarters and hunts out her best outfit, which in Aurelia’s case is a plain tunic that is lacking holes (or as little as possible).

As the night draws on, Aurelia finds it more and more difficult to fall asleep at the prospects of being put in front of the co-emperors tomorrow. She tosses and turns so much that she excuses herself to the living quarters to reside there, in a bid to disturb her family less. Finally, the tiredness wins, and sleep consumes her.

The commute to the Colosseum usually was full of excitement for Aurelia and her father. It usually meant a day of entertainment, and quality family time – full of joy, excitement. Today couldn’t be further from that sentiment – it reeked of fear. As the pair strode up the narrow-walled street to the grand building, Augustus stopped suddenly. Turning to his daughter, he spoke gently, “Aurelia, you do not have to attend. I will see to fight in the arena if it means your freedom.” Tears welled up in her eyes as she spoke, “Pater, he will not even look at me no doubt. Please do not put your life before mine, especially for such trivial matters. Let us attend to see it through and get back to our lives.” The pair breathed deeply in and began the uneven trekking once more.

On approach, the queues of ladies with their chaperones started and continued right around the vicinity of Palatine Hill. ‘How are they ever going to see all in one day?’, Aurelia asked herself. She and her father began their queueing and waited with bated breath to see how the fates lay.

It was nearing nightfall before Augustus and Aurelia entered what could only be described as a colossal banqueting hall. Up ahead in the distance, Aurelia caught glimpse of bright orange locks, flailing hands, and maniacal laughter. She knew it would be only too soon before she would approach the Emperors.

A guard confirmed her identity, and instructed her and her father to move forward. She knew she was now next. The intensity of this strange situation was palpable. I mean would it be so bad to become an Empress? It would mean she could provide more for her family, and lessen the burden on her mother and father, who were not getting any younger. And as much as it pained her to admit it, there were much less handsome suitors to be paired with. Perhaps however with a little less bloodthirst.

Taking her out of her trace, was a guard announcing “… -side Rome, Augustus Marino with his daughter, Aurelia.” She and her father bowed before the Emperors, not daring to look either in the eye. She could hear one of them saying something to the other, with a huge cackle to finish their commentary. Bravely, looking from under her brow, she caught sight of Geta staring intently at her, with a woman either side of him, softly touching him, meanwhile Caracalla seemed to be enjoying this charade with an entourage of both men and women at his side.

Geta rises from his chair. He swiftly moves his hands to signal to her father to step back from her.

“Speak Girl. What is your name again?” Geta asked with intense authority.

“Aurelia, your Highness.”

“Golden.”

“I beg your pardon?”

“Golden. Your name, it’s meaning.”

“C-Caesar, please forgive me I did not know this fact. I-I-I thank you for bestowing me with such knowledge.”

Caracalla begins to laugh hysterically, “Brother, she is so weak and feeble. ‘Please Sire, Yes Sire’. It’s rather quite pathetic but marvellous to observe.” Geta begins to laugh in approval with his brother, “Yes brother, you’re right!”

Geta moves forward with great authority, and Aurelia flinches. He swarms her, taking in every detail about her, from the way her skin shines in the last of the day’s sun; her hair and how it cascades down her shoulders; her eyes and the piercing blue contrasting all what seems to dull about her; the clothing she wears and how it looks like rags not even his cleaners would dare be seen to use in his presence. Yet, with all, there’s something so dearly capturing about this one, that he dares not let show.

He was about to step even closer, but was interrupted by his brother’s clashing tones, “She really is rather miserable. I mean look at her father.” Mockingly he begins, “Sir, Sir, please how much money does one have on his person? I bet Dundus has more to carry in her purse than you!” After listening to Caracalla’s laughter for a second too long, Augustus holds back any sign of animosity, and starts “Emperors, please forgive me, I try my best. I work hard to keep a roof over my family’s head and food on our table. I previously fought for Rome, but had to reside to my current life after I was let go. My daughter is a wonderful person, I may not be able to give you anything in terms of material earnings, but my daughter pays for that tenfold, she-”. He was caught off my Geta rising his arm, while staring intently at Aurelia. Ignoring his brother’s ignorance, and her father’s pathetic cries, Geta leant closer into Aurelia, who could feel him breathing on her soft skin. With a swift move of his hand, he swept the hair away from her shoulder to get closer to her ear.

“You should be thanking the gods, Aurelia… gold is my favourite metal.”

She shivered in response, while Geta looked at her with what she didn’t know was sheer disgust or intrigue. Turning on his heels, he ushered away the ladies who were once at his side and sat with authority. Giving the guards a look, he announced, “Let it be known that I am to be betrothed this coming week to Aurelia Marino. We will bare the heirs of utter greatness and Rome will live on and conquer once more. Praise gods.”

There was a cue of sighs and ‘praises’ behind Aurelia and her father with those waiting to be seen by the Emperors dismissed.

Sneering at Augustus, Geta sweeps past the two of them without so much as looking in Aurelia’s direction. A guard approaches Aurelia and instructs her, “Lady, we must now take you to your new living quarters. Bid your farewells and follow us.”

