#it took a while to remember which episode this scene's from

[rabid-invertibrate]

Um actually Vander isn't fully gone (the complete proof) (HEAVY SPOILERS)

spoilers for the entirety of arcane s2 obviously watch it if you haven't or don't if you care about your mental health

Although we see his memories/emotions get acetoned away in s2e7s final scene, and the following battle with his kids has him attacking them pretty rabidly.

But wait...

Tumblr compressed this image to hell, so you'll just have to trust me.

If you look closely as he lunges at Vi and Jinx, a tear appears in his right eye (not previously seen)

We can see it better after Jinx hits him with her rocket.

After Vik gets Jayced we see these tears on full display. The size of the tears is significantly larger, so we can assume they were spilled as Warwick corrupted the girls with void magic, indicating some amount of awareness.

Of course immediately after the screencap above Warwick attacks Vi, Jinx does a side slam and the father daughter duo barely get caught by Vi's gauntlet

Jinx and Vander plummet to their presumed deaths (they are both alive, but for drama’s sake, let's pretend). Vander/Warwick doesn't attack Jinx despite her being entirely in his grasp.

He could shred her right then and there. A mindless beast would, he doesn't.

Vander holds Jinx gently, he doesn't dig into her flesh, he just holds her and lets Jinx cup his face.

We see a flashback of Vander watching the girls sleep. Since he is the only conscious one in this situation this implies is that it is not Vi's or Jinxes memory, only Vanders.

Reader, you might think, well how the hell does he remember anything didn't he get mind wiped an episode ago. To that I respond I don't fucking know, but arcane is VERY intentional with its details and nothing else makes sense.

Jinx escapes, this isn't even subtle. She does so BEFORE the bomb blows. In no universe would Jinx break Warwicks grip, hell, she's toast if any stronger character grabs her (fe. Ambessas bodyguard). Do you know what that implies??

Since Warwick wasn't incapacitated at that point, HE WILLINGLY LET HER GO. He used the last shreds of humanity to give his daughter a second chance at life.....

I AM NOT OK

Below there's the more speculative part I'm not sure of.

Warwick, unlike Jinx, didn't escape into the air ducts. But we've seen him survive significant explosions in the very same episode, moreover he survived Isha blowing him up with the force of 3 magic orbs, and yet he lived.

This can only imply that Warwick/Vander survived. Of course the previously mentioned flashback shows Vander blowing a candle out which can symbolize his life ending, but I'd say it's more likely a subtle way of showing the destruction of their family unit as it was.

I am aware this is complete copium yet maybe Jinx took him wherever the fuck she went on that airship to heal him up while sparing Vi from fighting their unkillable werewolf dad over and over again. Vander is still in there are proved by this long ass post, and I think Jinx knows that. I don't think she could give up on Vander like she wanted Ekko and Vi to give up on her.

□

Cool additional fact pointed out by commenter:

[ganondoodle]

couldnt fall asleep for at least 2 full hours bc i kept thinking about it, so ... more (i hope this is the last time)

what was the point of adding isha? no i mean it! i started to like her in act 2 bc i liked mute characters and her with vanderwick where pretty cute.. those episodes are still my favorite, but shes so?? she gets dropped into jinxs lap quite literally (WHY where cross's goons (the chembaron) even chasing her?? i thought thered be some reveal or soemthign or backstory idk but no she just came out of nowhere and got chased for no reason other than to end up falling on jinx and seeing her shoot the goons) and then is given some cutesy time with em only to die horribly for literally nothing except make jinx .... suicidal ... which SHE ALREADY WAS, the entire vi and jinx fight scene at the start of the season is about her wanting vi to kill her- using isha like that is such a waste and so cheap, it served no purpose other than to give jinx and the viewer i guess the hope that things could be better even after everything only to rip it all away again and make it all even worse, but it already was so bad that it falls incredibly flat, and aside from jinx being worse than ever mentally no one seems to really mind? (ALSO feels slimy bc she was mute, mute kid chaarcter only gets used as a cheap way to make mentally unwell character even more mentally unwell)

magma vanderwick ... how ... what was that then? i thought it was either singed who was left alone in the greenhouse with vanderwick using that serum on him that supposedly .. does something to prevent viktor from bringing vanders mind fully back (no other information on that?) or it was viktor 'dying' that made all other cult people flop over and get taken/into stasis, and bc vanderwick was such a strange creature it took vander or part of him but not the beast- but then in act 3 ..... singed uses that serum THERE, so it wasnt him doing anything and him standing ominously in the broken greenhouse was jsut to .. show singed was still alive bc that fucker cant ever die- AND when stupid viktor turns people into fugly robots (im pretty sure, unless im mixing up what mind erased him) you see his memories being burned, so hollowed out .. which means that he was still himself? so it wasnt that viktors 'death' erased vander and left the beast bc it was still both at that point .... what the fuck was up with him then at the end of act2??? why did he go all volcano??

AND then at the end with the weird vi getting emotional over fugly robo vanderwick scene the beast i guess is STILL there .. but when you get turned like that you just turn into a robot and your mind ceases to exist, he already had vander erased, but then gets taken and turned robo so the beast should be gone too?? no`??? even if i remember it wrong and it was viktor who mind erased just vander- again problem as before, why did he go volcano then?? AND why did he slump over dead eyed after it? shouldnt the beast take over immediately when vanders gone??

....did jinx even interact at all with sevika after the scene in stillwater?? i dont think so, what a joke honestly, sevika was pretty much part of the team, then she gets isha out and then next time its jinx isha and vi going to search for vanderwick, the fuck has she been doing until the last episode where she doesnt say or really do a single thing???

im sorry lesbians but that sex scene was rather missplaced, not agaisnt it in general but the timing?? (any sex scene there at that time would be missplaced imo) jinx pretty clearly told vi that she will kill herself "you wont have to worry about me anymore" "im breaking the cycle" HELLO??? and while we dont know how long it took for cait to find vi down there (whereever that prison even is? not stillwater thats for sure) shouldnt vi burst out the prison and go chase after jinx the second she was freed???? i get she says soemthign like losing hope of getting through to her BUT JINX IS GOING TO KILL HERSELF?????????? and then cait and vi make out and fuck in the LITERAL SAME CELL THAT JINX WAS JSUT IN?????????? and even after that doesnt go to check on her?? you CANNOT tell me vi just gave up on her and accepted she killed herself like that

ALSO did no one know what signed was doing with vanderwick (who was still alive .. so isha kinda died uselessly, if he died then as well at least it would mess up the plan .. the stupid plan, i hate viktor cocoon hivemind shit)? they had to get vi out of there so ?? and vi also didnt like .. check if idk vanderwick was really fully dead or just go there again? even if it was secured or soemthign i dont remember her askign anything about him just jinx ... bc there she still cared at least a little bit about her i guess

jayce ... why did act2 make him out to be all mad and like he was given a mission by ekko and heimer (bc he says "i wont fail them" THEM) but then its revealed it was old future viktor who send him back/gave him the mission- ALSO why was he so extreme and mad in act2 when .. yes in act 3 you see him go through that torture in the cavern but when he climbs up hes relatively calm and collected and ignores the weird crawly monsters and has a somewhat normal conversation with old viktor .. and then he returns and is suddendly all mad and going after present viktor- WHICH ONLY MAKES IT SO IT ENDS UP LIKE THE STUPID TIMELOOP??? did i miss something or does that makes no sense?? the only reason it not ending up like that being ekkos intervention- but jayce before that seems to just .. do all that like he wants it to end like in the loop .. i thought he was trying to stop it .. what was the point?

did no one question where the heck salo went? even if he fell from grace .. it feels weird to put him to viktor, make it clear on him how viktor isnt just healing people but taking their minds bc that wasnt salo anymore and no one seems to care?

kinda similar with mel bc her being taken only really matters to ambessa (and when they reunite i expected ambessa to break tbh ...) and one comment from salo and anyone else? who cares? wasnt she in charge? i mean yeah cait took over in a sense but it still feels weird; plus on the whole mel business .. she went from big important power figure of the enterity of piltover to uh .. mage lady in black body suit so quickly? political power figure to weeee blasting vaguely gold magic stuff all over yippiiiie (but in general all political stuff just went out the window with those last episodes)

i said before how i didnt like the whole getting put into other dimension bs with ekko even if the setting was somewhat neat, but similar how weird jayces end speech to viktor felt idk .. ekko having to see, interact and .. make out with a jinx/powder that was 'normal' to see that jinx in his time still had value felt slimy to me also he conveniently gets put right there when jinx is about to kill herself (bc neither sevika nor VI went after her??or did he find her? when did he show up again? idk tbh?) and then uses the z-drive just to try and say the right thing to not make her do it and at the end to through it in viktors face ....................... and jinx showing up at the end barely changes anythign except give her another outfit/look and put her up there in order to do her 'sacrifice' .............idk it all felt so cheap

also maddie evil reveal was so .... was that really needed, like that especially? just so ambessa can tell caitlyn 'told you lol' ?

caitlyn knowing that jinx isnt gone and keeping it a secret is played as if thats a cool thing bc jinx isnt dead yippiiee but to me it makes it even worse (aside from the whole 'our story isnt over' bleurgh ouch eughgnen line of teasing more bc big corpo likes to leaves things open in case they make more expensives shows to serve nothing but the world most overblown champion and skin trailers and in case they dont well who cares) bc its just so ... slimy, am i supposed to see it as a happy end or win for vi bc she gets to be with caitlyn?? bc that is more important than her SISTER THE RELATIONSHIP TO WHICH THE ENTIRE SHOW WAS BUILT AROUND?????? adding the trope i hate 'group of people splitting up at the end bc thats clearly the best for them' FUCK THAT! Vi should have joined jinx and sevika (add isha and non robo vanderwick best case scenario, also ekko and they all get cool jinx outfits and everything, let jinx be a hero instead of a lil crazy footnote in viktors god complex) and get caitlyn on her side to fight piltover to free zaun (maybe with ambessa taking over piltover, mel returning and joining the forces of zaun forcing her to fight her even though it breaks ambessa bc she cares too much about mel or soemthing and jayce and viktor can battle it out gay boi style somewhere else or later interupting the main revolution fight idk im jsut yelling but this whole viktor god thing and robo war and whatever really went so off the rails and out of propoertion i hhhhhhhhhhhhhhhhhhh also vanderwick should get to kill singed)

..........and the line of Vi calling herself the dirt under caitlyns fingernails? ... what a line to end this stupid episode with, what a line, a zaunite calling herself dirt under her noble piltover lovers fingernails

(so ... in the end ... what was 'the arcane'? its not the void? its not jsut magic? its something fucked they created when trying to create magic but ... what was it? what where those creepy crawling things? why does it work like that? taking peoples minds? healing their bodies with metal parts but also hiveminding them? what was the hexcore in the end? what the hell was all that? where did the crystals even come from? skarners lore got erased so not there? did i just forget that? and also mages exist but also seem like a very unknown thing in the show? and then mel just is that? and the black rose? like??? what was the point??? it all just feels so pointless? what was this all for? a cheeasy happy ending where they fuck with time more to fix it all would have been satisfying to me than this ... this nothing)

okay i do have to do a mini (i call it mini now.. this is just letting my feelings about it out, so its spelled agressively bc im just so .. frustrated ... also not hate to the studio or the people working on it .. obviously >_>) rant about arcane-

SPOILERS AHEAD FOR ARCANE SEASON 2

its the most beautiful show ever produced, i mean it, its style, fortiche's (the studio) style, is just .... impossibly pretty, 3d and 2d, the animation is just so GOOD, the designs largely (like 95%) are too, the acting and sound design, the voice acting (at least the english one) is so emotional and good, the show in general is just good ... until the last episode

i have my own problems with riot declaring arcane the new canon out of nowhere and for no good reason since it was, im very sure, never conceived to be that, its a reinterpreation and works best as such, now literally everything is once again completely messed up, no one knows whats real and what isnt, no champion or story is safe, especially with the weird hexcore bullshit potentially erasing the VOID (whish is like ... half on which the canon was built on tbh) AND hextech- multiple champions being impossible to exist now .... but thats not what i wanted to talk about

i was pretty on board with everything the show did, though i wasnt a big fan of the whole hexcore stuff, but it all spiraled so far out of control, it just kept making everything worse, also with bringing in the black rose and leblanc, it kept piling stuff onto the plate despite them already compressing everything so drastically; espeically regarding viktor, but i kept my hope up even after season 2s act 2 bc it still seemed 'fixable', though not easily so

what i liked about it (in its writing) despite its pacing issues was that it was rather .. self contained for the longest time, focused on the characters and the class struggle of piltover and zaun, and doing so rather well imo, like it did and said things i did not expect riot to let through

i was worried with the alternate universe stuff that came with the escalating hexcore bullshit but held onto hope even until episode 8 and then ...man .. the last episode ... the fuck was that- like i hate timetravel and multiverses and whatever but the thing with ekko was done rather neatly ... they made all those chaarcter models and sets just for that short stuff and really .. was of little use other than getting heimerdinger out of the picture as well lmao maybe he will get his own series to advertise for 200 dollar skins in league hahaaaa but i guess the main point was to give ekko the z-drive ... which feels alot like what i feared about them forcing it to comply with the characters in game ,,,, even though that wasnt for everyone like warwick was done SO dirty after giving me hope in act two

everythings focused on the hexcore/arcane shit, theres the black rose shit (honestly i think it was a mistake bringing them in too bc .. noxus is its entire own region with so many champs and story itself that got connected via ambessa .. which was a new character the show made up until they made her a champ now .. its just too much to put into this one show already going at a breakneck pace), mel doing her bit with them then bam she mage now which felt like a champion teaser more than an organic part of the story, especialyl with how hard it got pushed later (poor little riots gotta sell more game cosmetics uwu), jayce just taking over control again and everyone going with it, singed reviving stupid version victor via using vander/warwick WHO WAS STILL ALIVE AFTER ISHA BLEW HERSELF UP TO STOP HIM FROM KILLING EVERYONE (which was ALREADY pretty cheap, but i guess jinx had to be even more suicidal than she already was heehoo), dont even ask me HOW, viktor was just whoops from corpse to im a cocoon now, ambessa being so obsessed with it, the entire class struggle being """"solved"""" by piltover and zaun fighting stupid viktors weird ass robot shitheads together and then acting like giving sevika a seat at the council is the solution to it, half the cast just dying horribly for honestly no reason?? ORIANNA being now i guess some weird viktor robot but without the mindcontrol part and singed just kinda ... winning i guess by giving her cocoon some goo of stupid viktors cocoon

it just all ... turning from this so drama, character and class struggle thing into weird ass dimension hopping magical world war that all gets solved bc we fought together once uwu AND it being a fucking timeloop WITHIN what ONE episode? and that being the ENDING (i know i know the hexcore bs was building up throughout the show but it still felt so .. unearned and sudden ... )

also i got personal gripes with the 'ending' bc .. was it REALLY an ending like they kept saying?? was it?? viktor, jayce, heimerdinger, jinx are just disappeared i guess, mel going back to noxus- the fucking 'our story isnt over' tease???? the last minute appearance of swains fucking raven???? pecking at something blue and shining like idk a hex crystal??? SHUT UP i dont want more to come, this story should have had its self containing ending, not this open ended bullshit that just reeks of corporate meddling bc they want their game to connect to their popular show as much as possible now so we gotta bring in as many teases and connections to other champions YIPPIEEEEE (yelling)

also if jinx is dead, wow, what a way to end her story, the traumatized suicidal character being tortured and tortured especially after seemingly having something good for once (i liked act 2 except for its ending the most bc ... man jinx was so enjoyable there, i loved her dynamic with vi and isha and half wolf vander warwick with the beast and man struggle i love alot, that part was genuinely beautiful, i wasnt a fan of the idea of idk ekko doing time stuff and them having a happy ending bc i just dont like going back in time to fix everything kinda stuff, but i would have much much prefered that, not changing the existing story into the perfect world where everythings happy (though i liked that part ... vander silco being gay husbands like that is just so goood) but to fix what is fixable in the present- them still having gone through alot but being able to live with it, so act 2 setup was honestly my favorite way to not invalidate everything and still have something happy .... but no we gotta kill the kid to make jinx even worse and vander/warwick too while we are at it

if shes not dead (given you see a blimp(?) flying away and her scribbles showing up and caitlyn looking at the blueprints of the hexgates) then ... ??? oh yeah lets make her leave zaun and just idk go be the main character in noxus or soemthing for the next show they are gonna do bc jinx is popular so putting her everywhere is a good idea!!!1!!11

ALSO since vander/warwick is my favorite .. i thought maybe after isha doing that, if they dont reverse it, hed get taken by singed again or ran away and turned fully werewolf like he is in the game (though i would have liked if they were able to be a weird family like in act2)- but no he just gets used as fuel for stupid viktor cocoon and then mind erased and made into the ugliest weird robot thing that looks more like galio than him JUST and i feel like it really is JUST to have Vi at the end do the scene that gets jinx 'killed' .. to lead into the 'more to come' teaser.. idk about you but that scene felt so .. forced, the typical oh no platform is slowly falling down but Vi suddendly gets emotional about weird ugly robot warwick (who conveniently comes back to life as ugly robot beast since his human mind got erased but not the beast??? i guess???) and completely ignores jinx yelling at her to get to safety, it felt so WEIRD to me (if you gotta do him like that at least let Vi listen to jinx, them embracing and then watchign emotionally as robo vanderwick falls into the hexgate thing .. that was still active somehow i guess??)

