#it started as a bunch of sketches and then i tried to put it all together
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grey-viridian · 2 months ago
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TW Blood
also SPOILERS for a fic "you can have three wishes if you don't take too long (if you don't take too long)"!!!
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Fanart for a beautiful fic you can have three wishes if you don't take too long (if you don't take too long) by mad_and_thick_as_thieves
Beware that it will break your heart (it did mine), so read the warnings, be careful and stay safe.
(I also did a little sketch here that happens right after this)
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loustica-lucia · 3 months ago
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Heroes of the Dragon Age
An animation I've made for Dragon Age Day 2023, featuring my main Warden (Alyssa Cousland-Theirin), Hawke (Eleena Amell Hawke) and Inquisitor (Sulevin Lavellan)!
It's to this day one of my best artwork and I thought I should share it here too! 90+ hours between the original sketch, outfit design, the rough animation, rotoscope, inking, flat-colours, background shading and even the audio :')
Interested in the process? I detailed it below since it was my first time doing something like that:
I would like to start by saying I'm not a professional animator!Everything you've seen here is the result of experimentation and a lot of practice to learn and understand how 2D animation works.
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My first idea started in May 2023. I just finished rewatching DA Absolution for the X time, and wanted to analyse why I loved the intro so much. (Even after countless rewatch, I never skipped it once.) I was inspired to study it with my main three protagonists!
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Then came the first test with Alyssa Cousland-Theirin, my Hero of Ferelden! I tried to understand which part to separate for the animation. Mainly the hair and cape because it flows a lot more than the rest! If I recall, my first idea here was to make her counter flame attacks (?). Then, as the camera turns around her, I tried to add a grid to know how the camera would work around it.
I ended up making the clip longer, so she could position herself to the further left and leave space to the two other protagonists.
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Now it was time to try to animate Sulevin Lavellan, my Inquisitor. I really kept that quick doodling style just to capture the vibe without putting too much time/effort into it! The background would be static to contrast with Alyssa's. I also loved the idea of a rogue sneaking!
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Instead of working on Eleena Amell Hawke, my Champion of Kirkwall, I went back to Alyssa and started working with Clip Studio Paint 3D models (this entire animation has been done on the EX version of the software!) It helped for rotoscope animation and maintaining likeness! That's when I got the idea to make the background swirl around the character to let the eyes be guided by the rest of the screen!
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After a couple more hours, I planned the entire animatic with 3D models and quick doodles! I finally found a cool pose for Eleena Hawke, which was honestly the hardest of the three to imagine for some reason? I tried many other poses but ended up picking an animation from the game!
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This whole time, I was studying a bunch of background ideas and how studio Red Dog Culture House (who made Absolution) work! Thankfully, they have a YouTube Channel where they shared some BTS content so I could analyse it!
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Then, I simplified my character and their original designs in the style of the studio! These outfits are how I imagine them after Trespasser. Alyssa as the Queen of Ferelden, looking for a cure to the Calling, Hawke following Fenris to Tevinter & Sully as a Red Jenny Inquisitor!
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The idea for Sulevin's animation actually came from a piece I doodled on a live stream, when I was drawing pose studies and turning them into finished artworks haha As for Alyssa, I wanted to draw the fight that got her facial scars!
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Once their designs were ready and the background ideas too, I made the rough version of the animation! Basically a sketch done on top of the 3D models to add the details, staying pretty rough just to capture the idea and movements.
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Then it was time to start the lines! I decided make a folder per frame, so I could separate all he main elements and draw them one by one. It helps keeping the likeness of a character in the different frames without having big "jumps" between frames! In fact, every parts were coloured differently to recognize them, and then I used vector erasers and masks (Ah yes, the entire lineart is done in vectors of course! It's easier to adjust and save time when working on similar frames!)
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At first of course, everything overlaps! But I find it easier to draw too much and erase after, just to make sure everything is coherent in each frames! The cool thing about CSP is how you can change the colour of the layers in one click! So all the coloured lines turned into black in one second, and I could reverse it just as quickly to double check!
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Then I started working on Sulevin! I made a blue line to mark where her feet were, as the sketch in the background wasn't perfectly straight! (Like Sulevin's sexuality 🤭���) The silhouettes were very quick to do, but I had fun adding more & more details as she came closer to the foreground!
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I really wanted to add that little dagger trick, but I remember it required me to change the pacing of Eleena's apparition, as it was recovering her arm too quickly! I had to change the pace of multiple frames quite a lot during the project, to make sure the flow was right! For Eleena, most of her animation remained around her arms and the staff itself, as magic would be the most difficult part! That way each character has their own focus: Alyssa has a very animated background, Sulevin got the grappling hook and Eleena the ice!
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Then it was time to start adding colours! Just like for the lineart, I separated every colour on it's own layer, so I could easily adjust the colours later if needed. I added one colour at the time, going through all the frames, and then another colour!
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I made full palette tests with the colours I would use for their background at this point, checking if the details remained readable! Alyssa was the most challenging in terms of clothes, because I made her a very detailled armour! I had to simplify the Theirin heraldry, vectorize/redraw the Cousland, and make a brush for her cape's pattern!
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Once I was done adding the flatcolours, I started the background, and oh boy it was a wild ride. For the cave, I painted multiple tests. I imagine was to use CSP panorama tools, which transform a texture into a 3D sphere, so each corners must match to look good. Sadly, it made the background very blurry, so after hours of testing, I changed ideas. Instead of the random fire balls (?) I originally imagined for Alyssa, I made three simple frames of a Rage Demon to attack her.
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I ended up using the cave as a repeated pattern to make it turn 360° around the character. For Eleena, I mixed inspiration from the comics, Dreadwolf & Absolution, using warm colours matching Hawke's signature red. Just like I made the cave very grey/blue to match Grey Wardens. For Val Royeaux, it was more complex because I wanted to make it green, matching the Inquisitor's signature green. But bright green couldn't work, and the original colour during day time was blue/white/gold. So I added more leaves, played around the design a bit! After adding the rage demon, I made the shading! It was surprisingly easy and quick to do now!
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I clipped a white layer on the flatcolours to not be distracted by the colours, and made thin lines to separate the light/shadows, then simply filled everything with the bucket tool! Then you set the layer to multiply and remove the white layer, and you have celshading shadows! Now the character looks out of the picture, so I added layers of blue in color burn, saturation and substract blending modes to make her look like she's in the right setting! Of course, I did the same with the other two, giving Hawke a red overlay and Sulevin green shadows!
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Then I added the details, it went from white irises, to sword/staff smears to earrings and smaller finition that goes on top of these layers. To add the lights, I simply selected the shadows and reversed the selection! Using warm and cold tones to create contrast with the purple/bluish shadows! I also added more ambient light layers for Alyssa to reflect the Rage Demon fire. Now it was time to add ice magic! My first attempt had too many frames, making it look weird! Sometimes it's better to lower the frame rate to make things less bumpy!
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Then I downloaded some cool ice brushes on CSP assets that made it look less like blue magical flames! But when I covered the screen in ice, I realized "Oh wait, I could make a cool transition from the ice, to blue lyrium turning red?"Red Lyrium truly links these three games and The Veilguard somehow! I spent the next hour painting over the idol and putting it in a black background, with lyrium and then the golden Dragon Age title text.
For the SFX, I used free youtube libraries sounds & "Darkspawn!" comes from the violent human female voice set (iconic for ""Can I get you a ladder? So you can get off my back!"😂🤭) After editing all that, the animation was finally done!
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Here's the final math:
About 15 hours for the sketching/rough/animatic phase, 30h for the lineart, 25h for colours, 10h for backgrounds, 5h for details & 5h for music & SFX, for a total of 90 hours. Aka the same amount of time it took me to finish Baldur's Gate 3 the first time lol
If you have any question regarding the animation or the softwares etc. do not hesitate to ask, I'll do my best to answer!
