#it really is a free for all out here

[precarious-hermit]

"someone out there will enjoy this" i say to myself as i write whatever the fuck i please, "and it's okay if that someone is me"

[sciderman]

well - webtoons is over, gang

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[journey-to-the-attic]

one thing about ik is that she will always reach out

[fascinationstreetmp3]

i wonder how many more people would've vehemently hated gale right off the bat on full release if his introduction conversation had stayed like this or something similar

[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!

[fatedroses]

More than just the Demon.

[fluentisonus]

[turtleblogatlast]

One of the earliest examples of Leo’s “I’ll do my own thing to accomplish our goal without discussing it with my team first” is in episode one. It’s super, super quick, and ultimately inconsequential, but it subtly sets up a great precedent that I think is very interesting.

When the boys need to grab the medallion from Splinter without Splinter noticing, Raph, Mikey, and Donnie huddle together with Raph taking the lead in trying to devise a plan to get the mystic device. Meanwhile, Leo slinks away and grabs the device by clocking the situation (by knowing his father well enough to predict his actions - something he does with each family member multiple times in the series) and making a move on his own.

It works out perfectly fine, and is ultimately the best move, and it’s honestly okay that he didn’t consult everyone for something so small when it’s such a non issue to get it, but it nicely sets up how this tends to go in the series, including how it goes in the movie.

To be honest episode one is actually really good at setting up a lot of things for each character in the long run, this is just one example that caught my attention, as small and unassuming as it is.

[javelinbk]

John Lennon on the train from New York to Washington DC, 11th February 1964

Yes, he’s a numpty for opening his can upside down, but god he looks good doing it

[puppetmaster13u]

Another Dragon Prompt?

They had all figured they'd seen it all. Great wurms of thorn and vines, built by the land and leaves around them, massive wyverns of wind and storm whose roars were like a thunder crash.

But all of that was nothing when the city found itself dragged into the realm of green, where there was a deadly, horrible calm before everything fled.

The pair of drakes usually getting into things, one of gold and black scales, the other a kaleidoscope of blues and reds screamed, tearing across the land as it was torn asunder. The mothering dragon constantly dropping food on top of the people didn't even bother as it flew alongside the one usually stealing boxes as fast as their tiny wings could move. Even the drake with armor of steel and more aggression than a chihuaha turned kaiju raced away, leaping from building to building before seemingly recalling it too had wings it could use.

More dragons than Amity had ever seen before fled in great flocks, everything a panic, terrified of whatever they were trying to escape. Every shape and size, from the blobs to great wurms like the one who called itself Overgrowth, and they were running.

And then they saw it, first a familiar beast of pink flame and gouging antlers- the Wisconsin Drake, the Fentons had called it- with dozens of wings beating and ectoplasm spilling from a great gouging wound before it crashed into a building with a pained wail.

But it was what followed that truly horrified everyone. A great beast of night, fins flared out like massive wings as it swam through the sky, flames already gathered in its mouth as it stared down at its prey.

Amity had thought they had seen it all.

It did nothing to prepare them for the King's awakening.

[stil-lindigo]

Source

While reading this interview with a West Bank settler, it's important to remember her views do not represent those of all Israelis just like Israel does not represent all Jews. There has been sizeable protest in Tel Aviv against the genocide (quickly squashed under Netanyahu’s police force just like all other pro-palestinian sentiment) but it’s worth reading to get insight into the minds of average people who cheer on Palestinian deaths, and draw up a chair to watch hellfire rain down on innocents. This is the impact of years of settler-colonial propaganda - a complete dehumanisation of a scapegoat population.

It also has to be said that ALL colonialist countries are complicit in encouraging this kind of extremism, by facilitating and stoking the fires of islamophobia post-9/11. Israel is not an outlier - this kind of sentiment is festering EVERYWHERE and attempting to detach yourself and your country's identity from it is like burying your head in the sand.

If you stand on the side of Palestinians in this crisis, you have to be prepared to recognise the signs of islamophobia and fascism everywhere, and stand against them.

[flamebearrel]

“But Kris, if I wanted to watch Anim vs. with all the different series how should I even go about it??”