(poor viktor got done so dirty too .. i liked him .. until it all went weird wit hthe hexcore stuff ....... ..... also jayce weird speech to him .. why the FUCK did you not do that back in the cult camp instead of blasting him to bits, i get it he was fucked up from seeing the future, but then later hes just ... okay???? pretty fine all things considered??? and pretty aware of everything?? also his weird speech being all like vitkor actually you were perfect in your imperfection BITCH HE WAS SLOWLY DYING AN AGONIZING DEATH???? idk ??? it all feels so weird to me, like there episodes literally missing- ambessa dying also felt so unnecessary .. just so mel can take her place and go to noxus and have more shows maybe- )

i just .... and just like how i cant enjoy botw anymore after them fucking it all up with totk ... i dont know if i will rewatch arcane knowing it ends like that, what was that for, the most beautiful show ever made just to do a game of thrones ending in a single episode?

im so tired of it all ..... im so tired of being disappointed and feeling let down over and over no matter with how little expectations i go in with

this willl be the only arcane rant unless theres some .. big stupid reveal that gets me more frustrated than i am now, which i hope there isnt .. im tired of being and feeling like this .. i just want to enjoy things, everythings going to shit IRL and i cant even find something enjoyable to watch

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[penultimate-step]

Lately, I've been thinking about the effect of real-world time on perception of media. Or, wait, let me start from the beginning.

When I was 11, I read the book Ender's Game for some school assignment or another. I don't remember ever considering Ender a relatable character, but certainly my understanding of the events was shaped by being of an age to see the protagonist not so much as a young child but as someone of my peer group, someone who could have been slotted amongst my classmates without anybody batting an eye.

Over a decade later, I read the sequel, Speaker for the Dead; it takes place many years later, when Ender is in his thirties, and my feelings about the in-universe time skip were undeniably shaped by the real life time gap between my reading of the novels. Reading the first book back then and then the second book now created a feeling where it's almost like, I'm browsing the facebook page of someone I had known in middle school but lost contact with, checking up on how they're doing today. The real-time factor caused me to perceive it less like a timeskip, and more like a reunion - the feelings were closer to "oh wow, that's my boy! I haven't seen him in years! Wonder what he's up to?" Which in turn gave me a better position to appreciate the parts of the narrative about him struggling to find a place in his adulthood than I would have been had I perceived it more strictly as a quick skip from 11 to 20 to 36.

While musing about this, I considered a VN I played a few years back, which took place over three in-game days - except at the end of one in-game day, the game would lock you out from progressing for 24 hours real time. So that as the in-game investigator protagonist was ruminating on the information that had been discovered that day, the player would be forced to do the same. In this example, by forcing the player to experience the same timeframe as the in-game characters, the sense of it being an in-depth and extensive investigation increases, even though without the forced pauses the game would be short enough to blow through in a handful of hours real-time.

Which brings to mind how time effects things in long-running serial works. It's well known that an audience which watches an episode or reads a chapter week by week has a very different experience than one binging through whole seasons or volumes at a time, but I wonder if the real time relative to the in-universe time makes that effect stand out more? Fight scenes, for instance, have been known to take up several chapters in certain manga or webnovels. What does it do to the reader's perception, if from their point a view a fight takes a whole month, while for the characters they read about it's only been a couple hours? Readers might feel that the situation is more stressful, since the pressure of the fight has been ongoing for a long time for them, while in-universe it was a rough afternoon but no more than that. Contrastingly, when a series skips ahead or otherwise has long periods of time for characters that feel short for readers, it can feel like no time has passed and everything is still the same, unless the author really stresses the differences in world-state that occurred offscreen. Because the reader hasn't changed at all.

No conclusion here exactly, I just think it's interesting how often an audience's response to a work, the emotions felt, are more closely tied to their real-life timescale, something almost completely out of the author's control, as opposed to in-universe time, which can be intentionally shifted or played with for the sake of the narrative.

[periwinkla]

Final NRMT poster with all panels! Print here <3 Did anyone notice... anything about the bottom right panel? It's not too obvious but I wanted it to at least be noticeable within the poster itself that something is... 'off' if you compared it with the other panels. And there's a reason. Honestly it's just about a silly headcanon of mine, and it is also a silly way for me to include it but... I'm silly myself. Under the cut, the hanakotoba notes for the flower panel... and other stuff. The other stuff isn't important really but it was funny for me.

Already talked about this in the flower panel post - but these are the main things I took into consideration when choosing the flowers:

3 sunflowers specifically mean 'I love you' - so I also added 3 chrysanthemums to complement them. By the by, among other things, sunflowers mean 'passion', 'love', 'adoration', 'I only have eyes for you' - while white chrysanthemums mean 'truth'. Red chrysanthemums signify 'love' but I opted against them in favor of the following flowers.

The small blue flowers are forget-me-nots, which, other than the obvious, mean 'true love' in hanakotoba. 

The pink flowers are Japanese primroses ('sakurasou' - they get their name because of their resemblance to cherry blossoms), which mean 'first love', 'longing', 'purity', 'youthful love', 'the beginning of youth and sadness'...

Also, here the nmweek24 tag on the blog to see the posts for the individual panels with additional info/behind the scenes: https://periwinkla.tumblr.com/tagged/nmweek24 note: there are a few minor adjustments I made for the final poster compared to the individual panels (you probably won't even be able to see them honestly) ---Sentimental story time--- The reason I wanted to do something special for nrmt week was because tomorrow (the 8th) will mark the day I first started playing AA1. And I'm so happy I got into it! Funny story: my first exposure to AA was the anime (almost 10 years ago!) I got to the end of the first 12ish episodes, obviously was very confused because it's not meant to be consumed by someone who didn't play the games, and promptly abandoned ship and forgot all about it. Completely. I even forgot I had watched it! until I got to Turnabout Goodbyes because I had a vague recollection of having seen the boat photo. But other than that, complete oblivion (my memory is quite terrible in general). Basically, last year I had finished Detective Pikachu 1 and wanted something similar because I usually play classic jrpgs and needed a change of pace... AA1 was my choice. As I mentioned, I remembered absolutely nothing from the anime (I had no idea Mia died, so, imagine the shock). I went completely blind till I finished with AJ and AAI1-2. Honestly, it's a beautiful experience when you play games without knowing anything about them. It feels like the good old days. I absolutely don't believe that study that says spoilers don't spoil the experience. Also I find it nice that I got into nrmt without outside prompt, because I find it funny that my brain needed to play through 6 games in order to see it. I seem to have prosciutto on my eyes (Italian idiom). In my defense I usually don't look for romance in stories and ship stuff unless it's very obvious. Nrmt comes too close to it to ignore. Ok, end of nostalgic sentimentality. ...And here's the 'other stuff': This print was the thing I said I had hidden 'in plain sight'. It has been on the print shop since... Thursday. 'It was there all along'-well more like half-along really <3

[clauderains]

This face he makes when he plays that character gets me every time

gotta say watching en los tacones de eva, patrick delmas is an incredible actor cause hes's such a believable sleazy villain and comparing to his potrayal of michel he's a completely different person in voice, mannerism, physicality - you can tell he had loads of fun playing that. also jea is an incredible actor as well but they bring such different things to the table. he doesn't transforms or anything but he even said it in an interview, his gift is emotional range and making the audience empathyze with the character cause he's one of those actors who works internally and uses their own emotions and experience to tap into the character etc

[clairegregoryau]

I've been tracking this down for a while now and I've finally found confirmation of what I suspected: Google Maps imagery for Piha Beach in Aotearoa New Zealand captured the setup for filming of Our Flag Means Death's Season 2, Episode 8!

[EDIT 25 June: the north end current imagery is sadly no longer this version, but I've captured it for posterity here, and it's still visible in the free Google Maps Pro app- read on for more info].

On the left is the north end of Piha Beach with the inn set. On the right is the south end carpark with the film crew base.

Why is that cool to me? Because it truly was a fleeting moment in time, no more than a handful of days of possibility, and yet it was captured as the image on the map, at least for a period of time. As an archaeologist I love a moment preserved in time, and in this one you can even see the OFMD production crew on the beach and on the path. It's places and people caught in the flashbulb of this aerial image.

The specifics of how I pinned down the imagery and the date are in this Twitter thread, but the short version is, I was hunting for a better visual on the area immediately surrounding the inn while writing Full Fathom Five, and noticed that the carpark in particular seemed to line up exactly with images from the final day of filming.

The final day of filming overall was 13 December 2022, filming at Piha was on 12 December 2022, and this aerial image was taken on 11 December 2022.

I had already been through the first image to make a comparison to the aerial map and it looked like a match, but Google Maps had 2024 in their attribution. [Noting that I'd put 13 Dec on my image notes, but I'd got that tangled with the last day of filming in the Kumeū studio the next day, and it was 12 Dec on location].

Thankfully Google Earth came through with the actual date.

And I just took a further dig into Google Earth Pro, which allows you to switch between previous satellite images, and it confirms a date of 11 December 2022 for the north end image as well.

[EDIT 9 September 2024- thinking about this again and suddenly realised... you know what, very often things will put the date it was in the US when a picture was taken, even when that picture was taken on the other side of the world, in a different timezone. Which made me realise that actually, if this was taken on the 11th of December in the US, that was on the 12th of December in AoNZ. A quick search shows that Google Maps confirms the date can be one day out, so- odds increasing that we're seeing the actual filming of Ep8 here!]

You can also compare this to a few months earlier in March 2022, right around the premiere of OFMD S1 (everything moved so fast in hindsight!) when there was no inn in that spot.

Which means we now know that for now, if you hop onto Google Maps (not Google Earth, because they have a different image for the north end that does come from 2024) and zing on down to Piha Beach, you can take a look at a preserved moment in time from the filming of S2Ep8.

[EDIT 25 June: the north end image has now been updated to the 2024 version across all of Google Maps and Google Earth, but the south end is for now still from the filming day. You can find the previous version for the north end on Google Earth Pro].

You can hop straight to the inn here.

And straight to the parking lot here.

And remember to put the layers into Satellite mode to view the aerial imagery.

Everything that was/is shown at the north end lines up with what we've seen both in the show and in behind the scenes content, all of which I delved into in this Twitter thread last month. That goes into a lot more detail about specifics, but the evidence is solid across the board.

The sandy path that runs beside the inn is a distinct feature seen in the show.

The peak that sits behind it, likewise (from Google Maps user uploads here and here).

The inn itself, and the way the path gives way to an unseen carpark, from Simone Nathan's TikTok video.

Based on all of that, it's easy to see that we've got our inn right here circled in red, preserved in that moment in time, even though it was no doubt taken down as soon as filming was done.

Prep looks like it took a couple of days before filming; filming was pretty much done in a day, according to an article at the time.

So, there you have it- it's a minor little thing and it won't be up forever, but for now you can hop into Google Maps and see an aerial view adjacent to the filming of S2Ep8 at Piha. The other beach scenes from Eps 1, 3 and 8 were filmed at Te Henga/ Bethells Beach.

[dilemmars]

⠀⠀⠀⠀⠀⠀“ DIE WITH A SMILE. ”⠀⠀───⠀⠀arcane.

⠀⠀𝖾𝗉𝗂𝗌𝗈𝖽𝖾 𝗍𝗐𝗈.⠀( some mysteries are better left unresolved , 9.6k words. )⠀by dilemmars.

1.⠀⠀ PAIRING⠀⠀:⠀⠀violet x f!reader.

2.⠀⠀GENRES⠀⠀:⠀⠀based on the storyline and universe of arcane ( league of legends tv show )⠀; first love trope, started dating recently, stablished relationship, exes to lovers. basically you and vi were dating before the start of the story, then got separated.

3.⠀⠀WARNINGS⠀⠀:⠀⠀i will add the warnings that the tv show has: slight presence of sex and nudity, foul language, alcohol, drugs and tobacco. moderate scenes of fear and terror. high content of violence and gore. in this second chapter, there's going to be an explicit scene of bullying and violence towards reader, and mentions of prostitution. please do not read if you're uncomfortable with it.

4.⠀⠀AUTHOR 'S NOTE⠀⠀:⠀⠀second chapter out! i don't know why, but i found it kind of difficult to finish it because it took me a while to decide how i was going to approach the first part. and i also feel like it's super repetitive, so i hope you don't find it boring (an di'm sorry if you do! i'll try to write better) :(( then we have more arcane episode 2 content, and a bittersweet end. next chapter will be the end of the first act (and we all know how it goes), i would advice to prepare yourself for some angst. meanwhile, just enjoy 🤍

5.⠀⠀IMPORTANT⠀⠀:⠀⠀this is a work of fiction. i do not own arcane or any content produced or owned bychristian linke, alex yee, riot games or netflix. all rights belong to netflix and the writers of arcane. all plot events and character developments that are not related to the main character's story belong to the writers and creators of the series.

The whisper of the name of Vander, the hound of the underworld, and his fearsome reputation, had drifted through the gaunt streets of Zaun like a famished viper aching for nourishment, but it had also reverberated within the glassed walls of the brothel in which you had grown up. You had first heard it from your mother's lips, like the caress of a feather brushing your skin, when you were too young to remember what had been of the city before him. In your blurred memories, only a chaos of violence and children's games, and then just peace. Like so many secrets huddled under the beds and behind the wardrobes of The Gilded Lily, it was a mystery how Vander had managed to keep that invisible line between the two worlds intact for so long. The only important thing, however, was that it worked.

At the age of twelve, you had come to think that he could be your father. Like many children of prostitutes, you had never met yours. Like many unwanted results of endless nights of work, you hadn't been much more than a mouth to feed that couldn't monetise your stay at the brothel. At least, until you got older. You had spent your days wandering the city in search of mechanisms to fix, wanting to spend as little time as possible under the brothel roof, knowing that your presence was not welcome. Profiting from the rare tastes of the men and women who frequented the many decorated rooms downstairs —and the even wilder fantasies they paid for in the rooms upstairs— your mother had decided to keep you when she learned of the unexpected pregnancy, against the madam's insistent advice and the usual procedure on such occasions. 

