#it takes a lot to make me this angry

[jslittlebirdie]

.

[ryuzumisama]

The Pale Elf

[colorfullyminded]

TLDR

Okay I cannot believe I'm about to go off like this, but this has been bothering me for awhile, and it's only making me more spiteful. I have been enjoying the influx of Billford art lately. Amazing, great wonderful. What I have Not been enjoying, is the absolute vitriol the Billdip fans have been getting since the influx of TBOB. I was a billdip shipper for awhile. Hell I was a billdip shipper when I was a Parapines shipper-- I liked shipping Dipper with boys. I was also like 14 or 15 at the time. Obviously, if you follow me now, you'll probably notice what my main ship for Dipper is. I grew out of Billdip, and moved on to Pinescone. I have been shipping Pinescone for 10 years. However, not once did I go around saying "Lol, glad I matured and became a better person and shipped something healthier", nor did I post in the billdip tag, condeming people for a fictional ship! And saying mine was better because it was less problematic.

"I'm really glad people stopped shipping Bill and Dipper together. Bill is a 1000 year old triangle demon, and Dipper is 13--" Stop. Repeat what you just said.

"Bill is 1000 year old triangle--"

Repeat that last word to me. "....triangle?" TRIANGLE! I'm sorry what?! This ship is already completely wild enough. You're getting mad at this fictional age gap-- AND BILL IS A FUCKING SHAPE! A FUCKING SHAPE! This ship was weird from the moment GO! And Billford isn't any better. IT'S STILL A SHIP WITH A FUCKING SHAPE! And you're going to sit on your high horse and look down on the Billdip community. On top of it-- they have an age gap too! Bill is still thousands of years old or whatever-- however long it's been, who knows? And Ford was in his 20s or so when he met Bill. That's still a huge, ridiculous age gap-- that Bill could easily use and manipulate; which he did....and then also caught feelings and became a sad ex, but that's beside the point~ Both of these ships are still insane. And again, the bigger thing I think people are just ignoring about these ships--is that Bill is a TRIANGLE! THREE LINES CONNECTED TOGETHER! And this is the hill you're going to die on? ...Cause apparently it's mine. First of all-- as many people pointed out-- Ford Pines did not exist until the second half of the final season. People couldn't ship Fordbill because there wasn't any Ford to introduce.

"Well, even before Ford, I never shipped Billdip! I always disliked it." ...Okay, that's totally fine. Not everyone needs to like or agree on the same ship. Lord knows there's probably people who don't really care for Pinescone either. There's a lot of popular ships that I can't stand. But I'm don't go into a ship tag I don't like, screaming to a void for self validation. I don't go around mocking other people for ships that they had in 2014-- or even still today! It doesn't matter! I did that when I was a kid-- and then realized that was rude, and it was better to just ignore the ships I didn't like and enjoy the ones that made me happy. And grow a community of kind, like minded friends. And listen, I am all for safe spaces and being able to block things that make you uncomfortable. I am not saying people who find the BillDip ship uncomfortable to be idiots or babies or overly sensitive-- or anything like that. I think if something makes you uncomfortable, that is okay and I think it's perfectly fine to blacklist a tag that you don't want to see. I also think it's imperative that people tag things as accurately as they can so people looking at your work can know if one of your pieces has a thing that they don't like-- and therefore can avoid. What I don't appreciate is the fanhate for this ship that is sprouting up like weeds. You can not like something, you can be disgusted by it (I have my Gravity Falls ships I can not stand, nor do I feel comfortable with), but attacking real people for a FICTIONAL SHIP-- two characters who are drawings on a piece of paper and can not be affected mentally, physically or emotionally by fanwork; who still retain the same shape after everything we put them through-- to the point that you send death threats, or threaten to Doxx, or just harass relentlessly, I have always found that more childish and disgusting. You are causing real world pain to people. Me fucking up Dipper Pines is not going to do anything to him-- because he doesn't actually exist. He's a cartoon character. I could squash him and stretch him in Wonka's taffy machine--- I could throw him mock speed at a wall and watch him explode on impact-- but he still exists. He's not dead; I can pick him up and dust him off, and If I wanted-- I could decide that eh, 'Not a scratch on him'. And I'd be right. Because he is a cartoon character, and I am just a fangirl. I can not change anything about him-- I have no ability to make anything I headcanon canon. And even if I was the original artist-- it doesn't change the fact that Dipper would still be nothing more than a creation. A construct of shapes; he can not be hurt or traumatized in a way that leads to real life consequences-- because he is not real. I am not a cartoon character. My friends are not cartoon characters. Artist and Writers who stay in their lane...are not cartoon characters. If you hurt us...it will linger. It will leave a scar. If you can not tell the difference between Fiction and Reality, then I think maybe media might be too much to handle-- and I think you need to really reevaluate yourself.