She and her father stare at one another in sheer shock. Neither knowing what had just happened. She hugs her father tightly whilst crying into his shoulder, but she keeps reminding herself that this should work for her family’s favour. They need not worry about materials no longer; she would see they were all looked after.

Aurelia set on her way to follow the guards, with one last look over her shoulder to see her teary father and turning back to pave her way in a new life. A new world.

Part 2

[fayes-fics]

Lessons In Roleplay

Lessons Series Masterpost

Pairings: Anthony Bridgerton x fem!reader, Benedict Bridgerton x fem!reader (threesome)

Summary: The boys roleplay dastardly highwayman and rescuer.

Warnings: 18+ smut, minors DNI, MMF threesome, d/s dynamics, roleplay, CNC play, gunplay, slightly rough vaginal sex, dirty talk, cuckolding play, mention of breeding, oral sex (f to m), blow job, spitroast, orgasms, aftercare.

Word Count: 4.8k

Authors Note: This is a request fill for the amazing @colettebronte, asking for some roleplay in the Lessons universe. How could I say no to that? She chose which role the boys would play. Beta read by the amazing @sorryallonsy. Gif by @captainbucky-yt. The image is not particularly relevant to the story, but they both look delicious. Enjoy! <3

“Do you really think a highwayman might have seen us?”  you query, your head resting on Anthony’s chest as he strokes your hair idly. “Yesterday, in the carriage,” you clarify as Benedict lifts his head from your belly and shoots you a querying eyebrow.

You are all lying together, entwined in post-coital bliss, under a large oak on their country estate on a beautiful summer day. The day after your eventful carriage ride here with them.

Anthony’s responding chuckle vibrates under you. “Tis possible, my sweet girl,” he opines lazily, using his other hand to shield his eyes from the sun cutting through the leaves above.

Your thoughtful mien has Benedict pushing up onto his hands and hovering over you, his hazy eyes observing you with a knowing quirk on his lips. 

“I think our girl likes that idea,” he intuits, always correct in his ability to read you.

“I would prefer one of you be my robber, not a stranger,” you confess, smiling when they grab one of your hands each.

“If that is what the lady wishes….perhaps such a thing can be arranged,” Benedict opines silkily,  lacing your fingers with his. “Can it not, brother?”

“What are you thinking?” Anthony hums, bringing your hand to his face.

“Perhaps the old phaeton in the stable can be put to good use?” Benedict suggests, lowering himself to kiss down your ribs. “I do not see why we could not steal away somewhere within the grounds and make our sweet girl's wish come true. One of us can play the dastardly highwayman lurking by the roadside as she rides by…” he trails off, getting distracted by the softness of your skin, dropping kisses onto your belly now.

“...And one of you could play my rescuer who draws up upon horseback?” you supply, a little breathless at the images already tumbling through your mind as their lips trace over your skin.

They both chuckle at that, Anthony dropping a kiss on your forehead and Benedict onto your hipbone.

“I am more than certain that could be arranged,” Anthony confirms, an admiring twinkle in his eye as you twist to look up at him. “This evening, in fact…”

“But which would you be, my lord?”

“What do you want of me, my girl? Do you want me to be the gallant hero?” he questions, his fingers tracing your cupid’s bow before sliding between your lips; his fingers still tart with your arousal as he presses upon your tongue. “Or the man who will hold you up? Whose demands you will need to submit to? To plead to spare your life?”

“The latter,” your reply muffled around his questing fingers, a frisson low in your belly that he may fuck you by the roadside in the dead of night.

“Then I shall ride in to rescue you,” Benedict affirms, his fingers flexing between yours as you now look down at him, his chin resting low upon your stomach.

“But not too soon…” you appeal with a wink, “and I think my rescuer should help me with my pleasure too, no?”

They both laugh knowingly at that. 

“Your wish is my command….” Benedict offers, nudging this nose into your belly, which now fizzes with excitement about the night ahead.

—

You dress in a delicate cerulean blue silk gown that clings like liquid satin to your bare skin, foregoing any underwear, as is so often your preference when playing with your boys. Your outfit is topped off with sparkling sapphires and diamonds draped around your neck and wrists, no doubt priceless heirlooms from the vault Anthony holds on the property.

The hallway clock softly chimes midnight just as you steal out of the servant's entrance, meeting Benedict in the courtyard by the stables, already standing ready with a horse and a small, buggy-type carriage.

“You look beautiful,” he remarks, flattery just falling from him as ever. “I assume you know how to steer a phaeton?” he checks as you draw up to him, the moonlight throwing his face into handsome relief.

You nod, and he moves aside to assist you in climbing into the simple open-top carriage with an exchange of smiles.

“You remember where to go, correct?” His voice is soft as he hands you the reins. 

“Down past the lake, take the left fork, follow the hedgerow until the thicket of trees,” you parrot the agreed directions from earlier. You can only assume Anthony is already lying in wait for you there.