During your childhood you had heard too many names whispered in the perpetual night of Zaun, always hidden in the poorly lit corridors of the place, but Vander's had never been one of the feigned moans that used to echo in your head even when you covered your ears. Only once, while your mother was getting ready for one of The Gilded Lily's most important clients, your nimble hands braiding and winding strands of her hair, had she muttered those six letters, in a hurried ‘If you ever find yourself in danger, call on Vander’. She had always become wary, anxiety creeping like a terrifying shiver up her spine, when you had to leave the building without a place to shelter. And on those occasions, after forcing herself to ask you not to return until after the early hours of the morning, you would lose yourself in the alleys of Zaun.

You still remembered that night, when her lips had left a quick kiss on your forehead, a carmine shadow that had remained on your skin until she had smudged it with her thumb, and then you had disappeared from her room, carrying that unknown name in your heart like a secret. It had been no accident that your mother had confided those words to you after seeing you come home with more than one bruise on your face, some nights even more, because she knew he could help you. And her instinct had not failed, because you had remembered his name precisely until you had needed to pronounce it.

Life in the brothel hadn't been so bad once you had familiarised to the overpowering scent of all the perfumes, the chaos of the attic rooms —with clothes of all kinds scattered on the beds, make-up products everywhere— and the unclassifiable noises behind closed doors that became a background melody once you got used to them. Still, and despite the fact that all the women and men who worked there had found it hard to consider you as one of their own, sometimes even treating you more like a pet than a child, you valued your independence too much to waste time getting annoyed looks for being in the way. You had often slipped into the alleyways adjoining the big building, after looking for the moment when the Madam locked herself in her office, and you had walked the dirty streets of the undercity with your head down under your hood.

That had been how you had discovered the tattered shop of the gentle Benzo, the owner of a cave full of treasures, who had grown fond of you. He had given you your first screwdriver, and taught you how to build any mechanism from scratch. He always kept useless pieces of machinery in a box with your name on it, ready for you to pick them up as soon as you could. At first it had been in exchange for you looking after the little boy who had been left outside his door years ago, who was only slightly younger than you, but it had ended up becoming a problem, even if he hadn't been aware of it at the time.

In Zaun people didn't need a reason to sin. It was as easy as breathing the foul oxygen that clung to your skin and poisoned you from the inside, urging you to steal, to fight for money, to kill if you had to. The need made you unpredictable, desperate. And that culture of poverty, applied to children, was lethal to those with fewer possibilities. Applied to you, well, let's just say it had meant a big target painted on your forehead that screamed you were too easy a prey for the most despicable ones.

It had not been the first time you had been attacked thinking you could have something of value in your pockets. You had heard the comments of adults passing by, whispering about the blood that ran through your veins, speculating about the amount of money you would have under your name just because you lived in The Gilded Lily. They had assumed you were the brothel's heiress, always messing around in the city streets with no sense of direction, ignoring the consequences, and you had dressed up in the mask they had woven for you, lifting your chin proudly as you listened to them, wanting to believe that fantasy. Until the first punch had come. Merciless, silent, followed by a low laugh and a threat. You had curled up as overly bold hands roamed your body in search of diamonds, when you could only offer nuts and bolts.

But they had grown even bolder, taking everything you had on you no matter how little it was worth, leaving you with less and less material and more than bruises.

That night they had simply gone overboard, for the fun of it.

You had tried to stifle a chuckle at almost bumping into a customer, too busy making a funny face at Ekko as a goodbye, while sneaking out of the shop door. No sooner had you set foot in the street, the cold air outside invading your lungs almost painfully, than you had received the habitual punch. Swift and heavy against your windpipe, knocking the breath out of you, bending your body forward. One of your attackers had laughed to your right when the bag you had been holding had fallen to the floor, spilling screws and metal pieces onto the cobbled floor, and hadn't even bothered to pick them up. They had finally decided to stop pretending that mugging you was not their goal. 

You had held your hands to your chest, your eyes following a screw rolling a few centimetres, before a second punch landed, straight in your face. A twinge of pain had coursed through you as you felt their fist hit a wound on your cheekbone that hadn't quite healed, and you had frowned, stumbling back. The third, aimed at your jaw, had been the one that had knocked you to the ground.

You had collapsed, gasping for air, curling into yourself on the cold floor, dazed. Your body had pulsed, your heart pounding, and you could only think that if you stayed still long enough, they would leave you alone. With your back pressed against the wall of Benzo's building, your ragged breaths had hit your forearms with every inhale, your arms protecting your face. But far from hearing their laughter fade down the alley, the silence had granted you a moment's peace before you were kicked in the pit of your stomach, a breathy and quiet pant spilling from between your lips.

You had drawn your knees even tighter to your chest, sobbing, and tensed your muscles, fighting against the weakening pain. You hadn't been able to tell if you were crying, thick tears sliding down your face, or if it was blood, but after a few seconds you hadn't cared. You had wanted it to be over as soon as possible, even if it meant being knocked unconscious. You'd had no idea how many there were, their voices, distorted by your fear and their amusement, shimmering in a mocking tone. You had closed your eyes as you had felt another kick to your ribs, and had cowered against the wall, wishing you were dead.

But then you had remembered your mother's words. Soft and crystalline in your memory, just as fearful as your voice when they gushed from your chest like salt water desperate to leave your lungs after a shipwreck, ‘I know Vander!’

The hand of one of them had paused against your shoulder at the broken sound, and you had frowned, praying that his name was threat enough to make them go away.

‘Do you?’ they had asked you, the poorly disguised fear in their voice feeling like a breath of fresh air.

‘Yes!’ you had replied, glancing out from behind your arms, breathing heavily. ‘And he's going to go after you if you don't stop!’

You hadn't let doubt creep into your gaze, even though you knew you hadn't offered a very confident view of yourself, cornered by three boys older than you in the middle of the street. The one who had prepared to unleash another kick had taken a step back, clenching his hands into tight fists, as if afraid of the consequences. But before you could even begin to get up, ready to run away, the one who had positioned himself on the opposite wall had slowly approached you, a crooked smile painting his face.

‘Do you actually believe her?’ he had muttered, crouching down in front of you, his venomous breath slipping fear into your bones, grabbing your hair so he could pull you  face to face with him. 

‘Why would Vander waste his time with someone like you?’ he had uttered, his eyes flashing with rage. You had dropped your gaze, trying to look away from him, wondering if you were paying for a crime someone else had committed, if the hatred in his eyes was really directed at you, who hadn't done anything, or if you were just the wrong person at the worst time. 

‘I,’ you had stuttered, and the curve in his lips had widened, ’I'm not...’

‘Do you genuinely think he would come to save you?’ he had insisted, tightening his grip on your hair, forcing you to look at him, and you had closed your eyes angrily, the emptiness in your chest cracking at his words, seeping doubt into your heart. ‘I don't think so.’

You had held your breath, expecting to receive a final strike, for the three of them to retaliate against you, but his crouching body had tensed over yours as the shop door had burst open, his blonde hair caressing his neck. Your chest had deflated, knowing that a stranger would not prevent the attack from getting worse, and you had simply waited for him to leave.

‘Well, I do,’ the man had murmured, and you had turned your head to look at him, surprised that he had intervened. The light from Benzo's had spilled onto the cobblestone floor above his large figure, his shadow lengthening over when he had stepped forward. ‘Leave the girl alone, Deck.’

The breath had caught in your throat, shooting a flash of pain into your ribs. No one had ever stood up for you. You had narrowed your eyes, trying to catch a glimpse of the man's face, but had only been able to hear the disbelieving snort of the boy in front of you as he addressed the stranger.

‘Do you really know her, Vander?’

You had then opened your eyes wide, Deck's annoyance a reflection of the surprise in your gaze, but you had remained silent. Whatever happened would be your fault, simply for tempting fate in such a way.

‘Does it really matter?’ he had replied, all darkness and gravelly voice, and you had seen him pull a match from his pocket, lighting it with a quick flick against the wall, the fire illuminating his rugged features. He had rested the pipe between his lips as Deck decided what decision to make, and you had heard him let out a soft hum as the blond had raised his hand in a quick gesture, releasing you to the floor.

You had leaned your head against the wall, protecting yourself, as the boy had hovered over you to get up. You had expected one last punch, a warning for the next time he found you and Vander wasn't around. But he had done nothing, walking away with his friends in the shadows of the streets. Then you had clutched your hands to your chest, letting a faint whimper slide down your throat, sobbing, and you had rested a hand on the cold stones of the ground to try to get up.

But then the pain had shot up through your abdomen like an electrified circuit, your legs failing under your own weight, and you had collapsed to the ground. You had thought it was not worth staying, not when the consequences of daring to involve Vander could be worse than what you had already received, but he had stood beside you, his gaze lost in the distance, waiting for them to be gone for good.

‘Thank you,’ you had murmured, taking a breath of air. Perhaps sweet words would soften him in case he decided to punish you in some way for mentioning his name.

The whisper of your voice had seemed to bring him back to reality, his body turning towards you, and he had made the attempt to move closer, stopping short when he saw the way your body was pressed against the wall behind you, completely tense. He had withdrawn his pipe from his mouth, the smoke spiralling upwards, and frowned. If you hadn't been so busy running away, you would have been able to make out the glint of insecurity in his gaze.

‘Hey, little one,’ he had uttered, advancing towards you in short, painfully slow steps, as if confronting a wounded animal, ’I'm not going to hurt you.’

You had looked up, your cheeks broken in tears, your shoulders shaking, and you had seen the way his eyebrows had risen in a convex curve, his lips pulling into a coy smile that had been intended to soothe you. And then you'd felt his hand on your arm, his palm sliding its rough calluses against your skin, and you'd frozen, pausing for a moment before remembering that it was Vander. Vander. If your mother trusted him —and she trusted very few people— you could afford to put your faith in him until he proved to you that you could trust him too.

‘You don't have to worry,’ you had told him, huddling against the cool surface of the wall, trying to muster a smile that would keep him from asking too many questions.

‘You sound like it's not the first time this happens,’ he had observed, crouching down in front of you, pushing your long hair away from in front of your face so that he could assess your injuries.

The absence of a reply had been your response, and answer enough to his assumptions. Of course it had happened before, hence why they felt so comfortable attacking you in such a public place. It had happened before, to a lesser extent. Before, in dark alleys. Before, maybe starting with a slap. And with each time you had offered no resistance the harassment had continued, more times, more pressure, more pain.

‘Come here,’ he had sighed, leaving the pipe between his lips and sliding his hand down your back, under your knees, to take you in his arms. You had let him lift you up, your hair cascading, and sighed against his chest, resting your cheek with your eyes closed. At least you would have enjoyed a quiet moment before you had to find a place to spend the night, the brothel doors closed to you until your mother finished with all the customers who came in asking for her.

You had been forbidden to disturb her, because if the Madam lost money, no matter how young you were, it would be you who would have to take her place to compensate for the absence of income.

But then you'd realised that Vander had been walking back towards Benzo's shop, and you'd frowned at the dull light of the lamps left on over the counter. You'd felt his flexed arms straining to keep you from falling as you'd started to squirm, ignoring the phantom fists that had pounded all over your body, ‘Easy, easy, kid.’

‘Vander?’ you'd heard Benzo, appearing behind the front desk with a grease-filled cloth in his hands, ‘I thought you'd already left. Who...?’

‘Deck and a couple of boys were harassing this little girl,’ Vander had explained, leaving you sitting on the stained surface of the counter, his hands gentle but firm on your shoulders to keep you from running away, and you'd winced when you'd heard Benzo mutter your name in surprise.

And then Vander had repeated it, looking at you, and you'd felt too vulnerable.

‘’M not little,' you'd muttered, deflating, crossing your arms over your chest with a stubborn snort, “and I'm fine.”

‘You're certainly not okay,’ Vander had replied, and you'd known his heart had decided to protect you against all odds in the way he'd uttered it, as if rage was consuming him. ‘And it's not the first time this has happened.’

‘Does your mother know about this?’ Benzo had asked you, pulling out a clean rag from under the counter, grabbing one of his bottles of alcohol. You had slid your gaze around the shop instead of answering, knowing that Ekko had to be somewhere, eavesdropping. You hadn't wanted him to see you like this.

‘What do you know about her?’ Vander had asked, setting the pipe down next to the bottle before taking the cloth in his hands and wetting it, making an effort to remain calm as he ran the fabric over your bruised skin, the cool air of his gentle breaths soothing the stinging of the wound slightly.

‘She's Raven's daughter,’ the shop owner had replied, and you had shuddered under the weight of his words.

‘Raven,’ Vander had repeated, and you had raised your eyes at the tone of his voice, far from the lust that used to accompany your mother's name every time someone said it. It held a past, just as it had done with Benzo when you had revealed to him who you were.

‘She was the one who told me to call for you if I needed help,’ you had hastened to add, hoping it was the right thing to say.

Vander's gaze had softened as he listened to you, nodding absently, ‘Of course she told you.’

You'd watched him relax his shoulders, his gaze fogged with memories, as he'd bent down to continue cleaning the cuts on your face, his hand resting on your cheek, his rag a caress on your skin, and you caught every movement, wishing you could replicate the care with which he'd treated you if you ever needed to treat someone's wounds. Then he had instructed you to pull your shirt up a little so he could assess the bruises on your ribs, without touching you at any point, and he had remained respectful even as he moved to place a bandage over the injury to your knee, trying not to tear the starred fishnet stockings you had put on that morning.

‘Your mom's right, you know?’ he had announced, once he had finished, his thumb undoing the dry trails your tears had left on your cheeks. ‘If you're ever in danger, you can come to me.’

His eyes had met yours in the grim glow of the room, the shadows on his face heavy on his skin, and you had flashed a mischievous smile, lighting up your dry lips. The whisper of Vander's name, the hound of the underworld, had roamed the filthy streets of your city like a hungry predator, and even reverberated between the sinful mouths of the prostitutes you had grown up with, but it had never sounded better than when it had left your lips that night. Loud, broken, crying out for help. Reflecting a desperation you felt in every bone, knowing it could save you from a doomed fate.

And no one had pronounced yours better than he had, stopping at every letter, giving it the attention you had never received. He had fixed something deeply flawed in you, proving that you weren't alone in that cursed city. After that night, your mother had never feared for you again. Vander had sworn to protect you, inviting you to the back of his bar when his kids weren't home to teach you how to defend yourself. And the next time someone had threatened to try to assault you, you'd been the first to punch.

It had not been hard, because Vander was a great fighter. And his adopted children had helped him develop the patience necessary to be a good teacher. Throughout your time with him, the whispers of his name had become quieter, dimming his legendary reputation and turning him more cautious. Sevika had told you it had been the riots he had led, the suffering he had seen in the eyes of his children for the consequences he had provoked. Perhaps you did not remember what the city had been before him, but the enforcers' apprehension towards the inhabitants of Zaun was proof enough that the fine line that had once existed between Piltover and the underground had begun to dissipate.

Especially after the unsuccessful incursion that Vi and the rest had pulled off the day before.

You had felt guilty, at first, worry lurking in the shadows as soon as they had failed to show up at the appointed time. And the emptiness in your chest had grown by the minute, uncertainty eating you alive, as you tried to keep your hands busy to avoid conjuring up dire possibilities. Then you had been flooded with relief, seeing them appear, all four seemingly well. And after the tense conversation with Vander, before Vi distracted you with her kisses, you had felt confused, a swirl of uneasiness growing inside you.

Even that morning, when you woke up, you were still restless. You had awakened to the soothing weight of Vi's sleeping body draped over yours, Powder finishing one of her projects in absolute silence in the bed next beside you. It had to be late, though it was hard to tell with the permanent ashen sky over the city, but the day before they had returned so full of adrenaline that they hadn't realised how tired they were until they had collapsed onto their mattresses. It was only natural, after such an intense day, that you had woken up at lunchtime.