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akascow · 1 month ago
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fave jayvik hc so far is that jayce knew how to make a rlly good leg brace from basically scraps bc he helped in designing and crafting viktor's own brace🫠👍🏻
^^ "scraps" is kinda mirroring them probably having to make mock ups and test runs while trying to perfect viktor's brace so there were a bunch of prototypes with random parts they had lying around trying to make it work ahaaaa
like obviously jayce is extremely talented and smart when it comes to engineering so he very easily coulda come up w the design and mechanics of it on the spot (meaning using what he had on hand, rather than actually coming up with it in a few hours bc,, well he was down there for at least a few weeks HAHA) but idk its nice to think about i guess lmfao
plus itd make a lil bit of sense, like why go somewhere else to get a leg brace when your perfectly capable and willing partner is right here lmfao.
also we only see viktor has the leg brace after working with jayce. and yeah u could chalk it up to his illness getting worse so he wouldntve needed it until now. and obviously im not trying to ignore the fact that viktor is extremely capable to make it himself and if he did maybe since hes more than an assistant he actually has the tools and means to make it himself now lol.
but idk it seems like jayce was one of the first if not only person to care about V and include him in things ("people didnt believe in me, a poor disabled kid from the undercity" "i dont want to spend my whole life as an assistant" "our hextech dream" "arent you the professor's assistant" "you should be up there with me" etc) so i can totally picture him see viktor working on it or even a glance at a few crude sketches as a start and want to help his partner yk?
and from what we see hes like extremely nice and caring and at the risk of this sounding too fluffy bc thats not the point rn you can picture viktor walking around the lab, jayce noticing him wincing whenever he tries to correct his position and offering to help him with a mobility aid and they have all the means necessary to build it right here right now and shit happens and here we are now lol
hes constantly making an effort to show and tell people that hextech is not JUST his doing, but viktor's too. which, as someone who seemed to revel in the attention, jayce easily could've forgotten to mention, but never does
so in my head it makes sense that he would be the first person to propose the idea of helping him in creating a leg brace that would make walking a lil less painful (it keeps his foot straight, u can see he has to correct the angle himself in s1 act1)
anyway i think its a neat theory lmao
these didnt fit in anywhere else so im put it it here pft👇🏻
also jayce has two different braces- during and post anomaly. so while there may just be some place in piltover that makes them i’d like to think he just whipped it up all quicklike in his lab the second he got back bc like.. the blueprints are right there lol
his and viktor’s arent entirely similar ofc bc they serve two different functions,, viktors helps to keep his leg/foot facing and moving foward, and jayces kinda just stabilizes/supports his leg i think ? uh but they both help in general to reduce pain
n then viktor, having a leg that didnt develop akin to typical human anatomy, is clearly shown as not the easiest to walk or put pressure in on lmao, especially when he only really got to correct it at like age 30, so like, habits (for lack of a better term) have already been deeply rooted in his posture by now lol
bc, well,, putting any weight on that fucked up Broken In Half shin bone that Definitely Did Not heal correctly (if its even fully healed at this point in the first place) probably causes a bunch of Ouch- hence the supports in the front of his leg,, post anomaly tho, during anomaly its at the sides which was probably just to straighten the injury while it was healing idk.
i cant find a good answer as to why the lower leg support is in the front now but my main guess is so it doesnt put too much strain when he bends his knee/ankle downward, which u can kinda see in ep8 when he blasts viktor and the knockback breaks the part resting on his shoe away, and its hard to see but i think his ankle bends slightly more after the gear breaks ? so thats what i can assume.
clearly im not well versed in the art of KAFO support braces and i tried to look up to the best of my abilities but came up empty handed HAHA who knew itd be so hard referencing similarities between the homemade parallel reality fictional sci fi gear braces and modern irl real orthotic braces LMAO
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archandshri · 6 months ago
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28th June ‘24 - [arch] One Page Limitation??? - My process for Traffic Zine #5
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Hello All!
A couple months ago, I got accepted to @trafficzine, a digital anthology of pieces by a large group of artists and writers based on the most recent season of the Life Series. I made this piece back in April, but thankfully I kept some notes of my process. 
Heads up - this contains spoilers for Secret Life :D
We were able to choose our own prompt from a list! For this project, I wanted to push my comic making - especially how to communicate a lot of information in a small space. I went through and watched a few clips from the series to see which prompt would fit a comic and settled on Scott’s death.
As usual, I began by getting some reference images and going ham on some big paper. This gets me excited about the project and helps generate ideas. I go for whatever interests me in terms of medium and subject matter, but I try to use a process that doesn’t let me control too much (in this case brush and ink)
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initial sketches for fun and vibes :D
During this, I also took the time to transcribe the scene - I wanted to use the dialogue directly, and see how much I could fit into the single page that I was allowed for the zine.
In these early planning stages I make sure to do warm-up sketches to remind myself of the energy I want to communicate. This also keeps things fun and fresh so I'm not ONLY thinking about page composition and making things 'good'. (the expectation for it to be 'good' kills a project prove me wrong)
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Dialogue from the clip + warm up sketches
Next up, I started to plan what panels I have on the page. At this stage, some panels might just be a box with some words, and some may have a sketch if I have a clear composition in mind. This stage is mostly for pacing and plot, so instead of focusing on what the panel and page will look like, I will think about:
what will happen in the panel
it's purpose and
what it will communicate
Sometimes I'll illustrate a string of panels that tell the story and fit them on a page after - but this depends on the project and my confidence with the size of it.
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After messing around with these and coming up with a pretty clear direction, I draw a bunch of boxes to see how the panels could sit nicely together. At this stage I might realise I have too many panels, and need to cut a few or come up with a creative solution. Nothing is set in stone at this point.
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sketching panel layouts
Now begins the fun! I decide on the layout I prefer and I can start putting planned compositions into the boxes. I often do this digitally, or a digital editing process will be involved.
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Once planned, I print these out to do a more refined sketch over. I find that my traditional drawings have a lot more life and character to them than digital ones, so I try to keep the majority of the process traditional, with passes of scanning and digital editing.
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I tried a version with her looking out at the distance - ready to face the oncoming battle. But it still felt off. So I turned to my slides to ask myself some questions!!
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I tried to think of more things that were working - but I really felt like it was lacking a lot. I was going for this slower emotional feeling because that came more naturally to me, but it just wasn't working for this image. The original clip is quite rushed and chaotic - which would be harder to communicate in a comic format but the challenge interested me. Either way, I knew I wasn't happy with this direction so... i decided to start from scratch! Back to the drawing board!!!
In the previous version, I had cut out a lot of the dialogue, but I decided to go back to the original clip and use AS MUCH as possible. Since passing the bow was my favourite part of that first composition, I really wanted to lean into it as the emotional height and final goodbye before Scott's death. It's a moment to slow down and absorb the vibes :D
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I made a list of panels along with their descriptions to refer to when trying to figure out the order of panels. there were SO MANY and it was VERY CONFUSING when they were too small to read.
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These thumbnails were super small and would not have made sense without my list, I swear.
I printed this tiny thumbnail out at A4, so I could sketch over it and get a clearer sense of flow. Then began a loooong process of printing out tiny photocopies and rearranging the panels to be legible. It was a difficult balance of communicating busyness while making sure the hierarchy/reading order made sense.
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After some tweaking, i printed out an A3 copy to draw my panel borders and text.
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Doing this on a separate piece of paper means I don't have to worry so much about messing up the text or borders when drawing the characters. This allows me to be more free and expressive with my illustration.
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Woah! Quick trip back in time!! During the thumbnailing process I drew these warm up sketches! I looooved the way the linework came out. I drew this on an A3 piece of paper - and the shocked Gem would, in theory, be one of the smallest panels. So I decided to do a crazy thing.
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I touched up the sketch digitally, compiling some of my favourite warm up sketches, some traditional sketches made for the panels, and filling the rest in digitally. Then I printed this image out in QUATERS at A3!! This meant the final sketch layer, printed out was A1!! (aka very large, considering the final file would be at A4, about 8x smaller)
I did this so I could get fairly small detailed lines with my pencil while being quite expressive and firm with my mark-making. Slowly, I dlined all of the panels traditionally and scanned them in. Then I assembled the finished linework on Photoshop, along with the text and panel borders and got to colouring :D
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final linework :D
For colouring, I played a little bit with halftone but I found the texture made it feel a bit too busy - the panels are already doing enough. Because of this, I also decided to use a limited colour palette. Here are some images of the colouring process, which I won't go into today.
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I'm really happy with how this came out - I think it captures the chaos of the moment, while taking time to linger on the emotion of it. Keeping that bow moment really made it, I think.
I think the last panel is still quite weak. Earlier in the process there was a low-angle shot of Gem about to kill Scott which may have been more powerful, but I think I was struggling with my actual drawing skill when it comes to perspective. A lot of learning how to draw, and in particular with comics, is about knowing where your skills are at, how to utilise them best and how to test and push them.
