#it shouldn't be so hard

[hychlorions]

[simonbrain]

sitting at the bar with your bestie and jokingly saying, "i wish that was me," when she spews about how her man made her come so many times the other night they almost hit double digits. you doubt anyone is paying attention to the two of you gossiping and giggling like fools, and you share that you haven't been laid in a while.

"it's been eight months, actually." you pout, slapping her arm when she gawks and splutters something about finding you someone to shag in the back alley right away.

if only you noticed the guy with the fuckass mohawk sitting on the other side of you, intently eavesdropping on your personal conversation. he likes your friend's idea; surely you'll let him pull a few orgasms out of you outside before he fingerbangs you in the car on the way home and finally finishes you in his bed.

ten's a big number to aim for, but johnny's nothing if not utterly determined to ruin the pretty girl who's had him rock hard since she walked in.

[hahahalfwit]

im studying them like little bugs

[duckprintspress]

Given how common it is for book posts that say "just give me the book blurb! stop with all the other things!" to get tens of thousands of notes, I feel the need to say, as a tiny micro-publisher: if only sharing the book blurb sold books, trust me, we wouldn't be wasting our time with all the other shenanigans.

But just sharing the blurb doesn't work. Most people scroll right by.

And so we try every single method we can think of, including sharing the blurb among them, to try to get whatever eyes we can on the book.

Of course the description of the story is the best way to sell the book and get people interested, but it only works if y'all actually read it. And getting most people to the point where they'll read anything that isn't already immediately and actively part of their existing interests is fucking hard, so we use splashy graphics and short hand to try to hook people, and then hope that when they read the blurb, that hook will go from "oh, that's worth a glance" to "oh, that's worth a buy."

Also: just because the exact post you saw promoting a book didn't include the blurb doesn't mean other posts about the book don't!

Sorry. I just have seen so much of that recently (and not just because of that poll about "what convinces you to buy," I actually found that whole poll extremely interesting and informative) that I'm kinda losing patience with it.

Just posting the blurb doesn't work.

Signed, someone who sells books for a living, or at least tries to.

[michaun]

THE PITT

Look, maybe I have a better perspective because I’ve been on both sides, but we gotta try to at least put ourselves in their shoes. Listening and building trust will make us better doctors… and better people.

[starsonablackboard]

it's fascinating to me that every member of the party pre- and during loops treats siffrin with some flavour of alienation. like, bear with me. this post is going to sound like im here to give a hot take that the party are Bad Friends, Actually, but i promise you that's not what i mean. you're with me? okay. let's go.

isa idolises him (in the having a crush on someone type of way).

mira views them almost as a book character (the whole "the aura! the mystique!" conversation).

odile calls them a child to their face multiple times.

bonnie is... well, bonnie. kid is coping how they manage.

in the very beginning of the journey we have isa and mira, who, out of all five, are the most familiar to eachother. they're from the same country, they both actively follow the change religion, they both occupy (or occupied, in isa's case) well-respected positions in society, they're very close in age and i would assume socioeconomic statuses. they share a lot personality wise, too. they're both anxious about not being enough, about not changing enough, they're both open and emotional and affectionate, they even both like romance novels! they are very in eachother's comfort zones. they are very understandable to eachother.

then there's odile. she is as different as it gets – she's ka buan (and well half vaugardian but nobody knows that), she's old, she has different religios beliefs and different history with body craft, she's confident, self-secure, reserved, sarcastic and at times cold and makes it very apparent that she's not into openly displayed affection. but also, she is actively choosing to be seen this way. she is comfortable with being perceived like this.

and then, there's siffrin. a mysterious traveler with mysterious past that doesn't like to be touched and never talks about his feelings. where are they from? what he believes? what did he do prior? why did they join them? noone knows. situation kinda similar to odile's, but kicker is, we know siffrin does not want to be seen this way.

mira, being a somewhat sheltered not very experienced young adult (she's from dormont with population less than a regular highschool class, and has been living in the house for some past years) with more familiarity with books than with real world obviously views them more as a cool character than a person. and i can't blame her! siffrin doesn't help her view them any differently either.

isa i assume catches feeling almost immideately (the whole journey takes less than a year, sif is second to last to join and we know that isa's crush has been going for months) and it's universally hard to not idolise and idealise the person you're having a crush on, so even tho isa is more experienced than mira, i imagine he fails to see siffrin as a whole person too.