Benedict nods, and then his demeanour changes, leaning in, a hand curling around your neck.

“Be careful out there, my sweet. Highwaymen may lurk,” he warns, slipping effortlessly into his heroic character. 

“Perhaps a kiss for good luck upon my journey…. ?” you coquette, enjoying the way his pupils dilate.

He sweeps you into an all-consuming kiss that makes your heart pound and your body tingle, his tongue warm and insistent over yours.

“Good luck, my fair lady,” he exhales as you part, taking a step back to bow with a flourish.

You giggle and shake the reins to take off, elated your evening adventure has begun.

—

It is less than five minutes later when you arrive at a copse of trees, the bright new moon illuminating the fields around you as you slip under the shadows of the mighty oaks on either side of the track. 

“STAND AND DELIVER!!” 

A loud, clear voice rings out as you slow your horse to a stop, belly aflutter with anticipation. Emerging from behind a tree is a tall figure dressed in a black shirt and trousers, and as he draws nearer, you see a familiar, handsome face disguised behind a simple black mask. 

Anthony.

You gasp as his leather-gloved hand draws a gun from his waistband and points it at you, blood running hot at his complete commitment to the roleplay.

“I have nothing to offer you, thief!” 

Your protest is exaggerated but triumphant as his gaze falls to your decolletage, swelling with each exaggerated breath, your neckline scooped intentionally low.

“Get down at once, and perhaps I will spare your life, for I know you lie,” he counters, “those jewels around your neck, I wager, are worth more than my entire house….”

In your eagerness, you stumble slightly as you climb down from the carriage, and strong hands grasp your waist and right your stance on the ground.

“Unhand me, ruffian!” 

Your theatrics are met with a flicker of tacit approval across his face.

“Not until those jewels are mine, fair lady!” highwayman Anthony contends, a predatory smile that has his teeth glowing in the low light, his firm grip upon you flexing.

“Please… I'm sure you are a reasonable man,” you change tack, still heaving breaths. “I simply cannot give you these jewels. They are too precious to me. They are a gift from my love.”

Framed by the mask, his dark eyes flash possessively, and there is a slip of softness in his expression as you say such words, knowing the truth behind them. 

But then his tongue pokes out, licking his incisor almost menacingly. One of his hands bands behind your back, yanking you flush against his firm body.

“Do you really think you are in any position to negotiate, my fair lady?” he withers.

Your heart quickens as he places the cold barrel of the gun to your temple. 

“It is not loaded,” he whispers, a warmth behind your ribs as he breaks character for a split second of reassurance before his expression is back to flinty. 

“Please….” you implore.

He ignores you, crowding you backwards into the side of the carriage, the shiny lacquered wood of the wheel spokes digging into your spine. Once trapped, the hand around your waist moves to grasp your necklace, his leather glove cold on your breastbone.

“Take this off, or I will,” he orders; it’s a resonant threat that vibrates right into your body.

“Then you shall have to, for I will not!” you spit out, struggling against him for good measure, wanting nothing more than for him to rip the jewels from your body. And then your dress.

Just as promised, he is a little rough as he manhandles you, spinning you around so your breasts are pressed into the side of the phaeton, the unmistakable heat of his arousal on your tailbone as he leans into you. 

He yanks off his gloves with his teeth and brushes your hair aside, unclasping the necklace and slowly tugging one end so it falls off behind you. A frisson runs the length of your spine as his bare fingers trail down slowly over both of your arms to your wrists and flick open the hinges on the bangles there, removing them too.

“These jewels are beautiful, my lady,” he concedes, pocketing them, “but I demand more…”

“Please, brute, you have taken all I can give you!”

“Oh, but that is not true…” he rumbles hotly into the nape of your neck. 

You gasp as a hand cups between your legs through your thin dress. 

“Your greatest treasure is the only one I cannot take with me….” 

He ruts himself into you, intent unmistakable, as his fingers curl into the fabric. The softness of the silk over your already throbbing clit has you biting your lip.

“No, please, let me go…” 

You amp up your performance, pushing back into him, looking over your shoulder with a fiery challenge that belies your words.

“I demand satisfaction!” 

With that, he kicks your feet apart, rucking up your dress until you feel the cool night air swirling around your buttocks and between your legs. Then there is a pause as his hand travels up your naked flesh, a hungry noise escaping his lips as he buries his nose into your hair, 

“Perhaps I misjudged…” he rasps, words huffing warm over your scalp. “No stockings. Nor underwear. You are far from a lady….”

“How dare you!” 

You struggle again in his grip, loving the way his hold gets more insistent, moaning loudly as his fingers curl into your folds, already leaking profusely from the moment he emerged from the trees.

“Shut up,” he gruffs, dropping the gun into the carriage in front of you. “The more you struggle, the more I will take.”

This play already has you desperate for him, blood boiling with pure want as his fingers tease your clit.

“No, you beast, I shall not give in…” 

Your objection sharpens his resolve, the wool of his trousers chafing the back of your thighs as he rapidly yanks open his britches one-handed. 