I'm glad that I started again, instead of finishing that composition I wasn't happy with. It was a tough project but I learnt sooooo much from it, and it's been essential skill-building for.... the current comic I'm working on (stay tuned!!! :0) Thanks for reading this incredibly long post! Go check out @trafficzine and look at all the other cool art Cool vibes and silly men,
Archie :D
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dreamingcloudie · 2 years ago
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im sorry for immediately jumping into requests but i see dottore content and i immediately go gdusabjnkdsa
HI HOPE YOU HAVE A NICE DAY <33 IMMA BINGE READ THROUGH YOUR STUFF BUT LEMME JUST DROP THIS RQ
reader, feeling a bit bored and lonely, gathered a bunch of segments and asked if they could just cuddle with them OF COURSE they'd agree... prime comes back from a mission to see the tasks he'd assign them half done but before he could get too angry, sees you all snuggled up in a pile with the most relaxed expression on your face he'd seen in a while.......... he tells the segments to leave and hugs you himself instead (jealous perhaps? HHEHEHE)
HAVE A GREAT DAY, FEEL FREE TO IGNORE THIS NO PRESSUVE <3 !!
��❛ In My (Our) Arms You Go ❜❜
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✎ ❛❛ Dog pile!— Oof! ❜❜
Pairing(s): Dottore (& segments) x GN!Reader
Genre/Format: Fluff (oneshot)
wc: ~1.1k
Notes: Back to our regularly scheduled fluff :D This is so cute istg 😫✋️✋️Dottore and his skrunkly segments are just ANAKSHDIEJEFIS 💕💕💕 I'm sorry this is short! ^^;
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You sighed as you threw your head backwards and stared at the ceiling, the pencil that you were holding dropped onto the desk.
"I give up." You groaned into your hands.
It has only been fifteen minutes since you started to sketch random objects in the room. You thought having your mind run wild with imaginations by adding some twists to them would be the cure to your boredom. 
But it clearly backfired, it required too much thinking.
If anything, it made you feel even more bored than before, if that was even possible.
Heck, you even tried to watch the raindrops sliding down the window pane, pretending that they were racing against each other! 
No matter how much effort you put into distracting your bored out mind, you were too occupied with thoughts of your lover. 
A week ago, the Tsrista had sent out an order to Dottore, there was a mission that required his assistance in the far lands of Sumeru. And since this was an order from the Cryo Archon herself, there was no way he could decline even if he wanted to. 
So reluctantly, you had to let him go for you didn't even know how long. 
Without his goofy laughs and your daily dose of kisses, you felt lonely…
Especially with how your work schedule has been pretty hectic lately. Just as you thought you could have some peaceful moments with Dottore, he had to leave.
What kind of cruel joke was this?
What to do now�� You thought as you closed your eyes.
Reading… Cooking... Beating Delta's ass up—
Wait, what?
Where did that come from? 
Reopening your eyes again, you focused on your hearing and could make out faint footsteps walking past your room along with a grumpy voice.
"I can't believe Delta messed all of this up! More work for me, ugh."
So it was a segment.
The segments…
You gasped a bit when a sudden idea came to mind. 
How fun would it be if you cuddled all of them at once?
You were getting a little giddy about your genius idea but then a realization made you doubt your plan.
They are probably busy though… You let out a huff.
Before Dottore left, he had given out a task for each of them to complete. He expected them to finish everything he asked of them by the time he returned.
But a fifteen minute break for them wouldn't hurt, right? You reasoned.
---
As you slammed the laboratory doors open, you slightly cringed at the loud noise it made when it hit the wall, startling some of the segments.
"(Y/n), my dear. You could've just knocked next time," Omega lightly scolded you.
Smiling at him sheepishly, you lightly scratched your neck.
"Haha, sorry."
He shook his head, chuckling at how adorable you were.
"Well, what brings you here?"
Right. 
"So I was thinking… if we could all cuddle together?" You asked. 
Your voice wasn't loud enough to reach the other segments, but they could still make out the words "we" and "cuddle". All of them instantly dropped what they were doing and surrounded you.
Getting affection from their darling? And with no Prime around? Who would pass up such a great offer?
"Are we gonna cuddle?!"
"Can we really?"
"Cuddling? I wanna join!"
Well, that was a lot easier than you thought it'd be. 
---
Oh, how you loved their happy little faces as they trailed behind you, with you leading them to your room.
The moment you got into your room, you laid down onto your bed and sprawled your limbs out, inviting them to come join you.
One by one, each of them plopped themselves down onto the bed with you. 
Some of them held onto your arms while some intertwined their legs with yours, and a head was laid against your torso.
Though, even with this king-sized bed, it could barely fit all of them. 
Theta moved around a little to find a comfortable position when he accidentally kicked someone.
"Ow! Who kicked me?!" Delta yelped.
"Deserved, you gave me more work to do by spilling the serum everywhere!"
"Oh my— Whoever has their feet near my face, please move. It smells of rotten flesh." Omega covered his nose from… whoever feet that was.
Well, this was definitely a bit hard to get used to with how much weight was laying on top of you. 
You weren't complaining though, the weather was a bit colder than usual and they made such a great heat source.
Their bickerings died down and silence soon took over the room, only to be occasionally broken with some light snores and the soft sounds of rain hitting the window.
Ah, life was good.
---
After a week of being away from the comfort of the palace, he was finally back from the mission and he felt like he would pass out any moment.
The mission he came back from was hell even though it was a success in the end. Nonetheless, he was now back and he had missed you dearly.
Though before going to your room, he was looking forward to seeing how his personal project was coming along. He had calculated that by the time he came back, it would've been completed by his segments.
However, all he saw was an empty lab. What's even stranger was that the work was half-done.
Where did they go? They wouldn't abandon their work like this unless it was an emergency…
Dottore turned back and walked to your room, afraid that something might have happened.
The sight he was greeted with made his blood boil. His segments were slacking off, hugging you as they slept. But when he got closer and took a glance at you, he noticed how peaceful you looked, and it's been a long time since he had seen you this relaxed.
You were complaining about how your work was stressing you out and you weren't able to get some proper rest.
Well, he supposed he'd let his segments off the hook this time for helping you to relax.
Though, his chest tightened at the realization that he wasn't the one who was holding you.
It was his turn now.
He nudged one of the segments awake, and soon the others began to wake up as well at the movement. Miraculously, you were still sound asleep.
All of them stiffened at the sight of Prime glaring at them, oh boy, they could already hear the mouthful lecture they'd get later.
"All of you get back to work, now."
The segments scurried to get out of the room, a little down that they had to leave you so soon.
Changing out of his work clothes and taking off his mask, he slowly got into the spot beside you. Chuckling lightly when his thumb cleaned the drool that left your mouth.
His arm wrapped around you, sighing in content that he finally got to hold you again.
All to himself.
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luxuki-1 · 5 months ago
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Like I said I would, I'm going to go through the details I hid in my recent FNAF painting. Not because anyone asked, but because I want to and I'm proud of everything put in
1. Michael's design is my own! I've pretty much had the same concept for the design since SB came out. I just really liked the idea of having part of his jaw missing for no particular reason other than it looks cool. But, I have since moved the jaw gap to the other side, as well as defining scars and wrinkles.
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2. I've already posted Golden Freddy but here he is again. I redrew the original poster since I really didn't feel like I just should just slap the original on there. Since I had that freedom now, I decided to make references in the design to later games since it is appearing as a hallucination(?) to Michael. Obviously there are blood stains around the mouth to reference The Bite of '83 and I also added tear stains to reference Evan/CC, said victim of the bite.
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3. The classic "Celebrate!" poster. The same thing with Golden Freddy, I didn't feel like I should copy and paste the original so I drew it myself, but this time I only drew the bottom half of the crew since you'd only see that part anyway. Maybe one day I'll fully recreate the poster but for now, this is it lol (You may also notice that I gave each of them different leg shapes, to make them more distinguished from each other other than just colour)
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4. And again, didn't want to just copy and paste, so I re-typed all of the newspaper clippings myself in Canva. They say pretty much the same thing as the originals, but I'll still put them here anyway in case anyone wants to take a look:
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5. I also recreated the children's drawings myself. Fun fact: I actually used my NON-dominant hand to draw most the basic shapes. I figured that if I drew with my dominant hand, the lines might look too clean, showing my obvious years experience. It's silly but I really wanted it to look and feel like a child drew it
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6. It ends up being pretty much invisible in the final painting, but on the floor you can see old confetti and blood stains on the tiles
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7. If it wasn't obvious; cup from the Security office is here too
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8. Now it should it obvious by now that I chose to not draw the security office. Why you ask? I'm still new to drawing more detailed backgrounds, and I really didn't feel like drawing the office in the moment lol so I opted for the hallway, and I think it still looks pretty good with what I was going for
9. As a bonus, here's the original sketch I planned out. As you can see, I was originally planning to have more posters, some featuring the missing children. But in the end, I decided to scrap it and leave room for the wall to be more detailed since I thought it looked bare. Also, if you look closely, you can see a faint plan for a shadow over Mike. I was originally planning to put a shadow of Freddy there, but when I really started finishing up the shading, I realised that the extra shadow would be too much for an already dimly lit scene
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And that's pretty much everything! I had so much fun doing all the little details and references, even though it did end up being more time consuming lol. I also tried out a bunch of different rendering techniques and I think they really helped pulled everything together. I'm definitely going to try my hand and making more paintings like this in the future ^^
If interested in seeing the full process, here's a link to the speed-paint:
youtube
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oladthepancake · 6 months ago
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HELLOOO EVERYONE!
