#it really is a free for all out here

[precarious-hermit]

"someone out there will enjoy this" i say to myself as i write whatever the fuck i please, "and it's okay if that someone is me"

[sciderman]

well - webtoons is over, gang

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[journey-to-the-attic]

one thing about ik is that she will always reach out

[fascinationstreetmp3]

i wonder how many more people would've vehemently hated gale right off the bat on full release if his introduction conversation had stayed like this or something similar

[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!

[fatedroses]

More than just the Demon.

[fluentisonus]

[turtleblogatlast]

One of the earliest examples of Leo’s “I’ll do my own thing to accomplish our goal without discussing it with my team first” is in episode one. It’s super, super quick, and ultimately inconsequential, but it subtly sets up a great precedent that I think is very interesting.

When the boys need to grab the medallion from Splinter without Splinter noticing, Raph, Mikey, and Donnie huddle together with Raph taking the lead in trying to devise a plan to get the mystic device. Meanwhile, Leo slinks away and grabs the device by clocking the situation (by knowing his father well enough to predict his actions - something he does with each family member multiple times in the series) and making a move on his own.

It works out perfectly fine, and is ultimately the best move, and it’s honestly okay that he didn’t consult everyone for something so small when it’s such a non issue to get it, but it nicely sets up how this tends to go in the series, including how it goes in the movie.

To be honest episode one is actually really good at setting up a lot of things for each character in the long run, this is just one example that caught my attention, as small and unassuming as it is.

[yukipri]

feelin kinda sad so eating an obscene amount of pasta

[aster-aspera]

Penelope's weaving

aka I, an archeologist, am here to review the accuracy Penelope's loom in the 2024 movie 'The Return' because I want to avoid thinking about all my papers due next week. For context, I am currently writing my bachelor paper on Minoan textiles, and while I am definitely not an expert, I do know a thing or two about bronze age textile technology

So first point of pedantry: that is not at all a bronze ago loom.

I can't say exactly say what kind of loom this is, as I've only studied bronze ago looms. Whatever kind of horizontal/draw/treadle loom this is, I can confidently state that this would not have been used in Mycenaean times. I'd say that we only see these kinds of looms in Europe from the medieval period, somewhere around the 11th century.

In the bronze age, there are three types of looms in use (as far as we know). The horizontal ground loom, the two beam loom, and the warp-weighted loom. Most traditionally, we see iconography depict Penelope weaving on a warp-weighted loom, like this beautiful vase does.

We can clearly recognize this as a warp weighted loom, because we can see the weights: they're the little triangles at the ends of the vertical threads (the warp). The warp-weighted loom is also the only loom we can find archeological remains of, as the loom weights were often made of clay (sometimes pebbles), while the other types of looms were purely wooden.

Furthermore, I have genuinely no clue what she is supposed to be doing with her weaving in this short clip. There is no visible shed, which is the separation between the warp yarns, through which you pull the weft, so that you can actually weave something.

Here's a picture of the shed, as you can see, every other thread is pulled up, and the shed can then be switched around to create a woven pattern.

In the short clip we see, she seems to just be drawing some threads through the warp, which is more than a little nonsensical. If one was weaving a smaller fabric or a tapestry, one could perhaps use a pin or sword beater to pick up individual threads of the warp to pass your horizontal thread (the weft) under, and create patterns that way. That is still not what she is doing here. Additionally, she is weaving a solid red fabric, which would not make it a very interesting tapestry.

Perhaps she's undoing her weaving in this scene? It would make a little more sense if that was what she was doing, as no one would ever be actively weaving at night! It required a lot of light to be able to see what you were doing. Candle light just did not suffice. It still looks a little strange to me, as I don't actually see any woven fabric on the loom that she could be undoing. It's all just loose warp threads.

Honestly, it kind of looks like they picked up a loom from the nearest interactive history museum and plunked it into their movie without doing any research. I think it's a little sad that when adapting a work that centers weaving as much as the Odyssey does, the filmmakers did not do any research into bronze age weaving. You really don't need to be writing a paper on this stuff to find sources for this!