Your cry echoes around the tree canopy as his rigid cock roughly ploughs into your pussy from behind, the force rocking you up onto your tiptoes. The sheer stretching invasion has you grabbing the carriage for leverage, wanting to voice your approval but too committed to the role you inhabit to allow yourself.

“Please, mister, no!” 

You twist to meet his eye, silently begging for him to go fast and hard, take you mercilessly as you pretend this is not every wish you had for this night. Loving the feel of his fingertips curling around the crest of your hips, readying to take you hard. 

And then he does—pulling out almost entirely, then ploughing back into you harshly. Immediately setting a nearly punishing rhythm, the dirt beneath your silk shoes crunching under your foot as you rock with his motions, you calling out loudly with each jolt.

“Quiet, or I will spank you,” he warns, his face wild, even obscured behind his mask.

That’s an open invitation you are not going to refuse.

“Stop!” you yell, goadingly.

There is a stinging slap across your buttock that has you lurching, your head lolling down, a huge, unseen smile claiming your lips, little sparks of fire radiating from the point of contact, a beeline right for your clit.

“No more!” you pant, staring at the ground and rocking back into his snapped thrusts, wrenching a moan from you with every move, his cock a delicious heavy weight cleaving you open, as it always is. You could never tire of this feeling, when he takes you so hard you can only cling on for dear life.

“All I heard is more, fair lady,” he laughs darkly and spanks again, your other cheek this time, a matching handprint you feel glowing.

You pitch forward and teeth the carriage as he fucks you. His moves are harsh, grunting with each thrust. You bite down, knowing the dental imprint you leave will be a great source of pride for him, a lasting memento of just how untamed he can make you.

“Tell me you want this!” He demands, grabbing your throat and yanking you backwards, your spine flush to his front, speared deep onto his cock as he stills.

“Never!” 

His hand spanks you again so forcefully your eyes roll back. He withdraws slowly, then thrusts up so deep your toes leave the ground, him supporting all of your weight. It’s always so wonderful to feel like a rag doll in his arms when he is like this, speared open, utterly malleable to his onslaught.

Suddenly, movement catches the corner of your vision, and you look askance to see Benedict approaching, shirt billowing in the wind as he rides his galloping horse majestically across the moonlit field toward you. His horse whinnies as he dismounts in an athletic leap, bounding towards you.

“UNHAND HER AT ONCE!” 

His voice is a bellow the likes of which you have never heard from his before. It makes you clench reflexively around his brother’s cock, and you wonder how much jealousy is behind the following line that Anthony sneers.

“It appears you have a rescuer, my lady. How entertaining. Who is he?” Anthony demands, spinning you around to face Benedict while still buried inside you.

“My husband,” you improvise provocatively, pushing back into Anthony.

It’s not something you had discussed with them for the roleplay, merely that Benedict would be your rescuer. But the look of unbridled desire that engulfs his face as you bestow him as such for this scene makes your lungs catch, his whole body puffing out with pride. 

“Get. Your. Hands. Off. My. Wife.” 

Each word is its own sentence, his voice dripping with possession and intent, inhabiting outrage so perfectly.

“Too late,” Anthony snarls back. “I am already inside her, and she is thoroughly enjoying it. Her smart mouth may protest, but she is positively flooding over me.” 

That triumphant verbal swipe makes you stutter. Evidently, Anthony has been taking notes from his poetic, dirty-talking younger brother, who stands before you now, a quake in his being that could be a husband’s rage, but you know to be pent-up desire—his gaze trained on your exposed lower half.

“Wrong…” Benedict growls, taking a large step forward, pressing into your front so you are sandwiched between them. Your very favourite place to be. “She may be drenched, but you are not the cause, merely the beneficiary.” 

Benedict’s sizeable right hand curls into the hair at the nape of your neck as he stakes his claim on you with his words and deeds: drawing you into a plundering kiss, the outline of his cock growing harder, pressing hot into your belly, before he breaks away to continue speaking. 

“She is my obedient little one,” he proclaims, cupping your jaw to make you stare up at him, even as Anthony’s cock rocks deeper into your pussy, challenging his claim. “As soon as she so much as scents me in her periphery, she is dripping down to her dainty ankles. And that is why she is mine. My wife.” 

Benedict’s resonant cadence vibrates your chest and has you swaying, desperate for him as well. You feel Anthony twist a fraction to grab something from the carriage behind him, still rock hard inside you. 

“Do you forget, Sir, who has the true weapon here? Anthony challenges.

The cold barrel of the gun is pressed to your temple again. 

You mouth the words not loaded to Benedict, and he responds in kind, I know, before stepping back and holding his hands up in faux capitulation. 

“Please,” Benedict changes tack, “take our jewels, but please do not harm my wife…”

You are enthralled by this—the planning they must have done together to execute this and how effortlessly they both inhabit their characters. A collaboration that speaks to their growing acceptance of each other as equals in this dynamic. Even though you can see the lines blurring as they goad each other within the roleplay, spectres of their past power dynamic, where Anthony would taunt Benedict with you, setting rules that always gave him the upper hand.