It largely depends on the topics and cast you’re interested in seeing. The show is split into three subseries as well as the occasional standalone episode/miniseries: Animator vs. Animation (the original created in 2006-7 by Alan Becker alone), Animation vs. Minecraft (the longest and most popular, shorts stemming off a standalone from 2015), and Animation vs. Education (the newest from 2023, visualizing high-level STEM concepts)

Personally, I think core AvA is required reading for anyone who has appreciation for past eras of the internet, UI, or principles and genres of animation. AvM and AvE are equal in quality but honestly you won’t appreciate them as much if you aren’t familiar with the topics they cover. Alan and his team do try to visually introduce things step by step, though, so you can at least get a general idea of what you’re looking at

Besides that, core AvA specifically follows the Hollow-Heads, hand-drawn stick figures created by the Animator, “noogai”/Alan. In particular you have The Chosen One (shortened to Chosen, Cho or TCO) and The Second Coming (aka Second, Sec, TSC or Orange). TSC is the de facto main character and the only one appearing in all three series, while TCO and the Animator are exclusive to the original.

The SticksFight squad - the four sticks originating from sticksfight.com and named after their colors - have developed distinct personalities as the main cast of AvM, but only take a collective side role in main AvA (Yellow has a slightly larger role than the others). Here’s a summary of their individual personalities so you know what to look for in their smaller appearances

Red - Impulsive and energetic, always the first to jump into action and with a soft heart for creatures and beasties. He’s a little simple when it comes to technical things, but excels with reading the people around him, then building off of their quirks. Since the rest of the group babies him a bit, he puts in extra physical work to prove he can hold his own. Red also tends to play around with new or out-of-the-box solutions - knowledge that extends to his pranks. Most ready to fight with his fists or use heavy-hitters like maces and clubs. (Good intro/focus eps: The Rediscovery, Texture Pack, Monster School, The Prank)

Blue - A mellow fellow! Blue is one with nature and focuses on farming, cooking, and potionology. Due to her pacifistic tendencies, Blue prefers to reason things out or find other solutions rather than fighting, but will throw herself into the face of danger for others. Otherwise she takes up ranged weapons like guns and bows. She’s detail- and aesthetic-oriented as well as graceful, but doesn’t often step outside what she knows. A bit of an addiction to nether wart, which is somewhere between an unusual snack and a drug. (Good intro/focus eps: Potions, The Piglin War, The Chef, Blue’s New Superpower)

Yellow - She loves more than anything to get down to the root of things, and that makes her the group’s engineer! …And a bit of a troublemaker, paying more attention to the thrill of a discovery than the consequences. Yellow tries to find fairness and justice for friend and foe alike. While they have a reliable, supportive demeanor, they’re also very peppy, excitable and tough with how they stand strong in dire situations. Often her fighting style takes place behind the scenes, using things like explosives or a command-casting staff. (Good intro/focus eps: The Roller Coaster, Command Blocks, Lucky Blocks, AvArcade Games)

Green - Originally the weakest on the team, but has since come into his own after a lot of reflex training (read: getting tossed around). Green has great adaptability to learning new techniques and getting creative, particularly with styles of music and architecture. He loves the spotlight and usually competes with the others or takes the chance to show off; however, he also cares deeply about welcoming in those he meets. Dashes and zips around all the time during battle, usually via fishing rod-grappling hook. (Good intro/focus eps: AvYouTube, Note Blocks, PvP, The Dolphin Kingdom)

If you’re just gonna watch the REQUIRED ones this is what I recommend:

AvA s1 (1-4, previously I-IV)

AvMinecraft (original)

AvYouTube

AvA s2 (5-8, previously “shorts” combining into V)

AvMath

AvA s3 (9-ongoing)

That way you get the introduction of both subseries, with how each establishes the cast/direction, as well as one standalone. I put vs. YT here since it best fits the theme imo but you could go with vs. Pokémon or vs. Arcade Games if you prefer

If you’re willing to take on AvM/the rest of the series this is pretty much the order of the timeline:

AvA s1

AvM (original)

AvYouTube

AvM shorts s1 (1-14)

AvLeague of Legends (required for an AvM character’s development)

AvM shorts s2 (15-19)

AvA s2

Other standalones (Blue’s New Superpower + vs. ___)

AvM shorts s3 (20-30)

AvE (ongoing)

AvA s3 (ongoing)

AvM shorts s4 (ongoing)

Influencer Arc (1-3 + some interactive videos on the Greenzilla4 channel)

Or just follow my playlist!!!

[poorly-drawn-mdzs]

Unsolved Mysteries.