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HERE
LOOK
I put off publishing this post for a long time because I was too lazy to write all the information that I want to put here, but here I am, showing you my two models for vitubing, created entirely by myself with my own hands on my laptop!
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but before that I think it’s worth starting with an idea! And the idea came mega spontaneously:
This handsome man and I watched a couple of videos with Neuro-Sama and suddenly this dialogue appears:
- How about we become VTubers?
- seriously?
- yeah
- Let's go.
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Even though this decision was mega harsh and rather profane, it charged me with motivation and allowed me to get out of the art block a little
After all, I REALLY love learning new programs and things for myself.
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Time:
• 5 days to draw both models
• A week to animate them
Programs:
Krita (drawing)
life2D + his brother (animation of models and adding additional emotions)
Vtube Studio (Launch models)
Obs (video filming)
Energy Source:
God knows
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So who were my victims of this experiment?
As expected, my avatar was my alter ego Temmie, and for our mega partner/boyfriend we chose his alter ego Sans from Freedomtale!
Since the path is completely new and unfamiliar to me, I desperately searched on YouTube for all kinds of videos and tutorials, as a result of which I found the most understandable and enjoyable series of videos from Lazu-Tan, which I mainly relied on when making avatars
Next, having found it on the Internet and installed the necessary programs on the laptop, I scribbled sketches that would later grow into models:3
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after this stage there is a boring process of drawing the models directly, grouping a bunch of layers (a separate layer was needed for each moving object, such as separate layers for each strand of hair and grouping into a common group with hair. This was an unusual thing and made me really strain my brain)
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Having saved both files in .psd format, I put them into a new program called Life2D! I needed this program to create animations of the very layers that I had distributed and grouped earlier. head turns, hair physics, eye blinks, additional emotions - this is all the merit of the great Life2D and those 43 days of the trial of the full version, which he so kindly provided me with for creativity... in fact, I thank you for the conditional “deadline”, because without it, God knows when I would have finished this project under other circumstances
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When working, there were a lot of problems due to insufficient knowledge about the operation of the application, which is why sometimes I felt like a would-be programmer who couldn’t find an error in his code for several days (I tried to program, I know what I’m talking about)
It would seem hurray, everything is ready! however, here the finishing touches await us.
Those additional emotions (like blush, stars, tears) that should be activated by assigned keys must first be configured through a separate program that is installed with Life2D
in general, the procedure is not complicated, and I even found it somewhat pleasant
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After this, the models can be considered ready, they just need to be put into the files of an application such as Vitube Studio, after which you can play your character at the camera or use them for streaming or making videos!
I published videos demonstrating the capabilities of my models on my YouTube
It was an ultra-mega interesting experience, and I will not hesitate to say this, and I am proud of the results:3
for streaming, however, all that remains is to turn my little potato into a more or less tolerable laptop, but I think sooner or later I will be able to solve this issue
@thefreedomskeleton
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Thank you if you are reading this and wish you a wonderful time of day!
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toffeebrews · 9 months ago
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Ink sans headcanons!
Disclaimer: I don't claim anything to be canon. Although, I tried to make sure it didn't conflict with canon for the most part. Erm, I also didn't check the tag before I made this, so of any these are canon/popular hcs i didn't know before making this.
Ink has something similar to a bag of holding tied to his belt. He picks up little trinkets in the aus he visits (something small, of course, like a flower!) It can hold an endless amount of objects. It also stands as as way of reminding him of where hes been and who he's met! he puts any gifts he gets there as well.
He has this weird ability that if you point at something he knows the exact hex code and color name it is. Why? Not even he knows, but it may be a creator giving him knowledge somehow thing.
For his paints? They all taste a little different. They taste like, something? But the exact flavor is so vague it's "hard for him to describe". If anything, they taste like a whole bunch of flavors at once. A little overwhelming to the palate. They all differ in sensation as well, fizzy, smooth, milky etc.
(more yapping under the cut)
Consistency wise, they both smell and have the thickness of acrylic paint. Specifically that kinda watery acrylic paint you can get for cheap at a store (like apple barrel).
Each of his vials has three dosages. One vial is like daily usage. But they can sometimes run out unevenly depending on how bad/good that day is (ex: on an extremely bad day, he has to take more of a positive emotions) so he had extra markings to "top off". Given there's no consistent time frame hes in, he just takes them whenever he wakes up. [ note: this particular headcanon was partially inspired by @/the-local-eldritch-microwave headcanon lol ↓]
He can actually last maybe about few days without his vials, but his emotions just become duller after 24-48 hrs. Taking a sharp decline after about 72 hrs. Their mobility and mental health declines with it as well, so he'd rather not wait for the decline to start! haha unless he got stuck in some situation where he had no choice!!! :D haha
He tried chugging all his vials at once for experimentation! He vomited everywhere. He'll not be attempting that again. Too much at once...
He has a reallllyyyy long scarf so he has enough room for all of his notes. It drags behind him and also dramatically blows behind him when there's a draft. It tracks stuff in it, due to its length. The bottom of his scarf is all colorful because of all the crap hes tracked in it! LOL
If he ever needed it, he'd add more fabric to the end for more notes. I guess eventually it would get cartoonishy long. At least, until it became completely impossible to manage.
On that topic, hes actually quite messy. Although, its more in a "organized chaos" sorta way. He knows where everything is, even if you don't. hes also MESSY not dirty very clear distinction!
In my mind the reason Ink would have a gap tooth in my version is when he was a "sketch" his teeth were more uh implied? So when he's born (how the hell would you word that? conceived? idk) he now has a permanent gap tooth.
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silently-standingstill · 23 days ago
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This isn’t an art request but I just saw your AMV and I loved it a lot! If you can, could you walk through the process whereby you color the animation? Do you have set color palettes and add overlays to create lighting or do you manually pick the colors via color theory? I want to know /nf
Hello!! I appreciate your interest :D I put a lot of thought into the colors so this may be a long one! It'll include other animation info too
Any color I use is never reused for any section, I pick them all manually and for a purpose, it's important to have something different for each section as it adds more meaning and so things don't get boring. I occasionally use overlays, only one section uses it though. I'll go over a bunch of parts where color was important.
I struggled with the colors here, it based it off of an old drawing (on the right), and I realized I couldn't make my old coloring style work again, especially with how I was going about it, nothing played off of each other and felt very icky? I opted for more natural colors, creates a better sense of what I was originally going for, this part isn't very significant but it was interesting to find out what works and doesn't, you can learn a lot from redrawing old works.
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This was another part I struggled on, I purposely made One look wonky because I liked the sketch more than anything I could come up with. They really look stupid, don't they? I redrew it a bunch of times to incorporate the orange, but I did not want to base it off of the scene where One was counting down, that had a purpose for it, this did not. It was following the previous parts color, which has an overcast of orange, but I couldn't find a way for this to work without feeling unsatisfying. I opted for using a trio of blue+green+red, it could be seen as 123 but that wasn't intentional.. it was the only colors I thought could work with the lighting of One's TV, but hooray for unintentionality! It makes this part connected with the lore!
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This part I put a lot of thought into! Something I found interesting about One's lounge is how it uses red+yellow+blue, the three primary colors, in design those colors are used to invoke a sense of familiarity and safety, and if you pay attention, these colors are used everywhere. this could or could not be intentional in the actual show, I do not believe they are, but I used this to my advantage as when One's walking past the figurines, the yellows increases, but when they figurines fall, the yellow fades into white to show while One tries to come across as trustworthy, their façade can be quickly broken. I put together a lot of notes for this part and drew a sketch for it too LOL
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"The lights that shine" section's color were meant to be like this from the start, this was the first section I animated, they have a big contrast and yellow limbs, I only put that because I thought it looked cool, but the colors carried over to the other part where they look like this, and ended up using this palette to symbolize who was kidnapped by One. I had trouble deciding how the beams(?) that were coming out of the moon should look like though, this was what I was originally going to do. The placement of each contestant is important too, more to the front, the more they may be impacted by One. I wasn't sure between Gaty or Leafy to put in this section, since we don't know if either of them will/had contact with her, it was difficult to decide. I put Leafy instead because I didn't want to animate Gaty.