“I have already ruined her,” Anthony smirks, thrusting once for good measure and making you moan before stilling again. “But I shall offer you a deal…”

“Anything…” Benedict pleads, utterly convincing now as the distressed, cuckolded husband.

“You may watch me fuck her, plant my seed in her, and I will be happy to leave empty-handed.” 

“Or…?” Benedict prompts, sensing an alternative.

“You may join me in taking her. I will not seed her, but I will depart with every single one of your jewels,” Anthony declares, nodding to Benedict’s ring on his little finger.

“Wife…. I shall let you choose.” Benedict's eyes scoot to you, still embodying his role, but his gaze pleading to let him in on the fun.

Silently, you hold out your hand to him, inviting him in. He takes it, bringing it to his lips and kissing your knuckles briefly in reassurance. 

“You have a deal, highwayman,” Benedict concedes to Anthony, pointedly removing his signet ring and handing it over your shoulder.

Anthony pulls out of you, making you whine at the loss, a droplet of wetness trickling down your thigh as he spins you around to face him. 

“I think your wife should be naked, would you not agree?” Anthony posits, his fingers trailing your scooped neckline to the swell of your breast as he gives an order: “Undress her for me.”

Wordlessly, you feel Benedict plucking at the buttons over your spine. As they relent, he moves to tug the slackened fabric down off your torso, and the blue silk flutters to the ground, a shiver running over your skin as a cool breeze swirls around your naked body. 

Anthony sucks in a breath, taking a half-step back, his eyes raking covetously over your naked skin. 

“You permit your wife to parade in public without any undergarments?” he chides, his tone dripping with judgment.

“Permit her?” Benedict chuckles, bemused.

You inhale sharply as he wraps an arm around you, hauling you snugly backwards into his frame, his long fingers then spidering down your lower belly, right into your damp slit. 

“I veritably insist upon it,” he gloats. “And she is more than keen…”

His teeth catch your earlobe as you whimper and writhe on his touch, little sparks of pleasure pinging around your body. 

“Always so ready for me, are you not, my darling wife?” 

You twist to meet his gaze as you nod obediently, and he rewards you with a crooked smile and a light pinch to your engorged clit that makes you cry out for him, punctuating his point. You yearn for him to take you roughly, needing this husband version he plays so well to claim you as his. 

“You are a lucky man, betrothed to such an eager little vixen,” Anthony concedes, staring you down, provocatively wiping his lip with his thumb, hunger barely contained as he watches you ride his brother's fingers. “Perhaps she can lick clean the mess she made of me while you take your pleasure?” he adds casually.

“I will do it,” you volunteer brightly, almost preemptively, and far too enthusiastically for being held ‘hostage’.

“Come now, sweet girl, at least try to act as if you are mildly perturbed by our predicament…” Benedict deadpans genially, his fingers stilling as he breaks character, and Anthony chuckles, looking equally entertained by your outburst.

“Sorry…” you whisper over a giggle, and it earns you a quick kiss on the cheek from both of them, their eyes glittering with amusement. “Please continue…” 

Benedict slides his fingers out from between your legs, you whining from the loss. But you soon quieten as you realise he is unbuttoning his trousers, knuckles brushing your bottom as he peels them open just enough to free himself, veritably pulsing for the promise of his cock too.

“Bend over and suckle him, wife,” he orders, back in his role, knowing how much you adore detailed filthy instruction from him.

“Yes, husband,” you demure, lowering yourself as requested, widening your stance as you do so—a blatant invitation for him to take you.

“What an excellent, obedient thing,” Anthony observes, his hand gliding into your hair as you peel his trousers open further, pressing your face into his crotch before sucking his tip between your lips, glazed with your arousal.

“She’s a wonder,” Benedict concurs.

Anthony’s fingers flex on your scalp, and his thumb rounds your jaw to pull down your chin, opening you wider. He thrusts into your mouth; your hands cling to his muscular thighs as his tip nudges the roof of your mouth, tongue pressed into his underside. 

He groans loudly, your tastebuds flooded with your tart juices and a bead of his salty precum. He withdraws then drives back in, nudging deeper this time, knowing it always makes you mindless, his grip solid on your head as he starts to fuck into your mouth. It has you squirming with supplicant need, begging Benedict silently for his cock, too, as he teases your slit, grinding his head over your clit.

Your call is entirely muffled around Anthony as Benedict finally takes pity on you, thrusting deep into your pussy, in one rapid, forceful move. Both ends of your body are utterly invaded, one of your favourite places to be, a carnal loop of pleasure that only they can provide. Anthony’s hands are heavy on your scalp as Benedict's grasp your hips almost punishingly tight—something so thrilling about you being bent over entirely naked between their clothed bodies. They work together to ensure maximum pleasure for you, intuiting your needs, Anthony withdrawing just as you need to draw breath but always keeping you singing with need, his cock something to muffle your noises, to suckle upon as they both drive you higher.