You had carefully slipped out from under the covers, leaning on the edge of the bed to do a little stretching for your ankle. You'd been doing it for almost three weeks, but that morning was the first time that rolling your foot backwards hadn't made it stutter in pain, and your heart leapt in your chest at the realisation. It probably had something to do with the fact that you'd spent most of the day sitting, not really moving much, though you hated having to agree with Vander on that one.

Nevertheless, when Vi had proposed spending the afternoon in the abandoned basement you had turned into your meeting place, a couple of streets away from The Last Drop, you couldn't help but ask to join them. And Vi couldn't help but agree, giving in to your pout. With the cane Vander had made for you under one arm, and Claggor providing support under the other, you had walked steadily over the cobblestone streets of the undercity, making your way into the large playroom.

Vi had gone straight to her boxing ground, her body restless with pent-up energy and the need to always be ready to defend you all, and the rest of you had scattered around the room, looking for something to entertain yourselves with. You had let Claggor help you practise fencing footwork, slowly and surely, so as not to lose practice while you were injured. At least until you realised that Powder had taken refuge among the cables and mechanisms of the firing field, and then you hopped up on the counter to make sure you didn't miss anything.

Watching Powder shoot was always a delight, especially after a cocky Mylo didn't hit a single one, and you loved to referee. You had considered shooting as a valid method of defence when your first few weeks of boxing training had left your knuckles raw and too slow to heal, so you weren't bad at it. And although you had never stopped boxing —your name was written next to Vi's on the leaderboard— you had eventually developed a taste for sword fighting. Wooden or bronze swords, of course, because no one really trusted a sixteen-year-old girl with a weapon.

Just as the gun you held in your hands, checking that no one had tampered with its mechanism, had blank ammunition, fun enough to practice with but completely harmless. Thanks to Powder's colourful dyes, the only problem was how long it took for the paint stain to come out if you were shot.

‘Remind me why we bother with this dump,’ uttered Mylo, checking the gun as soon as you handed it back to him while curving your lips into an enigmatic smile, knowing that he was wary of your nimble hands.

‘Vander said to lay low,’ Vi replied, and you looked her way at the sound of her voice, swinging your legs from the table that separated the shooting field from the rest of the room. She was at the other end, in front of the boxing machine you had helped her fix a few years ago, and she paused her punches for a moment to respond, wiping the sweat from her brow with the outside of her forearm. ‘Enforcers never come down here, so this is as good a place as any.’

You nodded, forming a gesture of concern, but glanced behind the table to check on Powder. Her blue hair was moving to the rhythm of a tune that played only in her head, giving the finishing touches to the machinery that made the dummies on the shooting field move on simple rails, all of them painted menacingly and fluorescently by her, and you didn't bother to stifle a smile as you realised how quickly she was learning all the tricks you were teaching her.

‘Oh, what's the matter, Mylo?’ you heard Claggor say behind you. ‘You worried Powder's gonna beat you again?’

You glanced quickly towards him, wanting to know his answer, a chuckle slipping quietly from your throat, and you widened your smile as you saw him frown, clearly feeling attacked, ‘Hey, if she didn't keep fixing these things, I wouldn't keep missing.’

‘Suure,’ you muttered, scrunching up your nose playfully, resting your hands on the table and leaning back slightly.

‘It's true!’ he tried to defend himself, pointing his threatening finger at you. But before you could answer him, ready to start one of your teasing wars, Powder leapt to his feet, the cables of the mechanism in her hands.

With a sharp gaze fixed on Mylo, a wolfish grin curving her lips, she connected the ends, the lights going out behind her back once the greenish substance that started the game ran along the connected wires. You raised your hand as soon as she slid past you to stand next to Mylo, and Powder high-fived you enthusiastically, letting out a small giggle as you said, ‘That's my girl!

You turned slightly, watching the different figures glow in the shadows, and narrowed your eyes, focusing on all the targets. You weren't sure if Mylo would be able to hit any of them, but it was going to be difficult. Powder had been fiddling with the setup system so she could increase the difficulty level because she was getting better and better at it. Sometimes she would come to you on the rooftop of The Last Drop, where you usually hung out with your girlfriend, to ask your advice when she reached a point where she didn't know how to proceed. And you would always hold her hand and tell her everything you knew.

You had no idea how fast the game was set that afternoon, but you knew you were going to have a good time. You pulled your legs up onto the counter, crossing them so you could massage your ankle absentmindedly, and you didn't see Mylo getting ready to shoot. The first sound caught you by surprise, startling you, and you saw the pink ball of ammunition pass by the target without even brushing it. 

‘You guys know I wouldn't take you on a job you couldn't handle, right?’ mumbled Vi, and suddenly all your attention was focused on her, who had finished her boxing session and was taking off her gloves in an exasperated gesture.

‘Are you kidding?’ replied Mylo, his eyes riveted on the fluorescent dolls, and you didn't get to witness him continuing to shoot relentlessly, though you did hear him. ‘Maybe just don't take Powder next time.’

You couldn't even roll your eyes at his words, the satisfied hum of Claggor letting you know that, as you'd hoped, Mylo hadn't hit a single one. You stared at Vi, at the way her chest rose and fell after hitting the hard cushions of the boxing machine for so long, the perspiration covering the edges of her shirt, the unsure gleam in her eyes.

You heard Powder take Mylo's position in front of the firing area, you felt the warmth of her body next to yours as she prepared to shoot, and you heard every breathy sound she let escape between her lips before each bullet, but you didn't need to look at her. She wasn't going to miss. She never did. Mylo provided her with enough motivation not to.

What worried you was that the night before Vi hadn't wanted to tell you how she really felt. She never kept anything from you —you were both open books to each other. But you knew that the conversation she'd had with her father had awakened something in her. Something dormant, of course, because Vi had always felt that fire inside her when it came to protecting her people, but something you couldn't quite put your finger on. And that, added to the certain consequences the explosion had been caused in Piltover, kept you anxious about what the future would bring.

You rested a hand on Powder's shoulder as soon as she finished, a proud smile tugging at your lips as she looked up at you with satisfaction shining in her eyes, and you planted a kiss on her forehead under Mylo's bitter gaze, who had to put up with Claggor's teasing remarks. And as soon as Powder ran to the slot machine leaning against the wall, you jumped down, ignoring the two boys to walk slowly towards your girlfriend.

You rested your arms on the banister that separated the area where the boxing machine was located from the rest of the room, smiling softly at her, and reached out a hand to slide it down her forearm. Her eyes turned gentle under your attention, intertwining her fingers with yours, and you fixed your gaze on the bandages around her wrists and knuckles, trying to fix those spots where they had come loose with your other hand. Vi crouched down beside you to make your job easier, and sighed heavily.

‘We'll talk, right?’ you asked, your tone calm and collected. You weren't accusing her, you simply wanted to know that everything was okay.

But her reply was drowned out by the sound of shattering glass, your eyes widening, and you turned hurriedly as the glass that had held up for so many years shattered into pieces, a man's body slamming through it. He ended up unconscious a few steps away from you, while a group of Enforcers glared at you, analysing you with disdain, from the street. You all stood for a few seconds in complete silence, paralysed, until you heard the low, menacing voice of one of the topside cops announce, ‘Search them’.

It took you a heartbeat to cross the room, as fast as your ankle would allow, and position yourself in front of Powder with one hand resting on her arm. They advanced slowly, the glass cracking under their boots, while you raised your hands. They had nothing on your friends, it was impossible. They were simply making a routine round, asking easy questions, in case anyone knew anything about the explosion at Piltover. If you lied, calmly resisting their provocations, they would be gone in no time, and you could go home.

‘Go ahead, idiots,’ said Mylo, looking up and down at the Enforcer in front of him. ‘We got nothing.’

And then it all happened too fast. You didn't see Vi gesture to Claggor, but you knew it was she who had instructed him to pull the lever. The room was suddenly plunged into darkness, the fluorescent colours glowing from the shooting range dummies and the monkey doodle Powder had designed years ago and painted in the floor the only illumination, and Powder grabbed your hand to help you slide over the counter, both of you fleeing between the dummies.

You had no idea if the others were following you, to look back being too risky, just that you did your best to grind your teeth every time you stepped on your run and your ankle twitched to the side that hurt the most. Your breath caught in your throat when you felt a hand on your spine, and you stifled a scream, but Powder let go of your hand, sprinting towards the back door, and you let yourself be caught in his arms when you realised it was Claggor at your back.

Mylo was on the other side, running after Powder to get outside, and as you looked back you saw Vi close the door behind her and block it with your cane. You threw your arms around Claggor's shoulders to make yourself as small as possible, easying the task of running with you down the alley, and you all followed Vi, trusting that she would know which way to disappear. But then she stopped dead in her tracks, the suddenness of it causing you to fall to the ground, when she saw two Enforcers attacking a citizen. They stopped too, looking at you, and you felt Mylo's hands on your shoulders, helping you to your feet, as they ran to you. You saw the panic in Vi's eyes as you made eye contact with her.

You had screwed up. Big time.

The silence of the street was interrupted by your quickened breaths, but also by a loud whistling sound that drew your attention upwards. An old metal ladder creaked towards you as you heard Ekko mutter an ‘Over here!’ and you only had time to process his presence when Vi grabbed your hips and propelled you upwards. You clung on as best you could, scrambling upwards, grabbing Ekko's hand to pull yourself onto the wooden bridge that spanned between two houses, and stood beside him to help pull the rest up.

Mylo grabbed your arm, jumping to your side and pulling Ekko by the shoulders to run away, Claggor following soon after. Your heart stopped when you saw one of the Enforcers trying to climb after Powder, and you grabbed Vi at full speed so the kid could get to safety.

You paused for a moment once Vi had broken the ladder, preventing them from following you, taking a deep breath in the great pipes that connected Zaun's poorer neighbourhoods, and you held on to the wall, limping, as Powder walked alongside his sister. They had been discovered. The Piltover police now knew that it was four children from the undercity who had allegedly caused the explosion, and they were not going to stop until they had them punished. You had to tell Vander, and that was perhaps what scared you the most.

If an adult had to know about it, things's were getting way too serious.

The Last Drop was usually packed on any given weeknight, the music playing muffled under the constant murmur of conversation, and Vander always behind the bar, serving beer to all his customers. That night there were many more people, but the walls of the bar wailed in the silence that permeated the atmosphere, broken only by the cold voice of Sevika, who seemed to be holding back her temper.

‘We should hit them back,’ she said, leaving a loud thump on the wooden table. ‘We've got the numbers to beat them.’

Before her words, many of the attendees at the impromptu meeting Vander had organised murmured their approval, ‘Yeah! Let's teach them what it means to mess with us!’

You, leaning in the shadows, always relegated to the sidelines with the rest of the kids, listened with your heart in your mouth, knowing that the tension in the air went far beyond the occasional dispute that Vander had to resolve. Youall had confessed everything that had happened as soon as you arrived at the place, Vander's eyes shadowed by what you said, and he had no choice but to announce it to the rest of the Lanes' inhabitants.

Now he was leaning against the counter, on the wrong side of it, and Benzo was standing next to him, folding his arms, as serious as the bar owner. He pulled a match from his pocket, as you had seen him do countless times since you had met him, and lit his pipe calmly, creating anticipation among those around him.

‘You sure that's what you want?’ he asked, the smoke spiralling through the air, knowing what answer he was going to get. ‘We crossed that bridge once before, and we all know how that ended.’

It had been a long time ago, when the streets had whispered his name in awe. Your mother had ended up telling you the story.

‘You're just protecting your kids,’ protested a man you didn't know, frowning. And it hurt you to hear it, because you knew it was partly true.

‘I'm protecting our people,’ he replied, quickly, stoking his pipe as if he meant to attack someone. ‘I'd do the same for any of you,’ he continued, looking around at the rest of those present. ‘We look out for each other. It's the way it's always been. This will blow over, we just need to stand together’.

‘The Vander I knew, the one who built the underground,’ Sevika interjected, anger trembling in her voice, ’would not be afraid to fight.’

Vander took two steps towards her, standing face to face, ‘Do I look afraid?’

‘No,’ she replied, calm but menacing, ‘you look weak.’

Without waiting for an answer, she whistled, the sound attracting the attention of her people, and turned around, her coat floating behind her, some of those beside her following her outside. You sighed, knowing that Sevika was the only one who could dare stand up to Vander, and crossed your arms, leaning against the back wall. The conversation would die once she was no longer willing to fuel it.

‘Why isn't he doing anything?’ muttered Claggor, looking almost apologetic.

‘We kicked the Enforcers‘ butts with just the four of us,’ Powder replied, angrily, her scowl making her look even more adorable than usual. ‘Imagine what the whole of the Lanes could do.’

‘Jeez, even Powder wants to fight,’ exclaimed Mylo, opening the door leading down into the hall.

‘So why aren't we?’ protested Vi, exasperated.

You remained silent, as did Ekko, leaning against your arm, and sighed again. Claggor followed Mylo once he went downstairs to lie on the couch. You put your arm around Ekko's shoulders, caressing his hair, and noticed how unusually quiet he had been. Vi also noticed, raising an eyebrow in his direction, ‘Spill it Ekko’.

‘Huh, oh, okay,’ he stammered, and it made you frown. You knew Ekko was an expert at finding out secrets, but often conversations between adults made little sense to you. It was rare that he had any information about Piltover at all. ‘Well, um, Vander's got a deal with the Enforcers.’

‘What deal?’ you asked, exchanging a glance with Vi.

But Ekko shrugged. 

You sighed a third time, drawing a smile from both of them, and ended up laughing too, covering your mouth with one hand. It was wrong to look so happy when something so serious had just happened just a few feet away, but it was also a way of dealing with it. Your heart was pounding as if you were on the edge of a cliff, on the verge of an event that could turn out to be catastrophic, but you just wanted a moment of peace. 

You pulled your pocket watch out of your waistcoat as Ekko walked past you to meet Powder downstairs, and checked the time. You knew that if no client showed up unannounced, your mother would have a free moment in a few minutes. You hadn't been in the brothel for almost three days, so it could be a good time to stop by and stay for a bit.

You looked at Vi, deciding what to do next.

‘I might sleep over at my Mom's tonight,’ you commented, pouting.

She nodded, taking your hands in hers, ‘We'll be fine.’

‘I know,’ you replied, moving closer to her and leaving a fleeting kiss on her lips. ‘They're always safe with you.’

She kissed you back in the shadows, burying her bandaged hand in your hair, and stifled an annoyed huff when she had to pull away from you. She leaned her forehead against yours, biting her lip, and then let you go, disappearing up the stairs. They could do with a rest, you knew. Better a quiet night, and face the problems the next day.

You walked through the streets of Zaun, hair hastily pulled back in a bun, but at a slow pace, when you left the bar. You tried to rotate your ankle every few steps, grimacing when it hurt but determined to make the effort to walk without limping. When you reached the entrance to The Gilded Lily you dodged some drunken clients, sneaking up the stairs until you reached your mother's room. You kept your ear to the door, listening for any sound that might indicate you couldn't stay there.

When only your mother's sweet voice sounded, humming a made-up melody, and you knew she was alone, you tapped the surface of the door twice before stepping inside. Your mother's gaze lit up as she recognised you, rising from her vanity chair to hug you, ‘Hi, baby!’

‘Hi, Mom,’ you smiled back, taking refuge in her arms.

‘Did you come to get those pieces you left behind last week?’ she asked, after kissing your cheek and sitting back down, taking the lipstick stick between her slender fingers.

‘What pieces?’ you asked, and frowned as you followed the direction she pointed as she continued to prepare herself, wiggling her fingers absently.

Your mother's wardrobe. Raven was one of the prostitutes who got the most clients —the one who made Madam win more money among her girls— and that had earned her some privileges at the brothel. In addition to being able to raise you, to allow you to grow up in her room and not have anyone complain when they had to take care of you, she was also allowed to have the only room with a built-in wardrobe in the building, apart from the owner's. When you were little, you used to hide there quite often. Since you couldn't fit anymore, you only kept your clothes and a big box with projects you were working on.