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The chair for Gaty! No one mentioned this detail and I was a little sad about that - each time One's lounge is shown, there is a different chair for each contestant, if One took Gaty, it'd leave a bitter feeling if she used a similar chair to her and Two's hangout couch.. their hangout couch is already split in half, it's possible One could take half of it. The colors were based off of how the person who designed One's lounge uses colors, I used some of her personal artwork as reference, and also how the chairs shown in the lounge were designed, and each design has something to do with the characters, One's is big, to show importance and uses the primary colors, Fanny's is small and dark with shadows taking up most of it, Basketball's is big, modern and green to reflect her mechanic room, Gaty in TPOT is (unfortunately) mostly associate with Two and this couch, and is similar to a therapist's patients couch, it would fit her role and characterization in TPOT if I am right about this
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This was the only section to use overlay, layer 6 and 5 were the only ones to be changing as stated in the notes, there's a lot of light changes in this sequence, and if you notice closely there's a red, a shadow casting from characters outside of ones shadow, and there's a bigger contrast between the lighting and shadows. The "lights that shine" section you'd think uses that, but everything was done manually, even the transitions colors
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These are some storyboards for this, the handwriting is probably poor I apologize about that, I created this during school and I don't write neat/properly if I don't plan to show anyone it LOL
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chronurgy · 1 year ago
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i loveeeeeeeee your hc about gortash in all your tags!!! can you share your favorite hc about durge/gortash shenanigans in the city?
Yeah absolutely! Shenanigans hmmm....
Some of these will be a little more specific to my durge (Vesper, half-drow wizard) than others
During the Hall of Wonders heist, gortash specifically left some guards out of his reconnaissance to test how Durge handled themselves under pressure. He wanted to know if this was someone he would work with or someone too crazy to manage.
Gortash and Durge did a heist in the House of Hope as a trial run for their heist of the Crown - this is when they stole Raphael's shoes (the helldusk armor boots that Gortash keeps in the chest at the foot of his bed). Gortash didn't tell them about his history there or with Raphael before they went in. I think after seeing him there Durge did put at least pieces of it together and really left lots of burn marks and blood and guts spread around in their wake to get back at Raphael. They also broke at least one priceless and irreplaceable vase on "accident" while they were there. Their ire towards Raphael from this realization actually manages to carry over even when they can't remember why and it's partly why they're so determined to kill Raphael and so insistent that they won't work with him.
Gortash takes Durge to fancy parties, for a number of reasons - as a bodyguard, to bring them close to a murder target, to introduce them to the kind of high society stuff they'll be involved with as his co-ruler. But also because he loves to show them off, his darling assassin, loves the vicious little comments they make about the other attendees. He starts finding excuses to bring them to any party he can because he only ever enjoys these parties when they're with him, when he has someone just as brilliant as he is at his side. Durge usually has to attend in disguise but sometimes just dressing up fancy enough not to look like a sewer rat is enough to fool people.
Gortash is the kinda guy who will work himself to exhaustion and then fall asleep at his desk. The first time Durge found him like that, completely dead to the world on top of his diagrams and sketches, they thought about killing him. They imagined every detail, knew exactly how it would go. It would have been so easy, because he's so defenseless like this. They see his eyes moving under their lids, see his hands flex, and little expressions pass over his face - they know he's dreaming. They wonder what he's dreaming about (is it them?). And they don't kill him. They just watch him sleep, fascinated by the differences between the waking man they know and this unguarded sleeping one. They leave before he wakes up. I think they do this a couple of times before he finally catches them (maybe because they try to stroke his hair or something in a fit of softness). At first he's like, "oh my apologies, please don't hesitate to wake me should this happen again" before he puts together the look on Durge's face and realizes they've been watching him sleep and tried to like, touch his hair. He considers this a success because they could've killed him a whole bunch of times and didn't and they seem to be developing some sort of feelings towards him. He resolutely does not acknowledge the existence of any things he could possibly be feeling about this. Not at all.
Gortash keeps a large fancy estate in the city, Durge has a guest room there - it starts out as just an extra room but as they spend more time there Gortash starts to customize it more to their liking. He also moves their room to be next to his once he realizes that they're staying over more often, blaming a maid for knocking over a candle and causing fire damage in their old room when they ask why it was moved.
I think one night they have to have at least one really stupid caper they pulled off while extremely drunk that neither of them will talk about - as an example, they got super drunk, decided that since they were so good at heists they should do more of them, broke into some patriars estate, and stole a ton of fancy liquor. They also stole the bust of some guy from the entryway and staggered up the stairs to escape out the window of the daughter of the house's dressing room. Anyway, they woke up the next morning on the floor of Gortash's bedroom, extremely hungover and both of them (and the bust they stole) were wearing fancy little fascinator hats they can't remember but must have stolen out of the dressing room. They try to laugh at each other but gortash just ends up violently throwing up in a trash bin while durge lies on the floor with their eyes squeezed shut because the room won't stop spinning. They refuse to speak of this and will adamantly deny it ever happened if asked. Durge absolutely killed sceleritas while trying to force him into a stupid hat. The exact series of events might need some workshopping, but the core idea is some extremely stupid adventure the two of them had together that neither would ever admit to but is also a cherished memory for both of them.
Gortash's gauntlets (before he had the netherstone) used a series of capacitors and a setup akin to a self winding watch to generate an electric charge that he could attack people with. He designed them himself.
Vesper finds these gauntlets fascinating. When they first meet in person, he shows them off and discusses their construction and it's the first thing about him that they find impressive and intriguing.
As a gift, Gortash gave Vesper a set of sharpened rings designed after his gauntlets.
Vesper actually helped Gortash with some of the designs for the steel watch, looking at the plans and making suggestions - they were especially helpful when it came to the magical portions of the construct.
I think the closest the Urge ever comes to forcing Vesper to kill Gortash isn't when they first meet or during sex. It's one day when they're waiting for some spy's report, so they're sitting around in his room. He's tinkering with something at his workbench, and they're sitting at a desk working on a spell. They realize they need certain special inks for the transcription and look up to see them in the desk's little shelving unit and then they look closer and realize the desk is stocked with all the things a wizard needs - inks, chalks, paper, magical components. And this is the desk they always sit at when they're here and need to do some work. And Gortash has stocked it as a wizard's desk. He's made it their desk. And he's working at his workbench and they're working at their desk together in companionable silence. It's domestic, almost. And that's when the urge hits, with just absolutely crushing intensity, and they turn on gortash. Jokes on them, he's into that shit. After some back and forth between them (the level of explicitness is up to you! Or me, if I can get my act together and write this!), Vesper more or less jumps out the window and spends the next couple of days cutting a bloody swathe through baldur’s gate. When they finally return to him, gortash just asks them if they enjoyed their little vacation. After that, even when recreating much the same scene, the urge never comes on as strongly again (they don't know it at the time but this is the first time they've managed to throw off Bhaal's yoke when he really wanted them to kill someone. He never pushed that hard again with gortash because he's afraid of the consequences, though he still does push them to kill him a little bit).
Gortash gave durge a number of gifts over their acquaintance, both practical and fantastic: jewelry, enchanted items, clothes, shoes, books, any and everything you can imagine. He loves seeing them using his gifts, carrying or wearing something he gave them, because it helps mark them as his. He spends absolutely lavishly on them, buying them beautiful and fancy clothes for them to wear when they're in his house or out with him in public. He also buys them more practical gifts, well-fitting boots, weapons, armor, all of it enchanted and worth a small fortune.
On some of his gifts to Durge, he encodes messages for them in their cypher. They say things like "For my dearest assassin" and "To the sorrow of all" on a weapon and "pari pasu" (Latin for with equal step) and "I've always liked to play with fire", plus any number of other things.
Gortash has a thing for Durge wearing his clothes. One cold morning durge throws on his black coat when they get out of bed to check something and seeing them wearing nothing but his coat is such a thing for him that he ditches all their plans for the day to spend the day in bed with them.
Gortash has a number of affairs, to help his star rise in the upper city. He may use them to make durge jealous, but they are ultimately people to be used and discarded. He doesn't care what they do, because they're tools. Durge is his. His partner. And that's why he doesn't share.
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walrus150915 · 7 months ago
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Happy pride, Nimona fandom :3
I gotcha some sketches! Gotta place them in different parts of the post so that you read everything
It's not just drawings I got HEADCANONS for you too!
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Off topic but I love Nimona's design SO MUCH it's so AMAZING TO DRAW AGHHH
So
⚧Nimona LGBTQ+ specific headcanons of mine🏳‍🌈
• I've made a conclusion that if queer flags exist in Nimona universe, as well as gay drag bars (so was confirmed in the artbook), then labels DO exist. As well as good old homophobia??? I suppose????