You sag into their hold, relying on them to keep you balanced, pliant to the push and pull of your being between these men as they use you just as you want them to. Entirely possessed by them, played expertly by both as if an instrument for all of your mutual pleasure. Always intuiting your needs, Benedict reaches down, pulling your arms backwards flush with the sides of your body, twining his fingers in yours, a possessive hold that means you have no purchase to prevent Anthony’s thrusts into your mouth. 

Benedict’s pace builds slowly, his cock grinding all those places deep inside only they can reach. His thrusts that cleave you open timed perfectly, his fingers curled over the pulse point on your wrist, syncopating his movements with each beat of your heart.

Anthony groans, causing his cock to vibrate as it passes through the tight ring of your lips. The tingle has you moaning too, a call and response that notches things higher.

“I will not last,” Anthony grits out, teeth clenched, his fingernails digging into your scalp, his thrusts into your mouth urgent now, barely allowing you any reprieve.

“Do as you will…” Benedict grunts, his noises guttural as you clench around him, a vice that has him dropping your wrists, sensing how close you are, too. One of his hands grabs your hip roughly as the other ploughs into your slit, catching your swollen, throbbing clit.

He changes angle to spear deeper, harsher, and you scream around Anthony’s cock, which fills your mouth now, breathing harshly through your nose as he uses you mercilessly.

“Look at me,” Anthony commands, grabbing your head to tilt your face upwards, his cock tip grinding the roof of your mouth, your hands again on his wool trousers for leverage as you stare wide-eyed up at his handsome face, angular and determined.

“So fucking beautiful,” he croaks, his thumb rounding to blot the tear forming in the corner of your eye from not wanting to blink. 

“Better and more priceless than any jewel,” Benedict taunts, still impressively embodying his role, each word heaved over a breath, “and all mine.”

The possession with which he growls that last word, plunging harder than he ever has, is the catalyst for all of you. The vibration of your scream around Anthony’s cock as Benedict glances at your hilt is what tips him over. A heavy pulse travels up the length of his cock, and his fingernails cirls into your scalp as he comes, a salty rope splashing into your throat that you swallow reflexively as Benedict's fingers and cock send you over the edge, your vision whiting out, as your whole body convulses, strong hands bandying around you to hold you upright as your knees almost give out, everything in your snapping taut as you come so hard you swear stars dance before your eyes. With an almost howl, Benedict roughly pulls out of your convulsing pussy, a warmth splashing over your lumbar spine as you all pant loudly.

Before you are fully cognisant, strong arms pull you into an embrace. You recover, caged by Benedict, his chest warm against your spine as he murmurs sweet words in your ear. In front of you, Anthony refastens his trousers, pulling the gems from his coat pocket, still impressively in character.

“I shall greatly enjoy the spoils of this evening,”  he taunts, holding them up so they sparkle in the moonlight. “But, if you should ever wish to share your wife again, you know where to find me…”

“How do you know I will not tell others of your location? Force you to move your despicable, criminal activities elsewhere?” Benedict counters as you drowsily enjoy their little theatrical, continuing purely for your amusement.

“Because of the way your wife is looking at me…” Anthony crows, stepping forward again to run a finger over your chin and swollen, darkened lips as he repockets the loot. “As if she wishes to ride away with me as much as she wishes to remain with you.” 

He draws you in for a fierce, possessive kiss, you gasping heavily, pliant under his invasion, still dazed from your orgasm. 

“Perhaps one day, if you are a good little thing for me, you could even earn your jewels back…” Anthony contends. “Until then, I bid you adieu…” he signs off, bowing, then turning heel and disappearing into the night.

—

A few minutes later, Anthony saunters back from bridling the additional horse onto the phaeton. Himself again, the roleplay scene over.

“Our poor girl cannot wear this; 'tis too caked in dirt and mud now,” he rues, no trace of the menacing highwayman to be found in his tone as he scoops your trampled dress up from the dirt track.

“We will just have to keep her warm for the ride back, brother,” Benedict advocates.

Anthony hums in agreement, chivalrously whipping off his shirt and helping you into it with affectionate kisses. After a quiet spell in their joint embrace - always your favourite place to recover from such vigorous adventures - they both tenderly assist you up into the carriage, arranging you snugly between them upon the simple bench seat. Both wrap their free arm around you as they grab a horse rein each. You burrow into their comforting presence as the carriage trundles away at a leisurely pace.

“Did you enjoy our roleplay, my girl?” Anthony checks, tone laden with affection, as Benedict turns to kiss your forehead tenderly.

“Yes, you were both so wonderful, exactly as I had hoped and more. Thank you,” you sigh contentedly, nuzzling into them both in turn.

“I cannot wait to hear of your other fantasies, sweet girl. I assume you have many more,” Benedict guesses, accurate as always.

“I am rather taken by the idea of adventure on the high seas with two swashbuckling buccaneers…” you confess, even as you have to stifle a yawn, the sway of the carriage and their warmth soporific.