But you didn't remember leaving any behind the last time you spent the night there.

You opened the heavy doors, and it felt like getting another hug from your mother. All the clothes she had stuffed in there, with exotic silk kimonos, long linen dresses and velvety nightgowns, smelled like the cheap fruity cologne you had once gotten her on the black market in town, and then kept getting because she had loved it. You smiled when you saw the chaos of fabrics jumbled among all the shelves, and bent down to open the drawer where you kept your things. 

Inside was a jumble of metal, tools, multiple loose papers with drafts of diagrams and a complex mechanism wrapped in a rag. Your eyes widened in surprise when you remembered that you had indeed left the invention hidden there, and you pulled it out at full speed, sitting cross-legged on the floor and checking what you had left to do the last time. You didn't notice the way your mother was looking at you through the mirror, admiring the way you were working, so focused on the gears in your hands.

You didn't even notice the clock hand ticking, too focused on the artefact you had designed a few months ago, changing parts you thought you had misplaced, modifying data in the designs you had spread out on the floor. You became again the child you had once been, hiding in your mother's wardrobe with heavy headphones that isolated any noise from the outside, oblivious to reality. Since you had met Vander's children, you had kept most of your gadgets in the workshop they had let you keep in their house, but going back to work on the floor of your mother's room felt like coming home.

You remained in that state of abstraction until you felt your mother's lips pressed against your temple in a warm kiss.

‘Imma go downstairs, baby,’ she said, and you just nodded.

She was going to have a quiet night, then. Whenever Raven appeared downstairs it was always to relax and flirt with curious first or second-time visitors to The Gilded Lily, too shy to wander into one of the upstairs rooms. You were glad. As your mother got older she didn't lose beauty, let alone charm, but she got much more tired. She deserved more time to rest.

You remained working on the small portable radio until your back began to complain, and you had to get up to stretch a little. 

And then you heard it. A soft, stifled sound coming from the window. You frowned, leaving the device on the cloth it had been wrapped in, and walked across the room. Of the two panes of glazed glass that served as shutters, one could not be opened because you had nailed it against the frame years ago, so that you could place a made up air-purifier box on that side of the sill and allow your mother to get cleaner air from outside.

As you opened the other, however, and looked down, you caught a glimpse of your girlfriend's pink hair camouflaged under her hood, ready to throw another pebble to get your attention. You smiled at the sight of her, motioned for her to wait there, and crossed the carpet as quickly as you could. You paused for a moment as you reached the door, and retraced your steps to pick up the almost finished radio and tuck it into one of the pockets of your cargo trousers, but you headed back out into the hallway, descending the stairs of the brothel by sliding down the banister, as you had done so often when you were younger.

As soon as you stepped onto the street you walked the few metres between the entrance and the alley around the corner, and walked towards Vi with a smile tugging at your lips. She had been leaning against the wall, her hands in the pockets of her slacks, but she pulled them out to wrap them around your hips as soon as she had you close enough.

‘You couldn't wait until tomorrow to see me, couldn't you, pretty girl?’ you asked, grinning against her lips.

‘I wanted to see you before I went to sleep,’ she whispered, her gaze downcast, her fingers playing with your belt buckles.

‘Hey, did something happen?’ you asked, worry swirling in your chest, sliding your hands up to cup her cheeks, your thumbs caressing her freckled skin.

‘The enforcers came,’ she replied, her muffled voice sending shivers down your spine.

‘My God,’ your hands tightened against her face, and you frowned. ‘Are you all okay?’

‘Yeah, yeah, nothing bad happened,’ she said, trying to reassure you. ‘Vander managed to warn us in time for us to hide.’

But her explanation failed to calm you in the slightest. Vi looked pale, almost sickly, as if whatever had happened had scared her to death. You felt the nervous twitch of her fingers at the waistband of your trousers, fiddling with the fabric almost anxiously, and a void opened ravenously in your throat. You didn't like seeing her like that. It was unnatural, not being able to enjoy her jokes and her teasing remarks, that the gleam in her eyes didn't greet you when you looked at her, and that her stiff shoulders seemed to slump under the weight of a responsibility that wasn't hers.

‘Listen,’ you began, trying to make eye contact with her, ’we'll be alright, okay?’

‘I know, I promised,’ she replied, leaning against the touch of your palm.

‘I already know we'll be alright,’ you added, stubbornly. ‘What I mean is, it'll all pass. We'll go on with our lives as before, because the enforcers will get tired of looking around, and we'll hide great, yeah? I can promise you that.’

‘Oh, yeah?’

‘Uh-huh,’ you nodded, memorising every detail of her face. ‘I'll find a place to hide Powder, and I'll help her practise to make her little bombs work. I'll show her what I do to make my inventions work. And I'll tie Mylo to a chair so he doesn't screw up anything. I wouldn't worry so much about Claggor. And you can come to the roof of the Lily, and do some boxing with me. We'll steal food from Madam.’

‘Wow, you've got it all figured out, huh?’ she finally smiled, sighing.

‘You know I'll always want you to have the option of stepping back when it all gets too much,’ you whispered to her.

‘I know,’ he replied, leaning her forehead against yours. ‘I'm glad I have you. I'm glad Powder has you.’

‘Don't be silly, I'll never leave you’ you replied, shaking your head slightly, your eyes closed. ‘Besides, Powder has you, she doesn't really need me.’

‘Pow-Pow's my little sister,’ she explained, her breath brushing against your skin, ‘she needs the other girl in the group so she can have some time away from me. She adores you, I'm glad she has that.’

‘Well, I know for a fact she looks up to you a lot, so...’ you replied, sliding your head down to rest on her shoulder, remaining hugged against the brothel wall. ‘She still needs you. She will always need you.’

Silence swirled around you, and you felt a soft hum exhaled between Vi's lips.

‘Besides, I'm working on a radio that will allow us to spy on the enforcers,’ you announced, leaning in.

‘Yeah?’

‘Yeah,’ you confirmed, pulling it out of your pocket. It was a small metal box, which fit in your hand. ‘Wait until I press the button and say something nice.’

You connected the two loose wires, and the radio started up with a soft buzz. You frowned as you tried to remember which was the button that recorded and which was the one that played back, and finally pressed the one you had painted blue. Both were buttons you had taken from your mother's old clothes, and Vi smiled as she realised. You nudged her arm to get her to start talking.

‘I love you, cupcake,’ she whispered, and you covered your mouth with your hand so she wouldn't see you blush. ‘You'll always be my girl.’

You stopped recording, shaking your head, but didn't say a word, pressing the second button. Vi's voice echoed between you, somewhat canned, repeating word for word what she had just said. When you looked up, Vi already had her eyes on you, delighted.

‘This is awesome, cupcake,’ she murmured, her voice watery.

‘Oh, don't be like that,’ you reproached, checking the device. ‘It still needs improvement.’

‘You're a genius,’ she attacked again, sliding her hands up and down your back.

You put the radio back in your pocket, embarrassed.

‘You could add it to the mechanical crow you have at home,’ she proposed, clinging to you, ‘so you could spy even more closely, and no one would notice.’’

You opened your eyes wide in amazement, and patted her on the shoulder, ‘That is genius!’

Her giggles echoed through the alley, and you swooned against her body, ‘I need to write that down as soon as possible,’ you said, dead serious, ‘I'll stop by The Last Drop tomorrow to see if it would be possible to implement the radio into the design I have done.

‘I love you, cupcake,’ she repeated, and you grabbed her by the the collar of her sleeveless hoodie, bringing your lips together in a kiss.

‘I love you too, pretty girl,’ you replied, pulling away from her. And then you added, a little louder, just to tease, ‘I love youu, Violet!’

You kissed her goodbye with another peck, resting your hand on the wall behind her head, and let her lips move over yours, hungrily, for a few more minutes. But when Vi moved her leg between yours, her mouth sliding down your neck, and your heart began to pound in your throat, you decided to stop once more.

‘You should go get some rest, Vi, baby,’ you whispered, your breath hitching.

‘I love you,’ she whispered again, and you melted against her, ’I love you, I love you, I love you, I love you.’

‘I love you too, my love,’ you sighed, as she parted her lips from your skin, ’but it's getting late.’

You felt her hand slide down your abdomen, up to your chest, and you held your breath. But she simply pulled your pocket watch out of its pocket, glancing at the time. Her shoulders tensed again, leaving the watch in your hand, and she murmured a soft, ‘Yeah, it's pretty late.’

‘See you tomorrow,’ you whispered, taking a step back.

She made an affirmative noise, peeling away from the wall, and you turned to head back to the brothel. With your girlfriend's voice stored in your radio, you climbed the stairs, adrenaline coursing through your system, barely aware of the pain in your ankle, and dropped to the floor as soon as you reached your mother's room, picking up a blank sheet of paper to begin designing a new model of your robot.

It wasn't until a few minutes later that your heart began to race again, when Raven came in quietly, and you were startled by her stealth.

‘What did you go out for?’ she asked you, taking off her black lace jacket.

‘Oh, Vi came to see me,’ you replied, pausing your pencil over the paper. Your mother knew who she was and what relationship you had, you weren't worried about what she could say.

‘That's weird,’ she uttered, your heartbeat quickening in your mouth, ‘she usually never comes. I thought something bad had happened.’

And then your heart stopped for a moment. Something bad had happened. The enforcers had discovered them. But Vi's gaze had remained opaque the whole time she'd been with you, and though it had seemed to you that she was still frightened by what had happened, perhaps you'd misinterpreted it. You knew those grey eyes better than you knew yourself. She had been scared about what was going to happen.

‘Do you think she would do something foolish to protect her family?’ you asked your mother.

‘Oh, baby,’ she murmured, a drop of sadness spilling over her face, ’she'd do anything to make sure you're okay, just like you would for her.’

You closed your eyes for a moment, frowning, angry that you hadn't noticed sooner.

When you opened them, you stood up and walked out of The Gilded Lily, determined to find Vi.

⠀⠀𝗍𝖺𝗀𝗅𝗂𝗌𝗍.⠀( send an ask or comment under the series to be part of it , just if you're going to interact with it ━reblogging with feedback. )⠀@im-just-a-simp-le-whore , @celestialzdiviner , @corpsebridenightamare , @louissst28 , @astr1dblogs , @notsolarry , @starlostastronaut , @yoonkinii , @padsfirewhisky

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[skay-ali]

Tears of an angel

The idea of ​​a Wayne reader, who was well received from the beginning at the mansion and by its members, has constantly crossed my mind. A good family relationship that took an obsessive turn, not only with his family but also with other people.

A weapon, your head felt pressed with great force, so much so that, if you didn't make an effort to keep your head up, the force would surely send you to the floor.

There were many people, an endless number of blurry faces that surrounded you, they were horrible, it made you nauseous to see them, although some were also reindeers, it was difficult for you to recognize them, not only the criminals were vile, sometimes even people who seemed normal hid big things, you learned throughout your life.

Of all the possible hostages, you were the first to be threatened, you regretted leaving your home, you should have stayed locked in the safest place you created.

Yes... you should never have gone out, all your thoughts repeated it to you, you were wrong to leave your safe space, now you were surrounded by people and criminals, when it was over the cameras and the reporters' unconscious questions would come, thousands of news stories about you, the majority that would leave you feeling bad, and the feelings of guilt that would torment you for a long time.

You inhaled air, it became difficult to breathe, if you didn't control yourself you would panic, you would create a big scene, you couldn't do that, it would ruin your image more, you were already doing it while crying silently, your appearance was horrible, your hair disheveled, makeup ruined , a red nose dripping with snot.

You were a Wayne by blood, that was proven by your DNA, along with the similar characteristics that you inherited from your paternal grandmother.

You remember having been in this house all your life, the memories related to your mother were few, mostly blurry, difficult to distinguish from your short childhood and adolescence in the care of your father, as if your mother had never existed.

Your life was almost good, although there was a gap between you and your family, you did not receive excessive neglect, hatred or jealousy from each member of your family.

You were like a rarely recurring character in everyone's life.

The bad things in your life were not reflected in your relationship with your family, that was the least of your problems, something insignificant in your opinion, with what was happening outside.

It's funny to think about it, your father, you knew very well that he thought, that you lived one of the best lives, you really did, you had a family that never mistreated you, a good home and money, many privileges hand in hand with the latest , but that great privilege brought you something bad and terrifying, something that began to rule your life.

Being part of a large family made you a target, first of criminals, who took full advantage of using you as a means to achieve their ends, from criminal minds who kidnapped you as a hostage for their evil plans, as criminals who only wanted a great reward on your head, although in the end you were saved by the city's great vigilantes or the police, nothing took away the long moments of anguish, in which you were trapped in a dirty place, full of unknown people with bad intentions, vulnerable , having a gun pointed at some part of your body.

They were very difficult moments, fear ruled you along with paranoia, you did not normalize it as part of your life even if they were constant episodes in your life, you developed a trauma, one of your defense mechanisms was to disconnect from your surroundings, letting your body lived everything and your mind turned off, everything was black or white, a great void, until they saved you.

As a helpless person, who was in constant danger and only waiting to be saved by his brave knight, even though he wasn't that bad, you felt completely useless.

Things became worse, when you started to be afraid to leave your home, you became a complete renegade, in your big stone tower, a burrowing mouse or was it a rabbit... an asocial being...

How would you not be if your second problem was that, the social ones, people who, since school, persecuted you, wanted to be your friends or so they said, like a stupid and naive girl you believed them the first time, until you saw how they abandoned you When they already got what they really wanted from your father, suddenly their friendship no longer worked and they left you, often disowning you, as if you were a bad person because of your status and money, you were not seen as a girl who hardly understood their around and that he feared society itself, each person.

You couldn't even trust kids your age anymore, they all wanted to destroy you, finish you off.

The third problem in your life, the reporters and paparazzi, who harassed you every time they could, it didn't matter that you were just a minor, they found a way to get what they wanted and make you look bad, take advantage of every part of you. , without caring about the consequences of their actions, the repercussions that occurred in your life due to their news.

The horrible photos, where you hated seeing yourself, just an imperfect and horrible being, that was you... Your last problem, you... you hated yourself, maybe you were a bad girl, someone selfish and super annoying along with all the other insults professed by people who already got something from you or never did and were no longer chasing you, useless... very useless, that you were not able to protect yourself and avoid getting into trouble, you bothered everyone, the police, the heroes, your family... all for not taking care of yourself for wanting to live a little, for being too selfish.

Not even pretty, those words loaded with a very strong poison, that many girls said to you or whispered to each other in their groups of friends, or the boys who blatantly mentioned it after you rejected them, or all the people who looked at your images in the gossip programs or magazines, when the worst photos they took of you were uploaded to gain more audience, because it turned out that you were their great gem, it was a great gossip, you became out of nowhere, the public's favorite, to get the best gossip.

That was your life, although you couldn't change it... there was a small opportunity to improve it a little. Cross saving yourself off your list, give yourself something better.

First, giving all your supposed fans a good image, being perfect in their eyes, someone with great beauty and without imperfection, a star, someone to adore.

Something that at first was only to avoid more bad photos of you and news, became an addiction, how could it not be, if when you were careless for a moment they took the opportunity to humiliate you and make you look like a horrible being again, you didn't want to be that horrible being. , not again, so beauty treatments, excessive care of your body, clothes that highlighted you better, a great activity with your followers, if they wanted that from you you would give it to them, that was the easiest.

That didn't stop you from feeling bad on the days when you were with your great confidant, Alfred.

When you saw yourself in some reflection, at times you didn't recognize yourself, who were you? What did you become? Maybe the man who always had time for you got disappointed.