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• Nimona doesn't have a specific label because she thinks they are sorta restrictive. Also she just doesn't need one lol, if somebody asked her about her gender she'd say "Nimona"
• She'd wear the heck out of a "protect trans kids" shirt she bought no she ain't feeding into the capitalist machine she stole it
• There was something between Nimona and Gloreth but Nimona can't exactly say what for sure. Not exactly romantic but not strictly platonic. Homegirl had that toxic doomed kindergarten yuri going on😭
• Nimona doesn't look for romantic relationships. She explains it as "romance is for sappy dumb-dumbs" but in reality she just doesn't want to date and romantically love somebody who'll. Eventually die and leave her all by herself again yk (oh this got angsty real fast)
• Maybe one day Ballister tried to help her find her label (because he still tries to put things in boxes) and she just waved it off
Speaking of Ballister
• My man is transgender. Do I even have to explain. Read one of those posts that explain his transness better LMAO
• He started his medical transition as a teenager and had to fit right in not to disrupt the Institute's function. If he's a man then he has to transition QUICKLY so that others don't notice
• Because of that he's a transmedicalist and probably an enbyphobe at the start of the movie, thinking only one type of valid transness exists, and it's the one that is very binary and restrictive
• At the end he realizes the wrong of his ways and works on the internalized transphobia
• He came to terms with his homosexuality a bit easier. "It's always been boys" yk the drill
A couple of words about his boy lol
• Ambrosius is a painfully cisgender gay man. I genuinely apologize to all Transbrosius believers but he gives off STRONG cis vibes can't have a character with this surname dickless
• He's a trans ally but his opinions on trans issues were like. Very closed-minded. He supported but didn't entirely understand. Of course it changed as he went through ✨character development✨
• He was fully supportive of Ballister on his trans journey. Reassured him when Ballister felt like he wasn't enough, tried to make his boyfriend as secure as possible, loving every part of him
There should be a bunch of rather suggestive headcanons but this isn't that type of post LOL
No but think about Ambrosius kissing down Ballister's body and across his chest scars. This is my ultimate dream as a trans man
• Ambrosius also rocks a "protect trans kids" shirt that's for SURE
• He came to terms with his queerness as a teenager and had a whole crisis about it. As a Goldenloin he had the expectations of ✨continuing Gloreth's bloodline✨ thrown at him back in childhood so he sorta internalized that. Then boom, my boy is g a y and oh how gay he is!
• Click here to read about my headcanons on goldenheart when they had only started falling in love :D
• Ambrosius made inoffensive jokes about Ballister's transness. Like yk those goofy puns like "baby you put men in MENstruation", "omg does this make your parents transparent". Ballister smiled at them and rolled his eyes but also silently appreciated his bf's support, although expressed so stupidly
• He also made sure Ballister took proper care of his body because you know Ballister would not bind safely, being a dumb teen
Anyway yeah gay people
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Unpopular opinion but we as a fandom should start drawing Bal with a disability queer pride flag
Side characters headcanons, anyone? XD
• Diego came out as nonbinary after the events of the movie. He got that he/they swag going on
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• Also Ballister was his queer awakening FIGHT ME ABOUT IT. He had the stupidest, most childish celebrity crush on Bal. Maybe Bal formed Diego's type in men fjfhhx I like to think Diego got a boyfriend whose attitude is similar to Bal's
• Remember those news anchors? (they are so underrated omg) Well Nate Knight has a husband and Alanzapam Davis is a bi queen🙏
• Speaking of queens. Valerin is a straight ally💪💪 I imagine her being quite iconic on the Kingdom's queer side of the internet. They call her "mother" and stuff aajjaj
• the Director is homophobic, need I say more? So is Todd but I actually imagine him being a type of guy to reject his queerness
Haha mailman *winks at yrrtyrrtwhenihrrthrrt*
• Todd had NO idea Ballister was trans. NONE
• The Kingdom has pride events!! Ambrosius and Ballister were very happy and excited to attend those as an official couple once they were out :}
• Nimona attended them every year, ofc she had to hide her true nature but it was fun for her to march along! And it was even more fun when everyone accepted her!!
Anyway yeah this was very fun to make!! Happy pride y'all, lmk what you think ;D
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reborrowing · 2 months ago
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a strange appearance, part seven
i was going to get farther with this chapter but I want to put something on the dash today that isn't. that.
Stranger Swap Masterpost | ao3 First | Prev | Next
word count: ~2100 cws: fear, angst, hunger
Phoebe
Magic was real and Phoebe hated it.
It shouldn’t be real. By its own definition, it couldn’t be real. If something existed in the natural world, then it was a part of the natural world, so it couldn’t supernatural. It might not be something she understood, but that was no reason to brush it off as some vague, inexplicable magic. It didn’t mean that there weren’t rules. It didn’t mean it couldn’t be studied.
And yet.
In the last week and a half, she couldn't come up with any explanation better than magic.
There was, of course, the first and extremely unlikely morning when she and Val had met. But she could nearly dismiss that away as some kind of hallucination or dream, like she’d initially thought. It was almost definitely what anyone else would suggest if she brought it up—if she could bring it up.
The only lasting evidence of her strange morning with Val was a tiny, delicately sewn bag filled with crumbs and lavender petals. There was a shirt too, but it looked like it could have been hand sewn for a doll. Too easy to explain away. Her bruises were fading. The articles she’d accumulated mentioned diminutive peoples, but never any shrinking. She couldn’t find Val themself or whatever other tools or modifications they had made to be able to get around her apartment. There was no sign of them coming back so she couldn’t figure out where they went to hide. They were gone.
What really killed her was that she couldn’t talk about it. That was what made her so certain that there was something exceptional and actually magical going on here. She’d agreed to keep Val’s secret, yes, but no one trusted Phoebe to keep a secret, at least not more than once. Her mouth had such a bad habit of running ahead without her thoughts and unfortunately, her mouth never remembered what was and wasn’t supposed to be private. But this time, she couldn’t say a single word to anyone about what had happened.
She tried. Not out of malice or any desire to hurt Val (…or any one else, assuming there were others. She wondered how many there were.) Every time she tried to bring up the topic with someone, she’d start choking or her conversation partner would get an urgent phone call or someone would just start speaking over her no matter how loud she got. Any text she tried to send about Val or the articles she’d found would fail to send. She tried to email the authors of the most recent articles she had found on sprites and got back error messages about invalid addresses. She even could email them about their other work without any problems. Begrudgingly, she had to admit that it was either the strangest string of unlikely coincidences she’d ever seen or actual magic.
So she kept their secret, against her will, along with a journal detailing what had happened as precisely as she could. She had her actual measurements and estimates of her temporary ones, rough guesses to Val’s sizes, an approximate duration, and the repeatedly annotated conclusion that none of it should have happened at all. She did her best to sketch them. She still wanted answers.
She tried more research, this time working with borrower as a keyword. She didn’t find much more than she had the first time, aside from another genre of irrelevant junk and fantasy worldbuilding discussions. She did find a server set up as if it were a whole network of borrowers that she thought might be real but it seemed just as likely it was just a bunch of really dedicated role-players. None of them broke character and when Phoebe had asked about basically anything, they banned her. No answers from them either. No answers anywhere. She hated it.
And it scared her.
If it had happened once, it could happen again, and she still had no idea why or how. What if it happened when she wasn’t home? When she had something important she needed to do? What would she do then? She was almost as afraid that it might not happen again, so she might never see Val again, and never get any answers. It would drive her insane, not being able to talk about it or learn anything more, but knowing beyond a doubt that it had been real. That she’d experienced something so rare and extraordinary and had hardly anything to preserve the memory, never mind share it.
She realized that the novel she’d loaded onto her phone had mysteriously changed into one of the half dozen articles she’d downloaded. Phoebe had them practically memorized at this point. She tossed her phone aside with a sigh. She didn’t remember what the story was even supposed to be about. She may as well grab her notes and get back to obsessing.
-
Val
Val waited by their kitchen exit until they were sure Phoebe was elsewhere. It was a torturous exercise in self-control, listening to her clean up the kitchen and seal away a warm, fresh meal while their stomach moaned and rolled. There was that one voice in the back of their head, the one they’d had nurtured for so long, begging them to just ask for mercy and play pet in exchange for good food. It had long since drowned out their natural instincts.
They thought about the pitying looks they’d been given during their brief stay with the colony. The disgust. Val hadn’t been wanted there but they could be better. They tightened their grip on their string ladder and waited. Phoebe kept her cupboards stocked well enough, they could find what they needed there without venturing back out into the greater apartment. They just had to be sure that she wouldn’t open a cupboard and find them sifting through her dry goods. Val had borrowed safely from her apartment for months. They could do this.