“Well, after you have had some good rest, my darling girl, perhaps I will seek out our grandfather’s cutlass…” Anthony offers as he laughs genially.

You perk up, and your head pings between them. “Is that a promise?”

“Most definitely,” they answer in unison, two pairs of amused, sparkling eyes meeting yours as the beauty of Aubrey Hall hones into view in your periphery.

You cannot wait.

Anthony & Benedict taglist pt 1: @makaylan @longingintheuniverse @iboopedyournose @colettebronte @aintnuthinbutahounddog @severewobblerlightdragon @writergirl-2001 @heeyyyou @enichole445 @enchantedbytomandhenry @ambitionspassionscoffee @chaoticcalzoneranchsports @nikaprincessofkattegat @baebee35 @crowleysqueenofhell @queenofmean14 @fiction-is-life @lilacbeesworld @broooookiecrisp @queen-of-the-misfit-toys @eleanor-bradstreet @divaanya @musicismyoxygen84 @miindfucked @sorryallonsy @cayt0123 @hottytoddyhistory @elizah99 @fictionalmenloversblog @debheart @zinzysstuff @malpalgalz @amanda08319 @panhoeofmanyfandoms @kinokomoonshine @causeimissu @delehosies @m-rae23 @last-sheep @kmc1989 @ferns-fics @corpseoftrees-queen @magical-spit @bunnyweasley23

[numberonetrashwitch]

Some observations about Baldurs Gate 3 that hit too close to home.

After another few runs i will probably just make an in-Depth Character Analysis for every character simply because they are good reflections of actual trauma-manifestations and how abuse can manifest in people. They are also so well written that it serves a narrative purpose to explore all the material that is out there about them. I am also personally cursed with actual medically-relevant levels of Empathy and Hyperfixation; so writing this helps me put a pin in it and move on.

But so far here are my highlights

(SPOILERS and obviously content warning bc these are deep)

before you ask; i have almost 300h in this game.

You have to convince Shadowheart to eat the Noblestalk. She actually stells you she rather get her memories back from Shar but when you hit the persuasion or intimidation (what the fuck) check to get her to eat it she'll tell you about her childhood friend. Not her name, not her parents but her best firend. Possibly because she has had a closer bond to that person after being abducted and indoctrinated. With her believing herself to be an orphan, she would've looked elsewhere for comfort and sought out her own family, this is why she falls hard and heavy for Shar and builds the backbone of her indoctrination. She is literally ripped out of her home & given a new identity to server her from all she has known. Religious indoctrination, Gaslighting, Abduction, being forced to let go of your personality are her main themes.

There is a scene out there floating around in which you see Astarions pespective of the night when he bites Tav for the first time, in his meditations he is confronted with the rules Cazador put on him, including that he can't eat intelligent creatures, can't be away from Cazador unless allowed to, has to obey every command and that they are should know that they are property. Which in turn means that Astarion literally didn't just have any autonomy, he was objectified (and not just through seductive/sexual measures) and that is really the crux to understanding why he doesn't believe in kindness, but rather shows self-serving behavior in most cases. Since we know that Astarion was extremely young for an elf before he died and became immortal (literally stopping the aging /maturing process) it is also very telling that Cazador constantly calls him brat, boy or other very juvanile names, refering to them as a family... well it is also the story of a very controlling parent. Themes of (Bodily) autonomy, infantilization ( & puer aeternus, forever-child), slavery, depersonalisation, corruption of life and torture to break someone.

Gale isn't just a guy hung up on his Ex, but also a victim of abuse. In this case a power imbalance none of us can fathom; She is described as being a jealous goddess and rules over the domain of mysteries and magic. So with Gale being a Wizard, she is literally his boss. He admits that he was foolish enough to aspire to be an equal to her, but she is so jealous that she tells him he can't really be worthy as long as he takes breath. She could just take his powers away and be done with it, that would be more than enough punishment for a guy who literally made Mystra and her domain his life's purpose, but she rather makes him do it himself. Add to that, that she literally only tells him this after years of self-isolation (after he put down so many wards that he could've blown up a whole army as he says if you click the right dialogue) to really fuck him up well. He also talks about death pretty much constantly, not surprising giving your situation, but he will tell you that he will kill himself at several points in the game, for instance after he comes clear about his nethrese orb. Themes of romantic abuse, power-imbalance, toxic work enviorment, self-isolating behavior, suicidal ideation

Wyll ... well from the looks of it he is the most well adjusted of all the companions (my opinion) but he has something that i'd describe as the "eldest daughter"-syndrome, more commonly known as parentification. This pattern usually occurs within single-household parents and is commonly described as a parent looking to their child for emotional or practical support, rather than providing it to their kid. We meet Ulder and see that he talks over Wyll a lot, not listening but expecting him to follow the standard he sets for him. That is also why Wyll repeats his fathers words like gospel (because this is what, in his mind, fullfills the expectations bestowed upon him) and why he loves fairytales / bard tales so much (because they are an ecapist view of the job he set out to do) Ulder literally exiled his teenage son because Wyll did the only thing he could to save an entire city, by sacrificing himself. Thats a lot to expect from a 17 year old - even more so, he doesn't stop with the heroics. He expects himself, as a human who hasn't even reached the age of 30 to hold up to mystical creatures such as Astarion or Karlach, or even Gale who is a accomplished Wizard. Themes of parentification, escapism, self-harming through putting himself in danger, chronic-self-sacrifice