And just to vent some other things that i keep seeing that are frustrating: You can't claim the twins are only 13-- and then on August 31st go "Happy 20-something Birthday Mabel and Dipper!" And then proceed to drop a picture of them as adults. Well which is it? Do they age or not? Because Gravity Falls showed them canonically aging. If you think the twins age-- then you can't suddenly turn around and go, 'no you can't ship them-- Dipper is a child!' but you drew him as an adult. So sorry, it looks like you can't draw the twins grown up anymore. You claimed they're 13, so better draw them 13 forever--. Aged up stories and works exist for a reason, especially for a fan who grew up on the series. The characters might have grown up alongside them. It's not unlikely for a person to ship Billdip when Dipper is much older.

And on that note, for people who are like 'well older billdip is fine-- it's just people shipping him during the show that deserve to die.' Okay... and like I said, this rant is coming from a recent influx of Billford shippers spitting on Billdip shippers. You know? The TOXIC Old Man Yaoi!

You're still shipping something that is problematic. You are still shipping something twisted and wrong. And I am not judging you. I am here for this divorced arc. I am thriving. But you can't just pick and choose what is and isn't okay. And let me first off explain; if there is something that personally triggers you about a toxic ship, and you want to avoid that-- again, perfectly understandable. Perfectly reasonable. You are the makers of your content space. And I am not judging anyone for that. I want people to be safe. I want people to have a good time in fandom spaces. I want people to not have to deal with the things that upset them or frighten them, or disgust them. But you can not say one is fine, and one is not. They're both bad! They're both toxic. In real life, these ships would both be charged with serious crimes! And yes, there are some crimes that are worse than others, and if you asked me what I thought was more problematic-- I'd say Billdip-- but both of these ships are extreme, and severe in their problematic content. You are still consuming problematic content. If it's a personal thing, that's fine; avoid it. But don't sit there throwing stones from your glass house.

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[whatudottu]

Welcome one and all to my version of the party's loopified designs, featuring my many broken bones and blood stains I especially put into Odile who I tackled second unlike the alphabetical order that I have presented here! I'll have in-depth discussions on each designs and matching practice portraits under the cut but before that-

Siffrin 'barely taller than a preteen' no middle name no last name Loop is still barely taller than a preteen but now that preteen can claim fire to their height!

Alphabetical order GO!

Bonnie, who I've been calling Bonfire (which if that ends up being their name I can imagine Bonnie calling them 'Fire' while they call Bonnie 'Face' to match), was the last of my designs because frankly I knew from the start what their design was going to take influence from and also knew I was going to draw fire :P They were based on bonfires (of course) and also specifically the Burning Man effigies just for a humanoid figure, plus being a chef cooker and a campfire and also a very heated expressive person.