I'll just leave you all with this: a beautiful reconstruction of a warp-weighted loom, with the beginnings of a tapestry as Penelope would have woven it. You can see the loom weights at the bottom, and the sticks in the middle called the heddles, which were used to create the shed I discussed earlier. This is part of the Penelope project.

[puppetmaster13u]

Another Dragon Prompt?

They had all figured they'd seen it all. Great wurms of thorn and vines, built by the land and leaves around them, massive wyverns of wind and storm whose roars were like a thunder crash.

But all of that was nothing when the city found itself dragged into the realm of green, where there was a deadly, horrible calm before everything fled.

The pair of drakes usually getting into things, one of gold and black scales, the other a kaleidoscope of blues and reds screamed, tearing across the land as it was torn asunder. The mothering dragon constantly dropping food on top of the people didn't even bother as it flew alongside the one usually stealing boxes as fast as their tiny wings could move. Even the drake with armor of steel and more aggression than a chihuaha turned kaiju raced away, leaping from building to building before seemingly recalling it too had wings it could use.

More dragons than Amity had ever seen before fled in great flocks, everything a panic, terrified of whatever they were trying to escape. Every shape and size, from the blobs to great wurms like the one who called itself Overgrowth, and they were running.

And then they saw it, first a familiar beast of pink flame and gouging antlers- the Wisconsin Drake, the Fentons had called it- with dozens of wings beating and ectoplasm spilling from a great gouging wound before it crashed into a building with a pained wail.

But it was what followed that truly horrified everyone. A great beast of night, fins flared out like massive wings as it swam through the sky, flames already gathered in its mouth as it stared down at its prey.

Amity had thought they had seen it all.

It did nothing to prepare them for the King's awakening.

[stil-lindigo]

Source

While reading this interview with a West Bank settler, it's important to remember her views do not represent those of all Israelis just like Israel does not represent all Jews. There has been sizeable protest in Tel Aviv against the genocide (quickly squashed under Netanyahu’s police force just like all other pro-palestinian sentiment) but it’s worth reading to get insight into the minds of average people who cheer on Palestinian deaths, and draw up a chair to watch hellfire rain down on innocents. This is the impact of years of settler-colonial propaganda - a complete dehumanisation of a scapegoat population.

It also has to be said that ALL colonialist countries are complicit in encouraging this kind of extremism, by facilitating and stoking the fires of islamophobia post-9/11. Israel is not an outlier - this kind of sentiment is festering EVERYWHERE and attempting to detach yourself and your country's identity from it is like burying your head in the sand.

If you stand on the side of Palestinians in this crisis, you have to be prepared to recognise the signs of islamophobia and fascism everywhere, and stand against them.

[poorly-drawn-mdzs]

Unsolved Mysteries.

[First] Prev <–-> Next

[flamebearrel]

“But Kris, if I wanted to watch Anim vs. with all the different series how should I even go about it??”

It largely depends on the topics and cast you’re interested in seeing. The show is split into three subseries as well as the occasional standalone episode/miniseries: Animator vs. Animation (the original created in 2006-7 by Alan Becker alone), Animation vs. Minecraft (the longest and most popular, shorts stemming off a standalone from 2015), and Animation vs. Education (the newest from 2023, visualizing high-level STEM concepts)

Personally, I think core AvA is required reading for anyone who has appreciation for past eras of the internet, UI, or principles and genres of animation. AvM and AvE are equal in quality but honestly you won’t appreciate them as much if you aren’t familiar with the topics they cover. Alan and his team do try to visually introduce things step by step, though, so you can at least get a general idea of what you’re looking at

Besides that, core AvA specifically follows the Hollow-Heads, hand-drawn stick figures created by the Animator, “noogai”/Alan. In particular you have The Chosen One (shortened to Chosen, Cho or TCO) and The Second Coming (aka Second, Sec, TSC or Orange). TSC is the de facto main character and the only one appearing in all three series, while TCO and the Animator are exclusive to the original.

