#it probably doesn't even fit

[totheidiot]

i feel like this is such a low hanging concept that i am certain that this has been done before but... lawlight time loop but with a tiny spin. the particular day that is being time looped is, of course, november 5. the original day starts of as normal, light (it's light's pov) wakes up the happiest man alive because he knows that today, he will kill L. without a doubt, he'll die. L goes to visit watari, rain scene, feet scene, the stuff that happened in the episode happens. L dies in light's arms and light couldn't be any happier. he takes rem's death note and makes a good show of his grief, once the day is done, he goes to his bedroom to sleep.

except. when he reaches his bedroom, he finds L there. L is on his bed, typing away in his laptop. light is most obviously confused and kind of frightened, because he just killed the guy today. but when light closes his eyes and opens them again, L is not there anymore. it was like he was never there at all. now, light doesn't understand this at all. maybe it's just a hallucination. whatever. he is tired, it's been a long day. he goes to bed and has a good night's sleep.

the first time loop day starts of as normal, light (it's light's pov) wakes up the happiest man alive because he knows that today, he will kill L. without a doubt, he'll die. L goes — wait. L is already dead, isn't he? why is he thinking about killing L? oh and, why is this day so familiar? light is sure he's lived this day already... whatever. L goes to visit watari, rain scene, feet scene, the stuff that happened in the episode happens. L dies in light's arms and light couldn't be any happier. he takes rem's death note and makes a good show of his – yeah. light has most definitely lived this day before.

and then the spin comes in, even though the entire day had been the exact same as the previous one, no change at all, there is actually one subtle change that light noticed has changed: when light hallucinates L in his bed in the day he died, the scene is always different. in the original day, he watched L type away in his laptop, the 1st time loop night he watches L on his bed eating sweets. each night, despite the fact that he is relieving the same day all of the time, what the hallucination of L is always always changes.

so time loop continues. light wakes up on november 5 everyday, feeling like the happiest man alive. it goes on.

now, i have half an idea of how the time loop ends and light has to do one thing: during the rain scene, he needs to tell the truth. that is all that he needs to do, he needs to tell the truth. it's not even that he needs to not kill L, because L is allowed to die, that wouldn't matter. tell the truth, that's it. and light kind of knows that that is how he can stop the time loop and move on. but the thing is. he can't. during the rain scene, no matter how many of the same days he has spent, he can't let himself be honest. just as it is inevitable that he wakes up in november 5 as the happiest man alive, just as it is inevitable that L will die, it is inevitable that he does not tell the truth. whatever the truth is.

and i would imagine that the fic would end in a very ambiguous sort of way where we don't really know if light ever decides to be honest. for all we know, he could still not be able to do it, he could be stuck in the same day of november 5, seeing L die the same way forever and ever, seeing a different hallucination of L each day. just because he can't tell the truth.

[vulpixelates]

i know it will never happen but i so desperately desire an origins-type playable backstory thing in all games but especially veilguard. i feel like it added so much depth to origins and made you feel instantly connected to your character in a way that gets lost in games like inquisition where you fill in the blanks as you go except for the bare basics. like, i do enjoy the freedom to willy nilly decide where a character was before the events of the story from a creative perspective, but the playable origins were just so good! especially when you go back to where your warden is from and can engage differently with the arcs there

[benevolenterrancy]

hi!! I think your art is *so cool* o(≧∇≦o)

do you think you could draw more moshang? either post canon or that au you did last time?? (baby mobei has my heart and all I own)

(˵ •̀ ᴗ •́ ˵ ) oh! how about return to childhood—moshang flavor?

don't question this king, shang qinghua, he knows what he's about

[ryllen]

x

[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[elsannej]

He got dragged into a wedding dress butique at the girls' night out.

As much as i like putting robots in dresses, i hc that Omega honestly kinda dislikes/doesn't care for women's/fem apparel. In his eyes they emphasize all the wrong things (looking soft/dainty/sweet). Not to mention how impractical e.g. dresses are.

It took a lot of convincing get him to try the stuff on:

Rouge (currently rocking a party dress herself): “Do i give off [any of the words on Omega's list] vibes? How about Blaze (in a light summer dress) over here?"