odile out of all of them grinds my own personal gears the most. i love you, old wise lady, but oh god. the amount of times she refers to the party and in particular siffrin as kids or children is sure something. and the thing with kids is that you generally don't view them as equals, so, no "seeing siffrin as a person that he is" there either.

that's general dynamics. now to what interactions we actually see in game:

odile mocks siffrin for being forgetful. every time siffrin forgets a word, everyone reacts as if they don't remember that vaugardian isn't siffrin's native language. both isa and mira behave patronisingly towards them (jokingly, but still). the whole party spends some time comparing siffrin to a wild animal in the dictionary conversation, mira saying "what a perfect analogy" with stars in her eyes. one time siffrin desides to open up and tell them about stars, they mock him. when he kills that sadness more violently than usual, they all look at him as if he murdered a baby (i still don't really get why btw. they've been fighting side to side for months). the whole ghost event. ohhh ghost event my beloved.

all of these, for me, point to a very deep yet unacknowledged disconnect between siffrin and the rest of the party. the not-understanding. the unfamiliarity. the alienation. siffrin is other even in their own little ragtag bunch of misfits.

now AM I SAYING that means that the party is bad actually?? no!!! for every interaction i named there's multiple others with them being supportive and warm to sif. also, siffrin, famously, is very bad at telling when something bothers them, so noone whould even know if they were doing anything that upset him. and, on top of everything else, i think it's very natural for a party of very different people traveling in a lot of hurry and discomfort and plain mortal danger for months to develop a bond where "i would die for you, my siblings in arms, but i also will poke fun at your religion when it starts to sound too impossible for my worldview. what do you mean stars are there in the daytime too? don't be silly". i actually really appreciate their friendships being imperfect, because it's so much more interesting and thought provoking this way. like, I've been thinking about this for weeks.

and also, this specific type of imperfection plays into the core themes of siffrin's character. to be welcomed, adored, loved, even, but not understood. not recognised. not known. and to not even try to explain untill the world is literally ending.

[julykings]

planning on quitting my job tomorrow wish me luck.....

[gossypibomaa]

ueda akinari :)

[trixxedheart]

It is amazing how the "people that love and uplift transwomen" website will instantly fucking maul a transwoman if she even remotely insinuate that using radfem rhetoric harms trans people

[sane-tkdbblog]

The Bar Trio! 🍻 Request from X(twitter)

They are trying to take a group photo but things don't go as planned...

[roach-works]

ok im waffling on about fallout instead of having breakfast but i saw a criticism of how the prisoners were treated that's stuck with me.

spoilers!

so i think the criticism wasn't incorrect, per se: it condemned the way the show portrayed the vault dweller's naive intention to rehabilitate their murderous captives. it found fault with a common, and horrible, message that tv shows like to say, which is that carcerial violence and even the death penalty is the only effective way to deal with criminals, who are a fundamentally Bad category of human. im sick of that message too! but i think that wasn't what was going on here, actually.

so like, the vault dwellers had only ever experienced violent loss the once, and didn't really know how to cope other than denial and repression of the ordeal. but they were all hopeful and enthusiastic that their prisoners, the invaders that came to kill them all and take their stuff, could be eventually welcomed into the community as their comrades. the champions of this cause were nebbishy dorks and painfully out of touch academics. this is pretty normal for how prison reformers are portrayed, if extremely fucking annoying for those of us who ARE in favor of prison reform.

but so of course when the son of the former overseer, Norm, speaks up and suggests killing the prisoners, because why should they share resources with invaders who explicitly wanted to keep hurting them? why should they show mercy to their attackers? everyone is appalled by this suggestion. because they had to reinvent the whole concept of vengeance right then and there, because grudges and cycles of violence are anathema to a bottle society like theirs. they have been raised all their lives to forgive and forget and now, put to the test, they're recommitting to this ethos: get along, let the past go, look towards the future, believe the best of everyone.

but the prisoners die, anyway. the prisoners are killed with rat poison. and the thing is that Norm who suggested it didn't do it himself. and the prison guard who's blamed for it, even though she privately agreed with Norm that the prisoners are dangerous and unforgiveable, she didn't do it either. it's not a moment of triumphant, cathartic vengeance and it doesn't prove that there's no way to negotiate with terrorists and invaders but kill them like vermin because that's not what the message is meant to be.