The sink drained loudly and within a few moments, the front of the apartment went silent as Phoebe left the kitchen. They descended the last few inches down their ladder and squeezed themself into a gap in the drywall that would drop them right onto the top shelf in the rightmost cupboard.
Their skin crawled as they surveyed the bounty below. Everything had been moved since they had last been here, including the tall storage bin they usually dropped onto. They considered the very real possibility that she had found this access point while she’d been looking for them. She could have had it sealed off. She could have left out traps. Would she go that far? Was that something Val needed to look out for? They hoped not.
They slipped off the ladder and started weaving their way through the walls of food packaging looking for something already open and easy to get into. They should’ve made a list of what they needed, but at this point they were out of just about everything, so they’d take what they could find.
Sealed, too unwieldy to open, sealed, too awkward to close…spices, cans… How cruel it was to starve in a world filled with excess food because the rest of the world was determined to keep it from creatures like you. Val wasn’t sure if they blamed humans for the packaging or the rodents for the disease—they didn’t like mouse shit in their own pantry either.
Eventually they reached a box of Ritz with one sleeve already open. They broke apart a cracker, stuffing most of the pieces into their bag and eating the rest. When that settled, they’d see about prying their way into the rice, since it was easy enough to carry more than a meal’s worth of grain back home.
Or, they could take a bigger risk and look for something fresh left out on the counter.
They were starting to feel better about everything now that they had something in their stomach. Bread or fruit or unnoticed scraps or maybe a rogue dish left uncleaned with gummy sauce or cooked something-or-other. They were pretty sure that she was in the bedroom, which meant they should have time to hide if even if she did get up and decide to come this way. They could go unnoticed even if she was awake.
They shoved the cupboard door open and peered down, relieved to see that her counter held as much clutter as usual (though it had all been wiped down and there were no spilled leftovers to be found) so they could hide if it turned out they needed to. Val anchored their earring hook around the cabinet's door-stopper and dropped a line of floss to slide down. They left it hanging in case they wanted to make a quick escape later.
They barely managed to search at all before they got distracted. In the distance, sitting on the desk in the dining cove nearby, Val’s own belongings caught their eye. The shirt they’d been wearing on that morning along with their best borrowing bag were sitting out in plain sight beside a stack of her schoolwork. They bit their lip. That might be a more worthwhile prize than stale food.
By the time they reached the desk, they were sure they’d had enough and needed to get back home to rest. They’d been out long enough that the open air was enough to fray their nerves and make them sick, even if they had had a full meal at some point in the last few days. They would quickly grab their things and slink back home again but of course, nothing could ever be easy.
Their heart sank when they grabbed their shirt; the stitches had been stretched out and deformed. They held the garment out in front of them to examine, to decide if it could be repaired, and that was enough time for their eyes to catch the words they were standing on. They stiffened and froze as if they’d felt a pair of eyes behind them. They were being watched. Observed anyway, even if indirectly.
The handwritten page they were standing on was about them.
They stepped down and carefully flipped through several more pages. The handwriting was hard to read and some of the lines were obscured by math formulas or more fancy academic words Val didn’t know, but they got the gist of it. The scratch pad was a record of their encounter with Phoebe along with notes from those awful articles. Drawings. Literal walls of text announcing Val’s existence and speculating on whatever details she didn’t know.
Fear and anger clenched their jaw. Had they really been stupid enough to think she wouldn’t give them up? That she wouldn’t try to hunt them down? They wanted to tear apart each word and haul it back into the between-spaces where humans couldn’t fit. They wanted to scream.
They started to tear apart the pages, but even that noise set their teeth on edge. She was just in the other room. They bit their lip and changed tactics, carefully pulling a pen from the holder nearby. It was longer than them, awkward and unwieldy, but so was everything. They dragged the ink cartridge to the notepad and tore it apart. It was messy, they probably stained themself as much as the paper, but it was effective enough. The paper curled as splatters of ink soaked through the damning words.
They couldn’t erase everything, not with just the one pen at least, but it felt so good to do something, to make their fate their own. The wrenching in their chest could breathe. They sighed and in an instant, the terror returned. The bedroom door creaked open. The hall light flicked on and flooded the area with electric light, silhouetting Phoebe at the other end. She took a step and froze as she caught them in their indulgent act of vandalism.
“Wh—Val?” she whispered, still processing what she was looking at. Her eyes widened and her voice raised in pitch and volume. “Oh my god, no!”
Val shook a rogue blob of ink off their hand and ran. They barely had a chance to make it to the edge of the desk in the time it took for Phoebe to cross the hall and reach them. Her shadow swallowed them whole as they squeezed themself through the crack between the wall and the desktop. Papers shuffled. She kept shouting.
They pressed themself as flat as they could and wormed their way down into a drawer to hide. Both of their bags fell to the floor behind them. Val landed in what felt like a bin of paperclips and sounded like something loud enough to drawer the host’s attention. They cringed and slid deeper into the drawer, knocking away another clinking cascade of office supplies. The cheap desk shuddered around them as her steps came faster and closer and Val backed themself into a corner.
-
taglist: @da3dm @whumpsday @gt-daboss @whumpinthepot (To be added/removed from the taglist please comment, ask, or message, I’ll forget if it’s just in the tags of a reblog!)
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strawbbella · 2 years ago
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Helloo~ I was bored in class one day so I thought "why not do an art study of the artists I like" except it incredibly scuffed and I really just looked at a bunch of art on their page and i tried my best to replicate one of em
So these are the 2 'studies' i did that day
1st:
My ver:
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(Art by @izuke-the-zombie )
ref pic:
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What I noticed first while sketching is ofc the super gorgeous cute style. Though not long into the sketching phase noticed her lines are quite sharp and pronouced, for most of her works she keeps her sketch lines making it seem more mmm hazy is the right word? Or effortless, but with every sharp line a rounded(?) line contrasts it, giving it that signature fluffiness. I absolutely adore how well this all mixes together, i dunno just sonethin bout her lines bro
I love the expression, really gives off absolutely love sick, I didn't capture the eyes quite well (I blame my chonk pen because all good artists blames their materials/j) Macaque looks more scared than breath taken and I put the eyes too far apart. I basically deprived the eyes of its soul lmao note for next time I do a study.
Ok this part has not much to do with the ref pic but her art in general and that includes her writing. I adore the cute HCs and little stories/AUs she would post, just so much creativity and its always so comforting to read as theyre so wholesome and cute. Im so sure one of my first posts here were a drawing of one of her HCs LIKE SRSLY SO CREATIVE. I was also surprised as I saw in some artworks she's able to draw structures and environments that draws your into the scene, its fits the universe so well, just adding to that little wonderment of awe. Shes amazing at coloring too, real soft, but still makes the characters pop, i'd say more but my brain is short-circuiting from all this analyzing. Shes just all round incredibly talented and creative honestly. Her style is exactly what i wanted to have as a kid and what im striving to have now. So cuteee
So far 11/10 art style, love the chibiness, cuteness, expressions, the pure and pastel feel and colors, and details. Just love her in general<3 check out her page lol
2nd:
My ver:
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(Art by @clatteringbats )
ref pic:
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Ok so immediately off the bat I knew I was gonna have some trouble here since I've been drawing chibis from the very start.
Just from observing her art I alr saw it has a lot of movement in em, lots of dynamic poses, and LOTS of embraces, really just pouring with that fluff/angst energy. At first I tried the anime body guidelines and boom instant error. Though not all that noticable the heads have sum chonk in em, especially the cheeks, giving that cute factor despite not being a chibi style. Im all for it. The lines are very soft, not a lot of sharp edges and if there are theyre placed in a very subtle way. The expressions are wonderful: from a subtle hopeless smile from an overwhelming roar of grief and anger, she's mastered the the art of slight details that give these effects their magic. Her lines are sketchy but not messy (does that make sense) they clump together neatly, giving the illustration clarity.
AND OMG HAVE YOU SEEN HER ANIMATICS? THE MOVEMENT, THE PACING, THE SMOOTHNESS, THE INTERACTIONS, THE EMOTIONS, THE EVERYTHING. THEYRE SO AAAA ITS LIKE A PROFESSIONAL STORYBOARD FOR A TV SHOW.
The way she uses color too— just o h m y g o d .