Omega (who hasn't & doesn't associate either of them with "softness" etc.,): "mmmmmmmmmmm" (If he answers truthfully he's gonna get roped into "Say Yes to The Dress")

And Omega finds out that he doesn't mind some of the dresses. That a select few actually... look quite good on him:

They either clash nicely (depicted dress) in a way that accentuates his form by putting something soft & light against his angular & heavyset build, or bring up other positive aspects - things Omega only now learned to look for/analyse in fashion - e.g. boldness/grandness/fierceness. He doesn't mind that at all.

@generic-sonic-fan

[silusvesuius]

properly drew my 2 skyrimlians; Agnes, the tryhard failure, and the recently born Gorshi, the 'neat' one.. sometimes a good guy, sometimes a bad guy. sort of polar opposites maybe.

and their respective horses !!! 😝🐎🐎🐎🐎🐎

[lgbtlunaverse]

While I think the moment in cql where Meng Yao– still bleeding from a stab wound in his chest btw– realizes Lan Xichen is in danger and decides to save the man who was so kind to him in cloud recesses is cute and all, nothing will ever beat the book for me. Little bookkeeper civilian Meng Yao, who has not had a serious chance to make his dreams of being a cultivator come true in fucking years, out of nowhere gets the fucking sect leader of Gusu Lan dropped right in his lap?

It's such a great example of Meng Yao's multilayered motivations to me. Because is civilian Meng Yao thinking of all the ways he can use this? Of the fact that having a great sect leader in his debt is the best thing that could happen to him? Duh. Obviously.

Is he very purposeful about appearing to Lan Xichen as a kind young man full of untapped potential, brave and willing to put his life on the line even though he really doesn't know so much about about cultivators, no sir, except a little he picked up here and there, because you see his father– 👉👈 Of course he is!

But the way through which he does that is... by actually saving Lan Xichen's life, at no doubt significant personal risk. The way he makes Lan Xichen believe he's kind and selfless is by... being kind and selfless. Just because he's doing it on purpose doesn't mean he's not doing it.

Is it lying if you want people to think you're nice and so you're nice to them? Isn't that just called being nice? Yes, he is very purposeful about how he appears to people, and very carefully crafts an image based on what he wants them to think of him, but most of the time he does that simply by... actually being the kind of person he wants to appear as. He still did the kind things he did, regardless of his motivations for doing them.

[vellichorom]

something something, post about " based off of his voice & only his voice, tell me you think the narrator can do a cartwheel, let alone have divine prowess "

[goddessofroyalty]

Both my partner and I like the head canon that people in Zaun don't have surnames. Partially because it gives us a chance to play around with the stories of when various groups throughout history that culturally didn't have surnames are forced to and the names they came up with. And Sky Young kind of fits with that historical precedent.

Anyway in the Zaun Family AU Silco is forced to provide a surname for him (and by extension his family) when he takes the Representative role.

He picks Zaun. Because if they're going to force him to put one down on every piece of paperwork he has to fill out he's going to make them look at the true name of the undercity whenever they look at it.

[eri-pl]

A portrait from the days of bliss

There is a portrait of Feanáro with his three sons, painted very shortly after the Silmarils had been finished. Maedhros was an adult already, Maglor was what in human terms would be a teenager, and Celegorm was a toddler. (Nerdanel and Finwë were away, visiting friends for a couple weeks)

There is, of course, the version of it that up to this day hangs in Tirion, after being taken from the abandoned Formenos. The official, well-composed, well-behaved painting.

But there's also another version. For, you see, it was in fasion in those days, to paint portraits that looked spontanous, as if somehow capturing a moment, intimate and unplanned. They often were composed of many moments, many expressions of personality that occured during the painting.

In the painting, as it was planned by Feanor, he is in the back, towering over his sons (Maedhros isn't much taller than his father, but isn't much shorter either, so a step was used to achieve the composition. The room is dark, but obove the prince there is a window, letting in the bright radiance of Laurelin, so that Feanor is in parts bright like a flame, and in parts covered in deep shadows. This is true for both paintings.

But in the unknown portrait his face is angry, captured mid-sentence as he was probably berating his sons.