But seeing your reflection, that arrogant smile, the other person who was reflected told you that it was the right thing to do, they could no longer destroy you if they thought they had everything of you, without them realizing it you would end up on a great altar, you would be far superior to everyone, Maybe then they would never kidnap you with many followers who would give their lives for you, would they defend you because you didn't want that? When your other self shook her head to the side and feigned empathy for you, her words that you should stop worrying about people who would never do the same for you.

“After all, maybe that man you appreciated a lot did something for you every time they buried your name in the mud... nope, he never did, maybe he was just pretending that he cared about you, he loved your father and your father much more your half-brothers, you were the last task on their list, you just don't want to accept it, like the stupid girl you were."

Her big arrogant smile was the last thing you saw of her.

You should never have gone out, a big party with a lot of people, the idea of ​​showing off with all of them, showing a little superiority, having the media pleased and therefore the people, making her, your reflection, pleased, that she was happy and will no longer torment you.

Speaking of her, she was watching you, you saw her in a glass, her icy gaze, oh... she's so disappointed, you heard her words clearly.

“Oh, what a coward you are, you're seriously crying, what a crybaby baby you are, making yourself look ridiculous in front of all these self-centered people, a couple of photos like that and you'll please all the people who want to see you in a bad way.”

“pathetic, very pathetic, maybe that's why you are never someone your family appreciates, remember their faces the few times you spend with your family, they pretend to be fine, but in reality they only put up with you... just because they can't get rid of you”

His cruel taunts were very painful, like thorns, he knew very well how to attack you.

You closed your eyes, squeezing them as tight as you could and covered your ears, you didn't want to hear her anymore. In a few minutes you were white, far from everything. Batman and Superman along with their companions appeared to control such a commotion, although it would be easy to control the criminals there were many hostages in danger.

An extremely complex job, it was even more so when Bruce and his children saw who one of the hostages was, you.

Determined to save you, they entered one of the last rooms, only to find everyone alarmed, some alarmed and others watching somewhat shocked.

A large pool of blood and a man on the floor, one of the participants in the crime, and near the man, a woman, difficult to recognize due to the blood on her face, who brutally attacked the dead man on the floor. Her thin heels crushing the man's skin, again and again.

I wish, Bruce, I had never been able to recognize that person, that deranged young woman, who madly attacked a person with a smile. Where his little smiling daughter had gone, who always visited him or tried to spend more time with him or her brothers.

Normally I like to make a prologue and depending on the reactions continue the story. In addition to developing the yandere little by little, I simply felt that this story needs a little more things before starting with the yandere

[marionthegeek]

Stede is in the Gravy Basket, Izzy is Alive

The season 2 finale of Our Flag Means Death is odd.  It hits weird. I think I know why. And this is going to sound bananas, but give me a chance to explain.  Maybe you’ll agree.

It has a huge tonal shift. It seems to speedrun Stede and Ed’s romance. It feels like we’ve missed out on something from the end of episode 7.  The fight scenes and pirate plans are nonsensical, even for OFMD. And most egregiously, a prominent character is killed off in a way that feels disingenuous to his story arc, just for starters.

But I’m getting ahead of myself.  We need to go back to the beginning of season 2.  The season opens with Stede looking more piratey than ever. Beard, sash, earring… oh he’s his own fantasy of a real proper pirate.  He’s clashing swords with Izzy Hands and demanding to know where Ed is. He’s dreaming. In the dream he kills Izzy. He and Ed run into each other’s arms while screaming each other’s names. They crash into the surf. Ed says “I knew you’d find me, Babe.  I knew you’d find me, Love.” Stede keeps asking if they’re good. Ed dodges the question. Then Ed asked about the smell. Stede wakes up in a crowded room with farting and shushing roommates.

At first I thought the finale was supposed to be just a “satisfying” mirror to Stede’s dream. Stede and Ed call each other’s names and run into each other’s arms in a display that resembles a more grown up version of Stede’s dream fantasy. There’s some wild sword fighting not unlike Stede’s dream duel with Izzy. And Izzy dies.

It does mirror, but I didn’t find it satisfying. All of the characters except Stede feel flattened. Stede gets to make the heroic plan (that we never even hear) while there’s at least five pirates with better skill sets for it in the room. Ed, as Blackbeard, was described last season as “History’s greatest tactician”; Zheng Yi Sao conquered China; Jackie just took out a room full of British soldiers. Izzy and Auntie are right there. You could make arguments that Jim or Frenchie, or pretty much anyone could make a better plan. Then Stede says “It’s only suicide if we die,” which is horrible considering the plan gets Izzy killed.

Stede’s really the only person in that room who thinks Stede should be making the plans.  So I got to thinking, what if it's not just mirroring the dream? What if it is a dream? Last shot of episode 7 is an incoming cannonball. Maybe he’s unconscious.

Huge shout out to @Arty_Sunflowers on twitter (I’m not calling it X, fuck Musk) for pointing out that that isn’t the only episode that ends with a cannonball. Episode 2 ends with Jim swinging a cannonball down at Ed’s head.  Stede’s not just dreaming, he’s in the Gravy Basket!!!! (Stede even screams “Oh my God!” at the end of episode 7 in the same tone he screams “Oh my God, I don’t want to die.” in s1e9.

Stede’s hopes, dreams, and insecurities shape everything in the finale. And it helps explain the absurdities in the episode when you remember that Stede is living out pulp adventure and romance novels in his head. (He even looks like someone on the cover of one in his episode 1 dream.) But Stede can’t be dead, you say. He’s literally the main character. Well, Ed was dead for a whole episode. Let’s take a closer look.

I could and probably will do another essay on Lucius as a POV character and Ed’s mental health and how the threads they seemed to have dropped aren’t as dropped as they appear. But all of that hinges on me proving the Stede is in the Gravy Basket theory. So for this essay I’m focusing on that.

So for starters we’ve got the cannonball scenes. They’re eerily similar even if the method of cannonball propulsion is different. We don’t know Ed is dead and in the Gravy Basket for about half of episode 3. Neither does he. It makes logical sense you can be there without realizing it for a while. Buttons even said Ed didn’t know whether he was in the Gravy Basket or not in episode 4. It definitely messes with your reality.

One of Ed’s issues is self hate. He manifests Hornigold as his companion. Stede is desperate to be a good pirate and have people be proud of him. And he lives in his fantasies a lot.  So his dream shapes his experience. There’s a whole bit about Zheng needing “soft” and Auntie saying she’s proud of her. That isn’t their issue. It’s discordant with the show previously. But it is Stede’s issue. He’s manifesting.

When we first see Stede and Zheng in episode 8, they’re in a familiar spot for Stede, the bridge from episode 1. But why are they alone? When we last see Stede and Zheng in episode 7, several characters are within 5 to 10 feet of them. Did none of them decide to escape with Stede? Izzy, Lucius,  and Jim are closest. But we know Pete was there begging Stede to stay down during his fight with Zheng. Archie was definitely in the bar. That's why Jim entered the fight. So why is it only Stede and Zheng at the bridge? Because, going back to rescue others fits into Stede's hero fantasies. 

Zheng and Stede also argue about who pulled who to safety and how they got there. Stede waxes poetic about being a failure his whole life, but things always seem to work out for him. He’s such a main character mediocre white guy in this scene. He saves Zheng from two random soldiers, then she has to save him from them. Then they fight a bunch more soldiers on the beach until Blackbeard manifests in full leather from the ocean.  It looks cool. But it's absurd, even for OFMD.

Speaking of Ed, he begins the episode waxing poetic about nature and calling fishermen simple.  Those things are more Stede than Ed. Pop pop tells Ed, “You have no skills” which is something Izzy said to Stede in episode 5.  He also tells Ed, “If you were ever good at something, go do that, you bum.” If Stede’s insecurities could be distilled into one sentence, it would probably be that. (He also talks about being like a wave. I’m not 100% sure it's a The Good Place joke, but it would be thematically appropriate.)

Pop pop also tells Ed he “ruined dinner.”  Back in season 1, in Stede’s flashbacks to life with Mary and the kids, Stede thinks he’s ruined dinner. But remember, we also see another version of the scene where Stede is laughing with Mary and the kids.  Stede isn’t exactly a reliable narrator. Even in his own head.

Despite it being beyond unlikely, Ed finds soldiers reading one of Stede’s letters. I know physics in this show is sketchy, but this seems like a good time to point out no one found the red silk. Stede wants Ed to read a letter and for it to fix everything between them. The letter, plus Stede being in danger, make Ed swim out, find his leathers, and emerge from the sea with them on, while the music is the Swede’s solo from Stede’s fuckery in s1e6. Stede wants to be rescued by his handsome pirate in leather, again, just like a pulp adventure romance novel. Little chance of Ed swimming out and finding his kit.  Even less of him getting leather pants on under the water.

Back to the beach… for some reason two squads of soldiers are wandering around out on an empty beach. A visually incredible fight scene occurs. It honestly reminds me of Pete’s story in s1e2, including flips. Ed and Stede yell each other’s names exactly as in the dream. Like I’m pretty sure they used the same audio track. The same song (I Love My Baby, Nina Simone) starts playing. Ed says “I love you.” Stede says “I know.” (We’ll come back to the Han Solo joke in a minute.) They have a bit more absurd fighting then Ed, Stede, and Zheng sit on the beach complimenting each other. And Ed calls Stede “babe”.  He’s never done that outside of Stede’s dream and this moment. He’s called him mate a couple of times.  Babe is exclusively in Stede’s head.

Back in the Republic of Pirates, the crew are locked in a cell that is actually the “vista suite” at Spanish Jackie’s.  Izzy gets a heroic entrance. It’s as cool as Stede thinks Izzy is. And he gives a speech that sounds like what he probably told Stede to get him to relinquish the suit in episode 5. Piracy is about belonging to something. You can’t ignore the wishes of the crew.  Izzy also knows details about Captain Kidd and Pinocchio. Not impossible, but not exactly Izzy’s wheelhouse. It is Stede’s though. He’s obsessed with pirate tales and he read Pinocchio to the crew.

Stede, Ed, and Zheng show up just as Jackie has poisoned a bunch of soldiers. Stede makes a plan, despite everyone else being more qualified. Everyone disguises themselves as soldiers. Now we’ve seen the crew of the Revenge wear disguises. They never do the weird free styling they do here. Only Stede actually looks like a British officer. Zheng at least wears the disguise properly. Suddenly Ed has a multi gun bandolier like Blackbeard in the books. Pete ripped the arms off. Izzy is still wearing his vest. Doesn’t make sense if we’re going for stealth. Neither does not checking hostage Ricky for weapons or putting Izzy and his wooden leg at the front of the group.

If I'm right, Stede wouldn't know Ricky was behind the explosions. However,  Ricky is basically evil Stede. He's Stede's perfect foil. All of this is reflecting Stede's psyche. So, of course, it's Ricky.

Izzy gets shot and says quite a lot of nonsense in his death scene. “They love you, Ed.” Um, 3 of them were going to leave like five minutes ago. Ed has made some progress with the crew, but we’re not at “they love you Ed”.  The only person who thinks the crew loves Ed is Stede. Stede who weeps for Izzy while most of the crew aren’t showing much emotion. Stede can barely deal with his own big feelings. His fantasy doesn’t give the crew room to have them. Also, given the rest of the season, having Jim just let Ed be the person cradling Izzy doesn’t fit. The crew is also pretty stony at Izzy’s funeral.

I feel like it should be noted the last shot of Izzy in episode 7, he’s got one are around Jim and a hand on Lucius’s shoulder. He sat in Wee John’s lap in episode 6. Reactions to his death don’t make sense.

Also, Izzy’s terrible grave marker is very … Stede. He’d think it was a brilliant idea.

I didn't understand at first why Izzy had to die, even in Stede's dream world. Stede clearly likes him a lot better now. Why kill him? Well, it's because we're supposed to think Buttons is there to go to the Gravy Basket for Izzy. When actually he's already arrived in the Gravy Basket and he's there for Stede. Also, mentors die in pulp adventure novels. Stede sees Izzy as a mentor.

They go aboard the Revenge for Lucius and Pete’s wedding. It’s cute that the crew performs the ceremony, but I’d venture a guess that’s because Stede doesn’t know a captain should do it if it's legally binding. Stede does love the romance of it all.  The sudden uptick in monogamy is also very Stede. He barely understands monogamous relationships. Polyamory is beyond him.

Then Stede and Ed, who earlier told Zheng they’d help hunt Ricky, go back to the island where Izzy is buried to start an inn in a run down shack.  Stede knows Ed wants to do this because Ed told the (Taika’s) kids that they ran an inn.  We hear Ed ask “Jesus, what is that smell?” Now, at first, I thought Izzy, because Ed “knows the smell of my rotting first mate”. But what was the last thing to happen in Stede’s dream? A fart joke.

Last scene is Buttons landing on Izzy’s grave. To retrieve Izzy from the Gravy Basket? No, Izzy’s not dead. He’s with Jim and Lucius, probably watching over Stede’s corpse. Buttons is there to retrieve Stede.

This theory fixes the plot holes and dropped threads problem. We’re coming back to them next season. Ed's amends making should be far from over. And we see several moments during the season where he acknowledged that. And yet here on the island they've set up a horror movie and called it a happy ending.  Well, Stede is the type of boss who thinks things are fixed with a pizza (Calypso) party. In Stede's mind, this is a happy ending.  But really Ed is still off finding himself,  Stede is (temporarily) dead, and Izzy (who is not dead!) is probably guarding Stede's corpse.

They haven't resolved the domestic violence thread, but they haven't dropped it, either. Izzy is alive. Stede and Ed aren't together (yet). There's still time.

This also explains some of the freewheeling nonsense David Jenkins has been spouting in articles. Ed doesn’t see Izzy as a father figure and mentor, Stede does.  Stede almost turned to mush when Izzy approved of him. And David is writing a three volume adventure novel. Han Solo (Stede) is in carbonate (the Gravy Basket). The perfect end to the second act. See, I told you we’d get back to the Han Solo joke.

I still have problems with the season.  I really think they need a sensitivity reader. Even just implying a newly disabled character was fridged is certainly a choice. Especially given the amount of time devoted to how the character handled the disability. The DV scenes were brutal, as well as the suicide attempt, and the Human Puppet joke. I think they need someone trauma informed and disabled in the writer's room. (David Jenkins hit me up!)

Overall, I liked season 2. Especially once I realized Izzy wasn't dead. I'm looking forward to season 3, the conclusion of the Gentle Beard arc, and hopefully 6 seasons and a movie of Izzy (to be clear, he's not captain) and the kids sailing up and down the coast being gay and doing crimes, occasionally checking in with Stede and Ed.

Seriously, David, call me.

Historical Note: IRL Blackbeard died on November 22, 1718, killed in a naval battle off Ocracoke Island in North Carolina. IRL Stede Bonnet died December 10, 1718, hanged in Charles Town, South Carolina for piracy.  IRL Israel “Izzy” Hands survives piracy, death date unknown. I know this show doesn’t actually care about historical accuracy, but this lends a little support for my Ed died, then Stede died, and Izzy isn’t dead theory.

[tevanbegins]

My beloved Bucktommies, hear me out for I have rambled about some important stuff ahead related to Tommy's comeback situation for S8:

Let's not forget that the Access Hollywood interview with Lou Ferrigno Jr. and Oliver Stark would never have been arranged if Buck and Tommy's love story wasn't meant to be long-term, or continue developing further into the next season. It was a small but still a very crucial piece of press.

Why? Because it's not like it was done right after 7x04 when the hype around bi-Buck was at its peak. Instead, it was done during the second-half of the season, that too when the Bobby-focused episodes were airing. Plus, it was a major TV network interview, not some random podcast/youtube interview!

Also, they could have only had Oliver out there if the showrunner or PR team thought Lou as Tommy was inconsequential to this storyline. They evidently wanted to create buzz not only around Buck's bisexual arc but around his romance with Tommy as well, with this press. Why do all of that if the character was going to disappear shortly?