[First] Prev <–-> Next

[jemmo]

i don’t want to jump the gun, but i think hwang daseul might have just done it again. two episodes in to let free the curse of taekwondo and i am obsessed. more than obsessed. transfixed. this show feels special in a way hwang daseul’s touch only can give, and just using these two episodes to compare to her previous works, i love that i can already spot the continuity in the kinds of stories she tells, the messages she portrays and how she portrays them. she just knows how to let her characters exist in harmful and difficult places and show how their experiences affect them while also just showing them as normal human beings. it is so so easy to overdramatise these kinds of stories that have these difficult topics and have it be so surface level, but she has never done that. instead, she shows how those experiences shape a person and how they go about living in spite of them. all the way from where your eyes linger to now, she gives us characters that are wholly themselves and not just the traumas they have gone through and i just adore that. i can’t remember what i was talking about specifically, but i remember talking about this sentiment and how it actually helps to build empathy in an audience as opposed to just showing a difficult topic at the most surface level bc you think that makes it accessible and easier to understand and hence empathise with. i don’t think that ever works. it’s only when you do what hwang daseul does, when you give us characters we can get to know and fall in love with and care for that you help us to empathise with their experiences. it’s hard to understand the weight and the hardship of experiencing something traumatic, but when something bad happens to someone close to you, a family member or a friend, you understand and feel that pain astronomically more. that’s what hwang daseul manages to do. and more so, she makes you feel that while also seeing these people as people. you get to see them away from the hurt, you see them smile in moments of happiness and you see that too with people you’re close to, and you feel even more how special and important those moments of happiness are.

and that’s why, whenever hwang daseul is at the helm of something, i will be seated from start to end with endless boxes of tissues ready. i can’t wait to see what else this show has in store.

[inkdemonapologist]

My BatDR Take That Used To Be Hot But I Left It Out On The Windowsill To Cool So You Should Be Able to Eat It Now Without Burning Your Tongue

its not actually that hot, is what im saying

Anyway my BatDR hot take is that BatDR's story is not fundamentally worse than BatIM with one exception; an exception that, for BatIM, covers a multitude of sins:

BatIM has a theme.

I can't presume the intentions of the creators, but if I had to write an essay on the themes in BatIM, it wouldn't be hard to pick one out: the cost of obsession, or even just, the ruin Joey brought on the studio. In the very first chapter, Henry asks "Joey, what were you doing?" and every single thing in the rest of the game revolves around that central question: what WAS Joey doing? Each audiolog is a snippet of the studio's path to this messed up state; each character you meet is someone ruined by Joey. The major antagonists echo Joey's flaws -- obsession with Bendy as more than a cartoon, obsession with perfection, obsession with fame and greatness and legacy -- but even without that, they're also each a picture of how the lives of people caught in the path of Joey's dream were ruined by it. Bertrum, for example, doesn't match the concept of rubberhose cartoons, but as yet another person screwed over by Joey, he fits the central question of the story, so he feels like he belongs here. Ultimately, in a narrative sense, the Ink Demon isn't the story's monster -- Joey is; the Ink Demon is just the consequence of his reckless ambition.

But what's the theme or central question of BatDR?

You can... try to pick out a theme. There's some promising options, because it feels like the story WANTED a theme, stating its emotional intentions more overtly -- "there's always a choice" to leave the darkness and chose hope; family and the struggle of living in a heavy legacy's shadow; or even just good old mewtwo-brand The Circumstance's Of One's Birth Are Irrelevant, It Is What You Do With The Gift Of Life That Determines Who You Are.

I think, even WITH the clumsy execution of Joey's "arc" and Audrey's lack of real choices, any of those could work about as well as BatIM. But unlike BatIM, the majority of the game doesn't tie in. Joey's tour can be considered relevant -- a picture of the family legacy and the "darkness" that Audrey doesn't yet know she's inheriting -- but like, the audiologs and hints and environment of BatDR are mostly teasing the question of What Is Gent Up To, and the takeover of Gent is detached from Audrey's choices, her family, her legacy, and Gent never really becomes a relevant threat to those things in this game. The Cult of Amok and the Ghost Train have nothing to do with any of these ideas. It might've been neat if Audrey had ever considered, "Did my father really drive all these people insane?", a hint of actually having to wonder about the darkness in her past. Even Wilson only barely brushes against these concepts; he doesn't like Joey and he also is trying to escape his family's heavy legacy, but it doesn't really reflect on his actions and we don't find that last part out until he's about to be dead.