Her colors are so bright and clear, so nicely blended together, so bold, but not in the way that burns your eyes, she keeps them neutral in a way, that envokes that sense of harmony; like a sunset. (I legit have one of her colored artworks as my wallpaper) I have lots more to observe, but so far this is all I have to say. The skill of overflowing
Anways, back to the task at hand. I made the heads bigger than i shoulda , cause well chibi artist ehe. Again, I blame my chonk pencil. I didn't get the embrace quite right, but Ion think I could level with the queen of LITERALLY DRAWING TEARJERKING HUGS LIKE? I tried with the hands, I swear. I knew they were a little small but only now am I realizing its that way cause I made the heads too big. I wanna try drawing more in her style as its really just full of movement and flowiness, I wanna try mastering the way she draws perspectives too. I noticed for perspective shots theres this grid for the sky and ground (which is genius) will try that out when I actually pick up digital art again.
Check out her page, theres lots to see shes amazing 11/10 artstyle<3
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underqualified-human · 1 year ago
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Pomefiore: I can be your Angle or your Devle
→ Request: hiii I would like to request headcanons relationahip for vil schoenheit, rook hunt,  epel felmier from twisted wonderland, with a fem mc who is actually a real angel (you know, with wings, ethereal, believer in God, etc) but at first it didn't seem like it since mc is usually stubborn and very naughty, the opposite of what would be expected of an angel jeje it's all, thanks in advance  → A/N: Okay so I changed it slightly  → ⚠ Warnings ⚠: Mentions of family issues, → Fandom: Disney:Twisted Wonderland → Genre: Headcanons → Pronouns: She/Her
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You were born from a literal holy matrimony- and you hated it.
Your father was an angel (the key word being was. He fell almost directly after your birth) and your mother was a human. The apple clearly didn't fall far from the tree when it came to following rules. When you first arrived in Twisted Wonderland you figured it was some weird last resort after your expulsion from your Catholic All-Girls School (long story, don’t ask), but quickly came to realise that it was definitely not. On the bright side, you ended up getting a boyfriend, score!
General Headcanon:
I'm pretty sure a Nephilim/Giborim would be mistaken as a kind of fae, so keep that in mind as you read
Vil Schoenheit:
One of the first people to notice the more ethereal aura that your appearance has and finds himself staring at you more than what is considered normal, even after you start dating
It almost scares him sometimes, how you look in certain lights. Like when you punch someone in the nose for badmouthing him.
Normally he can smell rebellious spirit like a bloodhound, but your appearance caught him off guard. Which definitely intrigues him.
Tries to curb some of your more violent urges to varying degrees of success. You still end up getting into a bunch of fights and he still ends up helping you tend to your  
Whenever somebody brings up parents you go silent and he definitely notices.
If you want to talk about it he'll listen, if not then so be it
Definitely pushes you to do at least one photoshoot with him, whether he's successful or not is up to you
No clue how to help with your wing care, but provides you with any products you need
If any of his fans say anything he's not afraid to defend you
Rook Hunt:
A little bit creepy at first. asking invasive questions and general stalking
He tones it down later but definitely has a notebook about you (that you don't know about)
You get a lot of love poems throughout the entire relationship. He never runs out of ways to compliment you. It is insane.
Likes picnic dates, also teases you by bringing some sort of bird dish
Knows every bad thing you do, he’s just there, watching. He’s not going to try and stop you or report you if no one else does.
I like to think he's a bit of an artist, both visually and by the written word. You're the subject of most if not all his creations. 
Some he gives to you and some he keeps to himself. Just as a little keepsake.
If you'll allow him, he would love to sketch and pet your wings. He will start to describe them in great and poetic detail so be warned.
If there's anything special you need to do with your wings to keep them healthy/hidden he'll do everything to help you.
Epel Felmier:
Relates so hard to having an appearance contradicted by actions/attitude
Likes to join you in any rebellious/ general delinquent activity 
Tries to fight people that stare at you for too long
Makes sure to keep you far away from Vil, even if you like make-up and fashion he does not want to put you through that
Skips things like etiquette and dance classes to just hang out with you (Vil thinks you're the problem child, which isn't completely wrong)
Likes to give you little apple carvings he makes, some of wings and birds others just things he likes to carve
He didn't grow up with chickens, but his family did know some people who did. What I'm saying is he applies chicken grooming tactics to your wings and is surprised when you take offence. (You get a new nickname from it.)
One of his favourite things to do is to lie down with your wings wrapped around him. It makes him feel safe and helps him calm down, like being wrapped in a blanket while listening to your heartbeat. He'd kill anyone if they ever found out though.
Can't really relate to your family issues, but introduces you to his pretty early on in the relationship.
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scrunklychemistry · 1 year ago
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Last year, I had a radical idea that would change the way I think about chemistry forever.
What if molecules were a little bit fluffier?
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It all started with me looking at the structural formulas in my schoolbooks. I was amused by how every element seemed to fill a different "role" in a molecule - carbon formed the skeleton, oxygen and nitrogen brought flavor, and hydrogen was there to fill all the bonds that weren't "used". They were almost like a bunch of tails attached to a central body.
But I felt that one thing was missing - and that was them being alive.
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To describe how my system works, I have to outline the principles I follow.
The specific arrangement of the atoms is generally based on the molecule's 3D structure, though I sometimes make small changes from reality to make it resemble a character with human or animal traits.
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One thing I'd like to ensure is the diversity of the molecules' appearances - I don't want their identities to be lost in B&W print or sketches. I also prefer avoiding symbols (chemical or alchemical), because I think they're overused and might also interfere with their facial expressions.
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The faces and limbs serve exclusively to give them more character and expressive power - they don't define a molecule's composition or structure, though they may serve to help communicate a compound's "personality".
The reason behind the alternative representations of a molecule is to put emphasis on different aspects of it - e.g. if you want to look at water symmetrically as an oxygen with two hydrogens, it is better to use the representation on the left, but if you want to view it as a product of acid-base reactions, it is better to use the representation on the right.
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I wanted a more visible way represent ionic bonding - most models simply show the ions disconnected from each other, and I thought making them more obvious would be a good idea. At first, I tried drawing it as an electron (held by the anion) that produces a rope which the cation is tied to, and then I noticed that it looks like a dog on a leash, which I thought was funny enough to draw like that.
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I'm not sure if I will be able to fill out the entire periodic table - I don't think it's really even necessary. Most elements rarely occur in organic chemistry, which is what this system primarily focuses on. In any case, this project continues to evolve as new ideas flow into my head. Feel free to ask me any questions about it!
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emerxshiu · 9 months ago
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i forgot it was april fools lol. i definitly did not end up sprinkling in a bunch of memes in there, nope, not at all.
I havent checked my dashboard until a few minutes earlier, but now im booping everyone i find in there, its just so damm fun! its kinda sad that its just for april fools, i wish the booping stayed forever like its way too silly i love it.
Oh yeah the drawing yep aight. So uh, i had the idea yesterday and this looks NOTHING like what i had planned, it was just going to be a plain white backgroung, and i was trying to make it look like a pencil sketch (kinda). and simple coloring. but i had a lot of problems and drawing this ended up being really frustrating but im kinda happy with the result even if it difers so much from the og idea.
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also here is a clean version (aka no memes)
i tend to change my idea as im drawing so after i realized this was not going to look like i thought, i tried some effects and i came up with the idea of making it look...off.
Backgrounf with saturated colors consisting of red and blue and a fecto elfilis who looks rather dreamy, wich is totally not kinda inspired by isolated isles and high school musical 2 believe it or not (im confused as to how that was present in my mind as inspiration but i guess anything works as a reference) and contrasting with the darker background from how light and glowy i made him.
Fun fact: when i drew elfilis here, they were reminding me of a bunny, so you could kinda count this as a bit of an easter post since im probably going to forget to do something for that.
fun fact 2: this image is based on a fanfic im writing right now, i havent posted it yet, and when i do im pretty sure i'll put it into the Anonymous collection, since what im writing is very different from my usual, i tend to write about my splatoon ocs or sometimes about kirby characters, most of these fics tend to be general with not a lot of archieve warnings and stuff (save for one but that one was very very tame and just had an implication of a character dying at the end) and they're oneshots, most of them, this one is also a oneshot. i just enjoy writing that, but its a little bit....how to say it? bloody, i just have like the start made and its probably going to take me a while to finish, im also thinking of reading it multiple times since most of my works are usually just the first draft. but uh since its quite different and has that im quite scared of the reception it might have when i post it, in fact a lot of times i dont post stuff since even tho i know i shouldnt worry about others, i still do like an idiot, i just cant help caring about what other people think of me. and yeah basically its just not like the usual fluff i write.
next post might be splatoon related since im redesigning some ocs i had, or it might be princess peach showtime because my father got me the game and im loving it
Thank you for listening to my unnecesarily long rambles and Jambuhbye!
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