Their flames are hot but not actual wood burning so the Favour Tree (and Mirabelle in the height chart) are not at risk of combusting, they're just incredibly bright-

Isabeau my first design, with influences from @basilpaste 's Lock (with a dressform body) and @nullapophenia 's original version of Husk (the faceless identityless sketch), I have combined them both to make a mannequin it/its loopified design that finally gets to be capital T Tall all for the low low price of being Changed against its will and suffering another bout of body dysphoria that it can't fix anymore :) :) :) When I was referencing mannequins I actually noticed how long their legs actually were let alone how they were perma-stuck in that Barbie-like highheel pose and thought why don't I just curse Isa with something he previously wanted :P

Something something Isabeau actively Changed not only his body but his personality to become someone he wouldn't be ashamed of, yada yada Loopsabeau is back to hating itself and has started to become a person it despises to match (also like a mannequin it's head and arms are technically painlessly removeable :P)

Third in order and third in design is Mirabelle, who technically is the only loopified design with technically hair and clothes, but the hair are the tangled roots of the Favour Tree and the clothes are like the carved hardstone statues of religious figures :P Initially my Idea for Mirabelle was to make her kinda like her statue, with the wonky expression of someone who made it without much mastery over details, not to pit anything against Mira, no, no. Thought about maybe abstract statue design but I couldn't find a version I liked but I did always imagine her statue being weathered in some way, there was a reason why I saved her for third I couldn't pick what I wanted. But then I remembered the broken Change God statues, thought about the 'blessing' that ended up being a curse, and then thought about overgrown weathering and gave her the roots.

I actually looked up Black hairstyles and mostly wondered what specific hair texture Mirabelle had (she wears it in a fro of course, but she has flyaways that aren't coils, but she described her own hair as kinky and :P) so that if I were to mimic hair with tree roots I can get an appropriate matching hairstyle (settled on megatwists). Hah, if Mira has 4C hair, considering how long her hair actually looks, if she to wear her hair in twists she might actually have elbow length hair :P

I spent 8 non-consecutive hours on Odile can you tell? Can you see my hands bleeding my wrist breaking my eyes drooping? Yeah so Odile was again, my second design and it took me a week to recover, and she's a combination of gem and mirror suit with all the little fragments floating around her the 'diamonds' that represent all her family members party plus the ones she originally had in sets of 2. I also put geodes where parts of her body have broken off (inspired by how when the King strikes she can't move, plus also being a glass canon) where when I was actually drawing those geodes that they kinda use the Change symbol?

Circle within a circle within a circle, regardless of how wiggly it is, and at the centre is a cluster of crystals. That was an accidental reference to Odile's mixed heritage but hoo boy what a connection! Her missing pieces are a combination of 'being too old for this' fragility and also 'i didn't want to render more mirrors sue me'

Anyway I am going to put my wrist in a cast and imagine loopified party members with their pre-wish counterparts :P

[quietwingsinthesky]

Dean is such a paradox for me because on the one hand, I have been actively triggered by him in the show, there are moments where, intentionally or not, the writers managed to create a portrayal of manipulation and abuse and control issues that it sets off actual alarms for me. And on the other hand, I would not have him any other way. There is something — not comforting, that’s too soft a word — about knowing where Dean’s actions stem from, having seen and learned all that we do about his childhood neglect and parentification and the trauma he goes through repeatedly in the show, and that he doesn’t come out clean. He comes out a goddamn mess who ends up hurting the people around him in reaction to his own pain!

There’s a reality there that’s. Almost nice, actually. Distressing to watch, but it is a fucking mess, it’s a good mess! He’s got zero healthy coping skills and a healthy relationship with say, his brother, is terrifying because it leaves him open to abandonment!

I’m not sure I’m wording this correctly. There is a way to be a good abuse victim. Take the pain, martyr yourself on it, and then, even if you have no support or idea how to, then you have to become a Good Person who never hurts anyone the way you have been learning to your entire life. Simply toss everything that shaped you out the door and emerge a saint with a tragic backstory. And Dean is not that. And that’s so fucking good. Everything that he has gone through continues to effect the way he treats the people around him, and he can’t fight the behaviors he might recognize as harmful because he also sees them as protecting him (or protecting Sam by keeping Sam with him.)