I am not clear about how it all works but I am sure Tim and his team must have discussed Tommy's future when they decided to extend Lou's contract beyond the pre-decided 4 episode appearances last season. Because why even bother showing that tiny dinner scene with Tevan in the finale if they didn't want to show us where the relationship stood?

And don't let the naysayers get into your head and compare this with the happy Buck-Natalia scene from the season 6 finale and how she was written off after that. Remember that the writers supposedly wrote that episode as a possible series finale given the uncertainty around the show's future after Fox cancelled it. But then ABC picked it up and the writers had to resume the storylines from where they had left them off.

The actress playing Natalia refused to come back, probably because I am assuming she thought her part was done and the show was supposed to end and so she took up other work. Plus there was the whole strike thing too in between. She was just a supporting character and her contract extension may not have been under consideration while they were filming season 6, because they didn't know for sure at the time if another network would renew them for a new season. And because of her refusal they had to scrap that storyline later.

The situation is quite different with Lou. The season 8 renewal announcement came early when the first-half of season 7 was on air. Therefore, Tim and the writers have had the luxury to put some plans in place for the upcoming season in advance because the renewal was official. And this must include whether or not they wanted to keep Tommy around post season 7!

And if Lou agreed to do 2 more episodes last season, I believe he must have agreed to be there for season 8 too — because if the last two episodes of S7 have served any purpose, it has been to tell us that Buck and Tommy are going strong and even the firefam approves of their relationship, deliberately cementing their relationship status as they move forward into the upcoming season.

So this can't have been all for nothing. The only reason Tommy wouldn't be in S8 is if Lou himself declined or if the filming dates were clashing with his other projects, none of which seems to be likely given the points I have discussed above. Besides, we all know how deeply invested Lou is in playing Tommy and passionate about his storyline with Buck. He wouldn't quit a role that's clearly so important and dear to him just because of the BoBs' stupid vendetta against him; he has big dreams for his career to let this childish hate towards him get in the way of a good opportunity. And he knows and sees how much we as his fans love, support, and appreciate him!

So to conclude, I have faith Tommy will be back! He has to be!!! 💫

___

[reiderwriter]

Hi I’m new to this so I’ve no clue if this is how you request, but I was thinking Spencer fluff, in earlier seasons where he’s a little bit more awkward but has a little bit of confidence, based on that one episode where hotch says Reid was propositioned by all the prostitutes & you’re dating him but you’re not the jealous type, they know what they have with Spencer is good and knows he worships the ground they walk on, so isn’t worried or threatened by anyone so while he’s getting hit on being a blabbering mess they just giggle to themselves making little suggestive comments. Hope this makes sense🥰

A/N: That's one of my favourite scenes because it's so hilarious to see Hotch cracking jokes for some reason. That and "did you join a boy band?" Iconic, truly. ❤️ Thank you for requesting, I'll shut up now.

Warnings: none

You were aware that Spencer Reid was a catch. Perfectly aware. More than aware. Desperately aware.

He was, quite possibly, the most attractive bean pole of a man that had ever walked the earth. He was beautiful and he was loving and his smile lit up the room and you were quite honoured to be able to call him your boyfriend.

It was not lost on you that many other people - not just women - also desired him. Which led to some downright hilarious instances.

“It's not funny, Y/N.” He pouted, that adorable furrow in his brow coming back and finding it's perfect place on his face as you stared up at him. You knew the expression you were showing him was a little bit dreamy, head in both hands as you gazed admiringly up at him, but you simply didn't care what kind of company you were in.

“Spencer, you were propositioned by 11 prostitutes.”

“I'm sure they were just teasing, Y/N. I'm awkward, I stand out like a sore thumb, I'm not buff or hot, I'm-”

“A complete and total liar!” You stood, gasping and grasping non existent pearls, playing up your disbelief. He cracked a smile and you paused briefly to send up a prayer to God, thanking them for putting a real angel on Earth.

“Spencer, you may be a little bit nerdy, and you absolutely do not know when to shut up. Your hair may always looks like your mom did it for school picture day, and your fashion sense is questionable to out it kindly-”

“Is there a but? I need there to be a but or I'll cry myself to sleep.”

“But those things are incredibly endearing. And did I mention you're really hot? It's like you're all members of the Scooby Doo cast rolled into one body and somehow that really works for me.” To punctuate your words, you took a step closer, letting your hand play with his tie as you slowly encouraged him to take a small step towards you as well, until you weren't sure where the heat that warmed you was coming from.

It could've been rolling off of him, or you, or it could've been a fire burning between you, as you fixed his tie and ran a hand through his hair.

“I'm not joking with you, Spencer. I love watching everyone appreciate your beauty and your intellect. Frankly, it turns me on.”

“Okay. I'll remember that, thank you.”

“Turns on the prostitutes, too.”

“Y/N! They're just trying to make a living, if you'd have been out there canvassing they'd have tried it with you too.” You had to giggle a bit at his loom of exasperation, flas to see that it was tainted with an uncontrollable smile, a small lifting at the corners of his mouth that he couldn't combat.

“Spencer Reid, Hotch told me that one of the girls offered you $100 for a ride.”

“That's not exactly cheap or a discount, Y/N, the going rate for a working girl in the area is-”

“Spencer. She was offering you money.” His brows knitted again and then his eyes widened in realisation.

“Oh. Oh, she did look very disappointed now that I think about it.” You pressed your hand to your mouth to suppress the small pleasurable giggles from slipping out and composed yourself, before slipping your arms around his waist.

“So, Spence. How is it that you know the going rate of a working girl?” You lifted your eyebrow and watched him panic, ready to memorise every expression that ever passed across his angelic features.

[deadbeat-motel]

ᑕᕼEᖇᖇIᗷOᗰᗷ ᗩᑎᗪ ᔕIᖇᑭEᑎTIOᑌᔕ ᖇEᗪEᔕIGᑎ

The last two designs for the main cast. With these two done, I can finally work on miscellaneous characters that I've been eyeing the most.

Again, thoughts below the cut:

My issues with their Original designs:

Sir Pentious:

I thought I would only have one thing to say about him (the unnecessary eyes) since he was my favorite in the entire original cast but having taken a closer look at him for this, I saw a lot of things that bothers me.

Too many eyes. specifically the lower half of his body has too many eyes and it seems detrimental to him. It's kind of painful to think about it since I do not think we ever see those eyes close. Is he just slithering on the ground with those exposed eyes? That's got to be irritating at best and damaged at worst as he continuously slithers on them.

There are eyes on the bowtie and the hat? There are already 4 extra eyes on his hood, so why have even more? I get that the original Pentious design was basically a monsterous amalgamation of eyes but the eye thing could have been scrapped altogether.

While his palette was the least red out of the cast (More so composed of yellows), it still blends in with the rest of the reds.

The claws are an unnecessary repeating design trait (Alastor and Vox notably have them too). I don't think it would've been too big of a difference to just keep his fingers fully black.

The stripes on his suit are too thick. It's called pinstripes for a reason.

I don't like how the hat is shaped to fit the head, It's awkward.

not a point, but I just wanted to say how the blue color palette works really well with him in that last episode.

CherriBomb:

She's not that bad of a design (She's sort of bland in my opinion) but it's the little small details about her that makes her so simple and also so complicated at the same time. There are so many batches of freckles scattered everywhere, little explosion lines on her skirt as well as the X on her chest, the tattoos are a jamble of random loops and bombs, and her tattering doesn't have an easy shape to consistently draw.

The thought process for these two:

Mx. Pentious:

Pentious goes by both Sir/Miss/Mx. but uses she/they pronouns.

Minimized the actual amount of eyes on her, I kept it only to her actual eyes and those on her hood.

Gave her a butterfly-shaped hood. It's nothing deep since it stems from the fact the notches in Sir Pentious' hood almost looked like one to my bad eyesight. I decided to play more into that idea.

I read some posts where people talk about how Sir Pentious should have a snout and while I understand why and fully support people giving him one, I really didn't want to add the snout to this design. It drove me crazy since I'm not a big fan of it. I tried a compromise where her head was shaped more like Phineas.

Kept the tophat but removed its eye and mouth. If I remember correctly, Viv took that from one of her co-workers from the pilot. I decided to just have it as a regular tophat.

It doesn't have all the colors, but her design does have the Neptunic flag.

I'm not sure if this even is a real snake but I based Mx. Pentious' design on this:

CherriBomb:

Scraped most of her features in exchange for a sukeban theme. I personally have zero knowledge about the punk scene in Australia.

A majority of the suggestions I received for her rough draft had something to do with the skirt. I elongated it and gave it a slit in which the magenta from the inside is able to pop out.

Thought it would be a cute detail to have her hair explode if she's angry.

----

Apologies this took too long to be posted, Life got in the way as well as the fact I was feeling shitty about Pentious' first draft. Her skin was an awkward and ugly shade of green and seeing some posts critical of Pentious' design got me to think a little bit more about what direction I'd like to move her redesign.

You could see this in the earlier rough sketches but this was how Pentious' first redesign looked like

[quinnysnursery]

Do you remember the podcast episode where Chris and Nick were mean to Matt ( calling him miserable etc.), and could you write something fluffy abt the reader comforting Matt after they filmed that episode?

[🩹] bottled up | matt sturniolo one-shot

paring : little!matt sturniolo x cg!gn!reader

summary : sometimes matt's brothers are just too mean...and sometimes a bottle fixes everything

warning/extra tid-bits : nick and chris being meanies (happy ending though!), crying, use of y/n, i think that should be it!

word count : 1,037

divider credit : @v6que

a/n : this podcast episode stressed me out so bad (sorry for any typos, i'm just a girl !)

Matt left the room as soon as he could, ignoring his brother’s taunts about how he was “Miserable” and “Negative”.

He could already feel the tears slipping out from his baby blue eyes as he ran upstairs and into his room, slamming his door shut behind him and twisting the lock with a satisfying “click!”

You sat on his bed, watching the whole scene unfold. Carefully putting your cheesy rom com book on his nightstand, you cleared your throat causing Matt’s eyes widened in surprise, he’s forgotten you were here but once he remembered he thanked god.

“M-Mama/D-Dada/B-Baba!” Matt cried, holding his arms out for a hug. Your sweet boy didn’t have to ask twice because you instantly pulled him into a hug, sitting the two of you down on his bed. Matt managed to shimmy his way onto your lap as you held him in a cradling position.

“Shhh, I’m here darling. I’m here.” You comforted him, placing gently kisses atop his head. Matt continued crying for what felt like an hour, mumbling out stuff about how Chris was a “meanie” and Nick was too.

“Were they being mean to my sweet boy?” You asked sympathetically. He nodded against your now tear-stained shirt.

“I’m sorry sweetheart…Do you want me to go talk to them?” You offered, you weren’t even sure what you would say but you already had some choice words in mind. Luckily for Chris and Nick, Matt shook his head which was now resting right above your heart. Your heartbeat had always seemed to be soothing to the little.

“Okay angel, well what do you need from Mama/Dada/Baba right now?” You asked, curling the back of his hair around your fingertips.

Thinking for a moment, Matt’s hands anxiously picked at the skin near his nails. You quietly took one of his hands, squeezing some of the pressure points in it in an attempt to alleviate some of his anxiety. 

“M’ want…” Matt trailed off into a mumble, a shy blush invading his face. You smiled, looking down at the little on your lap. “Hm? What is it?” You pried, “M’ wanna bottle…” He mumbled, rubbing his eyes sleepily. 

You beamed, always delighted to give your boy a bottle, before nodding. “Okay sweetheart, can you wait here while Mama/Dada/Baba brings the bottle up?” You asked, he thought for a moment before nodding.

After some gentle coaxing and multiple pinky promises you would return, you found yourself in the kitchen. You’d managed to avoid both Nick and Chris, unscrewing Matt’s bottle and filling it with milk and a few splashes of vanilla extract.

“Y/N? I didn’t know you were here!” Chris’ voice came from behind you. You internally sighed, turning around. “Yeah, Matt said we’d hang out after the podcast…” You mumbled. “Do you two wanna watch a movie? Me and Nick were gonna watch-” You cut the youngest triplet off, “No, Matt’s not feeling well.” You said firmly. Chris rolled his eyes, “He is still Miserable Matt?” He joked, only you didn’t laugh.

“Can you stop calling him that?” You asked, your tone sharper than intended. Chris paused. “I mean- seriously. I get that you three are brothers and you're gonna mess around but like- just lay off dude.” You continued, “I…” The youngest trailed off, his eyes meeting the bottle behind you.

Both Chris and Nick knew of their brother's regression, you hadn’t always been his caregiver and with Matt’s specific age range, he needed someone to at least make sure he didn’t hurt himself. 

Realizing his actions had caused his older brother to regress, Chris’ face instantly fell. 

“I’m- I’m sorry Y/N I thought-” 

You shook your head, turning around and screwing the cap back onto Matt’s bottle. “Apologize to Matt, not me.” You said, beginning to walk back to Matt’s room, Chris following you. 

“Well not right now!” You scolded, Chris stopped and nodded. “I uh- yeah okay.” He said before sheepishly moving back to the living room where Nick was sitting on the couch.

After sliding back into the room, you were greeted by Matt who was now in comfier clothes.

“Guess what I’ve got!” You sang, gently shaking the bottle in the air. Matt giggled, his puffy eyes beginning to return to normal. 

You sat yourself against the headrest, Matt wasting no time crawling into your lap and laying his head on your chest. You cooed, whispering gentle affirmations to him about how he was a “sweet boy”, specifically your sweet boy.

Bringing the bottle to his lips, Matt hummed as the milk entered his mouth. Your little snuggled further into you, anxiety melting away by the second.

You proceeded to talk about anything and everything you could think of, from the most recent episode of Bluey the two of you had watched…to the weather in your hometown.

Matt listened contentedly, eyes transfixed on you as he drank his milk.

Just as the milk in his bottle ran dry, Matt’s eyes began to grow heavy. “Oh sweetheart…is someone tired?” You cooed, voice dripping in a softness a cloud could only dream of achieving.

“Mhm..” Matt mumbled as you began playing with his hair. “Poor thing, such a sleepy baby~” You smiled, placing a gentle kiss on Matt’s nose.

Giggling, he began allowing sleep to take over his mind. 

It’d been nearly 30 minutes since Matt fell asleep, and you decided to hold him in your lap for as long as your limbs would allow. Just as you were going to move him, you heard the bedroom door creak open.

Turning your gaze to the now open door, you were greeted by Nick and Chris’ faces peeking in. You raised your brow.

“He okay?” Nick asked shyly, you smiled at the oldest brother’s concern. “Yeah, out like a light though.” You let out a breathy laugh, the two brothers doing the same.

The two brothers helped move Matt off of you, tucking him in. 

Nick told you he already planned on apologizing to his middle brother first thing in the morning before leaving you and Chris on your own.

“Movie offer still stands,” Chris whispered, just before he slipped out the door.

[starry-bi-sky]

I am absolutely loving your Danyal Al Ghul au. While I have a soft spot for the whole plotline of Danny becoming his canon personality almost right after breaking away from the LOA all because of Jazz, I'm just as much for your take in which he goes through the same character development as Damian.

Now I'm curious. You already tackled his relationship with Dani, will you eventually take a stab at when he, Sam, and Tucker meet Gregor? Given that it's one of my hated episodes as I couldn't stand Sam's infuriatingly hypocritical attitude to Danny's suspicions of him, I'd kill to see your spin on it.

Aw, thank you! Danyal Al Ghul aus are what got me into DPDC first, so I have a major soft spot for them. That being said, uh, its exactly that soft spot that causes me to have Many Opinions about the trope you just mentioned. Like the trope is all fine and dandy, i don't blindly hate it, my main issue with it is that most aus i've seen treat his backstory as an ex-assassin more like a pretty cosmetic accessory rather than something that actually should have had an impact on him. Especially if he remembers being in the league.