There's also the question Wilson poses of "real" people versus ink creations, and what counts as valid "life." It would be an interesting theme with a lot to build off of in this setting, it ties into Wilson more as Wilson seems to represent the opinion that Inky Things Aren't Really Alive, which could've tied to Audrey (as an ink-person who has yet to accept that part of herself) and maybe given Wilson a reason to think it's fine to sacrifice her, it could've even tied to Gent (who don't even seem to value human life) -- but after Wilson asks the question, it doesn't tie into the direction things go. He smooshes a little Bendy, we see hints of his disregard for Betty, and then everyone continues with their plan to destroy the Ink Demon without any further moral quandaries about inky life.

The thing is, when you compare an element like, say, audiologs, there's a lot of differences you can point to -- but I don't actually think Lacie Benton's audiolog is notably better, taken on its own, than Grace Conway's or Kitty Thompson's, and yet tons of people were intrigued enough to flesh out Lacie. None of them are big plot points or compelling characters on their own; Lacie and Grace both give us a little note on what it's like working in the Studio, and Kitty shares a little bit on how Gent's expansion is affecting people. But when Lacie talks about Bertrum trying to make a creepy animatronic, that ties back into Joey's ill-fated schemes that are the point of the whole story. The question we're asking through the whole game is "what happened here?" so the fandom is interested in who Lacie is and what her life was like and extrapolates a whole person out of a couple sentences. But that's not the question in BatDR -- what has Wilson done to the Cycle and the Demon? Why? Who is Audrey really, and why is she here? Telling us new things about the Studio's fate seems strangely irrelevant to those questions, just an attempt to create a Mystery To Speculate On like the previous game did... but what question you're asking and how it fits into your story's main theme, like, matters. I absolutely believe that one clock animator guy would've been in EVERYONE'S crew if he'd been introduced in BatIM, but the context makes a difference; fleshing him out feels less relevant here.

The explanations of how and why Wilson did everything he did are baffling and handwavey, but in and of itself that's not a worse problem than anything else in the franchise -- I STILL don't understand why the Ink Machine needs pipes in the walls or even how it works, there's no good reason for Sammy to believe the Ink Demon will "set him free," most of Alice's motives don't make sense, etc etc etc. But the thing is that in BatDR, the wibbly bit is the closest thing to a central question we have! Wilson, what were you doing? The theme doesn't really explore or connect to that question, so the explanations that are finally tossed our way feel lacking in a way that BatIM's handwaved elements don't. There's a lot about Joey's motivation in BatIM that we can't know, but the heart of it resonates -- Joey wanted something, he was willing to exploit people to get it, and he became obsessed and prioritised that dream at any cost. We'll weather a thousand logistical inconsistencies if it's got heart.

But all of that said.... to be honest, I don't think Lacie overtly fits that theme anyway. Even, like, Sammy is iffy -- we don't really know what happened to him, only that he didn't used to be made of ink and worship Bendy, and now he does. We assume Joey's nonsense had something to do with what happened to him (though the books later assert his influence was indirect at best), because when there's a pattern, we can fill in the blank. So many fan creators found a place for Lacie, Grant, and Shawn in the cycle as butcher clones or lost ones, so many people imagined that Wally must be the Boris we meet, because that would've fit the pattern, the idea that the point of what we're seeing is the downfall of the studio. It's not actually that BatIM did a great job tying everything together -- it's that BatIM gave us a compelling idea and that was all it took to make everything else SEEM like it could find a place to fit. This is what I mean when I say BatIM's theme covers a multitude of sins. There's a LOT of characters in BatIM that don't make sense. There's a lot of inconsistencies and things that just sort of happen without any real reason. Characters don't really have "arcs" so much as different states they happen to be in at different times. But because there's a central question and the story doesn't wander away from it, our pattern-loving human brains will slot in all the pieces and do all the work to make the story feel at least somewhat coherent.

The things that happened in BatDR aren't a whole lot less coherent than BatIM imo, they just don't tie into a bigger theme or any of the questions the story's asking, making "how do they fit into all this" feel irrelevant, making it easier to forget entire sections and harder to get invested in audiolog characters. I think a lot of the other criticisms people have for BatDR's story are very valid, but I also suspect that if BatDR had a more successful theme/central question, then a lot of its flaws would be easier to overlook -- just like BatIM.