And sometimes, idk. It feels good to see a guy who didn’t heal the “right way.” Who mostly didn’t heal at all, just keeps the wound open because it’s easier that way.

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[dearmistermuse]

So let me get this straight;

Poison Ivy or any woman who shows slight hatred for men gets ridiculed for being a "misandrist" and shouldn't be forgiven

but when it comes to male characters who are a full MISOGYNIST they are often forgiven and babyfied like okay

[necrotic-nephilim]

for the choose violence ask game!!

16: you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

for the choose violence ask game!

16. you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

i've decided i'm really picking violence with my answer this time: sunshine Robin Jason Todd. like the whole fanon that runs with him just being a bundle of joy and the sweetest boy ever who likes to read and is a nerd and an angel. really any version of Jaybin where Jason is a happy-go-lucky character because. that's just? not canon?

don't get me wrong Jason is certainly more nuanced in his Robin years than "the angry one" and he does have happy moments. but this whole "Robin is magic" has really gotten away from us. firstly, i'm begging fans to understand: Jason is not the only Robin who has said this. Tim has *also* said being Robin gives him magic. it's not unique to Jason, it's simply the function of the Robin mantle no matter who is in it. it can't be used to characterize Jason bc it's not unique to him. and his other happier moments were either 1, Pre-Crisis, where he had a different backstory and none of it is canon or 2, comics that were more light-hearted in general so his personality was shaped to match the tone. in all of his Batman and Detective Comics appearances, he's much more grounded and nuanced. he *has* happy moments they're certainly important to him. he is a smart kid with a book-reading hobby and a kindness to him. but he's not a sunshine "Robin is magic" boy. he is driven by his anger, even as Robin. he has violent reactions repeatedly and he's not the best at coping with his emotions because *he's a teenage boy*. a teenage boy who grew up on the streets and had to virtually raise himself. it makes him hardened and on edge most of the time. it makes him reactionary.

and trying to call every instance where Jason was angry as Robin bad writing just... gets rid of his whole Robin era tbh. there are a lot of sides to him as Robin and one of those sides is very angry violence. and his writers can be blamed for that- they didn't like him and wanted him dead and it was very clear. but at the same time, it's still consistent characterization. so i've really disliked the new wave of fanon that won't let Jason have *any* flaws as Robin bc god forbid you acknowledge the violent things he's done bc they you're making him the "angry Robin" and that's bad now, to fanon. he was a flawed Robin. they were *all* flawed Robins. trying to cleanse his Robin years just makes him more boring, imo.

[genericpuff]

I think someone needs to touch some grass

Please

I know what it’s like to be angry…

thanks i'm cured 🤡

[sepiamestus]

It always rubs me the wrong way when people characterize atsushi as too much of a sweetheart. Like he IS a sweetheart but he's also snarky and sarcastic and most importantly he's very very angry. Do not forget this.

[sqlmn]

Them being friends is one of the funniest dynamics because she's the exact opposite of Mr Depression Incarnate. (Right is absolutely fascinated by their friendship since he likes observing people and he notices how much investment Brent has in making Karen stay Not Disappointed compared to literally every other coworker he talks to)

[padfootastic]

i am so tired of female characters being inherently written as ‘terrifying’ or ‘scary’ w no respect to their characterisation.

for one, it feels so fake. i know so many women irl (i am one!!!) and there are very few, of any, that i would categorise as ‘scary as is’. heck, even if we go by tempers—the numbers just don’t match.

but somehow in fics, every single woman is a terrifying force of nature bc that’s…somehow…the only way we can think of women? idk?

and also just, it’s such a two dimensional characterisation that i only see w the female characters. all men aren’t angry and hex-happy and scary all the time. they’re affable, chill, respond to situations thoughtfully instead of always resorting to violence.

i think it also bothers me bc the anger thing flows neatly into the v gendered carefree man child/stuck up fun sponge stereotypes that so many relationships are forced into. it’s just an icky dynamic all around.