The SticksFight squad - the four sticks originating from sticksfight.com and named after their colors - have developed distinct personalities as the main cast of AvM, but only take a collective side role in main AvA (Yellow has a slightly larger role than the others). Here’s a summary of their individual personalities so you know what to look for in their smaller appearances

Red - Impulsive and energetic, always the first to jump into action and with a soft heart for creatures and beasties. He’s a little simple when it comes to technical things, but excels with reading the people around him, then building off of their quirks. Since the rest of the group babies him a bit, he puts in extra physical work to prove he can hold his own. Red also tends to play around with new or out-of-the-box solutions - knowledge that extends to his pranks. Most ready to fight with his fists or use heavy-hitters like maces and clubs. (Good intro/focus eps: The Rediscovery, Texture Pack, Monster School, The Prank)

Blue - A mellow fellow! Blue is one with nature and focuses on farming, cooking, and potionology. Due to her pacifistic tendencies, Blue prefers to reason things out or find other solutions rather than fighting, but will throw herself into the face of danger for others. Otherwise she takes up ranged weapons like guns and bows. She’s detail- and aesthetic-oriented as well as graceful, but doesn’t often step outside what she knows. A bit of an addiction to nether wart, which is somewhere between an unusual snack and a drug. (Good intro/focus eps: Potions, The Piglin War, The Chef, Blue’s New Superpower)

Yellow - She loves more than anything to get down to the root of things, and that makes her the group’s engineer! …And a bit of a troublemaker, paying more attention to the thrill of a discovery than the consequences. Yellow tries to find fairness and justice for friend and foe alike. While they have a reliable, supportive demeanor, they’re also very peppy, excitable and tough with how they stand strong in dire situations. Often her fighting style takes place behind the scenes, using things like explosives or a command-casting staff. (Good intro/focus eps: The Roller Coaster, Command Blocks, Lucky Blocks, AvArcade Games)

Green - Originally the weakest on the team, but has since come into his own after a lot of reflex training (read: getting tossed around). Green has great adaptability to learning new techniques and getting creative, particularly with styles of music and architecture. He loves the spotlight and usually competes with the others or takes the chance to show off; however, he also cares deeply about welcoming in those he meets. Dashes and zips around all the time during battle, usually via fishing rod-grappling hook. (Good intro/focus eps: AvYouTube, Note Blocks, PvP, The Dolphin Kingdom)

If you’re just gonna watch the REQUIRED ones this is what I recommend:

AvA s1 (1-4, previously I-IV)

AvMinecraft (original)

AvYouTube

AvA s2 (5-8, previously “shorts” combining into V)

AvMath

AvA s3 (9-ongoing)

That way you get the introduction of both subseries, with how each establishes the cast/direction, as well as one standalone. I put vs. YT here since it best fits the theme imo but you could go with vs. Pokémon or vs. Arcade Games if you prefer

If you’re willing to take on AvM/the rest of the series this is pretty much the order of the timeline:

AvA s1

AvM (original)

AvYouTube

AvM shorts s1 (1-14)

AvLeague of Legends (required for an AvM character’s development)

AvM shorts s2 (15-19)

AvA s2

Other standalones (Blue’s New Superpower + vs. ___)

AvM shorts s3 (20-30)

AvE (ongoing)

AvA s3 (ongoing)

AvM shorts s4 (ongoing)

Influencer Arc (1-3 + some interactive videos on the Greenzilla4 channel)

Or just follow my playlist!!!

[wreckedhoney]

MASSIVE SPOILER for one of the endings.

it's been a while since i tried looking, but i did hear that something like this happens last year and over time started to think, "was it a fluke?" bc no one posted footage or caps of it then, and i aimed for a completionist run in my first playthrough. turns out it's real! and definitely shines a new light on a character that, for most other types of playthroughs, will not give this much emotion! EDIT: transcript now included, and some stillshots under the cut

[0:28] Marie: Henry, this is the man who kept you from doing the right thing tonight. Kill him. [0:15] Forrest: Henry, you don’t have to do this. If you’ve not killed anyone yet, there’s still time to make the right decision. [0:05] Out of shot: (Gunshots) Henderson Police! Freeze! Marie: No! Henry, get out of there!