In plain words; Gortash, Karlach's Idol sold her to a Devil. But add to that that she must have been pretty young when she was sold (late teens to early twenties possibly) and being that if you play as a Tiefling, you face a lot of predjudice she was likely forced into that position as well. Starstruck she was, with a juvenile naitivy that Gortash used. Appropriately, as he is the chosen of Bane the god of "tyrannical oppression, terror, and hate, known across Faerûn as the face of pure evil through malevolent despotism" (Source: Forgotten-Realms Wiki / Bane) So she pretty much was raised in a toxic enviorment, which forced her to become a killing-machine, first figuretively, then with the extraction of her heart, literally. Themes of slavery, oppression, misuse of trust, being taken advantage by a more powerful/older(?) person, being drafted.

Jaheira - to be honest, you need to know the lore of the previous baldurs gate games or just listen to her dialouge, ask her all the questions. She is a war-veteran against Bhaal, the good of ritual murder, and has a long history of fighting to achieve some sort of balance of power. She lost her husband and several close people all to this, or any other war, but due to her wisdom and strength people look to her for guidance. Themes of: Survivors Guilt.

Halsin - he is really closed off at first but then just casually hits you with "i was captured in the underdark and spent 3 years chained to a bedroom wall by a pair of drows who used me as they pleased". He is reprimanded by some of his druids for leaving the grove as soon as opportunity struck, just to get back and leave the next day, and if you talk to him about his position in the grove he is actually very forthcomming. He actively holds himself back; indulging in simple hobbies because he knows what lies within his heart. He is afraid of himself and his potential (canonnically he can't control his wildshape, which is very weird for an ARCH-druid) Themes of: impostor syndrome, avoidant-based self-harm, sexual opression, loss of control, emotional regulation.

Lae'zel is a very tragic case, and one that closely resembles the stories of Shadowheart and Karlach. Her entire existence is based upon a matriachial war society allowing her to live if she proves she can be of use and that in a culture which only values brutality, dominance & service. All of that culimating in her finding out that her oh-so-beloved Queen is actually just an imposter, and that everything she has lived for up to that point is merely political propaganda created to make her, and the rest of her entire species, willing pawns in a war that has no longer bearing on their survival alone, but is fought to justify Vlaakith's (the reigning monarchs) personal ambitions. Not only is she forced to reconcile that she is turned into the thing that controlled her kind for hundreds of years, that the only cure she knows of would kill her and then on top of that, that her hopes and dreams were lies and that she is now the Nr 1 enemy of the person she has served with all her being. themes of: oppression, propaganda, casual violence, objectification, child-warfare, eternal warfare

Minthara in short, her story is about being shamed for growing up in the same scenario that Lae'zel grew up in. Lolth, the god of the Lolth-sworn drows is a crazy queen who values scheming & backstabbing so much and is so volatile that you can't know what to expect of your deeds (and i mean it; there were people who were appraised by her for scheming against her, but also those who were killed. It's almost random.) She considers Lolth to be cruel and abandoned her for the Absolute, only to then be used and abused the same way Lae'zel has. Not with promises, but erasing her memory and exposing her perceived weakness. Themes of: casual violence, violent culture, her own ambition colliding with her desire to be safe, being a pawn in a larger game.

[notetaeker]

PSA to anyone writing an essay at ANY level:

please, for the love of god, integrate your quotes properly. don't just drop them in the middle of nowhere D:

it's very easy:

Step 1: Introduce the Author of the Quotation (Who/where is it from) Step 2: State the Quotation (the quote) Step 3: Summarize the Quotation (paraphrase it) Step 4: Analyze the Quotation (Break down the meaning) Step 5: State the Quotation’s Relevance to Your Argument (Why did you just share this quote how is it related to your essay?)

Here's another example:

After talking with Cherry, a girl from the opposing group, Ponyboy, the main character in The Outsiders, by S.E Hinton, observes, "Maybe the two different worlds we lived in weren't so different. We saw the same sunset" (Hinton, 78). In other words, after talking, they realized they had more things in common than they thought. This shows that one of the reasons the two groups keep fighting is that they don't really ever communicate with each other. This is a reflection of our society today, where people discriminate against each other based on stereotypes, without actually ever communicating with each other.

Its an easy formula to follow and literally makes your writing sound so much clearer PLEASE just DO it and SAVE THE EYES of your teachers today

- sincerely a teacher who is TIRED OF SEEING quotes that have been parachuted into a sentence and no one knows who said it or why you added it in your paper PLEASE we want to give you good grades help us out 😭😭😭