Only Maedhros is well-behaved, standing calm in the front-center with his left hand at Maglor's arm (assuredly? threateningly?). The truesilver circlet bearing the gem (all three have such circlets) sits properly on his head, and his hair is well-braided, tied high with a crimson ribbon (who made it?), braids falling like lava a cascade from the top of his hair. The only spontaneity here is his right hand raised to fix the hair, the ribbon caught by a gust of wind, raised up, twirling at his wrist, messy and breaking the composition, the other end of it falling on his forehead, dying the light of the Silmaril red.

Maglor is standing there turned half to the side, rolling his eyes and clearly unhappy to be in the portrait. His hair is a wavy mess, half-braided, falling onto the circlet so that the light piercing through is dark, almost greenish even though his hair is dark brown.

Little Tyelco has a bird in his hand (how did he get a songbird into the portrait without his father noticing is not known), had the circlet in his other hand and very clearly tried to eath both, but at the moment captured by the painter the bird has just pecked him, the circlet is falling down (with droplets of saliva sparkling in the air) and Tyelco has the peculiar expression of a child that is just about to cry.

The other portrait shows them all standing proud and smiling and, to be honest, this is what they did for most of the time (first tyelco got pecked, some time after Maglor got visibly bored, and their father started berating him for complaining)

There is a portrait of Feanáro with his three sons, painted very shortly after the Silmarils had been completed, by a painter who had, to be honest, more foresight than manners. But not many have ever seen it.

[13eyond13]

Something I love about Light is he's a ridiculously tough character while also being a ridiculous tantrum thrower at times too. I think we the audience sometimes see him as a bit more volatile than he actually appears to other characters because we see all his inner freaking out and his private outbursts and his sneaky little grins and asides? So he's still fun and dynamic as a protagonist to follow and to watch, but he's also not actually passive or boring or a big wimp that gets frustrating to follow. He's just always up for whatever and incredibly sure he's going to come out the winner, even when he's stressed af or trying to win at the worst thing you've ever seen

[teawizard]

@encantober-official late entry for day 28: Moon!

A short explanation of the premise and a bonus Isabela with a short haircut under the cut!

So, in the place where I live there is (was) a superstition that says that you shouldn't cut your hair when the moon is aging, because it will grow back slower than before. I couldn't find if it is possible that such a superstition could exist in Colombia mid 20th century, but Encanto takes place in a fictional world anyway, so why not.

When I read the list of prompts for Encantober, I somehow connected Moon and Isabela in this thing where she wants to cut her hair to 'start a new life'. I planned the comic to be a joke where she answers Dolores that she hates her long hair and then on the last panel she's like doing gardening with her short hair not getting in the way like the long hair would.

But then I thought that this way I could create like a negative image that now that Isabela is free, she rejects everything feminine that was forced upon her. I might be overthinking it, but ultimately, I'm happy that I changed this comic to have Isabela express her desire to be herself and make her choices without her essentially disliking the way she used to look like.

No other thoughts, it's 4:34 am here, head empty, here's Isabela with short hair

[wayfayrr]

Would probably freak out a bit realizing link probably saw me naked when I pause the game 😨

okay so this might seem kinda like a silly response but I think he'd be more curious than anything

like in their games you can never be naked, even in breath of the wild when you strip he's always got shorts on right? then in twilight princess and skws you can change even less - they've never seen anything like it because it simply doesn't exist within the game

the older games are even more confused because before you they've never even seen a 3d human body, only pixelated ones

but of course, this doesn't happen until they've been aware for a long time since finding a way to see out of the console/emulator takes a good amount of time for them and there's probably a couple hints that they'd be getting to that point if you're able to notice them :P

[slightlytoastedbagel]

the way that Vivid Bad Squad became a thing on a spur of the moment decision because "hey we both want the same thing and have this shared pocket dimension so we might as well???" and now they're the most important people in each other's lives who they're going to go around the world with and didn't even need to consider going back to the duos because they're a TEAM

[kit-screams-into-the-future]

Okay I saw more of your art and had to come back (if it’s okay)

Maybe this time….King Marty? Like in a kings outfit with the septor

and crown and stuff? Idk

no problem at all! i'm just happy you enjoy :D

anyone with any remote knowledge of historical dress from any vague period or region please avert your eyes.