and lastly,,,i don’t think it’s even normal for a character to be latently terrifying everyone all the time??? unless it’s a specific quirk of theirs??? like women aren’t dementors bro chill tf out

[alagaisia]

Hey if you’re still enjoying and engaging with Harry Potter in any capacity you can unfollow me 😊 please and thank you

Like. I get it. I was super into it as a kid too. I did not have the social context to pick up on the antisemitism or transphobia or sexism or fatphobia or bioessentialism or racism or anything else. I also picked up on surface-level language of Fighting Back Against Evil and ascribed my own values onto what that meant and thought we were all on the same page. I remember when the original kids who grew up with the books started becoming adult fans and picking up on the (blatant!) antisemitism and everybody was still mostly willing to give JKR the benefit of the doubt on it. (“She was writing kids books!” They said. “She didn’t know she was penning a global phenomenon! She picked a common literary trend in European fairy tales (antisemitic caricature) and didn’t examine it closely. It’s a mistake anyone could make,” we said. “She would probably do things differently now. After all, she word-of-god confirmed the vaguest hints she dropped that Dumbledore might be gay,” we said.) There was actually a span of several years where biases inherent in the actual real content of the Harry Potter series were coming to light and even the people pointing them out still seemed mostly to think it was an unfortunate accident.

That time has passed. Years ago! We are long past the first months of “maybe she doesn’t realize this seemingly-feminist tweet she liked was made by a noted TERF” and then “how could she not realize that these many veiled TERF-y things she’s retweeted have implications for the many queer fans of her work” and finally “oh wow okay JKR just dropped an entire transphobic manifesto on twitter. I guess the transphobia was the point.”

Yeah, there were a few months after that where people were still processing and still working through how they felt about Harry Potter and all of its flaws with the context of the now open transphobia of the creator. I was there for that. Remember how I was one of the kids who built it up into something noble and worthwhile based on my own beliefs about what messages it was probably trying to convey? Turns out it wasn’t trying to say any of those things, and when you take the time to examine all of the terrible shit that made its way into the text whether JKR intended it to be there or not, the whole series falls apart. It’s weird to discover that there’s a room in your house that’s rotten to the core, but eventually you figure out you can’t live like that, still going in there and holding your nose and pretending it’s still the same room you thought it was when the termites were only inside of the walls and hadn’t yet started chewing their way through the furniture. Because what’s going to happen is that they are going to infest the rest of your house. If you decide you can ignore transphobia and antisemitism and everything else just because you liked the color of the wallpaper, the rest of your principles are going to crumble too. You get rid of that fucking room. You put those books on a high shelf in the back of your closet behind other outgrown clothes and interests and you move the fuck on.

JKR uses the money made from her transphobic antisemitic children’s books to actively funding hate groups and to lobby for legislation that will and has actually affected the actual lives of trans people in an entire country. We are past the point of grieving something you were wrong about in childhood. Kids are wrong about a lot of stuff. You grow up and you learn new information and you change your behaviors based on it. You have to choose. It is transphobic to pretend there is not transphobia where there is. It is transphobic to support the work of someone who is using those funds to take rights from trans people with every fucking dollar. It is hateful to continue to engage positively with a story that at its very core is rooted in hate and bigotry and prejudice. You can choose to do all of those things but you cannot claim ignorance of them and you cannot choose those things and still pretend that choosing them upholds the values we convinced ourselves that Harry Potter stood for over a decade ago as uninformed children. You cannot choose to do those things and pretend to still support your trans and queer and Jewish neighbors. I do not want you in my neighborhood. Leave.

[danikatze]

:/

[ccaptain]

tl;dr: H:SR Kaeya doesn't like overly-complex, conflicting & impulsive human behavior as it goes against his simple & logical nature as a being. He's bound to never overcome this obstacle, with all the conflicting emotions it comes with.

The biggest obstacle in passing off as fully human, for a being of the Enigmata, is the complexity of human behavior.