Like i cannot stress enough the fact that being in an ecofascist assassin cult (regardless of his standing in it) should've left him, in some way or another, screwed up morally and psychologically because that's just how development works. Nature vs. Nurture is like a game of tug-o-war that never ends, where they are constantly fighting against each other and one side usually has the upper hand or greater influence. Children model the behaviors of the adults around them (ex: bobo the clown doll experiment), and what impacts them in childhood can stick with them permanently.

Like how my psychology professor put it: a baby's brain is like wet cement; if you slap your hand on it, it leaves an imprint, and the cement dries that way. The same rings true for small children.

I could go on, but I frankly have so many thoughts on that alone that I would end up completely derailing from the second half of your ask, and I don't want to be more critical than I already have. Especially since you just mentioned you have a soft spot for the trope.

[Okay, hold onto your hats because this is long. Naturally lmao.]

Gregor! Man, I'll admit I last watched the show back in middle school on a dodgy illegal website (it had surprisingly good audio and visual graphics, and full episodes. But really annoying porn ads.) but I only made it to like season 1 before my hyperfixation faded and I lost interest. So I never actually saw the Gregor episode.

But... it is relatively easy to find free websites that stream Danny Phantom :), so finding the episode took me like. Thirty seconds. Plus the Tv.Tropes recap page because my damn earbuds just died and im out in public as of rn.

I'm not sure if I'll write something for the gregor episode like I did with Dani, since Dani's a bit of a special case in that she's a clone and tends to be a reoccurring presence in DPDC, and I thought the new dynamic with Danyal would be interesting.

Plus, I'm not a big amethyst ocean shipper for the pure reason of I'm just not all that interested in it; its kinda bland to me. I'll admit I've entertained the thought in this au due to the whole balcony scene i wrote, but I would've entertained the thought anyways if it was Tucker in that position instead. Big multishipper, me.

But, if I had to make it official? Danyal is not interested romantically in Sam when the Gregor episode happens, regardless of his relationship with Valerie. Who, speaking of I'm trying to think about how that would go, and I'm torn between including him almost-dating Valerie or not.

Because on one hand it helps point out Sam's hypocrisy (and i love her but i am always happy to point out her flaws and address them in au) in this episode in terms of Danny spying on them, but on the other hand I'll want to include a lot of set up in order to make Gray Ghost work in this au and wow will that take a while.

Especially with the Flirting with Disaster episode because it happens due to Technus' meddling, and Danny is, well, the son of the Batman? A trained assassin? An ex-assassin nonetheless, but still an assassin? A prodigy child in this au? He might not have needed to use most of his skills in the last few years, but like... there's just a bunch of 'what if' and 'well technically...' and 'would he? he could, but would he?' things that is getting in the way of my thought process and making my head spin.

.

Mmm. Okay. Flirting with Disaster occurs relatively the same as canon with a few exceptions; like Danyal noticing the strange coincidences, and he might take the idea into proper consideration because Sam has a point it is strange, especially out of nowhere.

However,,, he really enjoys Valerie's company, and he does really like her. He's been adjusting to civilian life for the last four years and while he's made a lot of progress, he's still. an ex-assassin child living like a wolf amongst sheep. This is normal, typical teenager stuff, and usually his friends like to encourage him doing normal teenager stuff.

So he's stubbornly holding out on the thought that this is normal, that ghost stuff isn't interfering here. He's a little hurt that his friends are discouraging this, he's not bothered by the fact that Valerie is a ghost hunter and he a ghost -- his mother is an assassin, and his father is Batman, and they still had a relationship. (Granted, he's not gonna tell them that)

If anything, being diametrically opposed to each other but still being in love is part of the family! Granted, usually both parties are aware of said opposition to each other, but he'll make a special exception this time around.

(And man now that i'm thinking about gray ghost, im now thinking about various like. scenes i could write between the two of them. maybe in a reblog.)

Anyways uhhh things relatively go the same as canon. Yeah. I think Sam still has a crush on Danny and still spies out of jealousy with Tucker.

.

Now, the Gregor episode! With that out of the way; the TVTropes recap for this episode isn't the best because it doesn't go into detail about the entire episode like it does with Flirting With Disaster and Shades of Gray.

(which i looked at earlier because I made a section of this post talking briefly about what changes I'd make to the Shades of Gray episode to help set up Gray Ghost, but ended up deleting because it was kinda irrelevant for the matter at hand.)

So I'm taking in bits of the episode clips at a time, I'll try not to get too nitpicky about how each scene goes because then it's gonna take me a longer time to write this.

But! First thing's first; since Danny is not romantically interested in Sam, he is also not jealous of Gregor. He is however, a bit eyebrow-raisey at him in their first introduction, but that's because Gregor is coming off as obnoxious.

Danny thinks he's kinda annoying, and it doesn't take a genius to see that Gregor is trying to impress Sam. But since they've only known him for five minutes he takes the good faith assumption and assumes that Gregor is genuinely trying to show interest in Sam's interests too because he likes her, so he keeps mum. The fake hungarian accent is weird, but it's overall harmless, so he doesn't point it out.

He does do the spying thing when he starts suspecting that Gregor might be working for the GIW. The episode only has this happen twice, but for the au this happens a handful of more times over the course of the week, with Danyal's suspicion steadily rising more and more each time.

Hah, when he brings up wanting to spy on Sam and Gregor because of this reason, Tucker still does his "woah! you wanna spy on Sam?" thing.

Danny immediately turns to him, completely unimpressed, and crosses his arms. "Tucker," he says, deadpan, "you and Sam spied on me and Valerie."

He uses a combination of his ghost powers and his regular stealth ability to spy on them. He's hiding in a tree when they're skipping rocks, close enough that he can use his powers to hear them talk but far enough away that he has a good view of their surroundings.

He's invisible in the cinema, but doesn't accidentally get in front of the projector. He checks the inside of the room for the GIW, and then waits outside the actual room itself, keeping an eye on the area and occasionally flying in to watch the movie out of boredom. It reminds him of being back on a recon mission with the League, but it doesn't end with him orchestrating someone's death.

Then when they're at the mall he stays in human form, blending in with the crowd. He runs into the GIW there, but realizes that they're not there because of Gregor; they're just shopping. They didn't show up at either of the last two locations, and he follows them to make sure they're not also trying to blend in. But they're literally just there for shopping.

Danny is rather pleased with this turnout; so far Gregor isn't a spy, he's just annoying. The next day at lunch he asks Sam how her date with Gregor went, and that's how she figures out he spied on them, because well, she didn't tell him that.

"Have you been spying on me?"

Danny messes with his food a little bit, and Tucker is sinking into his seat with embarrassment. He frowns, "Only last night. Those incompetent government dodos--"

His lip curls up; he gets all 'Shakespeare-y' (as Sam and Tucker put it) when he's insulting someone, "--kept appearing whenever Gregor did. I followed you and him last night to make sure he wasn't a spy."

A roundabout way of saying, "I was worried".

Sam is, as canon, furious. Danny understands why, he knows generally speaking that people don't like being spied on. But he's confused on just how angry she is, and is a little irritated by it.

"Why would you do that!" She exclaims, "That's way out of line, Danny."

"How? You spied on me when I was going on dates with Valerie." He narrows his eyes, and points his fork at her, "I'm not blind, I noticed."

"That's different, we told you why we were suspicious. And we don't have ghost powers like you do."

"I don't need ghost powers to sneak around, Sam, you've seen this firsthand. And I just told you why I followed you, I thought he was working with the guys in white--"

"So you think someone can only be interested in me if they're after you?" (this is a paraphrased quote, folks ;D)

"No! If that was the case I would have voiced my concern the moment I thought it. I don't get why you're so angry, you spied too."

Iiits.... a mess. Sam storms off with Gregor, Tucker tags along because okay, yeah, maybe Gregor isn't with the GIW, or maybe last night was a fluke. Either way he ends up tagging along. Danny overhears that conversation between the GIW and Mr. Lancer, and maybe he's right, maybe he's wrong; but something is up.

I've gotten to that scene in the locker room where Gregor tells Danny that he knows he doesn't like him, and I've paused at Danny's reply to say this: Danyal doesn't even bother trying to deny it.

"I know you do not like me."

"You're right; I don't."

"Ah, let me finish. I know you do not like me because you want to protect your friend, Sam, and I respect that."

"...That's correct."

"Good! Because I am going to ask her out."

"I had a feeling you'd say that," he stands up, claps his hand tight on Gregor's shoulder, and leans close to him with a threatening smile, "so you understand me when i say; if you break my best friend's heart, you're as good as dead, right?"

"Ah,, yes. I am so glad we got that cleared out of the way, and now I hope after we can.. how you Americans put it, hang out?"

In the episode he hugs Danny and gives him a la bise (which is that french greeting where you kiss someone on the cheek two or more times) after they end their conversation. But here, when he goes to do that to Danyal, Danny leans away, points an accusatory finger at him, and says; "Absolutely not; we are not close."

The next scene after that is like, end of day. Sam, Tucker, and Gregor walking away. Sam looks over her shoulder to glare at Danny, then gets forlorn. Tucker looks back and just looks forlorn.

(When did I start narrating each scene?? Eh, I'm writing this in brief spurts of time throughout the day. Don't fix what's not broke)

After that there's this whole scene with the two GIW agents that have been chasing Phantom all episode. They're there because they have Tucker's PDA that Skulker took, and it's got the information of their purple backed gorilla assignment on it. They've been going around seeing who Tucker associates with in hopes of catching Phantom.

Uhh ahaha and that is where this gets a little interesting imo, and also allows me to mention that im retconning Danyal's (already) redesigned ghost form. Which I've wanted to retcon even before this moment bc it was just too busy. I'll get to that in a moment.

The GIW suspect Gregor for being the Phantom because of his white hair and green eyes, which is all fine and dandy until you remember: Danyal (and by extension Phantom) has that very noticeable, rather identifiable facial scar that goes across the middle of his fucking face. The GIW could easily suspect that Phantom hides his scar with makeup if he's in disguise, but if they meet a kid with a seemingly identical facial scar and similar disposition? Hoo boy.

Solution? I've got two: Gregor is canonically a kid from Michigan who faked everything to impress Sam. Considering he knows she's gothic and knows that she's ultra-recyclo vegetarian? He probably watched her from afar or got information on her somehow. His hair is dyed, his eyes might just naturally be green, but if he notices that she's got a crush on either Danyal or Phantom? A little sfx makeup could help him recreate a similar looking scar.

My second solution that's gonna happen anyways bc its that suit redesign; Danyal does hide his face as Phantom. Ghosts are emotional creatures and its a popular headcanon that their interests, ambitions, etc, influence the way they look as a ghost, not just their death. A big reoccurring theme of my au is that Danyal did not leave the League unscathed, and that being an assassin is an important part of his identity.

So i'm discarding the hazmat suit look entirely and leaning into the 'assassin' thing. But the general (stylized) feel is like, white ribbon/cloth vambraces that he has used as a garrote at some point, a hood, a gaiter scarf-type thing. I'm keeping the cape. I did a doodle a few days back that's not the official redesign, but a redesign for Phantom. I may reblog this post with that attached because it's got the general feel down. There's very little white involved, but the inside of his cape flares out and looks like the night sky.

Now, the hood and gaiter scarf gets rid of most of the problem, but Danny's hood doesn't stay on all the time, so the GIW have likely seen the upper half of the scar. :] Gregor's own drawn-on scar doesn't have to be 1:1, but it looks close enough, right? A small scar cutting through the edge of his brow and ends right below the corner of his eye. A 'cool, badass' one opposed to Danny's 'garish' scar.

But! Back to the episode scene. Canon Danny gets written off as being 'too prepubescent' to be Phantom, and honestly it'd be hilarious if Danyal was written off for the same reason (he's calling them idiots in his head if they do). But instead -- leaning into the GIW's incompetence here -- he gets written off as being too mature or too talkative. Or something equally as absurd.

Sam breaks up with Gregor for canon reasons, but when Gregor does his "i really like you, but, come on-!" and gestures to tucker, he adds on "and that scary friend of yours too, seriously!"

Things go relatively the same as canon after that. Danny does end up apologizing for spying, however. Sam does it first. Sorrows, prayers, all that.

.

Things usually end up changed or different when I actually write it down, so I'd likely add more or adjust different scenes according to the flow of the oneshot. This is just like, a general vibe of how things would go, and where some of the more obvious changes would be if I did write this oneshot.

Hope you enjoyed! Thanks for the ask :]

[sykeboy]

AninPin Character (and dynamics?) Analysis part 2

The time has come folks

Pin and Kueshit's wedding has brought our girls to their breaking point and now is a great time to see how they are facing their biggest challenges so far

¿Remember I said I wanted to see what Anin would do when she didn't get what she wanted?

I love Anin but today she was cruel.

I agree that needing space is valid after heartbreak, however, giving Pin false hope and then kicking her while she's down was uncalled for. Pin made a choice she did not like so Anin punished her, and I can't help but compare it to aunt Patt's attitude, and the rest of the royal family's (not you Anan) attitude towards those of lower rank, however polite or harsh they might be, the message is the same: you do as I say I reward you, you don't I punish you. It's classical conditioning at play

Also the fact that Anin is standing on the stairs, making her taller than Pin while Pin literally begs her no to leave was a nice touch that keeps reminding us of the power imbalance between these two

I know I must sound like a hater right now so let's get in to the actual character analysis

In this scene both our girls are super triggered, this makes their personalities condense: get more rigid. That happens in order to give them a sense of safety in times of caos and percieved danger

Anin is confrontative, she confronted her family on the last ep, she confronted Pin on this one, and she confronted the situation about Kuea's wife. Anin takes direct action, this is the way in wich she thinks she can affect her reality. And SHE CAN DO THAT BECAUSE OF HER PRIVILEGE

Anin was not gonna leave until she had tried Every. Single. Thing. She could do in order to stop that wedding

So when Pin decided to marry Kuea, and then again today when she decided not to push back against the wedding Anin took that to heart. She is having a hard time understanding that Pin handles conflict in a different way than she does. Of couse she is heartbroken, not only is she losing the woman she loves, in some part of her brain she thinks Pin must not love her enough to take direct actions against the wedding like she does. She sees Pin's sacrifice as her giving up their love so she's sad and angry (she's also not used to losing)

Now let's do Pin

Pin has serious abandonment trauma, wich started after her parents deaths

When Anin came in to her life she was like a lifeline, promissing to always be by her side, so this scene was particularly hard to watch for me

Again, Pin is super triggered, Anin leaving feels like a huge threat to her. We see Anin has a big safety net, people who care for her. But Pin has none (maybe Prik)

So Pin does what she knows best, she lowers her head, apologises, tries to please as she can, she flagellates herself (she knows Anin is punishing her so she helps her), she says she is disgusted by herself because she chose to marry Kuea, but there is simply no way out of this for her

This frustrates Anin, cause Pin's obedience is affecting her directly, and she cannot actually understand the crossroads Pin is at right now, try as she might, she simply can't

Here Pin explains her line of thought very well, she feels powerless and the only way she knows how to affect her reality is by surrendering to what she thinks is inevitable (and she's not far from reality) this surrender can give her some solace, she has learned that she is helpless so why fight when you can't win

And again she self-flagellates for inflicting pain on Anin (or anyone at that), which is comonly thaught to us women and we see it again on today's episode when Kuea's wife says she does't wanna "ruin his future" by exposing his wrong doings

Still Anin can't understand Pin's choices cause their experiences are way too different and Anin has fought right? So why wouldn't Pin fight for their love as well?

So she takes action, she takes off her ring and lets it fall to the ground, she leaves

And this picture right here reminds me of:

Pin is yet again left to face the storm all alone