the message is that norm stands there in the middle of these inconvenient prisoners, these corpses dressed in his own people's uniforms, and he looks at the new overseer. and he knows that she killed them, and she knows that he knows. she wanted him to know. this is her message and he's reading her loud and clear. and he doesn't look like a guy who's just been backed up by authority, who's just been validated in his desire for the ultimate control over those who have wronged him.

he's scared and pale and the music is ominous as fuck. and he's inside the cell, he's directly in the middle of it.

because what just happened is that he realized his entire society is being held prisoner, and the overseer is the one with the rat poison. and that he doesn't know, anymore, what freedom and safety and justice actually mean, just that he doesn't have them and he doesn't know where to find them.

that's what that scene meant. not that rehabilitative justice is a pathetic delusion of people who have no idea how to make hard choices.

but that before you advocate for killing prisoners, you might want to see how big that prison is, first.

and which side of the bars you're standing on.

[dreamyblanket]

Sorry guys, wafer on the brain, it's terminal u.u

Anyway, I'll elaborate on this in the tags bc omg I'm going to yap your metaphorical ear off.

[dittydipity]

going INSANE. what is he thinking. why did he say this. why does he do all of this. i am thinking so hard.

we know he's seeking arceus to recreate the world bc in his eyes the world is cruel and unjust and it needs to be destroyed and remade. he's set himself on a mission to create the better reality he's envisioned for his whole life.

but everything else he does. the way he spends his time on pasio making people smile with togepi. even if he justifies it as something purely transactional to get more customers, we know he doesn't really take his merchant job seriously. the way he loves his pokemon so much that they will pop out of their pokeball to excitedly tell whoever will listen how much they love volo back. him trying to capture these moments of happiness tangibly because they never last long and can be wiped away any second.

he still hangs onto hope so much despite what's implied to have happened to him. in spite of all the anger and bitterness that's festered in him, he doesn't really want to destroy everything as he says.

it all started with a wish for the world to be a better place, for the good in the world to outweigh all the cruelty. he's still trying to spread what happiness he can.

but at the same time his past drags behind him and reminds him that he can't afford to trust in the goodness of the world.

that self-assigned mission to usurp arceus's power and rewrite everything.. to him, it's his duty now. he has to do it for himself and, as he rationalizes to himself, for the world.

so he ignores the flaws and holes he finds in his own reasoning. he can't help but seek out the brightness and happiness and goodness that does exist in the world, yet he has to dismiss it to justify his goals.

... all this to try and explain to myself why volo's asking all these questions and making all these comments that seem to go against what we'd expect given his ulterior motive and plans. and it's like he's asking the few friends he has to remember him as the one who seeks joy, even when he does the worst to fulfill his dreams

[magnusbae]

This weapon is your life.

[ellenchain]

Thoughts on other Viktor skins? High Noon? Deathsworn? I don't play LOL but... holy shit why does he always look so hot

ohhh sameeee

i don't play league either, it's not my genre, but i agree with you, the Viktor skins are really ... hot

baby just looks good in everything death sworn is probably my absolute favourite, even if his legendary skin is of course very very pwetty and his prototype skin very very cunty

but death sworn... mhhhh .... i would love to stick my hand in him

mhhmmmm

[chewyhanniebug]

Buckle up kids because I'm pissed off and have a few points to make.

Obviously @raeisms doesn't need me to fight her battles for her. That's not what I'm trying to do. She's perfectly capable of sticking up for herself, and she has been, but it's getting ridiculous and I want to speak up about what this is leading to.

Fandom spaces are dying. Pushing people to stop creating is the cause.

That isn't a stretch. It's a fact. Not understanding boundaries or purposefully stepping over them is a massive chunk of the problem. It isn't just here, but this is already such a small community and pushing away artists/authors—people creating things for free with the purpose of enjoyment—is killing it. Artists and authors are, and always have been, the heart of fandom. Without them there is nothing.

Fandom etiquette has been left behind and forgotten. Ages are skewing younger and I don't care if I sound like a silly old millennial for saying that's also part of the problem. There's older people this applies to as well of course, but I've seen so many barging in who just don't understand how this works because there's so little guidance anymore. Again, not just here. It's happening across all platforms to all fandoms and it's terrifying.

What happened to "don't like, don't read" and using filters to curate what you want to see? What happened to thinking for two seconds about whether something you say could be hurtful and then not sending it? What are you trying to prove? I can't stress enough that you are the reason this will all stop existing.

TL;DR if you want to keep this space alive, grow up and learn some fucking manners.