When normally something layered and difficult to understand would fascinate them and keep them engaged, this particular instance goes against their nature: beings have been created to deal with anything in their existance with logic and tranquility, picking the best path to avoid any complications arising during the problem-solving process. I have also explained in another headcanon that beings aren't made to feel extreme emotions in stressful situations with all the implications of the case, so complex emotions are something they try to avoid at all cost.

Kaeya, Emanator and Enigma, is not an exception.

From what he has extrapolated during the millennias of his life on multiple planets:

- Humans would love to live peaceful lives devoid of problems; however, when confronted with a problem that has a rather simple solution, most of them will bemoan and lament about it without attempting to solve it at the roots. This will lead to the completely solvable problem evolving into something bigger and more complex to dispose of, leading to more despair from their part. He has learned that this behavior is called self-sabotaging; - Most humans love to settle in a peaceful lifestyles, but this also bores them, thus leading them to fall out of the latter. Consequences also seems to be something deeply hated by humans, yet the logic of ''if I do X, then Y will happen to me'' never seems to appear in their mind. Human behavior is impulsive in the worst ways, this is what he wrote down in his notebook; - Most of them also have a passion for overcomplicating feelings and situations, leading to stress and miscommunication that seems to be unwanted, yet the behavior seems to prosper. He supposes that this also is in the realm of self-sabotating. The mental gymnastic to avoid saying explicit things is impressive even to a being that speaks in riddles;

Kaeya is terrifyingly good at observing and analyzing things, able to understand the feelings underneath and gently coax the Truth out, eventually and with time. However, when people observe him back and deduce that he's attracted to complex thing, they may make the mistake of thinking that this includes complex people into it. That their behavior may be fascinating to him just as objects are.

Nothing could be further from the truth.

In his bonds, Kaeya likes simple things, loves when actions explicitely underline care and affection, if there's some, showing that while his partner may be conflicted, they do feel something for him. He likes to use and receive words of affirmation, often uncomfortably truthful, when situations get too ambiguous for his likings, taking the matter in his own hands rather than leave the other spluttering around for words.

The complexity of the human being may be fascinating for some, but Kaeya has grown to be uncomfortable around too much of it.

It reminds him that there's a very physical wall between him and a normal human that he'll never manage to climb or burst down, because his methods and actions are simple, compared to the other person's methods, and he keeps seeking simplicity. He cannot evolve on that front, because simple is what he was made into.

Simple is how he always operates, and how he'll always operate, regardless of how human he'd like to be. He can understand the reasoning (boredom, self-sabotaging urges, etc.) behind imploding one's life, but the appeal is lost to him. If it was him, he'd much rather communicate that he needs a change of scenery and pace to the people in his life that matter. There are consequences to every actions that cannot be escaped forever, so he'd rather be forward instead of being dragged along and straight into an unpredictable obstacle because he gave in to his impulses. Not that he doesn't give in, sometimes, but most of his impulsive actions involve only himself, and not others. The consequences of his actions fall on him and only on him, as it should be.

In his close bonds, however, he feels safer than trying to observe confusing behavior from afar: he's confident that if he speaks up to the person about getting uncomfortable with the mixed signals they're giving him, said person will possibly understand his plight in wanting them to be a bit more forward, and will find a middle ground to avoid pushing him away alltogether. For him, it's this simple, and it should always feel like it'll be this simple.

While sarcasm, irony and the likes don't escape him as often (he has learned to read into the tone of voice), people's impulsivity and strong tendence at being unpredictable. Every time he's met with it, he feels the other person dragging him right into the obstacle.

The wall is said obstacle, and the other person is pulling him into it face-first, doing more damage than good- he can't read that language, and he can't be forced to, because his mind operates differently. He'll crash into the bricks head first.

It'll always operate differently. He'll always crash into it without a proper way to destroy the wall not because he lacks the tools to- but because the difficulty of depth and contrasting, fickle behaviors, if overdone, make him feel negative emotions. It's in here for protection, too.